Steven Stucky, Pulitzer Prize-winning composer

Music department lecture

"American Intimacies: Disability and Intimacy Roundtable"

Mel Chen and Robert McRuer; Julie Elman, respondent

"Yiddish, Translation and a World Literature To Come"

Saul Zaritt, Friedman Postdoctoral Fellow in Jewish Studies, Washington University

"Racial Framing and Gender at Work"

Adia Harvey Wingfield (Sociology, WUSTL) - Ethnographic Theory Spring Lecture Series

"Religion and the Lability of Form"

Brian Larkin (Anthropology, Barnard/Columbia) - Ethnographic Theory Spring Lecture Series

"Engineering Utopia: The Turn to Science in Postwar North and South Korea"

Dafna Zur, Assistant Professor, Stanford University

"Hip Hop and Asia"

Tiphani Dixon, University of Missouri

"Famished: Eating Disorders and the Cruel Optimism of Treatment in the United States"

Rebecca Lester (Anthropology, WUSTL) - Ethnographic Theory Spring Lecture Series

"Tina Turner’s Turn: Gender, Race, Genre and the Queen of Rock"

Maureen Mahon, Department of Music, New York University

"Constellation, an Improvisation" by K.J. Holmes

Performing Arts Department's 2016 Marcus Artist-in-Residence

Visiting Hurst Professor Percival Everett lectures on the craft of fiction

Visiting Hurst Professor Percival Everett reads from his fiction

Rickey Laurentiis and Phillip B. Williams read from their poetry

"The Book as Artifact"

Panel discussion featuring Faculty Book Celebration speaker Christiane Gruber, Robert Hegel (East Asian Languages & Cultures) and Ken Botnick (Kranzberg Studio for the Illustrated Book); moderated by Nancy Berg (Jewish, Islamic & Near Eastern Languages)

First Book Information Session and Workshop

Morning information session

First Book Information Session and Workshop

Workshop - Part 1 (registration required)

First Book Information Session and Workshop

Workshop - Part 2 (registration required)

"Chinese Constitutionalism at the Crossroads: Challenges, Opportunities and Prospects”

Wen-Chen Chang, National Taiwan University - William C. Jones Lecture

"Foreign Language Colloquium Workshop: An Integrated Approach to FL Teaching and Assessment"

Keiko Koda, Carnegie Mellon University

"Foreign Language Colloquium Lecture: L1-Induced Facilitation in L2 Reading Development"

Keiko Koda, Carnegie Mellon University

"Urbanization: Towards a New Conceptual Cartography"

Neil Brenner, Professor of Urban Theory, Director, Urban Theory Lab, Graduate School of Design, Harvard University - Divided City: City Seminar Talk

Can urbanization be equated with the growth of cities and their populations? In this lecture, Neil Brenner argues against that prevalent conception, which continues to dominate mainstream global urban policy discourse. Instead, he proposes a multiscalar approach to urbanization that includes city-building as well as the construction of broader territories, landscapes and socionatures that support urban life on a planetary scale. He argues, in particular, that historically inherited 'hinterlands' are today being transformed into operational landscapes for the metabolism of capitalist industrial urbanization:  they are thus integral to a thickening, if unevenly woven, planetary urban fabric. On this basis, Brenner speculates on questions of territorial (in)justice under conditions of planetary urbanization.

RSVPs appreciated to Tila Neguse, tneguse@wustl.edu

"woke"

2016 Black Anthology

"Enthymeme and Emotion from Aristotle to Hoccleve"

Visiting Hurst Professor Rita Copeland

Visiting Hurst Professor Dan Beachy-Quick reads from his poetry

“The Ever-Modern University”

Robert E. Wiltenburg, dean emeritus of University College - MLA Lecture Series.

“Educating to Innovate: The Liberal Arts in the 21st Century”

Jennifer R. Smith, dean of the College of Arts & Sciences and associate professor in the Department of Earth and Planetary Sciences - MLA Lecture Series.

“Arts & Sciences: The Heart of a University”

Barbara A. Schaal, dean of the Faculty of Arts & Sciences and the Mary-Dell Chilton Distinguished Professor in the Department of Biology - MLA Lecture Series.

“The University Is Not a Business: Thoughts on How to Frame Higher Education for the Future”

Provost Holden Thorp, executive vice chancellor for academic affairs and the Rita Levi-Montalcini Distinguished University Professor - MLA Lecture Series.

“From Washington University to the White House”

Eric Schultz - Assembly Series Lecture

"Identity, Language and Literature in the Caribbean"

Nancy Moréjon, Cuban poet, critic and essayist

"Robert Heinecken's Photograms"

Matthew Biro, Chair and Professor, History of Art, University of Michigan

"Abstraction and Race at Mid-Century: Comparing Histories of Art and Design"

Kristina Wilson, Associate Professor of Art History at Clark University

"On Medieval Islamic Talismans"

Persis Berlekamp, Associate Professor of Art History and the College, University of Chicago

"Endurance, Ephemerality: Art and the Passage of Time"

Graduate Art History Symposium

"Temporalities of Impressionism: Painting at the Speed of Consciousness"

André Dombrowski, Associate Professor, History of Art, University of Pennsylvania - Graduate Art History Symposium

"Visual Ontologies: Style, Archaism, and the Construction of the Sacred in the Western Tradition—From Antiquity to Modernity and Back"

Jas Elsner, Humfrey Payne Senior Research Fellow in Classical Archaeology and Art, Corpus Christi College, Oxford University (Visiting Professor, University of Chicago)

Dan Beachy-Quick lectures on the craft of poetry

Visiting Hurst Professor Dan Beachy-Quick

Joshua Cohen reads from his fiction

Beth Bachmann reads from her poetry

"New Approaches to Islam's Formation: An Arabic Papyrus from the Early Islamic Period"

Fred M. Donner, professor of early Islamic history in the Department of Near Eastern Languages and Civilizations, University of Chicago

Labor Trafficking Panel Discussion

Panelists include representatives from Rescue and Restore Coalition, Legal Services of Eastern MO, and the Coalition Against Exploitation and Trafficking, as well as a lecturer in International Studies and a survivor.

Sex Trafficking Panel Discussion

Panelists include representatives from the Coalition Against Exploitation and Trafficking, the YWCA, and the St. Louis City Police Department, as well as a therapist and survivor

Panel Discussion on Histories of Art and Design

John Klein, Maggie Taft, Kristina Wilson; with Jennifer Padgett as discussant

"'Everyday Problems and Everyday Things': Selling Scandinavian Design in Mid-Century America"

Maggie Taft, Andrew W. Mellon Postdoctoral Fellow in Modeling Interdisciplinary Inquiry, Washington University

Day of Discovery & Dialogue

Registration requested

"Facing Ferguson: Reflecting on Racial Innocence"

Paul Taylor, University of Pennsylvania

"Family Papers: A Sephardi Journey through the 20th Century"

Sarah Abrevaya Stein, the Maurice Amado Chair in Sephardic Studies at the University of California, Los Angeles

“The Uses of the Self: Thoughts on Memoir”

Daniel Mendelsohn, Bard College - John and Penelope Biggs Residency in Classics

"Gawping, Gaping, Staring: Living in Marked Bodies"

Eli Clare, writer, speaker and activist addresses disability, gender, race, class and sexuality in his work

Screening & Discussion: "The True Cost"

Introduced by Robin VerHage-Adams (Sam Fox) and Kedron Thomas (Anthropology)

"Gods, Puppets, and Robots: The Ghost in Japanese Theatre’s Machine"

Cody Poulton, Professor, University of Victoria

"Artists, Scholars, and Mothers: Gender Roles in the Ongoing Evolution of Traditional Music in South Korea”

Ruth Mueller, Lecturer, Musics of the World, Washington University

"Transnational Dissonance: Yvonne Venegas' 'María Elvia de Hank' series"

Desirée Martin, University of California, Davis

Screening & Discussion: "The Bronze"

Post-film Q&A with actress Melissa Rauch

Screening & Discussion: "Cat on a Hot Tin Roof"

Tennessee Williams Birthday Bash

“From Roman Games to Reality TV: Using the Classics to Think about Pop Culture”

Daniel Mendelsohn, Bard College - John and Penelope Biggs Residency in Classics

"Hearing Is Believing: Children, Disability, American Radio and Popular Culture, 1910-1970"

Walton O. Schalick, University of Wisconsin-Madison - Children's Studies Lecture

Walton O. Schalick, MD, PhD, assistant professor of Medical History, Rehabilitation, History of Science and Pediatrics at the University of Wisconsin-Madison. Using scripts, recordings and archival supporting documentation, Schalick explores the shifting, widespread and often dramatic appearance of disabilities in American radio culture in the 1910s–70s. What emerges is a provocative sense of how important this cultural medium was as a “backdrop” to the increasingly changing place of disability in American life, with children as one locus of that cultural uptake. 

Structural Racism, Power and Privilege: Residential Segregation and School Resegregation Symposium

Dr. L'Heureux Lewis-Mccoy

African Film Festival

"The Black Muslim Encounter and Why It Matters"

Zain Abdullah, Temple University

"Black Activism in the Academy: What Can You Do from Where You Are?"

“Global Inequalities: Reflections on Economic Citizenship”

Manuela Boatcă, Albert-Ludwigs-University Freiburg, Germany

"Exquisite and Lingering Pains: Facing Cancer in Early-Modern Europe" - Eighteenth-Century Interdisciplinary Salon

Javier Moscoso, Research Professor of History and Philosophy of Science at the Institute of History of the Spanish National Research Council

Eighteenth-Century Interdisciplinary Salon 

Javier Moscoso discusses his contribution to the volume Pain and Emotion in Modern History (Palgrave, 2014) entitled “Exquisite and Lingering Pains: Facing Cancer in Early-Modern Europe.”

Moscoso was a postdoctoral fellow at the Max Planck Institute for the History of Science in Berlin and a Fulbright Scholar in the Department of History of Science at Harvard before becoming research professor of history and philosophy of science at the Institute of History of the Spanish National Research Council (CSIC). His most recent book, Pain: A Cultural History (Palgrave, 2012), was internationally acclaimed, and he has since turned his attention to the passions of ambition, jealousy, envy and resentment. This salon discussion of his published piece will serve as a springboard for a broader discussion of (early) modern passions.

Javier Moscoso’s public lecture, "The Moral Treatment of Ambition: Passions, Politics and Mental Illness in the Early 19th Century," is Thursday, April 7 at 6 pm.   

For advance readings, please contact:

Tili Boon Cuillé
Co-coordinator of the Eighteenth-Century Interdisciplinary Salon
tbcuille@wustl.edu

"'Sonic Visions': Jazz and Improvised Music to Avant-Garde Films"

Saxophonist Joel Vanderheyden, bassist Paul Steinbeck and percussionist Thurman Barker

"The Moral Treatment of Ambition: Passions, Politics and Mental Illness at the Early 19th Century"

Javier Moscoso, Research Professor of History and Philosophy of Science at the Institute of History, Center for the Humanities and Social Sciences CSIC, Spain

"The Last Survivor: Listening to Italians Who Lived through Fascism and World War II"

Alexander Stille, Professor of International Journalism, Columbia University - Paul and Silvia Rava Memorial Lecture in Italian Studies

"Hypersexualization or Sexual Agency?"

Susan Stiritz, PhD, MSW, MBA, Brown School of Social Work

Title IX Panel - Sexual Assault Awareness Month

Kim Webb, Austin Sweeney, and Jessica Kennedy

"Sex Trading and Trafficking in Community Context: Action Research, Prevention, and Dignity"

Lauren Martin, PhD, Director of Research at the University of Minnesota's Urban Research Outreach-Engagement Center, lecturer at the Humphrey School of Public Affairs

"Taking It Personally: Why Gender Violence Is an Issue for Everyone"

Jackson Katz, PhD, filmmaker, author, scholar

"Intersection of Aging and the Arts for Health and Wellbeing"

Linda Noelker

Gallery talk on 19th-century American landscape painting

William L. Coleman, Postdoctoral Fellow, Art History & Archaeology

"Many Hands Make Light Work: Towards a Digital Book of English"

Martin Mueller

"Rethinking the Long Reformation: Purity, Purgation, and Religious Refugees in the Early Modern World"

Nick Terpstra, University of Toronto

Screening & Discussion: "Wadjda"

“Grit: Passion and Perseverance for Long-Term Goals”

Angela Duckworth, Department of Psychology, University of Pennsylvania

"The Dynamic Welfare State"

David Stoesz, Executive Director, MSW Program, Kean University

"Reconstruction Relived: Communists, the South, and Racial Anxiety during the Great Depression"

Maryan Soliman, AFAS Postdoctoral Fellow

Special advanced screening of 'Everybody Wants Some!!'

College ID required - Q&A with actors Tyler Hoechlin, Ryan Guzman and Blake Jenner

“Creating the Lung Block: Racial Transition and the Making of the ‘New Public Health’ in a St. Louis Neighborhood, 1907-1940”

Taylor Desloge

City Seminar Lunch Series, sponsored by the Divided City Initiative

 

"The Future of Memory: A Queer Decolonial Approach"

Macarena Gómez-Barris, University of Southern California

Religion in the Public Sphere: Case Studies in Hope and Stress

RSVP REQUIRED - Danforth Center on Religion and Politics, with the Pulitzer Center on Crisis Reporting

"Taiwan Is Not China: Aborigines, Colonial Rulers and Democratization in the History of the Beautiful Island"

Bruce Jacobs, Emeritus Professor of Asian Languages and Studies, Monash University, Australia

"Beethoven's Priestess of Biedermeier Offering? Clara Wieck in Vienna"

Jonathan Kregor, Professor of Musicology, University of Cincinnati

Colloquium: “Sophocles: Interpreting Tragedy”

Robert W. Wallace, Northwestern University: John and Penelope Biggs Resident in Classics

Seminar: “Thucydides and the Causes of the Peloponnesian War”

Robert W. Wallace, Northwestern University: John and Penelope Biggs Resident in Classics

"Participation in Reading Locality: Urban Spaces, Regions, Margins"

South by Midwest Conference - Keynote Speaker: Professor Alejandro de la Fuente Harvard University

Distinguished Humanities Lectures

Lynn Hunt, Professor Emerita of History at UCLA

"Movement, Exchange, and Belonging in the Hispanic World"

Romance Languages and Literatures Spanish section graduate student conference

Screening & Discussion: "Matt Shepard Is a Friend of Mine"

Panel discussion moderated by Moderated by Vanessa Fabbre, Assistant Professor, Brown School - Please RSVP

Chancellor’s Graduate Fellowship Program 25th Anniversary & Celebration

Lecture & panel discussions open to the public

"The Kyrenia Ship and the Goods of Its Crew"

Andrea Berlin, James R. Wiseman Chair in Classical Archaeology, Boston University - Mylonas Lecture in Classical Art and Archaeology

"Paris Is Burning" - Film screening & discussion

Henry Hampton Film Series

"At the Fair: Music from the 1904 Louisiana Purchase Exposition"

Sponsored by University Libraries and the Department of Music

"Freedom"

Dance performances by the Modern American Dance Company inspired by civil rights materials at WUSTL Libraries

"The Rise and Fall of 'Theory' in the Humanities"

Lynn Hunt, Professor Emerita of History at UCLA - Humanities Lecture Series

“The Spiritual Legacy of Jimmy Carter”

Randall Balmer, Dartmouth College - Pfautch Lecture/Contemporary Issues Forum, Spiritual Values and Politics

“Spiritual Values and the 2016 Election”

Randall Balmer, Dartmouth College - Pfautch Lecture/Contemporary Issues Forum, Spiritual Values and Politics

Liederabend, featuring Amy Owens, soprano and Kirt Pavitt, piano

Formal introduction by Dolores Pesce, the Avis Blewett Professor of Music, Washington University

"Critical Mass"

Washington University Dance Theatre, artistic direction by Cecil Slaughter

"Global City Futures: Desire and Development in Singapore"

Natalie Oswin, Associate Professor, McGill University - WGSS Decentering the West Lecture Series

Chamber Project St. Louis presents "American Renegade," featuring Nicole Aldrich

Featuring a Washington University Institute for Public Health speaker addressing the impact of gun violence on American public health

Heart Strums featuring Hossein Alizadeh and Hossein Behroozinia

Persian Classical Music Improvisation

"New American Classics," featuring Chris Grymes, clarinet and Xak Bjerken, piano, with special guest Scott Andrews, clarinet

World premiere Christopher Stark, Assistant Professor of Music, Washington University

Ensemble 32, Ryan MacEvoy McCullough and Andrew Zhou, pianos

Annual Harold Blumenfeld Event

Equal Play: Celebrating Women Composers

Co-sponsor: Community Partnership Programs of the STL Symphony

William H. Gass Symposium: International Writing

Keynote speaker: translator-scholar Susan Bernofsky

“Clothed/Unclothed: Laura Aguilar’s Radical Vulnerability”

Amelia Jones, the Robert A. Day Professor of Art and Design, Vice Dean of Critical Studies, USC Roski School of Art and Design, University of Southern California

"Boxing Wonder: Joseph Cornell and the Tradition of the Curiosity Cabinet"

Kirsten Hoving, the Charles A. Dana Professor of Art History, Department of History of Art and Architecture, Middlebury College

“Black or White? The Early Work of Pierre Soulages, C.1948-1955”

Natalie Adamson, School of Art History, University of St. Andrews, Scotland

Dedication of the Douglas B. Dowd Modern Graphic History Library

Open house, symposium, lecture

“The History of Race as Mobilized in Contemporary Popular Music in Dominca”

Timothy Rommen, Professor of Music and Africana Studies at the University of Pennsylvania

"China’s Porcelain Capital: The Rise, Fall and Reinvention of Ceramics in Jingdezhen"

Maris Gillette, the E. Desmond Lee Professor of Museum Studies and Community History, University of Missouri-St. Louis

Teaching East Asia Lecture

Hae-Young Kim, Professor of the Practice in the Department of Asian and Middle Eastern Studies, Duke University

Symposium on American illustration and consumer culture

Lecture by Professor Douglas B. Dowd

Dedication of the Douglas B. Dowd Modern Graphic History Library

"Organized Complexity: The Novel and the City”

Garth Risk Hallberg - Assembly Series

"Between the World and You: Our Duty to Fight for Freedom"

Brittany Packnett, vice president of National Community Alliances, Teach For America - First Year Reading Lecture/Assembly Series

"The Best Show in Town, Straight from the Countryside"

William Acree, Associate Professor of Spanish, Washington University

"Tea, Women & Civilization in 18th Century Scotland"

Lynn Hunt, Professor Emerita of History at UCLA - IPH Humanities Lecture Series Seminar

"Considering Systemic Injustice in Light of 'Making a Murderer'"

Dean Strang, defense attorney, featured on Netflix’s documentary series "Making a Murderer" - Assembly Series

"Legalizing Sin: Moral Reckoning around Abortion Among Catholic Women in Mexico City After Recent Legalization"

Elyse Singer, PhD Candidate, Anthropology & WGSS Graduate Certificate Commentator: Katherine D. Moran, Assistant Professor of American Studies, Saint Louis University - WGSS Fall 2016 Colloquium Series

"The Erotics of Tears: Moving Beyond Pornographies of Woundedness"

Amber Musser, Assistant Professor, WGSS Commentator: Paige McGinley, Assistant Professor of Performing Arts - WGSS Fall 2016 Colloquium Series

"Research at Women's Colleges, 1890-1940"

Mary Ann Dzuback, Associate Professor, WGSS & Education Commentator: Linda Nicholson, Susan E. and William P. Stiritz Distinguished Professor of Women's Studies, and Professor of History - WGSS Fall 2016 Colloquium Series

Film Screening: "From This Day Forward"

This event is open to the public.

"A Runaway World? Food and Class in the 2nd Millennium BC"

Xinyi Liu, Assistant Professor of Anthropology, Washington University - Anthropology Fall Colloquium

"Wounds of Charity, Haitian Immigrants and Corporate Catholicism in Boston"

Erica James, Associate Professor of Anthropology and Director of Global Health and Medical Humanities Initiative, MIT - Anthropology Fall Colloquium

Lucia Stecher

Lucia Stecher, University of Chile, Santiago

"The Most Important Era in U.S. History That You Never Heard Of, and Why It's Still Important Today”

James Loewen is a sociologist, historian and author of "Sundown Towns: A Hidden Dimension of American Racism"

James Loewen is a sociologist, historian and author. His lecture will include:

  • Why did the South secede?
  • Why do people believe myths about the Confederacy?
  • What is a Sundown town and how did they come about?
  • The current state of racial in/equality in America.

SPEAKER BIOGRAPHY

James Loewen is a sociologist, historian and author of Sundown Towns: A Hidden Dimension of American Racism, named "Distinguished Book of 2005" by the Gustavus Myers Foundation. Loewen is best known for his 1995 book, Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, which was republished in 2008. Jim Loewen taught for 20 years at the University of Vermont. Previously he taught at the Historically Black College, Tougaloo College in Mississippi. He now lives in Washington, D.C., continuing his research on how Americans remember their past. In 2010, Teachers College Press brought out Teaching What Really Happened: How to Avoid the Tyranny of Textbooks and Get Students Excited About Doing History, intended to give K-12 teachers (and prospective teachers) solutions to the problems pointed out in Loewen’s earlier works.

As the Sesquicentennial of the Civil War approached, Loewen co-edited and published The Confederate and Neo-Confederate Reader (University Press of Mississippi, 2010). His other books include Mississippi: Conflict and Change (co authored), which won the Lillian Smith Award for Best Southern Nonfiction but was rejected for public school text use by the State of Mississippi, leading to the path breaking First Amendment lawsuit, Loewen et al. v. Turnipseed, et al. His other books include The Mississippi Chinese: Between Black and White, Social Science in the Courtroom and The Truth about Columbus.

He has been an expert witness in more than 50 civil rights, voting rights, and employment cases. His awards include the First Annual Spivack Award of the American Sociological Association for "sociological research applied to the field of intergroup relations," the American Book Award (for Lies My Teacher Told Me), and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship. In 2012 the American Sociological Association gave Loewen its Cox-Johnson-Frazier Award, for "scholarship in service to social justice." Also in 2012, the National Council for the Social Studies gave Loewen its "Spirit of America" Award, previously won by, inter alia, Jimmy Carter, Rosa Parks and Mr. Rogers.

“Sundown Towns: What They Are, How to Recognize Them & How to Help Them Move Forward”

James Loewen is a sociologist, historian and author of "Sundown Towns: A Hidden Dimension of American Racism"

James Loewen is a sociologist, historian and author. His workshop will include:

  • How to confirm sundown town
  • How to assess historical sources (the census and oral history)
  • An invitation to upload your information onto an interactive website

SPEAKER BIOGRAPHY

James Loewen is a sociologist, historian and author of Sundown Towns: A Hidden Dimension of American Racism, named "Distinguished Book of 2005" by the Gustavus Myers Foundation. Loewen is best known for his 1995 book, Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, which was republished in 2008. Jim Loewen taught for 20 years at the University of Vermont. Previously he taught at the Historically Black College, Tougaloo College in Mississippi. He now lives in Washington, D.C., continuing his research on how Americans remember their past. In 2010, Teachers College Press brought out Teaching What Really Happened: How to Avoid the Tyranny of Textbooks and Get Students Excited About Doing History, intended to give K-12 teachers (and prospective teachers) solutions to the problems pointed out in Loewen’s earlier works.

As the Sesquicentennial of the Civil War approached, Loewen co-edited and published The Confederate and Neo-Confederate Reader (University Press of Mississippi, 2010). His other books include Mississippi: Conflict and Change (co authored), which won the Lillian Smith Award for Best Southern Nonfiction but was rejected for public school text use by the State of Mississippi, leading to the path breaking First Amendment lawsuit, Loewen et al. v. Turnipseed, et al. His other books include The Mississippi Chinese: Between Black and White, Social Science in the Courtroom and The Truth about Columbus.

He has been an expert witness in more than 50 civil rights, voting rights, and employment cases. His awards include the First Annual Spivack Award of the American Sociological Association for "sociological research applied to the field of intergroup relations," the American Book Award (for Lies My Teacher Told Me), and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship. In 2012 the American Sociological Association gave Loewen its Cox-Johnson-Frazier Award, for "scholarship in service to social justice." Also in 2012, the National Council for the Social Studies gave Loewen its "Spirit of America" Award, previously won by, inter alia, Jimmy Carter, Rosa Parks and Mr. Rogers.

"Love Letters & Lessons: Notes on the Ethnography of Black Girlhood"

Aimee Meredith Cox, Tenured Assistant Professor, African and African American Studies, Fordham University - Law, Identity and Culture Initiative

More details to come.

“Social Innovation for America’s Renewal”

Jared Bernstein, Senior Fellow, Center on Budget & Policy Priorities; Former Chief Economist and Economic Adviser to Vise President Joseph Biden - keynote speaker, Conference on Grand Challenges in Social Work Policy

"A Conversation on Religion, Politics and Pluralism"

Senator John Danforth and Professor John Inazu

“Reflections: Unity, Social Justice & Peace”

Rev. Gary Braun, Catholic Student Center, keynote: “Living with Uncertainty”

"Ugly Intimacy: Racial Policing and Gun Violence"

Panel discussion moderated by Professors Jeffrey McCune and William Maxwell

Lecture and Workshop with Hossein Alizadeh

Hossein Alizadeh, master of Persian classical improvisation

francine j. harris reads from her poetry

Visiting Hurst Professor Lynne Tillman reads from her fiction

Visiting Hurst Professor Lynne Tillman lectures on the craft of fiction

"The History of Capitalism in the Anthropocene"

Fredrik Albritton Jonsson, University of Chicago - History Colloquium

"From #BlackLivesMatter to Black Liberation"

Kenanga-Yamahtta Taylor, Princeton University - History Colloquium

"'The Enemy Within': Lawrence Klein, the Politics of the Economy and the Limits of Neoliberalism"

Tim Shenk, Washington University - History Colloquium

"What a Long, Strange Trip It's Been: Race, Social Movements and the 2016 Presidential Race"

Douglas McAdam, Stanford University

“Cuba in Revolution: Ten Iconoclastic Theses”

Luis Martinez-Fernandez - University of Central Florida

The topic of the Cuban Revolution is highly controversial and is usually approached from polarized and politicized perspectives. In this presentation, Luis Martínez-Fernández explains his efforts to produce a balanced portrayal of Cuba’s revolutionary process, efforts that required confronting long-standing myths upheld by both detractors and supporters.

"Af-Pak, the War on Terror, and Solidarities: Asian American Youth/Studies"

Sunaina Maira

Sunaina Maira is Professor of Asian American Studies, and is affiliated with the Middle East/South Asia Studies program and with the Cultural Studies Graduate Group. Her research and teaching focus on Asian American youth culture and the politics of cultural production as well as political mobilization and transnational movements challenging militarization, imperialism, and settler colonialism. She is the author of Desis in the House: Indian American Youth Culture in New York City and Missing: Youth, Citizenship, and Empire After 9/11. She co-edited Contours of the Heart: South Asians Map North America, which won the American Book Award in 1997, and Youthscapes: The Popular, the National, and the Global.

Maira’s recent publications include a book based on ethnographic research, Jil [Generation] Oslo: Palestinian Hip Hop, Youth Culture, and the Youth Movement (Tadween), and a volume co-edited with Piya Chatterjee, The Imperial University: Academic Repression and Scholarly Dissent (University of Minnesota Press). Her new book project is a study of South Asian, Arab, and Afghan American youth and political movements focused on civil and human rights and issues of sovereignty and surveillance in the War on Terror. Maira launched a new section on West Asian American Studies in the Association for Asian American Studies and coedited a special issue of the Journal of Asian American Studies on Asian/Arab American studies intersections. She has been involved with various civil and human rights campaigns and antiwar groups in the Bay Area and nationally.

Hosted by the Asian American Studies minor

"‘Filipino Seekers of Fortune’: Music, Labor, and Empire in Colonial Asia”

Fritz Schenker, Postdoctoral Teaching Fellow, Washington University Department of Music

Danforth Dialogues: Envisioning the Future of Religion and Politics in America

FREE BUT TICKETED EVENT - Two moderated conversations hosted by NPR's Krista Tippett: Eboo Patel and Natasha Trethewey, and David Brooks and E.J. Dionne

"Scapegoats: How Islamophobia Helps Our Enemies and Threatens Our Freedoms"

Arsalan Iftikhar, "The Muslim Guy," is an American human rights lawyer and global media commentator - Rabbi Isserman Memorial Lecture/Assembly Series

Taming Hazards conference

Hosted by the Department of History; supported by the Volkswagen Foundation

"The Problem with Modernity"

Lynn Hunt, Professor Emerita of History at UCLA - Humanities Lecture Series

"On Africa and 'New World' Blackness"

Jemima Pierre - Global Blackness Lecture Series

Screening and Discussion: "Nuremberg: Its Lessons for Today"

Panel discussion immediately follows, featuring producer Sandra Schulberg and scholars Elizabeth Borgwardt, Larry May and Leila Sadat

“Disruptors, Influencers, Makers: Media Studies at the Crossroads”

John T. Caldwell, Professor of Cinema and Media Studies, University of California, Los Angeles - Victor Blau Memorial Lecture on New Media

John T. Caldwell explores contemporary media practices alongside examples from the speaker’s recent ethnographic fieldwork to address the ways that the commercial digital media enterprise has adopted and mainstreamed the very terms that arts and humanities scholars have employed to critically and systematically “shake-down” a succession of new media forms that have emerged over the past half-century.

Organized by Film and Media Studies.

“‘Filipino Seekers of Fortune’: Music, Labor, and Empire in Colonial Asia”

Fritz Schenker, Postdoctoral Teaching Fellow, Department of Music, Washington University

“Composing Within the Lines, Working Behind the Scenes: Duke Ellington, Billy Strayhorn, and Dick Vance’s Arrangements for 'At the Bal Masque' (1958)”

Darren LaCour, Lecturer, Department of Music

“Performing the Political in American Dance”

Germaul Barnes, former dancer with Bill T. Jones and master teaching artist

“Modern Dance and the African-American Legacy”

Jeffrey McCune and Cecil Slaughter

“Frankenstein,” the Vital Force, and Electricity

Stanley Finger, PhD Professor Emeritus of Psychological and Brain Sciences, Washington University; Paola Bertucci, DPhil Associate Professor of History and the History of Medicine, Yale University

"Looking for Lorraine: The Enduring Legacy of a Path-Breaking Playwright"

Imani Perry, the Hughes-Rogers Professor of African American Studies, Princeton University; and Faculty Associate, Program in Law and Public Affairs and Gender and Sexual Studies - Urban Studies Biennial Lecture Series

"Birth of a Dancing Nation: The Life, Writings, and Choreography of Ted Shawn"

Paul Scolieri, Associate Professor of Dance, Barnard College

"Provisional Notes on 'Afronormativity' and the Aesthetics of Blackness in South Africa"

Jordache A. Ellapen, Postdoctoral Research Scholar, African and African American Studies, Washington University

"Faith and Power: Religion and the American Presidency from the Founding to Trump v. Clinton"

Jon Meacham, presidential historian, Contributing Editor at TIME, and Pulitzer Prize-winning author - Assembly Series Lecture

"Presidential Candidates’ National and Foreign Policies"

Thomas Wright, director of the Project on International Order and Strategy at the Brookings Institute

“What Would Have Happened If? A Debate on Alternate Histories of the Ancient World”

Panel discussion featuring members of the Washington University Classics department

"Perspectives on the Presidential Debate: Bridging Understanding"

Panel discussion with representatives from the Asian Pacific Islander American Initiative, Ashoka, Association of Black Students, Association of Latin American Students, Muslim Students Association, People Like Us and Pride

"Administration, City Planning and Policing in Imperial and Metropolitan Perspectives: Or, Liverpool as an African City?"

Tim Parsons, Departments of History and African & African-American Studies, Washington University

Library Virtuality, Virtuosity and Virtuousness: Do Students and Researchers Still Need Libraries?

Jim Neal, Librarian Emeritus at Columbia University

ultant and published author who focuses on the areas of scholarly communication, intellectual property, digital library programs and library cooperation.

Robin Coste Lewis reads from her poetry

Robin Coste Lewis

Spotlight Talk: Elizabeth C. Childs

Elizabeth C. Childs

What Is Can Xue’s Experimental Literature?

Can Xue

Rio de Janeiro and the World: Marc Ferrez, Photographic Mobility and International Modernity

Shelley Rice, Arts Professor in the Department of Photography & Imaging and Department of Art History at New York University

Gallery Talk: Allison Unruh

Allison Unruh, associate curator

Visiting Hurst Professor Cole Swensen lectures on the craft of poetry

Cole Swensen

“Dvořák, Race and His American Legacy”

Douglas Shadle, Assistant Professor of Musicology, Vanderbilt University

Screening: "The Battle for the Arab Viewer"

Middle East - North Africa Film Series

Screening: "The Koran: Back to the Origins of the Book"

Middle East - North Africa Film Series

"Gender, Colonialism, and Transatlantic Sex-Trafficking in Fin-de-siècle Spanish Literature"

Akiko Tsuchiya, Romance Languages & Literatures, Washington University

"Lunar Landscapes and the Loniliness of Exile: Writing Mexico during World War II"

Tabea Linhard, Romance Languages & Literatures, Washington University

"Performing Global Cultures in Early Modern Lisbon"

Lisa Voigt, Professor of Spanish and Portuguese, Ohio State University

"Provisional Notes on ‘Afronormativity’ and the Aesthetics of Blackness in South Africa"

Jordache Ellapen, Postdoctoral Fellow, African & African-American Studies, Washington University

"The Loss of All Lost Things"

Amina Gautier, Assistant Professor, Department of English, University of Miami

"The Organization of Life in Ancient and Early Medieval China: Confucian, Daoist, and Buddhist Approaches"

Dennis Schilling, Professor of Chinese Philosophy, Renmin University, Beijing

"Sex in America, Then and Now: The Lasting Legacy of Masters and Johnson"

Tom Maier, author of “Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love” and producer of Showtime series "Masters Of Sex"; and Michelle Ashford, showrunner for "Masters of Sex"

"Occupational Hazards: Sex, Business, and HIV in Post-Mao China"

Elanah Uretsky, Assistant Professor of Global Health, Anthropology, and International Affairs at George Washington University

"Pluralism, Prejudice and the Promise of America"

Eboo Patel, founder of Interfaith Youth Core; author "Interfaith Leadership” and “Sacred Ground: Pluralism, Prejudice, and the Promise of America”

"Striking Poses: The Tensions of Black Refusal in a Photographic Frame"

Tina Campt, Barnard College—Columbia University - - Global Blackness Speaker Series

Transgender Spectrum Conference: "Education, Liberation and Healing"

Keynote speakers: Johanna Olson-Kennedy, MD; S. Bear Bergman; Delfin Bautista, M.Div, MSW

Leipzig 1843: An Evening with the Schumanns

Alexander Stefaniak, assistant professor of musicology, Washington University

“The New Field of Afro-Latin American Studies”

Alejandro de la Fuente (Harvard University)

"God/Sex/War"

DesignerSeymour Chwast

"Segregation by Design"

Featuring the photography of Cissy Lacks

A collection of haunting and astonishing portraits of African-American life will accompany the book-in-progress Segregation by Design: Conversations for Action and Collected Essay. Working in concert with Catalina Freixas (Washington University) and Mark Abbott (Harris-Stowe), Lacks’ photographs illustrate topics around the issue of segregation.

The book project is the result of two additional projects: an undergraduate course, Segregation by Design, and a series of conversations among scholars from regional institutions, members of nonprofit organizations and government agencies were recorded and later curated as a collection of conversations on American Apartheid.

The course Segregation by Design is supported by The Divided City: An Urban Humanities Initiative, funded by the Mellon Foundation and coordinated by the Center for the Humanities in partnership with the Sam Fox School of Architecture and the Graduate School of Architecture and Urban Design. The gatherings Freixas and Abbott hosted were funded through the Office of the Provost’s Bring Your Own Idea program. The book is funded by the WashU Ferguson Academic Seed Fund through the Offices of the Chancellor and Provost and WashU Libraries, as well as a Sam Fox School Creative Research Activity Grant.

CONTACT: Catalina Freixas, freixas@wustl.edu

"Displacement, Museums, and Memory: Lessons from South Africa"

Panel of leading museum professionals and scholars from South Africa - Divided City Lecture

As some area residents know all too well, one of the factors contributing to the 2014 protests in Ferguson and the greater St. Louis area was a chain of forced migration. Many of the African-American residents of Canfield Green, the site of Michael Brown’s shooting, had been evicted from the neighboring town of Kinloch, Missouri, where airport expansion removed nearly 4,000 people from their homes. The Kinloch expulsion was only the most recent episode in a series of urban removals, which include the 1970s demolition of the Pruitt Igoe public housing project and the 1950s Mill Creek Valley clearance. By shattering communities, each dispossession rendered displaced residents vulnerable to the type of systematic injustices laid bare in Ferguson.

“Displacement, Museums, and Memories: Lessons from South Africa” features South African activists, scholars and curators reflecting on the innovative practices they have developed to recover and preserve stories of displaced communities and involuntary urban relocations in South Africa. The panel will include an audience-focused discussion of which lessons from South Africa might be useful to the work of activists, scholars, and curators here in St. Louis.

PANEL PARTICIPANTS

  • Ciraj Rassool, Professor of History and Director of the African Programme in Museum and Heritage Studies at the University of the Western Cape in South Africa
  • Leslie Witz, Professor in the History Department at the University of the Western Cape in Cape Town, South Africa. His major research centers around how different histories are created and represented in the public domain through memorials, museums and festivals and tourism.
  • Noëleen Murray, Director of the Wits City Institute and the A.W. Mellon Foundation Chair of Critical Architecture and Urbanism at the University of the Witwatersrand and co-author of Hostels, Homes Museum: Memoralising Migrant Labour Pasts in Lwandle, South Africa.
  • Chrischene Julius, Head of the Collections Department, District Six Museum, Cape Town South Africa
  • Moderated by Sarah Pharaon, Senior Director of Methodology and Practice at the International Coalition of Sites of Conscience

This workshop is supported by The Divided City, a joint project of Washington University in St. Louis's Center for the Humanities and Sam Fox School, and is presented in partnership with the University of Missouri--St. Louis. The project is funded by the Andrew W. Mellon Foundation's Architecture, Urbanism, and the Humanities initiative.

 

"Seeing Slavery in American Children's Literature"

Paula Connolly, Professor of English, University of North Carolina, Charlotte

Once a significant tool of both anti- and pro-slavery advocates, American children’s literature has continued to encapsulate and present often vying definitions of nationhood and race. Beginning with early 1790 illustrations and ending with current controversial texts -- such as A Birthday Cake for George Washington (2016) -- this presentation will explore how visual representations of slavery have been used to educate children on issues of race in America. 


ABOUT THE SPEAKER
Paula Connolly, Professor of English, UNC-Charlotte, is the author of Slavery in American Children's Literature, 1790-2010 and Winnie-the-Pooh and the House at Pooh Corner: Recovering Arcadia.

 

 

“Theater That Builds Bridges, Theater That Chronicles Our Time”

KJ Sanchez, Founder & CEO of American Records Theater Company

"How and Why Darwin Got Emotional about Race"

Gregory Radick - Thomas Hall Lecture in History of Science/Assembly Series

"Holocaust or Genocide: Uniqueness and Universality"

Doris Bergen, the Chancellor Rose and Ray Wolfe Professor of Holocaust Studies, Department of History, University of Toronto - Holocaust Memorial Lecture

Read German literature and Jewish studies scholar Erin McGlothlin's related article: "The Holocaust and the 'Whew' Effect." 


ABOUT THE SPEAKER

DORIS BERGEN is the author of War and Genocide: A Concise History of the Holocaust, Twisted Cross: The German Christian Movement in the Third Reich and numerous articles on issues of religion, gender and ethnicity in the Holocaust and World War II. Bergen earned her PhD from the University of North Carolina, Chapel Hill in 1991, and has taught at the universities of Notre Dame and Vermont. She is a member of the Academic Advisory Committee of the Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum in Washington, D.C. 

Dennis Stroughmatt et l'Esprit Creole

Dennis Stroughmatt (fiddle), Doug Hawf (guitar), Greg Bigler (bass)

"Lying Signs: Gender, Anatomy and Desire in Phaedrus's 'Fabulae'"

Kristin Mann

“Politics and the City”

The City Seminar at 10 Years: A Roundtable Conversation

The year 2016 marks the 10-year anniversary of Washington University’s City Seminar, a forum that brings together scholars from the St. Louis region across disciplines to share research methods, theories, and emerging projects on cities, urbanization and urban issues.

To commemorate the series — in an important election year — the fall 2016 program will comprise a roundtable discussion that takes stock of the contemporary city as a space where citizenship matters and rights can be constructed (Harvey). Some might argue, despite a polarizing presidential campaign at the federal level, party divisions remain blurred in cities. In many places, ideological debates over citizenship and what rights or responsibilities citizenship confers, or who is excluded from those rights, are brisk and hard-fought. In other places, privatization of services and urban spaces, as well as expanding or contracting housing and labor markets, have obscured or sidelined political debates. The City Seminar hopes to spur a new conversation about the relationship between cities—or the imagined urban—and politics.

The City Seminar roundtable will convene a cross-disciplinary panel to discuss the status of the city in the new millennium: Citizenship, policy, markets, and the roles, scales and potentials of the public sector, urban spaces and built environments. 

CONTACT: Tila Neguse, tneguse@wustl.edu

"Sexploration at Washington University in St. Louis: The Legacy of Masters and Johnson in Sexuality Research and Clinical Practice"

Panel Discussion

"Obedience and Resistance: Principles for Ethical Living"

David Blumenthal, the Jay and Leslie Cohen Professor of Judaic Studies at Emory University

"Electric Design: Light, Labor, and Leisure in Prewar Japanese Advertising"

Gennifer Weisenfeld, Professor, Department of Art, Art History and Visual Studies, Duke University - Annual Nelson Wu Lecture

"Work as Worship: Emerson’s Emancipating Religious and Political Journey"

David Robinson, Distinguished Professor of American Literature and Director of the Center for the Humanities, Oregon State University - Thomas Eliot Lamb Lecture

"Anatomy and Aporia in Galen’s On the Construction of Fetuses"

Ralph Rosen, University of Pennsylvania

"Magic Lantern Shows and Early Screen Practice in Colonial Taiwan"

Laura Wen, Postdoctoral Fellow, EALC

"Protests in Lebanon: The 'Trash Uprising' and the End of the Post-War Republic"

Samer Frangie, Associate Professor, Department of Political Studies and Public Administration, and Director, the Center for Arab and Middle East Studies, the American University of Beirut

Open to the public and free, the talk is sponsored by the Center for the Humanities and the Department of Jewish, Islamic, and Near Eastern Languages and Cultures.

Synopsis
In August 2015, mounds of garbage piled up in major Lebanese cities, leading to the biggest non-sectarian protest since the end of the civil war (1991). For a couple of weeks in August and September, Beirut witnessed daily demonstrations, often turning violent, protesting against the corruption of the government. What started as a localized protest against the government’s mismanagement of the waste management sector quickly turned into a crisis of legitimacy of the political system. In a context of global uprisings and regional revolutions, the short-lived protest movement signaled the entry of Lebanon in the current global cycle of discontent. The country did not witness a major upheaval similar to what happened in neighboring countries, but similar processes of de-legitimization of the established political orders are taking place. The talk will examine what came to be known as the “trash uprising,” by locating it in its historical trajectory before presenting some of its afterlives. Through an examination of the protest movement, the talk will put the Lebanese ‘trash uprising’ in conversation with the global wave of protests that started in 2011, in order to probe the changing contours of the present and its discontent.

Biography
Samer Frangie is an associate professor in the Department of Political Studies and Public Administration and the director of the Center for Arab and Middle East Studies at the American University of Beirut. His research is at the intersection of the intellectual history of the Arab world and political theory, and examines the history of the Arab left. He has published a number of articles dealing with various aspects of the history of the Arab left, in journals such as the International Journal of Middle East Studies, Modern Intellectual History, Third Quarterly and Thesis Eleven among others. He is currently working on a book manuscript, tentatively entitled The Politics of the Aftermath: Tradition, Tragedy and Temporalityin the Lebanese Left. Aside from his academic work, he is a frequent contributor to the pan-Arab daily newspaper, al-Hayat.

 

"Shakespeare Songs and Sonnets"

Mee Ae Nam, soprano; Paul Thompson, reader; and Maryse Carlin, harpsichord

"Sex Trafficking in St. Louis"

Andrea Nichols, WGSS lecturer

"Can You Have It All?"

Panelists: Adrienne Davis, William M. Van Cleve Professor of Law / Vice Provost and Jami Ake, Senior Lecturer & Asst. Dean, College of A&S

"No Place Lie Home: Unique Housing Challenges for Women Experiencing Homelessness in St. Louis"

Nicole Huges - YWCA, Rev. Paulette Sankofa, and Moira Thompson -St. Patrick's Center

"Khwaja Sira Politics: Gender Ambiguity in Everyday Life and Activism in Pakistan"

Faris Khan, Department of Anthropology, Brandeis University

"Drawing Sex: Melinda Gebbie, Feminist Commix, and Child Sexuality"

Rebecca Wanzo, Associate Professor, WGSS Commentator: Amber Musser, Assistant Professor WGSS - WGSS Fall 2016 Colloquium Series

"'I Don't Believe We've had the Pleasure': Introducing Sex Positivity into Sexual Education"

“Beyond the Basics: Community Experts Explore the Intersection of Commercial Sexual Exploitations and Weak Institutions”

"The U.S. Deportation Machine and Its Uneven Consequences for Latin America"

Marie Price, Professor of Geography and International Affairs at George Washington University and President of the American Geographical Society

"Refusing Optimism: Ta-Nehisi Coates, Anti-blackness, and the Ethics of Anguish"

Joseph Winters, Assistant Professor, Department of Religious Studies, Duke University

"Black & Blue" - Black Anthology

"Late Moves: Music and Creativity Near the End of Life"

Panel discussion with Jonathan Biss

Keyboard Fest

Presented in partnership with the Kingsbury Ensemble - Annual Carlin Concert

"Hymns for the Fallen" - Library Faculty Book Talk

Todd Decker, Professor of Music, Washington University

"Regulating Romance: Youth Love Letters, Moral Anxiety, and Intervention in Uganda’s Time of AIDS" - Library Faculty Book Talk

Shanti Parikh, Associate Professor of Anthropology and African & African American Studies, Washington University

“Identity Narratives in Anti-Identity Times”

Panel Discussion: Sidonie Smith, Rebecca Wanzo, Melanie Micir, Erin McGlothlin, Long Le-Khac

Panel discussion featuring the following:

Sidonie Smith, Faculty Book Celebration keynote speaker
Rebecca Wanzo, Associate Professor of Women, Gender and Sexuality Studies
Melanie Micir, Assistant Professor of English
Erin McGlothlin, Associate Professor of German and Jewish Studies
Long Le-Khac, Assistant Professor of English


This event is related to the Faculty Book Celebration, held later in the afternoon of February 7.

“Circus Maximus: Crime Time and Prime Time in Contemporary Italian Society and Media"

Ellen Nerenberg, Dean of Arts and Humanities, Hollis Professor of Italian and Chair of the Departments of Romance Languages and Theater at Wesleyan University - Paul and Silvia Rava Memorial Lecture in Italian Studies

Screening & Discussion: "Princess Mononoke"

Religious Studies Spring Film Series

Screening & Discussion: "Spirited Away"

Religious Studies Spring Film Series

Kling Fellowship Information Session

For prospective applicants

"Speak"

Chamber Project St. Louis/Opera Theatre of St. Louis

"Between Islamophobia and Homophobia: Gender, Sexuality, and Liberal Engagements with Islam"

Joseph Massad, Professor of Modern Arab Politics and Intellectual History in the Department of Middle Eastern, South Asian, and African Studies, Columbia University

More details to come.

Organized by Aria Daniel Nakissa, assistant professor of Islamic studies, Jewish Islamic & Near Eastern Languages & Cultures Program: arianakissa@wustl.edu


Joseph Massad teaches and writes about modern Arab politics and intellectual history. He has a particular interest in theories of identity and culture – including theories of nationalism, sexuality, race and religion. He received his Ph.D. from Columbia University in 1998. He is the author ofDesiring Arabs (2007), which was awarded the Lionel Trilling Book Award;The Persistence of the Palestinian Question: Essays on Zionism and the Palestinian Question (2006); and Colonial Effects: The Making of National Identity in Jordan (2001).  His book Daymumat al-Mas’alah al-Filastiniyyahwas published by Dar Al-Adab in 2009, and La persistance de la question palestinienne was published by La Fabrique in 2009. The Arabic translation of Desiring Arabs was published in 2013 by Dar Al-Shuruq Press in Cairo under the title Ishtiha’ Al-‘Arab.

His latest book is Islam in Liberalism, University of Chicago Press, 2015, and his latest articles are “The Cultural Work of Recovering Palestine,”Boundary 2, Volume 42, No. 4, November 2015, 187-219, “El Trabajo cultural de recuperar la Palestina,” in En-claves, Mexico, Fall 2015, “Recognizing Palestine, BDS, and the Survival of Israel,” in Ashley Dawson and Bill Mullen, eds., Academic Freedom and BDS, Haymarket Books, 2015, “Egypt’s Propaganda and the Gaza Massacre,” in Laila El-Haddad and Refaat Alareer, eds., Unsilenced: Reflections and Responses to Israel's 2014 Attacks, Just World Books, 2015, “Orientalism as Occidentalism,” History of the Present, Winter 2015, “Olvidar el Semitismo,” Revista Foro Internacional, Mexico, July-September 2014, Vol. LIV, No. 3, 696-737, “Love, Fear, and the Arab Spring,” Public Culture, Winter 2014, 129-154, and “Forget Semitism!,” in Elisabeth Weber, editor,Living TogetherJacques Derrida's Communities of Peace and Violence, (New York: Fordham University Press, 2013), 59-79.

His articles have appeared in many journals, including Public Culture, Interventions, Social Text, Middle East Journal, Psychoanalysis and History, Critique, Umbr(a), and the Journal of Palestine Studies, and he writes frequently for Al-Ahram WeeklyAl-Akhbar, and Al-Jazeera English. He teaches courses on modern Arab culture, psychoanalysis in relation to civilization and identity, gender and sexuality in the Arab world, and Palestinian-Israeli politics and society, with seminars on Nationalism in the Middle East as Idea and Practice, and also on Orientalism and Islam.

"The Sole of Pantalone: Shakespeare and the Masks of the Commedia Dell'Arte"

Robert Henke, Professor of Drama and Comparative Literature, Washington University

“The Art and Science of Self Control: How to Act in Your Long-Term Best Interests”

Dan Ariely, behavioral economist - Assembly Series

"Art Inspiring Music: Paris at the Turn of the 19th Century"

Musical complement to "Spectacle And Leisure In Paris: From Degas To Picasso"

"No Human Right to Sodomy: The Christian Right and SOGI Human Rights"

Cynthia Burack, Professor of Women's, Gender and Sexuality Studies, Ohio State University

"Art Inspiring Dance: Discovering Loïe Fuller"

Dance conversation & performance complement to "Spectacle and Leisure in Paris: Degas to Mucha"

"Sites Unseen"

Shimon Attie, 2016-2017 Freund Teaching Fellow

"The Modern Meal: Sustenance Through Ritual"

MJ Brown (BFA17), Jack Radley (BFA18)

"Homme Oiseau" (Man-bird)

Aoife O'Brien, Korff Postdoctoral Fellow in Oceanic Art

"How Bad Immigrants Became Model Minorities: Policy and Racial Typing in the Making of U.S. Citizens"

Madeline Y. Hsu, Department of History, Center for Asian American Studies, University of Texas, Austin - Asian American Speaker Series

"American Protestants and the International Origins of the 1960s Democratic Revolution"

Gene Zubovich, Washington University, Danforth Center on Religion and Politics

"Corruption and Forensic Experts in British India"

Mitra Sharafi, University of Wisconsin, Madison - History Colloquium

"The Digital Future of Early Christian Studies: Utopian, Apocalyptic and Apocryphal"

Caroline T. Schroeder, Associate Professor of Religious and Classical Studies, University of the Pacific - Weltin Lecture

Works-in-Progress: A Graduate Student Symposium Series

Heidi Grek (German/Comp Lit) and Jue Lu (Chinese/Comp Lit); facilitated by Professor Robert Henke

"Security, Policy, and Military Power in Japan"

Nori Katagiri, Assistant Professor of Political Science, Saint Louis University

Symposium and Masterclass with Ralph Towner

Jazz pianist Ralph Towner and William Lenihan, Professor of Practice, Department of Music

"Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage" - Library Faculty Book Talk

Sowande' Mustakeem, Assistant Professor of History and African & African-American Studies

"The Humanities After 2016: What Do We Want to Become?" - Faculty Book Celebration

Sidonie Smith, the Mary Fair Croushore Professor of the Humanities, Professor of English and Women's Studies, Director, Institute for the Humanities, University of Michigan

RSVPs appreciated; please click here

The year 2016 marked a dramatic turning point politically. Now, more than ever, the priority for scholars in the humanities must be to transform how we educate future generations of doctorally trained humanists for careers in the academy and throughout the larger humanities workforce.

We need a model of education that is adequate to the lived realities of the academy, now and to come; to the energies of students who choose to pursue a doctorate; and to the intellectual, affective and social attachments that drive the pursuit of excellence in scholarly inquiry and committed teaching. The “new normal” in the everyday life of academic humanists will require us to become intellectually nimble, energetically collaborative, pedagogically imaginative, and flexible in communicating our intellectual passions and our values in an era of open access and narrowing appreciation for liberal arts education. Transforming how we conceptualize academic work will contribute to creating a new narrative about how humanists work with others in the academy and how we contribute to the hard work, pleasures and reflective insights of humanities-related activities outside it.

ABOUT THE SPEAKERS
Sidonie Smith is author of Manifesto for the Humanities: Transforming Doctoral Education in Good Enough Times, her contribution to the current academic conversation over the place of the humanities in the 21st century. She is a past president of the Modern Language Association of America (2010). Smith's fields of specialization are autobiography studies, narrative and human rights, feminist theories and women's studies in literature.

Ron Mallon
Associate Professor of Philosophy
The Construction of Human Kinds (Oxford University Press, 2016)

Sowande’ Mustakeem
Assistant Professor of History and African and African-American Studies
Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016)

 


RELATED EVENT

Panel Discussion: “Identity Narratives in Anti-Identity Times”

Tuesday, February 7, 12 pm
Washington University, Olin Library, Room 142

featuring

Sidonie Smith, Faculty Book Celebration keynote speaker
Rebecca Wanzo, Associate Professor of Women, Gender and Sexuality Studies
Melanie Micir, Assistant Professor of English
Erin McGlothlin, Associate Professor of German and Jewish Studies
Long Le-Khac, Assistant Professor of English

RSVPs appreciated to cenhum@wustl.edu. Co-sponsored by University Libraries.

"North Korean Refugee to American Citizen: Grace Jo’s Story"

Grace Jo, vice-president of the non-profit organization NKinUSA

"We Don't Already Understand the Outlines of Literary History"

Ted Underwood, Professor and LAS Centennial Scholar of English, University of Illinois at Champaign-Urbana

"The Art and Politics of African-American Faith"

Josef Sorett, Associate Professor of Religion and African-American Studies, Columbia University

"Between Orientalism and Occidentalism: Kurban Said's 'Ali and Nino' (1937) as World Literature"

Carl Niekerk, Professor of German, University of Illinois at Urbana-Champaign

"Sonny Meets Hawk!: Contesting Jazz's Identity Through Intergenerational Musical Collaboration"

Ben Givan, Associate Professor of Musicology, Skidmore College

"The Science (and Art) of Later Life Creativity"

Brian Carpenter, Professor of Psychological & Brain Sciences, Faculty Lead for Educational Initiatives, Harvey A. Friedman Center for Aging - MLA Lecture Series: Creativity

"Be the Designer of Your World: Thoughts About the Process"

Heather Corcoran, Director, College & Graduate School of Art, Jane Reuter Hitzeman and Herbert F. Hitzeman, Jr. Professor of Art - MLA Lecture Series: Creativity

"The Sustainable Development Goals: Toward Better Living Standards for Everyone”

John McArthur, expert on global poverty and policy, Brookings Institution - Assembly Series Lecture

"Create or Perish; Innovate or Die: The Power and Promise of the Rise of Innovation Ecosystems in Middle America"

Dedric Carter, Vice Chancellor for Operations and Technology Transfer, Professor of Engineering Practice - MLA Lecture Series: Creativity

"The Double Life of Superimposition: W.E.B. Du Bois's Black Christ Cycle"

Phillip Maciak, Assistant Professor of English and Film Studies, Louisiana State University

“The Changing Status of the Tamil Parai Drum: From Untouchable to Dalit”

Zoe C. Sherinian, Associate Professor of Ethnomusicology, University of Oklahoma

Screening & Discussion: "Sakithi Vibrations"

Q&A with filmmaker Zoe C. Sherinian

"What does FREEDOM mean? How do we think about freedom with/through our bodies?"

Sydnie L. Mosley, 2017 Marcus Artist-in-Residence

"The Price of Success? The Influence of Equal Rights in Social Movement Identity Strategies"

Julie Moreau, Post-Doctoral Fellow in Women, Gender, and Sexuality Studies; Commentator: Leila Nadya Sadat, Washington University School of Law

Making [Trans] Media Panel Discussion

A conversation with Mya Taylor, J Mase III and Katrina Goodlett presented by PLUS and the WU Student Union

"Academic Theorizing Badly on (SOGI) Human Rights"

Cynthia Burack, Professor of Women, Gender and Sexuality Studies, Ohio State University

"Creativity and the Resting Brain"

Marc Raichle, Professor of Radiology, Neurology, Neurobiology and Biomedical Engineering, Alan A. and Edith L. Wolff Distinguished Professor of Medicine - MLA Lecture Series: Creativity

"Indigenous Rights and Environmental Justice Symposium: From Standing Rock to St. Louis"

"French Film at the Turn of the Century: Spectacles de curiosité"

Colin Burnett, assistant professor in Film and Media Studies, Washington University

Mitt Romney in conversation with WashU Law Faculty

Mitt Romney, former Massachusetts governor and 2012 Republican presidential candidate

"Red Sea Exchanges, Agricultural Shifts, and Domestic Chickens in Ancient Africa"

Anthropology Spring Colloquium: Helina Woldekiros

"Beyond the Binary"

Liz Ogbu, designer, urbanist, and social innovator - City Seminar Talk

A designer, urbanist, and social innovator, Liz Ogbu is an expert on sustainable design and spatial innovation in challenged urban environments globally. She is founder and principal of Studio O, an innovation firm that works with communities in need to use the power design to deliver deep social impact.

"Historically Hot: Reimagining Beauty from Japan’s Past"

Laura Miller, The Ei'ichi Shibusawa-Seigo Arai Professorship in Japanese Studies and Professor of Anthropology, University of Missouri-St. Louis

Academic Publishing: A Panel Discussion

Faculty members advise graduate students on the ins and outs of academic publishing

Kanye West and the Impossibility of Black Genius

Jeffrey McCune, Associate Professor of Women, Gender and Sexuality Studies and Performing Arts, Washington University

“Protecting LGBTQ+ Progress in Challenging Times”

Distinguished lawyer and civil rights champion Chai Feldblum

“Improving Openness and Reproducibility in Scholarly Communication”

Brian Nosek, University of Virginia psychologist and co-founder and director of the Center for Open Science

“East West Street: On the Origins of Genocide and Crimes Against Humanity”

Philippe Sands, British international human rights lawyer, scholar, and prolific author

"The Dynamics of African-American Identity and the Implications for Health and Well-Being"

Vetta Thompson, Professor of Public Health, Washington University

"Infrastructure, Potential Energy, Revolution"

Dominic Boyer, Professor of Anthropology, Rice University - Ethnographic Theory Workshop

"Where the Pipelines End: Water, Urban Development and Resilience in Delhi"

Heather O'Leary, Lecturer, Department of Anthropology - - Ethnographic Theory Workshop

"Sacrifice and Utopia in the Anthropocene"

Dominic Boyer, Rice University - Anthropology Spring Colloquium Series

"Empowering Migrant Women in the Netherlands: A Case Study of Hymenoplasty Consultations"

Sherria Ayuandini, Graduate Student, Department of Anthropology - Ethnographic Theory Workshop

"Jumping the Red Tape: Administrative workarounds, improvisation, and the social world of rumors in a Tanzanian hospital"

Adrienne Strong, sociocultural graduate student, Department of Anthropology - Ethnographic Theory Workshop

"A Fertile Alliance: Reproductive governance, neoliberal reform, and in-vitro fertilization in Costa Rica"

Lynn Morgan, Professor of Anthropology, Mount Holyoke College - Ethnographic Theory Workshop

"Miss Mexico's Dress and the Backlash against Reproductive Rights in Latin America"

Lynn Morgan, Professor of Anthropology, Mount Holyoke College - Anthropology Spring Colloquium Series

Gallery Talk: (Re)presenting Heroes, Defining Virtue

Susan Blevins, postdoctoral teaching fellow, Department of Art History & Archaeology

"Mediated by Images: Entertainment and Experience in Fin-de-Siècle Montmartre"

Howard Lay, Associate Professor, Department of the History of Art, University of Michigan

Gallery Talk: Spectacle and Leisure in Paris: Degas to Mucha

Elizabeth C. Childs, the Etta and Mark Steinberg Professor of Art History and Chair of the Department of Art History & Archaeology

“U.S.-China Relations"

Lei Hong, Consul General of the People's Republic of China in Chicago

"Sights and Sounds of the Cold War in the Sinophone World"

Conference

“Reading Both: Literary History and the Monolingual Model”

Visiting Hurst Professor Rebecca Walkowitz

MFA Reading

"Vulture in a Cage: Ibn Gabirol in His World"

Ray Scheindlin

"Spectral Meter: Metric Cognition, Conflict, and Form in Grisey’s Vortex Temporum"

Joseph Jakubowski Ph.D. Candidate in Music Theory, Washington University

Screening & Discussion: "Robert Shaw: Man of Many Voices"

Kiki Wilson

“Music and Dance as Twin Cultural Icons in a Tamil Novel: Tillana Mohanambal”

Indira Viswanathan, the Peterson Professor of Asian Studies, Emerita, Mount Holyoke College

“Tamil Drumming and the Politics of Noise in Singapore”

Jim Sykes, Assistant Professor, University of Pennsylvania

"American Anthem: An Examination of the Significance of the National Anthem for African-American Identity and Nationhood"

Stephanie Shonekan, Associate Professor of Ethnomusicology, University of Missouri-Columbia

"The Globalization of the Broadway Musical"

David Savran, Distinguished Professor of Theatre & the Vera Mowry Roberts Chair in American Theatre, CUNY Graduate Center

Interested in Careers in the Entertainment Industry?

Washington University Alumnus Russell Schwartz

"(Writing in a) small language, (living a) slow life"

Kirmen Uribe, Spanish poet and writer - Massie Lecture Series

"Listening, Muhabbet, and the Practice of Masculinity"

Denise Gill, Assistant Professor of Ethnomusciology, Department of Music; Commentator: Jeffrey McCune, Associate Professor, WGSS - Women, Gender, and Sexuality Studies Spring 2017 Colloquium

"Expressive Excess: Representations of Women in 1920s Japanese Leftwing Art and Film"

Diane Lewis, Assistant Professor, Film and Media Studies; Commentator: Amber Musser, Assistant Professor, WGSS - Women, Gender, and Sexuality Studies Spring 2017 Colloquium

"'Name One Genius That Ain't Crazy': Kanye West and the Politics of Self-Diagnosis"

Jeffrey Q. McCune Jr., Associate Professor of Women, Gender, and Sexuality Studies and Performing Arts

"Becoming Electro-domésticas: Maids and Middle-Class Domesticity in Mexico City, 1920s-1960s"

Diana Montano, Assistant Professor of History; Commentator: Rafia Zafar, Professor of English - Women, Gender, and Sexuality Studies Spring 2017 Colloquium

"The Legacy and Challenges of the International Criminal Tribunal for the Former Yugoslavia"

H.E. Judge Liu Daqun, Judge of the Appeals Chamber - Annual William Catron Jones Lecture

"Prepositional Bodies: Sensation and Translation in Manchu"

Carla Nappi, the Canada Research Chair in Early Modern Studies and Associate Professor of History, University of British Columbia

"Biblical Themes, Muslim Artists"

John Renard, Professor of Theological Studies, Saint Louis University

"Child Witches in Navarre, 1550-1620: Law, Religion, and Families"

Lu Ann Homza, Dean for Educational Policy and Professor of History, College of William and Mary

"Healing a House Divided"

Most Reverend Michael Bruce Curry, Presiding Bishop and Primate, the Episcopal Church

"Executive Orders: The Living Legacy of Japanese American Internment"

Panel discussion moderated by Rebecca Copeland, East Asian Languages and Cultures

"The History of The Closet"

Henry Abelove, the Wilbur Fisk Osborne Emeritus Professor of English, Wesleyan University,

"Dostoevsky and Martin Luther King, Jr.: Two Ex-Cons on Justice Delayed and Denied"

Elizabeth Blake, assistant professor in the departments of English, Theological Studies, and Modern and Classical Languages, Saint Louis University

"The Israeli-Palestinian Conflict and International Law"

Leila Nadya Sadat, Professor, Washington University School of Law specializing in international criminal law; Director, Whitney R. Harris World Law Institute; and Special Adviser on Crimes Against Humanity to the ICC Prosecutor

"Labor and Progressive Global Economic Policy in the Trump Era"

Thea Lee, Deputy Chief of Staff, American Federation of Labor and Congress of Industrial Organizations (AFL-CIO)

"Chinatowns as Global Laboratories: Lessons from Comparative Analysis"

Cindy Wong, Professor, Department of Media Culture, City University of New York; Gary McDonogh, Professor, departments of Anthropology and of Growth and Structure of Cities, Bryn Mawr College

“An American Conscience: The Reinhold Niebuhr Story” Film Screening and Panel Discussion

Moderated by Marie Griffith, Director of the Danforth Center on Religion and Politics. Panelists: filmmaker Martin Doblmeier; Rev. Dr. David Greenhaw, President of Eden Seminary; and Dr. Healan Gaston, Harvard Divinity School

"Dark Valley" (Das finstere Tal) Screening

Spring 2017 Germanic Film Series

"Rouge Parole" Screening

Spring 2017 Middle East-North Africa Film Series

"Words of Witness" Screening

Spring 2017 Middle East-North Africa Film Series

"Disruption Restoration: Illustration and Plot in the 17th Century Chinese Short Story"

Alexander C. Wille, postdoctoral fellow, Washington University

"Chinese and British Diplomatic Gifts in the Macartney Embassy of 1793"

Henrietta Harrison, the Stanley Ho Professor of Chinese History, Oxford University

"Liberty, Equality, Hostility - What's Up with France?"

C. Jon Delogu, Université Jean Moulin in Lyon, France

"The God Debate: Does God Exist? Does It Even Matter?"

Wallace Marshall, Director of the Reasonable Faith Coalition, and James Croft, Director of the Ethics Society of St. Louis

"Star Wars IV: A New Hope" Screening

Religious Studies Spring Film Series

"Run Lola Run" Screening

Religious Studies Spring Film Series

"Yasukuni Shrine and Total War: Memories and Counter-Memories of the Asia-Pacific War"

Akiko Takenaka, Associate Professor of History, University of Kentucky - Annual Stanley Spector Memorial Lecture

“Linking Libraries to Promote and Preserve a City’s History: Creating the Chicago Collections Consortium”

Sarah Pritchard, Dean of Libraries and the Charles Deering McCormick University Librarian, Northwestern University

"Seeing Red: Race, Citizenship and Indigeneity in the Old Northwest"

Michael Witgen, University of Michigan

"Francis of Assisi on Eating and Worshipping with Animals"

Susan Crane, the Parr Professor of English and Comparative Literature, Columbia University

"Imagining Nationalism at the Borderlands: Greater Somalia and the Struggle over Decolonization in Kenya (1955-1963)"

Keren Weitzberg, Africana Studies Department, University of Pennsylvania

“Mumbo Jumbo: The (In)Audibility of Kanye West"

Jeffrey McCune, Associate Professor of Women, Gender and Sexuality Studies and Performing Arts, Washington University

Tennessee Williams Birthday Bash: Screening & Reception

Special guest: Francesca Williams, niece of Tennessee Williams

Washington University Dance Collective: Luminous

Artistic direction by Cecil Slaughter

"Listening Against: Disobedience & U.S. Popular Music in Filipino America"

Christine Bacareza Balance, Associate Professor of Asian American Studies, University of California–Irvine

Jews and Muslims Turn Hate to Humanity: Interfaith Collaboration in Times of Religious Violence

Tarek El-Messidi, Founding Director of Philadelphia-based CelebrateMercy, and Andrew Rehfeld, President and CEO of the Jewish Federation of St. Louis; moderated by RAP director Marie Griffith

Screening & Discussion: “Tickling Giants”

Filmmaker and “Daily Show” senior producer Sara Taksler

“Violent Sensations: Sex, Murder, and the Self in Modern Central Europe”

Scott Spector, Professor, History and Germanic Languages and Literature at University of Michigan

"Soccer Without Borders"

Erik Kirschbaum, Journalist & Author

Jazz Band featuring Provost Holden Thorp and Joel Vanderheyden at Jazz at the Bistro

"From Metaphysics to Mad Science"

Sophie Gee, English, Princeton; Jesse Molesworth, English, Indiana-Bloomington; Sarah Tindal Kareem, English, UCLA - Eighteenth-Century Interdisciplinary Salon

"How Meat Changed Sex: The Law of Interspecies Intimacy After Industrial Reproduction"

Gabriel Rosenberg, assistant professor, Program in Women's Studies, Duke University

If you have any questions or require any special accommodations or would like to have seating available for a large group or class, please contact the Gail Boker at 935-6458 or at gboker@wustl.edu. These events are all free and open to the public. 

 

The Spatial Turn

Fifth Annual Graduate History Association Conference

“Democracies Ancient and Modern”

Robert W. Wallace, Northwestern University: John and Penelope Biggs Resident in Classics

A Privilege to Be Objectified: Miss Angola Landmine

Hershini Young, Associate Professor of English, University at Buffalo

"Otherness and Difference at the Dawn of Modern Times"

Colloquium

George Hodgman reads from his nonfiction

Margo Jefferson, Pulitzer Prize-winning cultural critic

Arabic Calligraphy Workshop

Workshop led by Younasse Tarbouni and students of Arabic in JINELC

Arabic Calligraphy Workshop

Workshop led by Younasse Tarbouni and students of Arabic in JINELC

Eggsploitation: a short film and discussion about the ethics of egg donation

"Media Impact on the Female Body Image"

A conversation with supermodel Maayan Keret

"US-Russia Relations: Reset or Return to Cold War?"

CCHP Speaker Series & Public Forum

"India, Theatre, and the Axes of Modernism"

Aparna Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin-Madison

"Biomedical Odysseys: Fetal Cell Experiments from Cyberspace to China"

Panel discussion and book release celebration for Priscilla Song, assistant professor of anthropology

Critical Spacial Practices St. Louis

Summer City Seminar

Rise Up, Resist, Reconnect

2017 Transgender Spectrum Conference

A night of performance featuring Javon Johnson

With performative responses by various artists - Black Performance Theory Convening 2017

Transatlantic German Studies: Personal Experiences

Fourteen leading scholars in the field of American Germanistik/German Studies

Borgia Infami: An opera in English in two acts by Harold Blumenfeld (world premiere)

Produced by Winter Opera Saint Louis

Panel Discussion featuring Ervin Scholar alumni

Assembly Series

Panel discussion on climate change featuring Ira Flatow, Gavin Schmidt and Bronwen Konecky

Assembly Series

Christian Parenti, author of "Tropic of Chaos: Climate Change and the New Geography of Violence"

Assembly Series

Philosophy and Prejudice Interdisciplinary Workshop

More details to come from the Philosophy-Neuroscience-Psychology Program.

“Which One Is the Monster?”

Nick Dear is playwright of the (London) Royal National Theatre's adaptation of "Frankenstein"

Frankenstein at 200 Conference

Multidisciplinary conference

"Migration in Life and Death: Jewish Inscriptions from Graeco-Roman Iudaea/Palaestina"

Jonathan Price, Professor of Classical History and Chair of the Department of History, Tel Aviv University

"Lord of the Gold Rings: The Grave of the Griffin Warrior at Pylos"

Shari Stocker, University of Cincinnati - George E. Mylonas Lecture in Classical Art and Archaeology

"Elegant and Hallucinatory: Designing the Future at the Festival of India"

Rebecca Brown, Associate Professor of Art History, John Hopkins University - Annual Nelson Wu Memorial Lecture on Asian Art and Culture

"Textual Intercourse: What Sex Can Teach Us About Contemporary Problems and Rabbinic Text"

Rebecca Epstein-Levi, Postdoctoral Research Associate, Department of Jewish, Islamic, and Near Eastern Languages & Cultures

"Social Inequities in Health and How to Address Them"

David R. Williams, the Florence Sprague Norman and Laura Smart, the Norman Professor of Public Health, Harvard University - Chancellor’s Graduate Fellowship Conference

“A Racial History of Trans Identity”

Riley Snorton - Keynote Speaker, 2017 Washington University Transgender Conference

"Survivors’ Club: The True Story of a Very Young Prisoner of Auschwitz"

Michael Bornstein and Debbie Bornstein Holinstat

"Preserving A United Nation: Moving Forward Together Despite Our Differences"

A Conversation With John C. Danforth

"Art Inspiring Music: Italian Renaissance"

Clarion Brass, the Washington University Chamber Choir, and faculty from the Department of Music

"Panel Discussion: Injury, Trauma, and Repair"

Scholars from the fields of anthropology, Holocaust studies, and psychology

Bob Hansman’s Pruitt-Igoe: An American Culture Studies Panel Discussion

Bob Hansman (Architecture), Douglas Flowe (History), Maggie Garb (History), Patty Heyda (Architecture)

"Gratitude and Treasuring Lives: Eating Animals in Contemporary Japanese Buddhism"

Barbara R. Ambros, Professor in East Asian Religions, University of North Carolina at Chapel Hill - Inaugural Robert Morrell Memorial Lecture in Asian Religions

Faculty Book Talk: Paul Steinbeck

Paul Steinbeck discusses "Message to Our Folks: The Art Ensemble of Chicago"

Faculty Book Talk: Edward McPherson

Edward McPherson discusses "The History of the Future"

"The Return of the Warrior: Ancient Greeks and Modern Combat"

Peter Meineck, New York University

"Poor"

Lennard Davis, Professor of English, University of Illinois at Chicago - Humanities Lecture Series

"Crazy"

Lennard Davis, Professor of English, University of Illinois at Chicago - Humanities Lecture Series

"City Seminar: Divided City Graduate Student Summer Research Fellows Presentation"

The Center for the Humanities, in partnership with the College of Artichecture and Graduate School of Architecture and Urban Design, invites you to listen to the final research presentation of our summer 2017 fellows. Graduate students in the Humanities, Humanistic Social Sciences, Architecture, Urban Design and Landscape Architecture will present on their research on urban segregation broadly conceived.

Light refreshments provided.

“Borgia Infami: Real and Imagined”

Opera Preview Panel Discussion

"Washington University Dance Theatre: Here.Now.Together."

Artistic direction by David Marchant

"Aunt Dan and Lemon"

Directed by Annamaria Pileggi

"Urinetown: The Musical"

Directed by Jeffery Matthews

"Kiss"

Directed by Bill Whitaker

Momenta Quartet featuring a World Premiere by Christopher Stark

“Ancient Greek Music: A Concert and Discussion”

Ensemble De Organographia

Gayle and Phil Neuman as Ensemble De Organographia have received international recognition as performers and scholars of Ancient Greek Music and have several recordings of this repertoire on the Pandourion label available at North Pacific Music.  The Neumans have built copies of period instruments appropriate to the surviving Ancient Greek repertoire (c. 500 BCE to 300 CE); these include lyra, kithara, aulos, syrinx monokalamos, trichordon, syrinx, photinx, kroupezon, and others.

Visit the group's website for more about Ensemble De Organographia.

Co-sponsors: Washington University Department of Classics and Department of Music. Reception to follow.

"Post-Traumatic Stress Disorder in Military and Civilian Life"

War correspondent David Morris in conversation with Brown professor Tonya Edmond and Brown School alum/veteran James Petersen

"North Korea: Saga Without End"

Jonathan D. Pollack, Senior Fellow of Foreign Policy, Center for East Asia Policy Studies, John L. Thornton China Center, Brookings Institution

"Constraining China’s International Influence: Lessons from History of the Sino-Cambodian Relationship, 1975-1979"

Andrew Mertha, Professor of Government, Cornell University

"A Praxis of Black Maternal Grief: Radical Collapse at Emmett's Wake"

Rhaisa Kameela Williams, Postdoctoral Fellow, Performing Arts Department, Washington University

"Whistler and the World of Impressionism at the Musée du Luxembourg circa 1900"

Alexis Clark Postdoctoral Teaching Fellow, Modern Art, Department of Art History & Archaeology, Washington University

"The Life, Work and Legacy of Cheikh Ahmadou Bamba"

Frankenstein Double Feature: A Cinematic Celebration

"Bride of Frankenstein" (1935) and "Young Frankenstein" (1974)

"Prosthetic Ecologies: Disability, Human Rights, and Asian Americanist Critique"

Cathy J. Schlund-Vials, Professor of English and Asian/Asian American Studies, University of Connecticut

"Bolivia's Incomplete Revolutions: Past and Present"

Kevin Young

"Behind the Mask: WWI, Plastic Surgery, and the Modern Beauty Revolution"

David M. Lubin, the Charlotte C. Weber Professor of Art, Wake Forest University

"Making Chinese Modern in the 20th Century"

Chaofen Sun, Professor, Stanford University

"Sold People: Traffickers and Family Life in North China"

Johanna Ransmeier, Assistant Professor of History, University of Chicago

Steve Swell, composer, improviser, trombonist

Department of Music Lecture

"When I can find the time, I’ll cry': Emmett Till’s Wake and Black Maternal Grief "

Rhaisa Williams, Post-Doctoral Fellow in Performing Arts - WGSS Fall Colloquium

Mapping LGBTQ St. Louis Launch

Divided City-sponsored project

LADAMA: A cross-cultural, Pan-American musical collaboration

Informal Cities Workshop Lecture: Kathryn Ewing

Kathryn Ewing, PhD, director of the Violence Prevention through Urban Upgrading (VPUU) Programme in South Africa

Gallery Talk: Trevor Joy Sangrey on Teaching Gallery exhibition "Reframing Feminism: Visualizing Women, Gender & Sexuality"

Trevor Joy Sangrey, lecturer in the Department of Women, Gender, and Sexuality Studies, and assistant dean in the College of Arts & Sciences

Lecture on "Renaissance and Baroque Prints: Investigating the Collection"

Elizabeth Wyckoff, curator of prints, drawings, and photographs at the Saint Louis Art Museum

"Latino Studies 2.0: Black Lives, Brown Bodies and the Ends of the Democratic Commons in the Neoliberal University"

Lázaro Lima, Associate Provost for Faculty and the E. Claiborne Robins Distinguished Chair in the Liberal Studies, University of Richmond - Inaugural Lecture in Latino Studies

“Sense & the City”

Neil Goldberg makes video, photo, mixed media, and performance work that has been exhibited internationally - City Seminar

 

Please RSVP to attend this workshop by following this link.

In this lecture and participatory workshop, artist Neil Goldberg shares his photography and video work, which documents the spaces and cadences of ordinary urban experience, and offers a series of sense-based exercises for more richly perceiving the environments we inhabit.

ABOUT THE SPEAKER
Neil Goldberg
makes video, photo, mixed media, and performance work that has been exhibited internationally at venues including The Museum of Modern Art (permanent collection), The New Museum of Contemporary Art, The Museum of the City of New York, among others. The New York Times described his work as “tender, moving and sad but also deeply funny," and Time Out New York wrote “Goldberg has produced some of the most quietly intense and affecting art of his generation.” Goldberg is a Guggenheim Fellow and teaches at the Yale University School of Art. More information can be found at http://neilgoldberg.com/

 

"Toxic Inequality: How America's Wealth Gap Destroys Mobility, Deepens the Racial Divide, and Threatens Our Future"

Thomas Shapiro, the Pokross Professor of Law & Social Policy and Director, Institute on Assets and Social Policy, Brandeis University

"War of Words: Free Speech versus Tyranny on Campus"

David French, Senior Writer, National Review; Senior Fellow, National Review Institute

"Submarine Futures of the Anthropocene"

Elizabeth DeLoughrey, Professor of Humanities, UCLA

"One Nation After Trump: A Guide for the Perplexed, the Disillusioned, the Desperate, and the Not-Yet Deported"

Norman Ornstein, American Enterprise Institute

“In the Footsteps of a Saint: Memory, Embodiment, and Music in National Fêtes for Joan of Arc” and “Orcadian Arcadias: Pastoralism and Land Use Policy in Two Pieces by Sir Maxwell Davies”

Liza Dister, Ph.D. and Karen Olson, Ph.D.

New Cartographies in Iberian and Latin American Studies

Mid-America Conference on Hispanic Literatures

“There’s a Disco Ball Between Us”

Jafari Allen, University of Miami

"Dancing, Dialogue, Diplomacy: Decisions"

A conversation with choreographer Raja Kelly

Future of Food Studies Graduate Conference

Edward McPherson reads from his new book, "The History of the Future: American Essays"

Edward McPherson, Assistant Professor, Department of English, Washington University

Visiting Hurst Professor Daphne Merkin reads from her nonfiction

Visiting Writer Rebecca Curtis reads from her fiction

"Symphony Orchestra: Frankenstein"

Three students take on the themes from Mary Shelley's Frankenstein in three world premieres in this Halloween weekend concert

Library Faculty Book Talk: Joanna Dee Das

Joanna Dee Das discusses "Katherine Dunham: Dance and the African Diaspora"

Screening & reception: Andy Warhol's ‘Flesh for Frankenstein’

Frankenstein Bicentennial Screening - Ken Russell, ‘Gothic’ (1986)

Washington University community members only

Free and open to members of the Washington University community

Sponsored by the Graduate School of Art, Sam Fox School of Design & Visual Art

Frankenstein Bicentennial Screening - ‘Re-Animator’ and ‘From Beyond’

Washington University community members only

Stuart Gordon, Re-Animator (1985), followed by Douglas Gordon, From Beyond (1986)

Free and open to members of the Washington University community

Sponsored by the Graduate School of Art, Sam Fox School

“Black Arts, Black Lives: Street Dance Activism with Shamell Bell”

Shamell Bell is a community organizer and Arts & Culture liaison with the Black Lives Matter network

Japan Foundation 2017 Film Series

Contemporary films from Japan showcase the importance of food in Japanese culture and society

“After Neoliberalism: Sustainable Development in a Value Chain World”

Frederick "Fritz" Mayer is Professor of Public Policy, Political Science, and Environment and Associate Dean for Strategy and Innovation at Duke University’s Sanford School of Public Policy

“Delusions Across Cultures”

Dominic Murphy, University of Sydney

“Is the Asian Century Over Already? Trump, Kim, Xi, and the Politics of Crisis”

Michael R. Auslin, the Williams-Griffis Fellow in Contemporary Michael AuslinAsia at the Hoover Institution, Stanford University

“Controlling Money: Monetary Reforms in Early Eighteenth-Century Japan”

Federico Marcon, Princeton University

“First the Seed, Still the Seed: Plant Breeding and Property Rights from Mass Selection to CRISPR”

Jack Kloppenburg, Professor Emeritus, Community and Environmental Sociology, University of Wisconsin - Thomas Hall Lecture in the History of Science

“The Ties Between Till and Trayvon”

Angela Onwuachi-Willig, the Chancellor’s Professor of Law, University of California, Berkeley School of Law

“Eminent Domain/Displaced”

"We Lived Here: A Community Panel"; "Imagining Our Domain" workshop

Please RSVP to attend any (or all) of these events by following this link.

The Griot Museum of Black History in collaboration with the Center for the Humanities presents Eminent Domain/Displaced.

Friday, October 6

6:30–8:30 pm: Opening Reception/Gallery Talk with artist Matt Rahner

Eminent Domain/Displaced  An installation of multimedia imagery of place, portraiture, landscape, and appropriated space that explores how the use of eminent domain contributed to the disappearance of three Missouri communities: Wendell-Phillips (Kansas City), Mill Creek Valley and St. Louis Place (St. Louis). Salvaged objects, photographs, oral interviews, archival materials and more explore the impact of displacement on these communities. Eminent Domain is co-curated by Matt Rahner, Assistant Professor of Art at Missouri Valley College, and Lois D. Conley, Founder of The Griot Museum of Black History. Exhibit runs from October 7–November 20, 2017.
 

Saturday, October 7

10:30 am–12:00 pm: We Lived Here: A Community Panel

Speakers

Sheila Rendon, displaced St. Louis Place resident

Charlesetta Taylor,  displaced St. Louis Place resident

Ameena Powell, displaced Wendell-Phillips resident

Vivian Gibson, spoken word artist and former Mill Creek resident

Ruth Marie Johnson-Edmonds, displaced Mill Creek resident

Patricia Lee, Associate Professor, Saint Louis University Law School and legal expert on eminent domain process in St. Louis

Moderator
Margaret Garb, Professor of History, Washington University


12:00–1:00 pm: Lunch (provided; please RSVP to reserve a lunch)


1:00–3:30 pm: Imagining Our Domain

An interactive, family friendly, hands-on community engagement workshop where participants are encouraged to explore the history and current conditions of St. Louis Place and brainstorm ideas for the neighborhood’s future, moderated by Andrew Hurley, professor of history at the University of Missouri-St. Louis, and Lois Conley, founder of the Griot Museum


3:30–4:00 pm: Closing Remarks: Where do we go from here?

Presented with support from:
The Missouri Humanities Council, Regional Arts Commission, Missouri Arts Council, Saint Louis Art Museum, and University of Missouri Departments of History and Museum Studies

“Futures Interrupted: Going North and the History of Korean Modernism”

Janet Poole, Associate Professor, Department of East Asian Studies, University of Toronto

“Transitional Literacy: Language Education and the Vernacular-Cosmopolitan Interface in Early Modern Korea, 1895-1925”

Daniel Pieper, Korea Foundation Post-doctoral Fellow

“The Fight for Civil Rights is Never a Straight Line”

Kylar W. Broadus, Senior Public Policy Counsel and Director, Transgender Civil Rights Project, National LGBTQ Task Force - Keynote Speaker, 2017 Washington University Transgender Conference

"The State of Conscience in University Life Today"

Ruth J. Simmons, Professor of French Comparative Literature and of Africana Studies, Brown University - James E. McLeod Memorial Lecture on Higher Education

NOW AVAILABLE: EVENT PHOTOS

Reception immediately following in the Women’s Building Formal Lounge

Ruth J. Simmons was President of Brown University from 2001-2012. Under her leadership, Brown made significant strides in improving its standing as one of the world’s finest research universities.

A professor of French before entering university administration, President Simmons currently holds an appointment as Professor of Comparative Literature and of Africana Studies at Brown. After completing her Ph.D. in Romance Languages and Literatures at Harvard, she served in various faculty and administrative roles at the University of Southern California, Princeton University, and Spelman College before becoming president of Smith College, the largest women’s college in the United States. At Smith, she launched a number of important academic initiatives, including an engineering program, the first at an American women’s college. 

Simmons is the recipient of many honors, including a Fulbright Fellowship to France, the 2001 President’s Award from the United Negro College Fund, the 2002 Fulbright Lifetime Achievement Medal, the 2004 Eleanor Roosevelt Val-Kill Medal, the Foreign Policy Association Medal, the Ellis Island Medal of Honor, and the Centennial Medal from Harvard University. She has been a featured speaker in many public venues, including the White House, the World Economic Forum, the Economic Club of Washington, D. C., the Brookings Institution, the National Press Club, the American Council on Education and the Clinton Global Initiative. An advocate for the University’s leadership on major public policy and higher education issues, she has worked on an array of educational and public policy issues, including excellence in institutional governance, the place of diversity in university life, the importance of liberal arts, the urgency of internationalization, and broader access to education. Simmons is a member of the National Academy of Arts and Sciences, the American Philosophical Society, and the Council on Foreign Relations, and serves on the board of Texas Instruments as well as on a number of non-profit boards. She has received numerous honorary degrees, and last year, she received the Brown faculty’s highest honor, the Susan Colver Rosenberger Medal of Honor.

The Center for the Humanities, the College of Arts & Sciences, Office of the Provost and The Assembly Series are co-sponsors for this event. The range of speakers for the James E. McLeod Memorial Lecture on Higher Education series is broad: academics and journalists who have written about the liberal arts and higher education, both positively and critically, as well as noted people who talk about how the liberal arts affected their lives and their career choices.

If you have any questions, please call the Center for the Humanities at 314-935-5576 

 

“The Beautiful Tension: Would Masters and Johnson Have Said Sex Is More Like Digestion or Dancing?”

Leonore Tiefer, PhD., New View Campaign founder, sex therapist, and activist

“Albrecht Dürer and the Rise of Printmaking: From Johannes Gutenberg to Martin Luther”

Michael Roth, curator at the Kupferstichkabinett in Berlin

“The Institutional as Usual: Diversity, Utility and the University”

Sara Ahmed, scholar of feminist theory, queer theory, critical race theory and postcolonialism - James E. McLeod Memorial Lecture on Higher Education

RSVPs appreciated; please follow this link.

In this lecture Sara Ahmed will discuss how understanding how and why diversity is "in use" as a word and concept allows us to explore how universities are shaped by patterns of use that often go unnoticed. She will be drawing on her research into diversity work first discussed in her book On Being Included: Racism and Diversity in Institutional Life (2012) as well as her current research on the "uses of use."

ABOUT THE SPEAKER
Sara Ahmed is an independent feminist writer and scholar. She has previously held academic posts at Lancaster University and Goldsmiths. Her most recent books are 
Living a Feminist Life (2017), Willful Subjects (2014), On Being Included: Racism and Diversity in Institutional Life (2012), The Promise of Happiness (2010) and Queer Phenomenology: Orientations, Objects, Others.


Read Amber Jamilla Musser’s (WGSS) Human Ties post introducing the work of Sara Ahmed:
“A Seat at the Table: Sara Ahmed and the Politics of Knowledge Production”

“Noon in the City: A Contemporary Tale of Du Bois’ 7th Ward in Philadelphia”

Gerald Early, the Merle Kling Professor of Modern Letters; chair of African and African-American Studies, Washington University

“Conversation with the Artist: Thomas Struth”

Talia Dan-Cohen (Anthropology) joins a panel in discussion on the intersection of art, science and culture

Works-in-Progress: A Graduate Student Symposium Series

Thai Kaewkaen and Thomas Scholz; Professor Gerhild Williams facilitates the presentations and Q&A

“Appendix D, or Preparation of the Body”

Lecture by Visiting Hurst Professor Kate Zambreno

Gabe Fried and Camille Rankine read from their poetry

Visiting Hurst Professor Ben Marcus lectures on the craft of fiction

Visiting Hurst Professor Ben Marcus reads from his fiction

Visiting Writer Rebecca Traister reads from her nonfiction

Celebrating Civil Rights: A Two-Part Tribute to Dick Gregory

Part I: Honoring A Civil Rights Legend

Celebrating Civil Rights: A Two-Part Tribute to Dick Gregory

Part II: A Lifetime of Activism and Comedy

“Monumental Disagreement: Identity and Public History”

Annette Gordon-Reed, the Charles Warren Professor of American Legal History and Professor of History, Harvard University, joins Washington University Professors Iver Bernstein, Adrienne Davis, David Konig, and Rebecca Wanzo

“Hidden Authorial Labor in the Early Modern Social Network”

J.R. Ladd, Research Fellow, Carnegie Mellon University

“Interior Frontiers: Dangerous Concepts in Our Times”

Ann Laura Stoler, the Willy Brandt Distinguished University Professor of Anthropology and Historical Studies, The New School for Social Research

WORKSHOP: “Archiving as Dissensus”

Ann Laura Stoler, the Willy Brandt Distinguished University Professor of Anthropology and Historical Studies, The New School for Social Research
There will also be a workshop with Ann Stoler on Friday, November 3 from 10 a.m.-12 p.m. A paper for discussion will be circulated before the workshop. If you are interested in attending, please rsvp to ecocriticalsawyer@wustl.edu
 
Workshop title:  “Archiving as Dissensus”
This paper is an exercise in imagining how a collective might go about shaping the imaginative geography of a Palestinian archive. At issue is an archival assembly that is not constrained by the command-- in form and content --dictated by colonial state priorities nor even by Palestinian authorities. What concerns should be weighed and who shall be its archons? How might a principle and practice of dissensus speak to and through a vastly deterritorialized populace? Might this diasporic reality provide the very strength of this archive, its exemplary status, and political grace?
 
http://materializingwastelands.org

Composition Workshop

John Wiese is an artist and composer living in Los Angeles, California

“Come Hungry,” “Detour” and “Mother”: C. Davida Ingram and Black Feminist Performance in Seattle”

Jasmine Mahmoud, Post-doctoral Fellow, American Culture Studies - WGSS Fall Colloquium Series

The Impact of Gun Violence on Families and Communities

Panel discussion featuring Lois Schaffer, author of “The Unthinkable”

Screening & Discussion: "Blood Is on the Doorstep"

St. Louis International Film Festival facilitated discussion

“The Politics of Gentrification and Displacement, From Portland, Oregon, to St. Louis, Missouri”

“Priced Out” screening & discussion (SLIFF)

“Deep Roots, Long Shadows: Sacagawea, Charbonneau, and the French Empire in Missouri”

Brett Rushforth, University of Oregon

Religion and Politics in an Age of Fracture: Patel, Stern

“Harnessing Sonic Energy for Protest and Healing: A Conversation with Activist and Audiologist Dr. Koach Baruch Frazier”

Koach Baruch Frazier, with moderator Sylvia Sukop

“An Avian Journey: Dinosaurs to Downtown”

Joanne Strassmann, the Charles Rebstock Professor of Biology

“Divided Destinies: Race, Schools, and Inequalities in St. Louis”

Jerome Morris, E. Desmond Lee Endowed Professor of Urban Education, University of Missouri–St. Louis

A Visit with Translator Katherine M. Hedeen

Sports & Society: Culture, Power, and Identity

First meeting of new faculty reading group

“Visualizing Renaissance Histories: A Symposium on Digital Narratives and the Study of 16th Florence and Venice”

Daniel Jamison University of Toronto/DECIMA project; and Kristin Huffman Lanzoni, Duke University/Visualizing Venice

College in Prison: Reading in an Age of Mass Incarceration

Daniel Karpowitz, Director of Policy and Academics for the Bard Prison Initiative; Lecturer in Law and the Humanities at Bard College and Jennifer Hudson, WashU Prison Ed. Project Program Manager; Lecturer in Political Theory, Dept. of Political Science

WashU Prison Education Project (PEP) Book Discussion

 
Join a conversation about College in Prison: Reading in an Age of Mass Incarceration with author Daniel Karpowitz, director of policy and academics for the Bard Prison Initiative and lecturer in law and the humanities at Bard College. 
 
Facilitating discussion is Jennifer Hudson, WashU Prison Education Project program manager and lecturer in political theory, Department of Political Science.
 
Karpowitz and Hudson will discuss the book and the history and philosophy of Wash U PEP and its sister program, the Bard Prison Initiative.
 
Faculty, students, and friends welcome. Refreshments provided.
 
Event co-sponsored by the Public Interest Law and Policy Speaker Series at Wash U Law
 
The book:
 
New York Review of Books review by Jonathan Zimmerman:
 
 
 
 

“Katherine Dunham: A Legacy of Activism Through Dance”

Joanna Dee Das discusses "Katherine Dunham: Dance and the African Diaspora"

SLIFF: ‘Mean Streets’ film series (Divided City sponsored)

Click here to download the information below.

 

26th Annual Whitaker St. Louis International Film Festival

Mean Streets: Viewing the Divided City Through the Lens of Film and Television

Now in its second year as a part of the St. Louis International Film Festival, “Mean Streets:Viewing the Divided City Through the Lens of Film and Television” explores one of the United States’ most persistent and vexing problems: segregation. The program primarily focuses on the racial divide in St. Louis and other U.S. cities, but also offers an international perspective with “The Field,” which deals with the longstanding Israeli/Palestinian divide on the West Bank. The 12 programs take place on the festival’s two weekends — Nov. 3-5 and 10-12 — at Washington University’s Brown Hall Auditorium, the Missouri History Museum, and St. Louis Public Library’s Central Library. All programs are free and open to the public, and feature accompanying directors and subjects and/or post-film discussions with experts.

 

SCHEDULE

 

Washington U./Brown Hall, Room 100

Saturday, Nov. 4

1 pm Priced Out, with short “Displaced & Erased”

Sunday, Nov. 5

1 pm Copwatch

4 pm True Conviction, with short “Robert” 7:30    pm    Never    Been    a    Time

Sunday Nov. 12

4 pm The Field

 

Missouri History Museum

Friday, Nov. 10

7 pm Marvin Booker Was Murdered

Saturday, Nov. 11

1  pm Nat Bates for Mayor 3:30 pm Street Fighting Men 7   pm   For   Ahkeem

Sunday Nov. 12

2  pm The Blood Is at the Doorstep

6 pm Whose Streets?

 

St. Louis Public Library

Sunday Nov. 12

1:30 pm In the Heat of the Night, with short “Streets of Greenwood”

 

FILM DESCRIPTIONS

 

The Blood Is at the Doorstep

Erik Ljung, U.S., 2017, 90 min.

Offering a painfully realistic glimpse inside a movement born out of tragedy, “The Blood Is at the Doorstep” provides a behind-the-scenes look at one of America’s most pressing social issues. A roofer by day, Nate Hamilton juggled community college and fatherhood in the evening, leading what he describes as “a pretty simple life.” That all changed in 2014, when his brother Dontre was shot 14 times and killed by a Milwaukee police officer. An unarmed black man, Donte was living with paranoid schizophrenia, and his death raised a complex of problems involving the police’s actions: the rapid escalation of force, the use of racial profiling, and the failure to recognize mental-health issues. Filmed over the course of three years in the direct aftermath of Dontre’s death, this intimate vérité documentary follows Nate and his family as they struggle to find answers and to challenge a criminal-justice system stacked against them. In their quest for justice, the Hamilton family and a grieving community must publicly square off against a police union that vows to stand as one and an embattled chief of police who finds himself stuck between activists and a union that has lost confidence in his leadership. Despite a multitude of setbacks, the Hamilton family inspires substantive reforms on a local level. But when another controversial police shooting in Milwaukee sets off several nights of violent unrest, the Hamiltons activate to maintain peace, as they anxiously wait to see if the reforms they fought so hard for will make a difference for the next family.

With director Erik Ljung.


Copwatch

Camilla Hall, U.S., 2017, 99 min.

In Ferguson, Michael Brown died after being shot by police. In New York, Eric Garner died after a chokehold by police. In Baltimore, Freddie Gray died being transported by police. The names of these men have been burned into our public consciousness, and the videos of their deaths broadcast around the globe. They horrified us, made us reevaluate the way we look at the world, and ignited a movement to show that their lives mattered. But there are stories that have not yet been told surrounding these events: stories not about what happened in front of the cameras but about who stood behind them. Copwatching is a nonviolent way to observe police activity and record it, with the dual goal of exposing misconduct and using a physical presence to prevent it. “Copwatch” sheds light on the group We Copwatch and features an array of unlikely heroes, including David Whitt of Ferguson, Jacob Crawford of Oakland, Ramsey Orta of New York, and Kevin Moore of Baltimore. We Copwatch’s men and women, from different races and backgrounds, have dedicated their lives to creating a better future for their children and communities. Granted unprecedented access, including footage never seen before publicly, “Copwatch” defines and personalizes a public narrative that is playing out across America every day.

With subject David Whitt.


The Field

Mordechai Vardi, Israel/Palestine, 2017, 73 min., Arabic, English & Hebrew

Near the West Bank’s Gush Etzion Junction — between Jerusalem and Hevron — Ali Abu Awwad dedicates his family’s field as a Palestinian Center for Non-Violence. Despite a life filled with pain and conflict — his four years in an Israeli prison, his drive-by shooting by an Israeli, his mother’s five-year prison sentence, his brother’s death at the hands of an Israeli soldier — Ali creates the organization Roots with local Israeli settlers to advance responsibility and to promote the grassroots work necessary for political reconciliation. “The Field” director Mordechai Vardi — a resident of the Gush Etzion Bloc, a cluster of Israeli settlements — accompanies members of the Roots initiative for two-and-a-half years and documents the changes transpiring on both sides. The film’s chronicle includes a 2015 wave of violence at Gush Etzion Junction during the “Intifada of Knives,” a fraught period during which the peace activists must confront the reality of their own relatives being attacked. Beautifully shot and well paced, “The Field” unsettles and often upsets, with its everyday scenes of living in a militarized zone proving both moving and chilling.

With a local expert TBD.


For Ahkeem

Jeremy Levine & Landon Van Soest, U.S., 2016, 90 min.

Beginning one year before the fatal police shooting of a black teenager in nearby Ferguson, “For Ahkeem” is the coming-of-age story of Daje Shelton, a black 17-year-old girl in North St. Louis. She fights for her future as she is placed in an alternative high school and navigates the marginalized neighborhoods, biased criminal-justice policies, and economic devastation that have set up many black youth like her to fail. After she is expelled from her public high school, a juvenile court judge sends Daje to the court-supervised Innovative Concept Academy, which offers her one last chance to earn a diploma. Over two years, Daje struggles to maintain focus in school, attends the funerals of friends killed around her, falls in love with a classmate named Antonio, and navigates a loving-but-tumultuous relationship with her mother. As Antonio is drawn into the criminal-justice system and events in Ferguson — just four miles from her home

— seize the national spotlight, Daje learns she is pregnant and must contend with the reality of raising a young black boy. “For Ahkeem” illuminates challenges that many black teenagers face in America today, and witnesses the strength, resilience, and determination it takes to survive.

With co-directors Jeremy Levine and Landon Van Soest, subject Daje Shelton, and producer Jeff Truesdell.


In the Heat of the Night

Norman Jewison, U.S., 1967, 109 min.

As timely and relevant as it was in 1967 — an especially fraught time in the civil-rights movement, when American cities were riven by race riots — “In the Heat of the Night” celebrates its 50th anniversary this year. The Oscar winner as Best Picture, the film was shot in nearby Sparta, Ill. — only 50 miles from St. Louis — because the film’s star, Sidney Poitier, legitimately feared for his life if the production were based in the South. In the film, Philadelphia police detective Virgil Tibbs ( Poitier) is arrested on suspicion of murder by Bill Gillespie (Rod Steiger), the racist police chief of tiny Sparta, Miss. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer.

Their investigation takes them through every social level of the town, with Tibbs making both enemies and unlikely friends as he hunts for the truth.

With the short “Streets of Greenwood” (John Reavis, Fred Wardenburg & Jack Willis, U.S., 1963, 20 min.): Recently restored by Washington U.’s Film & Media Archive, the film chronicles the voter-registration efforts of the Student Nonviolent Coordinating Committee (SNCC) in Greenwood, Miss., in the summer of 1963, at the height of the civil-rights movement. Introduction and post-film discussion with Novotny Lawrence, associate professor of Race, Media, and Popular Culture in the Radio,Television, and Digital Media Department at Southern Illinois University-Carbondale.


Marvin Booker Was Murdered

Wade Gardner, U.S., 2017, 116 min.

On July 9, 2010, Marvin Booker, a homeless street preacher with mental-health issues was beaten to death by five sheriff deputies while being booked into the Denver Detention Center. The event was caught on tape and witnessed by more than 20 people. Yet the city of Denver never indicted — or even reprimanded — any of the deputies involved. “Marvin Booker Was Murdered” explores how the largely Memphis-based Booker family — many of whom are preachers, including Marvin’s brother, the Rev. Spencer Booker of St. Louis’ St. Paul AME Church — relentlessly pushes his case through the court system in an attempt to secure some form of justice. With their two persistent Denver attorneys and supportive community members from both cities, the Bookers fight to ensure that the civil rights of people like Marvin will not be violated in the future. The story of Marvin Booker reveals how a city chose to protect the “thin blue line” instead of a citizen's constitutional rights.

With director Wade Gardner and members of the Booker family.


Nat Bates for Mayor

Bradley Berman & Eric Weiss, U.S., 2017, 75 min.

“Nat Bates for Mayor” tells the story of the outrageous 2014 mayor's race in Richmond, home to the second-largest refinery in California. In a brazen move, Chevron spends more than $3 million to back 83-year-old African-American stalwart Nat Bates. Bates makes a Faustian bargain with the city’s corporate behemoth in a cagy attempt to preserve the longstanding but waning power of Richmond’s black working-class community, whose rich history dates back to the formation of the Kaiser shipyards during World War II. The election pits black against white and

pro-development forces against eco-friendly progressives in a pitched David vs. Goliath battle. The unusual question: Who qualifies as David? Is Nat Bates a savior or a stooge? Offering a wild, entertaining ride, “Nat Bates for Mayor” chronicles a race that includes a dizzying array of offbeat, bigger-than-life small-town pols. With extraordinary access, the guerilla-style documentary captures revealing personal moments as it follows the candidates on the campaign trail and records the city's audacious Jerry Springer-like city-council meetings. Featuring cameos by Vermont Sen. Bernie Sanders and legendary civil-rights leader Andrew Young, the documentary provocatively explores important issues — corporate influence, race, gentrification, homophobia, and political self-determination — with humor and insight.

With co-directors Bradley Berman and Eric Weiss.


Never Been a Time

Denise Ward-Brown, U.S., 2017, 112 min.

“Never Been a Time” uses the 1917 East St. Louis race riot to unpack hidden facts that reveal the complexity of racism in all of America. The film links events separated by as much as a 100 years and as few as 20 miles, tracing the line between the East St. Louis pogrom — one of the worst racially motivated massacres in American history — and the 2014 racial uprisings in Ferguson and the 2017 protests in Minnesota over the shooting death of Philando Castile.

Moving from micro to macro, the film broadens to include the full sweep of the

African-American experience, showing the unequal citizenship accorded to blacks on all levels: economic, political, and social. The words of poets, the recollections of descendants, the analysis of scholars, and the testimonies of the 1917 victims create a multilayered documentary that demonstrates there has “never been a time” when people of African descent were treated with fairness in the U.S. without some type of demand for change.

With director Denise Ward-Brown and writer Harper Barnes, author of “Never Been a Time: The 1917 Race Riot That Sparked the Civil Rights Movement.”


Priced Out

Cornelius Swart, U.S., 2017, 60 min.

At a time of skyrocketing racial and class tensions in America, “Priced Out” is an investigative and personal look at how housing prices are displacing Portland's black community and working families all across the city. The documentary explores the complexities and contradictions of gentrification and the future of American cities. In the late 1990s, Nikki Williams, a black single mother, embraced the idea of gentrification. At the time, her block was filled with drug dealers, and boarded-up storefronts lined her neighborhood streets. Now, a decade-and-a-half later, Governing Magazine has ranked Portland as the “Most Gentrified City in America,” and Nikki's neighborhood has become one of the trendiest places in the country to live. Crime is down, houses have been fixed up, and new bars and restaurants open up almost every day. But half the black population has left, and average home prices have gone from $30,000 to $410,000. The neighborhoods of North/Northeast Portland have gone from being majority black to majority white. Rents are climbing, homes are being replaced with apartment blocks, and the word “gentrification” is on everyone’s lips. “Priced Out” explores why such a dramatic change occurred and what that change means for residents of other communities that face gentrification. With short “Displaced & Erased” (Emma Riley, U.S., 2017, 7 min.): A look at the history of Clayton’s uprooted former black community.

With director Cornelius Swart.


Street Fighting Men

Andrew James, U.S., 2017, 110 min.

In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations. “Street Fighting Men,” which celebrates dogged persistence in the face of overwhelming adversity, takes a deep vérité dive into the lives of three African Americans: retired cop Jack Rabbit, who continues to patrol the mean streets as a citizen; Deris, who has made bad choices in the past — and continues to self-sabotage — but wants to further his education to serve as a role model for his baby daughter; and Luke, who labors mightily as he rehabs a seriously dilapidated house while putting together a meager living. Shot over three years in the neighborhoods of Detroit, “Street Fighting Men” is a modern American narrative: a story of hard work, faith, and manhood in a community left to fend for itself.

With director Andrew James.


True Conviction

Jamie Meltzer, U.S., 2017, 84 min.

Christopher Scott was released from prison after serving 13 years of a life sentence for a murder he didn’t commit. That nightmare scenario is far too common: More than 30 people like Chris have been exonerated in Dallas County, Texas. Most of them are black men locked up in their youth who emerged in middle age looking for a way to make sense of what happened. One day, at a support-group meeting for exonerees, Chris has a light-bulb moment: Exonerees could become detectives, investigating the cases of other wrongfully convicted people and proving their innocence. “True Conviction” follows Chris and his team — Steven Phillips and Johnnie Lindsey — as they work to both realize their dream of becoming detectives and try to understand their own unjust experiences. As the trio of newly minted detective seek redemption, attempting to right the wrongs they experienced, Chris has faith that he can make a difference in the criminal-justice system. But that faith is mightily challenged as he and his colleagues must clear almost impossibly high hurdles in their pursuit of freeing a wrongfully convicted person.

With the short “Robert” (Sarah Fleming & Joann Self Selvidge, U.S., 2016, 8 min.): “Robert” tells the story of a young man who is incarcerated and transferred to criminal court at the age of 15.

With subject Christopher Scott.


Whose Streets?

Damon Davis & Sabaah Folayan, U.S., 2017, 90 min.

Told by the activists and leaders who live and breathe the Black Lives Matter movement for justice, “Whose Streets?” is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis. Grief, long-standing racial tensions, and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military-grade weaponry, these young community members become the torchbearers of a new resistance. Filmmakers Sabaah Folayan and Damon Davis know this story because they’ve lived it. “Whose Streets?” is a powerful battle cry from a generation fighting not just for their civil rights but also for the simple right to live.

With co-director Damon Davis and subjects.

“The Colonial Politics of Meteorology: Two Spanish Sisters in the Gulf of Guinea”

Benita Sampedro, Associate Professor of Spanish Colonial Studies, Hofstra University

“‘The Greatest Outrage of the Century’: White Violence and Black Protest in America”

Crystal N. Feimster, Associate Professor, African American Studies, History, and American Studies, Yale University - Holocaust Memorial Lecture


RSVPs appreciated; please follow this link


This lecture will revisit the 1917 East St. Louis Race Riot and Ida B. Wells-Barnett's campaign for racial justice. Highlighting the racial and sexual politics of the riot, Feimster explores the role of black women in the long struggle against white supremacist violence and for racial equality in 20th century America.
 
ABOUT THE SPEAKER
Crystal N. Feimster, a native of North Carolina, is an associate professor in the Department of African American Studies, the American Studies Program and Department of History at Yale University, where she teaches a range of courses in 19th- and 20th-century African-American history, women’s history and Southern history. She has also taught at Boston College, UNC-Chapel Hill and Princeton. She earned her master's degree and PhD in history from Princeton University and her bachelor of arts in history and women’s studies from UNC-Chapel Hill. Her manuscript, Southern Horrors: Women and the Politics of Rape and Lynching  (Harvard University Press, 2009), examines the roles of both black and white women in the politics of racial and sexual violence in the American South. She is currently working on two book projects: "Sexual Warfare: Rape and the American Civil War" and "Truth Be Told: Rape and Mutiny in Civil War Louisiana."
 

Cosponsored by the Office of the Vice Provost for Faculty Advancement and Institutional Diversity, the Department of African and African-American Studies, the Program in American Culture Studies and Partners in East St. Louis


Read historian Douglas Flowe’s Human Ties post on a related topic:
“‘A Time to Lift One’s Voice’: The East St. Louis Riot in a Migration Perspective”

“Race & Distant Reading”

Richard Jean So, Assistant Professor, University of Chicago

Pixar Coco Animation Presentation

Q&A With Washington University Alum Chris Bernardi

Parabola 2017: Frankenstein

"Thinking with the Intimacy Contract: Migrant Labor and US Military Bases"

Rachel Brown, PhD, with Anca Parvulescu, Respondent - WGSS Spring Colloquium Series

Mark Evan Bonds, the Cary C. Boshamer Distinguished Professor at the University of North Carolina, Chapel Hill

Department of Music Lecture

“Where Do We Go from Here: Chaos or Community?”

Dr. Martin Luther King Jr. Commemoration: The Annual Celebration

“America, Energy and War in the Persian Gulf”

Toby C. Jones, Associate Professor of History, Rutgers University

Open Rehearsal with Martin Bresnick and the musicians of MOCM

“Defining Human: An Interdisciplinary Conversation About What It Means to Be Human”

Interdisciplinary panel discussion - Medical Humanities event

Panelists

Wolfram Schmidgen, PhD, Chair, Department of English

Father Gary Braun

Charlie Kurth, PhD, Assistant Professor, Philosophy 

Tobias Zuern, PhD, Postdoctoral Fellow, East Asian Religions

Emily Jungheim, MD, MSCI - OB/GYN

Allan Larson, PhD, Professor, Biology

Amy Cislo, PhD, Senior Lecturer, Women, Gender, & Sexuality Studies

Reverend Karen Anderson, MDiv., Pastor, Ward Chapel AME Church, President MCU (Metropolitan Congregations United)

 

Film Screening: “Whose Streets?”

Presented as part of the Mellon-funded Documenting the Now project’s second advisory meeting and symposium

Digital Blackness in the Archive: A Documenting the Now Symposium

Gallery Talk: Renaissance and Baroque Prints

William Wallace, the Barbara Murphy Bryant Distinguished Professor of Art History

“What Do Francis of Assisi and Francis of Buenos Aires Have in Common? A 'Franciscan' Perspective on the Common Ground”

Father Michael Perry, OFM

Religion and Politics in Early America Conference

More details to come.

“Maimonides and the Merchants: Jewish Law and Society in the Medieval Islamic World”

Mark R. Cohen

“Toward Consilience: Integrating Performance History and the Coevolution of Our Species”

Bruce McConachie, Professor Emeritus of Theatre Arts, University of Pittsburgh

Panel discussion on professional literary pursuits

Daniel Medin (Matheson Lecturer) with Danielle Dutton (English) and Martin Riker (English)

MFA Poetry faculty read from their work

Mary Jo Bang, francine harris and Carl Phillips

Margo Jefferson reads from her creative nonfiction

Visiting Hurst Professor Erin Belieu reads from her poetry

Visiting Hurst Professor Patricia Hampl reads from her creative nonfiction

Visiting Hurst Professor Erin Belieu lectures on the craft of poetry

Visiting Hurst Professor Kelly Link lectures on the craft of fiction

Visiting Hurst Professor Kelly Link reads from her fiction

“August: Osage County”

Directed by Andrea Urice

“1:05” - Black Anthology

Pre-show panel discussion, 6:15 pm; performance, 7 pm

Faculty Book Talk: Marie Griffith

Marie Griffith discusses “Moral Combat: How Sex Divided American Christians and Fractured American Politics”

Faculty Book Talk: Brandon Wilson

Brandon Wilson discusses “The Half Beneath”

Faculty Book Talk: Monique Bedasse

Monique Bedasse discusses “Jah Kingdom: Rastafarians, Tanzania, and Pan-Africanism in the Age of Decolonization”

“Earth 2.0: Noah and His Family in the Wastelands”

Jeffrey Jerome Cohen, Professor of English and Director of the Medieval and Early Modern Studies Institute, George Washington University

Reunion of John and Penelope Biggs Residents in Classics: Celebration and Conference

More details to come from the Department of Classics.

“From Refugee to Citizen: the Journeys of North Korean Defectors and Refugees”

Sheena Greitens, University of Missouri

“Kafka from Puszta to Pampa”

Daniel Medin (Ph.D. '05 English/Comparative Literature) - 2017 Matheson Lecture

Lunar New Year Festival

“Mainstream and Extreme: White Nationalism, Masculinity and Racialized Violence from East St. Louis to Charlottesville”

Panel discussion featuring Faculty Book Celebration speaker Nancy MacLean

Panel moderated by Andrea Friedman (History and Women, Gender & Sexuality Studies). Panelists include:

  • Nancy MacLean, Faculty Book Celebration speaker
  • David Cunningham, Sociology
  • Denise Ward-Brown, Sam Fox School
  • Rebecca Wanzo, Women, Gender and Sexuality Studies and Center for the Humanities
  • Keona Ervin, History, University of Missouri-Columbia

Co-sponsored by University Libraries.

Lunch provided. Please RSVP to attend: cenhum@wustl.edu or (314) 935-5576.

This event is related to the Faculty Book Celebration, held later in the afternoon of February 15.

 

“The Origins of Today’s Billionaire-Funded Radical Right and the Crisis of American Democracy” - A&S Faculty Book Celebration

Nancy MacLean, the William H. Chafe Professor of History and Public Policy, Duke University

Nancy MacLean’s most recent book, <i>Democracy in Chains,</> was a finalist for the National Book Award for Nonfiction Prize.

RSVPs appreciated; please follow this link.

MacLean traces the history of the capitalist radical right’s thought in the United States, outlining how it informed campaigns to privatize everything from public education to Social Security. She begins her story in the 1950s, as the civil rights movement is fighting to desegregate the public schools and follows the career of the Nobel Prize–winning political economist James McGill Buchanan as he connects with various wealthy libertarians, most particularly, Charles Koch. It was Buchanan who taught Koch that for capitalism to thrive, democracy must be enchained. And it is the Koch network’s strategic application of Buchanan’s thinking that has produced today’s relentless efforts to eliminate unions, suppress voting, stop action on climate change and alter the Constitution.
 
ADDITIONAL WASHINGTON UNIVERSITY FACULTY SPEAKERS 
 
Joanna Dee Das
Assistant Professor of Dance
Katherine Dunham: Dance and the African Diaspora 
 
Corinna Treitel 
 

ABOUT THE KEYNOTE SPEAKER
Nancy MacLean specializes in 20th-century U.S. history. Her scholarship has received more than a dozen prizes and awards and has been supported by fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, the National Humanities Center, the Russell Sage Foundation and the Woodrow Wilson National Fellowships Foundation. In 2010, she was elected a fellow of the Society of American Historians, which recognizes literary distinction in the writing of history and biography. Also an award-winning teacher and committed graduate student mentor, she offers courses on post-1945 America, social movements and public policy history.

MacLean is author of four other books, including Freedom Is Not Enough: The Opening of the American Workplace (2006) and Behind the Mask of Chivalry: The Making of the Second Ku Klux Klan, named a New York Times “noteworthy” book of 1994. Her articles and review essays have appeared in American QuarterlyThe Boston ReviewFeminist Studies, Gender & History, In These Times, International Labor and Working Class HistoryLabor, Labor History, Journal of American History, Journal of Women’s HistoryLaw and History ReviewThe Nation, the OAH Magazine of History and many edited collections.


RELATED EVENT: PANEL DISCUSSION

“Mainstream and Extreme: White Nationalism, Masculinity and Racialized Violence from East St. Louis to Charlottesville”

Thursday, February 15, 12 pm
Washington University, Olin Library, Room 142

featuring

  • Moderator: Andrea Friedman (History and Women, Gender & Sexuality Studies)
  • Nancy MacLean, Faculty Book Celebration speaker
  • David Cunningham, Sociology
  • Denise Ward-Brown, Sam Fox School
  • Rebecca Wanzo, Women, Gender & Sexuality Studies and Center for the Humanities
  • Keona Ervin, History, University of Missouri-Columbia

RSVPs appreciated to cenhum@wustl.edu. Co-sponsored by University Libraries.

 

 

Religion and Politics in an Age of Fracture: Davis, Inazu, Patel

“The Future Is Now”

Nicole Guidotti-Hernandez, UT Austin

“The Relevance of Religion for Leadership: How Religious Traditions Can Inform Leadership Values and Approaches”

Lecture and panel discussion featuring David W. Miller, George P. Bauer, Bob Chapman, John C. Danforth and Ghazala Hayat

Trending Topics Presents: Dr. Angela Davis

Angela Yvonne Davis is an American political activist, academic, and author

Trending Topics Presents: Masha Gessen

Masha Gessen is the author of “The Future Is History: How Totalitarianism Reclaimed Russia,” which won the National Book Award for Nonfiction in 2017

“A Time to Care: Why Everyone Should Support Criminal Justice Reform”

Shon Hopwood, convicted felon turned law professor - Thomas Hennings Lecture

“Tracing a Writer’s Journey from WashU Student to Award-winning Novelist”

Stefan M. Block, Novelist, “Oliver Loving” - Arts & Sciences Connections Lecture

“Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine”

Joe Hagan, Journalist/biographer - Elliot Stein Lecture in Ethics

“Frankenstein Meets Climate Change: Monsters of Our Own Making”

Michael Wysession, Geologist, Washington University Department of Earth & Planetary Science

“Art, Music, and Politics in the Book of Revelation”

Elaine Pagels, the Harrington Spear Paine Foundation Professor of Religion at Princeton University - Weltin Lecture

“Voices of the Unheard and a Call for Grace for Victims of Oppression, Racism and Sexism”

Susan Talve & Traci Blackmon, religious leaders/social activists - Rabbi Ferdinand Isserman Lecture

“Surrounded by Madness: A Memoir of Mental Illness and Family Secrets”

Rachel Pruchno, Developmental psychologist/memoirist - WU Woman’s Club Lecture

“Embodying Intimacy: New Work in Voice and Performance”

Panel Discussion
When are our voices our own? What is at stake in believing we possess our voices — even when we occasionally feel possessed by them? What are the politics and pleasures of vocal imitation? How does vocal performance foster, challenge and disrupt intimate bonds among fellow singers, listeners and bystanders? “Embodying Intimacy: New Work on Voice and Performance” aims to explore these questions — questions that circle around harmonious, disruptive, entertaining, worshipful voices chanting, singing, speaking and breathing.
 
This two-day interdisciplinary symposium is a culmination of the work undertaken by faculty and postdoctoral fellows in the Voice and Sexuality Studies working group during the last 18 months. By bringing together scholars in music, performance studies, religious studies, gender and sexuality studies, literary studies and ethnic studies, we will explore vocal performance as a means and mode of intimacy. We will host three special guests to be in conversation with one another: Ashon Crawley (University of Virginia, author of Black Pentecostal Breath), Karen Tongson (University of Southern California, author of Relocations: Queer Suburban Imaginaries and the forthcoming Empty Orchestra: Karaoke. Critical. Apparatus.) and Roshanak Kheshti (University of California, San Diego, author of Modernity’s Ear).
 
This symposium is open to the Washington University community, as well as to the public. 
 
Organizers: Paige McGinley (Performing Arts) and Amber Musser (Women, Gender and Sexuality Studies)
 

Sponsored by the Race and Popular Music Faculty Initiative in American Culture Studies, with the following cosponsors: Center for the Humanities; Music; Performing Arts; African and African-American Studies; the Law, Identity and Culture Initiative; Women’s, Gender and Sexuality Studies; and Religious Studies. 

“Contrast and Layers”

Lecture and demonstration by Turkish-American choreographer Seda Aybay, Artistic Director of Kybele Dance Theater, Los Angeles

“The (In)Flexibility of Racial Policies: Chinese Americans in the Jim Crow South”

Stacey J. Lee is a professor in Educational Policy Studies and a faculty affiliate in Asian American Studies at the University of Wisconsin-Madison

“Parenting the Princes: Child Rearing in the Italian Renaissance” - Paul and Silvia Rava Memorial Lecture

Deanna Shemek, Professor and Chair, Department of Literature, and the Gary D. Licker Memorial Chair, University of California-Santa Cruz

Vagina Monologues 2018

This year’s performance features a prologue and epilogue of original pieces written by WashU students

“The Sociodramatic Experiment: Performing Nonviolence in the Civil Rights Movement”

Paige McGinley, Associate Professor of Performing Arts, Washington University in St. Louis

Julie Cumming, Associate Professor of Music History in the Schulich School of Music at McGill University

Department of Music Lecture

“Slavery and the Art of Colonialism”

Philippa Levine serves as the Walter Prescott Webb Chair in History and Ideas, as well as the Co-Director of the Program of British Studies at the University of Texas at Austin.

“Bolshevik Anarchists in the Tropics? How the Russian Revolution and the U.S. Red Scare Shaped Caribbean Anarchism, 1917-1930”

Kirwin Shaffer is Professor of Latin American Studies at Berks College of Penn State University

Religion and Politics in an Age of Fracture: Inazu, Green

John Inazu (Law, Religion & Politics) and Emma Green, staff writer at “The Atlantic” covering politics, policy and religion

“The Medical Activism of Gwendolyn Brooks; Or, the Social Afterlife of the Restrictive Covenant”

Lisa Young, Postdoctoral Fellow, Department of African & African-American Studies, Washington University

“‘This Might as Well Be Prison’: Homeless Shelters, Black Sex Offenders, and Hyper-Surveillance”

Terrance Wooten, Weil Early Career Fellowship, Center for the Humanities

“Building Suburban Power: The Design of America’s Segregated Housing Market”

Paige Glotzer, Prize Fellow in Economics, History and Politics, Harvard University

“Revanchist Kigali: Minor Architecture in a ‘World-Class’ City”

Samuel Shearer, Weil Early Career Fellowship, Center for the Humanities

City Seminar: Urban Humanities Lecture

Kimberley Mckinson

“Between Fact and Fiction: Classification and Liberation in Mao’s Rural Revolution”

Brian DeMare, associate professor of history, Tulane University

Takarabune: Awa Odori performance and workshop

Takarabune is a creative dance company

“A Case for Korea in Comparative Legal History” - William Catron Jones Lecture

Marie Seong-Hak Kim, professor of legal history, St. Cloud State University, and attorney at law

“My Kingdom Is the Right Size” (Eleanor Antin)

Sophia Powers, Postdoctoral Teaching Fellow, Department of Art History & Archaeology, Washington University

“FESTAC ’77: The 2nd World Black and African Festival of Arts and Culture”

Photographer Marilyn Nance

“Revolutionary Suicide: Necropolitics, Radical Agency, and Black Ontology”

Lisa M. Corrigan, University of Arkansas

“Oral histories of Kenyan Military Service in the Second World War, A Kenyan Researcher's Perspective”

Victorial Mutheu, Kenyan farmer and researcher

“Linguistics, Life, and Death”

John Baugh, Washington University

“Patti Smith's Ethiopia: Assessing the Neo-Beatnik World System”

Caren Irr, Department of English, Brandeis University

“Discourses of Memory: The Marginalization of Bronislava Nijinska”

Lynn Garafola, Professor Emerita of Dance, Barnard College, Columbia University

Helen Clanton Morrin Lecture

Oskar Eustis, Artistic Director, The Public Theatre, New York City

“Ritual Reforms in Late Bronze Age China”

Lothar von Falkenhauser, UCLA

“Making Migrants Matter: The Migrant Domestic Workers Movement in Canada”

Ethel Tungohan, PhD

“Between Biography and Historiography: Gershom Scholem’s Redemption Through Sin”

David Biale, the Emanuel Ringelblum Distinguished Professor of Jewish History, University of Califorinia, Davis

“Wastelands of the Permanent War Machine: The Domestic Ruins of the American Military Industrial Complex”

Joshua Reno, Assistant Professor of Anthropology, Binghamton University

“Protecting LGBTQ+ Progress in Challenging Times”

James Esseks, LGBT Project Director, ACLU - Keynote address, Midwest LGBTQ Rights Conference

More than Sustenance: Food in Art

Graduate Student Art History Symposium 2018

“The Promise of Patriarchy: Women and the Nation of Islam”

Ula Taylor, University of California, Berkeley

Cultural Expo

Presented by Sigma Iota Rho

The Cultural Expo, presented by Sigma Iota Rho, is a celebration of the many cultures at Wash. U., bringing together the many unique groups on campus. Representatives from our diverse student body engage with the greater WashU community through facilitated discussions about cultural identity, poster presentations, traditional food and performances. In past years, the show's highlights have included dance, singing, poetry, and more! 

Rethinking Europe: War and Peace in the Early Modern German Lands

Eighth International Conference, Frühe Neuzeit Interdisziplinär

“Towards a Long History of Environmental Racism in the United States”

Carl Zimring, Professor of Sustainability Studies, Department of Social Science & Cultural Studies, Pratt Institute

“The ‘Naughty Boy of Attic Syntax’? Xenophon and Greek Prose Style”

Coulter George, University of Virginia

“Scenes From an Imaginary History of Mode in the West”

Ian Quinn, Professor and Director of Undergraduate Studies in Music at Yale University

MFA Student Dance Concert: Common Ground

Artistic direction by Christine Knoblach-O'Neal

“How Oil Makes Ecosystems: The Political Ecology of Ruin and Restoration in the Gulf of Mexico”

Valerie Olson, Assistant Professor of Anthropology, UC Irvine

Victor LaValle, author of “Victor LaValle’s Destroyer”

Author of “Victor LaValle’s Destroyer,” a modern interpretation of the Frankenstein story

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels — The EcstaticBig MachineThe Devil in Silver, and The Changeling — and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle's DESTROYER.

He has been the recipient of numerous awards including a Whiting Writers' Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship, a Shirley Jackson Award, an American Book Award, and the key to Southeast Queens.

"The Curren(t)cy of Frankenstein"

Performance and multidisciplinary lectures (September 2018)

FRIDAY, SEPTEMBER 28, 6 PM

SATURDAY, SEPTEMBER 29, 7 PM

SUNDAY, SEPTEMBER 30, 2 PM

Mary Shelley’s Frankenstein, the defining creation myth and horror story of the modern era, was published in 1818. The Medical Humanities program, the Center for the History of Medicine, with support from the Provost’s Office, the Department of Obstetrics and Gynecology, and the Division of Biology and Biomedical Science will host a three-day event, The Curren(t)cy of Frankenstein, to celebrate the 200th anniversary of the novel’s publication by contemplating its bearing today in the context of medical research, practice, and ethics.

The event will include a performance piece on Frankenstein directed by Bill Whitaker, professor of the practice in the Performing Arts Department. Whitaker has directed numerous plays at Washington University and regularly teaches at Shakespeare’s Globe Theater in London.

The performance will be followed by scholarly lectures on each of the three days of the event. Noted author Luke Dittrich will discuss the implications of Shelley’s Frankenstein for modern medical practice, specifically the ethical overlap with the subject of his recent book Patient H. M.: A Story of Memory, Madness and Family Secrets. Winner of the PEN/E.O. Wilson Literary Science Writing Award and Los Angeles Times Book Prize Winner and named “One of the Best Books of the Year” by The Washington Post, New York Post, NPR, The Economist, Wired, and  Kirkus Reviews, Dittrich tells a very personal history of the rise during the 1950s of the psychosurgical procedure known the lobotomy, which his grandfather performed on the young epileptic Henry Molaison and countless others. Eminent historian of philosophy and science William Newman (Indiana University) will discuss and demonstrate alchemical experiments of the early modern era, for which raising the dead was the supreme feat of alchemy. Amy Pawl, senior lecturer of English at Washington University and expert on the literary innovations and influence of Mary Shelley’s novel, will also give a joint lecture with Minsoo Kang, professor of history at University of Missouri-St. Louis and author of the acclaimed book Sublime Dreams of Living Machines on the history of human automata.

The event will culminate each day with a panel discussion among noted medical practitioners, ethicists, and humanists on the relevance of Shelley’s novel and the questions it raises for medical practice today.

Panelists include Dr. Ira Kodner, professor of surgery and former director of the Center for the Study of Ethics and Human Values; Dr. Amy Cislo, senior lecturer in women, gender and sexuality studies at Washington University and expert on Paracelsus and transgender studies, Dr. Jeffrey Bishop, director of the Albert Gnaegi Center for Health Care Ethics at Saint Louis University; and Dr. Susan E. MacKinnon, director, Center for Nerve Injury and Paralysis, Sydney M., Jr. and Robert H. Shoenberg Professor, and chief, Division of Plastic and Reconstructive Surgery.

Organizer: Rebecca Messbarger, Director of Medical Humanities

John Gardner Open House and Free Screening of “Sunlight Man”

Q&A with Joel Gardner, filmmaker and son of John Gardner

A Public Event in Recognition of the 50th Anniversary of the Death of Dr. Martin Luther King Jr.

Jonathan Walton, the Plummer Professor of Christian Morals and Pusey Minister in the Memorial Church at Harvard University; and Lerone Martin, Associate Professor of Religion and Politics, Washington University

"Books and Biographies: Localizing China's Intellectual History"

Peter K. Bol, Carswell Professor of East Asian Languages and Civilizations, Harvard University - Annual Stanley Spector Memorial Lecture

Film Screening & Discussion: “We Are Brothers” (2014)

Q&A with Korean director JANG Jin

“The Color of Motherhood: Enslaved Cubans under the First Spanish Republic”

Lisa Surwillo, Stanford University, Associate Professor of Iberian and Latin American Cultures Director, Department of Iberian and Latin American Cultures

“Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling”

David Bordwell, the Jacques Ledoux Professor of Film Studies, Department of Communication Arts, University of Wisconsin–Madison
4-5:30 pm
Talk about Hollywood storytelling in the 1940s (location TBD)
 
7 pm
Screening (location: Brown Hall, Room 100)
 
 

More details to come. See related event on April 6.

 
Organized by Film and Media Studies and cosponsored by the Center for the Humanities, Performing Arts Department, Department of Art History & Archaeology, Department of Psychological & Brain Sciences, and Program in Philosophy-Neuroscience-Psychology

“Seeing and Seeking: A Beholder’s Guide to Gombrich”

David Bordwell, the Jacques Ledoux Professor of Film Studies, Department of Communication Arts, University of Wisconsin–Madison

More details to come. See related event on April 5.

 
Organized by Film and Media Studies and cosponsored by the Center for the Humanities, Performing Arts Department, Department of Art History & Archaeology, Department of Psychological & Brain Sciences, and Program in Philosophy-Neuroscience-Psychology

Student Composer Reading Session: Momenta String Quartet

Holocaust Memorial Lecture

Sue Vice, University of Sheffield

More information to come.

“The Pitfalls of #Plastic Revolutions”

Kristen Warner, Associate Professor, University of Alabama

Composer Talk: Kristin Kuster, Professor and Chair of Composition, University of Michigan

Co-sponsor: Community Partnership Program of the St. Louis Symphony

“Empower Yourself: Lead a Successful Life as an Artistic Entrepreneur”

Allyson Ditchey, Founder and President, Connect the Arts; moderated by Anna Pileggi

“Visions of Racial Democracy and Spectacles of Interracial Eros: Black-and-White Duets in the National Ballet of Cuba”

Lester Tomé, Assistant Professor of Dance, Smith College

Tennessee Williams Birthday Bash & Screening: "Sweet Bird of Youth"

Audience participation event with Francesca Williams, the playwright's niece

“Exceptionally Religious? A History of Muslim, Christians, and Jews in the Middle East”

Heather J. Sharkey, Associate Professor, Department of Near Eastern Languages and Civilizations, University of Pennsylvania

The Color of Policing Symposium (COPS): Youth, Education and Activism

Reception and Recognition for Medical Humanities Graduates

Brief presentations by our seniors on a significant aspect of their Medical Humanities experience

"Easing the Distressed Mind: Robert Burton and The Anatomy of Melancholy"

Jonathan Sawday, the Walter J. Ong, S.J., Chair in the Humanities, Saint Louis University - 63rd Historia Medica

“Collisions: Transit & Hip-Hop”

The Conundrum of Gentrification: Five Questions for Historians

Suleiman Osman - RSVP required; see website

Screening: “A Letter to Three Wives” (1949)

Free screening - 2K DCP restoration

The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany

24th St. Louis Symposium on German Literature and Culture

More information to come.

William H. Gass: His Life and Legacy

Manuscript viewing and remarks by Lorin Cuoco, Michael Eastman, Matthias Goeritz, Garth Risk Hallberg, Joy Williams and Chancellor Mark S. Wrighton

“Music and Racial Segregation in 20th-Century St. Louis”

Patrick Burke, associate professor of music and head of musicology at Washington University - Divided City

Israeli Literature at Seventy

Conference

More information to come from the Department of Jewish, Islamic and Near Easter Languages and Cultures.

“On Uncertainty: Fake News, Post-Truth, and the Question of Judgment in Syria”

Lisa Wedeen, the Mary R. Morton Professor of Political Science, University of Chicago - Mellon Sawyer Seminar

“Revolutionizing Higher Education” - James E. McLeod Memorial Lecture on Higher Education

Cathy Davidson, cofounding director of HASTAC, is Distinguished Professor of English and Founding Director of the Futures Initiative at the Graduate Center, CUNY
Cathy N. Davidson, a higher education leader and distinguished scholar of the history of technology, argues that colleges and universities are failing the entire generation of young people — but most higher education reform diagnoses the wrong problem and proposes the wrong solutions. In this talk, Davidson looks at the period from 1865–1925, when the nation’s universities created grades and departments, majors and minors in an attempt to prepare young people for a world transformed by the telegraph and the Model T. If innovators then could redesign college, we can rethink higher education for our own era. From the Ivy League to community colleges, she profiles innovative educators who are changing their classrooms and their curriculums. Her book The New Education ultimately shows how we can teach students not only to survive but to thrive amid the challenges of our age.
 

ABOUT THE SPEAKER

Cathy N. Davidson, an educational innovator and a distinguished scholar of the history of technology, is an avid proponent of active ways of learning that help students to understand and navigate the radically changed global world in which we now all live, work, and learn. Davidson is Distinguished Professor of English and Founding Director of the Futures Initiative at the Graduate Center, CUNY, and the R. F. DeVarney Professor Emerita of Interdisciplinary Studies at Duke University where she served as Duke’s (and the nation’s) first Vice Provost for Interdisciplinary Studies.
 
Davidson is the cofounding director (2002-2017, now co-director) of HASTAC (“Haystack”), Humanities, Arts, Science and Technology Alliance and Collaboratory. She is on the Board of Directors of Mozilla and served on the National Council of the Humanities as an appointee of President Barack Obama (2011-2017). She is the 2016 recipient of the Ernest J. Boyer Award for Significant Contributions to Higher Education, she champions new ideas and methods for learning and professional development–in school, in the workplace, and in everyday life.

 

“Why Don’t Universities Support Racial Equality?”

Christopher Newfield, Professor of literature and American studies at the University of California, Santa Barbara - James E. McLeod Memorial Lecture on Higher Education

RSVPs appreciated; please follow this link.

Debate about such issues as affirmative action, university reparations and renaming units like the Woodrow Wilson School at Princeton have convinced many people that American universities are centers of egalitarian thought and practice about race relations. But is this reputation deserved? This lecture surveys the evidence that universities are now contributing to the resegregation of the United States, discusses why this is happening, and suggests how universities could instead help fix racial disparity.


About the speaker

Christopher Newfield is professor of literature and American Studies at the University of California at Santa Barbara. He brings an interdisciplinary background to the analysis of a range of topics in American Studies, innovation theory, and “critical university studies,” a field which he helped to found. Chris’ books include Mapping Multiculturalism (edited with Avery Gordon), The Emerson Effect: Individualism and Submission in America (Chicago, 1996), Ivy and Industry: Business and the Making of the American University, 1880-1980 (Duke, 2003), and Unmaking the Public University: The Forty Year Assault on the Middle Class (Harvard, 2008). His writing covers American political psychology, race relations, the future of solar energy, and the power of humanities-based investigation. He teaches courses on Detective Fiction, Global California, Innovation Studies, Critical Theory, the Future of Higher Education, and English Majoring After College among others. He blogs on higher education funding and policy at Remaking the University, the Huffington Post, and the Chronicle of Higher Education, and is completing a book called "Lowered Education: What to Do About Our Downsized Future."

 

"Liberal Arts: The Higgs Boson of Higher Education"

Walter E. Massey, educator, physicist, and business executive - James E. McLeod Memorial Lecture on Higher Education

NOW AVAILABLE: EVENT PHOTO ALBUM

The Center for the Humanities, in partnership with the College of Arts and Sciences and the Assembly Series, will hold the first annual James E. McLeod Lecture on Higher Education on Tuesday, October 2, at 4:00 p.m. in Graham Chapel. The speaker will be Walter E. Massey, president of the School of the Art Institute of Chicago. This lecture series, in honor of the esteemed Vice Chancellor of Students who died in 2011, will deal with the role of the liberal arts in higher education, a subject especially meaningful to Dean McLeod. Reception in the Formal Lounge of the Women’s Building will follow the lecture. The title of Dr. Massey’s talk is "Liberal Arts: The Higgs Boson of Higher Education."

Walter E. Massey is an educator, physicist, and business executive. He has served as Professor of Physics and Dean of the College at Brown University, as well as on the faculties of the University of Chicago and the University of Illinois at Urbana-Champaign. He is a former president of Morehouse College, Dean McLeod’s alma mater. A prominent physicist, Dr. Massey was Director of the Argonne National Laboratory from 1979 to 1984, and the Director of the National Science Foundation from 1991 to 1993, appointed by former President George H. W. Bush. He has been a strong advocate for quality science education for minority students.

Dr. Massey has served as director and Chairman of the Board of Bank of America and is currently on the board of McDonald’s.

Dr. Massey received his Ph. D. in Physics from Washington University in St. Louis.

See Event Photos

“The Cursed Circumstance of Water All Around Us”

Leonardo de la Caridad Padura Fuentes, Cuban novelist and journalist

Technologies of Segregation in Early Modern Italian Cities

Symposium sponsored by the Divided City: An Urban Humanities Initiative

Incarceration Panel

Humanities Lecture Series 2018

Merle Kling Symposium 2018

A celebration of undergraduate research

Screening & Discussion: "The Color of Medicine"

Post-screening discussion with filmmakers and producer

“Dwell in Other Futures: Art/Urbanism/Midwest”

Organized by Tim Portlock, Rebecca Wanzo, Gavin Kroeber

“Kentucky”

Performing Arts Department Production

“The Rocky Horror Show”

Performing Arts Department Production - Washington University Frankenstein Bicentennial

Newlyweds Brad and Janet have blown a tire. They abandon their car and stumble into the Edison Theatre – right into Frank N Furter’s castle in Transylvania. Here their naive notions of sexual identity will be forever changed. Just in time for Parent’s Weekend and Halloween, The Rocky Horror Show will put a sassy musical finish to Washington University’s Frankenstein@200 programming. Come on and do “The Time Warp” with us!

WU Dance Theatre

Performing Arts Department Production

Screening: “A Tale of Two Cities: Documenting Our Divides”

Student-created videos - Divided City

Summer City Seminar: A Compendium of the Divided City

Conversations and presentations on the Divided City’s community engagement, curriculum development, and research projects

Black Love and Black Rage in America: The Burden of Hope, a Lecture by Chris Lebron

Chris Lebron is Associate Professor of Philosophy at Johns Hopkins University. He specializes in political philosophy, social theory, the philosophy of race, and democratic ethics.

Chris Lebron is Associate Professor of Philosophy at Johns Hopkins University. He specializes in political philosophy, social theory, the philosophy of race, and democratic ethics. His work has focused on bridging the divide between analytic liberalism and the virtue ethics tradition. His first book, The Color of Our Shame: Race and Justice In Our Time (OUP 2013), won the American Political Science Association Foundations of Political Theory First Book Prize. His second book The Making of Black Lives Matter: A Brief History of An Idea (OUP 2017) offers a brief intellectual history of the Black Lives Matter social movement. He is also an active public intellectual, who has written for The New York Times, Boston Review, and other popular publications.

The Divided City is an urban humanities initiative, a joint project of the Center for the Humanities and the Sam Fox School at Washington University, funded by the Andrew W. Mellon Foundation.

A celebration of the Declaration of Independence

David Konig, professor of history and of law, Washington University

“Neva Again! Hip Hop, Art and Language Activism in Decolonizing South Africa”

Quentin Williams, University of the Western Cape, South Africa

“Multilingualism in Pain: Fashioning Non-Racial Selves in Post-Apartheid South Africa”

Quentin Williams, University of the Western Cape, South Africa

“What Majority-Minority Society? The Rise and Significance of Ethno-Racially Mixed Parentage”

Richard Alba, Department of Sociology, SUNY

“Overcoming Political Tribalism and Recovering Our American Democracy”

Amy Chua, author of “Battle Hymn of the Tiger Mother” will discuss with Sen. John Danforth her latest book, “Political Tribes: Group Instinct and the Fate of Nations

“Seeds of Memory: Food Legacies of the Transatlantic Slave Trade”

Judith Carney, Professor, Department of Geography, UCLA

“Giorgio Ghisi, ‘The Allegory of Life’: An Example of Early Modern Iconography”

Mark S. Weil, the Des Lee Professor Emeritus of Art History and Archaeology

“Engaging the Whole Reader: ‘Active Latin’ as a bridge between student and text”

Brotherhood University: Black Men and Social Mobility on a College Campus

Brandon Jackson, University of Arkansas

“‘Balzac and the Little Chinese Seamstress’: Books Make Readers”

Qiu Xiaolong - Assembly Series Lecture

“Black Love and Black Rage in America: The Burden of Hope” - Divided City lecture

Chris Lebron, associate professor of philosophy, Johns Hopkins University; author of The Color of Our Shame: Race and Justice In Our Time and The Making of Black Lives Matter: A Brief History of An Idea

Mark Wunderlich reads from his poetry

Technofutures Film Series: “L'Inhumaine” (1924)

Introduction by Professor Diane Wei Lewis, Film and Media Studies

“Performing Community: Networked Poetics and the Malawian Public Sphere”

Susanna Sacks, Northwestern University

“Dream Hoarders: How the American Upper Middle Class Is Leaving Everyone Else in the Dust, Why That Is a Problem, and What to Do About It”

Brookings Institution scholar Richard V. Reeves - RSVP required

When law meets culture: European public policies for (language) diversity in film

Miren Manias-Munoz

“Refugees and Asylum Seekers: Crisis in U.S. Policy”

Panelists: Karen Musalo, Nicole Cortes, Katie Herbert Meyer, and Robert Sagastume; moderated by Stephen Legomsky - Assembly Series Lecture

Lynn Melnick reads from her poetry

http://english.artsci.wustl.edu/events/2018

Fantasy Worlds: the Development of Shojo Manga (Girls’ Comics) as a Vehicle for Dreaming and Identity Formation

Kaoru Tamura, East Asian Studies MA candidate

Washington University Dance Theatre: PastForward

Performing Arts Department production - Artistic direction by David Marchant

Pushmower Undergraduate Reading

"18th-Century Economics of Exchange"

Sowande' Mustakeem, Washington University; Rebecca Spang, Indiana University; Corey Tazzara, Scripps College

Living With Others: Conscience, Coercion and Freedom

2019 Modeling Interdisciplinary Inquiry Conference

"Theorizing Threaded Media; or, Why James Bond Isn’t Just a Failed Attempt at Star Wars"

Colin Burnett, Associate Professor of Film and Media Studies, Washington University

"Legal Discourses on Predatory Mal-administration in the Ottoman Empire"

Boğaç Ergene

"Football, Masculinity and Politics in the Making of Nixonland"

Frank Gurdy

“Sustainable Forms: Routine, Infrastructure, Conservation” - Faculty Book Celebration 2018-19

Caroline Levine, the David and Kathleen Ryan Professor of Humanities, Cornell University.

Literary and cultural studies have long prized moments of rupture and resistance. But as neoliberal economics undoes prospects of secure work, and as fossil fuels radically disrupt longstanding ecosystems, it seems increasingly clear that we need not more radical disruption but more stability. This talk asks how we might best support and sustain collective life over time. It turns to the tools of formalist analysis to sketch out some arrangements of space and time, some organizations of power and resources, some patterns of distribution and conservation, that are more supportive of the common good than others. It turns to forms we’ve often mistrusted or dismissed—forms of the everyday that keep life going over time and so have been called conservative — to articulate an aesthetics of building and making for a sustainable future.

 

ADDITIONAL FACULTY SPEAKERS

John Hendrix
Associate Professor of Art
The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler

Michelle Purdy
Assistant Professor of Education
Transforming the Elite: Black Students and the Desegregation of Private Schools

 

ABOUT THE KEYNOTE SPEAKER

Caroline Levine has spent her career asking how and why the humanities and the arts matter, especially in democratic societies. She argues for the understanding of forms and structures as crucial to understanding links between art and society. She is the author of three books, The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003, winner of the Perkins Prize for the best book in narrative studies), Provoking Democracy: Why We Need the Arts (2007), and Forms: Whole, Rhythm, Hierarchy, Network (2015, named one of Flavorwire’s “10 Must-Read Academic Books of 2015”). She is currently the 19th-century editor for the Norton Anthology of World Literature and has written on topics ranging from formalist theory to Victorian poetry and from television serials to academic freedom. She taught at the University of Wisconsin-Madison before coming to Cornell, where she was co-founder of the Mellon World Literatures Workshop. She is a native of Syracuse, NY.


RELATED PANEL DISCUSSION

“Art and Democracy”


THURSDAY, FEBRUARY 21, 12 PM
Washington University, Olin Library, Room 142


Moderated by Ignacio Infante (Romance Languages & Literatures) and featuring

  • Caroline Levine (English), Cornell University
  • Ignacio Sánchez Prado (Romance Languages & Literatures) 
  • Rebecca Wanzo (Women, Gender & Sexuality Studies)
  • Rachel Greenwald Smith (English), Saint Louis University

Lunch provided

Please RSVP to attend: cenhum@wustl.edu

RSVP

The Legacy of the Refugees in Exile (1933-1945)

“Religion and Tribal Politics: Peter Wehner and Melissa Rogers on Revitalizing Democratic Pluralism”

“How to Dodge the Draft and Succeed as a Pirate in the Ming Dynasty: A Theory of Everyday Politics in Late Imperial China”

Michael Szonyi, Harvard University

Living in an Italian City as a Migrant

Graziella Parati, Professor of Italian, Professor of Comparative Literature, Professor of Women's and Gender Studies; and Paul D. Paganucci, Professor of Italian Language and Literature - Paul and Silvia Rava Memorial Lecture in Italian Studies

A Genealogy of Dissent: The Progeny of Fallen Royals in Chosŏn Korea

Eugene Park, Korea Foundation Associate Professor of History, University of Pennsylvania - Stanley Spector Memorial Lecture

“Art and Democracy”

Panel discussion featuring Faculty Book Celebration speaker Caroline Levine

Moderated by Ignacio Infante (Romance Languages & Literatures) and featuring

  • Caroline Levine (English), Cornell University
  • Ignacio Sánchez Prado (Romance Languages & Literatures) 
  • Rebecca Wanzo (Women, Gender & Sexuality Studies)
  • Rachel Greenwald Smith (English), Saint Louis University

Lunch provided

Co-sponsored by Washington University Libraries


Follow this link for all Faculty Book Celebration speakers and events.

RSVP

Kling Fellowship Information Session

Calling all sophomores interested in pursuing a humanities research project! You might be a great fit for our Kling Undergraduate Research Fellowship. Stop by our information session and chat with current Kling Fellows and teaching faculty to learn more about this prestigious opportunity. Applications are due March 8.

"The Law of Periandros: Financial Syndication and Risk Allocation in 4th-Century Athenian Naval Finance"

"Integrating Intercultural Competence into Foreign Language Curriculum through Standards and Assessment"

Jeeyoung Ahn Ha, Director Korean Language Program, University of Illinois at Urbana-Champaign

"Guangzhou Dream Factory" Screening & Discussion

Q&A with director Erica Marcus

Visiting Hurst Professor Evie Shockley Reads from Her Poetry

Visiting Hurst Professor Evie Shockley Lectures on the Craft of Poetry

Approaching Millennium: Reflecting on 40 years of AIDS and Tony Kushner's "Angels in America"

Symposium

"Welcoming the Stranger to St. Louis: Religious Responses to Recent Immigrants and Refugees"

Anna Crosslin, President and CEO of the International Institute of St. Louis; Maharat Rori Picker Neiss, Executive Director of the Jewish Community Relations Council; Dr. F. Javier Orozco, OFS, Executive Director of Human Dignity and Intercultural Affairs, Archdiocese of St. Louis; Imam Eldin Susa, St. Louis Islamic Center NUR

Eighth Blackbird, In conversation

Moderated by Christopher Stark and LJ White

"Performing Research: Considering the Senses in Research and Performance"

Tomie Hahn, Professor and Graduate Program Director, Arts and Director, Center for Deep Listening, Rensselaer Polytechnic Institute

Black Imagination Matters

Mitch McEwen is principal of McEwen Studio and co-founder of A(n) Office, a collaborative of design studios in Detroit and New York City. Co-sponsored by the Divided City: An Urban Humanities Initiative.

"Le devenir des sons": An Evening of French Spectral Music

Curated by Joseph Jakubowski.

“Le Devenir des sons”: An Evening of French Spectral Music, presents music of the last forty years belonging to an important movement in European concert music. Featuring guest soloist Wendy Richman, viola, the concert traces four distinct interpretations of the spectral style. Gérard Grisey’s Prologue pour alto seul (1976) explores the intersection of melody, repetition, and process in a work for solo viola. Tristan Murail’s Winter Fragments (2000) presents a colorful constellation of harmonies and timbres while quoting Prologue in memory of the recently deceased Grisey. Jonathan Harvey’s Mortuos Plango, Vivos Voco (1980) recreates and transforms the sound of a tenor bell from Winchester Cathedral in a three-dimensional electronic realization. Grisey’s Vortex Temporum I (1994) takes musical time itself as its theme, winding through driving and constantly shifting rhythms. The concert will include commentary by Joseph R. Jakubowski, PhD candidate in Music Theory, whose dissertation research examines time, form, and experience in spectral music.

Program:
Vortex Temporum I (1994) - Gérard Grisey (1946–98)
Mortuos Plango, Vivos Voco (1980) - Jonathan Harvey (1939–2012)
Prologue pour alto seul (1976) - Gérard Grisey (1946–98)
Winter Fragments (2000) - Tristan Murail (1947– )  

Solo viola, Wendy Richman 

Jennifer Nitchman, flute
Scott Andrews, clarinet
Angie Smart, violin
Chris Tantillo, viola
Davin Rubicz, cello
Nina Ferrigno, piano

Commentary by Joseph Jakubowski, PhD candidate

Biography for Wendy Richman, solo viola:
Violist Wendy Richman is a founding member of the New York-based International Contemporary Ensemble (ICE). With ICE and as soloist and chamber musician, she has performed at the Lincoln Center Festival, Metropolitan Museum of Art, Miller Theater, Mostly Mozart Festival, Park Avenue Armory, Phillips Collection, and international festivals in Berlin, Darmstadt, Helsinki, Hong Kong, Karlsruhe, Morelia, and Vienna.

Hailed by The New York Times and The Washington Post for her "absorbing," "fresh and idiomatic" performances with "a brawny vitality," Wendy collaborates closely with a wide range of composers and presented the U.S. premieres of Kaija Saariaho's Vent nocturne, Roberto Sierra's Viola Concerto, and a fully-staged version of Luciano Berio's Naturale. Upon hearing her interpretation of Berio’s Sequenza VI, The Baltimore Sun commented that she made “something at once dramatic and poetic out of the aggressive tremolo-like motif of the piece.”

Though best known for her interpretations of contemporary music, Wendy enjoys performing a diverse range of repertoire. She regularly performs with NYC’s Orpheus Chamber Orchestra and has collaborated with fortepianist Malcolm Bilson, the Claremont and Prometheus Trios, and members of the Cleveland, Juilliard, and Takács Quartets. She has also been a frequent guest with the viola sections of the Atlanta Symphony, Minnesota Orchestra, and St. Louis Symphony.

Wendy is currently on the string faculty of New York University (NYU Steinhardt), where she teaches viola, chamber music, and a class on extended string techniques. She has also held teaching positions at the University of Tennessee, University of Alabama, and Cornell University, as well as NYU Summer Strings, Walden School Summer Young Musicians Program, Sewanee Summer Music Festival, and Music in the Mountains Conservatory.

Wendy graduated from Oberlin Conservatory (BM), New England Conservatory (MM), and Eastman School of Music (DMA). She studied viola with Carol Rodland, Kim Kashkashian, Peter Slowik, Jeffrey Irvine, and Sara Harmelink, and voice with Marlene Ralis Rosen, Judith Kellock, and Mary Galbraith. Through her vox/viola project, loosely inspired by Giacinto Scelsi’s Manto III, she has commissioned numerous composers to write pieces in which she sings and plays simultaneously. Wendy’s debut album, vox/viola, is slated for 2019 release on ICE’s TUNDRA imprint on New Focus Recordings.
 

2018-2019 Weltin Lecture: Jesus the Jewish Storyteller: Of Pearls and Prodigals

Lecture by Amy-Jill Levine, University Professor of New Testament and Jewish Studies, Mary Jane Werthan Professor of Jewish Studies, & Professor of New Testament Studies at Vanderbilt University.
Professor Amy-Jill Levine
Professor Amy-Jill Levine

Understanding Jesus' parables requires understanding Jesus' Jewish context. How would those short stories by Jesus have been heard by their original Jewish listeners, how have Christians over the centuries misread the parables by misunderstanding Jewish tradition, and how might the parables speak to Jews, Christians, and everyone else today?

Amy-Jill Levine is University Professor of New Testament and Jewish Studies, Mary Jane Werthan Professor of Jewish Studies, and Professor of New Testament Studies at Vanderbilt Divinity School and College of Arts and Science; she is also Affiliated Professor, Woolf Institute Centre for the Study of Jewish-Christian Relations, Cambridge UK. A prolific author, Levine’s books include The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus; Short Stories by Jesus: The Enigmatic Parables of a Controversial Rabbi; The Gospel of Luke, Entering the Passion of Jesus, and three books for children on parables. She is also the co-editor, with Marc Z. Brettler, of the Jewish Annotated New Testament, now in a second edition.

Reception and book signing to follow the lecture.

This lecture is free and open to the public. For more information please contact the Religious Studies Program at religiousstudies@wustl.edu or (314) 935-8677.

 

Additional Programming:

Workshop: “Understanding Jesus Means Understanding Judaism” by Dr. Amy-Jill Levine
For: Pastors, bible study teachers, and lay members
Friday, March 22, 9 am at Bethel Lutheran Church
Free, but participants will find it useful to have a copy of The Jewish Annotated New Testament, 2nd ed.

Hindi-Urdu Movie & Samosa Night

The Hindi-Urdu Language Section invites you to a screening of Mr. India, a 1987 Indian science fiction film directed by Shekhar Kapur.

A man with a big heart and takes cares of orphans in his home. An evil General wants to conquer India, and with the help of his scientist dad's invisibility device the kind man will try to save the day.

Asian American Speaker Series

Asian American Speaker Series "From Spellbound to Spellebrity: Brain Sports, Spelling Careers, and the Competitive Lives of Generation Z"

Shalini Shankar, Department of Anthropology, Northwestern University

This talk will examine how members of Generation Z (b. 1997-present) compete in the prestigious “brain sport” of The National Spelling Bee. The talk will especially investigate the role that post-1990 professional immigrants from South Asia have played in heightening the level of this competition, as well as the role that broadcast and social media play in complicating these trends. Ethnographic examples drawn from fieldwork at spelling bees and with children and families will illustrate how, in a neoliberal era, children and parents collaborate in particular types of pre-professional socialization that enable competitors to develop “spelling careers.” The implications of these phenomena will be explored, especially in as much as they offer new understandings of contemporary childhood, as well as immigration, race, and ethnicity for Generation Z.

Shalini Shankar is Professor of Anthropology and Interim Director of the Asian American Studies program at Northwestern University. Her book Beeline: What Spelling Bees Reveal about Generation Z’s New Path to Success is forthcoming with Basic Books (April 30, 2019). She is also the author of Desi Land: Teen Culture, Class, and Success in Silicon Valley (Duke 2008) and Advertising Diversity: Ad Agencies and the Creation of Asian American Consumers (Duke 2015), and coeditor of Language and Materiality: Theoretical and Ethnographic Explorations (Cambridge 2018). Her research has been generously supported by the John Simon Guggenheim Foundation, the National Science Foundation, the Wenner-Gren Foundation for Anthropological Research, the Spencer Foundation for Research Related to Education, the Social Science Research Council, and other sources.

https://artsci.wustl.edu/asian-american-studies-minor

Department of Music Lecture: Amanda Sewell, Interlochen Public Radio

The ‘New’ Hamburg Dramaturgy: Translation as Scholarship in the Digital Age

The ‘New’ Hamburg Dramaturgy: Translation as Scholarship in the Digital Age

Wendy Arons, Professor of Dramatic Literature, Carnegie Mellon University and Natalya Baldyga, Instructor in History and Social Science, Phillips Academy Andover

In our current fast-paced era of scholarship and publication, it is increasingly rare for academics to have the opportunity to spend years engaged in the deep study of a single, highly complex work. The new translation of G. E. Lessing’s Hamburg Dramaturgy  provided such an opportunity: the act of translation served as a humanities analog to “basic science” research. In their talk on the new translation, Wendy Arons and Natalya Baldyga illuminate the joys and perils encountered in their seven-year journey of discovery that began with a cup of coffee – a journey that included plunges down quirky research rabbit-holes as well as deep dives into archival material that challenge prevailing views regarding the form and function of Lessing’s text. Arons and Baldyga will also discuss the ways this project was enhanced and enabled by digital technologies, making the new Hamburg Dramaturgy a product of both the eighteenth and twenty-first centuries.
 

 

Wendy Arons is professor of drama at Carnegie Mellon University in Pittsburgh, PA, USA. Her research interests include performance and ecology, 18th- and 19th-century theatre history, feminist theatre, and performance and ethnography. She is author of Performance and Femininity in Eighteenth-Century German Woman's Writing: The Impossible Act (Palgrave Macmillan 2006), and co-editor, with Theresa J. May, of Readings in Performance and Ecology (Palgrave Macmillan 2012). She is also co-translator, with Sara Figal, of a new edition of G. E. Lessing’s Hamburg Dramaturgy, edited by Natalya Baldyga, which received the 2018 ATHE/ASTR Award for Excellence in Digital Scholarship (Routledge 2018; also available online at http://mcpress.media-commons.org/hamburg/). She writes regularly about theater and culture in her blog, “The Pittsburgh Tatler” (http://wendyarons.wordpress.com).

 

 

 


Natalya Baldyga, teaches in the Department of History and Social Science at Phillips Academy, Andover. She has taught theatre history, theory, and performance at Tufts University, the Florida State University, and Gustavus Adolphus College. Her research focuses on theatre historiography, cultural identity, and the performing body in eighteenth-century Europe. Dr. Baldyga’s published essays include “Sensate Cognition and Properly Feeling Bodies: G. E. Lessing, Acting Theory, and Emotional Regulation in Eighteenth-Century Germany” (Theatre Survey 2017), as well as articles on eighteenth-century German, English, and Polish theatre in journals, anthologies, and encyclopedias. In 2018, she and her colleagues Wendy Arons and Sara Figal received the Excellence in Digital Scholarship Award from the Association for Theatre in Higher Education (ATHE) and the American Society for Theatre Research (ASTR) for the online version of their new translation of G. E. Lessing’s Hamburg Dramaturgy (Routledge 2018). Dr. Baldyga also works as a freelance theatre director and translator. Her original translation and adaptation of Carlo Gozzi’s King Stag had its world premiere at Tufts University in 2017. 

 

 

This colloquium is co-sponsored by the Department of Germanic Languages and Literatures, the Department of Comparative Literature, and the 18th Century Salon.

 

Historicizing Chinese Dance: Socialist Legacies and Contemporary Trajectories

Historicizing Chinese Dance: Socialist Legacies and Contemporary Trajectories

Emily Wilcox, Assistant Professor of Modern Chinese Studies, University of Michigan

In this talk Wilcox will discuss her recent book, the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Revolutionary Bodies analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015, examining connections between socialist thought, cultural institutions, and transnational exchange as they relate to dance creation, education, and theory. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field and instead presents the contemporary practice of Chinese dance as the era's major creative project. 


Emily Wilcox is Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, USA. She is a specialist in Asian performance, with a focus on dance in the People's Republic of China. Her articles appear in positions: Asia critique, Inter-Asia Cultural Studies, The Journal of Asian Studies, Asian Theatre Journal, Journal of Folklore Research, TDR: The Drama Review, Wudao Pinglun (the Dance Review), Body and Society, and other venues. Her book Revolutionary Bodies: Chinese Dance and the Socialist Legacy was published by the University of California Press in October 2018, and she is co-editor of the edited volume in progress titled Corporeal Politics: Dancing East Asia.

Co-sponsored by the Performing Arts Department and East Asian Languages and Cultures.
 

WashU Dance Collective: UnTethered

WashU Dance Collective: UnTethered

Artistic Direction by Cecil Slaughter


April 5 & 6 at 8 p.m.

UnTethered: Freeing the imagination to soar, through an unbound exploration of inspiration, ingenuity, and creativity. We welcome you to join us as we explore the forces and ideas that bring us together in a world which, in many ways, seems to want to pull us apart.

Now in its third year as the Performing Arts Department’s repertory dance company, WUDance Collective (WUDC) is comprised of dancers who have distinguished themselves on the basis of ability, technical skill, and performance acumen. Under the artistic direction of Cecil Slaughter, the dancers work with faculty, community, graduate and undergraduate student choreographers, as well as perform throughout the St. Louis community. 

 This year we welcome Guest Collaborators Mia Sitterson and Henry Palkes.  Senior Mia Sitterson worked with choreographer Ashley Yang on her piece entitled Life of a Couch. An anthropology major with minors in writing and dance, Sitterson has previously danced with Washington University Dance Theatre.   Composer Henry Palkes, has re-worked his score to the Tennessee Williams’ play “Street Car Named Desire” for the piece entitled, SUITE Desire which was choreographed by Slaughter. Palkes, a Lecturer in the Performing Arts, recently returned from the two-year National Tour of “An American in Paris.” Henry has composed scores for several dramatic plays including “Elephant’s Graveyard” and “Macbeth” for the Performing Arts Department at Washington University.

The WUDance Collective’s resident choreographers include Artistic Director, Cecil Slaughter, professor of practice in dance and WashU Alum Ryadah Heiskell who currently works in University College. Heiskell’s choreography has been performed for The American College Dance Festival 2012, The Young Choreographers Showcase, Black Anthology, the Slaughter Project and WUDance Collective.  Resident student choreographers include junior Gabrielle Samuel, who is currently studying dance at the University of Ghana during the spring semester. She is a double major in dance and archaeology with a minor in African and African-American studies.  Sophomore Sarah Sterling is dancing for the second year with WUDC, she is a double major in dance and philosophy-neuroscience-psychology with a minor in Spanish.  This is junior Ashley Yang’s, third year to choreograph for the show. She is a double major in dance and biology and is currently studying abroad at the University of Aukland.  All three student choreographers are members of WUDance Collective.
Free admission to WashU Students!  


As the Performing Arts Department’s repertory dance company, WUDance Collective comprises student dancers who have distinguished themselves on the basis of ability, technical skill, and performance acumen.  Under the artistic direction of Cecil Slaughter, the dancers work with faculty, community, graduate and undergraduate student choreographers as well as perform throughout the St. Louis community.  They are often invited to participate in local dance festivals and showcases.

The mission of WUDance Collective is to provide a forum for students to pursue their passion for dance by engaging in dynamic, inspiring and creatively challenging works of choreography.  This group of dancers are dedicated to their craft, committing to twice weekly rehearsals during the academic year. During this time together they pursue the Collective’s goals of citizenship through group endeavor, while developing leadership, responsibility, cooperation and diligence.  Throughout the year the Collective presents performances on and off campus. Each spring the dancers are given the opportunity to choreograph, apprentice and perform in an Edison Theatre main-stage performance.  

 

Buy Tickets Here
MFA Student Dance Concert: Reel2Real

MFA Student Dance Concert: Reel2Real

Artistic Direction by Christine Knoblauch-O'Neal

This concert is free and open to the public.

This concert represents the final component of the MFA in Dance Program for the second cohort.  Each section of the concert combines the artistic expression and kinetic innovations of one of the MFA students, Harrison Parker and Rachael Servello.  The evenings concert is at times a portrayal of life with its obstacles and disengagements, or its connections and empathy through passages of interwoven musings and kinetic phrases.   The sections unite to form an evening of thought-provoking performance.

Angels in America, Part One: Millennium Approaches

Angels in America, Part One: Millennium Approaches

written by by Tony Kushner and Directed by Henry I. Schvey

February 22 & 23 and March 1 & 2 at 7 p.m.
February 24 and March 3 at 2 p.m.

PLEASE NOTE:  The start time for this production is 7:00 p.m. for the Friday and Saturday shows.  

Perhaps Jack Kroll in Newsweek described Millennium Approaches best: “The most ambitious American play of our time: an epic that ranges from earth to heaven; focuses on politics, sex and religion; transports us to Washington, the Kremlin, the South Bronx, Salt Lake City and Antarctica; deals with Jews, Mormons, WASPs, blacks; switches between realism and fantasy, from the tragedy of AIDS to the camp comedy of drag queens to the death or at least the absconding of God.”

ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES is produced by special arrangement with Broadway Play Publishing Inc., NYC
www.broadwayplaypub.com

 

Click for HEC-TV's "Two on the Aisle" Review of Angels in America, Part One: Millenium Approaches"

Florida

Florida

Written by Lucas Marschke and Directed by Jeffery Matthews

April 11, 12 & 13 at 8:00 p.m.

April 13 & 14 at 2:00 p.m.

Rudolph, a married man, is a regional project manager for Tupperware and he’s having an affair.  Seth gets kidnapped on date night by a couple of hoodlums looking for his roommate.  Meanwhile in an RV heading for Florida, Pete, Barbara, Matthew and Bridget are stuck in traffic.  These three worlds collide in Lucas Marschke’s smart and mysterious road trip comedy!  Marschke’s play will be workshopped in the fall as part of the A. E. Hotchner Playwriting Festival and culminates in this fully staged production.

Click here to view theSOURCE article "PAD presents 'Florida" April 11-14 by Liam Otten.

Performing Morrison: A Convening at Washington University in St. Louis

Free and open to the public but an RSVP is required at perfomingmorrison@gmail.com
Negotiating Israeli and Palestinian Identity

Negotiating Israeli and Palestinian Identity

A conversation with author and journalist Sayed Kashua.

Author Sayed Kashua, a Palestinian citizen of Israel, has been praised by the New York Times as “a master of subtle nuance in dealing with both Arab and Jewish society." He writes, with irreverence and humor, about cultural identity, living as a minority, and politics. Kashua is the author of four books: Dancing Arabs (2002); Let it be Morning (2006); Second Person Singular (2010) - also published as Exposure (2013); and Native: Dispatches from an Israeli-Palestinian Life (2016). Kashua also was the subject of a 2009 documentary titled Sayed Kashua - Forever Scared.  As well as being a newspaper columnist, Kashua has also created the hit TV sitcom Avodo Aravit (or in English, Arab Labor).  An adaptation on Kashua's first novel (Dancing Arabs) was released under the title A Borrowed Identity (2014) by director Eran Riklis.  Director Eran Kolirin is currently in the works of producing an adaptation of Kashua's second novel (Let it be Morning) to be released under the same title.  Kashua is currently a resident of St. Louis, Missouri and a graduate student at Washington University in St. Louis in the Program of Comparative Literature - and most recently served as a Hebrew Instructor for the Department of Jewish, Islamic, and Near Eastern Languages & Cultures.

 

This event is cosponsored by the Department of Jewish, Islamic, and Near Eastern Languages & Cultures, University Libraries, and the Center for Diversity & Inclusion.

Department of Music Lecture: Melvin L. Butler, Associate Professor of Musicology, University of Miami

"In Tune with the Spirit: Black Gospel Music, Instrumentality, Embodiment, and Power"

In Tune with the Spirit: Black Gospel Music, Instrumentality, Embodiment, and Power
This talk centers on gospel music, especially the musical instruments through which it is performed, as a creative means of accessing and channeling spiritual power within African diasporic Christian communities. In particular, I present classic gospel recordings (e.g., jug bands from the 1930s) and ethnographic case studies from the United States (e.g., The United House of Prayer for All People) and Haiti (heavenly army Pentecostal congregations) to demonstrate how horns, drums, and other instruments become repositories and transmitters of divine energy for Spirit-filled believers. Wind instruments often serve as extensions of the human voice, thereby embodying an intimate connection between human and divine. Pondering the broader implications of this cross-disciplinary work-in-progress, I consider the extent to which recorded and live instrumental performances of gospel music are able to bring about transformation beyond twenty-first century ritual contexts. 

The Taiwan Expedition: New Perspectives on Japanese Imperialism and the Meiji Restoration

Robert Eskildsen, Senior Associate Professor, Department of History, International Christian University, Tokyo

Angels in America: Bringing Social Work, Public Health, Policy and Racial Implications to the Forefront

RSVPs requested

Blacks in America: 400 Plus Years

Keynote speaker is the Hon. Wesley Bell, St. Louis County Prosecutor
Jasper String Quartet Masterclass

Jasper String Quartet Masterclass

featuring Washington University chamber music students

A Celebration of Book Arts: Exhibitions featuring Ken Botnick, Buzz Spector, and Delmas Book Arts Fellows

Faculty Book Talk: Provost Holden Thorp and Buck Goldstein

Slavery and Philosophy

Henry Abelove is the Willbur Fisk Osborne Professor of English, Emeritus at Wesleyan University and the inaugural F.O. Matthiessen Visiting Professor of Gender and Sexuality at Harvard University.
Chancellor's Concert

Chancellor's Concert

Featuring the Washington University Symphony Orchestra and Choirs.

An annual concert with over 100 musicians taking the stage. 

Carmina Burana - Carl Orff

Soloists:
Gina Galati, soprano
Jacob Lassetter, baritone
Keith Wehmeier, tenor

Conductor-in-Residence: Darwin Aquino
Choral Director: Nicole Aldrich

RSVP for the Friends of Music reception hosted by Chancellor Mark S. Wrighton by Friday, February 22, 2019 using the below link or by calling Kim Daniels at 314-935-5566.  The reception will directly precede the concert at 6:30 P.M. in the Pillsbury Theatre.

Art+Feminism Wikipedia Edit-a-thon

Help us create and improve Wikipedia articles related to women and feminist artists.

Illustration Across Media: Highlights from the DB Dowd Modern Graphic History Library

Exhibition reception

Art and Politics on the Euripidean Stage: The Case of Hippolytus

Lucia Athanassaki, University of Crete

The Biggs Family Residency in Classics: Dr. Susan Rotroff

Susan Rotroff is the Jarvis Thurston & Mona Van Duyn Professor Emerita at Washington University

SIR Cultural Expo

Crazy, Rich Caucasians: Libertarian exit from decolonization to the digital age

IAS/SIR Speaker Series: Professor Ray Craib, Cornell University, History

The Political Captivity of the Faithful

Nathan O. Hatch, President, Wake Forest University; author, “The Democratization of American Christianity”
Dividing ASEAN While Claiming the South China Sea: Chinese Financial Power Projection in Southeast Asia

Dividing ASEAN While Claiming the South China Sea: Chinese Financial Power Projection in Southeast Asia

IAS/SIR Speaker Series: Dan O'Neill, Political Science, University of the Pacific

Israel's Military Power Paradox and the Conflict with Hamas

A talk with Brig. Gen. (ret.) Dr. Meir Elran

Dr. Elran is the head of the Homeland Security Program at the Institute for National Security Studies in Tel Aviv. He was a career officer in the Israel Defense Forces and served as the deputy director of the Military Intelligence Directorate during the first Palestinian Intifada. He is an “Israel Institute” grant recipient.

For more information contact Elai Rettig (elairettig@wustl.edu).

Distinguished Visiting Scholar Lázaro Lima

Distinguished Visiting Scholar Lázaro Lima "The Latino Question and the Democratic Commons."

Dr. Lima is the E. Claiborne Robins Distinguished Chair in the Liberal Arts at the University of Richmond

Supported in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program

And by:

The Department of Romance Languages and Literatures

The Latinx Studies Steering Committee

The Department of History    

African Film Festival

Afrosurrealism/Futurism: Radical Black Imagination

Featuring filmmaker and artist Damon Davis and D. Scot Miller, Bay Area curator, visual artist and author of the Afro-Surrealist manifesto; moderated by Rebecca Wanzo, associate professor of women, gender, and sexuality studies

Queer Networks in Chicanx Art

C. Ondine Chavoya, Department of Art History and Studio Art, Williams College

Careers in Provenance Research workshop

Catherine Herbert, coordinator of collections research and documentation, Philadelphia Museum of Art

Symposium on Sound Technologies and Performance of the Voice in 20th Century Korea

The Tokyo Tribunal: China, the USSR, and the ‘Crimes against Peace’ Charges

Dr. Kirsten Sellars, Visiting Fellow at the Coral Bell School of Asia Pacific Affairs, Australian National University - 2019 William C. Jones Lecture

Identifying Depression: Jewish and Psychological Perspectives

David Pelcovitz, the Gwendolyn and Joseph Straus Chair in Psychology and Jewish Education, Azrieli Graduate School of Jewish Education and Administration, Yeshiva University - Boniuk-Tanzman Memorial Lecture on Jewish Medical Ethics

Withdrawing from Afghanistan: What Happens Next?

Seth G. Jones, Transnational Threats Project; Center for Strategic and International Studies

Monica Youn Reads From Her Poetry

Monica Youn is the author of three books of poetry, most recently BLACKACRE (Graywolf Press 2016), winner of the William Carlos Williams Award of the Poetry Society of America

Carmen Maria Machado and Kathryn Davis Read From Their Fiction

Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award. Washington University Senior Writer in Residence Kathryn Davis is the author of eight novels, the most recent of which is The Silk Road (2019).

Joy Castro Lectures on the Craft of Nonfiction

Joy Castro Reads From Her Nonfiction

Pushmower Undergraduate Reading

Naomi Jackson Reads From Her Fiction

Second-year students of the MFA program read from their work

Second-year students of the MFA program read from their work

William E. Caplin, FRSC, James McGill Professor of Music Theory, McGill University

Orlando Fals Borda and the Emergence of Participatory Action Research in Latin America

Joanne Rappaport, Professor, Department of Spanish and Portuguese, Georgetown University - Fanny & Dr. Adolfo Rizzo Endowed Lecture

Queering While Black

Goldburn Maynard, Brandeis School of Law and Blake Strode, Executive Director at Arch City Defenders

LGBTQIA + Sex in the Dark

Michael Gendernalik, recent grad of the Brown School and current employee at the SPOT/Project ARK

Embodying the "discourse of rights": Women's Performance and the Terrains of Gender Justice in Jamaica

Nicosia Shakes, Assistant Professor, Department of Africana Studies at the College of Wooster

Vagina Monologues 2019

Gendered attitudes and norms: Impacts on behavior, victimization and mental health among adolescents in sub-Saharan Africa

Lindsay Stark, Associate Professor, Brown School, Washington University; and Ilana Seff, DrPH Candidate at Columbia University Mailman School of Public Health

St. Louis Mom's Panel

Organized by Phi Lambda Psi and GlobeMed

STDs Across Time and Space: Historical and Contemporary Perspectives

Panelists: Professors Shanti Parikh, Rachel Presti, Bradley Stoner

Celebrating International Women’s Day

Hon. Viviene Harris, Supreme Court of Jamaica

Strategic Negativity: Ratchetness and Reality Television

Raquel Gates is an assistant professor in the Department of Media Culture at the College of Staten Island, CUNY. Law, Identity, and Culture Speaker Series

Journeying Together for Justice: Situated Solidarities, Radical Vulnerability, Hungry Translations

Richa Nagar, the Russell M. and Elizabeth M. Bennett Chair in Excellence and the Beverly and Richard Fink Professor in Liberal Arts, University of Minnesota

Bridging the Divided City: Preparing Students for a New Los Angeles - James E. McLeod Memorial Lecture on Higher Education

George J. Sanchez, Professor of American Studies & Ethnicity and History, and Director of the Center for Democracy and Diversity, University of Southern California

The next generation of academics in this country must be able to address the growing diversity of the U.S. population in multiple ways, not just through traditional scholarship and in the classroom, but also by methods of sustained community engagement that brings residents together to address critical issues facing their neighborhoods and the nation as a whole. This talk will address a career of producing humanities Ph.D. students who are actively committed to public scholarship that explores questions of race, gender, and economic divides in Los Angeles through mentorship, training, and scholarly engagement. Utilizing interviews with current Ph.D. students in History and American Studies, and the careers of recent graduates making an impact on the public scholarship of Los Angeles, Sanchez will explore and reflect on establishing new paradigms in graduate education that work at healing the wounds of racial oppression while nurturing a generation of scholars ready to make a difference in urban America.

About the Speaker

GEORGE J. SANCHEZ is professor of American studies and ethnicity, and of history at the University of Southern California (USC). He is the author of Becoming Mexican American: Ethnicity, Culture and Identity in Chicano Los Angeles, 1900–1945 (Oxford, 1993), co-editor of Los Angeles and the Future of Urban Cultures (Johns Hopkins University Press, 2005) and Civic Engagement in the Wake of Katrina (University of Michigan Press, 2009), and author of “‘What’s Good for Boyle Heights Is Good for the Jews’: Creating Multiracialism on the Eastside During the 1950s,” American Quarterly 56:3 (September 2004). A past president of the American Studies Association, he now chairs its Committee on Graduate Education. Sanchez also serves on minority scholars committees of the Organization of American Historians and the American Historical Association.

His academic work focuses on both historical and contemporary topics of race, gender, ethnicity, labor and immigration, and he is currently working on a historical study of the ethnic interaction of Mexican Americans, Japanese Americans, African Americans and Jews in the Boyle Heights area of East Los Angeles, California in the 20th century. He is one of the co-editors of the book series “American Crossroads: New Works in Ethnic Studies” from the University of California Press. He currently serves as director of the Center for Diversity and Democracy at USC, which focuses on issues of racial/ethnic diversity in higher education and issues of civic engagement. In 2010, he received the Outstanding Latino/a Faculty in Higher Education (Research Institutions) Award from the American Association of Hispanics in Higher Education, Inc., and in 2011, he received the first ever Equity Award for individuals that have achieved excellence in recruiting and retaining underrepresented racial and ethnic groups into the historical profession from the American Historical Association. He earned his PhD in history in 1989 from Stanford University.

 

Photo by Ben Kucinski CC BY 2.0

RSVP

Facing Segregation

Panel discussion highlighting the new book by Hank Webber, executive vice chancellor and chief administrative officer; and Molly Metzger, assistant professor, Brown School of Social Work; both at Washington University

Negative Kanye: Black Genius, Iconography and the Politics of Disobedience

Kanye Dialog Series with Raquel Gates, assistant professor, Department of Media Culture, College of Staten Island, CUNY; and Jeffrey Q. McCune, associate professor of women, gender and sexuality studies, Washington University

Omari Mizrahi and Afrikfusion

50th Anniversary of Black Study & Activism
Mwata Bowden Group with Paul Steinbeck

Mwata Bowden Group with Paul Steinbeck

AACM Artist from Chicago.

Mwata Bowden, saxophones
William Lenihan, guitar, piano
Paul Steinbeck, bass
Steve Davis, drums

Mwata Bowden is Director of Jazz Ensembles at the University of Chicago. A native of Memphis, he attended Chicago's DuSable High School where he studied music with the legendary Captain Walter Dyett, whose tutelage inspired such young talents as Nat King Cole, Johnny Griffin, Gene Ammons, Von Freeman, Fred Hopkins, and Richard Davis. Bowden studied classical music at Chicago's American Conservatory of Music, and later toured with the rhythm and blues group, the Chi-Lites. In 1974, he became active in Chicago's Association for the Advancement of Creative Musicians (AACM), playing with the AACM Big Band with Muhal Richard Abrams and others. He plays the family of clarinets, tenor and baritone saxophones, as well as the flute and the didjeridu. He has performed at jazz and blues festivals throughout Chicago and around the world, including the 2004 Banlieues Bleues Jazz Festival, 2003 Chicago Jazz Festival, the 2001 North Sea Jazz Festival in Holland, and in Italy the same year with Edward Wilkerson's Eight Bold Souls. He also performs in Wilkerson's Shadow Vignettes ensemble. Bowden leads the jazz groups Sound Spectrum and Tri-tone, and his Black Classical Music Ensemble.

Bowden has received the Outstanding Artist Service Award for dedication to children through music, recognition in Downbeats magazine's annual Critic's Poll from 1990 to 2003, and the 1994 Arts Midwest Jazz Masters Award. His activities in local Jazz and music education include serving on the Board of Directors of the Jazz Institute of Chicago and conducting music residencies for the Chicago Council on Fine Arts, the Illinois Arts Council, Ravinia Music Illumination Program, and Urban Gateways. He served as Chairman of the Association for the Advancement of Creative Musicians, (AACM) one of the oldest Black musicians' collectives in the United States. His Sound Spectrum strives to reflect the energy and musical heritage of Chicago as well as the ongoing legacy of great Black music.

The many recordings he appears on include Birth of a Notion, with Edward Wilkerson's Shadow Vignettes, Sideshow, 8 Bold Souls, and Last Option with 8 Bold Souls, Clarinet Choir with Douglas Ewart/Inventions, and Power Trio, Rooted: Origins of Now with the Miyumi Project Big Band; and The Miyumi Project with Tatsu Aoki.

AACM Artist from Chicago. Sponsored by the Division of Student Affairs, Office of the Provost, Student Union, Congress of the South 40, Dept. of Music, University College and the DUC & Event Management.

Gender Impacts: Mothers and Reentry

Registration is required; follow link to website

Beyond the Film: Interdisciplinary Approaches to Movie Audiences and Their Environments

A symposium honoring 20 Years of Film and Media Studies at Washington University in St. Louis
Pre-concert Composer Talk: Scott Wheeler

Pre-concert Composer Talk: Scott Wheeler

Gil Shaham, violin and Akira Eguchi, piano will perform Scott Wheeler's The Singing Turk: Sonata No. 2 for violin and piano on the Great Artists Series concert later in the evening.  First, join Scott Wheeler as he discusses his works.

Biography:

Scott Wheeler is an award-winning composer, conductor, pianist and teacher with a multifaceted career. Although his chamber and orchestral music shows a wide range, it is his prominent profile as a composer of vocal and operatic music that defines his career and artistic personality. Wheeler’s most recent full-length opera is Naga, on a libretto of Cerise Jacobs, co-commissioned by White Snake Projects and Boston Lyric Opera. His latest operatic project is the 10-minute comedy Midsummer, based on a short play by Don Nigro, commissioned and premiered by Boston Opera Collaborative in October 2018. Other 2018-19 premieres include Dream Songs for Philosonia, Whispered Sarabande for violinist Mark Peskanov at Bargemusic, and “She Left for Good But Came Back” for the Bowers-Fader Duo, all premiering in New York.

Scott’s 2017 violin sonata The Singing Turk is part of the current recital repertoire of Gil Shaham and Akira Eguchi, whose performances between 2017 and 2019 take the work to Japan, California, Washington, Boston, St. Louis and elsewhere.

Scott’s previous operas have been commissioned by the Metropolitan Opera, Washington National Opera (commissioned by Placido Domingo) and the Guggenheim Foundation. Singers who have performed and recorded the music of Scott Wheeler include Renee Fleming, Sanford Sylvan, Susanna Phillips, Anthony Roth Costanzo, William Sharp and Joseph Kaiser.

Scott’s most recent CDs include Light Enough and Songs to Fill the Void, both featuring baritone Robert Barefield and both on Albany Records, and Portraits and Tributes, featuring pianist Donald Berman, on Bridge. Other Wheeler CDs include Crazy Weather, with the Boston Modern Orchestra Project conducted by Gil Rose, Wasting the Night -- songs for voice and piano, and the opera The Construction of Boston, both available on Naxos; Shadow Bands features Scott’s chamber music for strings and piano with the Gramercy Trio, recorded on Newport Classic.

Scott Wheeler divides his time between New York and Boston, where he is Distinguished Artist in Residence at Emerson College. At Emerson he has conducted musical theatre works by Stephen Sondheim, Leonard Bernstein, Cy Coleman and many others. He is a recognized expert in the coaching and analysis of songs from the entire history of American musical theatre, from the early 20th century to the latest shows in New York and elsewhere. Performers who have studied with Scott Wheeler are currently performing on Broadway, in Broadway tours, in regional theatre and in cabaret. Several of his students have also made careers as theatrical songwriters.

 

A Musical Journey Across Russian Traditions

A concert-lecture with PowerPoint that includes songs and instrumental tunes from Russia and the former-Soviet Union. Group will bring a number of new musical instruments and skills. Their playlist will contain dancing, marching, slow, acapella songs, and more.

This event is sponsored by the International & Areas Studies Program and University College.


The folk ensemble “Zolotoj Plyos” was founded in 1994 in the city of Saratov, Russia. Its members are Alexander Solovov, Elena Sadina, and Sergei Grachev. All three members of the group graduated from the Saratov State Conservatory and are professional musicians.

zolotoj plyos Elena and Sergei also graduated from the "Jef Denyn" Royal Carillon School in Mechelen, Belgium, the Antwerp Conservatory and the University of Leuven. They have won prizes at All-Russian and international folk instrument competitions and at the First All-Russian bell competition. While students in Russia the musicians collected old Russian folk songs and bell music in rural villages and towns.

The group’s repertoire includes folk songs and instrumental pieces from various parts of Russia, Ukraine, Belarus, Moldova, Georgia, and other areas, and also features Gypsy music, Russian popular music, and Jewish music. The members of the ensemble play more than thirty Russian folk instruments, including the bayan, chromatic and diatonic accordions , the balalaika, domra, guitar, zhaleika, clarinet, saxophone, various percussion instruments, and Russian bells.

The ensemble has performed in countries such as Russia, Belgium, Holland, Luxembourg, Germany, France, Portugal, Switzerland, and the USA. “Zolotoj Plyos” has been frequently invited to perform on radio and television shows in Russia, Belgium, and Holland. From 2000-2013 the ensemble made seven tours of the United States, including a concert in the Kennedy Center for the Performing Arts, and also directed the Russian Choir of the Middlebury College Kathryn Wasserman Davis School of Russian at Middlebury College (Vermont, USA). In 2008, the ensemble was given the honor of performing in the main hall of the Moscow State Tchaikovsky Conservatory and also in the main hall of the State Academic Choir in St. Petersburg. At the present time the members of “Zolotoj Plyos” live and work in Belgium.

How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence

How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence

Michael Pollan
Renowned author Michael Pollan will speak Feb. 21 at Graham Chapel.

Through his several books on the growth, preparation and consumption of food, Michael Pollan has shown us the way toward food enlightenment. Now with his 8th book, “How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence,” he is leading us on another enlightened journey, one that holds the promise of peace of mind for millions suffering from serious mental disorders such as PTSD.

As with many of his earlier works, “How to Change Your Mind” is a New York Times best seller. Pollan’s books related to food include “Food Rules,” “In Defense of Food,” “The Omnivore’s Dilemma,” and “Cooked” which shares the same name as his 2016 Netflix series. He writes for The New York Times Magazine as well as other publications.

Pollan teaches journalism at the University of California-Berkeley. In 2010 he was included in Time magazine’s One Hundred Most Influential People in the World.

NOTE: Due to the anticipated large turnout, seating for the public will be limited. Doors open at 4:30 PM – seating is on a first-come, first-served basis. A book signing will follow the talk.

The event will be available to view remotely

Middle East - North Africa Film Series

The Spring 2019 MENA Film Series features The Battle for the Arab Viewer (February 26) and Rouge Parole (March 26).

Rouge Parole

(2011 / 96 min.)

Directed by Elyes Baccar

 

Elyes Baccar’s 2011 documentary, Rouge Parole, documents the uprising of the Tunisian people, beginning with the suicide of political activist, Mohamed Bouazizi, ultimately leading to the resignation and exile of long-time President, Zine El-Abidine Ben Ali.  Rogue Parole documents Baccar’s travels through multiple cities and regions of Tunisia, intent on exposing the events that changed Tunisia’s history, from various points of view..

 

 

Middle East - North Africa Film Series

The Spring 2019 MENA Film Series features The Battle for the Arab Viewer (February 26) and Rouge Parole (March 26).

The Battle for the Arab Viewer

(2011 / 48 min.)

Directed by Nordin Lasfar

 

In early 2011, people around the world tuned into Al Jazeera to watch the Egyptian revolution in real time. Meanwhile, rival broadcaster Al Arabiya was also offering near continuous coverage, with cameras on a balcony overlooking the 6th October Bridge, where protesters and police clashed. How was the content of those broadcasts -and the networks’ subsequent coverage -influenced by their political allegiances? Featuring interviews with current and former journalists from both networks, and analysis from independent pundits, The Battle for the Arab Viewer highlights the philosophical and political differences between the two pan-Arab networks and examines the implications for the future of the Arab media.

 

Foreign Language Learning Colloquium Talk Given by Dr. Stuart Webb

Foreign Language Learning Colloquium Talk Given by Dr. Stuart Webb

Dr. Stuart Webb

Faculty of Education; Curriculum Studies and Studies in Applied Linguistics

Western University

The Potential for Learning Vocabulary through Watching L2 Television

 

In this talk Dr. Webb will discuss recent research that investigated the extent to which L2 words might be learned through watching L2 television. These studies suggest that we may learn words through watching L2 television in a similar manner to reading L2 text. Principles for learning language through viewing L2 television will be discussed, as will the research implications of these studies.

 

*The Washington University Foreign Language Learning Colloquium Speaker Series is sponsored by the Department of Germanic Languages and Literatures; the Department of Psychology; the Department of East Asian Languages and Cultures; the Department of Jewish, Islamic and Near Eastern Languages and Cultures; the Department of Romance Languages and Literatures, the Department of Education, and the Dean of the Faculty of Arts and Sciences.

Paul D. Miller, aka DJ Spooky - Graduate School of Art MFA in Visual Art Lecture

Commerce and the Transformation of a Taiwanese Stateless Zone at the Turn of the Nineteenth Century

Nan-Hsu Chen, PhD candidate, History, Washington University

Faking Liberties: Religious Freedom in American-Occupied Japan

Jolyon Thomas, Assistant Professor of Religious Studies, University of Pennsylvania

Crossing the Borders of Creation and Critique Conference

Unsympathetic Actors: WWII-Era Dope Struggles in the United States

Rhonda Williams, Vanderbilt University

Keep Them Sacred: Honoring Generations of Indigenous Women

29th Annual Pow Wow - Kathryn M. Buder Center for American Indian Studies

Segregation by Design: Conversations and Calls to Action

Book event

Sponsored by THE DIV/DED CITY

11:30–11:45 am     Welcome and remarks — Bruce Lindsey, Des Lee Professor of Architecture, SFS, Washington University

11:45 am–12:05 pm     Book Overview by the Editors — Catalina Freixas, Assistant Professor of Architecture, SFS, Washington University; and Mark Abbott, Professor Emeritus of History, Harris-Stowe State University

12:05–12:30 pm     Discussion of Chapter 5 Essay, “What My Practice Has Taught Me about Rebuilding Communities” —Michael Willis, Michael Willis and Associates

12:30–12:55 pm     Response to the Essay 

Moderators Catalina Freixas & Mark Abbott

Panel Members Michael Allen, Senior Lecturer, SFS, Washington University; Sudarsan Kant, Dean Arts & Sciences, Harris-Stowe State University; Andrew Theising, Associate Professor and Chair, Southern Illinois University Edwardsville; Nancy Thompson, Managing Editor, Useful Community Development Denise Ward-Brown, Professor of Art, SFS, Washington University

12:55–1:00 pm     Q & A

Blackface Broken Records: On the Eve of the Blues Feminist Experiment

Daphne A. Brooks, the William R. Kenan, Jr. Professor of African American Studies, and Professor of Theater Studies, American Studies, and Women’s, Gender, and Sexuality Studies, Yale University - Faculty Book Celebration 2020

This talk threads together an exploration of women in blackface minstrelsy, race riots of the Progressive Era, the classic black women’s blues craze and the origins of one of the world’s most famous musicals. In particular, it questions the ways that African Americans navigated an early 20th-century popular culture that policed and restricted their sounds. Ultimately, it asserts that the struggle over radicalized sound in the 1910s was a battle waged between women artists — black and white, in the north and in the south, and on the eve of a blues music revolution.

ADDITIONAL FACULTY SPEAKERS

William Acree

Associate Professor of Spanish, American Culture Studies (Affiliate) and Performing Arts (Affiliate)
Associate Director, Center for the Study of Race, Ethnicity & Equity

Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay

 

Jonathan Fenderson

Assistant Professor of African and African-American Studies

Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s

 

 

 


About the keynote speaker

Daphne A. Brooks is the William R. Kenan, Jr. Professor of African American Studies, Theater Studies, American Studies, and Women’s, Gender, and Sexuality Studies at Yale University. She is the author of two books: Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 (Durham, NC: Duke UP), winner of The Errol Hill Award for Outstanding Scholarship on African American Performance from ASTR, and Jeff Buckley’s Grace (New York: Continuum, 2005). Brooks is currently working on a three-volume study of black women and popular music culture entitled Subterranean Blues: Black Women Sound Modernity. The first volume in the trilogy, Liner Notes for the Revolution: The Archive, the Critic, and Black Women’s Sound Cultures, is forthcoming from Harvard University Press. 

Brooks is currently editing an anthology of essays forthcoming from Duke University Press and culled from Blackstar Rising & The Purple Reign: Celebrating the Legacies of David Bowie and Prince, a four-day international conference and concert event held at Yale University that she curated.


RELATED PANEL DISCUSSION

THURSDAY, JANUARY 30
12 pm | Olin Library, Room 142
Lunch provided
Please RSVP to attend the lunch: cenhum@wustl.edu

Resistance Acts

Faculty Book Celebration keynote speaker Daphne Brooks with Patrick Burke, associate professor of music; Miguel Valerio, assistant professor of Spanish; and Rhaisa Williams, assistant professor of performing arts, and moderator Shefali Chandra, associate professor of history and associate director of the Center for the Humanities, all at Washington University.

 

RSVP

24th Annual Graduate Research Symposium

The Graduate Research Symposium is an opportunity to highlight the research undertaken by graduate and professional students at Washington University in St. Louis. The 2019 Symposium will take place Tuesday, March 19 in Crowder Courtyard, Anheuser-Busch Hall. Poster presentations will begin at 3:00 p.m., with a networking reception to follow. Submissions are open until Wednesday, March 6. This annual event is hosted by the Graduate Student Senate, Graduate Professional Council and the Association of Graduate Engineering Students.

Registration for the symposium is available at: https://gss.wustl.edu/events/grs-19/

Race at the Forefront: Sharpening a Focus on Race in Applied Research

​The Collaboration on Race, Inequality, and Social Mobility in America (CRISMA) will host its inaugural conference by convening scholars who study the impact of inequality and structural racism on people of color in the United States. The conference will bring together talented scholars working toward the elimination of racial inequalities in social, economic, and health outcomes. 

Register
Comparative Literature Works-in-Progress

Comparative Literature Works-in-Progress

This Works in Progress presentation will feature work by several current Ph.D. students in Comparative Literature.

More information will be forthcoming.

Madness and the Insane in Early Twentieth-Century China

Emily Baum, Associate Professor of History, University of California, Irvine

University Libraries Faculty Book Talk: Rafia Zafar

Rafia Zafar, professor of English, African and African American studies, and American culture studies at Washington University in St. Louis, will discuss her new book, Recipes for Respect: African American Meals and Meaning

Art History as a Systematic Science?

Maximilian Schich is an associate professor in arts and technology at the University of Texas at Dallas and a founding member and the acting assistant director of the Edith O’Donnell Institute of Art History.

5 Things You Should Know About Islam and Muslims

Studying with the Department of Jewish, Islamic, and Middle Eastern Studies helps!

Professor Aria Nakissa will be leading the lecture.  Nakissa is Assistant Professor of Islamic Studies and Anthropology. He does research and teaches courses on Islamic law and philosophy, contemporary Muslim societies, and classical Islamic texts such as Fiqh, Tafsir, Hadith, and Tasawwuf.

What Do You Need To Know About Oil To Understand World Politics?

Studying with the Department of Jewish, Islamic, and Middle Eastern Studies helps!

Professor Elai Rettig will be leading the lecture.  Elai Rettig is the Israel Institute Teaching Fellow in Israeli and Environmental Studies.  His research focuses on the interplay between energy security and foreign policy, particularly in the Middle East and West Africa.

IAS Thesis Conference

A daylong conference featuring short presentations by IAS graduating seniors who wrote an honors thesis

Global Perspectives in Child Well-Being

Panel discussion and lunch with David Pelcovitz (Yeshiva University), Lora Iannotti (Brown School), Trish Kohl (Brown School), Proscovia Nabunya (Brown School)

Liberal Arts Education: What’s The Point? Cornel West & Robert George in Conversation

Faculty Book Talk Series: Caitlyn Collins

Caitlyn Collins, Assistant Professor of Sociology, Washington University

Franz-Josef Land: Affect and Empire in Schnitzler's ‘Die Toten schweigen’

Imke Meyer, Professor of Germanic Studies and Director of the School of Literatures, Cultural Studies and Linguistics at the University of Illinois at Chicago - Biennial Liselotte Dieckmann Lecture

Music in Conversation: Mozart and Arvo Pärt

Commentary by Christopher Stark; Shawn Weil, violin and Angela Kim, piano, with Stephanie Hunt, cello

Raising the Race: Black Strategic Mothering and the Politics of Survival

Riche Barnes

Energy and Electricity in the Israel-Palestine Conflict

Lior Herman, Assistant Professor, Department of International Relations, Hebrew University of Jerusalem

Yes Means Yes: Envisioning an End to Interpersonal Violence

Jessica Valenti, best-selling author and founder of the blog Feministing.com

The Fake News Cycle: Searching for Truth in the Digital Age

New York Times political journalist Michael Barbaro, host of its podcast "The Daily" and panelists

AMCS Spring Research Colloquium

AMCS majors and master's students share their culminating research with the community

Not Your Habibti: A Typewriter Project

Y​asmeen Mjalli is a Palestinian female activist, artist and entrepreneur

Honors Thesis Presentations

Metaphors of Migration

Lisa Lowe, the Samuel Knight Professor of American Studies at Yale University, is an interdisciplinary scholar whose work is concerned with the analysis of race, immigration, capitalism, and colonialism.

The Intimacies of Four Continents

Lisa Lowe, the Samuel Knight Professor of American Studies at Yale University, is an interdisciplinary scholar whose work is concerned with the analysis of race, immigration, capitalism, and colonialism.

Torah Edgeplay: Risk, Community, and Ethics from the Beit Midrash to BDSM

Rebecca J. Epstein-Levi, the Friedman Postdoctoral Fellow in Jewish Studies, Washington University

Transcribir: Self-Translation in Contemporary U.S. Latinx Poetry

Rachel Galvin, assistant professor of English, University of Chicago, specializes in twentieth- and twenty-first-century poetry and poetics in English, Spanish, and French. Her primary research interests include comparative poetics, U.S. Latino/a poetry, poetry of the Americas, Hemispheric Studies, poetics and politics, literature and war, comparative modernism, multilingual poetics, Oulipo and formal constraint, and translation.

Religious Studies Senior Symposium

Representation & Responsibility: #Time'sUp, #MeToo, & Women in Opera

This panel discussion will focus on topics related to the #MeToo and #Time'sUp movements, as well as the portrayal of women in opera. Panelists include Heather Hadlock, associate professor of music, Stanford University; and Adrienne Davis the William M. Van Cleve Professor of Law & Vice Provost, Washington University.

Liquid Borders - Fronteras liquidas

South By Midwest International Conference On Latin American Cultural Studies

Arabic Calligraphy Workshop

The JIMES Department is sponsoring an Arabic Calligraphy Workshop organized by Professor Younasse Tarbouni. The workshop is open to everyone.

Arabic Calligraphy Workshop

The JIMES Department is sponsoring an Arabic Calligraphy Workshop organized by Professor Younasse Tarbouni. The workshop is open to everyone.

The Homeric Epics in Early Silent Cinema

Jon Solomon, Professor of Classics, Cinema Studies, and Medieval Studies, and Robert D. Novak Professor of Western Civilization and Culture at the University of Illinois

Immigrants in the Criminal Justice System

presented by the Global Citizenship Program

Listen to an attorney, detective and forensic linguist discuss first hand applications of language and linguistics for immigrants in the American criminal justice system. 

At War with Rome’s ‘Most Baffling’ Goddess

Lisa Mignone, Margo Tytus Visiting Research Scholar, University of Cincinnati; Research Affiliate, Institute for the Study of the Ancient World, New York University
Piano Department Student Recital

Piano Department Student Recital

An afternoon of music performed by students from the Department of Music's piano studios.

Performers:
Ryan Freidman
Aalisha Jaisinghani
Ethan Lee
Hudson Lin
Selina Wu

Featuring works by Beethoven, Brahms, Debussy, Liszt and Prokofiev

The First Atlantic Revolution? Islam, Abolition & Republic in West Africa & the Americas, 1770–1806

Butch Ware, Department of History, UC–Santa Barbara

New Perspectives Talk with Tola Porter

Tola Porter, PhD Candidate, Washington University

Spring 2019 Proposal-Writing Information Session

Informational panel discussions and Q&A for faculty and post-docs humanities & humanistic social sciences interested in pursuing external funding - Please RSVP

The competition for fellowships and other grant-funded activities is fierce. To assist in these efforts, the Center for the Humanities will host an information session for faculty and post-docs in the humanities and humanistic social sciences interested in pursuing external funding. Whether you are intending to prepare an application for the next funding cycle or you would just like more details on the process, you are welcome at this information session! 

Panel 1: How to Write a Winning Proposal — Perspectives of Grant Reviewers

Ignacio Infante (Comparative Literature and Romance Languages & Literatures), Mark Valeri (Religion & Politics) and Rebecca Copeland (East Asian Languages & Cultures)

Panel 2: How I Got Here — Experiences of Recent Grant & Fellowship Recipients

Lerone Martin (Religion & Politics), Paige McGinley (Performing Arts Department) and Abram Van Engen (English)

Please RSVP by Friday, April 26 using the RSVP link below.
 

Immediately after the workshop, please join us for our annual humanities happy hour! Swing by drinks and eats with your favorite humanists. We’ll also toast our outgoing interim director, Rebecca Wanzo, for her five years of service to the humanities center. Look for us at the Knight Center Pub, Monday, April 29 from 4 to 6 pm. Please RSVP by following this link. (Please also see the RSVP below for the information session.)

 

NOTE 
In past years, the humanities center has hosted both a Proposal-Writing Information Session and a Proposal-Writing Workshop on the same date. This year, we are splitting up the programming. The spring information session will lead into our annual Scholarly Writing Retreat, during which time participants may choose to write fellowship proposals. In the fall, near the application deadlines for several nationally competitive fellowship programs, the center will host the proposal-writing workshop (proposals to be workshopped due to the center by Thursday, August 15; follow this link for dates and details).

RSVP

Scholarly Writing Retreat 2019

Faculty, post-docs and graduate students in the humanities and humanistic social sciences are invited to jump-start their summer writing

The Art(s) of Jazz: Creating Jazz Live and Recorded, on Stage and in the Media

Nina Simone: Four Women

Presented by the Black Rep

Bach in Motion

Presented by the Bach Society of Saint Louis in collaboration with The Big Muddy Dance Company and the Washington University Department of Music

Timothy Myers, faculty recital, trombone

Trailblazers Recognition Ceremony

50 Years of Black Studies and Activism: Celebrating the 50th anniversary of African & African-American Studies at Washington University in St. Louis
Interested in Careers in the Entertainment Industry?

Interested in Careers in the Entertainment Industry?

Washington University Alumni, Russell Schwartz, Senior Vice President & Head, Original Programming Business & Legal Affairs at Starz and Barbara Schaps Thomas, Actress and former Senior Vice President & CFO of HBO Sports.

Washington University Alumni, Russell Schwartz, Senior Vice President & Head, Original Programming Business & Legal Affairs at Starz and Barbara Schaps Thomas, Actress and former Senior Vice President & CFO of HBO Sports, will talk with students about their careers in the entertainment industry, the paths that led them to where they are now and what the future of the industry holds for those just beginning their careers.  They will take questions from the audience as well.  Join us for what is always a lively and informative discussion.

Satire Reading Group with Jonathan Greenberg

Jonathan Greenberg, professor and chair in the Department of English, Montclair State University, is author of The Cambridge Introduction to Satire.

The Satire Reading Group will be joined by Prof. Jonathan Greenberg in a discussion of his new book, The Cambridge Introduction to Satire. For a copy of the text, please see Eldina Kandzetovic in the Comparative Literature office, Ridgley 116.

The Land of Open Graves: Understanding the Current Politics of Migrant Life and Death along the US-Mexico Border

Jason De León, Professor of Anthropology and Chicana/o Studies at the University of California, Los Angeles - Holocaust Memorial Lecture

Since the mid-1990s, the U.S. federal government has relied on a border enforcement strategy known as “Prevention Through Deterrence.” Using various security infrastructure and techniques of surveillance, this strategy funnels undocumented migrants toward remote and rugged terrain such as the Sonoran Desert of Arizona with the hope that mountain ranges, extreme temperatures and other “natural” obstacles will deter people from unauthorized entry. Hundreds of people perish annually while undertaking this dangerous activity. Since 2009, the Undocumented Migration Project has used a combination of forensic, archaeological and ethnographic approaches to understand the various forms of violence that characterize the social process of clandestine migration. In this presentation, De León focuses on what happens to the bodies of migrants who die in the desert. Drawing on the archaeological concept of taphonomy (i.e., the various post-mortem processes that impact biological remains), he argues that the way that bodies decompose in this environment is a form of hidden political violence that has deep ideological roots. Using ethnographic data from New York and Ecuador, he focuses on the families of people who have lost loved ones in the desert and demonstrates how the post-mortem destruction of migrant corpses creates devastating forms of long-lasting trauma.

Jason De León is executive director of the nonprofit organization Undocumented Migration Project, a long-term anthropological study of clandestine migration between Latin America and the United States, and author of the award-winning book The Land of Open Graves: Living and Dying on the Migrant Trail. He is president of the board of directors for the Colibrí Center for Human Rights  and on the academic board for the Institute for Field Research, a nonprofit organization operating over 42 field schools in 25 countries across the globe. 

National Memory in a Time of Populism: A Conference

Keynote address by Strobe Talbott, Distinguished Fellow in Residence in Foreign Policy and Former President, Brookings Institution. Sponsored by the American Academy of Arts & Sciences and Washington University in St. Louis. Please register via the link below.

Eric Ellingsen: Tool Shed

Supported by the Divided City: An Urban Humanities Initiative coordinated by the Center for the Humanities and funded by The Andrew W. Mellon Foundation. Eric Ellingsen guides “walkshops” along the public streets and neighborhoods surrounding the museum. Washington Boulevard residents take part, including volunteers from the Samaritan United Methodist Church and the Third Baptist Church, as well as musicians, poets, field scientists, and landscape architects.

Black Artists’ Exhibition & Conversation with Yvonne Osei and Basil Kincaid

Art exhibition: 2-4 pm; artists’ conversation: 3:30 pm

Civil Rights — Past and Present

Cornell Brooks, Former NCAA President — Blacks in America: 400 Years Plus lecture series
Transnational Framings: The German Literary Field in the Age of Nationalism

Transnational Framings: The German Literary Field in the Age of Nationalism

25th Biennial St. Louis Symposium on German Literature and Culture

Our conference seeks to bring into view the push and pull of the national and international in Germany and Austria in the so-called Age of Nationalism, 1848-1919 through a collection of case studies toward a new approach to the literary history of the period. Viewing even overtly national(ist) literature and cultural projects as belonging to an international system, our presenters examine the interrelations of the agents, forces, enterprises, and processes that constituted the Austro-German literary-cultural field during this period. These agents include not only authors but also translators, publishers, editors, reviewers, and readers. Forces include the changing book market, industrialization, printing conventions, and new media. Enterprises include new magazines, anthologies, and the writing of national literary histories. Processes include text-based operations, such as (historical) fiction writing, translation, adaptation, and anthologization, as well as agent-based operations, such as networking. We aim to bring into view the complexities of the literary-cultural field as it was constituted in this fraught era, not just along the split between popular culture and high art famously described by Pierre Bourdieu but also along the fissures constituted by the countervailing forces of (inter/anti)nationalism as they variously positioned production and consumption of both popular and elite literature. The symposium is being co-organized by Professor Lynne Tatlock and Professor Kurt Beals.

For more information and to register for the Zoom links for each day of the symposium, please visit this link.

Ensemble Dal Niente with Ken Vandermark

Ensemble Dal Niente with Ken Vandermark

Harold Blumenfeld Memorial Event

TICKETS


“Dal Niente is a model of what contemporary music needs, but seldom gets, to reach and engage a wider public.” —John von Rhein, Chicago Tribune

Dal Niente, in large ensemble form, teams up with legendary saxophonist Ken Vandermark to perform brand-new music by Roscoe Mitchell, a fearless musical pioneer whose music has, over the last half-century, changed the very definition of what is possible. Dal Niente is co-presenting this work with the Birdhouse, an organization dedicated to honoring the legacy of Fred Anderson, whose Velvet Lounge was an anchor for new forms of music in Chicago for decades.  Program to include works by Roscoe Mitchell, Fred Anderson, George Lewis, Wang Lu, Andile Khumalo, and Sivan Cohen-Elias.

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Ensemble Dal Niente is a 22-member Chicago-based contemporary music collective that presents and performs new music in ways that redefine the listening experience and advance the art form. Its programming, brought to life by a flexible repertoire-based instrumentation, creates engaging, inspiring, and immersive experiences that connect audiences with the music of today.

 

Described as a group of "super-musicians" and noted for its presentation of "bracing sonic adventures by some of the best new-music virtuosos around" (Chicago Tribune), Ensemble Dal Niente’s projects have exhibited an adventurous approach and an uncommon range that reflects the diversity of music in the world today. The ensemble presents a true multiplicity of experiences: large ensemble, chamber music, and solo repertoire from a range of emerging composers and established living artists to the post-World War II avant-garde generation. Dal Niente curates and presents its concert programs in ways that reflect the repertoire’s engagement with our culture and society. Recent and upcoming explorations include the ensemble’s collaboration with the indie-rock band Deerhoof and composer Marcos Balter; an extended visit to Latin America; works by noted trombonist/improviser/composer George Lewis; an East Coast tour of German music; the Hard Music, Hard Liquor concert series and its beloved annual Party. In 2012, Ensemble Dal Niente became the first-ever ensemble recipient of the coveted Kranichstein Music Prize at the Darmstadt Summer Courses for New Music.

 

Recordings of Dal Niente’s interpretations of new and recent repertoire have been released on the New Amsterdam, New Focus, Navona, Parlour Tapes+, and Carrier labels. The ensemble also shares performance videos and discussions with its audience through YouTube and other social media. Dal Niente’s outreach includes educational activities of all kinds, exhibited most commonly in university settings with composition workshops, masterclasses, and performances. The ensemble’s residencies have included work with faculty and students at various universities including Northwestern, Chicago, Harvard, Stanford, Indiana, Illinois, and Western Michigan, among others.

 

The ensemble's name, Dal Niente ("from nothing" in Italian), is a tribute to Helmut Lachenmann's Dal niente (Interieur III), the revolutionary style of which serves as an inspiration for its musicians. The name also references its humble beginnings -- founded in 2004 by a group of student composers at Northwestern University, the ensemble has risen from obscurity to a position as one of North America's most prominent new music groups.

Tickets

"Yo vengo a ofrecer mi corazón: conversando con la escritora cubana Anna Lidia Vega Serova" (in Spanish)

Anna Lidia Vega Serova is a Cuban fiction writer, poet, and visual artist. She will give talk (in Spanish) on Tuesday, Sept. 17, 2019.

Anna Lidia Vega Serova is a Cuban fiction writer, poet, and visual artist.  In this event she will talk about her creative work in the context of contemporary Cuba and will present a short film, “Misericordia,” based on one of her short stories. This event is in Spanish.

Vince Varvel, faculty recital, jazz guitar

Vince Varvel, faculty recital, jazz guitar

with Ben Wheeler, bass

Selections to be announced

Vincent Varvel is a St. Louis-based guitarist playing improvised music from varied streams of musical thought and traditions. His use of the acoustic instrument, electric guitar and signal-processed instruments creates a colorful palette of sound and language. Together with bassist Ben Wheeler, this duo promises an evening of creative, communicative improvised music.

Sunghee Hinners, faculty recital, piano

Sunghee Hinners, faculty recital, piano

Piano Sonata No. 21 in C Major, Op. 53 “Waldstein”                        Ludwig van Beethoven (1770 – 1827)
Allegro con brio
Introduzione. Adagio molto
Rondo. Allegretto moderato – Prestissimo

 

Makrokosmos: (Twelve Fantasy-Pieces after the Zodiac), Vol. II       George Crumb (b. 1929)

Part 1:
Morning Music (Genesis II) (Cancer)
The Mystic Chord (Sagittarius)
Rain-Death Variations (Pisces)
Twin Suns (Doppelgänger aus der Ewigkeit) [Symbol] (Gemini)

Part 2:

Gargoyles (Taurus)

Tora! Tora! Tora! (Cadenza Apocalittica) (Scorpio)

 

Intermission

 

Piano Trio No. 1 in D minor, Op. 49                                                    Felix Mendelssohn (1809-1847)
Molto allegro ed agitato
Andante con moto tranquillo
Scherzo
Finale

Hannah Frey, Violin
Stephanie Hunt, Cello

St. Louis Symphony on the South 40

St. Louis Symphony on the South 40

Join students, faculty, staff, and community members for a night featuring string quartets from the St. Louis Symphony and Washington University in St. Louis.

FREE ADMISSION

Bear's Den Dining Hall, Outside Patio

Noah Cohan book talk

Noah Cohan book talk

Noah Cohan, a 2015 graduate of the English PhD program, will give a talk about his new book "We Average Unbeautiful Watchers."

About the Book

Sports fandom—often more than religious, political, or regional affiliation—determines how millions of Americans define themselves. In We Average Unbeautiful Watchers, Noah Cohan examines contemporary sports culture to show how mass-mediated athletics are in fact richly textured narrative entertainments rather than merely competitive displays. While it may seem that sports narratives are “written” by athletes and journalists, Cohan demonstrates that fans are not passive consumers but rather function as readers and writers who appropriate those narratives and generate their own stories in building their sense of identity. 

Critically reading stories of sports fans’ self-definition across genres, from the novel and the memoir to the film and the blog post, We Average Unbeautiful Watchers recovers sports games as sites where fan-authors theorize interpretation, historicity, and narrative itself. Fan stories demonstrate how unscripted sporting entertainments function as identity-building narratives—which, in turn, enhances our understanding of the way we incorporate a broad range of texts into our own life stories.

Building on the work of sports historians, theorists of fan behavior, and critics of American literature, Cohan shows that humanistic methods are urgently needed for developing nuanced critical conversations about athletics. Sports take shape as stories, and it is scholars in the humanities who can best identify how they do so—and why that matters for American culture more broadly.

Foxes, Gods and Monsters in the Edo Anthropocene

Michael Bathgate, Professor, Department of Philosophy, Religious Studies and Theology, Saint Xavier University - Robert Morrell Memorial Lecture in Asian Religions

Dancing in Circles in the Arts on India and Its Neighbors - Nelson Wu Lecture

Forrest McGill, Wattis Senior Curator of South and Southeast Asian Art, Asian Art Museum of San Francisco

CANCELED - Constructing and Dissenting the Tokyo 2020 Olympics via Design

THIS EVENT HAS BEEN CANCELED. Jilly Traganou, Professor of Architecture and Urbanism, The New School - Stanley Spector Memorial Lecture

Japano-Koreanic: Evidence for a Common Origin of the Japanese and Korean Languages

Alexander Francis-Ratte, the James B. Duke Assistant Professor of Asian Studies, Furman University

Jade as a Local Product: Objects and Empire in Eighteenth-Century China

Yulian Wu, Assistant Professor of History, Michigan State University

A Sino-Jewish Encounter, A Humanitarian Fantasy

Haiyan Lee, Professor of East Asian Languages and Cultures and of Comparative Literature, Stanford University

CANCELED - Web Graphic Narrative and Platform Culture

THIS EVENT HAS BEEN CANCELED - Heekyoung Cho, Associate Professor, Department of Asian Languages & Literature, University of Washington
A.E. Hotchner Playwriting Festival 2019

A.E. Hotchner Playwriting Festival 2019

A.E. Hotchner Playwriting Competition 2020 Announces Selected Plays

Click Here for More information about our upcoming 2020 line up.

Washington University presents 3 world premieres with 2019 Guest Dramaturg, Jenni Werner of Geva Theatre Center, New York.

Click these links to learn more about our 2019 line up.

StudentLife
A.E. Hotchner Festival parallels PAD’s all female playwright season
Isabella Neubauer | Senior Cadenza Editor September 26, 2019

theSOURCE - Washington University in St. Louis
Inside the Hotchner Festival: Sophie Tegenu 
Aspiring playwrights debut new work Sept. 27 and 28

By Liam Otten  September 25, 2019

ALL PERFORMANCES ARE FREE! 

A.E. Hotchner Studio Theatre
2019 Guest Dramaturg: Jenni Werner
2019 Festival Assistant: Leah Witheiler 


You Don't Live Here Anymore

Written by Elizabeth Brown
Directed by William Whitaker 
Friday, September 27, 2019
7:00 p.m.

Emma returns to her working class home only to find her family has moved well beyond its normal regressive mayhem.  As she tries to navigate a short-fused sister, a hermit-gamer brother, her obsessed mother's new beau, and a father who is dying of cancer but is still duteously impregnating his drug addled teenage girlfriend - the hilarity is only exceeded by the heartbreak of not being considered one of them.


This House

Written by Kelly Minster
Directed by Henry I. Schvey
Saturday, September 28, 2019
2:00 p.m.

A stubborn mother and daughter make war as they seek peace in this funny and touching exploration of family politics.  Above the cacophony of their chaotic lives, each proclaims the painful truth, in a pleading battle cry: "I do love you, its the like thing I'm still working on!"


Mrs. Kelley's Igloo

Written by Sophie Tegenu
Directed by Paige McGinley
Saturday, September 28, 2019
7:00 p.m.

Eleven year olds know a whole lot about love.  First generation immigrants know too much about discomfort.  Husbands know very little about wives.  Singers know everything about timing.  But ultimately, all people know nothing-nada-zero-zilch about how hard it is to walk down an aisle and say, "I do."


2019 Guest Dramaturg
Jenni Werner

Jenni Werner is in her eighth season as Literary Director and Resident Dramaturg at Geva Theatre Center. In that role, she has served as dramaturg on 27 productions at Geva, including classics and world premieres by Wendy MacLeod, Deborah Zoe Laufer, Cass Morgan, Nora Cole, Jamie Pachino, Mat Smart, Gabriel Jason Dean, Keith Glover, Lila Rose Kaplan and Brent Askari. In 2015, Jenni co-produced Geva’s blues festival celebrating the life and legacy of musician Son House, Journey to the Son. Jenni also produces all of Geva’s new play programming, and has led the development of over 45 new plays during her tenure at Geva. Additionally, she directs Geva’s commissioning of new plays through the Rochester Stories program. Previously, Jenni served as the Director of Programming at Theatre Communications Group (TCG), the national organization for the non-profit theatre field. From 2005-2011, she produced TCG’s annual National Conference, curating the content and organizing the logistics for the largest national gathering of professionals in the non-profit theatre field. For six years, she was an adjunct instructor at New York University, and is now an adjunct instructor at the Rochester Institute of Technology. Jenni has an M.F.A. in dramaturgy from the University of Massachusetts at Amherst and a B.A. in theatre and history from Knox College in Galesburg, Illinois. She also serves on the board of Image Out, Rochester’s LGBT film festival and as the Associate Member Theatre Representative on the NNPN Board of Directors. 

Endowed by alumnus, novelist, poet and playwright A.E. Hotchner, this annual playwriting competition is open to all undergraduate and graduate students at Washington University. Many past "Hotch" plays have gone on to full production in the PAD season and around the country. Two of our playwrights have won Kevin Kline Awards, and most recently Marisa Wegrzyn, a three-time Hotch participant, was awarded the prestigious national Wendy Wasserstein Award 2009 for her play Hickorydickory -- which had its world premiere in our studio theater in 2005.

This event is sponsored by the Newman’s Own Foundation.

Lying and Deception: A Happy Marriage

Lying and Deception: A Happy Marriage

Ishani Maitra, University of Michigan

Abstract: Traditionally, lying has been understood to involve an intention to deceive. There is a long history, going all the way back to Augustine, that characterizes lying this way. More recently, however, a series of examples have been proposed to show that lying involves no such intention. In response to these examples, theorists have largely moved away from the intent-to-deceive tradition. In this paper, I argue that this is a mistake, in part because it leaves us unable to explain some moral features of lying. I focus on two kinds of purported counter-example to the intent-to-deceive tradition, and make three claims about these disputed cases. First, I argue that much of the evidence offered to establish the absence of an intent-to-deceive in fact doesn’t show this at all. Second, I draw on a more deflationary account of intention to argue that in some of these disputed cases there is an intent-to-deceive after all. Third, I look at some contemporary characterizations of lying, and argue that they are committed to implausible conclusions unless they also tacitly appeal to an intent-to-deceive. Taken together, these three claims are enough to show that the purported counter-examples ultimately pose no challenge to the intent-to-deceive tradition. I draw some general conclusions from this discussion, both for lying and for other speech acts.

MUSEUM CLOSED - Truths and Reckonings: The Art of Transformative Racial Justice

In “Truths and Reckonings,” a Teaching Gallery at Kemper Art Museum, AFAS professor Geoff Ward explores the roles of art works and art spaces in addressing histories of racial violence, their legacies, and the challenge of transformative justice.

Q&A with Ai Weiwei

Renowned Chinese dissident artist and activist Ai Weiwei in conversation with Sabine Eckmann, the William T. Kemper Director and Chief Curator, on the artist’s wide-ranging practice, including his concern for human rights and the global condition of humanity and his profound engagement with Chinese culture past and present, especially the radical shifts that have characterized China in the new millennium. Free but reservations required.

James Baldwin and the Moral Crisis of American Democracy

A public lecture by Eddie Glaude

When Islam Is Not a Religion: Inside America’s Fight for Religious Freedom

Lecture by Asma Uddin, Senior Scholar with the Religious Freedom Center at the Freedom Forum Institute in Washington, D.C., and panel discussion with Tazeen Ali and Laurie Maffly-Kipp

The Religion Clauses

This interdisciplinary conference explores current and future trends in the First Amendment’s free exercise and establishment clauses. It is cosponsored by Washington University School of Law, the Washington University Law Review, and the John C. Danforth Center on Religion and Politics.

Liberty of Conscience as a Tool of Empire: England and Its Restoration Colonies, 1660-1689

Daniel K. Richter, the Richard S. Dunn Director of the McNeil Center for Early American Studies and the Roy F. and Jeannette P. Nichols Professor of American History, University of Pennsylvania

Rahman Asadollahi: The Sound of Azerbaijan

Lecture/Demonstration: Afro-Brazilian Music and Dance of Backlands Bahia

Lecture/Demonstration: Afro-Brazilian Music and Dance of Backlands Bahia

Speaker: Mestre Cláudio Costa

In this lecture-demonstration, Mestre Cláudio will introduce participants to Afro-Brazilian music and dance practices of his region, the backlands of Bahia. He will also discuss the significance of black popular culture to the black resistance movement in Brazil. No dance or music experience is necessary. Come prepared to move and participate!

Mestre Cláudio, born in 1966, is known as one of the greatest living master-teachers of capoeira Angola, a fight-dance-game played to music and song. He hails from Feira de Santana, a market hub in the interior of Bahia, Brazil. There in the early 1980s he founded his group of capoeira Angola, called the Angoleiros do Sertão (Capoeira Angola Players of the Backlands), which today has satellite groups across Brazil and Europe. Mestre Cláudio has dedicated his life to mastering, teaching and sustaining black cultural expressions of his region. His distinctive movement aesthetic and singing style have made him a much sought-after teacher, and today he travels the world giving workshops of capoeira Angola and rural samba, a singing-dancing-drumming form.

(photo credit: Elzinha de Abreu)

 

This event is co-sponsored with American Culture Studies and the Department of African and African-American Studies.

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Pedagogy Workshop: Wretched of the Earth

Pedagogy Workshop: Wretched of the Earth

El Hadji Samba Amadou Diallo (AFAS) and J. Dillon Brown (English) will lead a pedagogy workshop on Frantz Fanon's Wretched of the Earth.  As always, these workshops are meant to be unabashedly pragmatic: how many days will are needed to teach the material? what are useful opening gambits? what translations should one use? what questions work well? what passages seem to elicit especially fruitful discussion? what writing assignments have worked well? what falls flat? what might one read to prep if one didn't have a lot of time to devote to preparation?

Faculty and graduate students are welcome to attend, but space is limited. Please write to iph@wustl.edu if interested in attending. Refreshments will be served.

Three Lives of Michelangelo: Entrepreneur, Aristocrat, Octogenarian

Three Lives of Michelangelo: Entrepreneur, Aristocrat, Octogenarian

Three lectures by William E. Wallace, the Barbara Murphy Bryant Distinguished Professor of Art History at Washington University in St. Louis.

How does Michelangelo Buonarroti become the greatest artist and architect of all time? These lectures trace three distinct phases in his 90-year life. The young artist, confident that he could do anything and everything, carved the Pietà, David, Moses, painted the Sistine Ceiling, and then became an Entrepreneur who supervised 300 persons to build the Medici Chapel and Laurentian Library. As demands for his artwork increased, Michelangelo embraced his Aristocratic lineage, offering his precious works only to a select few. Then ready to retire at age 70, Michelangelo was ordered by the Pope to become supreme architect of St. Peter’s in Rome. Michelangelo the Octogenarian not only rode his horse to the St. Peter’s worksite every day, but he was consulted on every papal project. He now worked for a higher purpose, as God’s architect.

All lectures at 4:30 p.m. in the Umrath Lounge.

Entrepreneur: September 30th
Aristocrat: October 1st
Octogenarian: October 4th

William E. Wallace is an internationally recognized authority on the Renaissance painter, sculptor and architect, Michelangelo Buonarroti. He was one of a select group of scholars, curators, and conservators from around the world invited to confer with the Vatican about the conservation of Michelangelo’s frescos in the Sistine Chapel. Professor Wallace has published extensively on Renaissance art: in addition to more than 90 articles and essays (including two short works of fiction), he is the author and editor of seven different books on Michelangelo, including the award winning, Michelangelo: The Complete Sculpture, Painting and Architecture (1998), Discovering Michelangelo (2012), and a biography of the artist, Michelangelo: The Artist, the Man and his Times (2010). He also authored an audio-visual course, The Genius of Michelangelo, for “The Teaching Company.” His most recent book, Michelangelo, God’s Architect will appear in October with Princeton University Press.

Overcoming Political Tribalism and Recovering Our American Democracy

A Public Conversation Between Amy Chua and John Danforth

The Office of the Provost: Distinguished Visiting Scholar Program and Women, Gender, and Sexuality Studies Program present: Professor Richa Nagar "Journeying Together for Justice: Situated Solidarities, Radical Vulnerability, Hungry Translations."

Looking Back to the Movement

Reception and short presentations celebrating "Eyes on the Prize"

Graphic Thinking: A Panel on Data Visualization

Panel discussion featuring Heather Corcoran, the Halsey C. Ives Professor of Art in the Sam Fox School of Design & Visual Arts and Interim Dean of University College; Lisa Marie Harrison, Art Director, Analytic Production and Design Center, National Geospatial Intelligence Agency; and Geoff Ward, Associate Professor and Associate Chair, African and African-American Studies

Faculty Book Talk: Heidi Aronson Kolk

"Taking Possession: The Politics of Memory in a St. Louis Town House," by Heidi Aronson Kolk, Assistant Professor at the Sam Fox School of Design & Visual Arts

Book Club: Shadow of the Wind

Celebrate Banned Books Week by reading about Daniel Sempere as he unravels the mystery behind a book he has chosen from the Cemetery of Forgotten Books to protect in Shadow of the Wind, by Carlos Ruiz Zafón. The book discussion will be paired with a showcase of banned books from the Rare Book Collections.
A conversation with Professor Samuel Moyn

A conversation with Professor Samuel Moyn

Professor Samuel Moyn, Henry R. Luce Professor of Jurisprudence and Professor of History at Yale University, will be at Wash U for a seminar on August 29, 2019.

Professor Samuel Moyn works on the question of human rights. He is visiting Wash U to start off a Mellon-funded vertical seminar that involves graduate students and faculty from across Arts & Sciences. Professor Moyn will guide a conversation from 2:30-4:30 pm on Thursday, August 29, based on readings he will provide, about the state of the history of ideas today.  If you would like to participate, please email Wolfram Schmidgen for copies of the readings.

A lecture by Professor Samuel Moyn will follow this guided conversation.

The U.S. and Iraq Today

The U.S. and Iraq Today

Col. Frank Sobchak, co-author of the "U.S. Army in the Iraq War" — the first U.S. government history of the war, will deliver this lecture as part of the Crisis & Conflict in Historical Perspective co-curricular initiative, which serves undergraduates considering careers in policy, as well as the greater WashU and St. Louis communities seeking historically-informed discussion about global events.

Part of the Assembly Series at WashU. For more information, visit the Assembly Series website.

Sponsored and funded by the Office of the Dean of Faculty of Arts & Sciences.

Free and open to the public.  Light refreshments will be served.

Refuse Lives, Disposable Bodies:  A History of the Human and the Transatlantic Slave Trade

Refuse Lives, Disposable Bodies: A History of the Human and the Transatlantic Slave Trade

Marisa Fuentes, Rutgers University, Associate Professor of Women and Gender Studies and History
China and the Return of Great Power Competition

China and the Return of Great Power Competition

Thomas Wright, director of the Project on International Order and Strategy at The Brookings Institution, will deliver this lecture as part of the Crisis & Conflict in Historical Perspective co-curricular initiative, which serves undergraduates considering careers in policy as well as the greater WashU and St. Louis communities seeking historically-informed discussion about global events.

Sponsored and funded by the Office of the Dean of Faculty of Arts & Sciences.

Free and open to the public.  Light refreshments will be served.

TAZARA Stories: Remembering work on a China-African railway project

TAZARA Stories: Remembering work on a China-African railway project

TAZARA Stories tells the story of a train through the memories of those who built it. Set in Tanzania, Zambia and China, the film interweaves oral and visual narratives of workers from three nations who found themselves laboring side by side in a massive infrastructure project at the height of the Cold War. Remembering and reliving their youth, the workers take us on a journey in time from the exhilaration of construction through disappointments and derailments to their own hopeful resilience in the face of enduring change.

Jamie Monson is the Director of the African Studies Center and Professor of History at Michigan State University. A recognized researcher and scholar, Monson’s efforts have established her as a pioneer in China-Africa development studies. Her book, Africa’s Freedom Railway: How a Chinese Development Project Changed Lives and Livelihoods in Tanzania, explores the TAZARA railway, which was built with Chinese development aid in the 1970s.  Monson’s most recent project is a forthcoming book titled Looking East: Africa’s Historical Engagement with China.  She is also creating a documentary film based on life histories of TAZARA railway workers in Tanzania, Zambia and China.  Monson serves as chairman of the Chinese in Africa/Africans in China Research Network and is currently heading a new global initiative, “Building Trans-regional Connections Among Africa, Asia and Latin America,” that seeks to establish new scholarly paradigms for international studies.

Complex Harmony: Rethinking the Virtue-Continence Distinction.

Complex Harmony: Rethinking the Virtue-Continence Distinction.

Nick Schuster, Washington University in St. Louis

Abstract: In the Aristotelian tradition, the psychological difference between virtue and continence is commonly understood in terms of inner harmony versus inner conflict. Virtuous agents experience inner harmony between feeling and action because they do not care to do other than what their circumstances call for, whereas continent agents feel conflicted about doing what is called for because of competing concerns. Critics of this view argue, however, that when the circumstances require sacrificing something of genuine value, virtuous agents can indeed feel conflicted about acting well. But if this is so, what differentiates virtuous from merely continent agency? This essay argues that the traditional distinction conflates two aspects of virtue as well as two species of continence. And distinguishing between them provides resources for making sense of the complex relationship between inner conflict and good moral agency.

Serenades and Sangria: The 560 Block Party

Serenades and Sangria: The 560 Block Party

Co-sponsors: Department of Music, 560 Music Center, & Urban Chestnut

RSVP

Free block party to celebrate the upcoming season with students, faculty, staff, friends, and 560 Music Center arts organizations that call us home! Enjoy live music provided by jazz pianist Kara Baldus followed by the Zafira Quartet while sipping on free beer (generously donated by Urban Chestnut) and sangria.  Free food will also be provided!  RSVP to this event today!

 

Undergraduate student readings

Undergraduate students in creative writing read from their fiction, nonfiction, and poetry in an event hosted by MFA students on Thursday, December 5, 2019 in Hurst Lounge (Duncker 201) at 7:00 PM.

Visiting Hurst Professor Patricia Smith reads from her poetry

Visiting Hurst Professor Patricia Smith is the author of seven books of poetry, including Incendiary Art (2017), winner of an NAACP Image Award and the Kingsley Tufts Poetry Award; Shoulda Been Jimi Savannah (2012), which won the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler (2008), a chronicle of the human and environmental cost of Hurricane Katrina which was nominated for a National Book Award; and Teahouse of the Almighty, a 2005 National Poetry Series selection published by Coffee House Press. Smith collaborated with the photographer Michael Abramson on the book Gotta Go Gotta Flow: Life, Love, and Lust on Chicago’s South Side From the Seventies (2015).

Patricia will read from her poetry on Thursday, November 14, 2019 in Hurst Lounge (Duncker 201) at 8:00 PM.

Visiting Hurst Professor Micheline Aharonian Marcom reads from her work

Visiting Hurst Professor Micheline Aharonian Marcom was born in Dhahran, Saudi Arabia and raised in Los Angeles. She has published five novels, including a trilogy of books about the Armenian genocide and its aftermath in the twentieth century. She has received fellowships and awards from the Lannan Foundation, the Whiting Foundation, and the US Artists’ Foundation. Her first novel, Three Apples Fell From Heaven, was a New York Times Notable Book and Runner-Up for the PEN/Hemingway Award for First Fiction. Her second novel, The Daydreaming Boy, won the PEN/USA Award for Fiction.

She will read from her work on Thursday, October 24, 2019 in Hurst Lounge (Duncker 201) at 8:00 PM.

Visiting Hurst Professor Micheline Aharonian Marcom gives a talk on the craft of fiction writing

Visiting Hurst Professor Micheline Aharonian Marcom was born in Dhahran, Saudi Arabia and raised in Los Angeles. She has published five novels, including a trilogy of books about the Armenian genocide and its aftermath in the twentieth century. She has received fellowships and awards from the Lannan Foundation, the Whiting Foundation, and the US Artists’ Foundation. Her first novel, Three Apples Fell From Heaven, was a New York Times Notable Book and Runner-Up for the PEN/Hemingway Award for First Fiction. Her second novel, The Daydreaming Boy, won the PEN/USA Award for Fiction.

She will give a craft talk on Tuesday, October 22, 2019 in Hurst Lounge (Duncker 201) at 8:00 pm.

Visiting Writer Sarah M. Broom reads from her work

Visiting Writer Sarah M. Broom is the author of The Yellow House. Her work has appeared in the New Yorker, The New York Times Magazine, The Oxford American, and O, The Oprah Magazine among others. A native New Orleanian, she received her Masters in Journalism from the University of California, Berkeley in 2004. She was awarded a Whiting Foundation Creative Nonfiction Grant in 2016 and was a finalist for the New York Foundation for the Arts Fellowship in Creative Nonfiction in 2011. She has also been awarded fellowships at Djerassi Resident Artists Program and The MacDowell Colony. She lives in New York State.

Visiting Hurst Professor Jane Brox reads from her work

Visiting Hurst Professor Jane Brox‘s fifth book, Silence, was published in January 2019, and was selected as an Editors’ Choice by The New York Times Book Review. Her previous book, Brilliant: The Evolution of Artificial Light, was named one of the top ten nonfiction books of 2010 by Time magazine. She is also the author of Clearing Land: Legacies of the American Farm; Five Thousand Days Like This One, which was a finalist for the National Book Critics Circle Award in nonfiction; and Here and Nowhere Else, which won the L.L. Winship/PEN New England Award.

Jane will be reading from her work on Thursday, September 26, 2019 in Hurst Lounge (Duncker 201) at 8:00 pm.

Visiting Hurst Professor Jane Brox gives a talk on the craft of non-fiction writing

Visiting Hurst Professor Jane Brox‘s fifth book, Silence, was published in January 2019, and was selected as an Editors’ Choice by The New York Times Book Review. Her previous book, Brilliant: The Evolution of Artificial Light, was named one of the top ten nonfiction books of 2010 by Time magazine. She is also the author of Clearing Land: Legacies of the American Farm; Five Thousand Days Like This One, which was a finalist for the National Book Critics Circle Award in nonfiction; and Here and Nowhere Else, which won the L.L. Winship/PEN New England Award.

Jane will be giving a craft talk on Tuesday, September 24, 2019 in Hurst Lounge (Duncker 201) at 8:00 pm.

Evil Together: The Social Dimensions of Kantian Vice

Evil Together: The Social Dimensions of Kantian Vice

Karen Stohr, Georgetown University

Within Kant’s moral framework, vice is a major threat. It impedes our moral progress as individuals and as communities. We thus require strategies for fighting vice in ourselves and in our social environments. The individual and social dimensions of Kantian vice, however, are importantly interrelated. Whether I can succeed in fending off vice in myself depends not just on my own efforts, but also on the social worlds I inhabit. Some social environments are more conducive to vice than others. I argue that successful vice-fighting strategies must be communal undertakings, in which we help each other overcome our own worst impulses and maintain hope in the possibility of moral progress.

Neural Language Technology in An Under-resourced Setting

Neural Language Technology in An Under-resourced Setting

Kevin Scannell, St. Louis University

Co-sponsored by the Linguistics Program, the Philosophy-Neuroscience-Psychology Program, and the Humanities Digital Workshop.

Abstract: The state-of-the-art for a number of important English-language NLP tasks has improved rapidly with the introduction of neural network methods over the last 5-10 years. While these approaches have been successfully applied to many other languages, progress in the field as a whole has been measured by advancing the state-of-the-art for English. This has led to models that require huge amounts of training data in order to achieve reasonable performance, and that can present difficulties for languages which are typologically very different from English. This talk will cover recent developments in NLP for the Irish language which is both endangered (less than 70,000 daily speakers) and under-resourced in terms of language technology. Our focus will be on the foundational problem of probabilistic language modeling, although we will discuss several applications to machine translation, text normalization, and speech technology.

Humanities PhDs Can Take Your Company to the Next Level

Organized by Associate Dean Thi Nguyen of the Graduate School. Our panel of experts in the humanities will share how the skills they learned while completing a humanities PhD—like problem solving, research skills, deep understanding of the human experience, and more—are enabling humanities PhDs to help organizations in any industry achieve their goals.

Being a start-up is dizzying: You need to secure funding, perfect the product, and get to market quickly, with little room to find talent—let alone time to train them and get them “up to speed.” But there’s a rich, untapped pool of talent, with a knack for critical thinking and research, hiding in plain sight.

Our panel of experts in the humanities will share how the skills they learned while completing a humanities PhD—like problem solving, research skills, deep understanding of the human experience, and more—are enabling humanities PhDs to help organizations in any industry achieve their goals.

Panel members include:
• Dalia Oppenheimer, PhD in English – Lead Communications Specialist, Nestle Purina
• Rick Shang – PhD candidate in Philosophy-Neuroscience-Psychology, Washington University and Founder of Vulpes Corp.
• Brandon N. Towl, PhD in Philosophy-Neuroscience-Psychology, CEO and Chief Writer at Words Have Impact
• Moderated by Rafia Zafar, PhD, Washington University’s Professor of English, African & African-American Studies and American Culture Studies

Divided City Graduate Student Summer Research Fellows’ Presentations

Learn about the projects carried out by the 2019 Divided City Graduate Student Summer Research Fellows. For a preview, check out the Divided City’s web page on the fellow program: http://thedividedcity.com/graduate-summer-fellowship-recipients/.

 

RSVP

Has China Won?

REGISTRATION REQUIRED BY SEPT. 30. Kishore Mahbubani, Distinguished Fellow, Asia Research Institute, National University of Singapore - ST Lee Endowed Lecture

Fiction and Philology: Classics and the Historical Novel

Anne Fortier is a Danish-Canadian novelist, specializing in historical fiction. She earned a PhD in the History of Ideas from Aarhus University, Denmark.

Going Pro: Taking Your Academic Skills to the Writing Market

Anne Fortier is a Danish-Canadian novelist, specializing in historical fiction. She earned a PhD in the History of Ideas from Aarhus University, Denmark.

Medical Humanities and Children’s Studies at the Major-Minor Fair

Learn more about the Center for the Humanities’ interdisciplinary minors in Medical Humanities and Children’s Studies

What You Need to Know about Antisemitism and Islamophobia to Understand the World Today

Dr. Hillel J. Kieval, Gloria M. Goldstein Professor of Jewish History and Thought and Chair of the Department of Jewish, Islamic, and Middle Eastern Studies.

Dr. Hillel J. Kieval discusses Antisemitism and Islamophobia and how studying with Jewish, Islamic, and Middle Eastern Studies helps in understanding issues of our current world.

Böse Zellen: Germanic Film Series

Böse Zellen: Germanic Film Series

The fall 2019 Germanic Film Series deals with social differences and struggles, demasking society's true face from different medial angles.

November's film (Böse Zellen, 2003), directed by Barbara Albert, is about the interwoven stories of several people who become indirectly connected by the aftermath of a young woman's death in a car accident.

All films will be shown in German with English subtitles. Pizza, sodas, and snacks will be served, and a discussion will occur after the viewing.

Events are free and open to all of the WashU community!

RSVP
Slumming: Germanic Film Series

Slumming: Germanic Film Series

The fall 2019 Germanic Film Series deals with social differences and struggles, demasking society's true face from different medial angles.

October's film (Slumming, 2006), directed by Michael Glawogger, is about two rich young students who visit cheap bars and behave like tourists, watching poor people for their entertainment and manipulating them in heinous games.

All films will be shown in German with English subtitles. Pizza, sodas, and snacks will be served, and a discussion will occur after the viewing.

Events are free and open to all of the WashU community!

RSVP

2019 Transgender Spectrum Conference

Free Rainer: Germanic Film Series

Free Rainer: Germanic Film Series

The fall 2019 Germanic Film Series deals with social differences and struggles, demasking society's true face from different medial angles.

September's film (Free Rainer), directed by Hans Weingartner, is about a group of outsiders who figure out how to manipulate the ratings for German television, in order to get the TV stations to broadcast quality shows in culture and education, rather than reality TV and game shows.

All films will be shown in German with English subtitles. Pizza, sodas, and snacks will be served, and a discussion will occur after the viewing.

Events are free and open to all of the WashU community!

RSVP
Insurgent Public Space Making

Insurgent Public Space Making

A tour and lecture on insurgent public space making in St. Louis with Jeffrey Hou, Professor of Architecture, University of Washington.

Professor Jeffrey Hou, Professor of Architecture at University of Washington and author of Insurgent Public Space: Guerilla Urbanism and the Remaking of Contemporary Cities (Routledge, 2010), will lead a half-day workshop in the City of St. Louis.

The workshop will begin in the morning with a visit to several sites in St. Louis that speak to the theme of insurgent public space. The event will begin at Peter Matthews Memorial Skate Garden, then visit the NGA West site, The workshop will end at Sk8 Liborious where Professor Hou and Bryan Bedwell, the head of Kings Highway Vigilante Transitions, will lead a discussion about making public spaces.

This workshop is open to the public. Seats on the bus, however, are limited to 50. Please RSVP to sshearer@wustl.edu by October 4 if you would like to attend.

Credit: Photo by Martin on Unsplash

 

The Color of Compromise

Public dialogue between Jemar Tisby and John Inazu on Tisby’s acclaimed book “The Color of Compromise: The Truth about the American Church’s Complicity in Racism.”

Mycenae and the Mycenaean Age: Homeric Heroes, Near Eastern Potentates, or Something Else?

Dimitri Nakassis, Professor of Classics, University of Colorado–Boulder

Making Motherhood Work, How Women Manage Careers and Caregiving

Caitlyn Collins, Department of Sociology, Washington University - IAS/SIR Speaker Series

The War That Dare Not Speak Its Name, Thinking About the Vietnam War as a Civil War

Edward Miller, Department of History, Dartmouth College - IAS/SIR Speaker Series

“Order and Beauty”: Ensemble-Made Chicago

Chloe Johnston, Associate Professor of Theater, Lake Forest College

“Legally Blonde”

Music & lyrics by Laurence O’Keefe and Nell Benjamin; book by Heather Hach based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer motion picture

LGBTQ+ History at WashU

Faculty Book Talk: Jonathan Fenderson

Jonathan Fenderson, assistant professor of African and African-American Studies, will be interviewed by Monique Bedasse, associate professor of history and African and African-American studies, about his new book, “Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s.”

for colored girls who have considered suicide/when the rainbow is enuf

By Ntozake Shange; directed by Ron Himes.

‘What Is the Word’: Celebrating Samuel Beckett Colloquium

This two-day colloquium is devoted to the writings of Samuel Beckett, with a particular focus on questions of translation and performance.

Presentations and workshops will bring traditional humanistic scholarship into conversation with creative writing, translation, performance, pedagogy, library exhibits, digital humanities initiatives and more.

As Washington University is home to one of the premier collections of Samuel Beckett materials, and 2019 is both the 50th anniversary of Beckett’s Nobel Prize and the 30th anniversary of his death, we have a unique opportunity to showcase and explore the oeuvre and impact of Samuel Beckett.

The Bridge #2.2

Jazz performance by Mai Sugimoto (alto saxophone), Raymond Boni (guitar), Paul Steinbeck (electric bass) and Paul Rogers (double bass). The Bridge intends to form a network for exchange, production, and diffusion, to build a transatlantic bridge that will be crossed on a regular basis by French and American musicians as part of collaborative projects.
Mellon Mays Fall Symposium feat. Dr. Joshua Bennett

Mellon Mays Fall Symposium feat. Dr. Joshua Bennett

The Washington University Mellon Mays Undergraduate Fellowship Program invites you to its Fall Symposium featuring poet/artist/scholar Joshua Bennett on Monday, October 7 at 4:00 pm in Goldberg Lounge in the Danforth University Center. The event is free and open to the public.

Arabic Calligraphy Workshop

Workshop led by Younasse Tarbouni and students of Arabic in JIMES

Please join us for a workshop on Arabic calligraphy.

Arabic Calligraphy Workshop

Arabic Calligraphy Workshop

Workshop led by Younasse Tarbouni and students of Arabic in JIMES

Please join us for a workshop on Arabic calligraphy.

Hindi/Urdu Movie Night

The Hindi/Urdu section will be hosting a movie for interested students.

Russian Film Series

Russian Film Series

Screening of Vakhtangov Theatre's presentation of The Brothers Karamazov

For our last presentation of the Russian Film Series of the semester, we will be screening The Brothers Karamazov. Thank you to Stage Russia HD for making this semester's screenings possible!

THE BROTHERS KARAMAZOV, Eifman Ballet, Saint Petersburg

The Brothers Karamazov novel is the epitome of Fyodor Dostoevsky’s creative work, the acme of the philosophic investigation carried out by this colossal and restless mind throughout his life.

World renowned choreographer Boris Eifman offers a remarkable vision of the core ideas within the novel, expanding upon them though body language as a way of exploring the origins of the moral devastation of the Karamazovs; creating through choreographic art an equivalent of what Dostoyevsky investigated so masterfully in his book, the excruciating burden of destructive passions and evil heredity. 

Boris Eifman BIO: Boris Eifman is considered to be one of the leading choreographers in the world. After working for 10 years at the Vaganova Academy of Russian Ballet, in 1977, he formed his own ballet ensemble, interweaving classical ballet, modern dance and ecstatic impulses to create a completely different form of choreography where self-expression becomes the subject and in which there is drama, philosophy, characters and a central idea. A distinct feature of Eifman’s theater, its trademark, is that almost all of his performances have a plot and, often, a literary source. In this way he can plunge into a realm that is familiar, all the while discovering and revealing the unexplored. His unique lexicon and conceptual, authorial interpretations are a breakthrough into that fantastic dimension where the boundlessness of inner worlds comes to life.

Language: Russian (briefly)

Translation: English subtitles

Running time: 1 h, 26 min (No Intermission)

Purchase tickets here.

Click here to watch the trailer for the show. 

Russian Film Series

Russian Film Series

Screening of Vakhtangov Theatre's presentation of Uncle Vanya

In collaboration with Stage Russia HD, we will be screening the Russian theatre performance of Uncle Vanya. We will have one more screening this semester (The Brothers Karamazov) on December 3rd. English subtitles available. 

UNCLE VANYA, Vakhtangov Theatre, Moscow

Stage Russia HD (Vakhtangov Theatre): Rimas Tuminas' reimagining of Anton Chekhov's tale about broken illusions and dashed hopes is freed from its traditional trappings, leaving behind a battlefield for passions and colliding ambitions. This "Uncle Vanya" is about what Chekhov’s characters think and what they admit to only at moments of emotional turmoil. They are at times tongue-tied or overly brutal, but their revelations break out of them fervently, desperately  just as a man breaks out of a stuffy room into the open air. A Golden Mask Winner for Best Drama, featuring the inimitable Sergey Makovetskiy as Voynitsky.

Captured on film before a live audience from Moscow's  Vakhtangov Theatre.

180 minutes (with one 15 minute intermission included)

Russian with English subtitles

Click here to view the theatre presentation's trailer.

Russian Film Series

Russian Film Series

Screening of Vakhtangov Theatre's presentation of Anna Karenina

In collaboration with Stage Russia HD, we will be hosting three film screenings of various Russian theatre performances throughout the semester. Join us for our first screening of Anna Karenina. English subtitles available. 

ANNA KARENINA, Vakhtangov Theatre, Moscow

Staged by famed Lithuanian choreographer Anzelica Cholina, this multiple award-winning Vakhtangov Theatre production of Anna Karenina tells the story of Tolstoy’s classic novel entirely in contemporary dance. In this way, Cholina succeeds in finding the equivalent of Tolstoy's words in harmony and movement, with every gesture holding meaning. The distinctive music of Alfred Schnittke helps to reveal the inner turmoil of the characters and their depth. 

Winner of the "Villanueva Award", Best Foreign Performance, International Havana Theatre Festival; Winner "Crystal Turandot" Best Debut Performance, Olga Lerman.

Captured on film before a live audience from Moscow's  Vakhtangov Theatre.

2 hours 15 min (with one 15 minute intermission included) 

Click here for a trailer of the musical. 

Do Objects Have Something to Say? Performance, Agency and Ontology of Objects in Greek Tragedy

Anne-Sophie Noel, University of Lyon

Unseen and at Hand: Slaves, Tablets and Roman Literary Production

Joseph Howley, Department of Classics, Columbia University

CANCELED - The Biggs Family Residency in Classics: Julia Annas

THESE EVENTS HAVE BEEN CANCELED - Julia Annas is Regents Professor of Philosophy at the University of Arizona.

Name Dropping: The Critical Fortunes of Rembrandt’s Portraits

Ann Jensen Adams, Department of Art History and Architecture, University of California, Santa Barbara

New Perspectives Talk with Kirsten Marples at the Kemper Art Museum

Kirsten Marples, PhD Candidate, Department of Art History and Archaeology

A Two-Way Mirror: Set Design and Social Reflection in Shanghai Cinema, 1937-1941

Yuqian Yan, postdoctoral fellow in Chinese performance cultures, Washington University

Writing and Singing Crusade in 1330s France

Anna Zayaruznaya, Associate Professor of Music at Yale University. The reading and discussion are in English.

Symposium on Empire in the Eighteenth Century

Featuring talks by Sophus Reinert, Christy Pichichero and Thomas Dodman.

Global Asias as Imaginable Ageography

Tina Chen, Associate Professor of English and of Asian American Studies, Pennsylvania State University

How Democracies Fight Cyberwar: Effects of Deterrence, Punishment, and Countermeasures

Nori Katagiri, Political Science, Saint Louis University - IAS/SIR Speaker Series

Lecture by The Bridge Founder, Alexandre Pierrepont

Art Inspiring Music - Challenging Perceptions: Harmonic and Social Dissonances

The Kemper Art Museum exhibition “Ai Weiwei: Bare Life” serves as inspiration for this unique program featuring the violin/clarinet/percussion ensemble F-PLUS.

Washington University Dance Theatre: COALESCENCE

Artistic direction by David Marchant

Her Body, Our Laws: On the Frontlines of the Abortion War from El Salvador to Oklahoma

Michelle Oberman, the Katharine and George Alexander Professor of Law, Santa Clara University

Inter-Imperial Interventions: A Feminist-Decolonial Reframing of Literature, Translation, and Geopolitical Economy

Laura Doyle, Professor of English at University of Massachusetts Amherst and Co-Coordinator of the World Studies Interdisciplinary Project (WSIP)

Four Hundred Years Forward: Freedom in Our Time

Karine Jean-Pierre, NBC and MSNBC Political Analyst and author of “Moving Forward: A Story of Hope, Hard Work, and the Promise of America”

Our Nonprofit Sector Is At Risk. Does It Matter?

Robert Shireman, director of higher education excellence and senior fellow at the Century Foundation

Anthropocene Vernacular

Representing multiple Divided City projects, this public program spans the St. Louis region through experimental tours, an edible narrative, a community cookout, oral histories, public mappings, and a barge laboratory, alongside a range of research, writing, and publications.

Michael Brown to Michael Johnson: The American Experiment of the BlackQueer

A “Five Years from Ferguson” Lecture by Professor Jeffrey McCune

Germanic Lecture: From Romanticizing the Past to Questioning Historical Knowledge - Historical Crime Fiction in German

Thomas Kniesche, Associate Professor of German Studies, Brown University

Screening: ‘Night of the Living Dead’

Free screening! Free food & drink!

The Biblical Prophets and their Social World

Victor H. Matthews, Dean of the College of Humanities and Public Affairs and Professor of Religious Studies, Missouri State University

Mean Streets: Viewing the Divided City Through the Lens of Film and Television

Lineup of films at the St. Louis International Film Festival sponsored by the Divided City: An Urban Humanities Initiative and the Washington University Center for the Humanities

Aaron Jay Kernis

Pulitzer Prize-winning composer Aaron Jay Kernis presents his music

“The Judge” Screening & Panel Discussion

“The Judge” tells the story of the Palestinian judge Khulud al-Faqih, the first woman to be appointed as a judge on a religious court anywhere in the Middle East. The screening (81 min.) is followed by a panel discussion featuring the film’s award-winning director, Erika Kohn, joined by Washington University faculty members Tazeen Ali (Danforth Center on Religion and Politics) and Nancy Reynolds (History). David Warren (postdoctoral research associate, Jewish, Islamic & Middle Eastern Studies) moderates the conversation.

What You Need to Know about Islam and Politics to Understand the World Today

David Warren is a postdoctoral research associate in the Department of Jewish, Islamic, and Middle Eastern Studies.

Managing Shakespeare: Text, Company, Playhouse

In this two-part event Leslie Malin, LA ’88 will talk about what it takes to manage a successful theatre, followed by a hands-on workshop which will delve into Shakespeare’s text focusing on form, presentation, diction and delivery.

Environmental Racism in St. Louis - Panel Discussion of 2019 Report

Part of WashU Food Week 2019, a panel discussion of the recently released Environmental Racism in St. Louis Report, produced by the Interdisciplinary Environmental Clinic at WashU Law.

The African American Land Ethic: The Intersection of Conservation, Environmental Justice, and Protection

Lillian “Ebonie” Alexander, executive director of the Black Family Land Trust, Inc. (BFLT). The BFLT is a niche land trust and one of the nation’s only regional land trust dedicated to the preservation and protection of African-American and other historically underserved landowner’s land assets.

Water Histories of Ancient Yemen and the American West

Michael Harrower, Associate Professor of Archaeology, Director of Undergraduate Studies - Archaeology, Department of Near Eastern Studies, Johns Hopkins University

Sankofa on My Mind: The Role of the African Diaspora in U.S. Politics, Foreign Policy, and Development on the African Continent

Menna Demessie, vice president of policy analysis and research, Congressional Black Caucus Foundation, and the secretary, Ethiopian Diaspora Trust Fund Advisory Council — Africa Week events “From Tunis to Cape Town” take place Oct. 23–Nov. 1.

Informal Cities Workshop Kickoff Lecture: Geeta Mehta

Geeta Mehta, co-founder of urbz: User Generated Cities and adjunct professor of architecture and urban design, Columbia University

Halal Food: Global Linkages and Controversies

Bahia Munem, Postdoctoral Fellow in Women, Gender, and Sexuality Studies at Washington University, and Lauren Crossland-Marr, Graduate Student of Sociocultural Anthropology at Washington University

Skin Temperature: Air Conditioning and Cross-Racial Identification in “Orfeu Negro” (1959)

Julia Walker, Associate Professor of English and Drama, Washington University

The Euro at 20: Achievements and Unfinished Business

Special guests from the Delegation of the European Union to the United States: Dr. Kristian Orsini (Counselor for Economic and Financial Affairs) and Mr. Moreno Bertoldi (Special Advisor to the Ambassador and Head of the Economic and Financial Section)

Dancing Against the Law: Critical Moves in Queer Bangalore

Kareem Khubchandani, Professor in the Department of Drama and Dance and the Program in Women's, Gender, and Sexuality Studies, Tufts University

Panel Discussion: Resistance Acts

Faculty Book Celebration keynote speaker Daphne Brooks with Patrick Burke, associate professor of music; Miguel Valerio, assistant professor of Spanish; and Rhaisa Williams, assistant professor of performing arts, all at Washington University. PLEASE RSVP - lunch provided.

Never Die Alone: Donald Goines, Holloway House and ‘The Black Experience Book’

Zachary Manditch-Prottas, Postdoctoral Fellow, Department of African and African-American Studies

Memory/Race/Nation: The Politics of Modern Memorials

Mabel O. Wilson, the Nancy and George Rupp Professor at the GSAPP and a professor in the African American and African Diasporic Studies Department at Columbia University

Book Talk: Phillip Maciak

Phil Maciak, lecturer in American Culture Studies, discusses his new book, “The Disappearing Christ, Secularism in the Silent Era.”

Monument Lab: A Conversation with Co-Founder Paul Farber and Research Director Laurie Allen

Monument Lab is a Philadelphia-based independent public art and history studio critically engaging the past, present and future of monuments.

Divided City Grants Information Session

If you’re interested in submitting a grant proposal and would like additional information, we invite you to join us for an informational gathering and lunch. RSVP is required.

Divided City 2022 Faculty Collaborative Grants

Please RSVP below to attend the informal gathering.

For more information on the grants, call for proposals and the application, visit http://thedividedcity.com/faculty-collaborative-grants/.

Applications due: January 29, 2020
Notification of awards: February 24, 2020
Disbursement of funds: March 15, 2020

RSVP

“Let’s Read A Photoplay!” Popular Photographic Histories in Nigeria

Olubukola Gbadegesin, Visiting Associate Professor of African & African-American Studies, Washington University

Autoarchaeology at Christiansborg Castle (Ghana): Decolonizing Knowledge, Thought and Praxis

Rachel Engmann, Assistant Professor of African Studies, Critical Social Inquiry at Hampshire College

Designer Babies and Choosing Disabilities: Ethical Considerations of Deliberately Creating a Disabled Child by IVF

Daniel Eisenberg, MD, is assistant professor of diagnostic imaging at Thomas Jefferson University School of Medicine and a practicing radiologist in the Department of Radiology at the Albert Einstein Medical Center in Philadelphia.

‘Change the Subject’ Screening & Panel Discussion

This documentary tells the story of a group of college students who challenged divisive immigration rhetoric.

Faculty Book Talk: Rebecca Lester

Rebecca Lester, associate professor of sociocultural anthropology, discusses her book “Famished: Eating Disorders and Failed Care in America.”

Figuring Difference in Modern Japanese Literature: The Case for Quantitative Reasoning

Hoyt Long, associate professor of Japanese literature, University of Chicago

Environmental Studies Across the Arts and Sciences

Barbara Schaal, the Mary-Dell Chilton Distinguished Professor of Biology and Dean of of the Faculty of Arts and Sciences at Washington University; and Susan Scott Parrish, professor in the Department of English and the Program in the Environment at the University of Michigan.

The Political Economy of Armed Drone Proliferation

Steve Ceccoli (GSAS ’94, ’98), the P.K. Seidman Professor of Political Economy and Professor of International Studies, Rhodes College - IAS x SIR Speaker Series

Global Migration Conference

Multiple panel discussions and a keynote address on Feb. 13 by Craig Spencer, MD MPH, Board Member, Doctors Without Borders (MSF); Director of Global Health in Emergency Medicine and Assistant Professor of Medicine and Population and Family Health, Columbia University Medical Center

Informal Cities, Urbanism & Race in Brazil

Brodwyn Fischer, professor of Latin American history; director, Center for Latin American Studies; faculty affiliate, Center for the Study of Race, Politics, and Culture, University of Chicago.

A Conversation with Angélique Kidjo

Angélique Kidjo is a three-time Grammy winner. Conversation led by Lauren Eldridge Stewart, assistant professor of ethnomusicology, Washington University.

Teaching Vergil’s Georgics in the Agricultural Heartland

Kathryn Wilson, Department of Classics, Washington University

Translating the Untranslatable: Proper Names in the Septuagint and in Jerome's Vulgate

Christophe Rico, École biblique et archéologique française de Jérusalem, Polis Institute

POSTPONED - A Picture Is Worth 1,000 Words: Evidence of Female Literacy in Ancient Egypt

THIS EVENT HAS BEEN POSTPONED - Mariam Ayad, Associate Professor of Egyptology, American University in Cairo

Airea D. Matthews Reading

Airea D. Matthews is assistant professor at Bryn Mawr College and is a founding member of the Philadelphia-based Riven Collective, a multidisciplinary arts collaborative.

Diane Seuss Reading

Diane Seuss is the author of four books of poetry.

Visiting Hurst Professor Rick Barot Reading

Rick Barot has published three volumes of poetry.

Rabih Alameddine Reading

Rabih Alameddine is the author of the novels “Koolaids,” “I, the Divine,” “The Hakawati, An Unnecessary Woman,” the story collection, “The Perv,” and most recently, “The Angel of History.”

CANCELED - Aisha Sabatini Sloan Craft Talk

THIS EVENT HAS BEEN CANCELED - Sabatini Sloan’s essay collection, “The Fluency of Light: Coming of Age in a Theater of Black and White” was published by the University of Iowa Press in 2013.

CANCELED - Brian Evenson Craft Talk

THIS EVENT HAS BEEN CANCELED - Brian Evenson is the author of a dozen books of fiction, most recently the story collection “A Collapse of Horses” and the novella “The Warren.”

CANCELED - Brian Evenson Reading

THIS EVENT HAS BEEN CANCELED - Brian Evenson is the author of a dozen books of fiction, most recently the story collection “A Collapse of Horses” and the novella “The Warren.”

CANCELED - Undergrad Reading

THIS EVENT HAS BEEN CANCELED - Undergraduate students in creative writing read from their fiction, nonfiction and poetry in an event hosted by MFA students.

CANCELED - MFA Readings

THIS EVENT HAS BEEN CANCELED - Second-year MFA students read from their fiction, nonfiction, and poetry.

CANCELED - MFA Readings

THIS EVENT HAS BEEN CANCELED - Second-year MFA students read from their fiction, nonfiction, and poetry.

CANCELED - The Feuilleton and the Ornamental Image: Hofmannsthal, Polgar, Musil

THIS EVENT HAS BEEN CANCELED - Patrizia McBride, Director of the Institute for German Cultural Studies & Professor of German at Cornell University

Transnational Filipino Activism and Becoming Part of the Philippine Revolution, 1964-1986

Joy Sales, Postdoctoral Fellow in Immigration, Cultures, and Law (American Culture Studies) - WashU faculty and graduate students welcome.

Artist Talk: Matthew Shipp

New York City pianist Matthew Shipp

Two Trains Running

The Black Rep production

Men on Boats

This dynamic and very funny piece of writing is a provocative lens for re-examining an extraordinary American moment.

Mr. Jeremy Bentham’s Posthumous Performance Prank… and its Lessons for Contemporary Biocapitalists, Necroliberals, and Political Theorists

Margaret Werry, Associate Professor, Director of Graduate Studies, Department of Theatre Arts and Dance, University of Minnesota

POSTPONED - Mindscapes

THIS EVENT HAS BEEN POSTPONED - MFA Student Dance Concert

CANCELED - Panorama

THIS EVENT HAS BEEN CANCELED - WUDance Theatre

CANCELED - Ironbound

THIS EVENT HAS BEEN CANCELED - Performing Arts Department production

Navigating Ancient Waters: The Story of Noah in the New World - CANCELED

Paul Gutjahr, the Ruth N. Halls Professor of English; Associate Dean for the Arts and Humanities, and Undergraduate Education at Indiana University – Weltin Lecture. THIS EVENT HAS BEEN CANCELED.

Women as Patrons of Architecture in Renaissance Rome

Carolyn Valone, Trinity University – Paul and Silvia Rava Memorial Lecture

Gender Equality, Norms, and Health

A series of TED-style presentations and a panel discussing how to achieve gender equality for better health, both locally and globally. Lancet Series.

POSTPONED - Decolonizing Botany: From the Herbarium to the Plantarium

THIS EVENT HAS BEEN POSTPONED - Banumathi Subramaniam, Professor and Chair, Department of Women, Gender and Sexuality Studies, University of Massachusetts

The Dancing Circle: Opportunities for Connection, Community and Creation

A lecture/demonstration presented by the Performing Arts Department 2020 Marcus Artist-in-Residence, Jessica Anthony

Realist Ecstasy and The Disappearing Christ

Authors Lindsay V. Reckson (“Realist Ecstasy,” Assistant Professor of English, Haverford College) and Phillip Maciak (“The Disappearing Christ,” Lecturer in English and American Culture Studies, Washington University) in conversation, moderated by Rebecca Wanzo, Women, Gender and Sexuality Studies

Noses, Mustaches, and Lazzi

A lecture/demonstration presented by Antonio Fava, international master of Commedia dell’Arte

Kling Fellowship Information Session

Calling all sophomores interested in pursuing a humanities research project! You might be a great fit for our Kling Undergraduate Research Fellowship. Stop by our information session and chat with current Kling Fellows and teaching faculty to learn more about this prestigious opportunity. Applications are due Friday, March 6.

Intimate Partner Violence and Asylum in the Americas: Canada, Chile, Mexico, Peru

Interdisciplinary panel discussion with Washington University experts on the intersecting challenges of migration, gender and service provision, prompted by a groundbreaking new report by Center for Human Rights, Gender and Migration and the UN High Commissioner for Refugees.

Chilestinians: Notes on Migration, Assimilation, and the Myth of Palestinian Reawakening in Chile

Lina Meruane, Chilean writer and professor - Distinguished Visiting Scholar and Massie Lecturer

The Great Chernobyl Acceleration

Kate Brown is Professor of History in the Science, Technology, and Society Department of Massachusetts Institute of Technology.

POSTPONED - Book Talk: Abram Van Engen

POSTPONED - Abram Van Engen, Associate Professor of English, discusses his new book, “City on a Hill: History of American Exceptionalism.”

POSTPONED - Performing Sanctuary: ‘Urgent Art’ and the ‘Embassy of the Refugee’

THIS EVENT HAS BEEN POSTPONED - Rebecca Schreiber, Professor of American Studies, University of New Mexico

Making an Imperial Henchman: Crispinus in Martial and Juvenal

Cathy Keane, Washington University in St. Louis

CANCELED - Mars' Visit to His Temple in Ovid's Fasti: A Comic Tragedy on an Epic Event?

THIS EVENT HAS BEEN CANCELED - Wolfgang Polleichtner, Eberhard-Karls-Universität Tübingen

CANCELED - Women as a Natural Resource in Greek Literature and The Handmaid's Tale

THIS EVENT HAS BEEN CANCELED - Clara Bosak-Schroeder, University of Illinois, Urbana-Champaign

CANCELED - The Ideological Foundations of the Qing Fiscal State

THIS EVENT HAS BEEN CANCELED. Taisu Zhang, Professor, Yale Law School

Migration, Mobilization, and Moving Images: Imagination of ‘Nanyang’ in 1930s Chinese Cinema

Ling Zhang, assistant professor of cinema studies, Purchase College State University of New York

CANCELED - Aisha Sabatini Sloan Reading

THIS EVENT HAS BEEN CANCELED - Visiting Hurst Professor Aisha Sabatini Sloan’s is author of ‘The Fluency of Light: Coming of Age in a Theater of Black and White’ and ‘Dreaming of Ramadi in Detroit.’

Film Screening: Metropolis

German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

Film Screening: M-Eine Stadt sucht einen Mörder

German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

Film Screening: Triumph des Willens

German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

Film Screening: Abschied von Gestern

German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

Film Screening: Jakob, der Lügner

German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Angst essen Seele auf

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Aguirre, der Zorn Gottes

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Gegen die Wand

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Das weiße Band

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Victoria

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

CANCELED - Film Screening: Toni Erdmann

THIS EVENT HAS BEEN CANCELED - German 490 (Undergraduate Seminar: Intro to German Cinema) screenings are open to the public.

Funk Money: The End of Empire and the Expansion of Tax Havens, 1950s-1960s

Vanessa Ogle, Associate Professor of History, University of California, Berkeley

Israeli National Security: A New Strategy for an Era of Change

Charles Freilich, Columbia University

Screening: ‘Onegin’

Alexander Pushkin’s novel in verse, directed by Timofey Kulyabin for Stage Russia

CANCELED - Screening: ‘Osipova: Force of Nature’

THIS EVENT HAS BEEN CANCELED - Documentary featuring Natalia Osipova, a Russian ballerina, currently a principal ballerina with the Royal Ballet in London

Cultural Expo

POSTPONED - Rule of Law in African Security Sectors and Societies

THIS EVENT HAS BEEN POSTPONED - Catherine Lena Kelly is an assistant professor of justice and rule of law at the Africa Center for Strategic Studies.

CANCELED - IAS Thesis Conference

THIS EVENT HAS BEEN CANCELED.

CANCELED - The Great Merchants: The World of the Sassoons

THIS EVENT HAS BEEN CANCELED - Joseph Sassoon, D.Phil, is the Al-Sabah Chair in Politics and Political Economy of the Arab World and Professor School of Foreign Service & History Department at Georgetown University.

Lecture by Catherine Bradley

Catherine A. Bradley is Associate Professor at the University of Oslo, and she currently holds a Wigeland teaching and research fellowship at the University of Chicago.

CANCELED - Religious Studies Senior Symposium

THIS EVENT HAS BEEN CANCELED - Come hear our graduating majors present their capstone research and celebrate their achievements!

The Masks of the Commedia dell’Arte/Le maschere della Commedia dell’Arte

Antonio Fava, international maestro of Commedia dell’Arte performance, presents a lecture-demonstration on the masks of the Commedia dell’Arte.

Lecture: The Architecture of Poetry

Efe Duyan is a poet and translator. His Turkish-language poetry collections include Sıkça Sorulan Sorular (Frequently Asked Questions, 2016), Tek Şiirlik Aşklar (One Poem Stands, 2012) and Takas (Swap, 2006). His work has been included in the anthology of Turkish poetry Paper Ship (2013), the European poetry anthology Grand Tour (2019), and Europoesie – 21st Century Poetry Anthology (2019). He is the author of the critical essay, The Construction of Characters in Nâzım Hikmet’s Poetry (2008) and editor of the contemporary poetry anthology, Bir Benden Bir O’ndan (2010). Duyan’s poems have been translated into more than twenty languages.  

Workshop: Translated Poems as Untamed Texts

Efe Duyan is a poet and translator. His Turkish-language poetry collections include Sıkça Sorulan Sorular (Frequently Asked Questions, 2016), Tek Şiirlik Aşklar (One Poem Stands, 2012) and Takas (Swap, 2006). His work has been included in the anthology of Turkish poetry Paper Ship (2013), the European poetry anthology Grand Tour (2019), and Europoesie – 21st Century Poetry Anthology (2019). He is the author of the critical essay, The Construction of Characters in Nâzım Hikmet’s Poetry (2008) and editor of the contemporary poetry anthology, Bir Benden Bir O’ndan (2010). Duyan’s poems have been translated into more than twenty languages.

Panel Discussion: Truth and Reckonings

Guest curator Geoff Ward, associate professor of African and African-American Studies in Arts & Sciences; Cheeraz Gormon, storyteller, writer, public speaker, and member of the St. Louis Community Remembrance Project Coalition; Tabari Coleman, Director of Professional Development, Anti-Defamation League; and Sabine Eckmann, William T. Kemper Director and Chief Curator, for a participatory and reflective discussion. REGISTRATION REQUIRED.

Close at Hand: Touch and Tactility in Art

Graduate Student Art History Symposium. Keynote address, “Queer Sensation: Desire and the Senses in Byzantium,” by Roland Betancourt, Associate Professor of Art History, University of California, Irvine.

CANCELED - ‘Thank God I am a Comedian’: ‘Deplorable Exegesis’ in the Activism of Dick Gregory

THIS EVENT HAS BEEN CANCELED - Vaughn A. Booker, Jr., Assistant Professor of Religion and African and African American Studies, Dartmouth College. Reception begins at 5 pm.

CANCELED - With Compliments From the Housewives: Settler Colonialism and Contesting White Public Space in Nairobi

THIS EVENT HAS BEEN CANCELED - Meghan Ference is Assistant Professor of Anthropology at Brooklyn College

CANCELED - ‘Reading as if for life’: Dickens, ‘The Dickensian,’ and the Common Reader

THIS EVENT HAS BEEN CANCELED - Miriam Bailin, Associate Professor of English, Washington University

CANCELED - The Triumph of Love

THIS EVENT HAS BEEN CANCELED - A brilliant comedic study on the machinations of the human heart. Directed by William Whitaker, professor of the practice in drama, Performing Arts Department. A co-production of the Performing Arts Department of Washington University and the American Society for Eighteenth-Century Studies.

CANCELED - The Triumph of Love

THIS EVENT HAS BEEN CANCELED - A brilliant comedic study on the machinations of the human heart. Directed by William Whitaker, professor of the practice in drama, Performing Arts Department. A co-production of the Performing Arts Department of Washington University and the American Society for Eighteenth-Century Studies.

CANCELED - Blue Gold & Butterflies - A Performance Lecture

THIS EVENT HAS BEEN CANCELED - Stephanie Leigh Batiste, Associate Professor of English at the University of California at Santa Barbara, and Director of the Hemispheric South/s Research Initiative

CANCELED - Enslaved Histories: Bodies, Capital, and Knowledge-Making in the Early Modern Atlantic

THIS EVENT HAS BEEN CANCELED - Pablo Gómez, Associate Professor of History and the History of Medicine, University of Wisconsin, Madison

CANCELED - A Fading Pastime? Baseball’s Past, Present, and Future

THIS EVENT HAS BEEN CANCELED - A panel discussion with Leonard Cassuto (Fordham University), Steve Gietschier (Lindenwood University), and Chuck Korr (UMSL) on baseball history, the sport’s continuing cultural influence (or lack thereof) in our contemporary moment, as well as the perpetual idea that the sport is dying as we look to its future. Sports & Society Program Initiative, American Culture Studies.

Germanic Film Series: ‘Fack ju Göhte’

Events are free and open to all of the WashU community!

CANCELED - Germanic Film Series: ‘Basta - Rotwein oder Totsein’

THIS EVENT HAS BEEN CANCELED - Events are free and open to all of the WashU community!

CANCELED - Germanic Film Series: ‘Good Bye, Lenin!’

THIS EVENT HAS BEEN CANCELED - Events are free and open to all of the WashU community!

CANCELED - Masterclass with Ken Vandermark, saxophone

THIS EVENT HAS BEEN CANCELED.

CANCELED - Material Girls: Body Modification and Gender in the Hebrew Bible

THIS EVENT HAS BEEN CANCELED - Rosanne Liebermann, Friedman Postdoctoral Fellow in Jewish Studies, Department of Jewish, Islamic, and Middle Eastern Studies, Washington University

Music at the Kemper: Darmstadt School

This program features a selection of works by experimental composers associated with what is known as the Darmstadt School.

Interrogating Incarceration

Inez Bordeaux, manager of community collaborations for ArchCity Defenders, speaks about the Close the Workhouse campaign.

POSTPONED - Debilitation in Palestine: Notes Towards Southern Disability Studies

THIS EVENT HAS BEEN POSTPONED - Jasbir K. Puar is professor and graduate director of Women’s and Gender Studies at Rutgers University.

POSTPONED - Manipulate My Fear: How New Forms of (Mis)Information and Processes of Political and Religious Subjection Contribute to the Erosion of Democracy in Brazil

THIS EVENT IS POSTPONED - Jean Wyllys de Matos Santos is a is a Brazilian lecturer, journalist, politician and LGBT rights activist.

CANCELED - Researching Identity: A Panel Discussion

THIS EVENT HAS BEEN CANCELED - Washington University faculty from the Departments of Anthropology, Psychology & Brain Sciences, Sociology, and Women, Gender, and Sexuality Studies come together to discuss their work researching issues related to identity and to share insights into the process of conducting and writing scholarly research

In France With James Baldwin

Cecil Brown, James Baldwin protégé and senior lecturer at Stanford University

CANCELED - The Syrian Jihad: What Does the Future Hold?

THIS EVENT HAS BEEN CANCELED - Charles Lister is the senior fellow and director of the Countering Terrorism and Extremism program at Middle East Institute.

CANCELED - Facing Deportation: Sephardic Jews, Race, and Immigration Restriction in the United States

THIS EVENT HAS BEEN CANCELED. Devin E. Naar, the Isaac Alhadeff Professor of Sephardic Studies and Chair of the Sephardic Studies Progam, University of Washington, Seattle - Adam Cherrick Lecture

CANCELED - An Anti-Imperial Bestiary: Rethinking Empire in Form and Concept

THIS EVENT HAS BEEN CANCELED - Antoinette Burton, University of Illinois, Urbana-Champaign

LIBRARY CLOSED - The Book Arts of Transformative Racial Justice

Music as Medium to the Black Spirit

Damon Davis is a multimedia American artist, musician and filmmaker based in St. Louis. His 2014 public art installation “All Hands on Deck” has been collected in the National Museum of African American History and Culture. For spring 2020, Davis is serving as artist-in-residence for the Department of African & African-American Studies.

POSTPONED - Transnational Solidarity: Dockworkers and Liberation Struggles

THIS EVENT HAS BEEN POSTPONED - Peter Cole, Professor of History, Western Illinois University

‘Spell #7’ by Ntozake Shange

Presented by The Black Rep.

CANCELED - Screening: ‘Lady Liberty’

THIS EVENT HAS BEEN CANCELED - WashU alum Julia Lindon returns to campus to screen her coming-of-age and coming out half-hour comedy-drama, “Lady Liberty.”

CANCELED - Prison Education Project Film Screening and Panel Discussion

THIS EVENT HAS BEEN CANCELED - The Washington University Prison Education Project presents excerpts from the recent PBS documentary College Behind Bars, a film that highlights students pursuing college degrees through the Bard Prison Initiative. The film screening will be followed by a panel discussion featuring the voices of current PEP students, PEP student alumni, and members of the PEP community.

CANCELED - The Sociophonetics of Gender: Acquisition and Processing across the Lifespan

THIS EVENT HAS BEEN CANCELED - Ben Munson, University of Minnesota

POSTPONED - Anointed With Oil: How Christianity and Crude Made Modern America

POSTPONED - Darren Dochuk (Notre Dame University) lectures on his research for his groundbreaking new history of the United States that shows how Christian faith and the pursuit of petroleum fueled America’s rise to global power and shaped today’s political clashes.

CANCELED - Dance On

THIS EVENT HAS BEEN CANCELED - Thomas DeFrantz, Professor in the Department of African and African American Studies, the Program in Dance, and Gender, Sexuality & Feminist Studies, Duke University

CANCELED - French Landscape at the Margins of Survival

THIS EVENT HAS BEEN CANCELED - Thomas Crow, the Rosalie Solow Professor of Modern Art, Institute of Fine Arts, New York University. Keynote address for the Jean François Millet and Artistic Radicalism Symposium.

POSTPONED - Memory and Resistance: Charles Méryon’s Paris on the Eve of Transformation

POSTPONED - Lacy Murphy, PhD candidate, Department of Art History and Archaeology

CANCELED - Routine or Skill? Aristotle on Habituation in the Eudemian and Nicomachean Ethics

THIS EVENT HAS BEEN CANCELED - Julia Annas, Regents Professor of Philosophy, University of Arizona - Biggs Family Residency in Classics

CANCELED - Plato on Utopia: The Atlantis Story

THIS EVENT HAS BEEN CANCELED - Julia Annas, Regents Professor of Philosophy, University of Arizona - Biggs Family Residency in Classics

Melanie Micir Book Talk

Melanie Micir, assistant professor of English, gives a talk about her book, “The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives.”

CANCELED - Screening: ‘Suddenly, Last Summer’

THIS EVENT HAS BEEN CANCELED - Tennessee Williams Birthday Bash - screening and reception

CANCELED - The Pogrom at a Displaced Person’s Camp: Intra-Jewish Violence in the Shadow of the Holocaust

THIS EVENT HAS BEEN CANCELED. Devin E. Naar, the Isaac Alhadeff Professor of Sephardic Studies and Chair of the Sephardic Studies Program, University of Washington, Seattle

CANCELED - Activating the Spectator by Reshaping the Aesthetic Field: Op, Kinetic, and Participatory Art, 1959-1965

THIS EVENT HAS BEEN CANCELED - Alexander Alberro is the Virginia Bloedel Wright Professor of Modern and Contemporary Art History at Barnard College and author of “Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth Century Latin American Art.”

CANCELED - Department of Music Lecture: George Lewis

THIS EVENT HAS BEEN CANCELED - George Lewis, the Edwin H. Case Professor of American Music, Composition & Historical Musicology, Columbia University

CANCELED - 2020 Student Dance Showcase

THIS EVENT HAS BEEN CANCELED - Student Dance Showcase is student run, student choreographed and student danced.

CANCELED - The Origins of Chinese Religion: Early Narratives of State Control Over Excessive Sacrifice

THIS EVENT HAS BEEN CANCELED - Mark Csikszentmihalyi, Professor and Eliaser Chair of International Studies, Berkley University

CANCELED - Faculty Book Talk: Sowande’ Mustakeem

THIS EVENT HAS BEEN CANCELED - Sowande’ Mustakeem, associate professor of history, Washington University, will discusses her book “Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage.”

CANCELED - Screening: ‘Anna Karenina’

THIS EVENT HAS BEEN CANCELED.

CANCELED - ‘Guardians of the Body-Territory’ Exhibit Talk and Opening

CANCELED - Symposium featuring a transnational dialogue on toxic landscapes with ecoterritorial defender Martha Villanueva from Cajamarca, Peru, and environmental activist Patricia Schuba from Labadie, Missouri, and pop-up exhibit “Guardians of the Body Territory // Guardianas del Cuerpo Territorio” featuring photographs and oral testimonials of Peruvian defensoras.

POSTPONED - A Distant Reading of Property

THIS EVENT HAS BEEN POSTPONED - Jo Guldi, Associate Professor of History, Southern Methodist University

The Artwork in Flux, A Live Q&A

Conversation presented in conjunction with the exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959-1965.

The program is free, but registration is required.

Natilee Harren, assistant professor of art history at the University of Houston School of Art, and Meredith Malone, associate curator at the Kemper Art Museum, for a talk about Fluxus, the international avant-garde art movement founded in 1962 with outposts in Europe, Japan, and the United States. 

Hybrid Landscapes

Walter Hood is the creative director and founder of Hood Design Studio in Oakland, California

Hood Design Studio is a cultural practice, working across art, fabrication, design, landscape, research, and urbanism. He is also the David K. Woo Chair and professor of landscape architecture and environmental planning at the University of California, Berkeley. He lectures on and exhibits professional and theoretical projects nationally and internationally. He was recently the Spring 2020 Diana Balmori Visiting Professor at the Yale School of Architecture.

Hood creates urban spaces that resonate with and enrich the lives of current residents while also honoring communal histories. He melds architectural and fine arts expertise with a commitment to designing ecologically sustainable public spaces that empower marginalized communities. Over his career, he has transformed traffic islands, vacant lots, and freeway underpasses into spaces that challenge the legacy of neglect of urban neighborhoods. Through engagement with community members, he teases out the natural and social histories as well as current residents’ shared patterns and practices of use and aspirations for a place.

Margarita Jover

Margarita Jover, cofounder of the Barcelona-based firm aldayjover architecture and landscape and associate professor in architecture at Tulane School of Architecture

Margarita Jover, cofounder of the Barcelona-based firm aldayjover architecture and landscape and associate professor in architecture at Tulane School of Architecture, will deliver the annual Abend Family Visiting Critic Endowed Lecture. The lecture will be delivered online; please check back for viewing details.

Jover's practice and research focus on mitigating and reversing socioecological crises with a particular focus on the interplay between cities and rivers.

Architectural History and Academia

Panel discussion

The featured panelists will explore several questions: What are the challenges and opportunities for architectural history today? What is the role of historical knowledge today? What is the future of advanced research degrees such as MPhil/PhD degrees? How does architectural history best fit into a research university and/or professional school?

Panelists:

  • Barry Bergdoll, Columbia University
  • Beatriz Colomina, Princeton University
  • Arindam Dutta, Massachusetts Institute of Technology
  • Joan Ockman, University of Pennsylvania

Jamal Cyrus and Stephanie Weissberg

Conversation between artist Jamal Cyrus and Stephanie Weissberg, associate curator at the Pulitzer Arts Foundation

Cyrus’ work interrogates and commemorates political and social struggles, specifically those of the African diaspora and Black people. Weissberg is curator of the current Pulitzer Arts Foundation retrospective exhibition Terry Adkins: Resounding. Adkins was Cyrus’ mentor.

Activating the Spectator by Reshaping the Aesthetic Field: Op, Kinetic, and Participatory Art, 1959-1965

Alexander Alberro is the Virginia Bloedel Wright Professor of Modern and Contemporary Art History at Barnard College

Alberro will explore the development of research-based artistic practices that fused art with mathematics, science, and technology in the late 1950s and early 1960s in Latin America. The stated goal of many Op and kinetic artists working during those years was to demystify the creative process in favor of an objective investigation of visual phenomena. Alberro will address how and why these experiments evolved into a greater concern with the participation of the art spectator.

Meredith Malone, associate curator at the Mildred Lane Kemper Art Museum, and Ignacio M. Sanchez Prado, Jarvis Thurston and Mona Van Duyn Professor in the Humanities, Department of Romance Languages and Literatures and the Latin American Studies Program at Washington University in St. Louis, will serve as respondents.

The Architecture of Carlo Scarpa: Recomposing Place, Intertwining Time, Transforming Reality

Robert McCarter is the Ruth and Norman Moore Professor of Architecture

Architectural History and Diversity

Panel discussion

The featured panelists will explore several questions: How can the field of architectural history become more diverse? What is the role of historical knowledge in expanding the diversity of architectural education and practice more broadly? What is the difference in approach to diversity in the American context vs. globally?

Panelists:

  • Luis Esteban Carranza, Roger Williams University
  • Mario Gooden, Columbia University
  • Mary McLeod, Columbia University
  • Patricia Morton, University of California Riverside

Vanessa German

Vanessa German is a visual and performance artist

Vanessa German is a visual and performance artist based in the Pittsburgh neighborhood of Homewood—the community that is the driving force behind her powerful performance work, and whose cast-off relics form the language of her copiously embellished sculptures. 

Eleanor Davis

Eleanor Davis is a cartoonist and illlustrator. Henry L. and Natalie E. Freund Visiting Artist Lecture.

Davis’ work can be seen in The New York Times, The Atlantic, The Wall Street Journal, and other publications. Her graphic novels for kids and adults examine big questions and ponder small subtle moments of humanity.

Corey Escoto

Corey Escoto is an artist and alumnus

Artist and alum Corey Escoto (MFA07) creates collage-like photographic prints and sculptures using handmade stencils and filters applied to tweaked and customized cameras. His MFA Lecture Series talk will integrate Zoom technology to provide a more interactive, gamified experience. 

Escoto’s recent work — a body of experimental, large format analog photographic works created with a “Polaroid” format — seamlessly fuses multi-exposure image-fragments into visually flummoxing illusions of space and text. With the Hollywood film industry and common cinematic tropes as their subject, Escoto's photographs both embody and examine the idea of illusion building, and by extension reinforce the mutually causal relationship between the events that comprise the contemporary social and political everyday, and the mass media machine (in all of its forms) that attempts to describe it. Additionally, a new series of bronze tissue box sculptures exploring the emotional response to sustained climate of fear and uncertainty are in the works.

Hope in a Time of Uncertainty

McDonnell Academy International Symposium - Global Town Hall: Hope in a Time of Uncertainty

Hear from leading academics and senior experts from across the world and across disciplines as they share which societal problem has them most concerned and what gives them hope for the future. Opening remarks will be provided by Chancellor Andrew D. Martin, Washington University in St. Louis.

Public Tour: Human Forms

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

Leslie Liu (Sam Fox School ’22) considers several works from across the Kemper Art Museum collection in which the human form plays a prominent role.

Book Talk with Jessica Johnson, author of 'Wicked Flesh'

Jessica Johnson is a WUSTL alum and author, 'Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World' (assistant professor of History, Johns Hopkins University; Mellon Mays Alumna, Washington University in St. Louis).

'The Devil's Highway' Virtual Book Club

Virtual book club discussion about "The Devil's Highway" by Luis Alberto Urrea

In May 2001, 26 Mexican men scrambled across the border and into an area of the Arizona desert known as the Devil's Highway. Only 12 made it safely across. Urrea tracks the paths those men took from their home state of Veracruz all the way norte. Their enemies were many: the U.S. Border Patrol; gung-ho gringo vigilantes bent on taking the law into their own hands; the Mexican Federales; rattlesnakes; severe hypothermia and the remorseless sun. We expect to have a thoughtful discussion about this story of immigration in the 21st century.

Please register here by September 22; those who sign up will receive a Zoom link via email. Free and open to all.

The Syrian Refugee Crisis: Lessons from the Balkan Route (2015-17)

Danilo Mandić postdoctoral college fellow in the Department of Sociology, Harvard University

Danilo Mandić’s most recent book is Gangsters and Other Statesmen: Mafias, Separatists, and Torn States in a Globalized World. 

Collective Memory and National Narrative in Fiction of Disaster

Collective Memory and National Narrative in Fiction of Disaster

Wash U China Forum with Professor Michael Berry (UCLA) and Professor Letty Chen (WUSTL)

Event Details 

Click here to register for the Zoom webinar

Since the pandemic broke out in January, fiction of disaster gained renewed popularity in China.  French author Albert Camus’s La Peste hit new sales record in Chinese bookstores, and local literature, such as Xu Yigua’s White Mask and Bi Shumin’s Corona Virus witnessed overwhelming demand. Despite their popularity, fictions of disaster have also invited heated debate over how they should be written. Wuhan diary - also known as Fang Fang's Diary in China, which describes the hardship of life under lockdown in Wuhan, drew flak from critics who believe that the account undermines Wuhan’s international image and discredits the effort of local authorities.

The portrayal of national disasters in fiction can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, works such as Hou Hsiao-hsien's City of Sadness, Wang Xiaobo's The Golden Age and Liu Qingbang’s The Ballad of the Champaign reimagine past traumas and give rise to alternative historical narratives. In today’s COVID-19 outbreak, media technology has enabled a chaotic jumble of accounts and narratives to prevail. Some would lament that we lack a work of fiction that documents this disaster coherently and thoughtfully. In this context, does Fang Fang’s Diary qualify as a work that captures the collective memory of the Chinese nation?

 


More on Wash U China Forum

Click here to visit WashU China Forum's Facebook page.

Learn more about the group on their webpage here. 

Race, Sex, and Voting Rights: Past, Present, and Future

Gilda Daniels, University of Baltimore School of Law, and Washington University's School of Law Professors Travis Crum and Elizabeth Katz will present “Race, Sex, and Voting Rights: Past, Present, and Future” on Monday, September 21, 4-5pmCST. 

The events are presented by the Washington University School of Law Public Interest Law & Policy Speaker Series, in conjunction with the Gephardt Institute for Civic & Community Engagement; the Weidenbaum Center for Economy, Government & Public Policy; US Arbitration & Mediation; and the American Constitution Society. 

Click here to register for this event.

Dialectics of Protest Past and Present: A Reconsideration of Postwar Zainichi Activism

Robert Del Greco, assistant professor of Japanese studies, Oakland University

Teaching East Asia

In Postwar Japan thousands of newly liberated Koreans took to the streets to agitate for the release of political prisoners, the right to run Korean-language schools, and reparations for their forced labor during wartime, among other causes. By September 1949 the US occupation and Japanese government would see the protestors as dangerous subversives who were in the thrall of communist ideology. When police occupied the headquarters of the "League of Koreans in Japan" and forced that organization to disband, the government took a rhetorical position that is familiar today: holding large groups responsible for the isolated violence of a few, emphasizing the dangers posed to police by protestors, and fixating on protests' damage to property and business operations. With the aim of better understanding protest movements worldwide, and also the tactics deployed to delegitimize them, this presentation explores the parallels between Korean activism in Postwar Japan and protests currently playing out in the United States.

Sponsored by East Asian Languages and Cultures

Registration required to attend Zoom lecture.

Register here

Reading: Danielle Dutton & Sawako Nakayasu

Hosted by the Poetry Project. Danielle Dutton is is the author of Margaret the First, SPRAWL, and Attempts at a Life. Her writing has also appeared in Harper’s, BOMB, Fence, NOON, Conjunctions, The Paris Review, The White Review, etc. She is an associate professor at Washington University in St. Louis and co-founder and editor of the feminist press Dorothy, a publishing project.

See the Poetry Project website to RSVP.

Craft Talk with Jo Ann Beard

Visiting Hurst Professor Jo Ann Beard is the author of the collection of autobiographical essays, The Boys of My Youth, and the novel, In Zanesville. Her work has appeared in The New Yorker, Tin House, Best American Essays, and other magazines and anthologies. She has received a Whiting Foundation Award and nonfiction fellowships from the John Simon Guggenheim Foundation and the New York Foundation for the Arts. She teaches writing at Sarah Lawrence College. A new collection, Festival Days, is forthcoming in March 2021.

Reading with Jo Ann Beard

Visiting Hurst Professor Jo Ann Beard is the author of the collection of autobiographical essays, The Boys of My Youth, and the novel, In Zanesville. Her work has appeared in The New Yorker, Tin House, Best American Essays, and other magazines and anthologies. She has received a Whiting Foundation Award and nonfiction fellowships from the John Simon Guggenheim Foundation and the New York Foundation for the Arts. She teaches writing at Sarah Lawrence College. A new collection, Festival Days, is forthcoming in March 2021.

Race, Work, and Healthcare in the New Economy

Adia Harvey Wingfield is the Mary Tileston Hemenway Professor in the Department of Sociology. Hosted by the Fall for the Book Festival at George Mason University.

Adia Harvey Wingfield’s book Flatlining: Race, Work, and Health Care in the New Economy offers a rigorous intersectional analysis of the American healthcare industry in the New Economy. Wingfield argues that in order to make health services more accessible to communities of color, Black doctors, nurses, and clinic technicians disproportionately bear the burden of this equity-based labor, for which they are often not recognized, compensated, or supported. Heather Boushey, Executive Director for the Washington Center for Equitable Growth says "Flatlining advances our understanding of race in the U.S. workplace and is a must-read for anyone who seeks to comprehend the economic and social realities facing African Americans in hospital settings today.”

‘Giovanni’s Room’ with Carl Phillips

Carl Phillips is a professor in the Department of English.

Organized by A Public Space, this public collective reading of James Baldwin’s Giovanni’s Room by Carl Phillips takes place September 17–28. 

We will read slowly, at a pace of about 15 pages each day, and finish each book within two weeks. Every morning, we will share observations from the writer hosting the current book club on our Twitter and Instagram accounts. Readers will take the conversation from there—offering their insights, sharing research, asking questions. The ongoing conversation will be organized using #APStogether. 

See dates/pages here: https://apublicspace.org/events/detail/carl-phillips-james-baldwin

On September 29, 6:30 pm CDT join a virtual Zoom discussion with Phillips and your co-readers. Follow the link below to register.

‘Border South’ Screening & Discussion

Film available for screening September 24 at 3 pm CDT to September 25 at 3 pm CDT. Q&A with director Raúl O. Paz Pastrana and Jason De León at 4 pm CDT on September 25. Organized by Hostile Terrain 94@WashU.

Synopsis: To stem the immigration tide, Mexico and the U.S. collaborate to crack down on migrants, forcing them into ever more dangerous territory.

Every year hundreds of thousands of migrants make their way along the trail running from southern Mexico to the US border. Gustavo’s gunshot wounds from Mexican police, which have achieved abundant press attention, might just earn him a ticket out of Nicaragua. Meanwhile anthropologist Jason painstakingly collects the trail’s remains, which have their own stories to tell. Fragmented stories from Hondurans crossing through southern Mexico assemble a vivid portrait of the thousands of immigrants who disappear along the trail. Border South reveals the immigrants’ resilience, ingenuity, and humor as it exposes a global migration system that renders human beings invisible in life as well as death.

More on Hostile Terrain 94@WashU: https://sites.wustl.edu/hostileterrain/

Constitution Day: 2019-20 Supreme Court Review

Susan Appleton | Lemma Barkeloo & Phoebe Couzins Professor of Law; Adam Liptak | Journalist, New York Times; and Greg Magarian | Thomas and Karole Green Professor of Law - PUBLIC INTEREST LAW AND POLICY SPEAKER SERIES

Join us for our 10th Annual Constitution Day: U.S. Supreme Court Review/Preview. This year will include remarks by WashULaw Professors Susan Appleton and Greg Magarian, who will be joined by New York Times’ Supreme Court correspondent Adam Liptak.

Rule of Five: Making Climate History at the Supreme Court

Join WashULaw Professor Maxine Lipeles, Founder and Former Director, Interdisciplinary Environmental Clinic, and Professor Richard Lazarus Howard & Katherine Aibel Professor of Law, Harvard Law School; author, as they discuss his book “Rule of Five: Making Climate History at the Supreme Court” - PUBLIC INTEREST LAW AND POLICY SPEAKER SERIES

Data Is Lit

This workshop will give an overview of data literacy, which is the ability to find, evaluate, understand, analyze, and make or assess arguments with data. In addition, this workshop will go over the data life cycle and considerations when dealing with data.

‘The Tunnel’: 25th Anniversary Celebration

William Gass’s magnum opus The Tunnel was published 25 years ago. Join Modern Literature Collection curator Joel Minor as he provides an overview of Gass resources at Washington University Libraries and discusses the novel’s legacy with Gass scholar Ted Morrissey and writer Greg Gerke, who both have used these resources for discovery and inspiration.

 

Fake News, Propaganda and Misinformation: Learning to Critically Evaluate Media Sources

From the Fyre Festival to Fukushima daisies to “fake news,” mis- and dis-information has made its impact on both the personal and political. It’s getting harder and harder to tell fact from fiction, and most of us are fooled at one time or another. One study by Stanford University found students and history professors were almost as equally likely to evaluate information on the Internet incorrectly.

This workshop will help you spot “fake news” and you’ll learn the tips and tricks needed to evaluate information more effectively.

Free and open to all. Pre-registration required.

A Picture Says 1,000 Words: Exploring Visual Collections

This workshop will be an introduction to using visual collections for research. We will review methods and tools for using both physical and digital collections available through the libraries’ databases.

Free and open to all. Pre-registration is required.

Faculty Book Talk: Rebecca Wanzo

Rebecca Wanzo is chair and professor of Women, Gender, and Sexuality Studies.

This Washington University Libraries Faculty Book Talk will feature Professor Rebecca Wanzo (chair and professor of Women, Gender, and Sexuality Studies), who will discuss her newest book, The Content of Our Caricature: African American Comic Art and Political Belonging (New York University Press, 2020).

Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a Black diasporic art practice, Professor Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies.

George Floyd in Context: A Historical Perspective on Racial Violence in the U.S.

Michael J. Pfeifer, professor at the John Jay College of Criminal Justice & and the Graduate Center, The City University of New York - Brown School Open Classroom

Violence against people of color has been an ongoing thread in the story of the United States since before it was established as an independent nation. Join this conversation with noted historian Dr. Michael J. Pfeifer (Arts & Sciences, 1991) for an examination of the history of American racial violence and voter suppression, connecting the dots from slavery through the Jim Crow era to current hate crimes and systems of oppression. 

Open October Panel: Publishing at WashU

This panel discussion will focus on the accessibility and impact of research and scholarship at Washington University and include faculty, students, and staff who have worked with the Libraries on publishing projects.

This event is part of Open October 2020, a month-length series highlighting trends in open science, open data, and open access, hosted by Becker Medical Library, Brown School Library, and Washington University Libraries.

The Racism Inherent in Current Immigration Laws and Policies

Javad Khazaeli, JD, founding member, Khazaeli Wyrsch, LLC - Brown School Open Classroom

Join Washington University alumnus Javad Khazaeli (Law, 2002) for a discussion of the radical changes the President has made to the US immigration system and how those changes disproportionately affect black and brown people. The conversation will draw from Javad’s experience as a former Department of Homeland Security Immigration Prosecutor.

An online database of Greek dramatic meters

HUMANITIES BROADCAST — Timothy J. Moore is the John and Penelope Biggs Distinguished Professor in the Department of Classics.

Timothy Moore delivers this talk at the Ancient Greek Theatre in the Digital Age International Online Conference. See the flyer for full conference details:  https://wustl.box.com/s/pjupsas2x1zrnzxfagufqyvmum1gs9k2

The Shade of Private Life: American Art and the Origins of Modern Privacy, 1875-1900

Nicole Williams, Honorary Guest Scholar in the Department of Art History and Archaeology, Washington University

"The Shade of Private Life: American Art and the Origins of Modern Privacy, 1875-1900" will be a virtual event. If you would like to attend, please contact Betha Whitlow, who will provide you with attendance details in advance. 

Dreaming Liberation: Afro-Surrealism and Pop in the 1960s-70s

Abbe Shriber, Tyson Scholar of American Art, Crystal Bridges Museum of American Art

"Dreaming Liberation: Afro-Surrealism and Pop in the 1960's-70s" will be delivered virtually. If you are interested in attending, please contact Betha Whitlow. She will send you information about how to attend the event in advance.

Black and Brown Voices Matter

Hosted by UC Irvine Language Science Talks on Linguistic Diversity. John Baugh is the Margaret Bush Wilson Professor in Arts & Sciences and a Professor of Psychology, Anthropology, Education, English, Linguistics, and African and African-American Studies.

Origami Workshop

This event will be conducted in English, and all WashU students and faculty are welcome.

After the Outbreak: Narrative, Infrastructure, and Pandemic Time

Sari Altschuler, Associate Professor of English, Associate Director, Northeastern Humanities Center, Northeastern University

Presented in conjunction with the Medical Humanities minor at WashU, our first Zoom-based Americanist Dinner Forum of the fall semester will feature Professor Sari Altschuler of Northeastern University. Dr. Altschuler will present “After the Outbreak: Narrative, Infrastructure, and Pandemic Time,” which examines COVID-19 and considers what we might learn from people who lived with truly global pandemics of this sort in the past. After the talk, Dr. Altschuler will be joined in discussion by AMCS Director Dr. Lerone Martin and Medical Humanities-affiliated scholars Dr. Corinna Treitel (History) and Dr. Jennifer Arch (English).

The Politics of Race in the European Middle Ages

Geraldine Heng, is professor of English and comparative literature at the University of Texas at Austin, with a joint appointment in Middle Eastern studies and Women’s studies.

In The Invention of Race in the European Middle Ages (2018), Geraldine Heng questions the common assumption that the concepts of race and racisms only began in the modern era. Examining Europe's encounters with Jews, Muslims, Africans, Native Americans, Mongols, and the Romani ('Gypsies'), from the 12th through 15th centuries, she shows how racial thinking, racial law, racial practices, and racial phenomena existed in medieval Europe before a recognizable vocabulary of race emerged in the West. Analysing sources in a variety of media, including stories, maps, statuary, illustrations, architectural features, history, saints' lives, religious commentary, laws, political and social institutions, and literature, she argues that religion - so much in play again today - enabled the positing of fundamental differences among humans that created strategic essentialisms to mark off human groups and populations for racialized treatment. Her ground-breaking study also shows how race figured in the emergence of homo europaeus and the identity of Western Europe in this time.

Eos Project READS for Black Lives: A Discussion of Critical Race Theory and Antiracism in Classics

Student-Faculty Discussion on Classics, Race, and Antiracism

A virtual dialogue between undergraduates, graduate students, and faculty to discuss how racism intersects with the Classics and how we can cultivate antiracist action in our community.

CripAntiquity: Making Ancient Studies More Accessible

Supporting and promoting neurodiverse and disabled teachers and students in ancient history and related disciplines

Clara Bosak-Schroeder is an Assistant Professor of Classics and affiliate of History, Medieval Studies, Comparative and World Literature, and the Unit for Criticism and Interpretive Theory at the University of Illinois at Urbana-Champaign.

‘Leaving Academia: A Practical Guide’ (Book Talk)

Chris Caterine, PhD, discusses his new book.

Rule of Law in African Security Sectors and Societies

Catherine Kelly, Assistant Professor of Justice and Rule of Law at the Africa Center for Strategic Studies

IAS X SIR Speaker Series

Drawing on her experiences as an academic and a practitioner, Kelly addresses the importance of rule of law for security sector governance and accountability in sub-Saharan Africa, using examples from multiple local and national contexts. The talk describes current criminal and civil justice challenges that relate to security governance in sub-Saharan Africa.  It also walks listeners through some contrasting (though not mutually exclusive) ways of understanding what the rule of law can mean in practice.  With evidence from recent interdisciplinary and applied research on rule of law and security sector governance, the talk analyzes the promises and challenges of thinking about the rule of law in two different ways: first, through "top-down" understandings, which often emphasize the primacy of state institutions and formal rules over the non-state and informal; and second, through "bottom-up," grassroots understandings of the rule of law as it is lived and practiced in relation to people’s everyday security challenges.  

Department of Music Online Lecture: Dr. Alisha L. Jones, Assistant Professor of Ethnomusicology, Indiana University

Department of Music Online Lecture: Dr. Alisha L. Jones, Assistant Professor of Ethnomusicology, Indiana University

“I Am Delivert!”: The Pentecostal Altar Call and Vocalizing Black Men’s Testimonies of Deliverance from Homosexuality

In November 2014, the 107th Church of God in Christ (COGIC) convocation video footage of Andrew Caldwell’s testimony of deliverance was released to the media, prompting discourses surrounding the nature of deliverance rituals in Pentecostal churches during altar call. Within historically black Pentecostal churches that showcase gospel music, “deliverance” is a term that traditionally refers to a release from spiritual oppression and a separation from the sinful lifestyle. While deliverance is used to characterize many types of spiritual healing, many Black congregations and gospel music fans deploy the term in a frequently gendered manner referring to a man’s “struggle” to resist homosexuality. Drawing from Black male musician’s narratives and recordings since the late 1980s, this chapter from Dr. Jones' book ​Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance, explores a social history of anxieties surrounding the performances of formerly gay men's deliverance testimonies in Pentecostal gospel music scenes.

To receive the Zoom link to this lecture please click the registration button at the bottom of this event listing.  Please contact Dr. Esther Kurtz at ekurtz@wustl.edu if you have any questions regarding your registration.

Biography:
Alisha Lola Jones, PhD is an assistant professor in the Department of Folklore and Ethnomusicology at Indiana University (Bloomington). Dr. Jones is an incoming board member of the Society for Ethnomusicology (SEM), a member of the strategic planning task force for the American Musicological Society (AMS), and a co-chair of the Music and Religion Section of the American Academy of Religion (AAR). Additionally, as a performer-scholar, she consults museums, conservatories, seminaries, and arts organizations on curriculum, live and virtual event programming, and content development. Dr. Jones’ book Flaming: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance (Oxford University Press) breaks ground by analyzing the role of gospel music making in constructing and renegotiating gender identity among black men. Her research interests extend to global pop music, musics of the African diaspora, music and food, the music industry and the marketplace, and anti-oppressive ways of listening to black women.

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The Birth of Democracy in Ancient Athens: A View from the Graves

Jane Ellen Buikstra, Regents' Professor of Anthropology and Founding Director of the Center for Bioarchaeological Research, Arizona State University

A virtual lecture via ZOOM and YOUTUBE.

In use during the Archaic and early Classical period from the 8th to the 4th centuries B.C., Phaleron is one of the largest ancient cemeteries ever unearthed on the Greek mainland. More than a thousand burials have yielded the remains of working-class Athenian families, including a large number of individuals who met violent ends. Bringing together a wide array of cutting-edge analytical methods, this study will open a new window on the lives of everyday Athenians, who lived and died during the turbulent period in Greek history that saw the development of the Athenian city-state and the birth of democracy.

Jane Ellen Buikstra is Regents’ Professor of Anthropology and Founding Director of the Center for Bioarchaeological Research at Arizona State University. She is a pioneer in the field of bioarchaeology, the application of biological methods to the study of archaeology. Her work has defined the field and her research encompasses bioarchaeology, paleopathology, forensic anthropology and paleodemography. She has published more than 20 books and is presently investigating the evolutionary history of ancient tuberculosis in the Americas via archaeologically-recovered pathogen DNA. She is currently Project Director for the Phaleron Bioarchaeological Project in Athens, Greece.

This event is cosponsored by the Hellenic Government–Karakas Family Foundation Professorship in Greek Studies, University of Missouri–St. Louis; the Departments of Classics and Art History and Archaeology, Washington University in St. Louis; the Classical Club of St. Louis; and the Saint Louis Art Museum.

A.E. Hotchner Playwriting Festival 2020

Live readings of four WashU student-written plays: “Cheryl Robs a Bank: An Evening of Dramatic Entertainment Presented in Play Form by Cheryl Pryor,” by Holly Gabelmann; “Women Eating Cake,” by Elizabeth Phelan; “Five Year Reunion,” by Ike Butler; and “Grand,” by Sophie Tegenu.

International Writers Series: Ali Araghi

In this virtual reading and discussion, PhD candidate Ali Araghi will present his recently published novel “The Immortals of Tehran” with Marshall Klimasewiski, senior writer in residence, Department of English.

Exploring the brutality of history while conjuring the astonishment of magical realism, The Immortals of Tehran is a novel about the incantatory power of words and the revolutionary sparks of love, family, and poetry–set against the indifferent, relentless march of time.

This is the inaugural season for the International Writers Series, a new collaboration between the International Writers track of the Program in Comparative Literature and the University Libraries at Washington University to celebrate new publications of creative works by writers and translators in the Washington University in St. Louis community. The discussions are moderated by Matthias Goeritz, professor of the practice, Comparative Literature Program.

Free and open to all.

‘Rigged: The Voter Suppression Playbook’ Screening and Discussion

A panel discussion following the screening will include School of Law professor Greg Magarian, whose research interests include election law.

Narrated by Jeffrey Wright, Rigged chronicles how our right to vote is being undercut by a decade of dirty tricks – including the partisan use of gerrymandering and voter purges, and the gutting of the Voting Rights Act by the Supreme Court. The film captures real-time voter purges in North Carolina and voter intimidation in Texas.

River Styx: Liberating the Spoken Word

This year Washington University launched “River Styx: Liberating the Spoken Word,” a digital collection of audio recordings and other materials related to literary events in St. Louis from the early 1970s to the late 2000s. Join University Libraries’ Modern Literature Collection curator Joel Minor as he provides highlights of these resources with River Styx cofounder and longtime University Libraries donor, Jan Garden Castro.

Free and open to all. Pre-registration is required.

LGBTQ+ History Month 2020

Join us for a casual Zoom chat with Miranda Rectenwald, the Curator of Local History at University Libraries. Take a look at new updates to the Mapping LGBTQ St. Louis digital project, and discuss the LGBTQ archives in the University Libraries’ Special Collections. Will include an opportunity for informal Q&A.

Free and open to all. Preregistration required; sign up will be provided soon.

Book Club: “The Thousand Autumns of Jacob de Zoet”

Join the October University Libraries Book Club discussion featuring “The Thousand Autumns of Jacob de Zoet” by David Mitchell.

When Dutchman Jacob de Zoet arrives at the Dejima, Japan in 1799—the only part of Japan open to foreigners—all he really hopes for is to earn enough money to impress his prospective father-in-law. Yet as he forms a friendship with the midwife Orito Aibagawa, he finds himself drawn into a web of intrigue that encompasses both the material and supernatural realms. Book Club will begin with a presentation on rangaku, or Western learning, with a particular emphasis on medical texts. This will be followed by a discussion.

Free and open to all.

Sprawl Session 1: White Suburbias

Sponsored by the Divided City

Laboratory for Suburbia is a Divided City faculty collaborative grant project and launches with the first in a series of online “Sprawl Sessions”—public exchanges considering strategies for site-specific art and tactical design in the complex spaces of 21st-century suburbia.

The first event, Sprawl Session 1: White Suburbias, will interrogate the possibilities and challenges for interventionist art and design practice in predominantly white suburban spaces. Featured discussants include architects Keith Krumwiede and Bryony Roberts, artists Eric Gottesman (For Freedoms), Sarah Paulsen, Dread Scott and lauren woods, historian Walter Johnson, and Gavin Kroeber, instigator and lead organizer for Laboratory for Suburbia.

Divided City Graduate Summer Research Fellow Presentations

Please join us for a series of virtual PechaKucha-style presentations on the research of Divided City Summer Graduate Fellows. PechaKucha is a simple presentation format where 20 images are shown, each for 20 seconds, keeping presentations concise and fast paced. Graduate students in the humanities, humanistic social sciences, architecture, urban design and landscape architecture present their research on urban segregation broadly conceived.

Meet our 2019 Graduate Fellows and learn more about their research here: http://thedividedcity.com/graduate-summer-fellowship-recipients/

Global Displacement and Local In-Placement: Transnational Stories of Rustbelt Revitalization

Faranak Miraftab is professor of urban and regional planning with joint appointments in the Departments of Women and Gender Studies and of Geography at the University of Illinois, Urbana-Champaign.

Drawing on insights from her research among meatpackers in central Illinois with transnational families in Mexico and Togo, Faranak Miraftab takes a close look at the contradictory dynamics that fuel the globally displaced labor force we call “immigrant workers” and the role they play in revitalizing the US rustbelt. She asks, “How does place matter for diverse displaced workers and how they negotiate their relationship with the rustbelt’s predominantly white population?” Focusing on the micro-politics of the everyday in life-making spaces outside the workplace, Miraftab challenges the metro-centrism of globalization and immigration studies that theorize based on immigrant experiences of metropolitan areas or so called “global cities.” Moving across local and global analytic scales, Miraftab reveals the invisible in-flow of resources that revitalize the rustbelt, a perspective critically relevant in the current era of demonizing and criminalizing immigrants.

Public Tour: Multiplied–Edition MAT

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On October 3, Jessie Smith (Arts & Sciences ’22) discusses a selection of works from the special exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959–1964.

This hour-long tour is free, but registration is required.

Visiting Writer Steven Dunn

Shortlisted for Granta magazine’s “Best of Young American Novelists,” Visiting Writer Steven Dunn is the author of two books from Tarpaulin Sky Press: water & power and Potted Meat, which was a co-winner of the 2015 Tarpaulin Sky Book Awards, a finalist for the Colorado Book Award, and has been adapted for a short film entitled The Usual Route, from Foothills Productions. Steven was born and raised in West Virginia, and after 10 years in the Navy he earned a B.A. in Creative Writing from University of Denver.

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"#WEREWOLFGOALS" by Douglas Kearney

Douglas Kearney discloses the nexus of lycanthropy, a poetics of prepositions, the catharsis hustle, and cinematic special effects in this lecture of private and public myths/truths.

Douglas Kearney has published six books, most recently, Buck Studies (Fence Books, 2016), winner of the Theodore Roethke Poetry Award, the CLMP Firecracker Award for Poetry and silver medalist for the California Book Award (Poetry). BOMB says: “[Buck Studies] remaps the 20th century in a project that is both lyrical and epic, personal and historical.” M. NourbeSe Philip writes that Kearney’s collection of libretti, Someone Took They Tongues. (Subito, 2016), “meets the anguish that is english in a seismic, polyphonic mash-up that disturbs the tongue.” Kearney’s collection of writing on poetics and performativity, Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher’s Weekly called “an extraordinary book.” His third poetry collection, Patter (Red Hen Press, 2014), examines miscarriage, infertility, and parenthood. It was a finalist for the California Book Award in Poetry. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity, and book learning.” 

His work has appeared in a number of anthologies including Best American Poetry (2014, 2015), Best American Experimental Writing (2014), The Creative Critic: Writing As/About Practice, What I Say: Innovative Poetry by Black Writers in America, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, Wide Awake: Poets of Los Angeles and Beyond, Kindergarde: Avant-Garde Poems, Plays, Stories, and Songs for Children, and many others. He is also widely published in magazines and journals, including Poetry, nocturnes, Pleiades, Iowa Review, Callaloo, Boston Review, Hyperallergic, Scapegoat, Obsidian, Boundary 2, Jacket2, Lana Turner, Brooklyn Rail, and Indiana Review. His work has been exhibited at the American Jazz Museum, Temple Contemporary, Los Angeles Contemporary Exhibitions, and The Visitor’s Welcome Center (Los Angeles).
 
A librettist, Kearney has had three operas staged. Crescent City, composed by CalArts’ Anne LeBaron, was the inaugural production of L.A.’s The Industry. Mark Swed (the Los Angeles Times) called the libretto “poetically rich” and the opera “breathtaking.” Sucktion (another collaboration with LeBaron) has been performed internationally. Mordake, composed by Erling Wold, premiered in San Francisco.

His professional activities include guest editing 2015’s Best American Experimental Writing (Wesleyan); lecture and studio visits at Yale’s Program in Sculpture; talks on Graphic Design at Claremont; dramaturgy; and interdisciplinary workshops for educators and families at Los Angeles’ Getty, the Getty Villa, the Hammer, and MOCA.

Critical study of his work shares a chapter with MacArthur Fellow Claudia Rankine in Anthony Reed’s Freedom Time: The Poetics and Politics of Black Experimental Writing (Johns Hopkins University Press, 2015) and numerous articles with topics ranging from the Middle Passage to cyborgs. 

He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. A Howard University and CalArts alum, Douglas was honored to teach at the former for 12 years before joining the English/Creative Writing faculty at the University of Minnesota–Twin Cities. Born in Brooklyn, but raised in Altadena, CA, he lives with his family just west of Minneapolis.
 

Click here for more information from Subterannean Books!

About the Bagley Wright Lecture Series on Poetry

The Bagley Wright Lecture Series on Poetry supports contemporary poets as they explore in-depth their own thinking on poetry and poetics, and give a series of lectures resulting from these investigations. Lectures are delivered publicly in partnership with institutions nationwide. Find out more about past, present, and future lecturers, and explore the archive at www.bagleywrightlectures.org.

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Craft Talk with Mark Bibbins

Visiting Hurst Professor Mark Bibbins is the author of four books of poetry: 13th Balloon; They Don’t Kill You Because They’re Hungry, They Kill You Because They’re Full; The Dance of No Hard Feelings; and Sky Lounge, winner of a Lambda Literary Award. The recipient of a New York Foundation for the Arts fellowship in poetry, Bibbins teaches in the graduate programs at Columbia University and The New School, where he cofounded LIT magazine.

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Reading with Mark Bibbins

Visiting Hurst Professor Mark Bibbins is the author of four books of poetry: 13th Balloon; They Don’t Kill You Because They’re Hungry, They Kill You Because They’re Full; The Dance of No Hard Feelings; and Sky Lounge, winner of a Lambda Literary Award. The recipient of a New York Foundation for the Arts fellowship in poetry, Bibbins teaches in the graduate programs at Columbia University and The New School, where he cofounded LIT magazine.

Click here for more information from Subterranean Books!
 

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Reading with Cristina Rivera Garza

Visiting Hurst Professor Cristina Rivera Garza is the award-winning author of six novels, three collections of stories, five collections of poetry, and three non-fiction books. Originally written in Spanish, these works have been translated into English, French, Italian, Portuguese, Korean, and more. Born in Mexico in 1964, she has lived in the United States since 1989. She is Distinguished Professor in Hispanic Studies and Director of Creative Writing at the University of Houston.

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Craft Talk with Cristina Rivera Garza

Visiting Hurst Professor Cristina Rivera Garza is the award-winning author of six novels, three collections of stories, five collections of poetry, and three non-fiction books. Originally written in Spanish, these works have been translated into English, French, Italian, Portuguese, Korean, and more. Born in Mexico in 1964, she has lived in the United States since 1989. She is Distinguished Professor in Hispanic Studies and Director of Creative Writing at the University of Houston.

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Public Tour: House and Home

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On October 11, Nina Huang (Sam Fox School ’22) shares artworks in the collection that depict domestic spaces and explore the many meanings of home.

This hour-long tour is free, but registration is required.

Public Tour: Multiplied—Edition MAT

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On October 16, Jay Buchannan (Arts & Sciences ’21) discusses a selection of works from the temporary special exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959–1964.

The program will feature live closed captions in English.

This hour-long tour is free, but registration is required.

Chinese-Language Tour: Public Art on Campus

This virtual tour will explore artworks on the Danforth Campus of Washington University by artists Jaume Plensa, Iñigo Manglano-Ovalle, Alexander Calder, and Dan Graham to consider how public art interacts with people, the environment, and history. Student educator Lingran Zhang (Arts & Sciences ’21) will lead the tour via Zoom.

This hour-long tour is free, but registration is required.

Silas Munro

Silas Munro is partner of the bi-coastal design studio Polymode; associate professor of communication arts at the Otis College of Art and Design; and advisor, founding faculty and chair emeritus at Vermont College of Fine Arts. Henry L. and Natalie E. Freund Visiting Artist Lecture.

In the past year, Silas Munro has emerged as one of the most exciting practitioners of community-engaged design and as an influential scholar known for his contributions to W.E.B. Du Bois’ Data Portraits: Visualizing Black America, published by Princeton Architectural Press in late 2018. The project has been featured in articles in Smithsonian Magazine, The New Yorker and Black Perspectives (African American Intellectual History Society).

Munro’s scholarly research addresses the relationship between designers’ personal identities, formal systems, and strategies they utilize, and how both interact with the communities they serve. In workshops and lectures he addresses post-colonial relationships between design and marginalized communities and offers practical ways for educators and practitioners to decolonize the way design is taught (“Major/Minor History”) and to create inclusive new frameworks (“Nodal Historical Network”). His design work and writing has been published in books, exhibitions, and websites in Germany, Japan, Korea, the United States, and the United Kingdom, including Chronicle Books, IDEA magazine, Eye and Slanted magazine.

Was Soviet Internationalism Anti-Racist? Toward a History of Foreign Others in the USSR

HUMANITIES BROADCAST: Anika Walke is associate professor of history; women, gender, and sexuality Studies; and international and area studies at Washington University. Hosted by the University of Kansas Center for Russian, East European & Eurasian Studies.

A Visual Breakdown: Confronting the Strange in Max Ernst’s ‘L’oeil du silence’

Max Dunbar is a PhD candidate in the Department of Art History & Archaeology. He focuses on 20th-century modernism in North America and Europe, and he is especially interested in political art, public mural painting, and artistic formation during the 1930s.

Max Ernst’s L’oeil du silence (The Eye of Silence; 1943–44) actively resists interpretation and frustrates any attempts at description. Prolonged looking only gives the viewer more contradictions and impossibilities, rather than bringing more understanding. This talk by Max Dunbar, PhD candidate in the Department of Art History & Archaeology in Arts & Sciences, will explore the indeterminate and ambiguous nature of this enigmatic painting. The Eye of Silence sits in between natural and artificial, imaginary and real, chance and control, human and alien. The image never resolves into an understandable scene, and the viewer is left with a puzzle. Surrealist artists like Ernst recognized the potential in this complex web of signs, indeterminate images, and chimerical forms. The Eye of Silence confronts the viewer with its ambiguity, and it is up to the viewer to make sense of it.

This program is free, but registration is required.

Lab Model for the Humanities: A Timid Manifesto

Joseph Loewenstein, professor of English and director of the Washington University Humanities Digital Workshop & the Interdisciplinary Project in the Humanities. UMSL Digital Humanities Series.

Hostile Terrain 94@WUSTL Community-Wide Virtual Remembrance and Reflection

Join us for our culminating event of the fall semester. We will be gathering together to honor those who have lost their lives in the hostile terrain of our border regions. Hostile Terrain 94 is a participatory exhibition composed of 3,200 handwritten toe tags that represent migrants who have died in the Arizona Desert between the mid 1990s and 2019. These tags are geolocated on a wall map of the desert showing the exact locations where remains were found. The exhibit is based on the research of Jason de León, director of the Undocumented Migration Project, a nonprofit research-art-education-media collective. Whether you have filled out toe tags before the event, or have yet to do so, all are welcome to join.

Department of Music Online Lecture: Thomas DeFrantz, Professor in the Department of African and African American Studies, the Program in Dance, and Gender, Sexuality & Feminist Studies, Duke University

Department of Music Online Lecture: Thomas DeFrantz, Professor in the Department of African and African American Studies, the Program in Dance, and Gender, Sexuality & Feminist Studies, Duke University

"Dance On"

Black Social Dance provides the rhythmic motor for an entire constellation of popular music and culture.  This talk renders Black Social Dance towards its abilities to provoke physical improvisations that confirm corporeal agencies: individualities within a group context that propose variations in time.  Rhythm arrives as a sacred trust in structures of African diaspora performance; and if we can ride and then cut the beat, we can remake our destiny.

To receive the Zoom link to this lecture please click the registration button at the bottom of this event listing.  Please contact Dr. Esther Kurtz at ekurtz@wustl.edu if you have any questions regarding your registration.

Biography:
Thomas F. DeFrantz studied music composition and computer science as an undergraduate.  Directs SLIPPAGE: Performance|Culture|Technology, a research group that explores emerging technology in live performance; group deploys bespoke live-processing systems in performance, crafting interfaces that translate movements into light and sound to underscore the creative concerns at hand. Received 2017 Outstanding Research in Dance award, Dance Studies Association. Believes in our shared capacity to do better, and to engage our creative spirit for a collective good that is anti-racist, anti-homophobic, proto-feminist, and queer affirming. Consultant for the Smithsonian Museum of African American Life and Culture, contributing concept and voice-over for permanent installation on Black Social Dance that opened with the museum in 2016. Books include Dancing Revelations Alvin Ailey's Embodiment of African American Culture (2004); Black Performance Theory, with Anita Gonzalez (2014); Choreography and Corporeality: Relay in Motion; with Philipa Rothfield (2016). Professor at Duke University; recent teaching  University of the Arts Mobile MFA in Dance; Lion’s Jaw Festival; Movement Research MELT; ImPulsTanz; New Waves Institute; faculty at Hampshire College, Stanford, Yale, MIT, NYU, University of Nice. In 2013, working with Takiyah Nur Amin, founded the Collegium for African Diaspora Dance, a growing consortium of 300 researchers.  www.slippage.org. 

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#realchange: The Continuum: Civil Rights to Black Lives Matter

HUMANITIES BROADCAST: A collage of poetry, prose and music! Don't miss this unforgettable evening featuring some of The Black Rep's most talented actors and join us for an important conversation led by The Black Rep’s Ron Himes and Nebraska Rep’s Andy Park and Christina Kirk. The evening will feature discussion with scholars, artists, activists and you! It's time for #realchange. Nebraska Repertory Theatre.

Bill Clegg in Conversation with Mary Jo Bang – ‘End of the Day’

HUMANITIES BROADCAST: Bill Clegg discusses his new book, The End of the Day, with poet and Washington University Professor of English Mary Jo Bang. A retired widow in rural Connecticut wakes to an unexpected visit from her childhood best friend whom she hasn’t seen in 49 years. A man arrives at a Pennsylvania hotel to introduce his estranged father to his newborn daughter and finds him collapsed on the floor of the lobby. A 67-year-old taxi driver in Kauai receives a phone call from the mainland that jars her back to a traumatic past. These seemingly disconnected lives come together as half-century-old secrets begin to surface. It is in this moment that Clegg reminds us how choices — to connect, to betray, to protect — become our legacy. Left Bank Books.

‘More Than Just Hummus: A Gay Jew Discovers Israel in Arabic’

Author and WUSTL Alumnus Matt Adler discusses his new book, “More Than Just Hummus: A Gay Jew Discovers Israel in Arabic”

In his new book, Washington University in St. Louis alumnus Matt Adler explores the diversity of Arabic-speaking Israel from the perspective of a gay Jewish man.  Using the language he learned in college, Matt visits Jewish, Muslim, Christian, and Druze communities.  His adventures include sharing his gay identity with a questioning teenager, hitchhiking on golf carts in a rural Druze village, and celebrating Shabbat — all in Arabic.

The virtual talk, given by WUSTL Alumnus Matt Adler, will discuss his new book, More Than Just Hummus: A Gay Jew Discovers Israel in Arabic, and will be moderated by Younasse Tarbouni, PhD (Senior Lecturer in Arabic, Washington University).

Matt Adler (Class of 2008, Washington University in St. Louis) minored in Jewish, Islamic, and Middle Eastern Studies and studied both Arabic and Hebrew in the department. Matt is a dual citizen of the U.S. and Israel. A native of Washington, D.C., Matt lived in the Yad Eliyahu neighborhood of Tel Aviv during the adventures on which this book is based. In addition to Arabic and Hebrew, Matt speaks Spanish, Portuguese, Catalan, French, and intermediate Yiddish. Visit his blog PlantingRootsBearingFruits.com to explore other overlooked aspects of life in Israel.

Toe Tag Event

Hostile Terrain 94 (HT94) is a participatory art project sponsored and organized by the Undocumented Migration Project (UMP), a nonprofit research-art-education-media collective, directed by anthropologist Jason De León. The exhibition is composed of around 3,200 handwritten toe tags that represent migrants who have died trying to cross the Sonoran Desert of Arizona between the mid 1990s and 2019. These tags are geolocated on a wall map of the desert showing the exact locations where remains were found. This installation will simultaneously take place at a large number of institutions, including Wash U, both nationally and globally in 2020. Learn more about Hostile Terrain 94 and the Undocumented Migration Project at https://www.undocumentedmigrationproject.org/hostileterrain94.

The tent event is a socially distanced opportunity to participate in this political art project by filling out Toe Tags with the names and identifying information of migrants who have died trying to cross the border between Arizona and Mexico. Volunteers can sign up for a time slot at https://form.jotform.com/202656735694163. Crossing a national border can cost a human being their home, their belongings and, sometimes, their life. By an accident of birth these individuals were on the “wrong” side of the border and died while trying to cross over. This is one thing we can do to remember these individuals and to call attention to the crisis at the border.

Two Pandemics, One Election: Race, Identity, and the Future of Democracy

HUMANITIES BROADCAST

Framed against the backdrop of the Vice-Presidential debate, this conversation will consider the impact of how political candidates’ identities shape the conversation with an increasingly diverse electorate. This includes political agendas, media discourse, the emergence of new groups as political players, and new forms of backlash. This roundtable will pay special attention to intersections between racial, ethnic, immigrant, and gender identities.

In partnership with the Clark-Fox Policy Institute and the Center for Race, Ethnicity & Equity.

PANELISTS

Sayu Bhojwani, PhD, Founder & CEO, New American Leaders
Charli Cooksey, MEd, Founder & CEO, WePower
Hedy Lee, PhD, Professor of Sociology & Associate Director of the Center for Race, Ethnicity & Equity, Washington University
Rebecca Wanzo, PhD, Professor & Chair, Women, Gender & Sexuality Studies, Washington University

MODERATOR

Adrienne Davis, Vice Provost for Faculty Affairs & Diversity, William M. Van Cleve Professor of Law, Director, Center for the Study of Race, Ethnicity & Equity

Gender, Race, and the Election

Chryl N. Laird, assistant professor of political science at Bowdoin College, and co-author of “Steadfact Democrats: How Social Forces Shape Black Political Behavior.”

In this conversation, we will explore how varied group expectations shape voting behavior. We shall also explore how disaggregating “group” identity helps us understand voter self-interest. How are “identity politics” — white nationalism, divergent gender politics, and Black Lives Matter — playing a role in this election? 

Co-sponsored by the Departments of African and African American Studies, Political Science and American Culture Studies.

Multidirectional Memories, Implicated Subjects, and the Possibilities of Art

HUMANITIES BROADCAST: Lecture by Michael Rothberg, the 1939 Society Samuel Goetz Chair in Holocaust Studies and professor of English and comparative literature at the University of California, Los Angeles, and conversation with Rothberg and WashU professors Anika Walke (History) and Geoff Ward (African and African-American Studies).

Following the lecture, Michael Rothberg will join Washington University professors Anika Walke (History) and Geoff Ward (African and African-American Studies) in conversation about Memory for the Future, a Washington University initiative that combines critical memory studies with curatorial and public education projects. In partnership with museums, archives, and commemorative projects, this initiative will facilitate reparative and multidirectional memorial practices in St. Louis.

Black Moves: Race, Dance, and Power in Early Modern Europe

Black Moves: Race, Dance, and Power in Early Modern Europe

Noémie Ndiaye, Assistant Professor of English at the University of Chicago

Performing Arts Department Colloquium 2020-2021

 

Noémie Ndiaye traces the development and circulation of a particularly vivid  kinetic idiom of blackness across the porous borders of early modern Europe. Paying particular attention to the expression of "black dances" in Spanish and English performance cultures, she explores the ambivalent economy of interracial power relations in which those dances participated and intervened.

 

Noémie Ndiaye, PhD is an Assistant Professor of English at the University of Chicago. She works on representations of race and gender in early modern English, French, and Spanish theatre and performance culture. She has published articles in peer-reviewed journals (including Renaissance Drama, Early Theatre, English Literary Renaissance, and Literature Compass) and various edited collections. She is currently at work on her first monograph tentatively entitled Scripts of Blackness: Early Modern Performance Culture and the Making of Race.

 


Graphic Image: A Moresque dance. Circa 1515
Freydal: des Kaisers Maximilian I. Turniere und Mummereien. Vienna, 1882 
Fac simile of Freydal, Kunsthistorisches Museum Wien, Signatur: K.K. 5073
Phirter, Gall, Frethworest, Gleisser, Drechsel p. 36. 

Apocalypses surréalistes de l'entre-deux-guerres à Paris

Kyle Young, graduate student in the Department of Romance Languages & Literatures, Washington University - French ConneXions Webinar Series

Kyle Young explorera avec nous les thèmes apocalyptiques dans la littérature et la peinture surréalistes de l’entre-deux-guerres. On découvrira la fascination des Surréalistes pour les cataclysmes, qu'ils soient révolutionnaires ou extra-terrestres : la collision des corps célestes, par exemple. Chacune de ces représentations de l’apocalypse constitue une réponse aux frustrations politiques des années 1920 et 30. Bien que l'arsenal nucléaire ou la réalité du réchauffement climatique leur étaient inconnus, les Surréalistes exprimaient déjà un pessimisme politique qui fait aujourd'hui écho aux menaces contemporaines. Kyle Young vient de réussir brillamment sa thèse de doctorat en littérature française à Washington University in St Louis. Venez nombreux l'écouter et discuter avec lui des résultats de son travail de recherche!

Discussion with French academic and novelist, David Diop (in French)

French ConneXions Webinar Series

Born in Paris in 1966, David Diop spent most of his childhood in Senegal before returning to France for his studies. In 1998, he became professor of 18 th century French and Francophone literature at the Université de Pau. In 2018, he won the prestigious Prix Goncourt des lycéens for his first novel. We encourage you to read the book in French in advance: https://www.seuil.com/ouvrage/frere-d-ame-david-diop/9782021398243
 
 About the book: One fateful morning of World War I, Captain Armand orders an attack on the German enemy. The soldiers rush forward. Among the ranks are Seneganese riflement Alfa Ndiaye and Mademba Diop, two of the many men who fought under the French flag. Shortly after springing from the trench, Mademba falls, fatally wounded in front of his lifelong friend, Alfa, practically his brother. Alfa finds himself alone in the madness of the great massacre with no sense of purpose. Detached from everything, including himself, he spreads violence, sowing terror to the point of frightening his comrades. His evacuation to the rear is the prelude to a remembrance of his past in Africa, a whole world lost and resurrected, whose convocation is the ultimate and splendid resistance to the first butchery of the modern era.
 

Americanist Dinner Forum: Faith, Hollywood, and Presidential Rhetoric

Americanist Dinner Forum: Faith, Hollywood, and Presidential Rhetoric

One week before the election, join AMCS for our second Zoom-based Americanist Dinner Forum of the fall semester: "Faith, Hollywood, and Presidential Rhetoric in the 2020 Election.” This roundtable discussion will feature Professor Kathryn Brownell, Purdue University, who is the Editor of the Washington Post “Made by History” and author of  Showbiz Politics: Hollywood in American Political Life, in conversation with Washington University Professors Wayne Fields, author of Union of Words: A History of Presidential Eloquence; and Abram Van Engen, author of City on a Hill: A History of American Exceptionalism to discuss how Hollywood celebrity, presidential rhetoric, and American Exceptionalism have shaped the 2020 Presidential election and beyond. The event will be moderated by AMCS Director Professor Lerone Martin.  The conversation will be followed by Q &A with our audience.  

Kathryn Cramer Brownell is associate professor of history at Purdue University and an editor at Made By History at the Washington Post.   Her research and teaching focus on the intersections between media, politics, and popular culture, with a particular emphasis on the American presidency.  Her first book, Showbiz Politics: Hollywood in American Political Life (University of North Carolina Press, 2014), examines the institutionalization of entertainment styles and structures in American politics and the rise of the celebrity presidency.  She is now working on a new book project on the political history of cable television.

Wayne Fields is the Lynne Cooper Harvey Chair Emeritus of English, American Literature and American Culture Studies, and a noted author and expert on American presidential rhetoric and political argument. He is the author of Union of Words: A History of Presidential Eloquence.

Abram C. Van Engen is Associate Professor of English at Washington University in St. Louis and the John C. Danforth Center on Religion and Politics. He specializes in early American religion, literature, and culture, focusing on Puritanism, sentimentalism, and the history of emotion. His first book, Sympathetic Puritans: Calvinist Fellow Feeling in Early New England, was published in spring 2015 with Oxford University Press. His second book, City on a Hill: A History of American Exceptionalism, was published in 2020 and draws religion and politics together in a biography of the 1630 Puritan sermon, A Model of Christian Charity—the sermon modern politicians cite when they refer to America as a “city on a hill.” 

This event is free and open to the public. To receive the webinar link please REGISTER HERE.

Legacies of Violence and Genocide: Can Memorials and Museums Help Us Build a Better Future?

HUMANITIES BROADCAST - Panel discussion featuring the following participants: Avril Alba, Ph.D., senior lecturer in Holocaust studies and Jewish civilization in the Department of Hebrew, Biblical and Jewish Studies at the University of Sydney; Zahava D. Doering, PhD., editor emerita of Curator: The Museum Journal and worked as senior social scientist at the Smithsonian Institution, Washington, D.C.; David Cunningham, Ph.D., professor and chair of Sociology at Washington University in St. Louis; and moderator Erin McGlothlin, Ph.D., chair of Germanic Languages and Literatures and professor of German and Jewish studies at Washington University in St. Louis.

Holocaust Memorial Lecture

Can memory prevent injustice and violence? Panelists of this virtual roundtable will discuss the role of museums and memorials in building the bridge between history, understanding, empathy, and action. In recent years, questions about the representation of history in public spaces have become more pressing than ever.

The legacies of the Holocaust, colonial violence, and racist exploitation are at the center of resulting debates and actions that range from redesigning commemorative and exhibition spaces to toppling monuments. Can museums and memorials fulfill the tasks of remembrance, reconciliation, and prevention that genocidal and other instances of mass violence pose? The roundtable takes the history of the Holocaust as a starting point for a conversation on the capacity of public portrayals of complex histories of violence to shape a more just future.

The Unfinished Business of Cruel Optimism: Crisis, Affect, Sentimentality

HUMANITIES BROADCAST - Lauren Berlant (University of Chicago) in conversation with Rebecca Wanzo (Washington University) and Dana Luciano (Rutgers University). Lynch Distinguished Lecturer Series at the University of Toronto’s Bonham Centre for Sexual Diversity Studies.

Registration for this event may be full. You may choose to add your name to the waitlist and plan to view the event live on the Bonham Center’s YouTube channel: https://www.youtube.com/c/MarkSBonhamCentreforSexualDiversityStudies/.

 

‘Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody’

HUMANITIES BROADCAST - Saul Zaritt, former WUSTL Friedman Fellow, will discuss his book with Erin McGlothlin (Washington University) and Nancy Berg (Washington University)

I Am a Wanderer: Paek Sin-ae (1908-1939) and Writing Travel

HUMANITIES BROADCAST - Ji-Eun Lee (Washington University). Organized by Princeton University’s East Asian Studies Program.

Paek Sin-ae (1908–1939) was a socialist activist turned woman writer whose career was cut short by early death. She lived in the era of New Women, typically identified as educated women in public or protestant missionary schools who sought women’s rights in domestic life and in society. But Paek was homeschooled and spent most of her life away from the social network of writers and intellectuals of her time. What made her a modern woman was substantial exposure to European and Russian literature, and her travels to Japan, Russia, and China provided opportunities for youthful fantasy and blind attraction to the exotic to mature into a woman of the colony and world citizen. Unlike conventional images of woman writers in the West whose independence is symbolized in a room of one’s own, the early generation of modern Korean woman writers were more typically on the road, carrying their sense of leadership as a badge of honor for her fellow women and men of Korea. In this way, leaving home and travelling became a hallmark of modern women in Korea. By focusing on Paek Sin-ae and her travel writings, this presentation suggests a more comprehensive and fair consideration of works by Korean women writers in the early 20th century, and reconsiders social and literary categories (including supremacy of fiction and poetry) that were upheld by the hegemonic powers and institutionalized literary networks of the time.

Writing Empathy: A Conversation with Author Cho Haejin and Translator Ji-Eun Lee

Cho Hae-jin is one of South Korea’s major writers and the winner of several prizes. Translator Ji-Eun Lee is associate professor of Korean language and literature at Washington University. Hosted by the Gateway Korea Foundation.

The City is Burning! Street Economies and the Juxtacity of Kigali, Rwanda

HUMANITIES BROADCAST - Samuel Shearer is assistant professor of African & African American studies at Washington University. Organized by the Center for African Studies, University of Copenhagen and the Norwegian Institute for Urban and Regional Research.

Juxtacities: Urban Difference, Divides, Authority and Citizenship in the Global South 

Multiple differences and their dynamic juxtapositions and divides, are foundational to urban life, space and governance. But how are such differences and divides (re)produced, articulated and/or contested, and what are their effects on urban authority and citizenship? These are key questions explored in this special issue of Urban Forum. 

Black Bodies, Black Votes: Election 2020

Black Bodies, Black Votes: Election 2020

Panelists include: Nadia Brown (Political Science, Purdue), Jelani M. Favors (History, Clayton State), Denise Lieberman (Dir. MO Voter Protection Coalition; Law, Washington University), and Lester Spence (Political Science, John's Hopkins)

Race is on the ballot in 2020. As the country witnesses racial reckoning, this election matters more than ever before. Trump uses racial fear to galvanize his white base. The courts decide access to voting. Racial inequalities worsen. Women's control over their bodies is being threatened. The country is divided. The Department of African & African American Studies has assembled a panel of scholars to provide historic and political context and what’s at stake for the nation and Black Americans.

REGISTER HERE
Shuffleyamamba: A special evening with Yasuko Yokoshi

Shuffleyamamba: A special evening with Yasuko Yokoshi

Yasuko Yokoshi, dancer and choreographer

You are invited to attend a special presentation by Japanese choreographer Yasuko Yokoshi, who will talk about her 2019 piece, shuffleyamamba.  Ms. Yokoshi’s presentation is in conjunction with the Fall 2020 course Japanese Theater, taught by Rebecca Copeland.  Those interested in attending are asked to email Krystel Mowery for links to films of shuffleyamamba and other performances.

Sponsored by the Department of East Asian Languages and Cultures

Registration required to attend Zoom talk.

Register Here

International Writers Series: Ignacio Infante & Michael Leong

HUMANITIES BROADCAST - Ignacio Infante, professor of comparative literature and Spanish, Washington University, and translator Michael Leong read and discuss their translation of Vicente Huidobro’s “Sky-Quake: Tremor of Heaven,” published recently in a tri-lingual edition with the original Spanish and French.

Inspired by the legend of Tristan and Isolde, Vicente Huidobro’s "Sky-Quake: Tremor of Heaven" is a stunning prose poem driven by a relentless seismic energy that takes metaphor-making and image-building to unimaginable heights. Originally published in Madrid in 1931 under the title “Temblor de cielo” and in Paris in 1932 as “Tremblement de ciel,” this groundbreaking text stands as one of the most significant bilingual poems of twentieth-century letters. Infante and Leong will be joined by Derick Mattern, who is a PhD student in the International Writers Track. Pre-registration is required.

International Writers Series: Katja Perat

HUMANITIES BROADCAST - Katja Perat, PhD student in comparative literature and member of the International Writers Track, will present her new novel “The Masochist” (translated from the Slovenian by Michael Biggins) in a virtual reading and discussion with Lynne Tatlock, director of the Program in Comparative Literature, Washington University.

Katja Perat’s novel, The Masochist, is a serio-comical fictional romp through the Habsburg Empire of the fin de siècle, beginning in 1874 Lemberg (present day Lviv/Lvov in Ukraine), continuing to Vienna, and ending in the Habsburg Adriatic seaport of Trieste in 1912. Along the way, the protagonist, Nadezhda Moser, the daughter of Leopold von Sacher-Masoch (notorious author of Venus in Furs), encounters luminaries of the Empire's cultural elite. Pre-registration is required.

Not Just the Wall: Barriers Faced by Migrant Communities

Immigration & the 2020 Election series, Danforth Center on Religion & Politics

This event in the Immigration & the 2020 Election series will explore the realties throughout the phases of the migrant journey: along the US-Mexico border under “zero tolerance” policies, in immigrant detention, and through interior enforcement right here in St. Louis, Missouri. The program will feature speakers Sara John, Executive Director, St. Louis Interfaith Committee on Latin America (IFCLA) and Nicole Cortés, Co-Director and Attorney, Migrant and Immigrant Community Action (MICA) Project.

Why People of Faith Should Care about Immigration

Immigration & the 2020 Election series, Danforth Center on Religion & Politics

This event in the series Immigration & the 2020 Election will feature a robust panel of theologians and diverse faith leaders who will explore the histories of some traditions and the teachings that propel the faithful to action in matters of justice.

Beyond the Gender Binary

Alox Vaid-Menon, gender non-conforming writer and performance artist - Brown School’s Masters and Johnson Annual Lecture

Alok (they/them) is a gender non-conforming writer and performance artist. Their distinctive style and poetic challenge to the gender binary have been internationally renowned. As a mixed-media artist Alok uses poetry, prose, comedy, performance, fashion design and portraiture to explore themes of gender, race, trauma, belonging and the human condition. They are the author of Femme in Public (2017) and Beyond the Gender Binary (2020). In 2019 they were honored as one of NBC’s Pride 50 and Out Magazine’s OUT 100. 

Public Tour: Multiplied: Edition MAT

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On November 1, Jessie Smith (Arts & Sciences ’22) discusses a selection of works from the special exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959–1964.

This hour-long tour is free, but registration is required.

Public Tour: Human Forms

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On November 6, Jay Buchannan (Arts & Sciences ’21) considers several works from across the collection in which the human form plays a prominent role.

This hour-long tour is free, but registration is required.

The Autonomous Future of Mobility

Framed through the six themes of the upcoming Teaching Gallery exhibition, The Autonomous Future of Mobility—culture, signs, space, energy, speed, and autonomy—Assistant Professors of Architecture Constance Vale and Shantel Blakely will discuss the historical consequences and future potential of automobiles, infrastructure, and autonomous vehicle technology in the built environment. The conversation will focus on how these topics relate to the discipline of architecture as well as architectural education and practice. More specifically, using artworks from the collection of the Kemper Art Museum and Washington University Libraries, Blakely and Vale will touch on the car’s catastrophic legacy in generating crash fatalities, environmental and atmospheric damage, military conflicts, insufficiency of infrastructure, and economic injustice and segregation in cities. With this history in mind, they will also discuss how automobiles are changing in the shift toward autonomous driving, in both its promise to decrease emissions, congestion, and car accidents, and its perils in potential mass surveillance and attacks on artificial intelligence, offering a complex picture of the horsepower and political power that drive mass movement.

The program will include live closed captions in English.

This program is free, but registration is required.

Chinese-Language Tour: Multiplied—Edition MAT

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On November 20, Lingran Zhang (Arts & Sciences ’21) discusses a selection of works from the special exhibition Multiplied: Edition MAT and the Transformable Work of Art, 1959–1964.

This hour-long tour is free, but registration is required. 

Public Tour: House and Home

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On November 22, Leslie Liu (Sam Fox School ’22) shares artworks in the collection that depict domestic spaces and explore the many meanings of home.

This hour-long tour is free, but registration is required. 

The Death of Breonna Taylor

Washington University School of Law Public Interest Law & Policy Speaker Series and the Assembly Series featuring Hedwig Lee, professor of sociology, Washington University

Join WashULaw professors Daniel Harawa, & Peter Joy; WashU Sociology professor Hedwig Lee; and Circuit Attorney Kim Gardner for a virtual Zoom event to discuss “The Death of Breonna Taylor,” moderated by Vice Dean Peggie Smith.

Environmental Racism in Saint Louis

As part of the Racial Justice Symposium, this event, sponsored by EELS, will be centered around the Interdisciplinary Environmental Clinic’s report, “Environmental Racism in St. Louis,” which outlines the systemic disproportionate negative impacts of environmental issues on Black residents of St. Louis. It will feature presentations by clinic faculty – Liz Hubertz, Tara Roque, and Ken Miller – followed by a Q & A session, as time allows.

Systemic Racism & Poverty

Brown School Open Classroom

An examination of wealth and income dynamics in the US reveals staggering disparity between black and white households; the median net worth for a white family is nearly 10 times higher than that for black families. This webinar will use an interview format to explore how systemic racism has created such inequality and the over-representation of black families struggling with poverty. Historical foundations, contemporary reinforcing structures, and potential solutions will be discussed.

Panelists:

Larry Davis, PhD
Professor and Dean Emeritus, School of Social Work, University of Pittsburgh

Michael Lindsey, PhD
Executive Director, McSilver Institute for Poverty Policy and Research; Constance and Martin Silver Professor of Poverty Studies, NYU Silver School of Social Work

Mark Rank, PhD
Herbert S. Hadley Professor of Social Welfare, Brown School, Washington University in St. Louis

Interviewer: Shaun Eack, PhD
James and Noel Browne Endowed Chair & Associate Dean for Research, School of Social Work, University of Pittsburgh

Beyond the Model Minority Myth: Understanding the Diversity and Service Needs of Asian/Pacific Americans

Kelley Lou, MSW, Director of Member Empowerment, National Coalition for Asian Pacific American Community Development - Brown School Open Classroom

Flatlining: Race, Work, and Health Care in the New Economy

Adia Harvey Wingfield, the Mary Tileston Hemenway Professor of Arts & Sciences & Associate Dean for Faculty Development, Washington University - Brown School Open Classroom

What happens to black health care professionals in the new economy, where work is insecure and organizational resources are scarce? Adia Harvey Wingfield’s work considers how medical institutions participate in “racial outsourcing,” relying heavily on black doctors, nurses, and other staff to do “equity work”—extra labor to make organizations more accessible to communities of color. Equity work is often done without recognition, compensation, or support. Join this conversation at the intersection of work, race, gender, and class, to consider the complicated issues of inequality in today’s workplaces.

Sharing Our Families' Stories: Hearing from Descendants of Holocaust Survivors

WashU World Without Genocide is hosting this event. Students will be sharing their families' stories of experiencing the Holocaust, as well as how such events have been passed on and continue to impact them.

All are welcome to listen and ask questions.

Third Presidential Debate Watch Party

Join us for an interactive, multi-media debate watch experience. Stream the debate while viewing live commentary from WashU faculty experts and students, and connecting with your peers. Hosted by the Gephardt Institute for Civic and Community Engagement, Clark-Fox Policy Institute, and the Center for the Study of Race, Ethnicity & Equity. 

Check here for updates on moderator and commentators.

RSVP for link: gephardtinstitute.wustl.edu/rsvp

A War on Science? The Death of Expertise? Rethinking Vaccine Hesitancy and Refusal

Maya Goldenberg, associate professor of Philosophy, University of Guelph, will present this lecture.

Because vaccine hesitancy has been framed as a problem of public misunderstanding of science, vaccine outreach has focused on educating the misguided publics. Where efforts to change vaccine attitudes have failed, cynicism has bred the harsher view that the publics are anti-science and anti-expertise. Yet research into science and the publics lends strong support to the view that public attitudes regarding scientific claims turn crucially on epistemic trust rather than engagement with science itself. It follows that it is poor trust in the expert sources that engender vaccine hesitancy.

Contact philosophy@wustl.edu for pre-read papers and Zoom meeting details.

Film Screening: ‘Picture a Scientist’

Join the Biology Department for a special screening of "Picture a Scientist," a film highlighting female scientists and the endeavor to make science itself more inclusive, equitable and diverse.

"Picture a Scientist" was an official selection of the 2020 Tribeca Film Festival, postponed due to the COVID-19 pandemic. The film’s virtual theatrical run reached 47 theaters across the USA in June 2020, and raised money for two organizations advancing women of color in STEM.

Email gerrity@wustl.edu by Wednesday, 10/21 at 4:00pm to request a viewing link, accessible 10/25—10/27

Myths of the Orient: Deconstructing the European Vision of the Middle East

Eve Rosekind, PhD student in the Department of Art history & Archaeology, Washington University - New Perspectives Talk

Join Eve Rosekind, PhD student in the Department of Art history & Archaeology in Arts & Sciences, for a talk about Orientalism, the artistic representation of the Middle East by European artists. The most common subjects of orientalist artwork that emerged in the nineteenth century were the desert landscape, hunters and warriors, market scenes, and odalisques in harems. These orientalist themes continued throughout the twentieth century, demonstrating the longevity of Orientalism within the history of art.

Initially these orientalist artworks appear as beautiful and straightforward representations of their subject matter, but the ideas that underlie these artistic depictions stem from European histories of colonialism and empire. This talk will scrutinize the common artistic themes of Orientalism and how they constructed a specific European vision and fantasy of the Orient. The Museum’s collection of paintings, photographs, and works on paper will take participants on a journey through the complex themes of European Orientalism.

This program is free, but registration is required.

Public Tour: Human Forms

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

On December 13, Nina Huang (Sam Fox School ’22) considers several works from across the collection in which the human form plays a prominent role.

This hour-long tour is free, but registration is required.

Archival Artifacts

First Fridays @ Becker - Bernard Becker Medical Library

First Fridays @ Becker are back in virtual format! On the first Friday of each month, join us on Zoom to see themed picks from the library's renowned archival and rare book collections. November's theme is Archival Artifacts.

Registration is not required. Simply join on Zoom at the time of the event!

Public Tour: House and Home

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection or in special exhibitions, showing images of the artworks through screen sharing and answering participant questions.

Jay Buchannan (Arts & Sciences ’21) shares artworks in the collection that depict domestic spaces and explore the many meanings of home.

The program will include live closed captions in English.

This hour-long tour is free, but registration is required. 

Saint Louis Art Museum Exhibition Virtual Tour: ‘Currents 118: Elias Sime’

Join Saint Louis Art Museum associate curator of modern and contemporary art, Hannah Klemm, and curatorial research assistant, Molly Moog, AB ’12, for a presentation of highlights from SLAM's current exhibition, Currents 118: Elias Sime. Hannah and Molly will discuss the work of important Ethiopian artist Elias Sime (b. 1968). For over a decade, Sime has created large-scale, modular artworks from discarded technological materials such as electrical wires, circuit boards, motherboards and computer keys. Sime sources his materials from the Merkato in Addis Ababa, Ethiopia, the biggest open-air market in Africa, where hundreds of vendors sell objects passed down a long line of global trade. These materials, as well as his artworks, tell a story of globalization and an interconnected world. His projects transform formerly functional items into something new, transcending their original utilitarian purpose.

Willi Winkler (Max Kade Critic) Colloquium: Maxim Billers Blick zurueck aufs Literarische Quartett

Willi Winkler is the 2021 Max Kade Critic-in-Residence.

Willi Winkler studied in Munich and St. Louis (USA) and has translated books by John Updike, Anthony Burgess, and Saul Bellow, among others. He was editor at Die Zeit, head of the culture department at Spiegel and currently, he writes book reviews, glosses, film reviews, and critical commentaries in the features section of the Süddeutsche Zeitung.

This lecture is free and open to the public.

Register in advance for this Event.

After registering, you will receive a confirmation email containing information about joining the event.

Halloween Lucian Reading

A Virtual Reading in English Translation of Two Dialogues of Lucian: Lover of Lies & Dialogues of The Dead.

The WashU Classics Club and Eta Sigma Phi Present: Halloween Lucian Reading - A Virtual Reading in English Translation of Two Dialogues of Lucian: Lover of Lies & Dialogues of The Dead.

All are Welcome.

For the Zoom link, email tmoore26@wustl.edu.

What Becomes of the Broken Hearted?

Walter Johnson is the Winthrop Professor of History and professor of African and African American studies at Harvard University. He is author of “The Broken Heart of America: St. Louis and the Violent History of the United States.” - Faculty Book Celebration 2021
FACULTY BOOK CELEBRATION

Anytime
Virtual Book Display
How I Made This Book

Thursday, April 1
12 pm  |  Panel discussion, “Connections: Power and the Politics of Community-University Engagement” 
4 pm  |  Keynote lecture and Washington University faculty speakers (below)
 

There’s so much to celebrate, and so many ways to join in! 

Peruse the virtual display of new books by faculty in the humanities and humanistic social sciences... Linger over their stories about bringing their projects to publication... Dive into the discussion about university-community engagement... Settle in for three talks from Washington University scholars and the keynote lecturer... Congratulations to the newly published authors, and let the festivities begin!

 


 

 

Keynote lecture

In his keynote address for the Faculty Book Celebration, Walter Johnson will tell the story of how he came to the topic of his most recent book, The Broken Heart of America: St. Louis and the Violent History of the United States (Basic Books, 2020). From Lewis and Clark’s 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation’s past.

 

 

Washington University faculty speakers

Two members of the Washington University faculty will speak on their own new book releases.

Douglas Flowe

Assistant Professor of History

Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York
(University of North Carolina Press, 2020)

Early twentieth-century African American men in northern urban centers like New York faced economic isolation, segregation, a biased criminal justice system, and overt racial attacks by police and citizens. In this book, Douglas J. Flowe interrogates the meaning of crime and violence in the lives of these men, whose lawful conduct itself was often surveilled and criminalized, by focusing on what their actions and behaviors represented to them. He narrates the stories of men who sought profits in underground markets, protected themselves when law enforcement failed to do so, and exerted control over public, commercial, and domestic spaces through force in a city that denied their claims to citizenship and manhood. Flowe furthermore traces how the features of urban Jim Crow and the efforts of civic and progressive leaders to restrict their autonomy ultimately produced the circumstances under which illegality became a form of resistance.

Rebecca Wanzo

Professor and Chair of the Department of Women, Gender and Sexuality Studies

The Content of Our Caricature: African American Comic Art and Political Belonging
(New York University Press, 2020)

Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.


RSVP REQUIRED: CLICK HERE TO RSVP FOR THE LECTURE


About the keynote speaker

Walter Johnson grew up in Columbia, Missouri, and is a member of the Rock Bridge High School Hall of Fame (2006). His prize-winning books, Soul by Soul: Life Inside in the Antebellum Slave Market (1999) and River of Dark Dreams: Slavery and Empire in the Mississippi Valley's Cotton Kingdom (2013), were published by Harvard University Press. His autobiographical essay, “Guns in the Family,” was included the 2019 edition of Best American Essays; it was originally published in the Boston Review, of which Johnson is a contributing editor. The Broken Heart of America: St. Louis and the Violent History of the United States was published in the spring of 2020. Johnson is a founding member of the Commonwealth Project, which brings together academics, artists, and activists in an effort to imagine, foster, and support revolutionary social change, beginning in St. Louis.

 


RELATED PANEL DISCUSSION

Connections: Power and the Politics of Community/University Engagement

12 pm  |  Thursday, April 1

Click on the link above to RSVP. All events are held via Zoom and registration is required.

Moderated by Ignacio Infante, associate professor of comparative literature and Spanish; and associate director, Center for the Humanities

Panelists

Lois Conley, Director, Griot Museum of Black History

Walter Johnson, Keynote speaker, Faculty Book Celebration

Tila Neguse, Assistant Director, Center for the Study of Race, Ethnicity & Equity

Samuel Shearer, Assistant Professor, African & African American Studies

Geoff Ward, Professor, African & African American Studies

Aaron Williams, Committee Chairman, Young Friends of The Ville and 4theVille Team Member, recipient of the Community Builders Network of Metro St. Louis 2019 Rising Star in Community Building Award

 

Headline image: “St. Louis Riverfront.” Photo by Ted Engler / Flickr / CC BY-NC 2.0

CLICK HERE TO RSVP FOR THE LECTURE

Why So Small? Curator Talk

Cassie Brand, Washington University Libraries Curator of Rare Books

While miniature books are most definitely cute, they are also so much more than that. Miniatures have existed since the earliest forms of writing on clay tablets, and the format has endured through time. Medieval manuscript books of hours were created in miniature for portability, early printers and binders experimented with bookmaking techniques to test the limits of production, and the nineteenth century saw improvements in technologies that allowed for smaller and smaller type.

Join Cassie Brand, Washington University Libraries Curator of Rare Books, as she explores the miniature book collection of Julian Edison and why these books were made so small.

Free and open to all. Preregistration is required.

Mapping Social Justice Panel Discussion

The speakers will address housing voting, racial violence, and ethical land use. The members of the panel are:

  • John Cruz, Data Management Coordinator at Rise STL
  • Caitlin Lee, Researcher, Writer & Designer
  • Marguerite Madden, Director of the Center for Geospatial Research and Professor in the Department of Geography at the University of Georgia
  • Gena Gunn McClendon, Director of Voter Access Engagement and the Financial Capability and Asset Building Initiatives at the Center for Social Development
  • Geoff Ward, Professor of African and African-American Studies, Sociology, and American Culture Studies at Washington University

For additional workshops related to Geography Awareness Week 2020, November 16–20, follow this link.


 

Relevance of Hindi/Urdu in the 21st Century

World-renowned Urdu poet and writer Amjad Islam Amjad

Opening remarks will be made by Professor M.J. Warsi, chair of the Department of Linguistics at Aligarh Muslim University, India. Warsi was previously a senior lecturer of Hindi/Urdu at Washington University.

Book Club: The Weight of Ink

Join University Libraries to discuss its December virtual book club selection, The Weight of Ink by Rachel Kadish.

Set in London of the 1660s and of the early 21st century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi; and Helen Watt, an ailing historian with a love of Jewish history.

Book Club will begin with a virtual showcase of rare books from the Shimeon Brisman Collection in Jewish Studies, followed by a discussion of the book.

Free and open to all.

"To Be on the One: Worldmaking in the Global Hip Hop Cypher"

Imani Kai Johnson, Assistant Professor of Critical Dance Studies at University of California, Riverside

Performing Arts Department Colloquium 2020-2021

Dr. Imani Kai Johnson will discuss the ways that anxieties around global Hip Hop give way to strategies on how to deal with that globality through Hip Hop. This talk asks us to consider the global, both through the ways that scholars have attended to it and to the ways that hip hop dance practitioners have talked about and deal with difference.

This will be a live zoom event. 

Dec 4, 2020 04:00 PM Central Time (US and Canada) 

 

After registering, you will receive a confirmation email containing information about joining the meeting.

Dr. Imani Kai Johnson is an interdisciplinary-trained Assistant Professor of Critical Dance Studies at UC Riverside. Her research focuses on Africanist aesthetics, global popular culture, and ritual and social streetdance cultures; while her teaching focus is on the political stakes and socio-cultural possibilities of ritual land social dancing. Dr. Johnson is completing her manuscript, Dark Matter in Breaking Cyphers:  Africanist Aesthetics in Global Hip Hop with Oxford University Press, a work on the embedded Africanist aesthetics in ritual cyphers and the epistemological implications of its global reach. She organizes the Show & Prove Hip Hop Studies Conference Series, and also co-edits (with Dr. Mary Fogarty) the forthcoming anthology The Oxford Handbook on Hip Hop Dance Studies.

Washington University Dance Theatre: Aperture

Washington University Dance Theatre: Aperture

This "Dance for Camera" Film Festival Premiered December 18, 2020 at 7:00 p.m. and Streamed On-demand thru January 3, 2021.

An “aperture" is defined as “the space through which light enters a camera” and “an opening, hole or gap…”  In the time of COVID, we will not be able to perform dance in theaters for live audiences, and this feels like a big loss. But for artists, challenging times also create openings in which we adapt and respond creatively to try something new, in the “gap.” This is the lens through which we let our light shine. For the first time, Washington University Dance Theatre will be presented as a “Dance for Camera” film festival of new works by resident choreographers, performed by student dancers of the Performing Arts Department.

This production was offered as an on-demand virtual event.  

This year because of increased production costs for video equipment and streaming, we offered our patrons the opportunity to give a donation through our “pay what you can” ticket system.

“Pay What You Can”

Suggested Donation: $10

FREE Viewing/WashU Student Viewing

 

 

 

Embodied Authority: Women’s Experiences as Exegesis

Open to Washington University faculty and graduate students

Tazeen Ali, assistant professor, John C. Danforth Center on Religion and Politics; discussant: Kate Moran, associate professor, American studies, Saint Louis University

This paper analyzes how the Women’s Mosque of America (WMA), a women-only mosque in Los Angeles established in 2015, promotes a new genre of sermons based on women’s experiences. It examines how the WMA preachers (who are all women) explore the subject of gender violence by treating women’s bodies as an important site of knowledge and a valid basis to approach Qur’anic exegesis. It also analyzes WMA sermons that engage subjects like marriage and motherhood, and suggests that WMA preachers do not reproduce existing male forms of leadership but fill a critical gap in Islamic authority.

‘Remember...That Time Before the Last Time’

World premiere — conceived and directed by Ron Himes; choreographed by Heather Beal

Remember...That Time Before the Last Time is an exploration of the effects of race, social injustice and the traumatic impact of slavery on the creative impulses of a people/artists through spoken word, music and dance from the diaspora. Our lens focuses on survival from 1619 to 2020.

New premiere date: Friday, December 11, 2020 at 7 pm

This production is offered as an on-demand virtual event. Please see event page for details on donating via the Performing Arts Department’s “Pay What You Can”  link.

 

RDE 30-Minute Briefing

This 30-minute Zoom meeting will begin at 9 am. Please RSVP below to join!

Led by Jean Allman, the J.H. Hexter Professor in the Humanities and director of the Center for the Humanities, Washington University’s Redefining Doctoral Education in the Humanities — RDE (or, “Ready”) — initiative focuses on supporting faculty efforts to develop the best pedagogical practices in graduate education for instilling capacities essential for success both within academia and in the world beyond.

Since its launch in 2018, RDE has offered multiple opportunities for faculty to engage with the initiative, including a robust grants program. With an eye toward the next round of competitions (due February 1, 2021), Allman and several past award winners will host a short Q&A and presentation for prospective applicants. 

Brief presentations from past RDE award winners include:

Curricular Innovation Grants — $7500–$20,000

  • Pannill Camp (Performing Arts)
  • Geoff Ward (African and African-American History) & Anika Walke (History)

Cross-Training Grants — up to $15,000

  • Kristina Kleutghen (Art History & Archaeology) 
  • Casey O’Callaghan (Philosophy)

Registration is required. Please click on the RSVP button below to register.

 

RSVP

Black Bodies and the Lie of White Innocence

George Dewey Yancy, the Samuel Candler Dobbs Professor of Philosophy, Emory University

Latin American Studies Program Lecture Series Race and Ethnicity, which is focused on topics related to the histories, cultures, and struggles of racialized populations, from colonial times to the present.

Staging ‘habla de negros’ in Iberian Early Modernity

Nick Jones, Assistant Professor of Spanish, Affiliated Faculty in Latin American Studies, Bucknell University

Latin American Studies Program Lecture Series Race and Ethnicity, which is focused on topics related to the histories, cultures, and struggles of racialized populations, from colonial times to the present.

How Latino Voters Decide U.S. Elections

Geraldo Cadava, Associate Professor, Department of History, Northwestern University

Latin American Studies Program Lecture Series Race and Ethnicity, which is focused on topics related to the histories, cultures, and struggles of racialized populations, from colonial times to the present.

‘MLK/FBI’ Screening & Discussion

HUMANITIES BROADCAST - Q&A with director Sam Pollard and co-writer/producer Benjamin Hedin, moderated by Lerone Martin, director, American Culture Studies, and associate professor, Danforth Center on Religion and Politics, Washington University.

MLK/FBI, the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King Jr., tells an astonishing and tragic story with searing relevance to our current moment. Based on newly discovered and declassified files, the film uses a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives to explore the government’s history of targeting Black activists and the contested meaning behind some of our most cherished ideals. $10. St. Louis International Film Festival.

In 2020, SLIFF films are available for screening virtually; check each film for screening dates as they vary.

‘The Place That Makes Us’ Screening & Discussion

HUMANITIES BROADCAST - Q&A with director Karla Murthy, moderated by Rebecca Wanzo, Ph.D., professor and chair of the Department of Women, Gender, and Sexuality Studies, Washington University.

Although a portrait of the troubled Rust Belt city of Youngstown, Ohio, The Place That Makes Us offers a gratifyingly hopeful look at efforts to restore a town ravaged by the prolonged economic distress caused by the closure of its iconic steel mills and related industries. Like St. Louis, Youngstown has a huge number of decaying, abandoned houses that blight its neighborhoods and serve as attractive nuisances for squatting and drug use. The film provides historical perspective on the city’s decline, making deft use of archival footage, but primarily focuses on the present though a quintet of related figures who are attempting to infuse fresh blood into the city’s sickened body.  St. Louis International Film Festival.

In 2020, SLIFF films are available for screening virtually; check each film for screening dates as they vary.

‘River City Drumbeat’ Screening & Discussion

HUMANITIES BROADCAST - Q&A with directors Anne Flatté and Marlon Johnson, moderated by Andy Uhrich, curator of Film & Media at Washington University Libraries.

For nearly three decades, Edward “Nardie” White has led an after-school community drum corps (River City Drum Corp) in Louisville, Ky., drawing on Pan-African culture and music to reach and mentor youth in his West End neighborhood. Now in his 60s, Mr. White feels he must step down to allow the drum corps to evolve with a new generation. River City Drumbeat is the story of Mr. White’s final year and the training of his successor, Albert Shumake, a young man whose troubled life was transformed by the drumline. St. Louis International Film Festival.

In 2020, SLIFF films are available for screening virtually; check each film for screening dates as they vary.

‘Unapologetic’ Screening & Discussion

HUMANITIES BROADCAST - Q&A with director Ashley O’Shay, moderated by Tila Neguse, project coordinator of the Divided City Initiative, Center for the Humanities, Washington University.

For nearly three decades, Edward “Nardie” White has led an after-school community drum corps (River City Drum Corp) in Louisville, Ky., drawing on Pan-African culture and music to reach and mentor youth in his West End neighborhood. Now in his 60s, Mr. White feels he must step down to allow the drum corps to evolve with a new generation. River City Drumbeat is the story of Mr. White’s final year and the training of his successor, Albert Shumake, a young man whose troubled life was transformed by the drumline. St. Louis International Film Festival.

In 2020, SLIFF films are available for screening virtually; check each film for screening dates as they vary.

Department of Psychological & Brain Sciences - Diversity Science Colloquium: The “Social Control Setback” within U.S. Schools

 Odis Johnson Jr., PhD, is a Professor in the Departments of Sociology and Education, Director of the NSF Institute in Critical Quantitative, Computational, and Mixed Methodologies, and Associate Director of the Center for the Study of Race, Ethnicity, and Equity at Washington University in St. Louis. He also has appointments at Washington University’s Institute of Public Health and at the Brown School. Prior to his time at Washington University, Dr. Johnson chaired the African American Studies Department at the University of Maryland. Dr. Johnson completed his doctoral studies at the University of Michigan, and a Spencer Postdoctoral Fellowship at the University of Chicago.

Dr. Johnson’s civic and intellectual engagements extend from a realization that his own childhood experiences in struggling inner-city neighborhoods and their institutions are shared by far too many people of color. The scholarship that has emerged from this awareness has featured the interrelated topics of residential stratification, the relative status of African Americans, and social policy (educational, housing, or policing policies), not only to expand knowledge, but in hopes of increasing the possibilities of evidenced-based social reform.

Register for meeting in advance or just before the start time:

https://wustl.zoom.us/meeting/register/tJEsf-mupj4sEtfubBJWGcj_1dO9bSAH87wy 

Drawn Apart: Rebecca Wanzo and Lauren Mcleod Cramer in Conversation about 'The Content Of Our Caricature'

Definitively addressing the problem with debates about “good” and “bad” black representation, The Content of Our Caricature: African American Comic Art and Political Belonging (New York University Press, 2020) explains what happens when Black cartoonists revisit and reanimate the archive of the racial grotesque. Black comics and cartoons that appeared in black newspapers at the beginning of the twentieth century, underground comix independently produced and distributed in the 1970s and today’s big-budget film adaptations of superhero comics share complex imaginings of the political potential and limitations of caricature. Wanzo’s book reads the work of a rarely acknowledged lineage of Black cartoonists alongside comic and cartoon figures of American citizenship—images of the romantic revolutionary, the soldier and the child. Black comics recall the ways blackness is rendered incommensurable with American citizenship when it shares the frame with these idealized tropes and, instead of abandoning this history of representation, they leverage its elasticity. As a result, using horror and humor, Black cartoonists visualize critiques of American visual culture that are not bound by time, space, or medium.

In conversation about The Content of Our Caricature will be author Dr. Rebecca Wanzo, Chair and Professor of Women, Gender, and Sexuality Studies and Affiliate Professor of American Culture Studies at Washington University in St. Louis and Dr. Lauren McLeod Cramer, Assistant Professor in the Cinema Studies Institute at the University of Toronto.

#realchange: Baldwin and the American Theatre

HUMANITIES BROADCAST - Ron Himes, the Henry E. Hampton, Jr. Artist-in-Residence in the Performing Arts Department, and Jeffrey Q. McCune, Jr., associate professor of African & African-American studies and women, gender, and sexuality studies, both at Washington University

The event focuses on contributions to the American theater by noted African-American playwright, novelist, essayist, poet and activist James Baldwin. The event features “A Conversation with Dick Cavett.” In a conversation with The Black Rep’s Ron Himes (the Henry E. Hampton, Jr. Artist-in-Residence in the Performing Arts Department at Washington University), Dick Cavett will elaborate on his historic 1969 interview with James Baldwin, as well as discussing what he might ask Mr. Baldwin in 2020 about race in the current climate of the Black Lives Matter movement.

The evening also includes performance excerpts from Baldwin’s Blues for Mister Charlie and The Amen Corner featuring The Black Rep’s professional acting intern company members. There will also be a panel, hosted by Himes that includes panelists Michael Dinwiddie, associate professor of dramatic writing at New York University; Nkenge Friday, assistant vice chancellor for strategic initiatives at UNL; Woodie King, Jr., founder/producing director of New Federal Theatre; and Jeffrey Q. McCune, Jr., associate professor of African & African-American studies and women, gender, and sexuality studies at Washington University. It’s time for a #realchange. 

Racial inequality and mass incarceration in Missouri

HUMANITIES BROADCAST - A discussion of the documentary “13th” with David Cunningham, professor and chair of the Department of Sociology, and Geoff Ward, professor of African and African American studies, Washington University. Organized by Missouri Science & Technology.

Divided City Film Series - SLIFF

Free virtual screenings, and most have Q&As with scholars and/or filmmakers - St. Louis International Film Festival

The Divided City program focuses on the racial divide in St. Louis and other U.S. cities, and offers an international perspective by highlighting racial and ethnic divides in cities elsewhere. The program is supported by The Divided City: An Urban Humanities Initiative, an initiative of Washington University’s Center for the Humanities that addresses one of the most persistent and vexing issues in urban studies: segregation.

The St. Louis International Film Series (SLIFF) is offering all of its screening remotely this year. You can click on whichever film in the Divided Series you want to watch, whenever you want to watch it. Details and options can be found on SLIFF’s home page for the Divided City program: https://www.cinemastlouis.org/sliff/category/divided-city
 

Nuclear Energy in the Middle East: Israeli and Iranian Perspectives

Nuclear Energy in the Middle East: Israeli and Iranian Perspectives

Elai Rettig, PhD, invites panel to discuss Nuclear Energy in the Middle East: Israeli and Iranian Perspectives

Dr. Elai Rettig, Israel Institute Teaching Fellow, facilitates an exciting panel of experts to examine the role of nuclear energy (not just weapons) in the future of the Middle East following the elections in the US and in Iran. As part of Dr. Rettig's "Israeli Foreign Policy" course, this panel includes Israel's former ambassador to the International Atomic Energy Agency.

Panel participants:

  • Amb. Merav Zafary-Odiz - Israel National Defense College, former Permanent Representative to the International Atomic Energy Agency and the CTBTO PrepCom
  • Dr. Ariane M. Tabatabai - Middle East Fellow at the German Marshall Fund, senior researcher at Columbia University School of International and Public Affairs
  • Dr. Or (Ori) Rabinowitz - Assistant professor at the International Relations Department in the Hebrew University of Jerusalem

Everyone is welcome!  There will be 45 minutes of presentations and 30 minutes Q&A.

Watch on Zoom

After the Election: Feminist and Queer Possibilities

Join us for an informal Zoom conversation on the 2020 election and its implications for feminist and queer politics, thinking, and collective mobilization. You will have a chance to ask questions about the election outcomes and to participate in student-led discussion about a range of feminist and queer issues.

Register here for Zoom Details

BLM Before BLM: Black Resistance in Colonial Latin America

HUMANITIES BROADCAST - The Cabildos Speaker Series presents Miguel Valerio, assistant professor of Spanish at Washington University in St. Louis, Missouri. Valerio’s talk will historicize black self-affirmation and struggle and propose a more hemispheric perspective/approach to thinking about black struggle and self-affirmation. Organized by Oregon State University.

‘Since 1948: Israeli Literature in the Making’ (Book Launch)

HUMANITIES BROADCAST - Nancy E. Berg, professor of Hebrew language and literature, Washington University, and Naomi B. Sakoloff, professor of Hebrew and comparative literature at the University of Washington, discuss their book “Since 1948: Israeli Literature in the Making.”

The conversation will be joined by Michael Raizen (Ohio-Wesleyan University), Shachar Pinsker (University of Michigan), Melissa Weininger (Rice University), Shai Ginsburg (Duke University), Eric Zakim (University of Maryland), and Riki Traum (Farleigh Dickinson University).

Climate Conversation: Greenwashing

HUMANITIES BROADCAST - Panelists include the following Washington University scholars and community experts and activists: Tim Bartley, professor of sociology; Jenn DeRose, Known & Grown manager; Victoria Donaldson, Green Dining Alliance program manager; Jessalyn Kohn, MBA/MPH Candidate; Net Impact Olin Chapter; David Webb, Lecturer in environmental studies.

“Greenwashing” is when businesses exaggerate their sustainable practices in order to mislead and gain the trust of eco-conscious consumers. Join WUCCP to discuss and apply the rising phenomenon of greenwashing.

Black Bodies, Black Votes: Post-Election Reflections Panel Discussion

Panelists include Don Calloway (former MO State Rep, MSNBC commentator) Jonathan Metzel (Vanderbilt; Medicine, Health & Society) Khalilah Dean Brown (Quinnipiac; Political Science) Jacinta Mwende (University of Nairobi; Media Ethics, Political Economy)

What just happened? What impact will the contentious 2020 U.S. election have on Black people and racial animosity in the U.S. and globally?  What will become of the conspiracy theories, vitriolic language, and nativism that have defined the last four years, or, as others argue, have merely found public legitimacy under Trump? This panel will take place 8 days after the 2020 U.S. Election — what political analysts have called “the most important U.S. election ever” and during a time of great racial reckoning and conflict around the world. 

Claude Lanzmann’s ‘Shoah’ and Its Outtakes: The Ethics of Perpetrator Representation

HUMANITIES BROADCAST - Erin McGlothlin, professor of German and Jewish studies and chair of the Department of Germanic Languages & Literatures, gives a lecture with the Holocaust Educational Foundation of Northwestern University.

Erin McGlothlin offers new insights into Lanzmann’s monumental film Shoah (1985), through her examination of part of the hundreds of hours of outtakes to the film, restored and digitized by the United States Holocaust Memorial Museum and Yad Vashem. Organized and hosted by Holocaust Educational Foundation of Northwestern University (HEFNU), in partnership with the Nicholas D. Chabraja Center for Historical Studies.

Erin McGlothlin (Washington University, St. Louis) is author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration (2006) and the forthcoming The Mind of the Holocaust Perpetrator in Fiction and Nonfiction (2021).

Defining a Comic Tradition: Plautus and the Marx Brothers

Defining a Comic Tradition: Plautus and the Marx Brothers

John Gruber-Miller, Edwin R. and Mary E. Mason Professor of Languages, Cornell College

John Gruber-Miller delivers the talk Defining a Comic Tradition: Plautus and the Marx Brothers.

Critics of comedy have generally classified the Marx Brothers as Anarchists or as Ethnic comedians or as members of a larger Comedian tradition. None of these designations gives the Marx Brothers their due. In fact, these labels reduce their films to witty bits rather than take their entire comic world into consideration. In examining their success at creating this distinctive comic world, it becomes clear that the Marx Brothers are part of a long tradition going all the way back to the Roman comic playwright Plautus, best known for his tricky slaves, verbal pyrotechnics, actors’ rapport with the audience, and send-ups of romantic comedy.

An expert on Classics pedagogy, John Gruber-Miller is the editor of the book When Dead Tongues Speak: Teaching Beginning Greek and Latin (Oxford University Press, the author of the online educational site, Ariadne: Resources for Athenaze, and the founding editor of Teaching Classical Languages, a peer-reviewed, online journal dedicated to Latin and Greek pedagogy. He has received the Award for Excellence in the Teaching of Classics at the College Level from the former American Philological Association (now Society for Classical Studies). His latest project is Imagining Ancient Corinth: An Introduction to Greek Literature and Culture, designed for intermediate Greek students.

Zoom information will be shared soon.

Everybody is on their way to Russia or Back: The Conference of Women of Africa and African Descent, Cold War Politics and the Ghanaian Nation State

Everybody is on their way to Russia or Back: The Conference of Women of Africa and African Descent, Cold War Politics and the Ghanaian Nation State

Adwoa Opong is a postdoctoral fellow in the Department of African and African American Studies and an affiliate of the Center for the Study of Race, Ethnicity and Equity. Her PhD is in African History with a focus on African women social workers and the development imaginary of the post Second World War period. Her research sits at the intersections of histories of gender, decolonization and development in modern Africa.

This talk is about the Conference of Women of Africa and African Descent held in July 1960 in Accra, Ghana, an event that has remained somewhat obscure in the historiography of African and indeed black feminist internationalism. It contextualizes the Conference of Women of Africa and African Descent as exposing the possibilities and constraints of women’s transnational alliances during a historical moment in which different strands of political ideologies and agendas constituted the global order.

JOIN HERE

Laboratory for Suburbia Book Launch

The editors will facilitate a brief online discussion about the process of creating the book against the constantly shifting, often fraught, backdrop of the COVID-19 pandemic and racial justice protests, and consider student projects in light of the recent divisive election season.

Taught by Laboratory for Suburbia’s lead organizer Gavin Kroeber, the spring 2020 seminar engaged thirteen students in a critical exploration of suburban spaces and their potential implications for design praxis. After the Covid-19 pandemic forced the cancellation of a planned exhibition of student projects, the class assembled their collective work as a book that could still convey the projects’ spatial arrangement. Edited by student curators Emily Bryan (MA, Arts & Sciences) and Jess DeAngelo (MArch, Sam Fox School), the resulting publication is an exhibition in the form of a book. It functions as an atlas of interrogative art and design practices organized into “neighborhoods” that trace connections between individual projects and invite readers to engage with the propositions they make.

Supported by the Divided City Initiative, Laboratory for Suburbia is a paradigm-shifting art and design project addressing the political possibilities of American suburbs. Members of the project team include WashU associate professors Derek Hoeferlin (faculty lead on the grant and chair of landscape architecture and urban design, Sam Fox School), Patty Heyda (Sam Fox School), and Ila Sheren (Arts & Sciences). Sam Fox alum Maeve Elder (MArch16) serves as curatorial assistant for the project.

Plagues, Practitioners and Prints: Visualizing Pre-Modern Medical Know-How

76th Historia Medica Lecture, given by Suzanne Karr Schmidt, the George Amos Poole III Curator of Rare Books and Manuscripts at the Newberry Library in Chicago, Illinois. Presented by Bernard Becker Medical Library and the Center for History Of Medicine.

The State of Education

HUMANITIES BROADCAST - Panel discussion featuring Michelle A. Purdy, associate professor of education; Rowhea Elmesky, associate professor of education and Christopher Rozek, assistant professor of education.

The Women’s Society of Washington University is hosting a panel discussion on the state of education in the midst of a global pandemic. Join Michelle A. Purdy, associate professor of education; Rowhea Elmesky, associate professor of education and Christopher Rozek, assistant professor of education for the panel discussion that will discuss the impact of COVID-19, mental health and the future of education.

Nation Space Lecture Series: Ersela Kripa & Stephen Mueller

This talk will transcend the political abstractions around the politics of U.S. sovereignty at the Mexican border with timely examinations of spatial conditions, constraints, and convergences. Ersela Kripa and Stephen Mueller, partners in the award-winning firm AGENCY, will discuss a series of reports entitled “Border Dispatches,” an on-the-ground perspective from the southern border. Each report explores a unique “sleeper agent,” a critical site or actor with the power to reshape the diffuse and layered binational territory we know as the borderlands.

Honoring Trans Remembrance Day a Community Panel: Who Decides Who You Are?

A panel of community activists will be moderated by Jaqui Melton from the Center for Diversity and Cultural Competence at Barnes Jewish Hospital.

Each of us was born into a world that came to define us before we ever had a say. Defining our own stories is a radical act that often times challenges us to consider the question “who decides who you are?” This interactive panel will leverage Chimamanda Ngozi Adichie’s TEDTalk, “The Danger of a Single Story,” and Academy Award winning film “Moonlight” to further process how individual and collective stories have been reclaimed and transformed through the grassroots work of community members who exist and thrive, in both identity and advocacy, at the intersection of some of our community’s most vulnerable populations.

Henrietta Lacks Centennial CELLebration: Honoring Her Life and Legacy

The Lacks Family has launched a year-long HELA100:  Henrietta Lacks Centennial CELLebration to honor the 100th anniversary of the birth of Henrietta Lacks.

Born in rural Roanoke, Virginia, on August 1, 1920, Henrietta Lacks was an African American woman, wife and mother of five. She also became the “Mother of Modern Medicine,” changing the world with her immortal HeLa cells. Henrietta’s HeLa cells, taken without her or her family’s knowledge or consent, would become responsible for some of the greatest scientific advancements of the last century and continue to benefit all of humanity.

Nation Space Lecture Series: Katja Perat

Stretching from the Baltic to the Adriatic coast, Winston Churchill’s infamous Iron Curtain is often portrayed as a line on the map, dividing Europe and the World into the Democratic, Developed West and Autocratic Developing East. Zooming into the cartographic tissue of the Cold War, this talk by Katja Perat, doctoral candidate in comparative literature (Arts & Sciences) at Washington University, will take a look at the Iron Curtain not as a dividing non-entity, but as a territory in its own right, marked by a history of an external as well as internalized division stretching from the Enlightenment and into the future. From Milan Kundera’s “The Tragedy of Central Europe” in the eighties, to the Central European nationalist tragedy of today, this talk will examine how inhabiting the Iron Curtain has shaped the processes of subject- and nation-building in this invisible borderland.

Josep Lluís Sert: The Architect of Urban Design

Eric Mumford, the Rebecca and John Voyles Professor of Architecture, Sam Fox School of Design & Visual Art, Washington University

Josep Lluís Sert (1902–1983) was a Barcelona architect and leader of the Spanish CIAM (International Congresses for Modern Architecture) group, where he strongly supported the Spanish Republic in the Spanish Civil War 1936-39. After fleeing Fascist Spain in 1939, he moved to New York, Sert designed many urban plans for various Latin American cities from 1944-58, most of them unbuilt. He was also appointed Dean of the Harvard University Graduate School of Design from 1953 to 1969, where he introduced the discipline of urban design to the curriculum, which then had global impact. Beginning in the late 1950s, his firm Sert, Jackson designed major campus buildings in the Boston metro area and near Toronto, Canada, as well as many other works, such as the Eastgate housing on Roosevelt Island in New York City (1970).

Annual Display of Rare Anatomical Texts

Becker Library’s Archives and Rare Books Division will host the Annual Display of Rare Anatomical Texts for the first time in virtual format this year. This popular annual exhibition is a unique opportunity to see a selection of spectacular medical works dating from the Renaissance to the 20th century up close. All are welcome to join us for the event on Zoom this year! Registration is not required. Simply join us on Zoom at the time of the event.

Some highlights of the Becker rare book collections include:

- First and second editions of Andreas Vesalius’ landmark work “De humani corporis fabrica,” which is credited as being the foundation of modern anatomy.
- Govard Bidloo’s “Ontleding des menschelyken lichaams,” known for the harsh sense of realism it brought to illustrating the process of dissection.
- Siegfried Albinus’ massive “Tabluae sceleti et musculorum corporis humani,” with its illustrations of skeletons and skinned musclemen posing against elaborate backgrounds.

Virtual symposium on Plautus and the women of Washington University

A day of lectures, discussion, and performance exploring a historic event at Washington University in St. Louis

In 1884, the Washington University Ladies’ Literary Society staged the first American performance of an ancient Roman comedy in Latin: Rudens (“The Rope”), first staged by Plautus in the early 2nd century BCE. The event was marked not only by the group’s efforts to make Plautus’ style and humor accessible to a contemporary audience, but by its striking engagement with social issues such as slavery and gender. This symposium will include lectures by scholars from Washington University and abroad, and a performance of the play.

This event is organized by the Department of Classics and co-sponsored by the Washington University Performing Arts Department.

https://classics.wustl.edu/events/virtual-symposium-plautus-and-women-washington-university?d=2021-02-06 

Virtual Event: Letter Writing Party In Solidarity with Incarcerated Survivors

Letter Writing Party In Solidarity with Incarcerated Survivors

Join us for a virtual letter writing party in support of criminalized survivors of domestic and sexual violence. All are welcome—bring friends!

Stationery and stamps provided. Stop by professor Heather Berg’s McMillan Hall hallway mailbox (4th floor, across from room 210) after 11/23 to collect while supplies last. Otherwise, bring your own (stationary needs to be plain white paper in order to pass prison censors). Guidelines and addresses provided during the event.

"This event is not required for Intro to Women, Gender, and Sexuality Studies students and will not count toward the student event requirement." 

 

Registration for the Virtual Event

Writing for the Public: How to Share Your Scholarly Work With Ordinary People

RDE Faculty Retreat Spring 2021 with workshop conveners Ian Bogost (Ivan Allen College Distinguished Chair in Media Studies and professor of interactive computing at the Georgia Institute of Technology) and Christopher Schaberg (Dorothy Harrell Brown Distinguished Professor of English at Loyola University New Orleans).

This workshop is offered as part of Washington University’s RDE Initiative (Redefining Doctoral Education in the Humanities, or “Ready”). RDE focuses on supporting faculty efforts to develop the best pedagogical practices in graduate education for instilling capacities essential for success — such as writing for the public — both within academia and in the world beyond. Faculty Workshops are offered once per year on a different topic.

Full event details available here: https://humanities.wustl.edu/rde-faculty-retreat-spring-2021. 

Imagining Digital Transformations in the Humanities

Seminar and lecture with Ian Bogost, the Ivan Allen College Distinguished Chair in Media Studies and professor of interactive computing at the Georgia Institute of Technology

As humanities departments and programs begin developing proposals in response to Dean Hu’s Digital Transformation initiative, we wanted to put on your calendar two upcoming events, featuring the work of Ian Bogost, the Ivan Allen College Distinguished Chair in Media Studies and professor of interactive computing at the Georgia Institute of Technology.  We hope these events will contribute to ongoing conversations about the intersections between the humanities, data analytics, and digital technologies and to planning for future collaborations.

Please RSVP below if you would like to attend one or both of these events.

 

Wednesday, December 2, 12–1:30 pm

Seminar focused on Ian Bogost’s pre-circulated paper, “The Tactical Humanities”

Limited to 25 faculty participants from the humanities and humanistic social sciences; paper and Zoom link will be sent with registration confirmation.


Thursday, December 3, 12–1:30 pm

Lecture on “Idle Hands: How Windows Solitaire Invented Modern Computing”

Open to the public; Zoom link will be sent prior to the lecture.
 

RSVP

Opacity, Rézonans, Biguidi: Music and Dance as Decolonial Praxis in the French Caribbean

Jérôme Camal, assistant professor of anthropology, University of Wisconsin-Madison

To what extent can music and dance support decolonial transformation in the face of ongoing (post)colonial duress? Born from the French Caribbean crucible, Guadeloupean gwoka has always-already been a music and dance practice both of and against colonialism. In the 20th century, gwoka became the cultural weapon of anticolonial activists. Today, even as dreams of independence recede in the collective political imaginary, gwoka continues to provide an embodied practice through which many Guadeloupeans confront their position as postcolonial, non-sovereign, citizens of the French imperial state. Based on over a decade of dancing and playing music alongside Guadeloupeans on both sides of the Atlantic, this presentation outlines the potential and limits of gwoka as an embodied, decolonial, epistemology. Foregrounding the importance of technique, Jérôme Camal asks, What kind of knowledge does music carry? Can this knowledge counteract centuries of colonial assimilation? How do structures of power shape who has access to this knowledge and, importantly, what are the implications for a decolonial anthropology? 

Idle Hands: How Windows Solitaire Invented Modern Computing

Ian Bogost, the Ivan Allen College Distinguished Chair in Media Studies and professor of interactive computing at the Georgia Institute of Technology

Please RSVP for the Zoom link

‘Aperture’

Washington University Dance Theatre

A “Dance for Camera” film festival premiering December 18, 2020 at 7 pm and streaming on-demand thru January 3, 2021.

An “aperture” is defined as “the space through which light enters a camera” and “an opening, hole or gap…”  In the time of COVID, we will not be able to perform dance in theaters for live audiences, and this feels like a big loss. But for artists, challenging times also create openings in which we adapt and respond creatively to try something new, in the “gap.” This is the lens through which we let our light shine. For the first time, Washington University Dance Theatre will be presented as a “Dance for Camera” film festival of new works by resident choreographers, performed by student dancers of the Performing Arts Department.

 

How Your ZIP Code Impacts Your Future

Wednesdays with WashU is a webinar series featuring Washington University alumni, faculty, and parents from around the world.

Join alumni and friends for a conversation moderated by Tom Hillman, AB ’78, University Trustee and Chair of Brown School National Council. The panel will include Washington University experts Mary McKay, PhD, Neidorff Family and Centene Corporation Dean of the Brown School, Matthew Kreuter, PhD, Kahn Family Professor of Public Health, and Jason Purnell, PhD, MPH, Vice President of Community Health Improvement at BJC HealthCare as they discuss health disparities across communities and how something as simple as a zip code can indicate future well-being and life expectancy.

Panelists will explain that where you live matters and how current research is being used to help meet the needs of the most vulnerable communities and to help inform the best outcomes.

Getting It Together Before It’s Too Late: Building Solidarity Across Race and Class

Ian Haney Lopez, the Chief Justice Earl Warren Professor of Public Law and director, Racial Politics Project, Haas Institute for a Fair and Inclusive Society, University of California, Berkeley School of Law.

Ian Haney Lopez is one of the nation's leading experts on how race relations have evolved since the civil rights era. He has authored a number of books, scholarly articles and media contributions, including this recent op-ed in the New York Times: https://www.nytimes.com/2020/09/18/opinion/biden-latino-vote-strategy.html. Barbara & Michael Newmark Endowed Sociology Lecture on Pluralism.

Anxious Ears: Soundscapes and the Art of Listening in Postwar German Radio Drama

HUMANITIES BROADCAST - Caroline A. Kita is associate professor of German and comparative literature at Washington University in St. Louis. She is the author of ‘Jewish Difference and the Arts: Composing Compassion in Music and Biblical Theater’ (Indiana UP 2019). Her research encompasses German and Austrian Literature, German-Jewish Culture, music, theater and radio drama.

The success of National Socialism in mobilizing the radio for propaganda purposes led to widespread anxiety and distrust of the medium in the burgeoning postwar democracies of the Federal Republic of Germany and Austria. Could Germans and Austrians be taught to critically listen? Or would their ears remain passive and susceptible to indoctrination? This paper will examine how narrative Hörspiel of the 1950s and early 1960s offer a site for exploring these questions, by drawing on brief examples from radio plays in which characters display anxieties surrounding listening – the sense of being overwhelmed by sound and unable to discern its messages; the fear of being transformed into mechanized receivers and transmitters of sound, and the desire to “tune out,” or to choose not to listen. It reveals how these works reconstruct traumatic or problematic experiences of listening to encourage a different kind of engagement with the radio medium grounded in a critical, self-reflective act of reception.

Hosted by the Department of Germanic Studies, University of Texas.

History in the Time of Pandemic: A Conversation with Paul Ramírez

Paul Ramírez, associate professor of history, Northwestern University

Paul Ramírez presents his work on epidemic disease outbreaks, vaccination campaigns, and the promises and paradoxes of Enlightenment medicine in colonial Mexico. He will discuss how new approaches to epidemic disease management and public health highlight questions of trust, uncertainty, and the centrality of religion to medical innovation and discovery. The conversation will also assess historical research on epidemics in light of the COVID-19 pandemic and its local and global ramifications.

Paul Ramírez (PhD, University of California, Berkeley, 2010) is a specialist in the history of Mexico. He has published articles and book chapters on the coordination of response to disease epidemics, the cultural and religious aspects of medical technology, and the politics of reform in Bourbon Mexico. His book monograph, titled Enlightened Immunity: Mexico’s Experiments with Disease Prevention in the Age of Reason (Stanford University Press, 2018), examines the rituals, genres and upheavals in medicine and politics that accompanied efforts to adopt preventive methods in rural Mexico.

Department of Music Online Lecture:

Department of Music Online Lecture: "Antiphonal Life: The Returns of Paul Robeson"

Shana L. Redmond, Ph.D., Professor of Musicology, Global Jazz Studies, and African American Studies, Herb Alpert School of Music

Drawn from her recent book, Everything Man, this talk announces "antiphonal life" as a uniquely conceived strategy of the polymath movement artist Paul Robeson. His ascension in scale, from raw element to mountain peak, reveals the failures of the suppressive state and the achievements of The People in their demand to hear and be heard.

Biography: Shana L. Redmond (she|her) is a public-facing scholar and the author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora (NYU 2014) and Everything Man: The Form and Function of Paul Robeson (Duke 2020). In 2019 she contributed the critical liner essay for the vinyl soundtrack release for Jordan Peele's film, Us (Waxwork Records). She is Professor of Musicology and African American Studies at the University of California, Los Angeles.

REGISTER

Online Piano Division Recital

Online Piano Division Recital

Students in the piano division performed their works in one take on the E. Desmond Lee stage, simulating a live concert experience. The video of these performances will be presented as a Facebook premiere on Friday, December 11th at 12pm.  

Watch Here

Program:

Danzas Argentinas, Op. 2 (1937) by Alberto Ginastera ( 1916 - 1983)
    Danza de la moza donosa                        
Ge Fang


Cocktail Suite (1941) by Dana Suesse (1909 - 1987)
    Champagne                               
Kathryn Tang


Impromptu Op. 90, No. 3 (1827) by Franz Schubert (1797 - 1828)
Ben Haber


Estampes (1903) by Claude Debussy (1862 - 1918)
    Pagodes                                
Aalisha Jaisinghani

Being First: What It Means to Be the First in Your Family to Earn a College Degree

Being First: What It Means to Be the First in Your Family to Earn a College Degree

Part of the Power of Arts & Sciences event series

Ambitious, intelligent, and deserving students come from all backgrounds, but those whose parents did not finish college are far less likely to earn a college degree themselves. No one understands this better than these leaders who are also first-generation college graduates. Join them for a discussion about the power of supporting first-generation students in achieving their educational aspirations and potential. 

Beverly Wendland, Provost and Executive Vice Chancellor for Academic Affairs
Feng Sheng Hu, Dean of the Faculty of Arts & Sciences and Lucille P. Markey Distinguished Professor
Deanna Barch, Chair and Professor of Psychological & Brain Sciences, Professor of Radiology, and Gregory B Couch Professor of Psychiatry
Harvey Fields, Jr., MA ’97 PhD ’04, Associate Dean for Student Success
Michael Aguilar, Class of 2021, moderator

Register to receive Zoom Details
Pitching for Publication: Translating Your Academic Expertise for a Popular Audience

Pitching for Publication: Translating Your Academic Expertise for a Popular Audience

Join us for a Graduate Student workshop with Sarah Mesle, Rebecca Onion, and Phil Maciak in a conversation about writing for different audiences and pitching academic work to editors of public-facing outlets. 

Sarah Mesle is Assistant Professor (Teaching) of Writing at the University of Southern California. She is editor at large at the Los Angeles Review of Books, where she also writes for the "Dear Television" column. She is co-founder and editor of the LARB channel Avidly and, with Sarah Blackwood, the co-editor of the NYU Short book series, Avidly Reads.  A nineteenth-centuryist by training, she is interested generally in the long history of popular culture, from the rise of the sentimental bestseller to today. Her celebrity profiles have appeared in magazines like InStyle, Self, and Goop

Rebecca Onion lives in Athens, Ohio, and writes about culture, history, and childhood for magazines, newspapers, and the Internet. She is currently a staff writer for Slate.com. She holds a Ph.D in American Studies from the University of Texas at Austin. Her book, Innocent Experiments: Childhood and the Culture of Public Science in the United States, was published by the University of North Carolina Press in 2016. 

Phillip Maciak is the TV editor of the Los Angeles Review of Books. He is also the author of a book about religion and early cinema called The Disappearing Christ: Secularism in the Silent Era (Columbia University Press, 2019), and his film, television, and literary criticism has appeared in Slate, Film Quarterly, J19, PMLA, The New Republic, and other venues. He is also the co-founder—with Jane Hu, Evan Kindley, and Lili Loofbourow—of the “Dear Television” column. He teaches in the English Department and the American Culture Studies Program at Washington University in St. Louis.

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link.

Fireside Chat with award-winning author Susannah Cahalan, AB ’07

Arts & Sciences alumna Susannah Cahalan is the award-winning, New York Times-bestselling author of Brain On Fire: My Month Of Madness. Her new book, The Great Pretender, investigates the 50-year-old mystery behind a dramatic experiment that changed the course of modern medicine.

Facilitated by Leonard Green, professor of psychological and brain sciences and economics, and hosted by University Advancement as part of the Power of Arts & Sciences Week. 

 

Register to Receive Zoom Details
Science and Society Amid a Pandemic

Science and Society Amid a Pandemic

In this Power of Arts & Sciences Week event, five Arts & Sciences faculty members share research and perspectives on COVID-19.

Across Arts & Sciences, faculty are shedding light on the intersecting aspects of life during a pandemic. Come explore the myriad ways these experts are harnessing information to help society navigate through the challenges of COVID-19 and the threat of future crises. 

Panelists

Krista Milich, Assistant Professor of Biological Anthropology 
Shanti Parikh, Associate Professor of Sociocultural Anthropology and African and African-American Studies 
Gary Patti, Michael and Tana Powell Professor of Chemistry 
Yongseok Shin, Douglass C. North Distinguished Professor in Economics 
John McCarthy, Chair and Professor of Mathematics and Statistics and Spencer T. Olin Professor of Mathematics

This event is hosted by University Advancement as part of the Power of Arts & Sciences Week. 

Register to receive Zoom details
Student Journalism in the Age of Disinformation

Student Journalism in the Age of Disinformation

In this Power of Arts & Sciences Week event, Laura Meckler, AB ’90, speaks to Arts & Sciences reporters on the staff of Student Life.
Alumna Laura Meckler is a staff reporter for the Washington Post. 

How does a liberal arts education help us discern real news from conspiracy and disinformation? How have WashU’s student journalists met the challenges of 2020, capturing student perspectives on difficult social issues while dealing with the disruptions of COVID-19? Join Laura Meckler, AB ’90, staff reporter for the Washington Post, as she asks these questions and more of Arts & Sciences reporters on the staff of Student Life.

This event is hosted by University Advancement as part of the Power of Arts & Sciences Week. 

Register to Receive Zoom Details
Online Piano Division Recital

Online Piano Division Recital

Students in the piano division performed their works in one take on the E. Desmond Lee stage, simulating a live concert experience. The video of these performances will be presented as a Facebook premiere on Friday, November 20th at 12pm.  

Watch Here

Program:

Nocturne in c-sharp minor, Op. 27, No. 1 by Frédéric Chopin

Tengzhou Hu

 

Sonata in f minor, Op. 57 by Ludwig van Beethoven
     Allegro assai

Aalisha Jaisinghani

 

The Maiden and the Nightingale by Enrique Granados

Jamie Xu

 

Etude in c-sharp minor, Op. 10, No. 4 by Frédéric Chopin

Cindy Lu

 

Piano Concerto No. 2, Op. 18 by Sergei Rachmaninoff
     Moderato

Hudson Lin

Cultural Memory and the Peri-Pandemic Library

Bethany Nowviskie, Dean of Libraries, Senior Academic Technology Officer, and Professor of English, James Madison University — James E. McLeod Memorial Lecture on Higher Education

“The pandemic will end not with a declaration, but with a long, protracted exhalation… Grief will turn into trauma. And a nation that has begun to return to normal will have to decide whether to remember that normal led to this.”
— Ed Yong, science writer for The Atlantic
 

Decisions made now by scholars, archivists, librarians, and community organizers, acting as individuals and as representatives of their institutions and collectives, will shape our cultural memory of the pandemic—and our capacity for speculative thinking, beyond it. What roles must libraries and archives—community-based, federal, and academic—play in times of national trauma and transition? Can they partner more effectively with scholars and publics, even (or especially) in the middle of a mess? And how do we square the project of cultural memory—the job of liberal arts and memory institutions now—with the challenges that face it: inevitable losses, misinterpretations, and gaps; politically and personally motivated refusals to remember; and our own embeddedness in the contested commemorative landscapes of our campuses and towns? 

RSVP REQUIRED: CLICK HERE TO REGISTER FOR THE LECTURE 


ABOUT THE SPEAKER

Bethany Nowviskie

Bethany Nowviskie is Dean of Libraries, Senior Academic Technology Officer and Professor of English at James Madison University. From 2015 to 2019, she directed the Digital Library Federation at CLIR (where she has also been a Distinguished Presidential Fellow) and served as a Research Associate Professor of Digital Humanities at the University of Virginia. Nowviskie has been a member of the teaching faculty at UVa’s Rare Book School since 2011, was the first director of the Scholars’ Lab at the University of Virginia Library (2007–15), and has served as chair of UVa’s General Faculty Council and special advisor to the UVa provost for the advancement of digital humanities research. A past president of the Association for Computers and the Humanities and chair of the Modern Language Association’s committee on information technology, Nowviskie received her Ph.D. in Literature from the University of Virginia in 2004 and has worked on numerous ground-breaking projects in digital libraries and the digital humanities. In 2013, she was named one of “Ten Tech Innovators” by the Chronicle of Higher Education, which pretty much summed it up: “Bethany Nowviskie likes to build things.”

A 2016 interview with the LA Review of Books is available here. Bethany writes on liberatory and speculative digital library design at nowviskie.org.

Click here to register for the lecture

Book Club: Endurance

Virtual book club selection: ‘Endurance: Shackleton’s Incredible Voyage’ by Alfred Lansing

In 1914, explorer Ernest Shackleton sailed via the ship called Endurance to Antarctica. Just short of its destination, the ship became trapped in ice. This is the story of how Shackleton and his crew were forced to travel the 850 miles to the closest outpost of civilization.

Book Club will begin with a short presentation from the Newman Exploration Center, followed by a discussion of the book.

Free and open to all.

International Writers Series: Baba Badji

Baba Badji is a Senegalese-American poet, translator, researcher, and PhD candidate in Comparative Literature.

In this virtual reading and discussion, Baba Badji will present his recently published first collection of poems, Ghost Letters. Badji is a Senegalese-American poet, translator, researcher, and PhD candidate in Comparative Literature. Ghost Letters creates a ghost mother who becomes a presiding presence. His poetry explores what it means to be Senegalese, American, and Black, as well as the bonds of Black people across the Black diaspora.

Bloodied Waters, Hidden Histories: Race, Terror and the Unmaking of Freedom

HUMANITIES BROADCAST - Sowande' Mustakeem is associate professor of history, Washington University

Join us as Sowande’ Mustakeem (History) discusses her book Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016),  revealing for the first time how the institution of slavery took critical shape at sea. The book was recognized with a 2017 Wesley-Logan Prize (American Historical Association) and a 2020 Dred Scott Freedom Award (Dred Scott Heritage Foundation). The talk will be followed by a Q&A.

WashU Libraries Virtual Book Club: ‘Fever’

Virtual book club selection: ‘Fever’ by Mary Beth Keane

At first glance, the story of Mary Mallon seems like a model of the so-called American Dream. As an Irish immigrant at the turn of the twentieth century, she worked her way up from theposition of a domestic servant to working as a cook to several elite New York families. But the trail of disease she left in her wake led to the moniker by which she is famous: Typhoid Mary.

In this novel, author Mary Beth Keane sets out to tell the story of Mary Mallon—headstrong and independent—set against the vibrant landscape of early twentieth-century New York. Free and open to all. 

WashU Libraries Virtual Book Club: ‘Marcel’s Letters’

Virtual book club selection: ‘Marcel’s Letters: A Font and the Search for One Man’s Fate’ by Carolyn Porter

A true story of graphic designer Carolyn Porter, who stumbled across a bundle of letters while searching antique stores for inspiration to create a new font. As she struggled to design the font, she searched for information about the man who had written these letters during World War II and clues to what had become of him.

Book club will begin with a showcase of typography in the rare book collections, followed by a discussion of the book. Free and open to all. 

Virtual Book Club: ‘People of the Book’

Virtual Book Club: ‘People of the Book’ by Geraldine Brooks

When asked to conserve the priceless and famed Sarajevo Haggadah, Hannah Heath jumps at the chance to work with the beautiful Jewish text. She unlocks the books mysteries and past through her conservation work, learning about the extraordinary illuminations, the Catholic priest who saved it from burning, and the man who risked his life to save the book from the Bosnian war.

Special guest Danielle Creech, head of preservation, digitization, and exhibitions, will give a brief presentation on conservation and preservation at WashU and lead discussion of the novel.

Free and open to all.

Explore Faculty Papers with the University Archivist

University Archivist Sonya Rooney

Ever wonder what faculty do with their papers when they retire?  Some come to University Archives where they are cared for and made available to researchers. Join University Archivist Sonya Rooney to hear about different faculty material, how they got to the Archives, and how they have been used.

African American Architecture in St. Louis: The Case of Charles E. Fleming

Interview of Charles E. Fleming by Washington University architectural historians Shantel Blakely and Eric Mumford and alumnus Michael Willis

In this panel discussion, Washington University architectural historians Shantel Blakely and Eric Mumford will join architect Michael Willis (AB ’73; MArch/MSW ’76) in an interview of Charles E. Fleming (UC ’61) about his more than 50 years of experience as an architect. As one of the first African Americans to earn a degree in architecture from Washington University, Fleming has made significant contributions both regionally and nationally to the field of modern architecture, including numerous residential projects in the St. Louis region. The discussion will delve into Fleming’s design approach and experience related to several of these projects completed during the late 1960s and early 1970s—a time of great social and spatial change in the United States following postwar efforts to address racial discrimination in housing. The program will feature projects emblematic of his architectural practice, most notably Fleming-designed houses in Town and Country, including a house for himself, completed in 1972. This house is an innovative three-story informal design in wood, reflecting Fleming’s design expertise with this material, and is the subject of a book in progress by Mumford and Blakely.

This program is a collaboration between the Mildred Lane Kemper Art Museum and the College of Architecture.

The program will include live closed captions.

Free, but registration is required.

Artist Talk with Christine Sun Kim

In Conversation lecture series

Join us for an artist talk with the California-born, Berlin-based artist Christine Sun Kim. Kim explores concepts of sound, its visual representations, and how it is valued by society, from her perspective as part of the Deaf community. She uses performance, video, drawing, writing, and sound installation to uncover the depth and complexity of communication, including the politics of voice, listening, and language. In her talk she will discuss her new site-specific mural in the Kemper Art Museum’s atrium, Stacking Traumas, and its relation to her work with American Sign Language, musical notation, televisual captioning, and other systems of visual communication to address the intricacies of social exchange and the power of representation. Stacking Traumas will be virtually accessible on the Museum’s website in late January.

The program will include ASL interpretation by Denise Kahler and live closed captions.

Film Screening and Live Q&A: Amy Sillman: After Metamorphoses

HUMANITIES BROADCAST - Film screening and discussion includes Rebecca Sears, lecturer, Department of Classics

Join artist Amy Sillman; Rebecca Sears, lecturer in the Department of Classics in Arts & Sciences; and Meredith Malone, associate curator, as they discuss Sillman’s animated film After Metamorphosis (2015–16), the artist’s response to the Roman poet Ovid’s mythic tale of transformation, desire, and power. Sillman’s five-minute film will be screened in advance of the Q&A and will be available for viewing via the Kemper Art Museum’s website the week prior to the program.

The program will include live closed captions.

Free, but registration is required.

Memory and Resistance: Charles Méryon's Paris on the Eve of Transformation

Lacy Murphy, PhD candidate, Department of Art History & Archaeology

Lacy Murphy, doctoral candidate in the Department of Art History & Archaeology in Arts & Sciences, considers the etchings of French printmaker Charles Méryon, which celebrate the maze-like anarchy of the Île de la Cité in 19th-century Paris on the eve of Georges-Eugène Haussmann's massive urban renewal project. Through the etchings, the city is able to boldly assert itself, offering one final stand on the eve of certain destruction.

The program will include live closed captions.

Free, but registration is required.

To Do Without People: Moyra Davey’s Impossible Renunciation

Jenny Wu, MA student in the Department of Art History & Archaeology - New Perspectives lecture series

The work of Moyra Davey is invested with individual subjectivity and autobiography. The distinct absence of any figures, however, in her photographs from 2003—along with Davey’s choice to focus attention instead on space, in its “empty,” uninhabited variations—harkens back to the decade in the artist’s life (roughly 1984–94) when, burdened by the notion of “image theft,” Davey retreated from the genre of portraiture. This talk by Jenny Wu, MA student in the Department of Art History & Archaeology in Arts & Sciences, will situate four of Davey’s photographs from the collection of the Kemper Art Museum within the artist’s most recently published meditations on craft and discuss her unpeopled interiors in relation to issues of ownership, medium, and the representation of time and space.

The program will include live closed captions.

Free, but registration is required.

Encounters of Color: How China and the African World Meet

A workshop with Robeson Taj Frazier, associate professor of communication, School of Communication, University of Southern California

Robeson Taj Frazier will discuss his 2014 book, The East Is Black: Cold War China in the Black Radical Imagination.

About his book:

During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy, Marxist feminist Vicki Garvin, and freedom fighters Mabel and Robert Williams—traveled and lived in China. There, they used a variety of media to express their solidarity with Chinese communism and to redefine the relationship between Asian struggles against imperialism and black American movements against social, racial, and economic injustice. In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad. He analyzes their diverse cultural output (newsletters, print journalism, radio broadcasts, political cartoons, lectures, and documentaries) to document how they imagined communist China’s role within a broader vision of a worldwide anticapitalist coalition against racism and imperialism.

Sponsored by the Department of African and African-American Studies and the East Asian Studies program.

Blurring the Boundaries: The Rise of Blockbuster Museum-Quality Exhibitions in Commercial Galleries

Valentina Castellani, former director of New York’s Gagosian Gallery

The past ten years have witnessed the rise of historical, museum-quality blockbuster exhibitions in commercial art galleries. This is a sign of a changing art environment, where traditional roles are interchangeable and boundaries are blurring. Why and how are these very expensive shows conceived and put together, what is their goal, and what are the results for the galleries that organize them? And what is their impact on the public, the critic, and the market in general?

In this inaugural Women and the Kemper Public Lecture, Valentina Castellani, former director of New York’s Gagosian Gallery, will discuss the rise of blockbuster exhibitions in commercial art galleries, focusing on the Gagosian exhibitions Picasso: Mosqueteros and Piero Manzoni: A Retrospective.

Cosponsored by Women and the Kemper and the Olin Business School.

Biggs Family Residency in Classics: Raffaella Cribiore

Raffaella Cribiore, professor of classics, New York University

Raffaella Cribiore is Professor of Classics at New York University. She is a specialist in ancient education, from the fourth century BCE to the fourth century CE, and also studies Greek rhetoric in the Second Sophistic period. She is a papyrologist, mostly a literary papyrologist, and spends time every year at the NYU excavation in Egypt, Dakhla Oasis, where a school of higher education was found. 

Department of Music Online Lecture:

Department of Music Online Lecture: "Live coding with functional programming: Tidal Cycles"

Malitzin Cortés (CNDSD). Musician, Digital Artist, Creative Technologist and Programmer.

Tidal Cycles contains language to describe flexible sequences, for example: polyphonic, polyrhythmic, generative; it also has an extensive library of pattern functions, to transform and combine them.  In this talk we will give an introduction to live coding and Tidal cycles with some of their expressive possibilities for performance.

About Malitzin Cortés:
Her work is developed between live coding, live cinema, installation, Virtual Reality,creative coding, sound design, experimental music and sound art. 

She is a teacher and researcher at CENTRO University. design, cinema and television and at the UNAM Faculty of Arts, in the field of creative code, STEAM and new sound and immersive technologies.

She has performed live events and exhibitions at the Multimedia Center, Alameda Art Laboratory, Ex-Teresa Actual Art, Digital Cultural Center, Medialab Prado, Spain Cultural Center, CMMAS, Vorspiel, Spektrum Berlin, Transpiksel, Aural, Transmediale Berlin, ISEA, CYLAND MediaArtLab San Petesburgo, ADAF, Ars Electronica, Currents, MUTEK México, Montreal, Japan and San Francisco.

CNDSD's sound proposal is conceived in an experimental environment and cross-border musical exercises: granular landscapes, algorithmic vocal experiments, hypnotic noise improvisations, live coding and asymmetric patterns.

As an artist, she investigates the ways in which art, architecture, technology, and science have the capacity to be great disseminators of findings and devices for self-reflection and generation of unpublished models of social interactions capable of providing new ways of relating from the utopia, speculation, physical space, reality, the constant state of crisis, and also hope.


REGISTER

Martin Luther King Jr. Commemoration

HUMANITIES BROADCAST - 34th Annual Washington University Danforth Campus Martin Luther King Jr. Commemoration

Peniel E. Joseph, author of The Sword and the Shield: The Revolutionary Lives of Malcolm X and Martin Luther King Jr., will be interviewed by Lerone A. Martin. Joseph is the Barbara Jordan Chair in Political Values and Ethics at the LBJ School of Public Affairs and professor of history and the Founding Director of the Center for the Study of Race and Democracy at the University of Texas at Austin. Martin is associate professor, John C. Danforth Center on Religion and Politics; director, American Culture Studies program at Washington University.

About the book

This dual biography of Malcolm X and Martin Luther King upends longstanding preconceptions to transform our understanding of the 20th century’s most iconic African American leaders.

To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement’s militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.

King’s Message on Race, Science and Justice

2021 Martin Luther King Jr. Celebration Lecture - Dorothy Roberts is the 14th Penn Integrates Knowledge Professor and the George A. Weiss University Professor of Law & Sociology at the University of Pennsylvania.

Dorothy Roberts will present the 2021 Martin Luther King Jr. Celebration Lecture.The Martin Luther King, Jr. Celebration Lecture is a remembrance of the life and legacy of the civil rights leader and his dream of acceptance and equality for all. The lecture recognizes national and local leaders who continue to advance King’s message through the pursuit of social justice and promotion of health equity.

Reading with Visiting Hurst Professor Aisha Sabatini Sloan

Aisha was born and raised in Los Angeles. Her writing about race and current events is often coupled with analysis of art, film, and pop culture. She studied English Literature at Carleton College and went on to earn an MA in Cultural Studies and Studio Art from the Gallatin School of Individualized Study at NYU and an MFA in Creative Nonfiction from the University of Arizona. Her essay collection, The Fluency of Light: Coming of Age in a Theater of Black and White was published by the University of Iowa Press in 2013. Her most recent essay collection, Dreaming of Ramadi in Detroit, was chosen by Maggie Nelson as the winner of the 1913 Open Prose Contest and published in 2017. That book went on to be nominated for the Iowa Essay Prize, and to win CLMP’s Firecracker award for Nonfiction. Her book-length essay, Borealis, is forthcoming from Coffee House Press’ Spatial Species imprint. She is a recipient of the 2020 National Endowment for the Arts fellowship in creative writing.

Aisha’s essays are included in the anthologies: Dear America (forthcoming from Trinity University Press), TrespassEcotone Essayists Beyond the Boundaries of Place, Identity, and Feminism (Lookout Books 2019), Truth to Power (Cutthroat 2017), How We Speak to One Another (Coffee House Press 2017), The Sonoran Desert: A Literary Field Guide (University of Arizona Press 2016) and Writing as Revision (Pearson Press, 2011). Her work has been named notable for the Best American Non-Required Reading and Best American Essays anthologies and nominated for multiple Pushcart Prizes.

Her writing can be found in The Offing, EcotoneNinth Letter, Identity Theory, Michigan Quarterly Review, Terrain.org, Callaloo, The Southern Review, Sierra Nevada Review, Essay Daily, Tarpaulin Sky, Drunken Boat, Catapult, Sublevel, Autostraddle, Guernica, The Paris Review, and LitHub, among other places. She is an assistant professor of Creative Nonfiction at the University of Michigan.

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Craft Talk with Visiting Hurst Professor Aisha Sabatini Sloan

Aisha was born and raised in Los Angeles. Her writing about race and current events is often coupled with analysis of art, film, and pop culture. She studied English Literature at Carleton College and went on to earn an MA in Cultural Studies and Studio Art from the Gallatin School of Individualized Study at NYU and an MFA in Creative Nonfiction from the University of Arizona. Her essay collection, The Fluency of Light: Coming of Age in a Theater of Black and White was published by the University of Iowa Press in 2013. Her most recent essay collection, Dreaming of Ramadi in Detroit, was chosen by Maggie Nelson as the winner of the 1913 Open Prose Contest and published in 2017. That book went on to be nominated for the Iowa Essay Prize, and to win CLMP’s Firecracker award for Nonfiction. Her book-length essay, Borealis, is forthcoming from Coffee House Press’ Spatial Species imprint. She is a recipient of the 2020 National Endowment for the Arts fellowship in creative writing.

Aisha’s essays are included in the anthologies: Dear America (forthcoming from Trinity University Press), TrespassEcotone Essayists Beyond the Boundaries of Place, Identity, and Feminism (Lookout Books 2019), Truth to Power (Cutthroat 2017), How We Speak to One Another (Coffee House Press 2017), The Sonoran Desert: A Literary Field Guide (University of Arizona Press 2016) and Writing as Revision (Pearson Press, 2011). Her work has been named notable for the Best American Non-Required Reading and Best American Essays anthologies and nominated for multiple Pushcart Prizes.

Her writing can be found in The Offing, EcotoneNinth Letter, Identity Theory, Michigan Quarterly Review, Terrain.org, Callaloo, The Southern Review, Sierra Nevada Review, Essay Daily, Tarpaulin Sky, Drunken Boat, Catapult, Sublevel, Autostraddle, Guernica, The Paris Review, and LitHub, among other places. She is an assistant professor of Creative Nonfiction at the University of Michigan.

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Visiting Writer Elizabeth Kolbert

Elizabeth Kolbert is the author of Field Notes from a Catastrophe: Man, Nature, and Climate Change and The Sixth Extinction, for which she won the Pulitzer Prize. For her work at ThNew Yorker, where she's a a staff writer, she has received two National Magazine Awards and the Blake-Dodd Prize from the American Academy of Arts and Letters. She lives in Williamstown, Massachusetts, with her husband and children.

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Reading with Visiting Hurst Professor Deb Olin Unferth

Deb Olin Unferth is the author of six books, including the novel Barn 8, the story collection Wait Till You See Me Dance, the graphic novel I, Parrot (in collaboration with Elizabeth Haidle), and the memoir Revolution, finalist for the National Book Critics’ Circle Award. Her essays and fiction have appeared in Harper’s, the New York Times, The Paris Review, Granta, Vice, and McSweeney’s, and she has received a Guggenheim fellowship and three Pushcart Prizes. An associate professor at the University of Texas in Austin, she also is the director of the Pen City Writers, a creative-writing program at a south Texas penitentiary.

Want books from this author? Look no further! Check out our friends at Subterranean Books for all your book needs.

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Craft Talk with Visiting Hurst Professor Deb Olin Unferth

Deb Olin Unferth is the author of six books, including the novel Barn 8, the story collection Wait Till You See Me Dance, the graphic novel I, Parrot (in collaboration with Elizabeth Haidle), and the memoir Revolution, finalist for the National Book Critics’ Circle Award. Her essays and fiction have appeared in Harper’s, the New York Times, The Paris Review, Granta, Vice, and McSweeney’s, and she has received a Guggenheim fellowship and three Pushcart Prizes. An associate professor at the University of Texas in Austin, she also is the director of the Pen City Writers, a creative-writing program at a south Texas penitentiary.

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Visiting Writer Solmaz Sharif

Born in Istanbul to Iranian parents, Solmaz Sharif holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in Harper’s, The Paris Review, Poetry, The Kenyon Review, the New York Times, and others. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, Rona Jaffe Foundation Writers’ Award, and an NEA fellowship. She was most recently selected to receive a 2016 Lannan Literary Fellowship and the 2017 Holmes National Poetry Prize from Princeton University. A former Stegner Fellow at Stanford University, she is currently an Assistant Professor in Creative Writing at Arizona State University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, was a finalist for the National Book Award.

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Craft Talk with Visiting Hurst Professor Eduardo C. Corral

Eduardo C. Corral is the son of Mexican immigrants. Graywolf Press published his second book, Guillotine, in 2020. His first book, Slow Lightning, won the Yale Series of Younger Poets competition. His poems have appeared in Ambit, New England Review, The New Republic, Ploughshares, and Poetry. He's the recipient of residencies from the MacDowell Colony, Yaddo and Civitella Ranieri. He's also the recipient of a Whiting Writers' Award, a National Endowment for the Arts Fellowship, the Hodder Fellowship and the National Holmes Poetry Prize, both from Princeton University. He teaches in the MFA program in Creative Writing at North Carolina State University. He lives in Raleigh.

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Reading with Visiting Hurst Professor Eduardo C. Corral

Eduardo C. Corral is the son of Mexican immigrants. Graywolf Press published his second book, Guillotine, in 2020. His first book, Slow Lightning, won the Yale Series of Younger Poets competition. His poems have appeared in Ambit, New England Review, The New Republic, Ploughshares, and Poetry. He's the recipient of residencies from the MacDowell Colony, Yaddo and Civitella Ranieri. He's also the recipient of a Whiting Writers' Award, a National Endowment for the Arts Fellowship, the Hodder Fellowship and the National Holmes Poetry Prize, both from Princeton University. He teaches in the MFA program in Creative Writing at North Carolina State University. He lives in Raleigh.

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Tough!

Tough!

Premiering April 22, 2021!

Premiering April 22, 2021 and presented at the East end of Mudd Field on the Danforth Campus.

Thursday, Friday & Saturday
April 22-24, 2021
5:30 p.m.
 
Sunday, April 25
3:00 p.m. 

Written By George F. Walker
Directed by William Whitaker

Bobby and Tina meet in a park.  She’s furious about something and cursing her head off, and her friend Jill is there too for “support.”  Jill has never liked a thing about Bobby, ever, and both women threaten to “kick him to death.”  Meanwhile, Bobby has been thinking about breaking up because he’s been looking around at other girls and he thinks “they look nice too.”  Bobby may have picked the worse time ever to discuss a break up, as Tina and Jill have some really tough news to deliver.  The context is young people in dire straits with limited economic and intellectual opportunities trying to make their way.  Tough! is a kind of contemporary tragi-comedy of the streets written by Canada’s most celebrated playwright.  In late April, you might see three young people on campus arguing beneath a tree or in the middle of a field as you pass on by.  It might be Bobby, Tina and Jill trying to sort things out.  It’s OK for you to stop and listen.

click here for tickets

To comply with our no external guest policy on campus, reservations are limited to WashU students, faculty and staff.  Limit one ticket per person.

Washington University Dance Collective: Supper

Washington University Dance Collective: Supper

This production was available On-demand from Friday, April 30 to Sunday, May 16, 2021.

Washington University Dance Collective: Supper premiered on Friday, April 30, 2021. Defined as a meal of an intimate nature, this is what you will experience, small but delightful morsels of creatively short dance offerings, that work together to create a feast for the "virtual" senses. Join us for an evening of dance that is both fulfilling and satisfying.

During the 2020-2021 production season, because of increased production costs for video equipment and streaming, we offered our patrons the opportunity to give a donation through our “pay what you can” ticket system. Patrons who wished to contribute to help support this event, were offered a “Pay What You Can” link below.  WashU students and Patrons who do not wish to contribute at this time were able obtain the link to access the production by clicking on a separate registration link.

CHOREOGRAPHY BY
Kate Bircher
Allison Fabrizio
Orli Hellerstein
Ella Holman
Zoe Oron
Grace Philion 
Cecil Slaughter
Sarah Sterling
Ali Yaniz

ARTISTIC DIRECTION BY
Cecil Slaughter

Washington University Dance Collective serves as the Performing Arts Department’s resident dance company.  WUDC is a unique blending of talented and expressive movers from very diverse backgrounds who bring with them a wide range of movement styles and performance acumen.

View The Covid Mysteries On-demand.

View The Covid Mysteries On-demand.

The first “official” performance on the PAD Mobile Stage, "The Covid Mysteries" premiered April 1, 2021.

On-demand viewing a live-recording of The Covid Mysteries was available from April 5, 2021 until May 9, 2021.

After a year in a pandemic, perhaps you have some questions for God? Well, here’s some great news: God is in this show!  Seriously, just in time for Passover and Easter, God is ready to answer your questions and tell a lively tale or two.  All your favorites are here -- Abraham, Jesus, Mary, and, yes, even Joseph, that trusting guy!  They will be spinning yarns about Creation, Passion and Judgment.  Satan signed on too, and after all these years, he’s still a bundle of sass and trouble.  The Covid Mysteries are inspired by the 14th Century York Cycle plays and have been irreverently adapted for 2021.  Be there when they roll your way!

Originally presented live April 1-4, 2021 on the PAD Mobile Stage, (Pageant Wagon) on the Danforth Campus' Mudd Field, Near McMillan Hall.

To comply with our no external guest policy on campus, reservations were limited to WashU students, faculty and staff.  
 

 

 

Esther Dischereit (Max Kade Writer) Colloquium: Der Anschlag auf die Synagoge in Halle 2019 - Zeugnis und Literatur

Esther Dischereit (Max Kade Writer) Colloquium: Der Anschlag auf die Synagoge in Halle 2019 - Zeugnis und Literatur

Esther Dischereit is the 2021 Max Kade Writer-in-Residence.

Esther Dischereit is a poet, novelist, essayist, and stage and radio dramatist. Dischereit's work is named as “perhaps the most important German-Jewish voice of the second generation after the Shoah.” She founded the avant-garde project Word / Music and worked as a curator for contemporary art / new media.

This lecture is free and open to the public.

Register in advance for this Event.

After registering, you will receive a confirmation email containing information about joining the event.

Willi Winkler (Max Kade Critic) Colloquium: Maxim Billers Blick zurueck aufs Literarische Quartett

Willi Winkler is the 2021 Max Kade Critic-in-Residence.

Willi Winkler studied in Munich and St. Louis (USA) and has translated books by John Updike, Anthony Burgess, and Saul Bellow, among others. He was editor at Die Zeit, head of the culture department at Spiegel and currently, he writes book reviews, glosses, film reviews, and critical commentaries in the features section of the Süddeutsche Zeitung.

This lecture is free and open to the public.

Register in advance for this Event.

After registering, you will receive a confirmation email containing information about joining the event.

Translating the Americas

Translating the Americas

Early Modern Jewish Writing on the New World

Translating the Americas is a two-day workshop organized by Flora Cassen (WashU) and Ronnie Perelis (Yeshiva University) and sponsored by the American Academy for Jewish Research. The workshop is dedicated to the theory and practice of translation with a specific focus on Jewish writing from the early modern period. It brings together scholars from North and South America, Europe, and the Middle East. We will examine and discuss letters and texts that functioned as bridges—“translations”—between languages, religions, Empires, the Old World, and the New World.

Schedule:

Monday 1/25 @ 12:00-2:00 PM Eastern Time, Translation Between Early Modern Worlds and Cultures

  • Martin Jacobs (WashU): "Spain’s New World Expansion through a Post-Expulsion Sephardi Lens: Joseph ha-Kohen’s Translation of Gómara"
  • Jesús de Prado Plumed (Universidad Nacional Autónoma de México): "Translatio and the converso : Alfonso de Zamora’s Epistle to the Jews of Rome (1526) and the material politics of polemics"
  • Kirsten MacFarlane (University of Oxford): "From Constantinople to Amsterdam: Polemics, Interfaith Debate, and Jewish-Christian Relations in the case of the English Hebraist Hugh Broughton and Ottoman poet Abraham ben Reuben"
  • Ignacio Chuecas (Finis Terrae University, Santiago de Chile): "Old Jewish Prayers for a New World: Translations of the Spanish-Portuguese prayer book (siddur) in the Early Modern Americas (16th -17th centuries)"

Tuesday 1/26, @ 12:00-2:00 PM Eastern Time, Translation in Practice and Theory, Then and Now

  • Iris Idelson-Shein (Ben Gurion University): "From Metaphors to Mechanisms: Facts and Figures of Jewish Translation in Early Modern Europe"
  • Stephanie Kirk (WashU): "Carlos de Sigüenza y Góngora’s Paraíso occidental and the Act of Translation"
  • Ryan Szpiech (University of Michigan): "Shapes of Turning: Conversion and Translation in Medieval Iberia"
  • Sarah Pearce (NYU): "Medieval Jewish Writing in the New World: The American Afterlives of Judah Halevi"

For questions, contact Flora Cassen fcassen@wust.edu or Ronnie Perelis perelis@yu.edu.

 

 

"Taiwanese Puppetry Cosplay: Negotiating Performance and Animation"

Teri Silvio is a Research Fellow at the Institute of Ethnology, Academia Sinica, Taiwan This will be a live zoom event.

In the twenty-first century, the Japanese manga and anime industry has opened markets around the world.  As manga and anime have spread, so too has the fan practice of cosplay, dressing up as animated characters.  The vast majority of cosplayers around the world are women.  In this paper, I examine the practice of cosplay in Taiwan, and in particular, cosplayers who dress as characters from a unique Taiwanese genre of animation, “digital video swordplay puppetry.”  

There is a continuum of how cosplayers think and talk about cosplay.  Some cosplayers, especially in North America, see cosplaying as a kind of acting and say they want to “become the character.”  Others, especially in Asia, see cosplay more in terms of bringing puppet characters to life, (re)animating them.  I argue that cosplay appeals primarily to women because it is a pleasurable play form of the kinds of work that they are expected to do at their jobs and in their social lives. Cosplay allows women to experiment with different ways of blending embodied and disembodied, performative and animating, forms of affective labor.


Teri Silvio is a Research Fellow at the Institute of Ethnology, Academia Sinica, Taiwan. She is an anthropologist who has done extended ethnographic research on theater, puppetry, toy design, and comics.   Her work combines approaches from anthropology, cultural studies, gender and sexuality studies, performance studies, and media studies.   Her book, Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan (University of Hawai`i Press 2019) develops an anthropological concept of animation as a complement to the concept of performance, and elaborates this concept through Taiwanese examples including televised puppetry, folk religious practice, and manga/anime fandom.  

 

This event is co-sponsored with the department of East Asian Languages and Cultures, and the Taiwan Ministry of Education.

Literary Translation and the Making of Originals

A conversation with Karen Emmerich, associate professor of comparative literature, Princeton University

Literary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular “originals”; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.

Karen Emmerich is associate professor of comparative literature at Princeton University and a translator of modern Greek poetry and prose. She has published 10 books of Greek literature in translation, and her academic work has appeared in journals such as Arion, Translation Studies and the Journal of Modern Greek Studies.

Please contact Olivia Lott (OLIVIALOTT@WUSTL.EDU) for the link to join the Zoom.

One Thousand Tempests in a Teacup: Natural Disaster and Shingen's 'Bloodless Coup' of 1541

One Thousand Tempests in a Teacup: Natural Disaster and Shingen's 'Bloodless Coup' of 1541

Elijah Bender, assistant professor of history, Concordia College

In the midst of the lengthy, successful reign as regional magnate (daimyo), Takeda Nobutora (1494-1574) was suddenly betrayed and exiled from his home province of Kai in 1541. Takeda retainers rallied around Nobutora's eldest son Shingen (1521-1573) and installed him as Takeda family head. None of this was unusual for Warring States Era (ca. 1450-1600) Japan, except for the fact that there was no violence as the province almost seamlessly transitioned into the reign of new warlord. Analyzing the coup as part of a larger response to an ongoing natural disaster, which began with a devastating typhoon in 1540, helps explain these unusual circumstances. Crisis exacerbated longstanding, latent tensions within Late Medieval Japanese society, yet out of these thousand tempests emerged avenues for a rare moment of solidarity among usually contentious samurai. Shingen's coup shows how, even in the most tumultuous of eras, calamity can catalyze both conflict and conflict resolution. It is moreover a useful tool for understanding the most salient points of contention within a particular group, which often lurk beneath the surface during calmer moments. We may yet draw some useful and even hopeful insights from this violent and destructive age, in which upheaval was nearly constant.

Dr. Elijah Bender is a specialist on premodern Japanese environmental history. His research examines how local resource disputes contributed to the development of non-violent mechanisms for conflict resolution during Japan's Warring States Era (ca. 1450-1600), and ultimately helped end a longstanding cycle of warfare and instability. He is currently preparing a book manuscript on the topic, entitled Contests over Environment in the Age of the Samurai: Local Society, Resources, and the Birth of Japan’s Early Modernity. Dr. Bender teaches world, environmental, US, and East Asian history at Concordia College in Moorhead, MN.

Sponsored by the Department of East Asian Languages and Cultures and the East Asian Studies Program

Registration required to attend Zoom talk.

"Representing Mythic Pain in a Pompeian Garden"

Dr. Scott Weiss, Visiting Assistant Professor of Classics, Knox College

This is a virtual-only event. To attend, please RSVP to Betha Whitlow, bwhitlow@wustl.edu.

Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York

HUMANITIES BROADCAST - Douglas Flowe, assistant professor of history, Washington University

Inaugural Annual Black History Month Lecture, Department of History, College of Charleston. Douglas Flowe is an assistant professor of history at Washington University in St. Louis, where he teaches courses on urban history, criminality, masculinity and other subjects relating to race, crime and gender. He earned his PhD at the University of Rochester and has recently published his first book, Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York (UNC Press).

This event is organized and moderated by Elisa J. Jones and Shannon Eaves, assistant professors of history at the College of Charleston. In order to attend, please register by 5:00PM on February 15. 

Details and registration here: https://blogs.cofc.edu/history/2021/01/12/history-depts-annual-black-history-month-lecture-feb-16-at-5pm/  

Public Tour: The Autonomous Future of Mobility

Olivia Mendelson, assistant educator, Kemper Art Museum; and Constance Vale, assistant professor of architecture in the Sam Fox School

Olivia Mendelson, assistant educator, discusses a selection of works from the Teaching Gallery exhibition The Autonomous Future of Mobility, curated by Constance Vale, assistant professor of architecture in the Sam Fox School. The exhibition examines the car’s legacy over the past century as depicted in art and visual culture, offering a view toward today’s emerging technological developments and exposing our vulnerability in the face of the horsepower and political power that drive mass movement.

The program will include live closed captions.

Free, but registration is required: https://www.kemperartmuseum.wustl.edu/events/tours/14311 

Public Tour: Art, Untitled

Lingran Zhang, Arts & Sciences '21

Lingran Zhang (Arts & Sciences ’21) explores the practice of titling artworks, considering how the “Untitled” label shapes viewer responses to a range of modern and contemporary artworks from the collection.

Free, but registration is required: https://www.kemperartmuseum.wustl.edu/events/tours/14314

Chinese-Language Tour: Art, Untitled

Lingran Zhang, Arts & Sciences '21

On February 19, Lingran Zhang (Arts & Sciences '21) explores the practice of titling artworks, considering how the “Untitled” label shapes viewer responses to a range of modern and contemporary artworks from the collection. This program is conducted in Chinese.

Free, but registration is required: https://www.kemperartmuseum.wustl.edu/events/tours/14315 

Public Tour: Figures of Myth and Legend

This tour considers how artists working in various artistic mediums have connected figures from ancient Greek and Roman mythology to their own historical contexts.

Free, but registration is required: https://www.kemperartmuseum.wustl.edu/events/tours/14319 

Public Tour: The Autonomous Future of Mobility

Constance Vale, assistant professor of architecture in the Sam Fox School

This tour presents a selection of works from the Teaching Gallery exhibition The Autonomous Future of Mobility, curated by Constance Vale, assistant professor of architecture in the Sam Fox School. The exhibition examines the car’s legacy over the past century as depicted in art and visual culture, offering a view toward today’s emerging technological developments and exposing our vulnerability in the face of the horsepower and political power that drive mass movement.

Free, but registration is required: https://www.kemperartmuseum.wustl.edu/events/tours/14312 

Sports & Society Reading Group with Guest Presenter Theresa Runstedtler

Sports & Society Reading Group with Guest Presenter Theresa Runstedtler

The Sports & Society reading group will meet on Friday, February 19 at 2:00 PM CT on Zoom. Dr. Theresa Runstedtler, an acclaimed academic and author of Jack Johnson, Rebel Sojourner: Boxing in the Shadow of the Global Color Line has agreed to join us to discuss her work in progress, tentatively titled Black Ball: The ABA, the Slam Dunk, and the Struggle for the Soul of Basketball in the 1970s (under contract with BoldType Books, Hachette), which examines how Black players transformed the professional hoops game, both on and off the court.

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link and copies of the reading.

Singing Schubert, Hearing Race: Debating Blackness, Whiteness, and German Music in Interwar Era Central Europe

Kira Thurman, Assistant Professor of History and German at the University of Michigan

Please join the Department of Germanic Languages & Literatures and the Department of African and African-American Studies for the second lecture in the "Impacting Culture: Germany's African Diaspora" lecture series.

The lecture is free and open to the public. After registering, you will receive a confirmation email containing information about joining the event.

Register in advance.

WGSS Spring Colloquium: "Calculating Couples: Computational Intimacy and 1980s Romance Software" Colloquium for Faculty and Graduate Students

Abstract: In the 1980s, as a new market for personal computing in the home was emerging, a category of software arose that promised a computer-mediated experience of romance. This essay analyzes this category of romance software that brought couples together around the novel technology of home computing. I argue that this software attempts to constitute a particular ideal of computer-mediated coupling that balances discourses of intimacy, based on full disclosure between partners, and ideas of romance that rely on greater novelty and secrecy, by mobilizing the computer as an active party to process and screen the flow of information between partners. This balancing of romance and intimacy was managed in part by alternately presenting these programs as serious tools to stabilize the couple and as playful games that could suggest new pairings. Romance software is significant because in the 1980s, it offered a vision of personal computing as a technology for intimate and interpersonal relationships that resonates with contemporary digital technology.

 

Presenter, Reem Hilu, Assistant Professor in Film and Media Studies

Discussant, Diane Lewis, Assistant Professor in Film and Media Studies

Making Vocabulary Stick

Making Vocabulary Stick

John Gruber-Miller, Edwin R. and Mary E. Mason Professor of Languages, Cornell College

John Gruber-Miller delivers the talk Making Vocabulary Stick.

One of the greatest challenges facing students of Latin is acquiring a large enough vocabulary to be able to read texts that are matched to their level.  In Part 1, John reported on a study that he and Bret Mulligan did on vocabulary frequency and the readability of Latin texts.  They consider how common measures of lexical complexity (word length, word frequency, lexical sophistication, lexical density, and lexical variation) can inform instructors about what texts have the least (and most) lexical complexity. In Part 2, he offers concrete suggestions on how students can help expand their vocabulary knowledge and become better readers.

An expert on Classics pedagogy, John Gruber-Miller is the editor of the book When Dead Tongues Speak: Teaching Beginning Greek and Latin (Oxford University Press, the author of the online educational site, Ariadne: Resources for Athenaze, and the founding editor of Teaching Classical Languages, a peer-reviewed, online journal dedicated to Latin and Greek pedagogy. He has received the Award for Excellence in the Teaching of Classics at the College Level from the former American Philological Association (now Society for Classical Studies). His latest project is Imagining Ancient Corinth: An Introduction to Greek Literature and Culture, designed for intermediate Greek students.

 

 

Webinar: Taiwanese-Language Films during the Cold War

Webinar: Taiwanese-Language Films during the Cold War

A discussion with Chris Berry, professor of film studies at King’s College London and director of the Taiwanese-language Film Festival

Professor Chris Berry will join us for a Webinar discussion on Feb 27, 2021 at 2pm (Central Standard Time) in conjunction with our Taiwanese-language film festival when EALC showcases two Taiwanese-language films: Six Suspects and The Best Secret Agent.  Over 1000 Taiwanese-language films were made between the 1950s and 1970s, but only about 200 survive. It was not until recently that these films were archived, restored, and made available to English-speaking audience, thanks to the Taiwan Film Institute. Despite the restricted budget, Taiwanese-language films are imbued with creative energy and savvy perspectives on Taiwan society. Professor Berry will guide us through the production history and culture of this unique group of films, and discuss the spy/detective genre in relation to the Cold War background, followed by a Q&A session.

Chris Berry is professor of film studies at King’s College London. His academic research is grounded in work on Sinitic-language cinemas and other Sinitic-language screen-based media, as well as work from neighboring countries. Books written and edited include: Cinema and the National: China on Screen; Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution; Chinese Film Festivals: Sites of Translation; Public Space, Media Space; The New Chinese Documentary Film Movement; Electronic Elsewheres: Media, Technology, and Social Space; and Island on the Edge: Taiwan New Cinema and After. In 2017, together with colleagues, he launched the “Taiwan’s Lost Commercial Cinema: Recovered and Restored” project about Taiwanese-language cinema, and in 2020 co-edited a special issue of Journal of Chinese Cinemas on the topic.

Registration is required to attend the Webinar. Once registered you will receive the link for the webinar. (Webinar registration is separate from registration for the Taiwan film links.)

Event is free and open to the public.

Sponsored by the Department of East Asian Languages and Cultures; Taiwan Ministry of Education; King's College London; Ministry of Culture, Taiwan; Taiwan Film Institute.

Spy and Suspense: Taiwanese-Language Film Festival

Spy and Suspense: Taiwanese-Language Film Festival

online film screenings

Partnering with the UK-based Taiwanese-language film festival "Taiwan's Lost Commercial Cinema: Recovered and Restored," EALC will showcase Six Suspects and The Best Secret Agent as part of our "Spying on East Asia Conference." 

Made against the backdrop of the Cold War, these films demonstrate clear foreign influences as well as the filmmakers' endeavor to present the local experience of Taiwan on the silver screen. A perfect combination of noir and spy film, this series will take you on a journey back to 1960s Taiwan with the thrill of passion and mystery.

Film screenings are available for asynchronous viewing online between Feb 21-27, 2021.

Six Suspects

SIX SUSPECTS (dir. Lin Tuan-qiu, 1965, 109 min)

A private eye spies on his ex-lover, who is the PA for a steel company chairman. He knows various people’s dirty secrets and decides to start blackmailing them. But when his ex is found dead, he starts to investigate the suspects. This noir adaptation of a Japanese film was never released in the 1960s, but now we have the chance to appreciate this edgy and disturbing depiction of Taipei’s seamy underside during the Martial Law era.

 

 

The Best Secret Agent

THE BEST SECRET AGENT (dir. Zhang Ying, 1964, 104 min)

This first ever Taiwanese-language spy movie produced in Taiwan has a lot of innocent charm. The Best Secret Agent is a remake of a 1945 movie of the same name that caused a sensation in Shanghai. Fueled by a dog-eat-dog plot and the many changing faces of the protagonist, the film created a new Taiwanese box office record in the early 1960s and kick-started the popularity of the Taiwanese-language spy film genre for years to come.

 

 

Chris Berry, professor of film studies at King’s College London and director of the Taiwanese-language Film Festival, will join us for a webinar discussion of the films on February 27 (separate registration required).

 

Sponsored by the Department of East Asian Languages and Cultures; Taiwan Ministry of Education; King's College London; Ministry of Culture, Taiwan; Taiwan Film Institute

 

Event is free and open to the public.

MFA Student Dance Concert: Pathway

MFA Student Dance Concert: Pathway

Premiered Saturday, March 27, 2021 at 8:00 p.m. and was available on-demand thru Sunday, April 11, 2021.

Premiered Saturday, March 27, 2021 at 8:00 p.m. and available on-demand thru Sunday, April 11, 2021.

This dance concert takes us on a journey that combines three distinct paths. One moves us through the world of grief, the powerful rollercoaster of human emotions. The next takes us on the passage of both the power and grace of Muslim women.  In the final piece, we are immersed in the force of our neglect of Nature and her rebellious response.  

The concert speaks to the human spirit at its best and worst, through grief and grace.  It’s sure to be an evening of moving images, sharp contrasts, and evocative performances. This concert represents the completion of the MFA in Dance requirements for our fourth cohort students: Leah Robertson, Luewilla Smith-Barnett and Thomas Proctor.

This year because of increased production costs for video equipment and streaming, we are giving our patrons the opportunity to give a donation through our “pay what you can” ticket system. If you would like to contribute to help support this event, click the “Pay What You Can” link below.  WashU students and Patrons who do not wish to contribute at this time may obtain the link to access the production by clicking on the Registration link.

 

“Pay What You Can” - Suggested Donation: $10

Donate Here 


Meet the 2021 Cohort

Leah Robertson
Vows of Melancholy

In my piece Vows of Melancholy, I dive into the realm of loss, its permanency and association with feelings of grief and isolation. I find irony in the ways in which desolation and loneliness in the face of loss are so relatable.
Throughout this piece, I explore the subtle, and often silent, ways in which grief connects us as emotional beings.  Loss is forever, and grief is everlasting. It sits in your pocket as you walk through life, sometimes hardly noticeable, sometimes weighing you down, but always there and always a part of you.  

 

 

Luewilla Smith Barnett
The Sacred Value of Women 

“Al’Nisa, The Women” is the 4th Surah (chapter) in the Holy Quran that teaches that both man and woman are made of the same being, which is Allah (God). The 19th Surah in the Holy Quran is titled “Maryam,” the mother of Jesus. Highlighting scripture and the teachings of the Most Honorable Elijah Muhammad as taught to me by the Honorable Minister Louis Farrakhan and my Muslim Girls Training and General Civilization Class (M.G.T. and G.C.C.) in the Nation of Islam, The Sacred Value of Women is an artistic testament to the divine nature, value and power of the woman.  It emphatically enlightens us to the world’s oppression, disrespect and exploitation of women, specifically Muslim women, despite scriptural guidance.  It ushers us into a world of dance that dispels myths, promotes the upliftment of the woman, and exposes us to her true essence, dynamism, regality, strength, sisterly bond, and motherly love. 

 

 

Thomas Proctor
Ubiquitous Plastic
Ubiquitous Plastic
is a response to the unwitting damage that we inflict upon the environment through habitat destruction and the proliferation of single use plastic waste. It is a study on what inspires us as humans to begin caring about the Earth and what effects these few insufficient heroes can have. Furthermore, this performance takes a look at an important potential pitfall of initiating climate change activism in the lives of daily people. Can we inspire change and how long-lasting is that change? All props and plastic used in this piece were gathered by the dancers over a 30 day period, in which the dancers were instructed to wash and save all the hard single-use plastic.

 

 

The MFA Student Dance Concert represents the final component of the MFA in Dance program.  Each section of the concert combines the artistic expression and kinetic innovations of the MFA in Dance students. The overarching goal of the MFA in Dance program is to develop each student's personal artistic practice while encouraging a global perspective on dance studies, performance, pedagogy, and choreography.  

Please Note:  Last year's 2020 MFA Dance Concert:"Mindscapes" featuring the work of the 2020 MFA Cohort which had been rescheduled for this Spring due to COVID has been cancelled.  

Osage Culture and History through the Lens of Art / Towards Thrivance

Native Futures, Native Voices speaker series - Norman Akers and Skawennati

Osage Culture and History through the Lens of Art

A discussion on how art perspectives are used to uniquely view Osage Cultures historically and in the present.

Speaker 

Norman Akers was born and raised in Fairfax, Oklahoma. He is a citizen of the Osage Nation from Grayhorse District. He received a BFA in painting from the Kansas City Art Institute in 1982, and a certificate in museum studies from the Institute of American Indian Arts in 1983. In 1991, he earned an MFA from the University of Illinois, Urbana-Champaign. 

Towards Thrivance

Skawennati will present an overview of her work as a practicing artist and as the Co-Director of Aboriginal Territories in Cyberspace (AbTeC). She hopes to show how these efforts to envision Indigenous people in the future encourage and empower our people today.

Speaker

Skawennati makes art that addresses history, the future, and change from her perspective as an urban Kanien’kehá:Ka woman and as a cyberpunk avatar. 

The Alliance for Native Programs & Initiatives’ speaker series “Native Futures, Native Voices” focuses on ways Indigenous Peoples continue to contribute and offer knowledge to the fields of art, education, history, humanities, environment and spirituality.

Details & RSVP

https://happenings.wustl.edu/event/native_futures_native_voices?_ga=2.167545086.1308850368.1611585743-418661339.1414523072#.YA9AgJNKjVp 

Where Blacks in America Have Been, Where We Are, Where We Must Go

Jack Kirkland, associate professor of social work - Brown School Open Classroom

The journey of Blacks in America has been complex and uneven, with undeniable progress made over the generations and still a disheartening distance to travel to achieve a truly level playing field.

In this talk, Brown School Associate Professor of Social Work Jack Kirkland will share analysis of the past and current state of the struggle for social justice for Black Americans and challenge the audience steps we must take to achieve the vision of a shared, equitable future.

Details & RSVP

https://brownschool.wustl.edu/Resources-and-Initiatives/Open-Classroom/Pages/Upcoming-Offerings.aspx 

Pro-Trump Era: Resistance, Hope and Mobilizing among Black American Families

Sheretta Butler-Barnes, associate professor of social work - Brown School Open Classroom

Historical vestiges of slavery and Jim Crow laws continue to have detrimental impact on Black American families in the U.S. Interdependent challenges with systemic and personal experiences of racism put Black American families at risk.

Under the former Trump administration, racial violence and hate crimes increased. How are Black American families resisting and mobilizing to ensure racial justice and equity in the Pro-Trump Era? Strategies for dismantling anti-blackness in research and practice will be discussed. 

The Brown School is pleased to co-sponsor this program with the Center for the Study of Race, Ethnicity and Equity.

Details & RSVP

https://happenings.wustl.edu/event/pro-trump_era_resistance_hope_and_mobilizing_among_black_american_families#.YBBGsJNKjVo 

“Misogynoir”: American Contempt Towards Black Women and How to Change It

HUMANITIES BROADCAST - A panel discussion - Brown School Open Classroom

In this discussion speakers will draw from their field specific insights to discuss Black women's experiences in the United States. Leveraging contemporary and historical examples, they will offer frameworks for understanding structural bias, harassment and violence against Black women and contemplate opportunities to disrupt it. The Brown School is pleased to co-sponsor this program with the Washington University Center for the Study of Race, Ethnicity and Equity.

Speakers

Adrienne Davis
Vice Provost for Faculty Affairs & Diversity & William M. Van Cleve Professor of Law; Co-Director, Center for the Study of Race, Ethnicity & Equity (CRE2)

Hedy Lee
Professor, Department of Sociology, Washington University in St. Louis; Co-Director, Center for the Study of Race, Ethnicity & Equity (CRE2) 

Matifadza Hlatshwayo
Associate Program Director, Fellowship Program, Division of Infectious Diseases, Washington University School of Medicine; Faculty Leadership, Office of Inclusion and Diversity

Kenly Brown
Postdoctoral Fellow, Department of African and African American Studies, Washington University in St. Louis; CRE2 Postdoctoral Affiliate

Details & RSVP

https://happenings.wustl.edu/event/misogynoir_american_contempt_towards_black_women_and_how_to_change_it#.YBBGtpNKjVo 

Who is Safe in St. Louis? Examining Why Black Male Personal Safety is Critical for A Better St. Louis

Town Hall

This collaborative effort between HomeGrown StL, the Clark-Fox Policy Institute at Washington University and community partners will highlight the widespread impacts of Black male safety on individuals and systems, and explore tools for actionable change.

This event will feature discussions of the following topics:

  • The current state of Black male personal safety in the St. Louis and its impacts on the region, demonstrated through presentations from topic experts
  • Insights from Black male St. Louis residents about the factors that have threatened or enhanced their individual sense of safety, and how these factors may have changed over time
  • Local efforts to improve Black male personal safety in the region, with opportunities to ask questions and provide feedback to the individuals and groups leading these efforts.

This event will be the first of a series of events for the First Annual St. Louis Black Male Week, which is being organized and co-sponsored by HomeGrown StL and the Regional Consortium of Higher Education.

Register to attend: https://happenings.wustl.edu/event/who_is_safe_in_st_louis_examining_why_black_male_personal_safety_is_critical_for_a_better_st_louis#.YBBiWJNKjVo 

Transforming St. Louis: A Conversation with Kayla Reed and Blake Strode

HUMANITIES BROADCAST - John Robinson, assistant professor of sociology, Washington University, in conversation with Kayla Reed, AB ’20, co-founder and director of Action St. Louis and lead strategist in the Movement for Black Lives; and Blake Strode, executive director at ArchCity Defenders.

The movement for racial justice has a long history in St. Louis. Local individuals and organizations continue to carry the work forward through coalitions and campaigns that target policies and structures.

This webinar will feature Kayla Reed, AB ’20, co-founder and director of Action St. Louis and lead strategist in the Movement for Black Lives, and Blake Strode, executive director at ArchCity Defenders, in a discussion about how they and their organizations are sparking action and changing structures in the St. Louis area and beyond. They’ll also discuss their partnership and how members of the WashU community can support and join their work. The conversation and Q&A will be moderated by John Robinson III, assistant professor of sociology, Washington University.

This event is sponsored by the WashU Alumni Association and the WashU Black Alumni Council.

RSVP: https://happenings.wustl.edu/event/transforming_st_louis_a_conversation_with_kayla_reed_and_blake_strode#.YBBj_5NKjVo 

Animals - First Fridays at Becker

On the first Friday of each month, join us on Zoom to see themed picks from the library's renowned archival and rare book collections. February's theme is "Animals."

Registration is not required. Simply join us on Zoom at the time of the event!

Exhibition Discussion of ‘Firstlings’: Sculptures + Works on Paper

Arny Nadler, associate professor, Sam Fox School of Design & Visual Arts - MLA Lecture Series, “Unprecedented Times”

A part of the MLA Lecture Series. “Unprecedented times” is a phrase of this moment, encompassing the pandemic, political division, the Black Lives Matter movement, and their reverberations. Research and art help us understand.

Arny Nadler’s sculptures in Firstlings invite us to reflect on our own physical and mental transformations — the surprises of the previously familiar — as we navigate the pandemic.

Please join us for this lecture to consider his work through the lens of these unprecedented times.

Note: All attendees will need to register to receive a Zoom link for the lecture. 

RSVP here or call (314) 935-6700 to get the link.

Monumental Anti-Racism

HUMANITIES BROADCAST: Geoff Ward, professor, African and African-American Studies, Washington University - MLA Lecture Series, “Unprecedented Times”

A part of the MLA Lecture Series. “Unprecedented times” is a phrase of this moment, encompassing the pandemic, political division, the Black Lives Matter movement, and their reverberations. Research and art help us understand.

Geoff Ward’s work on anti-racism links us to the racial inequity spotlighted by the Black Lives Matter movement, as well as COVID-19’s disproportionate effect on people of color.

Please join us for this lecture to consider his work through the lens of these unprecedented times.

Note: All attendees will need to register to receive a Zoom link for the lecture. 

RSVP here or call (314) 935-6700 to get the link.

Fourth Annual Robert Morrell Memorial Lecture in Asian Religions:

Fourth Annual Robert Morrell Memorial Lecture in Asian Religions: "Religious Self-Cultivation as Politics: Examples from Grassroots-Level Activism in Japan"

Levi McLaughlin, Associate Professor at the Department of Philosophy and Religious Studies, North Carolina State University

Though a majority of people in Japan self-identify in survey responses as “non-religious,” religions and religion-affiliated groups nonetheless wield significant influence on Japanese politics and policymaking. In this presentation, McLaughlin will draw on his recent ethnographic engagement with participants within the Association of Shinto Shrines, non-profit ethical training groups, and the Buddhist lay association Soka Gakkai, to shed light on how their quotidian engagements in local-level organizations shape the ideological dispositions and activities of institutions that guide voters and elected officials. The complex and at times paradoxical commitments of these grassroots-level activists, some of whom are devotees to Japanese nationalism who are not themselves Japanese and transgender lay Buddhists who work to perpetuate gender-divided religious administrations, also suggest how the operative categories “religion” and “politics” might be reassessed.

He is co-author of Kōmeitō: Politics and Religion in Japan (IEAS Berkeley, 2014) and author of Soka Gakkai’s Human Revolution: The Rise of a Mimetic Nation in Modern Japan (University of Hawai`i Press, 2019).

The Morrell Memorial Lecture in Asian Religions commemorates the work of the late Professor Emeritus Robert E. Morrell, a specialist in Japanese literature and Buddhism who taught at Washington University for 34 years and who holds special significance for the campus, as Morrell was the first to teach a course on Buddhism. This annual series commemorates his life work by bringing distinguished scholars of Asian religions to campus.

This lecture is a cosponsored by the Program for Religious Studies and the Department of East Asian Languages and Cultures.

 

 

 

‘Busting the Business Model of Trafficking:’ Eritrean Refugees, EU Migration Policy in Libya and the Politics of Transit

Fiori Berhane, Department of Anthropology, Brown University

Eritreans are the second largest population after Syrians to make asylum claims in the European Union, yet Eritrean refugees are invisible in larger narratives around the European Migration Crisis. Moreover, recent European Union border externalization deals with Libya and Sudan work to block Eritrean refugees from reaching European shores. EU officials rationalize these border externalization schemes as a means to “bust the business model of human smuggling” and reduce the number of migrants who die in the Central Mediterranean crossing.

In particular, this talk interrogates how disparate political generations of Eritrean refugees and exiles engage with the “European Migration Crisis,” through debates around migrant rescue and detainment in the Central Mediterranean within larger Italian and EU discourses. I argue that transit — as represented by the Libyan “humanitarian” detention complex — as an analytic and a particular socio-political space is key for understanding the neocolonial and racialized violence that undergirds global migration regimes in this current historical juncture.

Event page: https://afas.wustl.edu/events/%E2%80%98busting-business-model-trafficking%E2%80%99-eritrean-refugees-eu-migration-policy-libya-and-politics?d=2021-02-03 

Rethinking Black Feminist Solidarity in Germany

Tiffany Florvil, Associate Professor of History at the University of New Mexico

Please join the Department of Germanic Languages & Literatures and the Department of African and African-American Studies for the first lecture in the "Impacting Culture: Germany's African Diaspora" lecture series.

Dr. Florvil's paper analyzes Black German women’s participation in the international Cross-Cultural Black Women’s Studies Summer Institute conferences. Black German women, such as Marion Kraft, Helga Emde, and Katharina Oguntoye, brought the 1991 Institute to reunified Germany. These women's involvement with the institute represented their commitment to forge a global Black feminist solidarity with Women of Color and other allies. In the process, they advanced a particular type of gendered political Blackness.

The lecture is free and open to the public. After registering, you will receive a confirmation email containing information about joining the event.

Register in advance.

‘Guilty People’: A Conversation with Abbe Smith and Paul Butler

Abbe Smith, and Paul Butler, both from from Georgetown Law - Washington University School of Law Public Interest Law & Policy Speaker Series

Abbe Smith and Paul Butler in conversation about Smith’s latest book, Guilty People, which challenges the dangerous assumption that the guilty are a separate species, unworthy of humane treatment.   

Criminal defense attorneys protect the innocent and guilty alike, but, the majority of criminal defendants are guilty. This is as it should be in a free society. Yet there are many different types of crime and degrees of guilt, and the defense must navigate through a complex criminal justice system that is not always equipped to recognize nuances.
 
In Guilty People, law professor and longtime criminal defense attorney Abbe Smith gives us a thoughtful and honest look at guilty individuals on trial. Each chapter tells compelling stories about real cases she handled; some of her clients were guilty of only petty crimes and misdemeanors, while others committed offenses as grave as rape and murder. In the process, she answers the question that every defense attorney is routinely asked: How can you represent these people?

Speakers

Abbe Smith is a criminal defense attorney, professor of law at Georgetown University, and director of Georgetown’s Criminal Defense & Prisoner Advocacy Clinic and the E. Barrett Prettyman Fellowship Program. 

Paul Butler, the Albert Brick Professor in Law at Georgetown University, is a former federal prosecutor, legal analyst for CNN, MSNBC and NPR. He is one of the nation’s most frequently consulted scholars on issues of race and criminal justice. 

Presented by the Washington University School of Law Public Interest Law & Policy Speaker Series and the Washington University Center for the Study of Race, Ethnicity & Equity. 

Click here to register.

The First Amendment and the Mess We’re In: From the Streets to the Cloud

Gregory Magarian is the Thomas and Karole Greene Professor of Law, Washington University - Public Interest Law & Policy Speaker Series

Gregory Magarian, the Thomas and Karole Greene Professor of Law at Washington University, is a well-known expert in free speech, the law of politics, and law and religion. 

This event is presented by the Washington University School of Law Public Interest Law & Policy Speaker Series, the American Constitution Society, the Weidenbaum Center on the Economy, Government & Public Policy, and the Gephardt Institute for Civic & Community Engagement.

Click here to register.

Screening Contagion Film Series

Screening Contagion invites you to view four pandemic films, then attend a series of panel discussions with faculty drawn from a variety of disciplines. The four films include a Hollywood blockbuster (Steven Soderbergh, Contagion), a classic of world cinema (Ingmar Bergman, The Seventh Seal), a horror comedy (Edgar Wright, Shaun of the Dead) and a contemporary documentary about the Wuhan lockdown (Ai Weiwei, Coronation). How might these films help us understand pandemics in the past, present and future? How does our own pandemic moment inform how we view these films? Please join us for a wide-ranging conversation with faculty in the humanities, arts and medicine as they help us make sense of our own experiences with COVID-19. 

This film discussion series is free and open to the public.

 

Contagion (2011)

Thursday, February 11, 4 pm

View a recording of this discussion here

Steven Soderbergh, Contagion (2011)

Healthcare professionals, government officials and everyday people find themselves in the midst of a pandemic as the CDC works to find a cure.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Corinna Treitel, Professor of History, Director of Medical Humanities, Washington University

Patricia Olynyk, the Florence and Frank Bush Professor of Art, Washington University

Piroska Kopar, Director, Center for Humanism and Ethics in Surgical Specialties (CHESS) and Assistant Professor of Acute and Critical Care Surgery, Washington University School of Medicine 

Peter Lunenfeld, Vice Chair and Professor of Design Media Arts, Media Theorist, UCLA

 

 

Seventh Seal (1957)

Thursday, March 11, 4 pm

View a recording of this discussion here

Ingmar Bergman, The Seventh Seal (1957) 

A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Jen Arch, Senior Lecturer in English, Washington University

Erkki Huhtamo, Professor of Design Media Arts and Professor of Film, Television, and Digital Media, UCLA

Christine Johnson, Associate Professor of History, Washington University 

Christina Ramos, Assistant Professor of History, Washington University

 

Shaun of the Dead (2004)

Thursday, April 8, 4 pm

View a recording of this discussion here 

Edgar Wright, Shaun of the Dead (2004)

A man’s uneventful life is disrupted by the zombie apocalypse.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Colin Burnett, Associate Professor of Film and Media Studies, Washington University 

Christine Johnson, Associate Professor of History, Washington University 

Piroska Kopar, Director, Center for Humanism and Ethics in Surgical Specialties (CHESS) and Assistant Professor of Acute and Critical Care Surgery, Washington University School of Medicine

Jan Tumlir, Los Angeles–based art writer

 

Coronation (2020)

Thursday April 29, 4 pm

RSVP to join this discussion

Ai Weiwei, Coronation (2020)

A team directed by activist and artist Ai Weiwei films inside the hospitals, homes and quarantine sites of Wuhan, the first city hit in the global COVID-19 pandemic.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Patricia Olynyk, the Florence and Frank Bush Professor of Art, Washington University

Uluğ Kuzuoğlu, Assistant Professor of History, Modern Chinese and Global History, Washington University

Victoria Vesna, Founding Director of the Art | Sci Center and Professor, Design Media Arts, UCLA

Yuqian Yan, Postdoctoral Fellow in Chinese Performance Cultures, Washington University 

 

Participating faculty, Washington University

Jen Arch, Senior Lecturer, Department of English, Literature and Medicine
Colin Burnett, Associate Professor of Film and Media Studies
Christine Johnson, Associate Professor of History
Piroska Kopar, Director, Center for Humanism and Ethics in Surgical Specialties (CHESS) and Assistant Professor of Acute and Critical Care Surgery
Uluğ Kuzuoğlu, Assistant Professor of History, Modern Chinese and Global History
Patricia Olynyk, the Florence and Frank Bush Professor of Art
Christina Ramos, Assistant Professor of History, History of Medicine
Corinna Treitel, Professor of History, Director of Medical Humanities
Yuqian Yan, Postdoctoral Fellow in Chinese Performance Cultures

Participating faculty, University of California, Los Angeles

Erkki Huhtamo, Professor of Design Media Arts and Professor of Film, Television, and Digital Media
Peter Lunenfeld, Vice Chair and Professor of Design Media Arts, Media Theorist
Victoria Vesna, Professor, Department of Design Media Arts; Director, Art | Sci Center, School of the Arts and California Nanosystems Institute (CNSI)

Independent scholars/writers

Jan Tumlir, Los Angeles–based art writer

Sponsored by the Washington University Medical Humanities Minor and Center for the Humanities in partnership with the UCLA Art | Sci Center’s Medicine and Media Arts Initiative, Design Media Arts and California NanoSystems Institute

 

Headline image: “The World is Closed” by Edwin Hooper via Unsplash.

Screening Contagion Film Series: ‘Contagion’

HUMANITIES BROADCAST: A panel discussion including Corinna Treitel, professor of history, director of Medical Humanities, Washington University - Screening Contagion Film Series

The Screening Contagion Film Series invites you to view four pandemic films, then attend a series of panel discussions with faculty drawn from a variety of disciplines. The four films include a Hollywood blockbuster (Steven Soderbergh, Contagion), a classic of world cinema (Ingmar Bergman, The Seventh Seal), a horror comedy (Edgar Wright, Shaun of the Dead) and a contemporary documentary about the Wuhan lockdown (Ai Weiwei, Coronation). How might these films help us understand pandemics in the past, present and future? How does our own pandemic moment inform how we view these films? Please join us for a wide-ranging conversation with faculty in the humanities, arts and medicine as they help us make sense of our own experiences with COVID-19.

Film discussions take place February 11, March 11, April 8 and April 29.

This film discussion series is free and open to the public.

Thursday, February 11 discussion: Steven Soderbergh, Contagion (2011)

Healthcare professionals, government officials and everyday people find themselves in the midst of a pandemic as the CDC works to find a cure.

View a recording of this discussion here

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Corinna Treitel, Professor of History, Director of Medical Humanities, Washington University

Patricia Olynyk, the Florence and Frank Bush Professor of Art, Washington University

Piroska Kopar, Director, Center for Humanism and Ethics in Surgical Specialties (CHESS) and Assistant Professor of Acute and Critical Care Surgery, Washington University School of Medicine

Peter Lunenfeld, Vice Chair and Professor of Design Media Arts, Media Theorist, UCLA

View a recording of this discussion here

Saint Louis, a symbol for St. Louis?

HUMANITIES BROADCAST - Julie Singer, associate professor of medieval French literature at Washington University; and Amy Torbert, the Andrew W. Mellon Foundation Assistant Curator of American Art at Saint Louis Art Museum

Who was the real Saint Louis, Louis IX of France (1214–70)? What was his role in the Crusades? And what is the history of the statue on top of Art Hill? Why was this statue an object of controversy in our community on June 27, 2020? We will try to answer these questions thanks to  Julie Singer, associate professor of medieval French literature at Washington University; and Amy Torbert, the Andrew W. Mellon Foundation Assistant Curator of American Art at Saint Louis Art Museum.

The discussion (in English, free, open to the public) will be moderated by Lionel Cuillé, teaching professor of French in the Department of Romance Languages & Literature, and founding director, French Connexions Cultural Center at Washington University.

Zoom link: https://wustl.zoom.us/j/94212821245 

Meeting ID: 942 1282 1245

Art of the Healing Gods: Mystic Pots, Sacred Bundles, & Collective Selfhood in Black Atlantic Religions

Art of the Healing Gods: Mystic Pots, Sacred Bundles, & Collective Selfhood in Black Atlantic Religions

The Department of African & African American Studies welcomes Dr. Kyrah Daniels of Boston College, Departments of Art History and African & African Diaspora Studies

Abstract

This project investigates how Africana ritual vessels mediate relationships between humans and spirits in contemporary Caribbean and Central African healing ceremonies. Drawing from the fields of art history, comparative religion, and ethnography of ritual healing, this essay examines two kinds of healing vessels, Congolese banzungu ya bankoko and Haitian Vodou pakèt kongo. I identify unique aesthetic features of mystic clay pots and sacred cloth bundles respectively to understand their religious healing properties as repositories of medicine, embodied vessels, and encased altars. Though their distinct aesthetic forms may render these artifacts nearly unrecognizable cousins, both healing vessels host spirits and sacred objects inside. Their individual components harmonize to create a powerful collective “selfhood,” offering healing for individuals and the community. Ultimately, this study highlights the invaluable bodies of knowledge represented in Black Atlantic sacred art traditions as revealed through the ceremonial creation and use of mystic pots and sacred bundles, the art of the healing gods.

 

THIS EVENT IS OPEN TO THE PUBLIC

Register in advance for this meeting

Screening Contagion Film Series: ‘The Seventh Seal’

HUMANITIES BROADCAST: A panel discussion including Christine Johnson, associate professor of history; Jen Arch, senior lecturer in English; and Christina Ramos, assistant professor of history, all from Washington University - Screening Contagion Film Series

The Screening Contagion Film Series invites you to view four pandemic films, then attend a series of panel discussions with faculty drawn from a variety of disciplines. The four films include a Hollywood blockbuster (Steven Soderbergh, Contagion), a classic of world cinema (Ingmar Bergman, The Seventh Seal), a horror comedy (Edgar Wright, Shaun of the Dead) and a contemporary documentary about the Wuhan lockdown (Ai Weiwei, Coronation). How might these films help us understand pandemics in the past, present and future? How does our own pandemic moment inform how we view these films? Please join us for a wide-ranging conversation with faculty in the humanities, arts and medicine as they help us make sense of our own experiences with COVID-19.

Film discussions take place February 11, March 11, April 8 and April 29.

This film discussion series is free and open to the public.

Thursday, March 11 discussion: Ingmar Bergman, The Seventh Seal (1957)

A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague.

View a recording of this discussion here

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Jen Arch, Senior Lecturer in English, Washington University

Erkki Huhtamo, Professor of Design Media Arts and Professor of Film, Television, and Digital Media, UCLA

Christine Johnson, Associate Professor of History, Washington University 

Christina Ramos, Assistant Professor of History, Washington University

View a recording of this discussion here.

Screening Contagion Film Series: ‘Shaun of the Dead’

HUMANITIES BROADCAST: A panel discussion including Colin Burnett, associate professor of film and media studies; and Christine Johnson, associate professor of history, both from Washington University - Screening Contagion Film Series

The Screening Contagion Film Series invites you to view four pandemic films, then attend a series of panel discussions with faculty drawn from a variety of disciplines. The four films include a Hollywood blockbuster (Steven Soderbergh, Contagion), a classic of world cinema (Ingmar Bergman, The Seventh Seal), a horror comedy (Edgar Wright, Shaun of the Dead) and a contemporary documentary about the Wuhan lockdown (Ai Weiwei, Coronation). How might these films help us understand pandemics in the past, present and future? How does our own pandemic moment inform how we view these films? Please join us for a wide-ranging conversation with faculty in the humanities, arts and medicine as they help us make sense of our own experiences with COVID-19.

Film discussions take place February 11, March 11, April 8 and April 29.

This film discussion series is free and open to the public.

Thursday, April 8 discussion: Edgar Wright, Shaun of the Dead (2004)

A man’s uneventful life is disrupted by the zombie apocalypse.

View a recording of this discussion here.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Colin Burnett, Associate Professor of Film and Media Studies, Washington University 

Christine Johnson, Associate Professor of History, Washington University 

Piroska Kopar, Director, Center for Humanism and Ethics in Surgical Specialties (CHESS) and Assistant Professor of Acute and Critical Care Surgery, Washington University School of Medicine

Jan Tumlir, Los Angeles–based art writer

View a recording of this discussion here.

Screening Contagion Film Series: ‘Coronation’

HUMANITIES BROADCAST: A panel discussion including Uluğ Kuzuoğlu, assistant professor of history, modern Chinese and global history; Yuqian Yan, postdoctoral fellow in Chinese performance cultures, both from Washington University - Screening Contagion Film Series

The Screening Contagion Film Series invites you to view four pandemic films, then attend a series of panel discussions with faculty drawn from a variety of disciplines. The four films include a Hollywood blockbuster (Steven Soderbergh, Contagion), a classic of world cinema (Ingmar Bergman, The Seventh Seal), a horror comedy (Edgar Wright, Shaun of the Dead) and a contemporary documentary about the Wuhan lockdown (Ai Weiwei, Coronation). How might these films help us understand pandemics in the past, present and future? How does our own pandemic moment inform how we view these films? Please join us for a wide-ranging conversation with faculty in the humanities, arts and medicine as they help us make sense of our own experiences with COVID-19.

Film discussions take place February 11, March 11, April 8 and April 29.

This film discussion series is free and open to the public.

Thursday, April 8 discussion: Ai Weiwei, Coronation (2020)

A team directed by activist and artist Ai Weiwei films inside the hospitals, homes and quarantine sites of Wuhan, the first city hit in the global COVID-19 pandemic.

Members of the Washington University community (with a WUSTL key) may view the film prior to the discussion here. (Click on “WUSTL online resource” to be connected to the film.) All others can find stream/rent/buy options on JustWatch.com.

Panelists 

Patricia Olynyk, the Florence and Frank Bush Professor of Art, Washington University

Uluğ Kuzuoğlu, Assistant Professor of History, Modern Chinese and Global History, Washington University

Victoria Vesna, Founding Director of the Art | Sci Center and Professor, Design Media Arts, UCLA

Yuqian Yan, Postdoctoral Fellow in Chinese Performance Cultures, Washington University 

RSVP to join this discussion.

Swamp Capitalism: Environmental Racism in South Louisiana Landscapes

Swamp Capitalism: Environmental Racism in South Louisiana Landscapes

The Department of African & African American Studies welcomes Dr. Robin McDowell of Harvard University, Department of African and African American Studies.

Louisiana’s “Cancer Alley” is a corridor along the Mississippi River lined with oil refineries and plastic manufacturing plants on the sites of former plantations. Startling images of toxic smokestacks rising over sugarcane fields and towns founded by descendants of enslaved African and African American people have come to symbolize environmental racism in its most extreme form. This presentation travels through racial, economic, and ecological layers of Louisiana’s sugar plantations, oil fields, salt mines, and wetlands over the course of millennia. Using archives, oral histories, earth sciences, and mixed media artmaking, Swamp Capitalism excavates new dimensions of environmental racism and introduces a larger vision for environmental justice.

THIS EVENT IS OPEN TO THE PUBLIC

Register in advance for this meeting
Environmental Racism  in the context of Climate Change, Air Pollution & Neighborhood Design

Environmental Racism in the context of Climate Change, Air Pollution & Neighborhood Design

The Department of African & African American Studies welcomes Dr. Melissa Scott of Duke University, Samuel DuBois Cook Center on Social Equity.
Climate change, air pollution and neighborhood design are racial justice issues. A growing body of evidence shows that unethical policies on housing and segregation, redlining, gentrification and displacement are causing disproportionate harms on African Americans in the United States. Since their inceptions, the Civil Rights and the Environmental Justice movements have been inextricably linked. Now, more than ever, environmental threats like climate change, poor air quality and a lack of capital and financing in neighborhoods, put the lives of African Americans and minority communities at great risk. It is imperative that we move beyond the acknowledgement that health disparities exist toward understanding the root causes of health outcomes in racial and health equity scholarship. This talk will show it is essential that we better understand the deeply rooted connection between systemic racism and environmental racism in the United States, as a step towards improving the morality and health of our nation.
 
THIS EVENT IS OPEN TO THE PUBLIC
Register in advance for this meeting
Picturing Lagos: Photography and African Visual Histories

Picturing Lagos: Photography and African Visual Histories

The Department of African & African American Studies welcomes Dr. Olubukola Gbadegesin of St Louis University, Departments of African-American Studies and Fine and Performing Art, and Art History

The invention of the daguerreotype in 1839, ushered in a modern era of visual practice that marked a major turning point in African (and African Diaspora) visual history. This technological precursor to photography paved the way for the parallel advent of the camera and colonial rule on the continent, notably in the British economic and imperial center of West Africa: Lagos (Nigeria). Offering a brief overview of my manuscript, Picturing Lagos: Photography and Place in a West African City, 1861-1950, this talk explores the important but understated role that photographs played in the development of key social institutions—the colonial government, the church, and the press. Though they are now scattered across private collections and public archives in the US, Nigeria, and Europe, these photographs continue to evoke overlapping and competing visions of the city, much like they did in their colonial heyday.

THIS EVENT IS OPEN TO THE PUBLIC

Register in advance for this meeting
A Killing Cure: Education, Segregation and the Meaning of Health When Black Communities Disappear

A Killing Cure: Education, Segregation and the Meaning of Health When Black Communities Disappear

The Department of Education presents an Ilene Katz Lowenthal and Edward Lowenthal Symposium Series Event

As part of the Ilene Katz Lowenthal and Edward Lowenthal Symposium Series, the Department of Education welcomes featured speaker Dr. Noliwe Rooks, who is the W.E.B Du Bois Professor at Cornell University. After her presentation, Dr. Rooks will be joined by Dr. Amber Jones (Harris-Stowe State University), Dr. Jerome Morris (the E. Desmond Lee Endowed Professor of Urban Education at the University of Missouri - St. Louis), and Dr. Michelle Purdy (Washington University in St. Louis) for a conversation that connects the themes from her work to our local context in the St. Louis region.

Register Here

Grigsby Lecture: "Paris Past and Present"

Meredith Cohen (Associate Professor of Art History, UCLA) will present her ongoing digital project Paris Past and Present, which aims to reconstruct lost monuments of medieval Paris with interactive 3-D models. Visit the project site here: http://paris.cdh.ucla.edu/

This lecture is in English and is open to the public. 

Please email Julie Singer at jesinger@wustl.edu by Monday, March 1st to receive the Zoom link.

Poet of the People: The Greatness of Langston Hughes

A conversation about Hughes's greatness on the 100th anniversary of his first published poem.

One hundred years ago Langston Hughes published his now-famous first poem, “The Negro Speaks of Rivers.” In the decades that followed, as both a longtime resident of Harlem and a cosmopolitan world traveler, Hughes wrote of Black life in masterful, deceptively simple poems and prose that made him one of the most popular and influential writers of the twentieth century.

Join Brent Hayes Edwards, Director of the Schomburg Center's Scholars-in-Residence Program, and Professor of English and Comparative Literature at Columbia University, and Rafia Zafar, Professor of African-American Studies at Washington University in St. Louis and editor of Library of America’s two-volume collection of Harlem Renaissance novels, for a conversation about Hughes’s greatness and about his centrality for American literature and the culture of the global African diaspora. Featuring readings by poets Kevin Young and Tyehimba Jess.

There will be a brief Q&A at the end of the program; you will be able to type a question and submit it to the event moderator.

Registration is required to attend this event. After registering on Eventbrite, you will receive a confirmation email from Zoom with instructions on how to join the presentation. We ask that you download the Zoom app in advance for the best user experience.

Presented in partnership with the Association of Literary Scholars, Critics, and Writers; the Hutchins Center for African & African American Research; Washington University in St. Louis; and the Schomburg Center for Research in Black Culture.

LOA Live programs are presented free of charge to help readers across the nation and around the globe make meaningful connections with America's best writing. Programs are made possible by contributions from friends like you, and we hope you'll consider a suggested donation of $15 to support future presentations.

Library of America, a nonprofit organization, champions our nation's cultural heritage by publishing America's greatest writing in authoritative new editions and providing resources for readers to explore this rich, living legacy.

Click Here to Register!
Picture a Scientist Discussion

Picture a Scientist Discussion

Q&A with Jane Willenbring

Dr. Jane Willenbring, a geomorphologist and associate professor at Stanford University, joins the Department of Earth and Planetary Sciences for a discussion and Q&A about Picture a Scientist.

The film Picture a Scientist chronicles the groundswell of researchers who are writing a new chapter for women scientists. Biologist Nancy Hopkins, chemist Raychelle Burks, and geologist Jane Willenbring lead viewers on a journey deep into their own experiences in the sciences, ranging from brutal harassment to years of subtle slights. Along the way, from cramped laboratories to spectacular field stations, we encounter scientific luminaries - including social scientists, neuroscientists, and psychologists - who provide new perspectives on how to make science itself more diverse, equitable, and open to all. 

You can view the trailer here: https://www.pictureascientist.com/media. Contact Claire Masteller for details about how to access a virtual screening of the entire film and for Zoom meeting details.

Farmworkers in the Visual Field: Racial Capitalism and Farmworker Representation

LATIN AMERICAN STUDIES PROGRAM AT WASHU
ZOOM LECTURE SERIES ON RACE AND ETHNICITY
[Co-Sponsored by the Dean of Arts and Sciences; and Revista de Estudios Hispánicos].

Extrapolating from my book Farm Worker Futurism: Speculative Technologies of Resistance, in this talk I analyze struggles in the visual field between California agribusiness and farm workers of color. Agribusiness has historically used cameras to surveil and control workers, while farm worker unions have employed cameras to imagine better worlds and project different, more egalitarian social orders. Understood in this way, the visual field of agricultural production in California is an important site where farm workers oppose forms of racial capitalism. I draw on Cedric J. Robinson’s theorization of racial capitalism in Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film Before World War II (2007), where he argued that racist film representations rationalized the exploitation of workers of color and encouraged racism among white workers. Films vilifying people of color, Robinson concluded, normalized the disciplining of Black and Latinx labor and encouraged white racism to the benefit of finance capitalists who were also invested in the film industry. While Robinson focused on commercial films, I use his ideas to analyze agribusiness and especially union made visual culture (including photography, painting, posters, theater, and marches) as weapons in battles between capitalists and farm workers

Curtis Marez is a Professor of Ethnic Studies at UC San Diego, the former editor of American Quarterly, and the former President of the American Studies Association. He is the author of Drug Wars: The Political Economy of Narcotics (University of Minnesota Press, 2004); Farm Worker Futurism: Speculative Technologies of the Resistance (University of Minnesota Press, 2016); and University Babylon: Film and Race Politics on Campus (University of California, 2019).


Registration at this link:
https://wustl.zoom.us/meeting/register/tJcqduChrzoiH9de4mwCIFA4nD6gLpatoUd-
For more information, contact Prof. Ignacio Sánchez Prado: isanchez@wustl.edu

Yuyachkani's Andinismo: Performing (towards) a Poetics of Race

LATIN AMERICAN STUDIES PROGRAM AT WASH ZOOM LECTURE SERIES ON RACE AND ETHNICITY 

[Co-Sponsored by the Dean of Arts and Sciences; and Revista de Estudios Hispánicos]
 

Peruvian theater troupe Grupo Cultural Yuyachkani, which this year celebrates its 50th anniversary, is well known for its theatrical aesthetics, which draws on a unique, truly cosmopolitan blend of Western, Andean, and even Asian performance traditions. It is now commonplace to comment upon lo andino in the work of Yuyachkani, but most who do so focus on a readily evident oral, visual, and thematic repertoire—the use of Quechua, the deployment of Andean music, dance, masks, and costumes, and the use of characters from popular highland festivals. The danger in such assessments, however, is to suggest that Yuyachkani falls into the type of Andeanism, famously criticized by Orin Starn in 1991, that romanticizes the Andes as a place of untouched, authentic indigenous culture which in its persistence has somehow managed to remain “outside the flow of modern history.” My work aspires to dig deeper into Yuyachkani’s Andeanism—a political-aesthetic proposition informed by rigorous study, fieldwork, and experimentation—by placing its corpus of over 30 plays in direct dialogue with some of the most important thinkers of ethnicity in Peru, many of whom the group directly references in essays, interviews, and the plays themselves. This presentation will focus on the centrality of the work of José María Arguedas for Yuyachkani. More than any other thinker, Arguedas pushes the group from a static understanding of lo andino, dominant among academics in the 70s and early 80s when the group began, towards a staging of interculturality that, I argue, should place Yuyachkani as a major contributor to the theorizing of race in the Andes. 

Anne Lambright (Chickasaw Nation) is Professor of Hispanic Studies and Head of the Department of Modern Languages at Carnegie Mellon University. Her interests center on Andean literature and culture; human rights and social justice studies; critical transnational Indigenous and Native American studies; Latin American film, sonic, and visual cultures; and translation theory and practice. She is the author of Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru (2015), awarded the Katherine Singer Kovacs prize for outstanding book on Spain or Latin America by the Modern Language Association, and Creating the Hybrid Intellectual: Subject, Space, and the Feminine in the Narrative of José María Arguedas (2007), and she is co-editor of Unfolding the City: Women Write the City in Latin America (2007). Currently, she is completing a critical anthology and translations of selected human rights plays by the renowned Peruvian theater troupe, Grupo Cultural Yuyachkani

 

Lecture at this link:
https://wustl.zoom.us/j/94175102047?pwd=dmVlSEJoTjBPaGkvZWlYK28xNjh2dz09
For more information, contact Prof. M. Moraña: moranamabel@gmail.com

Virtual Book Launch for Rarities of These Lands: Art, Trade, and Diplomacy in the Dutch Republic

Virtual Book Launch for Rarities of These Lands: Art, Trade, and Diplomacy in the Dutch Republic

Claudia Swan, Mark Steinberg Weil Professor of Art History

The Department of Art History and Archaeology is pleased to host a virtual book launch for Rarities of these Lands: Art, Trade and Diplomacy in the Dutch Republic (Princeton U Press), authored by Claudia Swan, the inaugural Mark Steinberg Weil Professor of Art History and Archaeology. This event will feature a conversation between Professor Swan and Professor Larry Silver, Emeritus Professor, University of Pennsylvania. 

This event will be on Zoom, and attendance will be limited. To RSVP or for more information, please contact Betha Whitlow, bwhitlow@wustl.edu.

 

 

 

Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday

Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday

Ksenia Chizhova, assistant professor of Korean literature and cultural studies, Princeton University

Violence and bloody family feuds constitute the core of the so-called lineage novels (kamun sosŏl) that circulated in Chosŏn Korea from the late seventeenth to the early twentieth century. Such subject matter becomes ever more puzzling when we consider that the main audience for these texts were elite women of Korea, who were subjected to exacting comportment standards and domestic discipline. Coeval with the rise and fall of Korean patrilineal kinship, these texts depict the genealogical subject—emotional self socialized through the structures of prescriptive kinship, but kinship itself is treated as a series of conflicts between genders and generations.

This talk will contextualize lineage novels and the domestic world in which they were read within the patrilineal transformation of the Chosŏn society and the emergence of elite vernacular Korean culture, patronaged by elite women. The proliferation of kinship narratives in the Chosŏn period illuminates the changing affective contours of familial bonds and how the domestic space functioned as a site of their everyday experience. Drawing on an archive of women-centered elite vernacular texts, this talk uncovers the structures of feelings and conceptions of selfhood beneath official genealogies and legal statutes, revealing that kinship is as much a textual as a social practice.

Registration required to attend Zoom lecture.

Register Here

Sponsored by the East Asian Studies program

Empire of Eloquence: The Classical Tradition in the Early Modern Hispanic World

Empire of Eloquence: The Classical Tradition in the Early Modern Hispanic World

A virtual talk by Professor Stuart M. McManus, Assistant Professor of Pre-Modern World History, Chinese University of Hong Kong

How did ancient Mediterranean rhetoric, law and culture shape life in the early modern Hispanic world? To answer this question, this talk will explore the role of the classical tradition in structuring and disseminating Hispanic discourses on empire, slavery and Christian missions with a particular focus on the ways ancient literary forms and civic practices (from the epigram to Ciceronian public speaking) were then appropriated by ethnically Iberian, indigenous and African students of antiquity to carve out a place for themselves within this hierarchical global space. By taking a global and intersectional approach to classical reception studies, this talk makes the case that the global impact of Greece and Rome cannot be understood without reference to historically-specific constructions of race, gender and class.

Stuart M. McManus is a Latinist and scholar of the classical tradition in global and multiethnic context, with a particular focus on the reception of ancient Mediterranean culture in Latin America, Asia, Africa and among people of color in the United States. He has also published on Roman law, slavery, indigenous-language philology and contemporary Latinx culture. These interests form part of a larger intellectual project to uncover the complex role played by Greco-Roman Antiquity in non-western contexts and to engage students who have been traditionally underrepresented in the field. He received a PhD in history and classical philology from Harvard University.  McManus is also an Affiliate Scholar of the Center for Transnational and Comparative Law, Faculty of Law. 

 

 

Department of Music Online Lecture: Jocelyne Guilbault

‘Trinis (Trinidadians) know how to Party’: Black Joy and its relation to the Political

Jocelyne Guilbault, Professor of ethnomusicology, University of California, Berkeley
 
Examining Trinidad’s carnival culture of partying, I address the values, desires and feelings that animate such an embodied practice, the music that attracts and mobilizes its participants, and the conditions in which it is performed. In doing so, my aim is to explore the interrelations between aesthetics, ethics, and politics in this highly valued sensibility and ability. What is the relation of “party people” to the local communities at large? Are Trinidadians’ know-how and love to party moving away from or expanding normative ways of thinking about “the political”? Or is this know-how and love to party central to “the process of ambiguation” that Adom Philogene Heron refers to as “integral to Caribbean expression” and vitality? I conclude by reflecting on what partying as “event” sets into motion. 

Biography:

Jocelyne Guilbault is Professor of Ethnomusicology at the Music Department of the University of California, Berkeley. Since 1980, she has done extensive fieldwork in the French Creole- and English-speaking islands of the Caribbean on both traditional and popular music. Informed by a postcolonial perspective, she published several articles on issues of representation, aesthetics, West Indian music industries, multiculturalism, world music, and the politics of musical bonding. She is the author of Zouk: World Music in the West Indies (U of Chicago Press, 1993), a study that maps the complex musical network among the French-Creole speaking islands, and the vexed relations that are articulated through music between the West Indian French Departments and the Metropole, France. Her book, Governing Sound: the Cultural Politics of Trinidad’s Carnival Musics (U of Chicago Press, 2007), explores the ways the calypso music scene became audibly entangled with projects of governing, audience demands, and market incentives. In Roy Cape: A Lifetime on the Calypso and Soca Bandstand (Duke U Press, 2014), an experiment in dialogic co-authorship with a reputed Trinidadian calypso and soca band leader, she engages the audible entanglements of circulation, reputation and sound.  Co-editor of Border Crossings: New Directions in Music Studies (Repercussion, 1999-2000), she recently co-edited a volume entitled Sounds of Vacation: Political Economies of Caribbean Tourism (Duke U Press, 2019). Dr. Guilbault has been on several editorial boards and served as a board member of the Canadian Music Society, the Society for Ethnomusicology, and the Caribbean Studies Association, and the Board of Governors of the University of California Humanities.

REGISTER

Energy & Israeli Foreign Policy:  A Virtual Israeli Center Series with Dr. Elai Rettig

Energy & Israeli Foreign Policy: A Virtual Israeli Center Series with Dr. Elai Rettig

Land of Milk, Honey, and Sunshine – Promises and Challenges for Renewable Energy in Israel

As the world faces increasing environmental threats due to climate change, Israel was marked as a promising source of technological innovation in solar energy. What happened to that promise, and what are Israel's chances of decarbonizing its own energy market?

Dr. Elai Rettig is the Israeli Institute Teaching Fellow in Israeli and Environmental Studies at Washington University in St. Louis.  In this three-part study, Dr. Rettig will explore the interplay between energy security and foreign policy in Israel from 1948 to the present.

This lecture is the third of a three-part series. 

 

 

Energy & Israeli Foreign Policy:  A Virtual Israeli Center Series with Dr. Elai Rettig

Energy & Israeli Foreign Policy: A Virtual Israeli Center Series with Dr. Elai Rettig

Peace Pipelines or Energy Wars? – Israel Gas Politics in the Mediterranean Sea

Major offshore natural-gas discoveries in 2010 created many economic and foreign policy opportunities for Israel, but also set in motion a series of escalating clashes between the countries of the region. In this talk we will discuss the politics over gas production and gas exports in the East Mediterranean Sea, and examine what options Israel has in the near future.

Dr. Elai Rettig is the Israeli Institute Teaching Fellow in Israeli and Environmental Studies at Washington University in St. Louis.  In this three-part study, Dr. Rettig will explore the interplay between energy security and foreign policy in Israel from 1948 to the present.

This lecture is the second of a three-part series.

 

 

Energy & Israeli Foreign Policy:  A Virtual Israeli Center Series with Dr. Elai Rettig

Energy & Israeli Foreign Policy: A Virtual Israeli Center Series with Dr. Elai Rettig

Angry at Moses – Israel’s Quest for Oil Since 1948

Securing reliable oil imports has been a top national security priority for Israeli decision makers since the country's establishment. How did Israel manage to obtain oil supplies during numerous embargos and how did this shape its foreign policy and global weapons trade?

 

Dr. Elai Rettig is the Israeli Institute Teaching Fellow in Israeli and Environmental Studies at Washington University in St. Louis.  In this three-part study, Dr. Rettig will explore the interplay between energy security and foreign policy in Israel from 1948 to the present.

 

This lecture is the first of a three-part series. 

 

Hostile Terrain 94 Toe Tags with the Contemporary Art Museum

Hostile Terrain 94 Toe Tags with the Contemporary Art Museum

Fill out toe tags at CAM

Washington University in St. Louis faculty and students will provide instruction at CAM toward the creation of an interactive memorial exhibition on the school campus. Participants will complete toe tags with the identification information of migrants who have died while attempting to cross the border between Mexico and the United States, from the mid-1990s through 2019. When the memorial is completed, 3,200 lost lives will be represented.

Make a free reservation to visit CAM here to participate; Walk-ins will be accommodated based on health and safety capacity limits.

See full event details

If you are studying remotely and would still like to participate, please fill out our form here with the number of toe tags you would like to receive via mail. 

Learn more about Hostile Terrain in St. Louis
Department of Music Online Lecture: Dr. Dwandalyn Reece

Department of Music Online Lecture: Dr. Dwandalyn Reece

MUSIC AND THE MEANING OF THINGS

Dr. Dwandalyn Reece - Associate Director for Curatorial Affairs at Smithsonian National Museum of African American History and Culture

Among the National Museum of African American History and Culture’s twelve permanent exhibitions stands Musical Crossroads, an overview of over 400 years of African American music-making from the time when the first enslaved Africans were brought to the Americas to the present.  Through the exhibition’s 345 objects visitors have encountered stories that explore the creation, dissemination, and reception of a rich tapestry of musical creativity.  
 
The ways we engage with music is constantly evolving. Over the last three decades, countless number of museums, historic sites, libraries, and archives have built music collections for research, exhibition, and programming. As a universal mode of expression and creativity, music is the great equalizer in the human experience. From performance and scholarship, to the latest technological innovations, the multiple worlds that music inhabits is a culture unto itself. Within this movement to document, preserve, and interpret music’s existence, is a growing interest in music’s material culture, the tangible objects that are the material evidence of its existence.   
 
In this lecture, Dr. Dwandalyn Reece will discuss her methodology of interpreting the history of African American music through the lens of its material culture.   Conceptualized around the idea that objects deepen our understanding of music’s meaning in a social, historical, and cultural context,  Reece will demonstrate how this approach opens up new possibilities in interpreting the meaning of music in African American life.   
 
Biography:

Dwandalyn R. Reece is Associate Director for Curatorial Affairs and Supervisor Museum Curator. She brings more than 30 years of knowledge and experience in the museum field, including more than ten years at NMAAHC as Curator of Music and Performing Arts. In that role she built a collection of over 4,000 objects, curated the museum’s inaugural permanent exhibition, Musical Crossroads, for which she received the Secretary’s Research Prize in 2017, curated the museum’s grand opening music festival, Freedom Sounds, served as executive committee chair of  the pan-institutional group Smithsonian Music, and co-curated the Smithsonian Year of Music initiative in 2019.  Prior to her tenure with NMAAHC, Dwan worked as a Senior Program Officer at the National Endowment for the Humanities. She ​also has worked previously as the Assistant Director of the Louis Armstrong House Museum, Chief Curator at the Brooklyn Historical Society, and Curator at the Motown Museum in Detroit. 

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The Frontlines of Peace

The Frontlines of Peace

Speaker: Professor Severine Autesserre, Barnard College, Columbia University

Professor Severine Autesserre, award-winning author, peacebuilder, and researcher, as well as a Professor of Political Science at Barnard College, Columbia University, will speak about her new book on May 6, 2021.

The Frontiers of Peace:  An Insider's Guide to Changing the World draws upon in-depth field research in twelve different conflict zones to challenge popular beliefs and scholarly ideas about war, peace, and conflict resolution.  Professor Autessere is a leading authority on peacebuilding with over 20 years of experience working in and conducting research on international aid throughout the world.

Register in advance for this meeting:
https://wustl.zoom.us/meeting/register/tJclceChqzsjHtwOxEI_tlpK1psOaY7S-...

After registering, you will receive a confirmation email containing information about joining the meeting.

This event is cosponsored with the French Connexions Cultural Center and the School of Law's Public Interest Law & Policy Speaker Series at Washington University.

 

How should we theorize injury in fan studies?

HUMANITIES BROADCAST - Keynote lecture by Rebecca Wanzo, professor and chair, Department of Women, Gender and Sexuality Studies, Washington University. Fandom + Piracy Lecture Series, Berkeley Center for New Media

Perhaps no issue makes disciplinary differences in approaches to the popular transparent like the question of injury. In Fan Studies, scholars are very attentive to the agency of fans and concerned about reductive characterizations of them, just as fans are attentive to dismissive interpretations of their love objects. Fans and media studies scholars more broadly push against causal claims about the injuriousness of popular culture that are more common in the social sciences, as such scholarship rarely without examines the transformational and utopian work of the popular. This talk takes as a case study a popular text in which accounts of injuriousness came from multiple directions: the HBO limited series Watchmen. Damon Lindelof called the show “a very expensive bit of fanfic,” and for some fans of the original comic book, the injury was the emphasis on race and social justice. Many fans were also sympathetic to comic book writer Alan Moore’s understandable objections to constant infringement on his intellectual property by the publishers. For some descendants of the Greenwood Massacre, the writers were guilty of cultural theft. And for others, the political discourse of the show was injurious because of its casting of a Black woman as a police officer and the treatment of reparations. In this talk Wanzo will explore how injury is just as important as pleasure in our understanding of the role of the popular in our lives, and discuss how competing injuries often structure evaluations of the popular text’s value.

Interlocutors:

Grace Gipson, Assistant Professor of African American Studies at Virginia Commonwealth University.

Malika Imhotep, Ph.D candidate in African American Studies at University of California, Berkeley.

Patrick Johnson, Assistant Professor of American Multicultural Studies at Sonoma State University.

Hosted by Abigail De Kosnik, Associate Professor in the Berkeley Center for New Media and the department of Theater, Dance and Performance Studies at University of California, Berkeley.

Direct link: http://bcnm.berkeley.edu/events/4223/conference/4193/fandom-piracy-keynote-how-should-we-theorize-injury-in-fan-studies 

From the Mediterranean to St. Louis and Beyond: Sephardic Jews, Migration, and Race in the United States

From the Mediterranean to St. Louis and Beyond: Sephardic Jews, Migration, and Race in the United States

Devin E. Naar, PhD - Isaac Alhadeff Professor of Sephardic Studies and Chair of the Sephardic Studies Program at the University of Washington, Seattle

Sephardic Jews from the Muslim world of the Ottoman Empire who came to the United States during the early twentieth century stood apart from the vast majority of American Jews, not only due to their relatively small numbers, but also because of how immigration authorities and established Ashkenazi Jewish institutions (mis)classified and racialized the newcomers due to their distinctive places of origin, languages, cultures, customs, and appearance. This lecture tells the little known story of Ottoman Jews in the United States, including their efforts to navigate an American immigration system profoundly shaped by racial hierarchies, antisemitism, and Islamophobia; their attempts to evade deportation; and their initial forays into establishing new communities, institutions, and cultural initiatives across the country--including in St. Louis.

Devin E. Naar is the Isaac Alhadeff Professor of Sephardic Studies and associate professor of history and Jewish studies at the University of Washington. An alumnus of Washington University in St. Louis, Naar served as a Fulbright scholar in Greece. As chair of the Sephardic Studies Program, he has established one of the world's largest digital repositories of books and archives pertaining to the Sephardic Jewish experience. His first book, Jewish Salonica: Between the Ottoman Empire and Modern Greece, won a 2016 National Jewish Book Award as well as the 2017 Edmund Keeley Prize for best book awarded by the Modern Greek Studies Association. His new book project focuses on Ashkenazi and Sephardi Jews, Race, and Migration in the United States.

Click here to access the flyer for this event.

 

 

 

Phi Beta Kappa Visiting Scholar Lecture: Meaningfulness - A Third Dimension of the Good Life

Phi Beta Kappa Visiting Scholar Lecture: Meaningfulness - A Third Dimension of the Good Life

Join guest speaker Dr. Susan Wolf of the University of North Carolina at Chapel Hill for this Assembly Series event.

In thinking about what we want for ourselves and for those about whom we care, we tend to think in terms of the categories of self-interest and morality. We want, in other words, to be both happy and good. These categories, however, leave something out: an interest that our lives be meaningful. This lecture, with Dr. Susan Wolf, will propose an analysis of meaningfulness in terms of subjective engagement with objective values. Understanding meaningfulness this way brings together the attractive elements of other more popular ways of thinking about the concept and makes intelligible why we should care deeply about having meaning in our lives.

Advanced Registration is Required

Reproductive Justice and the Prison-Industrial Complex: Examining the Connections

Join the Department of Women, Gender and Sexuality Studies for a discussion with organizers and practitioners in the fields of reproductive justice and prison abolition to learn about the connections between racial and sexual violence, transphobia and the prison-industrial complex. Speakers will address how barriers to health services and economic resources are shaped by white supremacy, settler colonialism, transphobia and sexism, and how collectives and individuals are organizing against mass incarceration. Topics include gender self-determination, the disproportionate impact of mass incarceration on Black, brown, and indigenous populations, alternatives to policing, sexual assault survivors and the law and collective access to reproductive resources. Q&A to follow panelist presentations. 

Registration & details: https://wgss.wustl.edu/events/reproductive-justice-and-prison-industrial-complex-examining-connections?d=2021-03-12 

Monumental Women: Female Statuary and the Struggle for Suffrage, 1870-1920

Dr. Nicole Williams, Honorary Guest Scholar, Department of Art History and Archaeology

Monumental Women: Female Statuary and the Struggle for Suffrage, 1870-1920 is a virtual event. To RSVP or to ask any questions, please contact Betha Whitlow, bwhitlow@wustl.edu

Black Italians and Digital Culture in Contemporary Italy

Italian-Ghanaian Director Fred Kuwornu

Director Fred Kuwornu discusses issues of culture, race, identity, and citizenship in contemporary Italy drawing from the new arena of social media. Kuwornu shines a spotlight on a generation of Black Italians - artists, entrepreneurs, and bloggers- who have been affirming themselves in Italian culture and society gaining more visibility nationally and in the Global Black Diaspora.  Among the topics: race and national identity, second generations and issues of citizenship in Italy, new media and activism, Black women in Italy, music and media industry. 

Fred Kudjo Kuwornu is an Italian-Ghanaian filmmaker, activist-producer-educator, born and raised in Italy and based in Brooklyn. After his degree in Political Sciences and Mass Media from the University of Bologna, he moved to Rome where he worked as a TV show writer for RAI public television.  After working with the production crew of Spike Lee’s Miracle at St. Anna, Kuwornu made the award-winning documentary Buffalo Soldiers based upon his research on the unknown story of the 92nd Infantry Buffalo Soldiers Division, the African American segregated combat unit, which fought in Europe during WW II. In 2012, he released 18 IUS SOLI  which examines multiculturalism in Italy but also specifically looks at questions of citizenship for the one million children of immigrants born and raised in Italy but are not yet Italian citizens. His 2016 Blaxploitalian 100 Years of Black in Italian Cinema is a diasporic, hybrid, historical, critical, and cosmopolitan documentary on African descent actors in Italian cinema. In 2020 Kuwornu launched Blaq•IT, the first Black Italian web-documentary devoted to the stories of Black Italians in Italy and in the world. 

Lecture at this link:

https://wustl.zoom.us/j/7166260148 

For more information, contact Prof. Elena Dalla Torre:  elenad@wustl.edu

"France is back!": disruption et continuité de la diplomatie culturelle aux Etats-Unis en temps de pandémie

Virtual Roundtable (in French)

Please join us for a virtual roundtable with Gaëtan Bruel, Cultural Counselor, Embassy of France in the United States. Bruel took on his new role as Cultural Counselor of the French Embassy in the United States on September 3, 2019. He is a  graduate of the Ecole Normale Supérieure, with an academic background as a historian, throughout his career he has specialized in cultural issues, working at multiple French ministries, and overseeing two of France's most important national monuments. Since 2017, he has been an adviser to the French Minister of Europe and Foreign Affairs, in charge of the Americas and cultural diplomacy. In this position, he closely followed the political, military, economic, commercial, and cultural relationship between France and the United States, while working on French cultural diplomacy around the world. Previously, he worked at the French Ministry of Culture, as an administrator of the Arc de Triomphe and the Pantheon. Responsible for overseeing the restoration of these monuments and hosting nearly three million visitors to these sites each year. During this time, he helped renew the cultural and educational programming at these two icons of the French Republic. He has also worked at the French Ministry of Defense, as adviser to the Minister in charge of culture, helping to establish relationships with universities and think-tanks, and creating a "cinema" program to develop ties between producers, screenwriters and the French military.

In French and Moderated by Lionel Cuillé, Washington University in St. Louis 

Zoom Meeting ID: 921 2562 0775
Passcode: none

“Performance and Social Theory: Functionalism and Tragic Action in Montesquieu”

“Performance and Social Theory: Functionalism and Tragic Action in Montesquieu”

Pannill Camp, Chair of Performing Arts & Associate Professor of Drama at Washington University in St. Louis

Performing Arts Department Colloquium 2020-2021

As part of a project that assesses the status of social theory as a precursor to performance theory, this talk will examine the lineage of structural functionalism. This highly influential way of understanding the role of culture in producing social order is a major if largely submerged factor in the thought of Victor Turner, Richard Schechner, and other early performance theorists. Functionalism also shows lines of influence that expose performance theory's roots in Enlightenment liberal political thought. Montesquieu's concept of societal "action," will be discussed as an early instance of theatrical thinking in this intellectual history.

This was a live zoom event.  

 

Pannill Camp, Chair of Performing Arts & Associate Professor of Drama at Washington University in St. Louis, studies performance theory, theatre architecture, and the history of modern western theatre, in particular exchanges between theatre and philosophy in seventeenth and eighteenth-century France.

His research focuses on exchanges between theater, architecture, and philosophy in eighteenth-century France, French freemasonry as a set of performance practices, and the antecedents of performance theory in social thought from the eighteenth through twentieth centuries. He is the author of The First Frame: Theatre Space in Enlightenment France (Cambridge University Press, 2014), which received an honorable mention for the Association for Theatre in Higher Education (ATHE) Outstanding Book Award for 2015, and was short-listed for the 2015 Kenshur Prize, awarded by the Indiana University Center for Eighteenth-Century Studies.

He is at work on two new book projects that explore the social dimensions of performance in the modern era. One, entitled Arts of Brotherhood: French Freemasonry in Performance, looks at the ways embodied performances helped freemasons in eighteenth-century France forge models of masculine homosocial behavior and preserve an esoteric body of knowledge. The other, entitled Performance and Social Theory, traces theatrical ideas in social theory from Montesquieu and Adam Smith to the mid-twentieth century sociology of Erving Goffman. 

Before arriving at Washington University, Pannill was a postdoctoral fellow at the Mahindra Center for the Humanities at Harvard and taught in Harvard’s History of Art and Architecture department. His articles have appeared in journals including Theatre Journal, Philological Quarterly, the Journal for Eighteenth-Century Studies, the Journal of Dramatic Theory and Criticism, and Performance Research. Pannill has directed several productions, including plays by Molière, Ibsen, Strindberg, and Mac Wellman. He is also a co-host of On TAP: A Theatre & Performance Studies Podcast along with Sarah Bay-Cheng and Harvey Young.  

Them & Me: Black Boys’ Mental Health

Them & Me: Black Boys’ Mental Health

Kevin Simon, M.D. will explore the evidence of unconscious bias, systemic racism, criminal (in) justice, and health inequity specific to Black Boys in America. We will discuss these intersections and their mental health implications. Using excerpts of classic Black narrative, film, and clinical cases, participants will examine Black Boys’ mental health through an antiracist lens.

The panel discussion features:

  • Ericka V. Hayes, MD- Associate Professor, Department of Pediatrics; Medical Director, Pediatric and Adolescent HIV Program; Associate Medical Director, Infection Prevention, Washington University School of Medicine in Saint Louis
  • Sean Joe, Benjamin E. Youngdahl Professor of Social Development, Principal Director, Race and Opportunity Lab, George Warren Brown School of Social Work
  • Husain Lateef, assistant professor, George Warren Brown School of Social Work
  • Adam Layne, St. Louis Public School Board Member

This event is co-sponsored by The Office of the Dean of the School of Medicine, the WUSM Office of Diversity and Inclusion, WUSM Department of Psychiatry, the Center for the Study of Race, Ethnicity & Equity; the Department of Anthropology and Department of African & African American Studies.

Kevin M. Simon, M.D., is a board-certified psychiatrist completing dual fellowships in Child and Adolescent Psychiatry and Addiction Medicine at Boston Children’s Hospital / Harvard Medical School. Simon completed a general psychiatry residency in the Department of Psychiatry and Behavioral Sciences at Morehouse School of Medicine after graduating from Southern Illinois University School of Medicine. Simon has received research support from the American Psychiatric Association, American Academy of Child and Adolescent Psychiatry, National Institute of Mental Health, National Institute of Drug Abuse, and Substance Abuse and Mental Health Services Administration. Simon’s research and writings on inequity, race, social determinants, and substance use have been published in NEJM, Health Equity, Health Affairs, Psychiatric Services, Psychiatric Times, Current Psychiatry, and Child and Adolescent Psychiatric Clinics. He regularly presents at national conferences and has been featured on ABC News, Forbes and NPR.

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Hostile Terrain 94 Toe Tags with the Contemporary Art Museum

Hostile Terrain 94 Toe Tags with the Contemporary Art Museum

Fill out toe tags at CAM

Washington University in St. Louis faculty and students will provide instruction at CAM toward the creation of an interactive memorial exhibition on the school campus. Participants will complete toe tags with the identification information of migrants who have died while attempting to cross the border between Mexico and the United States, from the mid-1990s through 2019. When the memorial is completed, 3,200 lost lives will be represented.

Make a free reservation to visit CAM here to participate; Walk-ins will be accommodated based on health and safety capacity limits.

See full event details

If you are studying remotely and would still like to participate, please fill out our form here with the number of toe tags you would like to receive via mail. 

Learn more about Hostile Terrain in St. Louis

International Writers Series: Olivia Lott

In this virtual reading and discussion, doctoral candidate Olivia Lott will present her recent translation of Lucía Estrada’s Katabasis, the first full collection of poetry by a Colombian woman to be translated into English. It takes its title from the Greek word for descent, referring to both classical knowledge quests into the underworld by epic heroes and, more broadly, to any journey into madness, darkness, the unknown. A three-part plunge into the darkness of the world, and of the mind, Estrada’s prose poems depict the night, the subconscious, and the surreal. Katabasis is longlisted for the 2020 PEN Award for Poetry in Translation. Lott will be joined in discussion by Rebecca Hanssens-Reed, a doctoral student in Comparative Literature and fellow literary translator.

Public Tour: ‘Art, Untitled’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

On March 13, Lingran Zhang (Arts & Sciences ’21) explores the practice of titling artworks, considering how the “Untitled” label shapes viewer responses to a range of modern and contemporary artworks from the collection.

The program will include live closed captions.

This hour-long tour is free, but registration is required. Register here: https://wustl.zoom.us/webinar/register/WN_vpaQFzTETkaiTt49I9Tn9Q. 

The Fruits of Empire: A Book Talk About Art, Food and Racism

HUMANITIES BROADCAST - Shana Klein, AB ’05, author of “The Fruits of Empire: Art, Food and the Politics of Race in the Age of American Expansion,” and Angela Miller, professor of Art History and Archaeology, Washington University.

Join the WashU Alumni Association for a virtual conversation featuring Shana Klein, AB ’05, author of The Fruits of Empire: Art, Food and the Politics of Race in the Age of American Expansion. Angela Miller, professor of Art History and Archaeology, will be moderating the event.

Still-life paintings of food look innocent at first sight. Pictures of bowls bulging with oranges and grapes were fashionable in American dining rooms, but were fruits merely delicious gems in pretty pictures to admire? The Fruits of Empire argues otherwise. This book talk will discuss Klein’s research on representations of food to understand how they reflected and shaped conversations about race and national expansion in the United States. In a moderated discussion, Klein will discuss the paintings, photographs and silverware objects in her book and ask: Who do images of food serve? And at whose expense? The results are not always delicious.

Shana Klein is a professor and historian of American art. She holds a doctorate in art history from the University of New Mexico, where she completed the dissertation — and now book — The Fruits of Empire: Art, Food, and the Politics of Race in the Age of American Expansion. This book investigates food in paintings, photographs, advertisements and cookbooks to understand how representations of fruit pressed upon the nation’s most heated debates over race and citizenship. Klein has been awarded several fellowships for this research at the Smithsonian American Art Museum and Georgia O’Keeffe Museum, among others. Klein’s research interests include American visual culture, food studies, race and post-colonial studies, and art and social justice. 

Registration required: https://wustl.advancementform.com/event/fruits-of-empire-shana-klein/register 

Public Tour: ‘Figures of Myth and Legend’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

This tour considers how artists working in various artistic mediums have connected figures from ancient Greek and Roman mythology to their own historical contexts.

This hour-long tour is free, but registration is required. Register here: https://www.kemperartmuseum.wustl.edu/events/tours/14320 

A Conversation with Twyla Tharp

Twyla Tharp is a legendary dancer, director and choreographer

Join WashU alumnus Jamie Schutz, AB ’95, Emmy Award–winning producer and director, president of Stick Figure Entertainment, for a conversation with legendary dancer Twyla Tharp. Stick Figure Entertainment, in association with American Masters Pictures, is debuting the documentary Twyla Moves on March 26, 2021, on PBS. This documentary will feature never-before-seen interviews and select performances from Tharp’s vast array of more than 160 choreographed works, including 129 dances, 12 television specials, six major Hollywood movies, four full-length ballets, four Broadway shows, and two figure skating routines. The documentary will feature appearances by Misty Copeland, Herman Cornejo, David Byrne, Billy Joel, and more. Director Steven Cantor will also join this conversation, with the trailer for the film to open the event.

Register to attend: https://wustl.advancementform.com/event/conversation-with-twyla-tharp/register 

Public Tour: ‘Art, Untitled’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

This tour explores the practice of titling artworks, considering how the “Untitled” label shapes viewer responses to a range of modern and contemporary artworks from the collection.

This hour-long tour is free, but registration is required. Register here: https://wustl.zoom.us/webinar/register/WN_BLxPLX5QRW-NjamksNKTcw 

Chinese-Language Tour: Picasso and Spain

Pablo Picasso was born and raised in Spain, and the impact of this cultural background can be perceived in many of his artworks. In this Zoom tour, Yue Dai, doctoral student in the Department of Art History & Archaeology in Arts & Sciences, discusses Picasso’s works in the Kemper Art Museum collection in a range of media including paintings, prints, and ceramics, and their connections to Spanish culture.

This hour-long tour in Chinese is free, but registration is required. Register here: https://www.kemperartmuseum.wustl.edu/events/tours/14345 

30th Annual Washington University Pow Wow

The 30th Annual Washington University Pow Wow will be held virtually on March 27-March 28. This event is organized and hosted by the Katherine M. Buder Center for American Indian Studies in the Brown School. The Department of Art History and Archaeology is a co-sponsor for this event.

For event details, visit buder.wustl.edu or facebook.com/budercenter, or contact bcals@wustl.edu.

Public Tour: ‘Figures of Myth and Legend’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

This tour considers how artists working in various artistic mediums have connected figures from ancient Greek and Roman mythology to their own historical contexts.

The program will include live closed captions.

This hour-long tour is free, but registration is required. Register here: https://wustl.zoom.us/webinar/register/WN_HL1J4qf7RgKdIMF3CaclHw 

Public Tour: ‘Art, Untitled’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

This tour explores the practice of titling artworks, considering how the “Untitled” label shapes viewer responses to a range of modern and contemporary artworks from the collection.

This hour-long tour is free, but registration is required. Register here: https://wustl.zoom.us/webinar/register/WN_TLkSZkG7R0GHvEBQn9ezag 

Public Tour: ‘Figures of Myth and Legend’

Join us for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper Art Museum collection, showing images of the artworks through screen sharing and answering participant questions.

This tour considers how artists working in various artistic mediums have connected figures from ancient Greek and Roman mythology to their own historical contexts.

This hour-long tour is free, but registration is required. Register here: https://wustl.zoom.us/webinar/register/WN_ky4JRNWEQKCAyrA8vgO75w 

Henry L. and Natalie E. Freund Teaching Fellow Lecture: Dana Levy

Israeli-born, New York–based artist Dana Levy

Israeli-born, New York–based artist Dana Levy, recipient of the 2019–2020 Henry L. and Natalie E. Freund Teaching Fellowship, will join Saint Louis Art Museum curator Hannah Klemm for a conversation about Levy’s Currents 119 exhibition. On view February 26–August 15, 2021, the exhibition explores how humans interact with historic architecture and highlights disparities between what we expect of architecture and urban planning and the real, nuanced histories of the built environment.

This virtual program will take place via Zoom and will include opportunities for participants to ask questions with the Q&A feature. Capacity for the live program is limited, and attendees must register to receive the Zoom link.

Register here: https://us02web.zoom.us/webinar/register/WN_N38zhCh7Sk6aMXQmrL6jvw 

Conversation: Environmental Racism and the Arts

HUMANITIES BROADCAST - Panel discussion includes Geoff Ward, professor of African and African-American studies in Arts & Sciences at Washington University

This discussion will focus on environmental racism, social justice and the arts. It brings together artist-in-residence Jordan Weber, Des Moines-based multi-disciplinary artist; Michael Allen, senior lecturer in architecture, landscape architecture, and urban design in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis; Inez Bordeaux, organizer for Close the Workhouse and manager of community collaborations at ArchCity Defenders; and Geoff Ward, professor of African and African-American studies in Arts & Sciences at Washington University.

Weber is currently an artist-in-residence in a collaborative project by the Center for the Study of Race, Ethnicity, and Equity (CRE2) and the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and the Pulitzer Arts Foundation. This initiative is supported through the generosity of an endowment created by Emily Rauh Pulitzer to support collaboration between the Pulitzer and the Sam Fox School.

Weber’s St. Louis residency focuses on social and environmental justice, incarceration, and healing with a specific focus on the Close the Workhouse campaign.

This free program will be hosted on Zoom; registration is required: https://us02web.zoom.us/webinar/register/WN_xdWTEJjWRBWcTVx68EzDHA 

Lina Bo Bardi Draws: Pictures at an Exhibition

Architecture Faculty Lecture: Zeuler Lima

Zeuler Lima, associate professor, Sam Fox School. Lima is the author of the acclaimed biography Lina Bo Bardi about the Italian-born Brazilian architect (Yale University Press, 2013), with several worldwide lectures and deferential reviews, including in The New York Review of Books. He has contributed extensively to national and international journals, museum catalogues and book editions and is co-editing a forthcoming anthology of texts by architects from Latin America for the Museum of Modern Art (New York).

Register here: https://wustl-hipaa.zoom.us/webinar/register/WN_GfrM53fYSKquU7tR_OlbZw 

Human Centered Computing Approaches to Issues of Social Justice

Eric Corbett, PhD, CUSP Smart Cities / Provost’s Postdoctoral Fellow, New York University

Eric Corbett is currently a postdoctoral researcher at New York University’s Center for Urban Science and Progress. His background is in computer science and human-computer interaction. He has worked on projects across various subjects including: resisting and countering gentrification; supporting trust in civic relationships between local government officials and marginalized communities; and most recently, creating new opportunities for democratic participation in public sector algorithm use. Throughout his research, the overarching thread has been exploring the intersections between design, social justice, democracy, and technology.

Register here: https://wustl.az1.qualtrics.com/jfe/form/SV_3wqWK5Yvo2wlPM2

Discussions Series Panel Discussion: Architectural History as a Global Discipline

The featured panelists will explore several questions: What does it mean for a historian to be global? What are the blind spots in achieving a truly global architectural history? What are the main lessons of global architectural histories that have been written in the last twenty years? What will be the impact of the current pandemic and social unrests on the notion of “global”?

Panelists

  • Mark Jarzombek, Massachusetts Institute of Technology
  • Kathleen James-Chakraborty, University College Dublin
  • Zeynep Çelik Alexander, Columbia University
  • Tao Zhu, University of Hong Kong

Register here: https://wustl.zoom.us/webinar/register/WN_aP02IOWrTgawr6X862raOg 

Poorly Understood: What America Gets Wrong About Poverty

Mark Rank, the Herbert S. Hadley Professor of Social Welfare, Brown School, Washington University

The idealized image of American society is one of abundant opportunities, with hard work being rewarded by economic prosperity. But what if this picture is wrong? What if poverty is an experience that touches the majority of Americans? Join Professor Mark Rank for a discussion regarding his latest book Poorly Understood, which systematically addresses and confronts many of the most widespread myths pertaining to poverty.

Register here: https://bit.ly/2yaXyBC 

Tea War: A History of Capitalism in China and India

Tea War: A History of Capitalism in China and India

Andrew B. Liu, assistant professor of history, Villanova University

In this talk, Dr. Liu will present the arguments of his recently published book, Tea War: A History of Capitalism in China and India. Tea remains the world's most popular commercial drink today, and at the turn of the twentieth century, it represented the largest export industry of both China and colonial India. Challenging past economic histories premised on the technical "divergence" between the West and the Rest, Liu will discuss how seemingly traditional technologies and practices were central to modern capital accumulation across Asia. Integrating the histories of China and India through tea, he will talk about the possibilities for conjuring a more flexible and globally oriented conceptualization of the history of capitalism.

Registration is required to attend the Webinar. Once registered you will receive the link for the webinar.

Supported by a gift from Leung Tung Peter & Lin Young.

Organized by East Asian Languages and Cultures and WUSTL China Forum

Narrating the Eighteenth Century in Qing Kashgar

Narrating the Eighteenth Century in Qing Kashgar

David Brophy, senior lecturer in modern Chinese history, University of Sydney

David Brophy's recently published translation, In Remembrance of the Saints, is a work of Chaghatay-language literature written in Kashgar in the 1780s, depicting the Islamic society of the Tarim Basin (today's Xinjiang) on the eve of its incorporation into the Qing Empire. For an understanding of the Qing expansion from a local Muslim perspective, it stands out as a unique source. The text reflects a complicated, multisided contest for power in the region during the eighteenth century, and the lingering fallout of conflicts among religious elites that divided the oasis society. This talk will introduce the work from both historical and literary perspectives, and reflect on how it can contribute to our understanding of Qing rule in Islamic Central Asia.

Registration is required to attend the Webinar. Once registered you will receive the link for the webinar.

Supported by a gift from Leung Tung Peter & Lin Young.

Organized by East Asian Languages and Cultures and WUSTL China Forum

Department of Music Online Lecture: Dr. Greg Downey

Department of Music Online Lecture: Dr. Greg Downey

"The dynamics of the embrace: An analysis of leading and following in Argentine tango"

Professor of Anthropology, Macquarie School of Social Sciences

Argentine tango started as a partner dance in the Rio Plata region of Argentina and Uruguay but has become a global phenomenon, practiced throughout the world. One of the most technically difficult of the social dances, Argentine tango can take years to master, and the subtle interaction of leader and follower are a challenge to master. One of the most difficult skills to develop is referred to be English-speaking practitioners as ‘musicality,’ or the ability to express oneself in synchrony and aesthetically pleasing ways with, not just one’s partner, but also the music being played in a tanda, a cluster of songs during which two partners will dance together. 

Drawing on ethnographic research and years of Argentine tango practice, this talk explores the dynamics of musical embodiment and the phenomenology of dance, seeking to better understand the complexity of leading and following to tango music and why dancers find it so compelling. How do couples organise themselves to move together, ideally achieving what some practitioners have called a body with ”four legs and one heart?” I will argue that Argentine tango dancing is a form of active listening that offers a case study or ideal type for understanding the relations we can take up to different forms of music. To dance Argentine tango is a demanding form of listening together, demonstrating the synergy that two bodies can develop when both are highly skilled at sensing each other, listening together, and coordinating their expression. 

Biography:

Greg is a teacher, writer, and anthropologist who has conducted field research in Brazil, the United States and the Pacific. He has advocated extensively for neuroanthropology — the integration of brain and cultural research to understand how humans induce variation in their own nervous system. Greg is the author of Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art (Oxford, 2005). Greg is also the co-editor, with Daniel Lende, of The Encultured Brain: An Introduction to Neuroanthropology (MIT, 2012), and co-editor with Melissa Fisher of Frontiers of Capital: Ethnographic Reflections on the New Economy (Duke, 2006). As a teacher, Greg has helped to build Macquarie University’s strength in a range of areas, especially the teaching of human diversity, evolution, psychological variation, and human rights. In 2013, he was chosen for the Vice Chancellor’s Award for Teaching Excellence, recognition for his teaching in the Department of Anthropology and his innovative online education (through Open2Study). Greg lives in Sydney, where he’s also an avid salsa and tango dancer. 

REGISTER

Serienabend 1: Freud

Serienabend 1: Freud

Please join us for the first German department Serienabend.

We will watch the first episode of the series "Freud," entitled "Hysteria." Austrian psychologist Sigmund Freud is struggling with his career and a cocaine addiction. All of a sudden, he is drawn into the investigation of a gruesome crime. A medium grants him a séance.

You will need to have a Netflix subscription and have downloaded the Google Chrome extension called "Teleparty." English subtitles will be available.

Professor Caroline Kita, a 19th- and 20th-century German and Austrian literature scholar of our department, will join us for a discussion on plat, language, and cultural aspects of the episode after the viewing.

The screening is free and open to the public. After registering, you will receive a confirmation email containing information about joining the event.

Register in advance

 

Jewish revivalism in the Arab Gulf States

Jewish revivalism in the Arab Gulf States

A Talk with Dr. Moran Zaga

Dr. Moran Zaga will speak about the social and political conditions in the Arabian Gulf that created an interest in Judaism and what is unique about the UAE within this trend. She will examine which dimensions of Judaism are particularly attractive to the countries of the Gulf, and discuss how this connects to the recent normalization accords with Israel.

Dr. Zaga is a Post-Doctoral Fellow in the Department of Near Eastern Languages and Civilizations at the University of Chicago, and a Policy Fellow at the Israeli Institute for Regional Foreign Policies (“Mitvim”).

Click here to access the poster for this event.

 

 

HDW Colloquium: Building a Database of Early Race Film: Meaningful Collaboration with Students

HDW Colloquium: Building a Database of Early Race Film: Meaningful Collaboration with Students

A public lecture by Miriam Posner, Assistant Professor in Information Studies & Digital Humanities at UCLA

Please mark your calendars for our next HDW Colloquium, featuring Miriam Posner, Assistant Professor in Information Studies & Digital Humanities at UCLA. Professor Posner will give a talk via Zoom on Monday, March 8th at 4pm titled, "Building a Database of Early Race Film: Meaningful Collaboration with Students." The talk covers her teaching methods and practices at the intersections of digital curation, data management, and student encounters with visual and filmic archival materials, including UCLA's George P. Johnson Negro Film Collection.  Please RSVP by writing to iph@wustl.edu.

Hiding in Plain Sight: Black Women the Law and the Making of a White Argentine Republic

Professor Erika Denise Edwards, University of North Carolina-Charlotte

LATIN AMERICAN STUDIES PROGRAM AT WASHU
ZOOM LECTURE SERIES ON RACE AND ETHNICITY

[Co-Sponsored by the Dean of Arts and Sciences; and Revista de Estudios Hispánicos].

This presentation is a gendered analysis of black invisibility in Argentina. It focuses on Black and African descended women who actively partook in the construction of racial identities during the eighteenth and nineteenth centuries. Focused on the household and intimate relationships that ensued, Edwards argues, that Black and African descended concubines, wives, mothers, and daughters are central to understanding the making of a white Argentine nation. 

Erika Denise Edwards is an associate professor of Latin American History at the University of North Carolina at Charlotte. Edwards' research focuses on black experience in Argentina. She has recently published the book Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic which is a gendered analysis of black erasure in Argentina.  It has won the Association of Black Women Historians 2020 Letitia Woods Brown Memorial Book Prize and named one of best Black Perspectives Black history book in 2020. Edwards' research advocates for a re-learning of Argentina's black past and the origins of anti-blackness. She has been quoted and consulted by The New York Review of Books, the New York Times, and La Voz del Interior

Zoom lecture link :https://wustl.zoom.us/j/99061180690?pwd=YjRzMVhEZVU1aEoyVmhQWWV2bk45QT09

For more information, contact Prof. Mabel Moraña 

 

Mediterranean Migration: Dynamics and Consequences on the EU and MENA Regions

Mediterranean Migration: Dynamics and Consequences on the EU and MENA Regions

Victoria Grace Assokom-Siakam (IAS '20) moderated by Dr. Younasse Tarbouni

Victoria Grace Assokom-Siakam is a fellow at the Secretary General’s Office at the National Commission for Human Rights and Freedoms – Cameroon where she supports writing activity proposals and reports. Throughout undergrad, Assokom-Siakam has always been involved with organizations that seek to improve the quality of life of people whether that be through increasing access to healthcare, education, or other social services. Some notable experiences include: her three years supporting gun violence prevention activities at Washington University’s Institute for Public Health and her time as a user researcher for the ReImagine UCollege project which sought to make University College more accessible to professionals in the St. Louis community. She graduated in May 2020 from Washington University in St. Louis with a B.A in International and Area Studies concentrated in Development.

 

Access the event via Zoom

Washington University Department of Sociology Presents: Judas and the Black Messiah

Washington University Department of Sociology Presents: Judas and the Black Messiah

Washington University in St. Louis Sociology Department presents both a film screening and discussion panel of Judas and the Blask Messiah. Featured panelists include Professors Adia Harvey Wingfield, Lerone Martin, and David Cunningham, as well as Sociology and AMCS students Kennedy Young and Tori Harwell.

Registration Required

Black Girlhood Studies Lab in Conversation with Dr. LeConté Dill

In this conversation, Dr. Leconté Dill will share her expertise in public health, Black girls, and creative projects as contributions to the field of Black girlhood studies.

Dr. LeConté Dill is the Director of Public Health Practice and Clinical Associate Professor of Social and Behavioral Science at New York University (NYU) in the School of Global Public Health. Her community-engaged research interests are focused on addressing health inequities and fostering protective factors among urban youth of color. Using qualitative and arts-based research methods, she examines the relationship between adolescent development and multiple levels of violence. Dr. Dill has a commitment toward transdisciplinary research, and her work has been published in such journals as the American Journal of Public Health, Health Education & Behavior, Journal of Adolescent Research, American Journal of Community Psychology, and Meridians: feminism, race, transnationalism. 

Funded by the Center for the Study of Race, Ethnicity, and Equity and co-sponsored with the Institute of Public Health, American Culture Studies, and Women, Gender & Sexuality Studies

 

register in advance for this event

2020-2021 Weltin Lecture: Reading Race in Early Christian Texts

Dr. Philippa Townsend, Chancellor's Fellow in New Testament and Christian Origins, Director of Equality, Diversity and Inclusion, School of Divinity, New College, University of Edinburgh

 

The issue of racial justice has exploded into public discourse over the past year. Dr. Townsend's paper explores the intersection of ancient and modern discourses on race, asking how the study of ethnicity in the ancient world connects to the current context, how early Christian texts construct kinship and ethnic difference, and how interpretation of those texts has shaped contemporary ideas about race and religion.

Dr. Townsend received her AM in Religion at Harvard University and her PhD from Princeton University. She explores early Christianity fully within the broader context of the Greco-Roman world looking to understand the formation of early Christian identity in all its complexity. Her work cuts across traditional disciplinary boundaries to study pagan and Jewish, canonical and non-canonical texts together. Her current book project explores early Christians' ideas about race, ethnicity, and universalism, interpreting them within the context of the discursive association between sacrifice and kinship construction in the Jewish and Greco-Roman world. Her second book project is a reading of the New Testament Book of Revelation from a Jewish diaspora perspective.

E. G. Weltin retired from full time teaching after a long distinguished career as professor of Greek and Roman history and Director of the Program in Religious Studies at Washington University. Upon retirement, a lectureship in early Christian history was established in his honor by gifts from his students. Over the past 25 years, the Weltin lectures have brought distinguished scholars of early Christianity to campus for what has become one of the most anticipated events in the Religious Studies academic year.

To learn more about the impact of the Weltin Lecture visit: A professor’s lasting impact.

Americanist Dinner Forum

Americanist Dinner Forum "Doc du Jour" with Meredith Kelling

"Document Du Jour" Dinner Forum is an opportunity for an AMCS graduate student to present an intriguing or puzzling document or artifact from his or her dissertation research - one that will be of wide interest to Americanists across disciplinary lines - and to puzzle through it with colleagues. We'll circulate the document along with a brief cover note from the presenter stating the questions s/he is posing, the rationale for posing them, and the relevant interpretive contexts.

This month's presenter is Meredith Kelling.

In the 1950s, the Minnesotan writer and activist Meridel Le Sueur was gifted a reel-to-reel recorder by the staff of Sing Out! magazine. Le Sueur had been very active during the 1930s, writing about working class struggles (particularly those of women) for leftist publications, before getting blacklisted during the McCarthy era. In Le Sueur, Sing Out! and its co-founder, Pete Seeger (a personal friend), saw a particular skill for collecting the voices of the underrepresented. 

For decades thereafter, Le Sueur lugged the tape recorder on her extensive travels throughout the United States and recorded scores of stories from workers and labor activists, the politically persecuted, immigrants, and working mothers. But she had other uses, too. The tape recorder seems to have been a central feature of domestic life, and many of the tapes include hours of family conversation, including children and grandchildren singing, reciting poetry, and interviewing one another. Le Sueur also recorded hours of music—both live performances and radio broadcasts—which makes her an early practitioner of music bootlegging and mixtaping. 

Considering the collective hodge-podge of contents of these tapes (many of which were reused and recorded over, adding new layers to the sounds), I interpret the collection of tapes not just as a source for raw materials (such as the interviews), but as a cohesive, expressive work in and of themselves.  In my dissertation chapter on Le Sueur’s literary and audio corpus, I trace Le Sueur's authorial impulse to record and transmit the sounds of the underrepresented along the winding surface of magnetic tape. I argue that these sounds echo the aesthetics and politics that motivated Le Sueur's literary work, such as The Girl (written in the 1930s, but not published until the 1970s). 

In Le Sueur’s gathering of official, broadcasted voices, everyday testimonies and other sounds, I identify the author’s sustained critique of radio, television, and other media forms that shaped public discourse and state action throughout the long twentieth century—particularly as related to the experiences of the American working class. 

In my broader dissertation project in literature, in which I analyze a terrain of extra- or para-literary writing by American women for its circulatory and subversive potentialities, Le Sueur’s archive is key evidence of how feminist and Leftist women writers used alternative methods for reaching audiences through literary work—beyond publication of recognizably literary forms. In my analysis, Le Sueur’s archive—a massive body of journals, unpublished pieces, late-published novels, teaching work, and audio recordings—demonstrates the utility of examining women’s writing activities outside of publication. Expanding the scope of close-reading activities to include her unpublished (and audio) work, I argue, makes it possible to fully assess the author’s varied expressive and political powers.

For the dinner forum, participants will be invited to listen to a set of these audio materials in advance, which have been digitized and made accessible by the Minnesota Historical Society, where Le Sueur’s papers are held. 

The Americanist Dinner Fora are the flagship intellectual event for the AMCS community. Each month features a new set of speakers exploring a topic relevant to American Studies through the medium of a selected reading. The reading will be circulated the week prior. AMCS PhD Certificate students are expected to attend each of the fora, and AMCS MA students and AMCS Faculty are strongly encouraged to attend.

REGISTRATION
Fleeing Nazi Germany: Jewish Refugees in Portugal

Fleeing Nazi Germany: Jewish Refugees in Portugal

A lecture on the topic of Jewish life in prewar/wartime Europe

Dr. Marion Kaplan, Skirball Prof. of Modern Jewish History, New York University

Dr. Kaplan will describe the travails of refugees escaping Nazi Europe and awaiting their fate in Portugal.  Drawing attention not only to the social and physical upheavals of refugee existence, the talk highlights their feelings as they fled their homes and histories while begging strangers for kindness. Life in limbo has at its core anxiety and fear, but also courage and resilience. Most refugees in Portugal showed strength and stamina as they faced unimagined challenges.  For them, Lisbon emerged as a site of temporality and transition, a “no-man’s-land” between a painful past and a hopeful future. Paying careful attention to the words of refugees in Portugal may help us to understand Jewish heartbreak and perseverance in the 1940s and also to listen compassionately to refugees’ stories in our own times.

This lecture is the third part of a three-part series of webinars covering this topic.
The other two speakers are Karen Auerbach (3/22) and Anna Hájková (4/7).

 

 

The Last Ghetto: A New History of the Theresienstadt Ghetto

The Last Ghetto: A New History of the Theresienstadt Ghetto

A lecture series on the topic of Jewish life in prewar/wartime Europe

Dr. Anna Hájková, Associate Professor of Modern European Continental History, University of Warwick

How should we write a history of the prisoner society? Anna Hájková’s New History of the Theresienstadt Ghetto.

Terezín, as it was known in Czech, or Theresienstadt, as it was known in German, was operated by the Nazis between November 1941 and May 1945 as a transit ghetto for Central and Western European Jews before their deportation for murder in the East. Today, Theresienstadt is best known for the Nazi propaganda of the International Red Cross visit, cultural life, and children. But these aspects explain little what defined the lives of its 140,000 inmates. The Last Ghetto offers both a modern history of this Central European ghetto and the first in-depth analytical history of a prison society during the Holocaust.

Gender was one of the most important categories of the inmate society in Terezín. The ways people understood belonging, propriety, and kinship was profoundly gendered, and in some ways more conservative than the liberal prewar societies in Central Europe of which the inmates used to be part. Moreover, Theresienstadt produced its own social hierarchies under which even small differences among prisoners decided their fate. During the three and a half years of the camp's existence, prisoners created their own culture and habits, bonded, fell in love, and forged new families. Based on extensive archival research in nine languages and on empathetic reading of victim testimonies, The Last Ghetto casts light on human society works in extremis.

This lecture is the second in a three-part series of webinars covering this topic. 
The other two speakers are Karen Auerbach (3/22) and Marion Kaplan (4/21).

A Catholic Woman and Her Jewish Family in Nineteenth-Century Poland: A Coming-of-Age Tale about National Identity, Religion and Alienation

A Catholic Woman and Her Jewish Family in Nineteenth-Century Poland: A Coming-of-Age Tale about National Identity, Religion and Alienation

A lecture on the topic of Jewish life in prewar/wartime Europe

Dr. Karen Auerbach, Department of History and the Carolina Center for Jewish Studies, UNC-CH

This talk reconstructs the life history and fractured identity of a young Polish woman from a Jewish family in Warsaw at the turn of the twentieth century as she navigated evolving conceptions of nation, ethnicity, religion and race. Drawing on her diary and family papers, the talk will examine her family’s path from Judaism to Catholicism as a case study of the ambiguities and contradictions in the role of religion and culture in notions of national belonging in fin-de-siecle Eastern Europe and beyond. 

This lecture is the first in a three-part series of webinars covering this topic. 
The other two speakers are Anna Hájková (4/7) and Marion Kaplan (4/21).

 

 

 


 

 

 

 

 

 

 

 

Becoming A Literary Translator: A Work in Progress

Becoming A Literary Translator: A Work in Progress

Lucy North, professional translator

Dr. North discusses the business of translation and her experiences as a professional translator.

Lucy North lives and works in London as a freelance translator and editor. She has a PhD in modern Japanese literature from Harvard University (2000), and she lived in Tokyo for nearly 14 years. As a graduate student she published Toddler Hunting and Other Stories by Kono Taeko (New Directions, 1996). Her translations have been included in The Oxford Anthology of Japanese Short Stories (Oxford University Press, 1997/2002) and The Columbia Anthology of Modern Japanese Literature, From 1945 to the Present  (2007). She is currently translating three short stories by Kawakami Hiromi.

Registration is required to attend Zoom lecture.

Sponsored by East Asian Languages and Cultures

Study Abroad Week 2021

Considering a study abroad experience during your time at WashU? Join Overseas Programs and on-campus partners to discover the kind of programming opportunities available and ways in which a study abroad experience can enrich your time both on campus and after.  Visit our website to learn more about the sessions offered each day from March 22 – March 26, 2021.

 

 

Zoom Link
Sports & Society Reading Group with Steve Gietschier

Sports & Society Reading Group with Steve Gietschier

The Sports & Society reading group will meet on April 16th and feature group member Steve Gietschier. Steve will share with us his in-depth knowledge of  the past, present, and future of The Sporting News and its archives/research center.

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link and copies of the reading.

Environmental Racism and Biodiversity Conservation in St. Louis

Environmental Racism and Biodiversity Conservation in St. Louis

Join the Living Earth Collaborative (LEC) and Washington University in St. Louis at 2 PM CST for a virtual panel and discussion

Led by moderator Dr. Zuleyma Tang-Martínez, Professor Emeritus at the University of Missouri - St. Louis.  Local leaders and scholars in urban ecology and environmental law will present on the intersection between environmental racism and biodiversity, followed by an open discussion on how to address structural inequalities in research and outreach.

Our panelists include:

Dr. Kelly Lane-deGraaf - Associate Professor and director of the Center for One Health at Fontbonne University

Sebastian Moreno - Ph.D. student at UMass-Amherst studying urban bird biodiversity and community science

Debbie Njai - Board Vice President of the Missouri Coalition for the Environment and founder of Black People Who Hike

Dr. Tara Rocque - Assistant Professor of Practice and Assistant Director of the Interdisciplinary Environmental Clinic at Washington University in St. Louis

The event will stream live on YouTube HERE

Exploring the Queer Potentials of Transcultural K-pop Fandom: Voices from Australia, Japan and the Philippines

Exploring the Queer Potentials of Transcultural K-pop Fandom: Voices from Australia, Japan and the Philippines

Asian American/Global Asias Speaker Series with Dr. Thomas Baudinette (Lecturer in International Studies, Macquarie University, Australia)

Dr. Thomas Baudinette is a cultural anthropologist whose work has explored consumption of popular culture among LGBTQ communities in Japan, Thailand and the Philippines. He has a particular interest in the global spread of Japanese popular culture and its impacts on conceptualizations of gender and sexuality.

Co-sponsored by Asian American Studies Minor and East Asian Studies

Register in advance here

Americanist Dinner Forum: Stephanie Li Discusses Her Current Manuscript

Americanist Dinner Forum: Stephanie Li Discusses Her Current Manuscript "Ugly White People"

Professor Stephanie Li will discuss her current manuscript, "Ugly White People" which examines depictions of white Americans by 21st century white authors. Her conversation with Professor Jeffrey McCune will consider how whiteness signifies in contemporary culture. In the next few decades, whites will constitute less than half of the population, a demographic shift that has already caused profound transformations and stoked national anxieties. Li's project aims to explore manifestations of what she terms "ugly whiteness," entitled behavior that demonstrates how, as James Baldwin explains, white Americans remain "trapped in a history they do not understand."

To receive the webinar link please Register Here.
essential(s)

essential(s)

Presented by Washington University’s Black Anthology

This year, Black Anthology is proud to present its 32nd annual production, essential(s). The show is long-standing tradition that Black Anthology worked hard to continue as they worked to adapt to the new frontier of pandemic life. The show will premiere on digitally March 13 online at 7:00 p.m. The show will be subsequently available on-demand for 24 hours to accommodate people who are in separate time zones. There is an online post-show discussion to follow on March 14 at 1:00 p.m., which will include the playwright, cast members, and select Black Anthology executive board members. Both events are free of charge.

About Black Anthology

Black Anthology was founded by Marcia Hayes-Harris in 1989 to provide a means of celebrating the history and progress of African-Americans. Since its creation, the program has been completely student-run, from script to set and costume design. As Black Anthology has grown, it has evolved from performances of compilations centered on pertinent literature to a full-length scripted play featuring music and dance performances about the Black experience locally and globally. Even with the changes in show format, Black Anthology remains dedicated to its purpose, and through achieving these goals, the program continues to thrive.

 

Register for show updates and Zoom links
Minorities and Philosophy Movie Night

Minorities and Philosophy Movie Night

View and discuss the documentary "Black Is the Color" (2017) by Jacques Goldstein

Minorities and Philosophy will host a movie night over zoom on March 18th, 5:30 - 7:30pm CST, to watch and discuss the documentary "Black Is the Color" (2017) by Jacques Goldstein.

"Black Is the Color" highlights key moments in the history of African American visual art, from Edmonia Lewis's 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat.

After viewing the one-hour documentary together, we will discuss art, aesthetics, philosophy, minorities, and/or any themes that occurred in the movie, depending on the interests of participants. We will touch on the thoughts of the philosopher Alain Locke, who is mentioned in the movie. For more on Locke's aesthetics, you may want to read this background: https://plato.stanford.edu/entries/alain-locke/#Aes (especially Section 5, Aesthetics).

We would appreciate RSVPs here (https://www.eventbrite.com/e/movie-night-tickets-144731360395), but you do not need to RSVP to attend.

Zoom meeting link: https://wustl.zoom.us/j/95013763956?pwd=aTVXK1Rpb29RZWF5WTRxYzNjdFI0QT09 ; Meeting ID: 950 1376 3956 ; Passcode: 609786.

All are welcome!

SIR Cultural Expo

SIR Cultural Expo

Learn about cultural clubs at Wash U

The annual Cultural Expo showcases many of the cultural groups at WashU! Access this virtual event through the Zoom link at the bottom of this page. To receive free food, sign up via the link below before Wednesday, March 24th at 11:59pm. 

Sign up for free food

Access Zoom
Climate Migration: Where will we go?

Climate Migration: Where will we go?

Town Hall hosted by Sigma Iota Rho

Panelists Preview

Dr. Gregory White

Gregory White is the Mary Huggins Gamble Professor of Government and a member of the Environmental Science and Policy Program Committee. He is the author of Climate Change and Migration: Security and Borders in a Warming World (Oxford University Press, 2011). 

Dr. Robin Bronen

Dr. Robin Bronen works as a human rights attorney researching and working with communities forced to relocate because of climate change. She is a senior research scientist at the University of Alaska Fairbanks and co-founded and works as the executive director of the Alaska Institute for Justice, a non-governmental organization that is the only immigration legal service provider in Alaska.

Erol Yayboke

Erol Yayboke is a deputy director and senior fellow with the Project on Prosperity and Development (PPD) at the Center for Strategic and International Studies (CSIS). Some of his research interests include U.S. foreign assistance, migration and forced displacement, state fragility, and climate change. Mr. Yayboke teaches at the Maxwell School of Citizenship and Public Affairs at Syracuse University and is a member of the board of directors for the Andi Leadership Institute for Young Women. 

 

Register here

Serienabend 2: Dark

Serienabend 2: Dark

Please join us for the March German department Serienabend.

For this month's Serienabend, we will watch the first episode of the series Dark. At first glance, life in Winden appears much like one would expect from a German small town. But something isn’t quite right with the nuclear plant down the road…

You will need to have a Netflix subscription and have downloaded the Google Chrome extension called "Teleparty." English subtitles will be available.

Professor André Fischer, the department’s 20th-century German literature and film scholar, will join us for discussion on the filmic storytelling and to give us some context on the period.

The screening is free and open to the public. After registering, you will receive a confirmation email containing information about joining the event.

Register in advance

 

Chinese-Language Tour: Deciphering Human Forms

The concept of likeness plays a central role in Eastern and Western figurative art traditions. Some artists, however, render human forms through distortion, simplification, or other modification, pursuing goals other than mimetic representation. In this Zoom tour, Yue Dai, PhD student in the Department of Art History & Archaeology in Arts & Sciences, will discuss several artworks in the Kemper Art Museum collection from different geographic locations and historical moments that feature a variety of depictions of human forms.

This hour-long tour in Chinese is free, but registration is required. 

The Making of A Whole World: Letters from James Merrill

American poet James Merrill wrote thousands of letters in his lifetime to hundreds of recipients. Joel Minor, curator of the Modern Literature Collection at Washington University Libraries where the James Merrill Papers reside, moderates a discussion with four panelists about how these letters were aggregated and organized for a book of Merrill’s selected letters (Knopf 2021). The book’s co-editors — Langdon Hammer, the Niel Gray, Jr. Professor of English at Yale University, and Stephen Yenser, Distinguished Research Professor at UCLA — will be joined by Chelsie Malyszek, visiting assistant professor of rhetoric at Hampden-Sydney College, and Tim Young, curator of Modern Books and Manuscripts at Yale University’s Beinecke Library, both of whom played major roles in these efforts. The event includes an audience Q&A and book sales from the Washington University Campus Store.

Connections: Power and the Politics of Community/University Engagement

HUMANITIES BROADSHEET - A panel discussion featuring Washington University faculty and community partners
RELATED ARTICLE
Another lesson from the Griot: How community-university partnerships can grow and evolve
CRE2’s Tila Neguse sits down with Lois Conley, director of the Griot Museum of Black History and Culture, to talk about the museum, the pandemic, reciprocity and the relationships the museum has built with the Washington University community.

Registrations for this panel discussion are now closed.

 

This event is held in conjunction with the Faculty Book Celebration, taking place the same day, April 1, at 4 pm.

Moderated by Ignacio Infante, associate professor of comparative literature and Spanish; and associate director, Center for the Humanities

Panelists

Lois Conley, Director, Griot Museum of Black History

Walter Johnson, Keynote speaker, Faculty Book Celebration

Tila Neguse, Assistant Director, Center for the Study of Race, Ethnicity & Equity

Samuel Shearer, Assistant Professor, African & African American Studies

Geoff Ward, Professor, African & African American Studies

Aaron Williams, Committee Chairman, Young Friends of The Ville and 4theVille Team Member, recipient of the Community Builders Network of Metro St. Louis 2019 Rising Star in Community Building Award

 

Headline image by Bia Andrade via Unsplash

Anti-Asian America

Anti-Asian America

The Center for the Study of Race, Ethnicity & Equity, Women, Gender, and Sexuality Studies, and the Asian American Studies Minor at Washington University in St. Louis invite leading scholars to talk with us about how we can understand Anti-Asian America.

Violence against and hatred of Asian Pacific Islander Desi Americans stems from a toxic, unique brew of racial supremacy, xenophobia, and for some communities, histories of colonialism.  Anti-Asian violence is expansive, from subtle to extreme, driven by practices including  scapegoating, flattening diverse cultures into a single racialized category, sexualized fetishizations casting Asian Americans as "perpetual foreigners."

Panelists: 

  • Shefali Chandra, Associate Professor History; Women, Gender, and Sexuality Studies and Asian American Studies (minor), Washington University in St. Louis
  • Robert Chang, Professor of Law and Executive Director of the Fred T. Korematsu Center for Law and Equality at Seattle University of Law
  • Chris Eng, Assistant Professor of English, Washington University
  • Lynn Itagaki, Associate Professor of English and Women's and Gender Studies at the University of Missouri
  • Dina Okamoto, Professor, Department of Sociology and Director of the Center for Research on Race and Ethnicity in Society at Indiana University
Register for the Event

HDW Colloquium: The Chinese Emperor's Islamic Jades: IIIF, QGIS, and Leaflet as Tools for Digital Art History

Kristina Kleutghen

In China during the second half of the eighteenth century, the Qianlong emperor (r. 1736-1795) actively collected carved jades from across the Islamic world. Although these precious exotic arrived from Mughal North India, the Ottoman empire, Central Asia, and Xinjiang province, the Chinese emperor referred to them collectively as "Hindustan" jades and wrote many poems about them which he ordered incised on the objects themselves. By using IIIF, QGIS, and Leaflet, this project aims to map the objects over time and space, and to link their texts and images in bilingual English-Chinese presentation in order to make the material available to a much wider audience. This combination of digital tools not only expands public access to the objects, but also links the objects, their texts, geographic origins, and current locations to provide a much broader picture of China's international engagement during the global eighteenth century.

Register Here

Literatura digital latinoamericana: definiciones y reflexiones sobre la imaginación algorítmica

Professor Carolina Gainza, Univ. Diego Portales, Santiago, Chile

LATIN AMERICAN STUDIES PROGRAM AT WASHU
ZOOM LECTURE SERIES ON LITERATURE AS COMMODITY
[Co-Sponsored by the Department of Romance Languages & Literatures; and Revista de Estudios Hispánicos].

En esta presentación se realizará un recorrido por ejemplos de literaturas digitales donde hay un trabajo de programación de la obra, y por aquellas que experimentan con los medios digitales, donde el lenguaje de código no es trabajado directamente. En esta ocasión, se abordarán los hallazgos del proyecto de investigación “cartografía de literatura digital latinoamericana”. En la segunda parte de esta presentación se verá cómo la literatura digital latinoamericana nos invita a reflexionar sobre el lugar de la tecnología en la región, las características que adquiere, las apropiaciones, las intervenciones y “hackeos” de las tendencias y formas establecidas. Nos interpela respecto a las formas de colonialidad, no sólo de la literatura occidental, que en la literatura digital renueva sus formas, sino que también respecto a una nueva narrativa del progreso relacionada con las exigencias de la datificación, la digitalización y el desarrollo e incorporación de la Inteligencia Artificial. Tecnologías libres versus tecnologías privadas, universalismos tecnológicos versus cosmotécnicas diversas, formas de colonialidad tecnológica y nuevas colonialidades sobre el conocimiento, son todos temas que de alguna forma están presentes en la literatura digital latinoamericana. 

Carolina Gainza Cortés es profesora asociada de la Escuela de Literatura Creativa y directora del Laboratorio Digital de la Universidad Diego Portales (Santiago, Chile). Es socióloga y máster en Estudios Latinoamericanos (Univ.de Chile) y Doctora en Hispanic Languages and Lits. (Univ. of Pittsburgh). Sus intereses de investigación se vinculan con la cultura digital en América Latina, la producción cultural contemporánea y las estéticas digitales. Ha publicado Narrativas y Poéticas Digitales en América Latina. Producción literaria en el capitalismo informacional (2018). Es co-auotora de La Batalla de Artes y Humanidades (2020) Actualmente dirige el proyecto “Cartografía crítica de la literatura digital latinoamericana. 

 

Zoom lecture link: https://wustl.zoom.us/j/93797566989?pwd=S2x6Z25HMmcxRzBRejhxNGlrZnZidz09#success

For more information, contact Prof. Mabel Moraña 

A Community Dialogue on Anti-Asian Racism and Hate Crimes

Hosted by the Asian American Studies Minor, Asian Multicultural Council, Chinese Student Association

Join faculty and student speakers in an open discussion. 

Please contact gao-miles@wustl.edu for the event Zoom link.

Cultura literaria latinoamericana y mercado del libro en el siglo 21 (editoriales, ferias y festivales)

Prof. Ana Gallego-Cuiñas, Universidad de Granada

ZOOM Lecture series on Literature as Commodity
Sponsored by LASP, Revista de Estudios Hispánicos and RLL

La narrativa latinoamericana del siglo 21 comienza en la década de los 90, cuando impactan de lleno en el mercado del libro la globalización, las nuevas tecnologías y los procesos de expansión y concentración editorial de los grandes conglomerados españoles. Es notoria la multiplicación de festivales y ferias internacionales en América Latina, promovidos por las políticas democratizadoras y neoliberales que desarrollan las ‘industrias creativas’. Los acontecimientos materiales que signan la transformación en los modos de producción, circulación y recepción de la literatura latinoamericana de la  nueva centuria son cuatro: i) el crecimiento de la edición independiente, ferias y festivales; ii) la espectacularización del escritor y precarización del oficio literario; iii) la profesionalización de los mediadores y iv) las nuevas formas de tasación del valor de lo podríamos llamar la Randomización (que sustituye al anterior proceso de Alfaguarización) de la literatura latinoamericana, que ha supuesto un incremento de la movilidad transnacional de lxs escritorxs latinoamericanxs (por encima de lxs españolxs) y la promoción de estéticas emergentes y disidentes de mujeres y cuerpos feminizados. Todo ello ensancha los contornos de las “comunidades letradas” latinoamericanas del siglo 21 para producir nuevas subjetividades, “formas de vida” (Agamben) y sociabilidades que crean también nuevas necesidades en la producción y consumo de ‘cultura literaria’, entendida esta categoría como la experiencia socializada de la performance de lo literario, que ha ido desplazando en la esfera pública a la ‘literatura’, entendida como la experiencia solitaria de la lectura. Esto supone una resignificación ontológica de nuestro campo de estudio que nos obliga a ensayar otras epistemes, que habrían de contemplar no solo otros objetos sino herramientas materiales de la sociología de la literatura, a contrapelo del análisis estético, para la comprensión cabal del fenómeno literario latinoamericano en el presente. 

Ana Gallego es Profesora de Literatura Hispanoamericana y Comparada, y Vice-Decana de Actividades Culturales e Investigación en la Universidad de Granada. Entre sus últimas publicaciones se cuentan: El libro. Reflexiones interdisciplinares sobre la lectura, la biblioteca y la edición (2020); La novela argentina del siglo 21. Nuevos modos de producción, circulación y recepción (2019); La carta. Reflexiones interdisciplinares sobre la epistolografía (2017); A pulmón (o sobre cómo editar de forma independiente en español (2017). Actualmente en prensa: Novísimas. Las narrativas latinoamericanas y españolas del siglo 21.

ZOOM – https://wustl.zoom.us/j/91704633460?pwd=NWs4RDAwNFNBU0N2R1AyY3NYZDJDdz09

For more information, contact Prof. Mabel Moraña 

Libros, mercados y agentes: materialidades de la literatura latinoamericana a comienzos del siglo XXI

Prof. Gustavo Guerrero, CY Cergy Paris Université e Instituto de Estudios Políticos de Saint Germain-en-Laye

ZOOM Lecture series on Literature as Commodity
Sponsored by LASP, Revista de Estudios Hispánicos and RLL

Libros, mercados y agentes: materialidades de la literatura latinoamericana a comienzos del siglo XXI

Las condiciones materiales que están influyendo en la escritura literaria latinoamericana contemporánea son cruciales para comprender lo que escriben los autores latinoamericanos hoy y cómo sus obras se editan, viajan y pueden ser leídas. Como todos los artefactos materiales, los libros contemporáneos no llegan a sus lectores o audiencias en una especie de mágico aislamiento, sino a través de un denso y extremadamente complejo sistema de redes de producción, circulación y recepción a nivel nacional, regional e internacional. Desde la publicación del ensayo fundacional de Ángel Rama “El boom en perspectiva” (1984), la crítica cultural y literaria latinoamericana ha ido enfatizando su compromiso con el análisis de las condiciones materiales y el estudio de diferentes formas de producción, de circulación y de recepción de las obras, ampliando el espacio de nuestro campo mucho más allá de la interpretación literaria tradicional de los textos. Esta charla se basa en trabajos recientes dentro del área, para proponer un relato amplio de las densas y diversas condiciones materiales a través de las cuales se está produciendo, transmitiendo y leyendo la escritura latinoamericana en las primeras décadas del nuevo siglo. Se discutirán los decisivos cambios económicos y tecnológicos ocurridos en el sector editorial en los últimos veinte años y su incidencia en las prácticas escriturales, así como también las transformaciones específicas del mercado literario global y su impacto en el proceso de circulación internacional de las literaturas periféricas o semi-periféricas.

Gustavo Guerrero es profesor de literatura y cultura hispanoamericanas contemporáneas en CY Paris Cergy Université y en el Instituto de Estudios Políticos de SaintGermain-en-Laye. También trabaja editor en la editorial Gallimard. Ha realizado numerosas e importantes ediciones de la obra de Severo Sarduy y A. Uslar Pietri, y ensayos críticos: La estrategia neobarroca (1987), Itinerarios (1997), Teorías de la Lírica (1998), La religión del vacío y otros ensayos (2002), finalista del Premio Bartolomé March de Crítica Literaria en Barcelona en 2003, Historia de un encargo: La catira de Camilo José Cela (2008), con la que obtuvo el XXXVI Premio Anagrama de Ensayo. Ha sido profesor visitante en Las Univ. De Princeton, Cornell y Berna. Actualmente dirige programas universitarios sobre “Mediacion editorial, difusión y traducción” e “Intraestructures of Cultural Production. Literature and Cinema between France and Latin America” financiado por la Iniciativa de Excelencia Paris-Seine.

Zoom lecture link: https://wustl.zoom.us/j/99017534953?pwd=MHp0a29LeWRvTjR4OEZnU0I0SWlkdz09

For more information, contact Prof. Mabel Moraña 

Outdoor Viewing: Hostile Terrain 94

Outdoor Viewing: Hostile Terrain 94

Memorializing over 3,200 lives lost in the Sonoran Desert

Stop by the Women's Building Lawn to experience the finished Hostile Terrain 94 exhibit memorializing over 3,200 lives lost in the Arizonan Sonoran Desert. 

Masks still required, even outdoors!

In the case of bad weather (even misting or sprinkling), the exhibit will not be outside in order to protect it.

What is Hostile Terrain 94?

MMUF Book Talk with Shanna Greene Benjamin

Dr. Shanna Greene Benjamin examines Nellie McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy.

Registration is required for this event. Please click here to register. Pre-order her book Half in Shadow here!

2021 Marcus Artist-in-Residence: Danielle Agami

2021 Marcus Artist-in-Residence: Danielle Agami

This Zoom event is free and open to the public.

 

Danielle Agami is the Artistic Director of Ate9 which she founded in 2012. Israeli-born, she was a member of the Batsheva Dance Company in Tel Aviv for 8 years. She brought the Gaga movement to the US and remains one of the few masters of the language, teaching workshops throughout the world. Through her performance and teaching travels, Danielle has met and joined forces with some of the most talented and dedicated dancers to form Ate9 Dance Company. Recently recognized with the Princess Grace Award for Choreography, Danielle and Ate9 are set to redefine and rebuild our concepts of what the art of movement can provide for us all. (Thank you to Peridance.com)

How to be a Medievalist – and Why

How to be a Medievalist – and Why

An undergraduate workshop by Christian Schneider

From Game of Thrones to far-right appropriations of the European Middle Ages, the early twenty-first century is witnessing a boom in popular interest in the medieval, one that is impacting both politics and popular culture. Paradoxically, while this boom has triggered a fascination with the study of "medievalism," interest in the academic disciplines that are devoted to the study of the Middle Ages themselves is in relative decline, and as a scholar of medieval literature, one is frequently confronted with questions about the value of such scholarship. In our workshop, we will take up these questions and reflect on the relevance of studying the European Middle Ages and their literature from a today's perspective.

Register Here
Homecoming Voices- Premiere II

Homecoming Voices- Premiere II

"Amateurs" & "Fear is a Gift," premiering Saturday, April 17 and available on-demand thru May 2, 2021.

Four PAD alumni were commissioned to write plays for our season. Each playwright was limited to writing one 15-25-minute piece with a cast of at least 2 but no more than 4 actors. Writers were free to write what they wanted, but each was deeply aware of the extraordinary social and pandemic moment we share. All have been provided a short list of scenic elements they could employ – things like a pillar, a road blockade, some stairs. Writers could use all, some, or none of the items. These limitations kept the production demands lean and agile. The playwrights are: Nastaran Amahdi ('00), Marisa Wegrzyn ('03), Chauncy Thomas ('06) and Liza Birkenmeier ('08); all have developed thriving careers in theatre and television, and we look forward to hearing their voices again on campus.

This year because of increased production costs for video equipment and streaming, we are giving our patrons the opportunity to give a donation through our “pay what you can” ticket system. If you would like to contribute to help support this event, click the “Pay What You Can” link below. WashU students and Patrons who do not wish to contribute at this time may obtain the link to access the production by clicking on the Registration link.

“Pay What You Can” - Suggested Donation: $10
DONATE HERE TO RECEIVE YOUR LINK

FREE Viewing/WashU Student Viewing
REGISTER HERE TO RECEIVE YOUR LINK

The following two plays will premiere Saturday, April 17 at 8:00 p.m., and will be available on-demand thru May 2, 2021.

Amateurs
Written by Nastaran Ahmadi
Directed by Andrea Urice
He left.  She stayed.  Now, he’s back, standing in front of what used to be their mother’s house, hoping to reconnect with his sister.  Can all the shared experiences, humor and family connections transcend the betrayal?  

Fear is a Gift
Written by Liza Birkenmeier
Directed by Jacqueline Thompson
A haunted bike tour becomes accidentally experimental when one of the guides is injured. No one feels in control.  Fear is a Gift is a theoretical labyrinth of horror and thrill.

The following two plays will premiere Friday, April 9 at 8:00 p.m., and will be available on-demand thru May 2, 2021.

Solastalgia
Written by Marisa Wegrzyn
Directed by Andrea Urice
Okay, so we may be having some roommate troubles.  And maybe one of us threw a cereal bowl at somebody’s head.  But there’s this pandemic thing happening, not to mention raging wildfires, and none of us has a job right now so the tension may be a little high.  But really, what’s the problem?

The Nicest White People that America Has Ever Produced
Written by Chauncy Thomas
Directed by Jacqueline Thompson
A black writer and a white director discuss the intersectionality of artistic integrity, power, and race in the film industry. However, a surprising request shifts the theoretical discourse to a striking reality of questionable ethics, tested friendships, and uncertain costs.

 

 

 

Homecoming Voices

Homecoming Voices

Four PAD alumni were commissioned to write plays for our season.  Each playwright was limited to writing a play under 20 minute in length, with a cast of 2- 4 actors. Writers were free to write what they wanted, but each was deeply aware of the extraordinary social and pandemic moment we share.  The playwrights are:
Nastaran Ahmadi ('00), Marisa Wegrzyn ('03), Chauncy Thomas ('06) and Liza Birkenmeier ('08); all have developed thriving careers in theatre and television, and we look forward to hearing their voices again on campus.

The productions was be available on-demand through Sunday, May 2, 2021.
All rehearsals and filming followed strict safety protocols established by WashU’s medical advisors and the university’s COVID Monitoring Team.  
 

Solastalgia
Written by Marisa Wegrzyn
Directed by Andrea Urice
Okay, so we may be having some roommate troubles.  And maybe one of us threw a cereal bowl at somebody’s head.  But there’s this pandemic thing happening, not to mention raging wildfires, and none of us has a job right now so the tension may be a little high.  But really, what’s the problem?

The Nicest White People that America Has Ever Produced
Written by Chauncy Thomas
Directed by Jacqueline Thompson
A black writer and a white director discuss the intersectionality of artistic integrity, power, and race in the film industry. However, a surprising request shifts the theoretical discourse to a striking reality of questionable ethics, tested friendships, and uncertain costs.

Amateurs
Written by Nastaran Ahmadi
Directed by Andrea Urice
He left.  She stayed.  Now, he’s back, standing in front of what used to be their mother’s house, hoping to reconnect with his sister.  Can all the shared experiences, humor and family connections transcend the betrayal?  

Fear is a Gift
Written by Liza Birkenmeier
Directed by Jacqueline Thompson
A haunted bike tour becomes accidentally experimental when one of the guides is injured. No one feels in control.  Fear is a Gift is a theoretical labyrinth of horror and thrill.

 

 

International Writers Series: Esther Dischereit

HUMANITIES BROADCAST - Max Kade Visiting Writer Esther Dischereit in conversation with Erin McGlothlin, Professor of German and Jewish Studies.

In this virtual reading and discussion, Max Kade Visiting Writer Esther Dischereit will present her first volume of poems in translation, Sometimes a Single Leaf (Arc Publications, 2020, translated by Iain Galbraith), which includes selections from three of her books as well as a sampling of more recent, uncollected poems. Based in Berlin, Dischereit is regarded a leading figure of second-generation German Jewish literature after the Holocaust. Dischereit will be joined in conversation by Erin McGlothlin, Professor of German and Jewish Studies.

REGISTER

Preserving the Interviews with African American Athletes in William Miles’ ‘Black Champions’ (1986)

William Miles’ 1986 three-part TV program Black Champions is a classic of the sports documentary genre, partially for its interview with African American athletes, and American heroes, including Althea Gibson, Curt Flood, Jim Brown, Kareem Abdul-Jabbar and Wilma Rudolph.  While the original series is, unfortunately, difficult to see, the Washington University Libraries has preserved the full-length versions of the thirty-two interviews from the series and made them accessible online, thanks to a grant from the National Historic Publications & Records Commission.

This event will discuss the process of conserving and digitizing these thirty-four-years-old film reels, play a variety of clips from the interviews, and discuss the documentary work of Mr. Miles and the importance of Black Champions.

Free and open to all, pre-registration required.

RSVP

First Fridays at Becker: ‘Botanical and Herbal Books’

On the first Friday of each month, join us on Zoom to see themed picks from the library’s renowned archival and rare book collections. April’s theme is “Botanical and Herbal Books.”

Registration is not required. Simply join us on Zoom at 2 p.m. on April 2!

More info

‘The Story of Plastic’ Panel Discussion

Panel discussion with director and WashU alum Deia Schlosberg

The Story of Plastic is a powerful documentary exposing how the plastic industry is harming ecosystems and communities. Director and WashU alum Deia Schlosberg will join us for a lively panel discussion about issues and solutions surrounding plastic production, consumption and pollution.

Register for the panel discussion in advance to receive a link to stream the award-winning documentary “The Story of Plastic” in advance of the panel. If you are not able to make the panel discussion, you can still register to receive the streaming link.

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Theatrical Jazz and Phases of Black Womanhood in Batiste's

Theatrical Jazz and Phases of Black Womanhood in Batiste's "Blue Gold & Butterflies"

Dr. Stephanie Leigh Batiste, Associate Professor of English at The University of California at Santa Barbara, and Director of the Hemispheric South/s Research Initiative

This presentation blends the creative and scholarly in a consideration of Batiste’s play “Blue Gold & Butterflies.” Batiste reflects on the critical goals of her creative efforts to capture the history of a family and the impacts of trauma, choice, and change. A goddess, a ghost, and a memory accompany a mother and daughter on their journeys through self realization. Lasting affective shift becomes a goal that lurks deeper than self reflection and beyond generational legacy. Our characters both love through and rely on the the maladaptations they strive to change. Through poetry, the play happens in multiple temporalities at the same time as the women strive to pass down intergenerational love. In prose and play, the women reach towards a collective way of relating to each other as well as to knowledge and ambiguities of self. Repetitions and resonances across generations emerge in meetings with the past, with spirit, and with the ancestors to ask what it means to survive trauma and live with loving intention. 

 

Registration has ended for this event.  

Dr. Stephanie Leigh Batiste is Associate Professor of English at The University of California at Santa Barbara and Director of the Hemispheric South/s Research Initiative. Her specialty areas include Black Performance Studies, African American Literature and Culture, and Cultural Studies. She is co-editor of the book series Performance and American Cultures with New York University Press. Professor Batiste received her Doctorate of Philosophy and Master’s of Philosophy in American Studies from The George Washington University in Washington, D.C. Her Bachelor’s Degree is from Princeton University awarded with honors in Sociology and additional concentrations in African American Studies and Theater. Her book, Darkening Mirrors: Imperial Representation in Depression Era African American Performance (Duke University Press, 2011) is the 2011 recipient of the MLA William Sanders Scarborough Prize and honorable mention for the ATHE Book Award. Darkening Mirrors focuses on the relationship between power and identity in black performance cultures to reimagine black subjectivity as both empowered and resistant in relation to national and racial identities. Professor Batiste’s current book project studies violence and affect in millennial black urban performance cultures and touches upon grief, space, and temporality. Dr. Batiste’s work in performance is reflected in both scholarship and practice. Dr. Batiste is a creative writer, performer, and supporter of the arts. Dr. Batiste has performed her play about street murder in Los Angeles, Stacks of Obits (Women and Performance, 2005) in the U.S. and abroad. Drawing upon Africanist traditions of the griot, the Post-civil-rights spoken word, post-modern challenges to linearity, and feminist modes of rendering the personal political, Stacks of Obits transforms organic, public practices of memory and archiving into enlivened story. Her recent play Blue Gold & Butterflies follows three generations of women seeking to pass down intergenerational love through life’s hard choices. Blue Gold & Butterflies was workshopped at the L.A. Bootleg Theater Creation Residency in 2018. Professor Batiste’s performance short, “Young Love Found & Lost: six poems in a circle” was part of TowneStreet Theater’s In Response: the Year of the Woman in 2018 and 2019.

Black Girlhood Studies in Conversation with Dr. Nikki Jones

Black Girlhood Studies in Conversation with Dr. Nikki Jones

Moderators: Dr. Kenly Brown & Nya Hardaway

Nikki Jones is a Professor of African American Studies at UC Berkeley. Her work focuses on the experiences of Black women, men, and youth with the criminal legal system, policing, and violence.
In this conversation, Dr. Jones will share her expertise on how Black women and girls stay safe, Black feminisms, and her contribution to the field of Black girlhood studies.

This event is funded by the Center for Race, Ethnicity & Equity and co-sponsored with African and African American Studies, the Institite for Public Health, American Cultural Studies, and Women, Gender & Sexuality Studies. 

REGISTER HERE

21st Century Anti-Semitism: Exploring Hate, Oppression and Identity

Join WashU Hillel for a conversation on identifying and combatting anti-Semitism in all its forms. This program will consist of roughly an hour of panel conversation followed by half an hour of breakout-room learning on various topics moderated by the panelists. 

This event aims to jumpstart the creation of a community of students, both Jewish and non-Jewish, who are passionate about building relationships across cultural lines, fighting anti-Semitism, and discovering new allies in the fight against hate. No prior knowledge is needed to leave with a working definition of anti-Semitism, how to identify it, and how to address it, in addition to how anti-Semitism interacts with other types of oppression and hate. We will address topics such as anti-Semitism on social media and in the classroom, the intersections of anti-Semitism and anti-Zionism, and the role that white supremacy plays in anti-Semitism.

Panelists include:

Yasmine Esther (@yasmine.dreamz), activist and social media influencer

Rachel Fish, founding Executive Director of the Foundation to Combat Anti-Semitism

Koach Baruch Frazier, activist, rabbinical student, and co-founder of the Tzedek Lab

Debbie Lechtman (@rootsmetals), Jewish Israeli and Latina artist, writer, and educator

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I Dream of Popo: Celebrating the Special Connection that Crosses Time Zones and Oceans

Join the WashU Alumni Association for a virtual conversation and reading with author Livia Blackburne, editor Connie Hsu, and illustrator Julia Kuo, BFA ’07, of I Dream of Popo.

I Dream of Popo presents a story about a young girl who immigrates to California from Taiwan and her relationship with the grandmother she leaves behind. This event will feature a short reading, and then Livia, Connie, and Julia will discuss the immigrant experience, the nuances of growing up between two worlds, and how linguistic and geographic distance affects family relationships. Watch the trailer for I Dream of Popo here.

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Germanic Lecture: Feuilleton, Reportage, and the Realism of Small-Form Writing, 1900-1930

Germanic Lecture: Feuilleton, Reportage, and the Realism of Small-Form Writing, 1900-1930

Patrizia McBride, Senior Associate Dean for Social Sciences and Interdisciplinary Programs, Director of the Institute for German Cultural Studies, and Professor of German Studies at Cornell University

Please join the Department of Germanic Languages & Literatures for our final lecture of the spring 2021 semester.

The lecture is free and open to the public. After registering, you will receive a confirmation email containing information about joining the event.

Register in advance.

Change ‘Gon Come: Black Love-Power and The Inner Work of Racial Justice

Rhonda, Professor of Law, University of San Francisco

The inaugural talk of the CRE2-funded Mindfulness & Anti-Racism series presents the work of Rhonda Magee. Rhonda is professor of law at the University of San Francisco and an internationally recognized thought and practice leader focused on integrating mindfulness into higher education, law and social justice.  

Magee’s book, The Inner Work of Racial Justice: Healing Ourselves and Transforming our Communities Through Mindfulness (TarcherPerigee, 2019), was named one of the top 10 books released for the year by the Greater Good Science Center, and received similar recognition by Psychology Today and the editors of Mindful.org. Her work has received numerous awards, including the Impact Award from the American Public Health Association’s section on Integrative, Complementary and Traditional Health Practices (2020), and the Garrison Institute’s Impact+Insight Award (2019).

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Intersection of LGBTQ and African American Health in St. Louis

Erise Williams Jr., MPH, is the co-founder of Williams & Associates, Inc, a community based non-profit agency addressing minority health disparities and health equity issues that impact minority health for 19 years. He has served as the founding executive director of Blacks Assisting Blacks Against AIDS (BABAA, 1990-2002), which under his leadership, became one of the premier minority ASOs (AIDS Service Organization) in the Midwest region. Williams served in this position for 12 years, before leaving and starting Williams & Associates Inc, to address minority health disparities and health equity.  

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CRE2 Research Workshop: Sincere in Their Perversity: Refugee Laughter in the Aftermath of the Vietnam War

Chris Eng, assistant professor of English, Washington University

What are the possibilities for refugee laughter to reverberate from and against efforts to commemorate the violent aftermaths of the Vietnam War? This chapter from Eng’s book project “Extravagant Camps: Constraint and Queer Conviviality in Asian America” explores a growing repertoire of cultural productions by Vietnamese diasporic artists who proffer perverse re-visions of the war that laugh in the face of moralistic expectations of refugee suffering and helplessness.

Discussants: Anca Parvulescu, professor of English, Washington University

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Belonging in Opera: Learning from Our Past, Engaging with Our Future

HUMANITIES BROADCAST - Symposium featuring Naomi André, professor in the Department of Afroamerican and African Studies, Women’s and Gender Studies, and the Residential College, University of Michigan and including Todd Decker, the Paul Tietjens Professor of Music; Lauren Eldridge Stewart, assistant professor of music, both at Washington University

Co–presenters Opera Theatre of Saint Louis and Washington University’s Center for the Study of Race, Ethnicity, & Equity present “Belonging in Opera: Learning from Our Past, Engaging with Our Future.” This two-night symposium (April 6 and April 13), led by Naomi André, will explore the history of Black composers and the current and future landscape of Black creativity in opera and adjacent spaces.

Naomi André is professor in the Department of Afroamerican and African Studies, Women’s and Gender Studies, and the Residential College at the University of Michigan. She earned her B.A. from Barnard College and M.A. and Ph.D. (Music: Musicology) from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race in the US, Europe, and South Africa. 

Joining André for this series will be composers Anthony Davis and Damien Sneed; artists Nicole Cabell (soprano), Briana Hunter (mezzo-soprano), Will Liverman (baritone), and Morris Robinson (bass); leaders Afton Battle (General Director, Fort Worth Opera), Quodesia “Quo” Johnson (Education and Company Culture Manager, The Dallas Opera), and Marcia Sells (Chief Diversity Officer, the Metropolitan Opera); and scholars Todd Decker (Washington University), Lauren Eldridge Stewart (Washington University), Maya Gibson (University of Missouri), Kori Hill (University of North Carolina), Marcía Porter (Florida State University), and Louise Toppin (University of Michigan).

This event is free and open to the public.

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South Asia's Best Kept Secret: Repackaging Caste in the Diaspora with Yashica Dutt

South Asia's Best Kept Secret: Repackaging Caste in the Diaspora with Yashica Dutt

In this student-faculty collaborated talk, Yashica Dutt joins Prof. Shefali Chandra (Washington University) and members of the student group Ekta to discuss how caste is "the invisible arm that turns the gear in nearly every system in India," and how this invisible arm has extended its reach to the diaspora.

Yashica Dutt is a prominent anti-caste journalist, her work ranging from arts, culture, fashion, and gender to the CISCO caste discrimination case from 2020. Dutt has worked for the Hindustan Times and graduated from the Columbia Journalism School with an MA in Arts and & Culture. Her work has appeared in notable publications such as the New York Times, The Atlantic, The Wire (India), Scroll.in and many others; she currently works as a freelance journalist and social media consultant in New York. In 2019, she published her memoir, Coming Out as Dalit, in which she explores the braided histories of her own life and the institution of caste in India. Her memoir won the prestigious Sahitya Akademi Yuva Puraskar (Indian Government Literary Honor) in March 2021.

This event is brought to you by the WashU student groups Ekta (South Asian political education discussion group) and Ashoka (South Asian cultural group). And it is sponsored by the History Department; Jewish, Islamic, Middle Eastern Studies Department; Women, Gender, and Sexuality Studies Department; the Asian American Studies program. 

The event inaugurates Ekta's larger efforts to add caste protections to WashU's non-discrimination policy.
Learn more about the work here:

 

 

Asian American/Global Asias Speaker Series

Asian American/Global Asias Speaker Series

Jason Wang (WashU alumnus, CEO of Xi’an Famous Foods)

Join us for a conversation with Wash U Alumni and CEO of Xi’an Famous Food, Jason Wang. We will discuss: 

- Ethnic Entrepreneurship 

- Global Asian Cuisine 

- Challenges in the Time of Covid-19 

Join via Zoom here

Virtual Student Foreign Policy Summit

Virtual Student Foreign Policy Summit

Hosted by the U.S. Department of State's Office of Public Liaison

The U.S Department of State's Office of Public Liaison will host a Virtual Student Foreign Policy Summit, an effort to connect university and college students from across the country to hear from U.S. foreign policy practitioners.

Students will hear from experts in the Bureau of Oceans and International Environmental and Scientific Affairs, the Bureau of Population, Refugees, and Migration, and the Bureau of Global Talant Management

This event is a chance for students to connect directly with U.S. Department of State experts and ask critical questions about U.S. foreign policy priorities. Students will also have the chance to ask about U.S. Department of State careers and internships.

Click here to RSVP (required)

Mother Goose and the Chinese General: A Qing Diplomat at the French Society of Popular Traditions in Fin-de-Siècle Paris

Ke Ren (任可) is Assistant Professor of History at the College of the Holy Cross. He specializes in the cultural and intellectual history of modern China, focusing on Sino-Western exchanges and transnational movements.

In the late nineteenth century, Sino-French interactions took place not only through missionary enterprises, political negotiations, or established Sinological institutions, but new cultural spaces and intellectual networks, in which Qing diplomats and travelers actively participated. In this talk, Dr. Ke Ren will share research from his book manuscript, Fin-de-Siècle Diplomat: Chen Jitong (1852-1907) and Cosmopolitanism in the Late Qing World, to shed light on Chinese self-representation at the learned societies (sociétés savantes) in 1880s Paris. In particular, the French Society of Popular Traditions became a meeting place in which an iconic Chinese diplomat-writer and French scholars engaged in the sharing, translation, and publication of Chinese popular tales, songs, and poetry, which contributed to the renewal of a romantic and positive image of China.

Ke Ren (任可) is Assistant Professor of History at the College of the Holy Cross. He specializes in the cultural and intellectual history of modern China, focusing on Sino-Western exchangesand transnational movements. He is currently writing a book about Chen Jitong (陳季同), a Chinese diplomat and writer who became a celebrity in late nineteenth-century Paris, while also researching Chinese participation in anti-fascist and peace movements in the global World War II.

*Voici le lien pour vos étudiants:This webinar is conducted in English. You can ask questions in French during the Q & A segment.

Organized by French Connexions and WUSTL China Forums

With Generous Support from Cultural Services French Embassy in the United States

April  9 | 8:00 PM | Central Time

April 10 | 09:00 AM | Beijing Time

April 10 | 03:00 AM | Paris Time


 

CLICK HERE TO REGISTER FOR THIS WEBINAR
Outdoor Viewing: Hostile Terrain 94

Outdoor Viewing: Hostile Terrain 94

Memorializing over 3,200 lives lost in the Sonoran Desert

Stop by the Women's Building Lawn to experience the finished Hostile Terrain 94 exhibit memorializing over 3,200 lives lost in the Arizonan Sonoran Desert. 

Masks still required, even outdoors!

In the case of bad weather (even misting or sprinkling), the exhibit will not be outside in order to protect it.

What is Hostile Terrain 94?

African & African American Studies Senior Thesis Showcase Student Panel

African & African American Studies Senior Thesis Showcase Student Panel

As part of the OUR's Spring Celebration of Undergraduate Research, African & African American Studies will host a student panel featuring the department's senior thesis writers.

Join AFAS senior thesis writers Efua Osei, Julia Stewart, Ellen Bresnick, and Logan Phillips take part in a student panel about their work. Check out the event's SAVE THE DATE and register below. 

Disembodied Punishment: Structural Violence in Alternative Schooling

A talk by AFAS Postdoctoral Fellow, Dr. Kenly Brown
REGISTER HERE
Black Canvas: Virtual Art and Black Aesthetic

Black Canvas: Virtual Art and Black Aesthetic

Please join us for Damon Davis' third and final talk as AFAS's artist-in-residence!
Damon Davis is a  post-disciplinary artist based in St. Louis, Missouri. His work spans across creative mediums to tell stories exploring how identity is informed by power and mythology. Davis is a Sundance Lab Fellow, TED Fellow, and Kennedy Center Citizen Artist Fellow. He is founder and creative director of music label/ artist collective FarFetched and his work is featured in the permanent collection at the Smithsonian’s National Museum of African American History and Culture.
 
 
REGISTER HERE

Ovid Celebration

Readings from Ovid’s "Metamorphoses"

On Sunday, April 11th at 2PM CDT the Washington University Classics Club will host on Zoom a set of readings of selections from Ovid’s Metamorphoses.

All are welcome, either to read a part or to just tune in. 

The reading is part of a weekend-long Ovid Celebration, which will also feature, on Saturday, April 10th, a video screening and discussion of Amy Sillman’s After Metamorphoses, currently on exhibit at Washington University’s Kemper Art Museum.

For Zoom information and to request a part, contact Tim Moore (tmoore26@wustl.edu).

Yom HaShoah Memorial Speaker Event

Join WashU Hillel as we come together as a community to hear Holocaust survivor Engelina Billauer tell her story and commemorate Yom HaShoah (Holocaust Remembrance Day). Everyone is welcome!

Hurst Lecture with Visiting Hurst Professor Melissa Sanchez

Please email tegan.v@wustl.edu for the Zoom link!

To Giue Faire Colour”: Sexuality, Courtesy, and Whiteness in The Faerie Queene

This essay explores the losses that Spenser studies has incurred in its neglect of  the scholarship on early modern race that has compounded over the past thirty years. Much of this work has been produced by scholars of color, and particularly feminist scholars of color, who remain strikingly underrepresented in Spenser studies. If we treat this body of knowledge as central rather than peripheral to analysis of The Faerie Queene, we can expand our understanding of the multidimensional nature of Spenserian racial formations, which collaborate with white norms of gendered hierarchy and sexual innocence. The representations of slander, assault, and shame in Book VI offer particularly salient examples. Extensively, even obsessively, allegorizing female appetite and autonomy in racialized terms, Spenser’s Book of Courtesy allows us to appreciate the centrality of whiteness to the seemingly race-neutral ideals of courtesy and civility, as well as the dependence of those ideals on the selective deployment of slander and violence.

 

 

 

 

Marking Time: Art in the Age of Mass Incarceration

Nicole R. Fleetwood is professor of American studies and art history at Rutgers University.

Nicole R. Fleetwood is professor of American studies and art history at Rutgers University. She is a writer, curator, and art critic whose interests are contemporary black diasporic art and visual culture, photography studies, art and public practice, performance studies, gender and feminist studies, black cultural history, creative nonfiction, prison abolition and carceral studies, and poverty studies.

RSVP required; see website.

Families of words: Good translations are all alike; every bad translation is bad in its own way

Antony Shugaar is an author and translator. He is the recipient of a National Endowment for the Arts fellowship for the translation of Sandokan, by Nanni Balestrini,and a second for Francesco Piccolo's 2014 Strega Prize winning novel.

The Department of Romance Languages and Lteratures Presents the 2020-2021 Paul and Silvia Rava Lecture: Anthony Shugaar 

The prolific Antony Shugaar has translated more than 40 books from Italian, including several award-winning modern novels. His translation of Gianni Rodari’s Telephone Tales (Enchanted Lion Books) won the 2021 American Library Association’s Mildred L Batchelder Award, given for a children’s book originating in a non-English language in a market outside the United States and translated into English for publication in the United States.

Image from Telephone Tales by illustrator Valerio Vidali.

Register for Zoom event
Ferne Pearlstein, the director of the film The Last Laugh 

Ferne Pearlstein, the director of the film The Last Laugh 

Ferne Pearlstein, the director of the film The Last Laugh will be speaking in the seminar that Prof. Nancy Berg and Henry Schvey are currently offering, Staging Atrocity.

Ms. Pearlstein is a renowned, prize-winning director.  The Last Laugh deals with the controversial subject of Humor and the Holocaust. 

WashU Faculty, Students and Staff are encouraged to view this film prior to the seminar,  access is available to WU attendees by visiting the Kanopy website.  Community members should contact their local public library or visit Amazon Prime.


This was a live zoom event.
 

Ferne Pearlstein is a prize-winning cinematographer, writer, director, and editor whose work has won numerous awards and been screened and broadcast around the world. Her most recent documentary, The Last Laugh-which she directed, produced, photographed, and edited-had its world premiere at the 2016 Tribeca Film Festival, beginning a run of over a hundred festivals in the US and abroad, including Hot Docs, BFI London, Traverse City, IDFA, Rome, Jerusalem, San Francisco Jewish, Traverse City, Chicago International, and many others. 

An acclaimed documentary director of photography with dozens of films to her credit, she won the Excellence in Cinematography Prize at the 2004 Sundance Film Festival for her work on Ramona Diaz's Imelda, a feature documentary about Imelda Marcos. Pearlstein is one of only a handful of female cinematographers featured in Kodak's long-running "On Film" ad campaign in the pages of American Cinematographer magazine. 

This event is co-sponsored by the Performing Arts Department and the Department of Jewish, Islamic, and Middle Eastern Studies.
 


 

"Doing Race Online: An Exploration of Race-Making on Social Media Platforms"

Amber Hamilton,University of Minnesota-Twin Cities, Department of Sociology
In this talk, Amber Hamilton will examine Black Twitter as a case study to understand how Black users do race, express and construct what it means to be Black, resist racial oppression, and engage in cultural conversations on social media platforms. Similar to traditional Black spaces such as churches or barbershops, digital platforms have provided Black people the means to openly challenge oppressive structures and to render themselves visible in the public sphere in new ways.
 
BIO: Amber M. Hamilton is a doctoral candidate in Sociology at the University of Minnesota, Twin Cities who will defend her dissertation in December 2021. Amber's research focuses on the intersection of race, racism, technology, and media studies and she has published work in these areas in Sociology of Race and Ethnicity and the MIT Technology Review. Her dissertation, titled Doing Race Online: An Exploration of Race-Making on Social Media Platforms, explores the meaning-making around race and racism that occurs on digital platforms through cases studies of Black Twitter and public statements from social media companies.
REGISTER HERE

"'Do It for the Culture': Crafting and Archiving Community through Black Digital Media Practices"

Raven Maragh-Lloyd, Gonzaga University

In this talk, Dr. Maragh-Lloyd will sketch the ways that Black users online reconfigure media landscapes, including algorithmic personalization, through longstanding discursive and cultural practices, such as racial humor and communal care. In detailing current and future projects, she will outline the strategic networks of Black media practices as they work toward the goals of community, survival, and visibility.

BIO: Raven Maragh-Lloyd is a media studies scholar whose research examines the intersections between race, gender, and digital media culture. She is currently working on her book project, Black Resistance Will Be Digitized: Strategic Rearticulations of Resistance in the Digital Age, which explores the shifting nature of Black resistance strategies online. More broadly, Maragh-Lloyd is interested in Black publics online who deploy their social and cultural tools to challenge dominant media institutions and narratives.

REGISTER HERE

"Transforming Misogynoir through a Digital Health Practice"

Assistant Professor Moya, Bailey Northeastern University, Department of Africana Studies and the Program in Women’s, Gender, and Sexuality Studies

Black women and Black nonbinary, agender, and gender-variant folks negotiate misogynoir in a myriad of ways, but as I explore in this talk, they are able to achieve liberatory praxis through digital alchemy that can actually transform misogynoir into something useful. I focus on Black trans women’s use of social media as a lifesaving and health-affirming praxis that mitigates transmisogynoir. I argue that these practices extend our definitions of “health” beyond simple biomedical rubrics through the kind of generative digital alchemy enacted.

BIO: Moya Bailey is Assistant Professor of Africana Studies and the program in Women’s, Gender, and Sexuality Studies at Northeastern University. Her work focuses on marginalized groups’ use of digital media to promote social justice as acts of self-affirmation and health promotion, and she is interested in how race, gender, and sexuality are represented in media and medicine. Bailey currently curates the #transformDH Tumblr initiative in Digital Humanities. She is also the digital alchemist for the Octavia E. Butler Legacy Network. She is an MLK Visiting Scholar at MIT for the 2020–2021 academic year.

Register Here

"Race + Sorting Algorithms? The New Sexual Racism in Online Dating"

Professor Apryl Williams, University of Michigan, Department of Communication & Media and the Digital Studies Institute

Online dating platforms seek to improve the offline dating experience by curating profiles for users based on information provided by individual profiles. However, the processes by which digital dating platforms’ algorithms decide who is shown to whom is based on several social indicators including gender and race. Many of these indicators are enshrouded in bias on the programming end and explicit racism disguised as personal preference on the user end.

BIO: Apryl Williams received her PhD in Sociology from Texas A&M University. She is Assistant Professor in the Department of Communication & Media and the Digital Studies Institute at the University of Michigan, a Faculty Associate at the Berkman Klein Center for Internet & Society at Harvard University, and an Affiliated Researcher at New York University’s Center for Critical Race + Digital Studies. Her research follows two broad streams of inquiry: critical algorithm studies and cultural studies of race, gender, popular culture and identity in digital spaces.

REGISTER HERE
Vignettes for the Artists Who Saw the World in Two Dimensions

Vignettes for the Artists Who Saw the World in Two Dimensions

Sarah Sterling (LA 21), Choreographer

Sarah Sterling's senior thesis explores the relationship between two-dimensional and three-dimensional artwork, specifically, how one might translate or reimagine two-dimensional artwork to make it fit a three-dimensional format. Sterling selected four artists that create work in four different two-dimensional mediums and has translated their bodies of work into short vignettes of movement. 

click here for access link

Dancers: Rachel Bryant, Leighanne Guettler-James, Grace Myers, Grace Phillion, Ali Yaniz, Juli Yaniz

Music Credits: SCP-231 by ATLiens, Vanishing Act by Lou Reed, Red Slip by Tom Rogerson and Brian Eno, Wall of Memories by Gesaffelstein, The Chill Air by Brian Eno, Cloud Nine by Drehz, 3:14 Every Night by Trent Reznor and Atticus Ross, Rain Interior Plastic Roof Pours Weather Sound Effects by World Class Sound, and What We Need by Nathan Lanier

Technical Crew: Sarah Sterling

Special Thanks:  To Ben Lewis for his help in setting up the lighting board.
 

Spring 2021 Undergraduate Research Symposium

Spring 2021 Undergraduate Research Symposium

Join us for the annual Spring Undergraduate Research Symposium, which will open April 19th and run concurrently with other virtual events including student panels and departmental events, all part of our month-long Spring Celebration of Undergraduate Research.

Featuring 150+ students’ poster presentations and talks, the Spring Undergraduate Research Symposium showcases the diverse range of projects completed by WashU undergraduates and mentored by WashU faculty. Presenters stem from over 30 majors across Arts & Sciences, McKelvey, Sam Fox and Olin, with presentations representing 20 disciplines. See a full list of presenters organized by area of research here.

All are welcome to “stop by” the virtual event to support the students. The community’s participation means a great deal to them, and this year it will look like posting comments and questions on students’ pre-recorded poster presentations and talks. Also, many students are hosting Zoom Q&A sessions. Find the session time and link on the student's presentation page.

Join the Celebration
What does Putin want from Jerusalem?:  Understanding Russian Involvement in the Holy City from the Czar to the Present

What does Putin want from Jerusalem?: Understanding Russian Involvement in the Holy City from the Czar to the Present

A virtual Israel Institute talk with Dr. David Gurevich

Gurevich.jpg

Media Folder: 

Dr. David Gurevich, former officer-in-charge for the City of Jerusalem on Christian affairs, will discuss the history of Russia’s presence in Jerusalem, and provide behind-the-scenes insight into President Vladimir Putin’s efforts to restore Russia’s past glory in the Holy City.

In the middle 19th century, the Russian Czar established a mini-Russian town outside the walls of the Old City of Jerusalem. The official purpose of the so-called 'Russian compound' was to serve the sheer number of Russian pilgrims who flocked to the Holy Sites. However, 'behind the scenes' the Russian Empire aimed to head the race of the Western influence in Jerusalem. After the Bolshevik Revolution, the Russian property became a stone of contention between the USSR and the Russian (pro-Czarish) Church Abroad. Nowadays, 170 years after the Russian activity emerged and common Russians are interested more than ever in religion, Israel found itself negotiating President Putin's attempt to restore the times of the previous glory.

Dr. Gurevich is the former officer-in-charge for the City of Jerusalem on diplomatic ties with the Christian institutions in the city. He holds a PhD in Archaeology from the University of Haifa. He was a Fulbright Post-Doctoral fellow at Harvard University and later at the Hebrew University in Jerusalem. He’s now a post-doc fellow at the General History Department at Bar-Ilan University in Israel, and also holds an MA in Social Sciences from Sapienza University of Rome.

Click here to see the poster for this event.

 

 

Getting Started in the World of Literary Translation

Roundtable with Sarah Booker, Paul Cunningham & Bruna Dantas Lobato

Organized by the Washington University Translators Collective

Email Olivia Lott for meeting link.

The teaching of French in China

Dr. Fengsheng Hu, Doyen de la Faculté des Arts et des Sciences, Washington University in St. Louis. Dr. Xiuli Wang, Directrice du département de français, Beijing Language and Culture University. Mr. Mathieu Ausseil, Il est diplômé en sciences politiques et en droit.

Pourquoi étudie-t-on le français en Chine? Quel est l'attrait de la langue et de la culture française en Chine aujourd'hui? Rejoignez notre table-ronde avec nos conférenciers ! Ils partageront leur expertise au sujet de l'enseignement du français en Chine, et des stratégies de coopération éducative entre les deux pays.

Why do we study French? What is the appeal of the French language and culture in China today? Join the round-table discussion with our speakers! They will share about the Chinese's interaction with the language, the main characteristics of teaching French in China, and the strategies for educational cooperation between the two countries.

Dr. Fengsheng Hu
Doyen de la Faculté des Arts et des Sciences, Washington University in St. Louis. Dr. Hu a été "Fulbright Scholar" à l'Institut National de la Recherche Agronomique à Bordeaux en 2006-2007.

Dr. Xiuli Wang
Directrice du département de français, Beijing Language and Culture University; Membre du conseil de l'Association nationale de l'enseignement et de la recherche en français; Directrice du Centre d'Études Contrastives des Langues et Cultures Sino-Français.Elle a obtenu son doctorat de l'Université Sorbonne Nouvelle en 2004

Mr. Mathieu Ausseil 
Il est diplômé en sciences politiques et en droit. Après un début de carrière dans la magistrature, il rejoint le ministère français des Affaires étrangères et il est affecté à Beijing pendant quatre ans en tant que chargé de programmes de coopération universitaire, avant d'occuper le poste d'attaché d'éducation à l'ambassade de France à Washington DC.

  • April 30| 8:00 PM| Central Time
  • May 1   | 9:00 AM | Beijing Time

This event is in French.

It is organized by French Connexions & WUSTL China Forum and supported by the Cultural Services French Embassy in the United States.

 

REGISTER FOR THIS EVENT

“LOVE THYSELF” Black Women, Mental Health, and Radical Joy in Troubled Times

The last year has exacerbated the realities of what Black women contend with in troubled times and all the time. With the convergence of a global health pandemic that disproportionately affects Black people, continued and heightened calls for racial justice, and systemic economic inequities, Black women find themselves contending with mounting intersecting pressures and traumas in their professional and personal lives that affect their mental health. Yet, Black women remain at the forefront of creating history, advancing progressive politics, and developing creative solutions to what ails their communities. This panel discussion will address how Black women should and do practice the duality of self-care as they contend with racism and sexism while simultaneously seeking and experiencing radical joy.

 

This event is co-sponsored by the Center for the Study of Race, Ethnicity & Equity (CRE2) and the Department of African & African American Studies

REGISTER HERE

Scholarly Writing Retreat 2021

For Washington University humanities and humanistic social sciences faculty, post-docs and graduate students

The Scholarly Writing Retreat offers Washington University humanities and humanistic social sciences faculty, post-docs and graduate students the opportunity to jump-start their summer writing in a motivated, supportive and collaborative atmosphere, even as we are spread out in our own work spaces. Participants will work intensively on their individual projects, following a schedule of check-ins, focused writing periods and virtual communal breaks. 

Online meetings 

Small writing groups meet online periodically to provide a forum to exchange ideas, support one another and engage in social interaction. Each group will determine their own structure: frequency and duration of writing days/times, which virtual platform to use, types of meetings, etc.

Dates 

Weekdays, June 1–11
Participants are not required to participate daily nor to attend the entire duration of the retreat.

How to participate

  1. Register by clicking the button below by noon on May 20.
  2. Await your small group assignment, to be made by the end of May, based on your registration responses.
  3. Join the online welcome session on June 1 at 10 am. Each group will then meet to determine their plans going forward.
A.E. Hotchner Playwriting Festival 2021

A.E. Hotchner Playwriting Festival 2021

The 2021 A.E. Hotchner Playwriting Festival Announces Featured Playwrights.

Dates for Performances are September 24 & 25, 2021

Decadents Gone Wilde
By J. Myles Hesse

In 1896, the infamous celebrity Oscar Wilde languishes in a prison cell for crimes of "gross indecency," while his best friend and sometimes lover, Robbie Ross, plans a desperate bid to expedite his release. All proceeds according to his plan until Oscar's estranged wife and his tempestuous boyfriend threaten to undo all of Robbie's work as they seek to supplant the other as Oscar's favorite. Robbie is left to negotiate an impossible truce, all the while coming to terms with his blossoming affection for a seductive rent-boy who refuses to leave his home.

 

 

 

Front Porch Steps
by Megan Gooden

Ally and Eric lead an imperfect life filled with moments of happiness and plagued by echoes of uncertainty. One morning an 18-year-old girl named Tawni arrives on her bicycle and invites herself in. She brings with her, immediacy, honesty and the memories of a sister who is no longer standing beside her. With an unsubtle presence akin to blunt force trauma, Tawni confronts the couple, exposes their friends, and gently indicates a better way to go forward, until her sister calls her back.

 

 

Kent Styles
by Zachary Stern

Kent Styles is probably not a nice guy. He’s fresh out of prison and needs a quick score to avoid some harsh local consequences. With an assist from his sometimes girlfriend, he targets his blind, but reliable Uncle Fred, and far less patient wife, Liz. Having been burnt before, should they trust Kent? It’s a rock and a hard place, as this time, Kent is suggesting they pull the plug on their long comatose and vegetative son, to accommodate his situation.
 

 

 

 

The adjudication committee consisted of Annamaria Pileggi, Henry Schvey, Carter W. Lewis and Liz Engelman, Dramaturg and Executive Director of The Tofte Lake Artist Retreat. The author’s names were removed from the scripts so that the adjudication process was “blind”. The selected plays will be workshopped with a guest dramaturg in the fall.

Teaching French for Health and Humanitarian Affairs Workshop

Register for Teaching French for Health and Humanitarian Services

Teaching French for Health and Humanitarian Affairs

May 25 - June 4, 2021

The workshop Teaching French for Health and Humanitarian Services will allow participants to learn the methodologies of professional French applied to the fields of health and humanitarian fields, through a course that alternates autonomous preliminary work and practical workshops in a virtual classroom.
The objective is to provide participants with:

  • Tools to frame the methodology of professional French, especially in the context of university-level training.
  • Didactic and pedagogical tools for the development of programs, the design and facilitation of teaching modules, and assessment activities in French for health and humanitarian care.

This Workshop is sponsored by French ConneXions. It is free for WUSTL faculty, students, staff and $50 USD for those from other institutions.  REGISTRATION IS NOW CLOSED. Questions? Contact Lionel Cuillé, Director of French ConneXions, at lcuille@wustl.edu.

REGISTRATION IS NOW CLOSED

 

REGISTRATION IS NOW CLOSED
Musical Lunch Box

Musical Lunch Box

This event will premiere on YouTube every Friday at noon.

Watch Here

Join us for our Musical Lunch Box series Fridays at noon. These short concerts will include full performances of pieces by our students, ensembles, and faculty to connect with you during your Friday work day.

This Musical Lunch Box will celebrate our graduating seniors with selections from their recitals.

"Songs You'd Never Sing Episode 3: "Distance ≧ Connectivity"

"Song's You'd Never Sing" presents "Distance ≧ Connectivity" as part of an ongoing series produced by Henry Palkes, Lecturer in the Performing Arts

Perhaps more than most of us might enjoy, we have all come to a new understanding of both “distance” and “connectivity”. The songs on this third episode were written well before the current crises of health, social turbulence, and a country more divided than unified. The lyrics become even more salient through our current lens and particularly so through when expressed from a different gender point of view. 

Songs You'd Never Sing is the PAD’s riff on the popular celebrity gala, Miscast. Many have dreamt of singing songs from musicals that no one would ever cast them in, but with this show, such dreams come true. Songs You’d Never Sing offers bold permissions for simply having some fun. It can be campy and outrageous at times, but it may also be downright beautiful and astonishing, especially when the chemistry between singer and song proves to be perfect. Perhaps you have a song like this in you?

Click here to view this and other virtual platform performances

"Reconceiving the American Revolution" Eighteenth-Century Interdisciplinary Salon

Janet Polasky, Presidential Professor of History at the University of New Hampshire and author of Revolutions Without Borders: The Call to Liberty in the Atlantic World (Yale, 2015), and Alan Taylor, Thomas Jefferson Foundation Chair of History at the University of Virginia and author of American Revolutions: A Continental History, 1750-1804 (Norton, 2016) will discuss how their reconceptions of the Revolution might provide a vantage from which to interpret more recent historical events.

The Eighteenth-Century Interdisciplinary Salon final event of the year focuses on the theme of Reconceiving the American Revolution.  Join our guests, Janet Polasky, Presidential Professor of History at the University of New Hampshire and author of Revolutions Without Borders: The Call to Liberty in the Atlantic World (Yale, 2015), and Alan Taylor, Thomas Jefferson Foundation Chair of History at the University of Virginia and author of American Revolutions: A Continental History, 1750-1804 (Norton, 2016),  who will be joining us via Zoom on Tuesday, May 18th from 2-4 CST to discuss how their reconceptions of the Revolution might provide a vantage from which to interpret more recent historical events. They will be happy to field questions pertaining to their pre-circulated book chapters (contact Anne Seul at anneseul@wustl.edu) and their presentations will be followed by a panel discussion featuring Alexandre Dubé, Lorri Glover, Mark Valeri, and Abram Van Engen. Please save the date, auspiciously placed between grading and graduation. Please register below for the ZOOM link.

REGISTER FOR THE EVENT
Henry Schvey with Robert Duffy - Blue Song

Henry Schvey with Robert Duffy - Blue Song

Henry I. Schvey, Professor of Drama and Comparative Literature to discuss his new biography of Tennessee Williams.

Join Left Bank Books and Tennessee Williams Festival - St. Louis Facebook Live event as they welcome St. Louis author Henry I. Schvey, who will discuss his new biography of Tennessee Williams, Blue Song: St. Louis in the Life and Work of Tennessee Williams.  Schvey will be in conversation with St. Louis' esteemed former journalist Robert Duffy.

https://www.facebook.com/LeftBankBooks.STL/live

About Blue Song: St. Louis in the Life and Work of Tennessee Williams

In 2011, the centennial of Tennessee Williams's birth, events were held around the world honoring America's greatest playwright. There were festivals, conferences, and exhibitions held in places closely associated with Williams's life and career--New Orleans held major celebrations, as did New York, Key West, and Provincetown. But absolutely nothing was done to celebrate Williams's life and extraordinary literary and theatrical career in the place that he lived in longest, and called home longer than any other--St. Louis, Missouri.

The question of this paradox lies at the heart of this book, an attempt not so much to correct the record about Williams's well-chronicled dislike of the city, but rather to reveal how the city was absolutely indispensable to his formation and development both as a person and artist. Unlike the prevailing scholarly narrative that suggests that Williams discovered himself artistically and sexually in the deep South and New Orleans, Blue Song reveals that Williams remained emotionally tethered to St. Louis for a host of reasons for the rest of his life.

Erin McGlothlin New Book Launch

Erin McGlothlin New Book Launch

Erin McGlothlin's new monograph will be discussed in the New Books in Perpetrator Studies series held by the Perpetrator Studies Network.

The Mind of the Holocaust Perpetrator in Fiction and Nonfiction examines texts that portray the inner experience of Holocaust perpetrators: portraits of real-life perpetrators in nonfictional interviews and analyses from the 1960s and 1970s and more recent fictional texts that imagine the perspective of their invented perpetrator-narrators. It explores new modes of engagement with ethically fraught questions raised by our increasing willingness to consider the events of the Holocaust from the perspective of the perpetrator.

The discussants during this event will be Sue Vice and Katharina von Kellenbach. The session will be moderated by Susanne Knittel.

For more information about the book, click here. It can be ordered at a 30% discount with the coupon code SS21.

Please register for the event here.

Hostile Terrain 94 at Mildred Lane Kemper Art Museum

Hostile Terrain 94 at Mildred Lane Kemper Art Museum

Prominently displayed in the Kemper Museum’s lobby, the HT94 project is intended to spark conversations about borders and border crossings and their impact on global and local communities today.

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Americanist Dinner Forum: Henry Schvey's

Americanist Dinner Forum: Henry Schvey's "Blue Song"

In 2011, the centennial of Tennessee Williams’s birth, events were held around the world honoring America’s greatest playwright. There were festivals, conferences, and exhibitions held in places closely associated with Williams’s life and career—New Orleans held major celebrations, as did New York, Key West, and Provincetown. But absolutely nothing was done to celebrate Williams’s life and extraordinary literary and theatrical career in the place that he lived in longest, and called home longer than any other—St. Louis, Missouri.

The question of this paradox lies at the heart of this book, an attempt not so much to correct the record about Williams’s well-chronicled dislike of the city, but rather to reveal how the city was absolutely indispensable to his formation and development both as a person and artist. Unlike the prevailing scholarly narrative that suggests that Williams discovered himself artistically and sexually in the deep South and New Orleans, Blue Song reveals that Williams remained emotionally tethered to St. Louis for a host of reasons for the rest of his life.

“Tennessee Williams' formative St. Louis years—spanning his adolescence and early adulthood—have for so long been biographical flyover country, barely acknowledged even by Williams himself. Now a fellow St. Louisan, Henry Schvey, has brought this period vividly to life. Blue Song, with its impeccable scholarship and intimate personal engagement, finally completes the portrait of America's greatest playwright.”—Rocco Landesman, Former chairman of the NEA and long-time Broadway theatre producer.

Henry Schvey is Professor of Drama and Comparative Literature at Washington University in St. Louis and the author of three books, including Oskar Kokoschka: The Painter as Playwright. He lives in St. Louis, Missouri.

 

 

This event is free and open to the public. To receive the webinar link please REGISTER HERE.

The Americanist Dinner Fora are the flagship intellectual event for the AMCS community. Each month features a new set of speakers exploring a topic relevant to American Studies through the medium of a selected reading. The reading will be circulated the week prior. AMCS PhD Certificate students are expected to attend each of the fora, and AMCS MA students and AMCS Faculty are strongly encouraged to attend.

Film Screening: Mr. Klein

Film Screening: Mr. Klein

With an introduction and post-film discussion by Pier Marton, video artist and self-described “Unlearning Specialist at the School of No Media.” Marton has appeared with his work at such major museums as MoMA in New York, lectured at Yad Vashem: The World Holocaust Remembrance Center in Jerusalem, and taught at several leading U.S. universities. He regularly presents films at the Holocaust Museum and Learning Center in St. Louis.

Important Notice: Masks will be required for the Robert Classic French Film Festival.

Mr. Klein
Directed by Joseph Losey
France / 1976
123 minutes / Color / New Restoration / DCP

Expatriate American director Joseph Losey (“The Prowler,” “The Go-Between,” “The Servant”) worked primarily in the U.K. after his Blacklist exile from Hollywood, but in the latter part of his career, he made a trio of French-language films, beginning with “Mr. Klein.” In Occupied France, Mr. Klein (Alain Delon) — a Roman Catholic — exploits the desperate situation of the Jews by buying and selling their works of art. But when a Jewish man of the same name surfaces in Paris, Klein comes under suspicion and experiences the persecution of his countrymen firsthand, eventually becoming ensnared in the so-called Vél d’Hiv Roundup, the mass arrest of Parisian Jews in July 1942. The LA Times writes: “Moody, elegantly disturbing and impeccably made by a master director, this story of blurred identities and casual immorality in German-occupied Paris benefits from what might be the best performance of star Alain Delon’s long career as well as potent cameos by Jeanne Moreau, Michel Lonsdale and Juliet Berto.” At the 1977 César Awards — France’s Oscars — “Mr. Klein” won Best Film, Best Director, and Best Production Design (by the legendary Alexandre Trauner).

More info & Order Tickets
Film Screening: Entre Nous

Film Screening: Entre Nous

With an introduction and post-film discussion by Colin Burnett, associate professor of Film & Media Studies at Washington U. and author of “The Invention of Robert Bresson: The Auteur and His Market.”

Important Notice: Masks will be required for the Robert Classic French Film Festival.

Entre Nous
Coup de foudre
Directed by Diane Kurys
France / 1983
110 minutes / Color / New Restoration / DCP

An episodic chronicle of the painful dissolution of her parents’ relationship — and the woman who precipitates it — Diane Kury’s “Entre Nous” is intelligent and subtly compelling, a bittersweet remembrance of difficult times and enduring friendship. Although structured in the loose, fragmentary style of Kury’s previous “Peppermint Soda,” the film is darker in tone, richer in characterization, and charged with a subdued eroticism. Tracing the parallel downward curves of two marriages, “Entre Nous” delicately explores the wives’ sustaining interrelationship, their mutual strength and resolve. Miou-Miou and Isabelle Huppert, who play nascent ’50s feminists longing for a freedom they never fully articulate, are devastating, their character’s frustration and hopeful dreams visible in pained eyes and small gestures of entreaty. Vincent Canby in the New York Times writes: “‘Entre Nous’ is not a movie-as-short story. It’s a novel-sized film, the kind that is so perfectly realized in vivid incidents that, not until the end does one realize how big it is and how effortlessly it has covered so much social and psychological territory.” “Entre Nous” was nominated for the Best Foreign Language Film Oscar.

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Film Screening: Mon oncle Antoine

Film Screening: Mon oncle Antoine

With an introduction and post-film discussion by Lionel Cuillé, teaching professor in French and director of the cultural center French ConneXions at Washington University.

Important Notice: Masks will be required for the Robert Classic French Film Festival.

Mon oncle Antoine
Directed by Claude Jutra
Canada / 1971
104 minutes / Color / DCP

Claude Jutra’s evocative portrait of a boy’s coming of age in wintry 1940s rural Quebec has been consistently cited by critics and scholars as the greatest Canadian film of all time. Delicate, naturalistic, and tinged with a striking mix of nostalgia and menace, “Mon oncle Antoine” follows Benoit, as he first encounters the twin terrors of sex and death, and his fellow villagers, who are living under the thumb of the local asbestos-mine owner. Set during one ominous Christmas, “Mon oncle Antoine” is a holiday film unlike any other and an authentically detailed illustration of childhood’s twilight. Roger Ebert writes: “The key action in Claude Jutra’s ‘Mon Oncle Antoine’ takes place over a period of 24 hours in a Quebec mining town. Although the film begins earlier in the year, everything comes to a focus beginning on the morning of Christmas Eve and closing on the dawn of Christmas. During that time, a young boy has had his life forever changed. This beloved Canadian film is rich in characters, glowing with life in the midst of death.”

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Remembering James McLeod and the Rise of Black Studies at Washington University

Gerald Early, the Merle Kling Professor of Modern Letters and Former Chair of the Department of African and African American Studies - 2021 James E. McLeod Memorial Lecture on Higher Education

Given the conditions of the ongoing COVID-19 pandemic, this event will be staged in a hybrid format. All are invited to attend virtually via Zoom, and we hope members of the Washington University community who are able will attend in person. In-person attendance is limited by seating capacity. 

To register via Zoom, follow this link.

To register for in-person attendance (WashU only), follow this link or click the RSVP button below.


AFAS colleagues Jean Allman and Jonathan Fenderson interview Gerald Early in this lecture preview: Gerald Early on Black studies at WashU and one of its early champions.

GERALD EARLY is an award-winning essayist, author, and editor. He has served as a commentator for NPR and as a consultant for multiple documentaries with Ken Burns. Currently, Early is finishing a book about Fisk University.

Early is the Merle Kling Professor of Modern Letters in the African and African American Studies Department at Washington University in St. Louis, where he has taught since 1982. He also has courtesy appointment in the American Culture Studies Programs and the English Department at Washington University. He earned an undergraduate degree in English from the University of Pennsylvania and a PhD in English and American literature from Cornell University.

He is the immediate past chair of the Department of African and African American Studies, serving from 2014 to 2021. He had previously served as director of the African and African American Studies Program from 1992 to 1999. He has also served as the director of the American Culture Studies Program, and was the founding director of the Center for the Humanities. He is also the executive editor of The Common Reader, Washington University’s interdisciplinary journal that is published under the auspices of the Provost. 

Early is a noted essayist and American culture critic. His collections of essays include Tuxedo Junction: Essays on American Culture (1989); The Culture of Bruising: Essays on Prizefighting, Literature, and Modern American Culture, which won the 1994 National Book Critics Circle Award for Criticism; This is Where I Came In: Essays on Black America in the 1960s (2003), and, most recently, A Level Playing Field: African American Athletes and the Republic of Sports (2011). He is also the author of Daughters: On Family and Fatherhood (1994). He was twice nominated for Grammy Awards for writing album liner notes, of which Early has written many including Black Power: Music of a Revolution (2004), Miles Davis, Kind of Blue: 50th Anniversary (2009), Q: The Musical Biography of Quincy Jones (2001), Vee-Jay: The Definitive Collection (2007), Motown: The Complete Motown Singles, Volume 2: 1962, The Sammy Davis Jr. Story (1999), and Rhapsodies in Black: Music and Words from the Harlem Renaissance (2000).

Travel, Encounter, and the

Travel, Encounter, and the "Shuihu-esque" in Meiji-Period Japan

William Hedberg, associate professor, Japanese, Arizona State University

This presentation focuses on the reception and continued popularity of Chinese vernacular fiction in Meiji Japan (1868-1912), with special focus on the Ming novel The Water Margin (Ch. Shuihu zhuan, Jp. Suikoden).  The story of 108 outlaw gallants who band together in the marshes of northeastern China, The Water Margin reached new heights of popularity in the modern era, when Japanese authors as disparate as Mori Ōgai, Masaoka Shiki, and Akutagawa Ryūnosuke presented the novel as an uncannily proto-modern example of literary realism, as well as a key point of entry in understanding contemporary Qing-period China.  Japanese readers interested in contemporary Chinese politics and society argued that the dynamic and complex world of the Liangshan marshes acted as a "snapshot" (shashin) or microcosm of China as a whole, and presented the novel as a way of understanding and explicating a region that Japanese travelers encountered firsthand in increasing numbers in the final years of the Qing.  In my presentation, I discuss an intertwined discourse of novels and nationhood and examine the processes by which The Water Margin was selected as a window into the contemporary China newly open for firsthand experience, exploration, and ultimately, colonization. 

Registration is required to attend lecture. Once registered you will receive the Zoom link.

Supported by a gift from Leung Tung Peter & Lin Young.

Organized by East Asian Languages and Cultures.

Public Tour: Women’s Work

Featuring former Kling Undergraduate Honors Fellow Hannah Ward (Class of 2021)

Join the Kemper Art Museum for live, interactive tours on Zoom. Student educators design and lead virtual tours featuring several artworks in the Kemper collection, showing images of the artworks through screen sharing and answering participant questions.

Leslie Liu (Sam Fox School ’22) discusses a selection of works from the Teaching Gallery exhibition Women’s Work, curated by Lydia McKelvie (AB ’22), Alice Nguyen (AB ’22), and Hannah Ward (AB ’21), the recipients of the 2019 Arthur Greenberg Undergraduate Curatorial Fellowship. The exhibition examines the depiction of feminized labor within sociopolitical contexts that have affected women’s economic agency and identity from the late 19th century to today.

From Imperial Envoys to Legation Ministers: Diplomatic Communications in the Late Qing

From Imperial Envoys to Legation Ministers: Diplomatic Communications in the Late Qing

Jenny Huangfu Day, associate professor of history, Skidmore College

In the Qing, the diary-form for intelligence gathering was perfected by the Manchu official Tulisen, whose travelogue to Central Asia allowed the Kangxi emperor’s “imperial eyes” to assume vicarious witness to that heroic journey.  Prior to China’s stationing of resident ministers abroad in 1876, envoy journals similar to Tulisen’s were commonly used for information gathering.  In the next three decades, the genre of envoy communication became a fertile field for trials and experimentations, as Qing diplomats adapted their methods of communication to the changing needs of the state and new media and information technology.  When the Qing dynasty established China’s first bureau of foreign affairs (waiwubu) in 1901, the modern-style “foreign office” required radically new genres for diplomatic communication, which prioritized systemization, standardization, and the elimination of subjective experience.  In this presentation, Professor Day traces the evolution in diplomatic communications from the late Qing to the early Republic and unpacks how new views of the foreign were shaped by new genres, new media, and new bureaucratic structures.  

Registration is required to attend lecture. Once registered you will receive the Zoom link.

Supported by a gift from Leung Tung Peter & Lin Young.

Organized by East Asian Languages and Cultures.

Let Your Talent Be Your Guide

Keynote speaker: Charles Johnson, professor emeritus, University of Washington, author of novels, short stories, screen- and teleplays, and essays - Faculty Book Celebration 2022
FACULTY BOOK CELEBRATION
There’s so much to celebrate, and so many ways to join in! 
Anytime
Virtual Book Display
How I Made This Book

February 23-April 1, 2022
Pop-up exhibit, The Magic in His Hands: Charles Johnson’s Artistic Versatility
Special Collections Reading Room, Olin Library 
Monday-Friday, 9 am-5 pm

Thursday, March 3
12 pm  |  Panel discussion, “Reflections on Craft: Connecting Creative and Scholarly Practice” | Olin Library, Room 142
4 pm  |  Keynote lecture and Washington University faculty speakers (below) | Umrath Lounge

Given the conditions of the ongoing COVID-19 pandemic, this event will be staged in a hybrid format.

All are invited to attend virtually via Zoom, and we hope members of the Washington University community who are able will attend in person. In-person attendance is limited by seating capacity. 

To register via Zoom, follow these links for the panel discussion and the lectures.

To register for in-person attendance at either event (WashU only), follow this link.


Keynote lecture

“Let Your Talent Be Your Guide”

4 pm | Umrath Lounge

In this presentation, Charles Johnson describes the journey that took him from being a cartoonist and journalist in his late teens and early twenties to becoming a novelist, philosopher, literary scholar, essayist, short story and screen writer, and a college professor. The spirit of this journey is captured in a statement by John Muir: “When we try to pick out anything by itself, we find it hitched to everything else in the universe.”

ABOUT THE SPEAKER
Charles Johnson, professor emeritus, University of Washington, is the Pollock Professor of English, author of 16 books, among them the novels Middle Passage, Oxherding Tale, Faith and the Good Thing, and Dreamer; the story collections: The Sorcerer's Apprentice (nominated for a PEN/Faulkner award), Soulcatcher and Other Stories, and Dr. King's Refrigerator and Other Bedtime Stories; and works of philosophy and criticism such as Being and Race: Black Writing Since 1970 and Turning the Wheel: Essays on Buddhism and Writing. He is also a screenwriter, essayist, professional cartoonist, international lecturer, and for 20 years served as fiction editor of Seattle Review. He received the 1990 National Book Award (fiction) for Middle Passage, NEA and Guggenheim fellowships, a Writers Guild Award for his PBS drama Booker, two Washington State Governor’s Awards for literature, the Academy Award for Literature from the American Academy of Arts and Letters, and numerous other prizes and honorary degrees. In 1998 he received a John D. and Catherine T. MacArthur Fellowship (“genius” grant), and in 2003 literary scholars founded the Charles Johnson Society at the American Literature Association.

Read more about Washington University Libraries’ recent acquisition of Charles Johnson’s papers, and take a look at the Library’s preview of his papers.

Washington University faculty speakers

Two members of the Washington University faculty will speak on their own new book releases.

Diana Montaño

Assistant Professor, Department of History

Electrifying Mexico: Technology and the Transformation of a Modern City (University of Texas Press, 2021)

Many visitors to Mexico City’s 1886 Electricity Exposition were amazed by their experience of the event, which included magnetic devices, electronic printers, and a banquet of light. It was both technological spectacle and political messaging, for speeches at the event lauded President Porfirio Díaz and bound such progress to his vision of a modern order. Diana J. Montaño explores the role of electricity in Mexico’s economic and political evolution, as the coal-deficient country pioneered large-scale hydroelectricity and sought to face the world as a scientifically enlightened “empire of peace.” She is especially concerned with electrification at the social level. Ordinary electricity users were also agents and sites of change. Montaño documents inventions and adaptations that served local needs while fostering new ideas of time and space, body and self, the national and the foreign. Electricity also colored issues of gender, race, and class in ways specific to Mexico. Complicating historical discourses in which Latin Americans merely use technologies developed elsewhere, Electrifying Mexico emphasizes a particular national culture of scientific progress and its contributions to a uniquely Mexican modernist political subjectivity.

Julia Walker

Associate Professor, Department of English
Associate Professor and Chair, Performing Arts Department

Performance and Modernity: Enacting Change on the Globalizing Stage (Cambridge University Press, 2021)

How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Focusing on the historical period of modernity, Performance and Modernity: Enacting Change on the Globalizing Stage demonstrates how the unforeseen impact of economic, industrial, political, social and psychological change was registered in bodily metaphors that took shape on stage. In new styles of performance-acting, dance, music, pageantry, avant-garde provocations, film, video and networked media — this book finds fresh evidence for how modernity has been understood and lived, both by stage actors, who, in modelling new habits, gave emerging experiences an epistemological shape, and by their audiences, who, in borrowing the strategies performers enacted, learned to adapt to a modernizing world.


Panel discussion

“Reflections on Craft: Connecting Creative and Scholarly Practice”

12 pm  |  Olin Library, Room 142

Moderated by Ignacio Infante, associate professor of comparative literature and Spanish; and associate director, Center for the Humanities

Faculty Book Celebration keynote speaker Charles Johnson will join a panel of Washington University faculty.

Scroll to the top of the page for registration for online or in-person (WashU only) attendance.

Co-sponsored by University Libraries

Department of Music Lecture:

Department of Music Lecture: "Singing the Black Pacific: Afro-Indigenous Connections and the Study of Global Music History"

Gabriel Solis, Professor of Music, African American Studies, American Indian Studies, and Anthropology, University of Illinois (Alumni Feature)

This alumni feature is in celebration of WUSTL MUSIC’s 75th Anniversary.


Over the course of the “long” 20th century—beginning with a multi-year residency by the Fisk Jubilee Singers in Australia and New Zealand in the 1890s and continuing to today—Black music from the U.S. and the West Indies has been a crucial resource for Indigenous artists and activists in the Southwestern Pacific. This presentation traces the outlines of this music’s role as an expressive vehicle for aesthetic and ethical concerns. I consider how this music has entwined Afrodiasporic and Indigenous people, developing community, providing the pleasures of sonic repetition and difference, and articulating politics of liberation and sovereignty. Beyond describing my case study, this talk will focus on the methodological questions raised by the growing literature of global music history, and the recent critiques of the coloniality and ethnocentrism of the 20th century’s musicological disciplines: music history, ethnomusicology, and music theory.
 
Biography:
Gabriel Solis is Professor of Music, African American Studies, American Indian Studies, and Anthropology at the University of Illinois. He also currently serves as Head of the Department of Theatre. A scholar of ethnomusicology and music history, he is the author of books on jazz that look at the music’s role as a medium for cultural memory and history, the pleasures of repetition, and aesthetic ontology in an African American art form that prizes improvisation. As a co-editor editor he is responsible for a collection on musical improvisation (with Bruno Nettl) and a recent issue of the Journal of the Society for American Music (with Jessica Bisset-Perea) focused on Indigeneity and settler colonialism. He is currently working on a book titled Singing the Black Pacific. He has been fortunate to receive support from the NEH, AHRC, Mellon Foundation, Madden Fund, and the University of Illinois, without which his research would not have been possible. Likewise, he is grateful for the training he received at the University of Wisconsin (BA) and Washington University in St. Louis (PhD).

Zoom Option Registration

All attendees are required to complete the health screener within 4 hours of their arrival to campus and be prepared to show the "Cleared for Campus" result to the event staff upon entry. All attendees must wear a mask at all times while indoors. 
Visitor Screening Tool
WUSTL student/faculty/staff Screening Tool
WUSTL Visitor Policy

Department of Music Lecture:

Department of Music Lecture: "Reconstructing a Newly Discovered Motet on St Nicholas"

Jared C. Hartt, Barker Professor of Music Theory, Oberlin Conservatory of Music (Alumni Feature)

This alumni feature is in celebration of WUSTL MUSIC’s 75th Anniversary. 


Two large fragments of a rotulus have been recently discovered in a manor house in Dorset. The fragments preserve four early fourteenth-century motets of English provenance. One of these motets, Naufragantes visita/ Navigatrix inclita/ Aptatur, previously unknown to modern scholars, combines numerous unique features, beautifully illustrating and adding to the remarkable degree of compositional innovation present in fourteenth-century English motets. The four-voice motet often features four different simultaneous texts and uses a complex method of text exchange. The poetic texts plead both to St Nicholas, the patron saint of sailors, and to the Virgin Mary, the star of the sea, to intercede as protectors and guides of seafarers. Its cantus prius factus, Aptatur, used in thirteen musically distinct motets on the Continent, is found now for the first time in a motet that definitely originates in England. Because of damage to the rotulus, however, the motet does not survive in full. In this presentation, through an exploration of the motet’s melodic, harmonic, textual, and formal characteristics, I demonstrate not only how Naufragantes/ Navigatrix exemplifies remarkable compositional innovation, but I also offer a complete musical reconstruction of the motet, thereby allowing for the possibility of performance of this remarkable discovery.
 
Biography:
Jared C. Hartt is the Barker Professor of Music Theory at the Oberlin Conservatory of Music where he just began his fifteenth year of teaching. In 2007, he earned his PhD in Music Theory from Washington University in St Louis under the direction of Robert Snarrenberg and Dolores Pesce. Hartt’s research interests include the music of Guillaume de Machaut and his contemporaries, and the motet in thirteenth- and fourteenth-century England. He is the editor of A Critical Companion to Medieval Motets (Boydell, 2018), the co-editor (with Lawrence Earp) of Poetry, Art, and Music in Guillaume de Machaut’s Earliest Manuscript (Brepols 2021), and with Margaret Bent and Peter M. Lefferts he recently co-authored The Dorset Rotulus: Contextualizing and Reconstructing the Early English Motet (Boydell, 2021).
 

Registration for Zoom Meeting

All attendees are required to complete the health screener within 4 hours of their arrival to campus and be prepared to show the "Cleared for Campus" result to the event staff upon entry. All attendees must wear a mask at all times while indoors. 
Visitor Screening Tool
WUSTL student/faculty/staff Screening Tool
WUSTL Visitor Policy

Book Club: The Signature of All Things

Book club will begin with a presentation of botanical texts held at Becker Medical Library, followed by a discussion.

More than the Kewpie: The Rose O’Neill Collection at the D.B. Dowd Modern Graphic History Library

Skye Lacerte, Curator, D.B. Dowd Modern Graphic History Library, Washington University Libraries

Rose O’Neill was an American cartoonist who is most famous for creating the Kewpie doll—child-like, winged creatures named after Cupid, the Roman god of love. She was also a successful magazine and book illustrator, writer, sculptor, bohemian, and suffragette, and for a time was the highest-paid female illustrator in the world. O’Neill settled near Branson, Missouri, where she lived until her death in 1944. Join Curator Skye Lacerte for a visual tour of this trailblazer’s work.

Faculty Book Talk: Henry I. Schvey

HUMANITIES BROADCAST - Henry Schvey, professor of drama and comparative literature, discusses his latest book, “Blue Song: St. Louis in the Life and Work of Tennessee Williams” (University of Missouri Press, 2021).

Faculty Book Talk: Heather Berg

HUMANITIES BROADCAST - Heather Berg, assistant professor of women, gender and sexuality studies, discusses her latest book, “Porn Work: Sex, Labor, and Late Capitalism” (University of North Carolina Press, 2021).

An Evening with Danielle Allen

Danielle Allen, the James Bryant Conant University Professor at Harvard University, and Director of Harvard’s Edmond J. Safra Center for Ethics, is a political theorist who has published broadly in democratic theory, political sociology, and the history of political thought.

Pari in Perpetuity: Peeling Back the Layers of Agricultural Policy in a Prayerful Way

Join Brown School Buder Alumna (MSW, 2009) Electa Hare-RedCorn (Pawnee) for a discussion of how Native women are changing policy in land stewardship by acknowledging and implementing just transitions in agricultural development. Special opportunity: The first 100 guests for this webinar will have an opportunity to receive a complimentary copy of Robin Wall Kimmerer’s “Braiding Sweetgrass” book.

Language as a Conveyor of Culture: The Case of Borrowed Vocabulary in Kiswahili

HUMANITIES BROADCAST - Lecture by Iribe Mwangi, Chair, Department of Kiswahili, University of Nairobi; discussion moderated by Mungai Mutonya, Teaching Professor of African & African-American Studies, Washington University.

Public Tour: Art on Campus

Leslie Markle, curator for public art, Mildred Lane Kemper Art Museum

Proposal-Writing Information Session & Workshop

Information session featuring “What’s in a Proposal” by Jean Allman (African & African American Studies) and “The Best of the Best Advice” - collected words of wisdom from a dozen recent grant and fellowship recipients

Information session for faculty and post-docs in the humanities and humanistic social sciences interested in pursuing external funding. Whether you are intending to prepare an application for the next funding cycle or you would just like more details on the process, you are welcome at this information session! 

More details here: https://humanities.wustl.edu/proposal-writing-information-session-and-workshop-2021.

How to Fight Injustice Without Hating: Connecting Mindfulness with Social Justice

Valerie Brown transformed her high-pressure, twenty-year career as a lawyer-lobbyist, to human-scale, social equity focused work with leaders and teams to foster trustworthy, compassionate, and authentic connections. She is an ordained Dharma teacher in the Plum Village tradition founded by Thich Nhat Hanh and a member of the Religious Society of Friends (Quakers).

You’re Paid What You’re Worth: Book Talk by Professor Jake Rosenfeld

HUMANITIES BROADCAST - Jake Rosenfeld, professor of sociology, discusses his latest book, “You’re Paid What You’re Worth: And Other Myths of the Modern Economy” (Belknap Press, 2021).

On Sport for Development: Empowering Individuals and Communities in Africa

Lombe Mwambwa, executive director, National Organisation for Women in Sport Physical Activity and Recreation, Zambia

Screening & Artist Talk with Hugo Crosthwaite

Artist Hugo Crosthwaite, winner of the fifth triennial Outwin Boochever Portrait Competition, speaks with Taína Caragol, curator of painting and sculpture and Latinx Art and History at the National Portrait Gallery, and co-curator of “The Outwin: American Portraiture Today.”

Public Tour: The Outwin—American Portraiture Today

HUMANITIES BROADCAST - Join student educator Jay Buchanan, graduate student in the Department of Art History & Archaeology in Arts & Sciences, for an online tour of “The Outwin: American Portraiture Today.”

Public Tour: New on View

Join student educator Nina Huang (Sam Fox School ’22) for an online tour featuring new installations in the Kemper Art Museum’s permanent collection galleries, including modern and contemporary painting, sculpture, and photography.

Me, You, Us: Stories as Portraits

What is one moment that changed you forever? Who has been your greatest influence? What moments of joy or struggle have you faced during the pandemic? Museum visitors are invited to tell their stories and have their portraits taken with the storytelling organization Humans of St. Louis on the weekend of September 25–26.

Artists Jess T. Dugan and David Antonio Cruz with Amber Johnson

“The Outwin” artists Jess T. Dugan and David Antonio Cruz join Amber Johnson, professor of communication and social justice and associate provost, division of diversity and community engagement at Saint Louis University, to discuss representing friends, family, and activists in the queer community, as well as how the artists’ work disrupts the traditionally heteronormative genre of portraiture by centering queer bodies and queer intimacy.

Art Movement - Online Premier

How does art encourage us to move and be moved? Experience the role of art as a catalyst for movement—embodied, political, and social—with artists from Consuming Kinetics Dance Company as they respond to selected portraits in “The Outwin: American Portraiture Today.” The dance performance will open the conversation between artist, subject, and viewer and invite us to consider our relationships to one another.

Isolation, Bisected: Dan Graham’s Pavilion at Washington University

This talk by Margaret Crocker, graduate student in the Brown School, will situate “Bisected Circle” within the history of public art and land art to explore its presence on our campus. By interacting with the artwork (weather permitting), attendees can experience the ways community and solitude coalesce in a work of art.

A Chinese Confucianist’s Philosophy: Interpreting the Ink Rubbings of the Wu Liang Shrine Stone Engravings

Join Yutong Ma, master’s student in the Graduate School of Architecture & Urban Design in the Sam Fox School of Design & Visual Arts, for a talk exploring ink rubbings of original stone engravings from the Wu Family Ancestral Shrine in Shandong province, China.

“Portrait, number 1 man (day clean ta sun down)” by Sheldon Scott

“The Outwin” artist Sheldon Scott performs “Portrait, number 1 man (day clean ta sun down)” in the Kemper Art Museum’s Saligman Family Atrium. The artist will hull and winnow grains of rice from sunrise to sunset for two days, recalling the labor of and cruel conditions experienced by enslaved people in coastal regions of the pre–Civil War South.

Artist Talk with Sheldon Scott

“The Outwin” artist Sheldon Scott speaks with Gwendolyn DuBois Shaw, the Bicentennial Term Associate Professor in the Department of the History of Art at the University of Pennsylvania, about his performance “Portrait, number 1 man (day clean ta sun down),” in which Scott uses his own body to create a portrait of his ancestors.

Artists Deborah Roberts And Adrian Octavius Walker with Adrienne Davis

“The Outwin” artists Deborah Roberts and Adrian Octavius Walker speak with Adrienne Davis, the William M. Van Cleve Professor of Law in the School of Law, and Professor of Organizational Behavior & Leadership in the Olin Business School, and co-director of the Center for the Study of Race, Ethnicity & Equity. Both artists use portraiture to depict the complexity of Black subjecthood, exploring themes of race, identity, beauty, and gender politics.
Department of Music Lecture: WashU Faculty Patrick Burke & Lauren Eldridge Stewart

Department of Music Lecture: WashU Faculty Patrick Burke & Lauren Eldridge Stewart

Patrick Burke, Associate Professor of Music, Washington University in St. Louis & Lauren Eldridge Stewart, Assistant Professor of Music, Washington University in St. Louis

Patrick Burke - "Kongolandsbyen: Senegalese Music in Norway during the Age of Empire"

Kongolandsbyen, “the Congolese village,” was a popular feature of the 1914 Jubilee Exhibition held in Oslo’s Frogner Park to commemorate the centenary of Norway’s constitution. A troupe of eighty men, women, and children belonging to several ethnic groups within Senegal enacted a stereotyped vision of Africa in this staged community, which formed part of a larger trend of exhibitions of colonized peoples, or less euphemistically, “human zoos,” at fairs in the US and Europe. The “village” included musicians who performed for Norwegian audiences on instruments including kora and balafon. By depicting Senegalese music as supposedly “primitive,” Norwegian elites sought to uphold their own modernity and sophistication and to claim a place for Norway alongside Europe’s major colonial powers. Kongolandsbyen thus revealed as much about Norway’s marginal place in Europe as about its imagined relationship to Africa, and more about Norwegians’ desires and anxieties than about Senegalese music or its creators.      


Lauren Eldridge Stewart - "Whose Mizik Klasik? Classical Music and the Boundaries of Genre in Haiti"

To those unfamiliar with Haiti, classical music may seem an unusual genre to associate with its national identity. However, once initiated into the network of summer camps that dot this country’s landscape, the complexity of both the genre and its use becomes more audible. Mizik klasik, or mizik savant (Largey, 2006), is simultaneously a broad category of practice and a contested narrative frame. Students may use it to refer to canonical European compositions or Haitian compositions from the written tradition. Both are practiced and performed regularly at recitals and concerts. Either use stands in tension with rara, an orally transmitted tradition that some argue is a truer representation of Haitian identity. A primary site for this debate over authenticity are the summer camps that teach mizik klasik. These camps gather students from across the country and invite clinicians from around the world. Thus, these debate grounds host local opinions from urban and rural locales within Haiti, surrounded by the conspicuous presence of foreigners. In this presentation, I will examine the contours of the debate as it unfolded when the rara band Follow Jah ran a series of clinics at summer music camps in 2014, including one at the Holy Trinity Music School.

All attendees are required to complete the health screener within 4 hours of their arrival to campus and be prepared to show the "Cleared for Campus" result to the event staff upon entry. All attendees must wear a mask at all times while indoors. 
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GS X SIR Speaker Series: Lorraine Bayard de Volo

GS X SIR Speaker Series: Lorraine Bayard de Volo

Engendering War: Strategies and Tactics in the Cuban and Nicaraguan Revolutions

This event will have both in-person and virtual options for attendees. Please register here in advance even if you plan on attending in person.

Guerrillas and states alike deploy gendered tactics in war, yet these are often later obscured in the official War Stories that focus on battlefield heroics. Similarly, the scholarly literature gravitates towards bullets, bombs, and maneuvers while ignoring war’s political and discursive components. In this talk, I explore revolutionary struggles for “hearts and minds,” in which gender differences are magnified, minimized, or otherwise reshaped to best address the perceived needs of militarization. In Cuba and Nicaragua, rebels and the revolutionary states used gender tactics—drawing on both femininity and masculinity—to demoralize enemy soldiers, recruit new combatants, mobilize support among the nation at large, and sway the foreign policy of other nations. Examining gender tactics in war enhances our understanding of how wars are waged and won and how this, in turn, constrains postwar efforts at gender equality.


Lorraine Bayard de Volo is a political scientist in the Department of Women and Gender Studies at the University of Colorado Boulder. Her areas of interest include gender, sexuality, and race as they relate to militarization, war, and revolution in Latin America. She is the author of Women and the Cuban Insurrection: How Gender Shaped Castro’s Victory and Mothers of Heroes and Martyrs: Gender Identity Politics in Nicaragua, 1979-1999. She takes a postcolonial, feminist approach to Cold War Cuba and is developing a book that goes beyond the superpower narratives through a Cuba-centric analysis of the Cuban Missile Crisis.

REGISTER HERE (EVEN IF ATTENDING IN-PERSON)

 

Panel Discussion: Hostile Terrain 94 with the Mildred Lane Kemper Art Museum

Panel Discussion: Hostile Terrain 94 with the Mildred Lane Kemper Art Museum

Tabea Linhard, Ila Sheren, Mattie Gottbrath, and Mee Jey discuss the impact of border policies and border crossing on local and global communities and will share their experiences organizing Hostile Terrain 94 in St. Louis.

View Event Recording Here

Join Tabea Linhard, professor of Spanish and comparative literature and Global Studies affiliate; Mattie Gottbrath, coordinator for international programming in Global Studies; and Ila Sheren, associate professor of art history & archaeology, all in Arts & Sciences, as they discuss Hostile Terrain 94, a global pop-up exhibition that gives representation to the thousands of migrants who died crossing the US–Mexico border since the mid-1990s and raises awareness of this humanitarian crisis. They will discuss the impact of border policies and border crossing on local and global communities and will share their experiences organizing this participatory exhibition in St. Louis.

The program will begin with a performance of “MY BABY” by artist Mee Jey that honors the unidentified people who lost their life in the desert of Arizona. Visitors are invited to view the exhibition before and/or after the program.

About the speakers

Tabea Linhard is professor of Spanish, comparative literature, and Global Studies at Washington University. She is the author of Fearless Women in the Mexican Revolution and the Spanish Civil War (2005), Jewish Spain: A Mediterranean Memory (2014), and the co-author of Mapping Migration, Identity, and Space. She recently completed Unexpected Routes: Refuge in Mexico (1931–1945) and regularly teaches courses on global migration.

Mattie Gottbrath is the coordinator for International Programming for Washington University’s undergraduate Global Studies major, and one of the lead organizers for St. Louis’s Hostile Terrain 94 exhibit. In her current role she teaches first-year students in the workshop for the Global Citizenship Program, which includes an immersive border awareness program in Tucson. She enjoys connecting locally with individuals impacted by immigration by volunteering with Casa de Salud, the International Institute, IFCLA, and other organizations. Gottbrath graduated from Washington University in 2018 with degrees in international affairs and Spanish. After graduating, she volunteered for a year in Guayaquil, Ecuador, with Rostro de Cristo. While there, she developed youth outreach programs with a local community development nonprofit, Hogar de Cristo.

Ila N. Sheren is associate professor in the Department of Art History & Archaeology at Washington University in St Louis. She is the author of Portable Borders: Performance Art and Politics on the US Frontera since 1984 (University of Texas Press, 2015), as well as articles published in The Journal of Borderlands StudiesGeoHumanities, and the anthologies Border Spaces (University of Arizona, 2018) and Liquid Borders/Fronteras Liquidas (Routledge, 2021). As part of the Center for the Study of Race, Ethnicity, and Equity’s Innovation Space initiative, she is launching a collaborative map of community art on the US–Mexico Border in 2022. Click here for more information about the map.

Mee Jey is a multidisciplinary artist concerned with lived experiences. Mee focuses on the collective politico-cultural identity and experiences, communal creativity and connections through her immersive installations, performances, relational art projects, and time-based media. She is a recipient of McDonnell International Scholarship and Legislative Fellowship, USA. She works out of St. Louis and New Delhi.

Post-Communicative Approaches in Language Curricula: Integrating Projects to Foster Deeper and Creative Learning

Angela Lee-Smith, Senior Lector II, East Asian Languages and Literatures, Yale University

Teaching East Asia

What does a language classroom in the Post-Method Era look like? How can 21st-century skills be integrated into language learning?

This talk will provide an overview of post-communicative pedagogies, offering various concrete examples to foster deeper and creative learning in language classrooms at all levels.

The presenter will showcase students’ meaningful project-based learning and products in real-world contexts. The learning outcomes will demonstrate how projects help learners develop language skills while engaging with other disciplines and acquiring information through diverse perspectives and multimodal meaning-making in the 21st century.

Participants will (i) acquire practical ideas for facilitating meaningful connections between content and language learning and (ii) gain insights into the strategic steps and modules to integrate project-based learning into their language curriculum.

Sponsored by East Asian Languages and Cultures

Hostile Terrain 94 Closing Event: Crafting Memory

Hostile Terrain 94 Closing Event: Crafting Memory

Community crafting workshop to remember and honor the lives lost

Drop in between 11:30AM-2PM for our closing event of Hostile Terrain 94 in St. Louis. We will have the toe tags taken down from the exhibit itself, which participants can simply take home, or re-create into a collage, booklet, or other craft. There will be plenty of supplies available for crafting. Additionally, there will be an opportunity to fill out more tags with the information of migrants who have passed away since the beginning of the exhibit. Participants can then send these to their local representatives.

Carmen Giménez Smith Poetry Reading

Born in New York, poet Carmen Giménez Smith is the daughter of South American immigrants. A CantoMundo fellow, she earned a BA in English from San Jose State University and an MFA in creative writing from the University of Iowa's Writer Workshop. She writes lyric essays as well as poetry, and is the author of the poetry chapbook Casanova Variations (2009), the full-length collection Odalisque in Pieces (2009), the memoir Bring Down the Little Birds: On Mothering, Art, Work, and Everything Else (2010). Her 2013 collection Milk and Filth, was a finalist for the National Book Critics Circle Award. Cruel Futures is a volume in the 2018 City Lights Spotlight Series book. Her latest collection, Be Recorder (2020) was shortlisted for both the National Book Award and the PEN Open Book Award.

Subterranean Books

Click here to register!

Marlon Bailey Talk

This talk is cosponsored with the Department of Women, Gender, and Sexuality Studies.

Details are forthcoming.

Asian American Speaker Series: Eric Wat

Asian American Speaker Series: Eric Wat

Love Your Asian Body: What AIDS Taught Us about Sex in a Pandemic

Sponsored by the Asian American Studies minor, the Center for Diversity and Inclusion, the Office of Vice Chancellor for Student Affairs.

AIDS was a deadly pandemic that devastated the gay community in the 1980s and 1990s. Typical stories about the AIDS movement are full of death, suffering, and anger. Asian American AIDS activists were no stranger to this grief and loss, but they also charted a different path of resistance, one that celebrated joy and sex as a way to bring the community together. In so doing, they redefined a queer Asian identity that is rooted in social justice. Their emphasis on joy is never more important in movement building today.

Register for virtual or in-person here


Speaker Info

Eric C. Wat is the author of Los Angeles Times-bestselling novel SWIM (Permanent Press, 2019). His first book, The Making of a Gay Asian Community: An Oral History of Pre-AIDS Los Angeles (Rowman & Littlefield, 2002) was hailed as “a significant and trailblazing work” in queer Asian historiography when it was published. The follow-up to this book, Love Your Asian Body: AIDS Activism in Los Angeles (University of Washington Press, 2021), will be released in October. For a listing of his publications, please visit: www.ericwatbooks.com. He continues to consult with social movement organizations on program design and evaluation, action research, organizational development, and diversity, equity and inclusion, through coaching, technical assistance, facilitated reflection and storytelling. Occasionally Eric teaches Asian American studies and American studies at California State University at Long Beach.

Sports & Society Reading Group with Susan Brownell

Sports & Society Reading Group with Susan Brownell

The Sports & Society reading group will meet on September 17th and feature group member Susan Brownell. Susan will share with us her expertise on China and the Olympic Games.

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link and copies of the reading.

International Writers Series: Mary Jo Bang

HUMANITIES BROADCAST - Mary Jo Bang, a nationally recognized author of eight books of poems and professor of English here at Washington University, will present her recent translation of Dante’s Purgatorio.

In this virtual reading and discussion, Mary Jo Bang will present her recent translation of Dante’s Purgatorio. Mary Jo Bang is a nationally recognized author of eight books of poems and professor of English here at Washington University in St. Louis. Her adaptation of Purgatorio is the extraordinary continuation of her journey with Dante, which began with her transformative version of Inferno. In her signature lyric style, accompanied by her wise and exuberant notes, Bang has produced a stunning translation of this fourteenth-century text, rich with references that span time, languages, and cultures. Bang will be joined in discussion by Aaron Coleman, PhD student in Comparative Literature and fellow poet and translator.

Sweat

Directed by Ron Himes, Henry E. Hampton, Jr. Artist-in-Residence, Washington University

As timely as ever, this Pulitzer Prize winner addresses the complexities of race, class and friendship at a pivotal moment in America. This deeply heartfelt drama is crafted with generous humor and tells the story of a group of co-workers who find friendship working together on a factory floor. When layoffs and picket lines enter the picture, these friends must decide if they should look out for each other — or prioritize themselves.

Virtual Book Club: Fahrenheit 451

Book Club will start with a discussion of banned books in the rare book collections, followed by a discussion of the book.

The September book club meeting falls during Banned Books Week, so we have chosen Fahrenheit 451 to recognize this special week.

In Fahrenheit 451, Ray Bradbury’s frightening vision of the future, firemen don’t put out fires — they start them in order to burn books. Bradbury’s vividly painted society holds up the appearance of happiness as the highest goal — a place where trivial information is good and knowledge and ideas are bad. Celebrate Banned Books Week by reading this classic. 

Virtual Book Club: The Map Thief

Book club will begin with a presentation of historic maps, followed by a discussion of the book.

Join us to discuss the October book club selection, The Map Thief by Michael Blanding.

Once considered a respectable antiquarian map dealer, E. Forbes Smiley spent years doubling as a map thief — until he was finally arrested slipping maps out of books in the Yale University library. The Map Thief delves into the true history of this fascinating high-stakes criminal and the inside story of the industry that consumed him.

Virtual Book Club: Medicus

Book club will begin with a presentation on Greco-Roman medicine before delving into this historical murder mystery.

Military doctor Gaius Petrius Ruso just wants to start over after his divorce and his father’s death. A posting with the 20th legion in the remote province of Britannia seems like just the thing — until his rescue of the slave girl Tilla and a series of murders that no one wants to investigate complicates matters.

Faculty Book Talk: Patrick Burke

Patrick Burke (Music) discusses his latest book, “Tear Down the Walls: White Radicalism and Black Power in 1960s Rock” (University of Chicago Press, 2021).

From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969.

Department of Music Lecture: “‘I’m not Black, but I can feel it, too!’: Sensing Ancestrality and Cross-racial Belonging in Capoeira Angola”

Department of Music Lecture: “‘I’m not Black, but I can feel it, too!’: Sensing Ancestrality and Cross-racial Belonging in Capoeira Angola”

Esther Viola Kurtz, Assistant Professor of Music, Washington University in St. Louis

This paper explores embodied and temporal aspects of call, response and response(ability) (Madison 2018; Schneider 2018) in capoeira Angola, the Afro-Brazilian music-movement form. For many Black players in Bahia, Brazil, moving in the capoeira circle summons powerful sensations of “ancestrality” and visceral images of a lived past under enslavement. This calls them to imagine and fight for a better future, one in which Black lives have value. White practitioners also claim to sense ancestrality while playing capoeira, suggesting that the affective experience of moving together may foster cross-racial belonging. However, despite the commonality of sensing ancestrality, ethnographic interviews and participant-observation revealed that interpretations of this experience diverged along racial lines. Instead of white Brazilians also feeling called to Black movement activism, many white group members reproduced harmful Brazilian racial ideologies. For instance, the notion that capoeira is “democratic,” because it equally includes Black and white players, echoes the Brazilian myth of racial democracy, which erroneously posits that racial mixture precludes racism. When white players described sensing Black ancestrality, they staked their claim to Africaneity on the basis of their Brazilian citizenship. Such claims reproduce colonialist modes of encounter and possession (Ahmed 2000; Moreton-Robinson 2015), undermining the possibility for white practitioners to translate sensations of ancestrality into senses of political urgency to combat anti-Blackness in Brazil. By revealing how diverse practitioners respond differently to the call of ancestrality, I argue that experiences of moving and listening are racialized in the afterlife of slavery (Hartman 2008). 

Zoom Option Registration

All attendees are required to complete the health screener within 4 hours of their arrival to campus and be prepared to show the "Cleared for Campus" result to the event staff upon entry. All attendees must wear a mask at all times while indoors. 
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Kusimama Collaboratives: A Community-Based Approach to Development

Kusimama Collaboratives: A Community-Based Approach to Development

Lecture and conversation with No White Saviors

Hosted by: Alaso Olivia, Lubega Wendy and Kelsey Nielsen

Joining directly from Kampala, Uganda, Olivia, Wendy and Kelsey, will be sharing about No White Saviors, which is an advocacy campaign working toward anti-racist and more equitable development and aid work. They will also be presenting on the Kusimama Collaborative as an example of local, community-run development work happening in Uganda.

Register for the Zoom event here (no longer active)

 


Speaker Info

Alaso Olivia

As an Ugandan Social Worker born and raised in Jinja, Olivia has a passion for helping vulnerable populations and supporting community-driven initiatives. After years of working with various NGOs and seeing harm caused by western do-gooders, she has imagined a better way forward. Olivia is a Mum to Lebron James Jr. and to a husband who really enjoys basketball. Family, history, and identity are all very important to her and a main source of her motivation.

Lubega Wendy

A human rights activist and advocate by profession with a degree in ethics and human rights. A 27-year-old Ugandan, she is very passionate about social change that is justice driven with the human person as a focal point.

Kelsey Nielsen

When we refer to Kelsey as the “white savior in recovery” on the team, we are not kidding. It’s important to realize that this is an ongoing process. Her main role is holding herself and fellow white people accountable in a real way. Kelsey received both her bachelor’s and master’s in Social Work from Temple University in Philadelphia.

What kind of racial reckoning is this? Black LGBTQ Practices of Care amid Spatial Marginalization

What kind of racial reckoning is this? Black LGBTQ Practices of Care amid Spatial Marginalization

Marlon M. Bailey, PhD, MFA is an Associate Professor of African and African American Studies and Women and Gender Studies & American Studies at Arizona State University.

The COVID-19 pandemic has exposed and magnified the deep social inequalities, health disparities, and spatial marginalization that disproportionately impact Black queer communities. For example, Black LGBTQ people disproportionately experience homelessness and housing instability due to convergent anti-black racism and homophobia and transphobia.

This presentation examines the ways that Black queer communities create spaces and situations of affirmation, care, pleasure, and sex to withstand the anti-black queerness that they experience in spatial terms. Drawing from the growing scholarship on Black queer geographies, I argue that Black LGBTQ communities employ queer practices of care and pleasure to transform anti-black queer spatial conditions that undermine their overall health and wellbeing.

 

This talk is brought to you by the Departments of African & African American Studies and Women, Gender, and Sexuality Studies.

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The Science of Leaving Omaha

The Science of Leaving Omaha

By Carter Lewis

Directed by Andrea Urice

Iris is working the night shift at the Belladonna Funeral Home when Baker breaks in to say farewell to his wife, who recently died in a bungled robbery.  As they sort through the comedic rubble of their young lives, they discover a mutual yearning to escape. Will they make a run for it before they lose their last chance to leave Omaha behind?

November 18, 19 & 20 at 8 p.m.
November 20 & 21 at 2 p.m.
A.E. Hotchner Studio Theatre

Originally commissioned and produced by Performing Arts Department, Washington University in St. Louis.

Ticket Information

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

 

Purchase Tickets

COVID-19 policies for patrons

All attendees are required to complete a health screener within 4 hours of arrival to campus. Be prepared to show the “Cleared for Campus” result to event staff upon arrival.
Visitor Screening Tool
WUSTL Student/Faculty/Staff Screening Tool

Masks are to be worn at all times while indoors on the Wash U campus. That includes the Edison lobby area, restrooms, and while seated in the theater.

"Performing for God and Country: Branson Entertainment and the Rise of the Christian Right"

Joanna Dee Das, Ph.D., Assistant Professor of Dance in the Performing Arts Department at Washington University in St. Louis

Dr. Joanna Dee Das examines how performers in the popular tourist destination of Branson, Missouri manifest the idea of “family values,” a key phrase in the lexicon of the Christian Right political movement in the United States. Over the past sixty years, Branson shows such as the Baldknobbers Hillbilly Jamboree and Presleys’ Country Jubilee have created experiences for their audiences that tie normative ideas of family to support for free market capitalism and a narrow, racialized definition of American citizenship. At the same time, this talk will examine the tension inherent in performing normative “family values” in the queer space of the theatre.
 

Joanna Dee Das is an Assistant Professor of Dance at Washington University in St. Louis. Her research interests include dance in the African diaspora, musical theater dance, and the politics of performance in the twentieth century. She is the author of the award-winning Katherine Dunham: Dance and the African Diaspora (Oxford 2017), and her current book project is titled Performing for God and Country: Branson Entertainment and the Rise of Modern Conservatism. She has also published articles in Journal of Urban History, Dance Research Journal, Studies in Musical Theatre, Theatre History Studies, TDR, and ARTS, as well as authored or co-authored book chapters in The Futures of Dance Studies, The Routledge Companion to the Contemporary Musical, and A Critical Companion to the American Stage Musical. In addition to her scholarship, Dr. Das is a Certified Instructor of Dunham Technique and a choreographer. In December 2020, she co-directed a dance film with filmmaker Denise Ward-Brown called Seeking Josephine Baker: Dancing on the Land. Building from this creative project, Dr. Das and Professor Ward-Brown currently run a Mellon-funded Research Working Group that is investigating Ms. Baker’s history in St. Louis. 
Washington University Dance Theatre: Return

Washington University Dance Theatre: Return

“It is most unusual to return to a place that has changed in ways you yourself have altered.” --Nelson Mandela
“Come back to yourself. Return to the voice of your body. Trust that much.” -- Geneen Roth

After the year of “lockdown” where social and event spaces became entirely virtual, we gained a new appreciation for communities of people gathering in person to witness and share experiences.  Live performance generates palpable sensations of authentic presence that only being with others can bring. Join us for the return of Washington University Dance Theatre to the Edison Theater and experience the art of human movement, and its power to bring us back together again.

This annual concert dance showcase features diverse and creative choreography by resident and guest artists, performed by select student dancers of the Performing Arts Department.

Artistic Direction by David Marchant

December 3 & 4 at 8 p.m.
Edison Theatre

Ticket Information

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

For Ticket Purchases please visit edison.wustl.edu for more information.

COVID-19 policies for patrons

All attendees are required to complete a health screener within 4 hours of arrival to campus. Be prepared to show the “Cleared for Campus” result to event staff upon arrival.
Visitor Screening Tool
WUSTL Student/Faculty/Staff Screening Tool

Masks are to be worn at all times while indoors on the Wash U campus. That includes the Edison lobby area, restrooms, and while seated in the theater.

Fifth Annual Robert Morrell Memorial Lecture in Asian Religions: Gods and Things in Four Asian Places

Fifth Annual Robert Morrell Memorial Lecture in Asian Religions: Gods and Things in Four Asian Places

Laurel Kendall, American Museum of Natural History

In many popular religious traditions, gods/spirits/energies become visible through their material realization in the corporeal bodies of shamans and spirit mediums and via ensouled statues, paintings, and masks. In Hindu and Buddhist worlds, such objects are produced in commercial workshops where knowing craftsmanship entangles (what we commonly call) technique with what we might (more cautiously) call magic to produce an efficacious or agentive image. In Korean shaman practice and among spirit mediums in Vietnam, Myanmar, and Bali, these statues, masks, and paintings are intended to facilitate the presence of otherwise unseen entities in ritual settings. This presentation describes a comparative project that became Dr. Kendall's recently published book, Mediums and Magical Things. It considers the fabrication and use of empowered images among shamans in Korea and spirit mediums Vietnam, Myanmar, and Bali. As a work of comparison, the discussion reveals how questions derived from ethnographic encounters in one place may yield surprising answers in another.

Laurel Kendall  is Curator of Asian Ethnographic Collections at the American Museum of Natural History and Senior Research Scholar at the Weatherhead East Asian Institute at Columbia University.

image from Kendall's book cover: Mediums and Magical Things (University of California Press, 2021)

The Morrell Memorial Lecture in Asian Religions commemorates the work of the late Professor Emeritus Robert E. Morrell, a specialist in Japanese literature and Buddhism who taught at Washington University for 34 years and who holds special significance for the campus, as Morrell was the first to teach a course on Buddhism. This annual series commemorates his life work by bringing distinguished scholars of Asian religions to campus.

Cosponsored by the Department of East Asian Languages and Cultures and the Program for Religious Studies.

 

Reading with Visiting Hurst Professor Roger Reeves

Roger Reeves’ poems have appeared in journals such as Poetry, Ploughshares, American Poetry Review, Boston Review, Best American Poetry, and Tin House, among others. He was awarded a 2015 Whiting Award, two Pushcart Prizes, a Hodder Fellowship from Princeton University, a 2013 NEA Fellowship, and a Ruth Lilly Fellowship by the Poetry Foundation in 2008. He is the author of King Me (Copper Canyon Press, 2013), which won the Larry Levis Reading Prize from Virginia Commonwealth University, the Zacharis Prize from Ploughshares, and the PEN/Oakland Josephine Miles Literary Award. His forthcoming book is Best Barbarian (W.W. Norton & Company, 2022).

Books provided by Subterranean Books: https://store.subbooks.com/event/roger-reeves-reading-virtual-event

Click here to register!

Craft Lecture with Visiting Hurst Professor Roger Reeves

Roger Reeves’ poems have appeared in journals such as Poetry, Ploughshares, American Poetry Review, Boston Review, Best American Poetry, and Tin House, among others. He was awarded a 2015 Whiting Award, two Pushcart Prizes, a Hodder Fellowship from Princeton University, a 2013 NEA Fellowship, and a Ruth Lilly Fellowship by the Poetry Foundation in 2008. He is the author of King Me (Copper Canyon Press, 2013), which won the Larry Levis Reading Prize from Virginia Commonwealth University, the Zacharis Prize from Ploughshares, and the PEN/Oakland Josephine Miles Literary Award. His forthcoming book is Best Barbarian (W.W. Norton & Company, 2022).

Books provided by Subterranean Books: https://store.subbooks.com/event/roger-reeves-reading-virtual-event

Click here to register!
Americanist Dinner Forum: Confronting Slavery & Higher Education in St. Louis

Americanist Dinner Forum: Confronting Slavery & Higher Education in St. Louis

In Spring 2021 Washington University in St. Louis joined the global consortium of Universities Studying Slavery (USS), where academic institutions study and address their entanglements with histories of slavery and legacies of inequality in higher education and university communities. WashU is the third institution in greater St. Louis to join USS, following Saint Louis University and Southern Illinois University Edwardsville.

In this Americanist Dinner Forum, Washington University & Slavery Project director Prof. Geoff Ward will join Dr. Kelly Schmidt and Prof. Bryan Jack in a discussion of St. Louis Universities Studying Slavery. The three will discuss origins and objectives of these initiatives, key insights to date, how they have engaged students and community, and how the projects might contribute to a broader reckoning with slavery and its legacy in our region. The forum will then open for audience discussion. The event will be moderated by AMCS Lecturer Zachary Manditch-Prottas. 

To receive the webinar link please REGISTER HERE.

American Idiolect: Punk, Prose, and Cross-Cultural Synergies

Talk by G'Ram Asim, assistant professor of English Creative Writing at Washington University in St. Louis

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Countering Legacies of Racial Violence

Countering Legacies of Racial Violence

Does anti-racist memory work offer a durable antidote to legacies of racial violence?

It is clear from scholarship in the humanities, social sciences, health sciences, and other fields that we remain haunted by histories of racialized violence, socially embodying and reproducing historical trauma. In this talk I will discuss my collaborative work to advance understanding of these legacies and increasing focus on redress. Critical engagement with monuments and memorials as sites of racialized violence, and corresponding efforts to advance equal justice and opportunity through reparative commemorative work, are of particular interest. Through research and creative projects, teaching, and service, I am probing theoretical and practical aspects of "monumental antiracism," and the pressing question of whether and how anti-racist memory work offers a durable antidote to legacies of historical racial violence.

Talk by Geoff Ward, Professor of African & African and Faculty Affiliate in Sociology and American Culture Studies, and Director of the WashU & Slavery Project.

Pictured (thumb): Scene from an exhibition of artist Sonya Clark's work, Unraveling & Unraveled; (header) Section commemorating lynchings in Missouri, National Memorial to Peace & Justice, photo by Geoff Ward.

Watch Here

Texas and the Future of Abortion Law and Reproductive Justice

Panelists: Marie Griffith, Director, John C. Danforth Center on Religion and Politics, John C. Danforth Distinguished Professor in the Humanities; Zakiya T. Luna, Dean’s Distinguished Professorial Scholar, Department of Sociology; and Susan Appleton, Lemma Barkeloo & Phoebe Couzins Professor of Law

This event is co-sponsored by the Department of Women, Gender, and Sexuality
Studies, the John C. Danforth Center on Religion and Politics, and the Law,
Identity, and Culture Initiative

To Register for Virtual Event
Embrace Everything: A Conversation with Aaron Cohen about Mahler and the Art of Podcasting

Embrace Everything: A Conversation with Aaron Cohen about Mahler and the Art of Podcasting

Join us for a conversation with Aaron Cohen, Director of Programming Operations at New York Public Radio and Producer of the podcast, "Embrace Everything: The World of Gustav Mahler", led by Caroline Kita, Associate Professor of German and Comparative Literature.

The discussion will focus on Mr. Cohen’s chart-topping podcast (now in its second season), Embrace Everything, which celebrates the life and music of Gustav Mahler (1860-1911) through an in-depth exploration of his symphonies. The podcast features commentary from leading scholars, musicians, composers, and conductors from the US and Europe. Find out about Mahler’s music, the creation of the podcast and Mr. Cohen’s career trajectory from professional musician to radio producer.

Aaron Cohen has a varied career centered on music, audio, and media. He is an award-winning radio producer, New York Public Radio’s Director of Programming Operations, and an accomplished musician. Mr. Cohen joined New York Public Radio in 2000 and has fulfilled several different roles within the company since then. From 2000 to 2006, he was a producer at the station. During this time at NYPR, he worked on a wide variety of radio programs, from live call-in shows and concert broadcasts to pre-produced programs and long-form radio documentaries. He has become especially well known for the latter, and a notable highlight is The Ring & I, a one-hour radio documentary about Wagner’s Ring cycle, which he co-produced with Jad Abumrad in 2004. The program won more than ten awards, including the National Headliner Grand Prize, and continues to be broadcast around the world to this day. From 2007 to 2012, he produced more than 50 features for the Metropolitan Opera’s Saturday afternoon broadcasts. He produced three features for the CBC in 2009 and 2010, focusing on Le Poisson Rouge, Kronos Quartet, and the then-new Robert LePage Ring cycle at the Metropolitan Opera, respectively. In 2015 and 2016, he produced the WFMT national broadcasts of the Glimmerglass Festival operas (Candide, Macbeth, and Cato in Utica in 2015; The Thieving MagpieThe Crucible, and Sweeney Todd in 2016). In 2017, he produced the WFMT national broadcast of Bellini's Il Pirata from the Caramoor Music Festival. He was a music producer for the American Public Media classical music podcast "Decomposed with Jade Simmons" in 2019.

Mr. Cohen began his career as a classically trained oboist.  As a professional musician, he played with many orchestras, including a performance at the Barcelona Summer Olympics in 1992. He also recorded two solo CDs. His first CD, Oboecentric, was recorded in 1994 and features late Baroque and early Classical sonatas for oboe and continuo. His second CD, Oboisms, features works by 20th-century North American composers for oboe and piano.

This event is co-sponsored by the Department of Germanic Languages and Literatures, the Department of Music, and the Program in Comparative Literature.

 

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What Next for Afghanistan?

Dr. Seth G. Jones will join Professor Krister Knapp for a conversation on the future of Afghanistan.

Dr. Jones is senior vice president, Harold Brown Chair, director of the International Security Program, and director of the Transnational Threats Project at the Center for Strategic and International Studies (CSIS). He leads a bipartisan team of over 50 resident staff and an extensive network of non-resident affiliates dedicated to providing independent strategic insights and policy solutions that shape national security. He also teaches at Johns Hopkins University’s School of Advanced International Studies (SAIS) and the Center for Homeland Defense and Security (CHDS) at the U.S. Naval Postgraduate School.

Professor Knapp is the Executive Coordinator for the Crisis and Conflict in Historical Perspective (CCHP) series and teaches courses in national security.

CCHP is a co-curricular initiative, which serves undergraduates considering careers in policy, as well as the greater WashU and St. Louis communities seeking historically-informed discussion about global events.

 

This webinar is sponsored by the History Department and is free and open to the public.

 

Americanist Dinner Forum: Race and K12 Education

Americanist Dinner Forum: Race and K12 Education

How should race be addressed in K12 classrooms in America?

That question -- which has proved so controversial over the past year -- raises fundamental questions about the contentious role of public education in America.  This series of webinars will address this question and more.  We hope you will join us for a productive and inclusive series of conversations.

This event is free and open to the public.

To receive the webinar link please REGISTER HERE.

Sociology Colloquium Series: Elizabeth Korver-Glenn

The Colloquium Series invites guest faculty to Washington University to give research presentations and meet with members of the University community. In this, the Series aims to provide opportunities to engage with sociologists outside of WashU and their research, and to strengthen inter-institutional scholarly networks. Colloquium presentations are free of charge and open to all students, staff, and faculty.

On Wednesday February 2nd, 2022, the Sociology Colloquium Series will feature Dr. Elizabeth Korver-Glenn of the University of New Mexico. 

Talk topic/time and location TBA. 

Sociology Colloquium Series: Angela S. García

Enduring Immigrant 'Illegality': Time and the State of Waiting.

On Friday January 28th, 2022, the Sociology Colloquium Series will return virtually, featuring Dr. Angela S. García of the University of Chicago. 

Angela S. García is a sociologist and Assistant Professor in the Crown Family School of Social Work, Policy, and Practice.  Her research interests include international migration, law and society, race and ethnicity, urban sociology, social policy, and mixed and comparative methods.  García studies the consequences of socio-legal inclusion and exclusion for undocumented immigrants across the United States, Mexico, and Spain. Focusing on subnational (state and local) immigration laws and executive administrative action, she charts how immigrants’ everyday lives, incorporation, and well-being are shaped by the legal contexts in which they reside. Her current work includes a book project on middle-aged undocumented immigrants who simultaneously care for their US households and aging parents in communities of origin, and a collaborative study on urban inclusion through Chicago’s municipal ID programs and its response to COVID-19 for marginalized residents.

García’s book, Legal Passing: Navigating Undocumented Life and Local Immigration Law (University of California Press 2019), comparatively analyzes the effects of accommodating and restrictive local immigration laws from the perspective of undocumented Mexican immigrants, the primary targets of these measures in the US. Her work has been published in Social ProblemsANNALS of the American Academy of Political and Social ScienceInternational Migration Review, Ethnic and Racial StudiesJournal of Ethnic and Migration Studies, and International Migration.

García’s research has earned awards from the American Sociological Association's International Migration Section and the Society for the Advancement of Socio-Economics.  Her work on the lives of undocumented immigrants in restrictive destinations was cited in a 2015 amicus brief filed by states to the Supreme Court of the United States in support of the expanded Deferred Action for Childhood Arrivals (DACA) and Deferred Action for Parental Accountability (DAPA) executive actions.

At the University of Chicago, García is Associate Faculty Member in the Department of Sociology (by courtesy). She is an Associate at the Population Research Center; Fellow at the Center for Health Administration Studies; and Faculty Affiliate at the Center for the Study of Race, Politics, and Culture; the Katz Center for Mexican Studies; and the Center for Latin American Studies.  At the University of California San Diego, she is an External Research Associate with the Center for Comparative Immigration Studies.  She is also a Scholar Affiliate with the Scholars Strategy Network.

García holds a PhD in Sociology from the Department of Sociology at the University of California, San Diego and a MA in Latin American Studies, also from UCSD.

 

 

 

 

 

 

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Sociology Colloquium Series: Filiz Garip

The Colloquium Series invites guest faculty to Washington University to give research presentations and meet with members of the University community. In this, the Series aims to provide opportunities to engage with sociologists outside of WashU and their research, and to strengthen inter-institutional scholarly networks. Colloquium presentations are free of charge and open to all students, staff, and faculty.

On Wednesday April 20th, 2022, the Sociology Colloquium Series will feature Dr. Filiz Garip of Princeton University.

Talk topic/title and location TBA.

 

Filiz Garip is Professor of Sociology and Public Affairs. Her research lies at the intersection of migration, economic sociology and inequality. Within this general area, she studies the mechanisms that enable or constrain mobility and lead to greater or lesser degrees of social and economic inequality. Her work has been published in journals such as American Journal of Sociology, Demography, Population and Development Review, Sociological Methods and Research. Her book, On the Move: Changing Mechanisms of Mexico-US Migration(link is external), has won three best book awards. For more information, please visit her personal site: www.filizgarip.com

Sociology Colloquium Series: Dr. Helen Marrow

Sociology Colloquium Series: Dr. Helen Marrow

On Friday, April 1st, 2022, the Sociology Colloquium Series will feature Dr. Helen Marrow of Tufts University. Helen B. Marrow is a sociologist of immigration, race and ethnicity, social class, health, and inequality and social policy. Her work explores Latin Americans' incorporation trajectories and racial and ethnic identities in the United States and Europe, the impact of immigration on social life and race relations in the rural American South, variation in public bureaucracies' approaches to unauthorized immigration (especially in education, law enforcement, and health care), the relationship between immigrant-host contact, threat, trust, and civic engagement, and Americans' emigration aspirations. As an Associate Professor of Sociology at Tufts University, she teaches Introduction to Sociology, Qualitative Research Methods, and various courses on immigration, race/ethnicity, and Latinxs. For a more complete biography, a list of her research and publications, complete course descriptions, and information on how to request a letter of recommendation, feel free to visit helenmarrow.com.

Colloquia Title and Topic

“Skin Tone and Mexicans’ Perceptions of Discrimination in New Immigrant Destinations”

While prior research in “new” U.S. immigrant destinations suggests that the “context of reception” greeting Latino newcomers has worsened since 2005, no study has empirically operationalized the role of skin color within this shift. Here, we draw on an original, representative survey to examine skin tone’s influence on the types and sources of discrimination that N=500 Mexican immigrants living in metropolitan Atlanta and Philadelphia report experiencing, as well as on their typical behavioral responses. Even beyond demographic, socioeconomic, and immigration-specific controls, we find that darker skin tone is significantly associated with higher reports of racial and linguistic discrimination, higher reports of discrimination from U.S.-born Whites (but not also Blacks), and a greater tendency to struggle internally. Together, these results support the colorism literature’s key argument that skin tone is distinct from race, and offer new insights into how skin tone shapes the lived experiences of Mexican immigrants outside the Southwest.

 

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Sociology Colloquium Series Presents: Dr. Krystale Littlejohn

Sociology Colloquium Series Presents: Dr. Krystale Littlejohn

On Friday, March 4th, 2022, the Sociology Colloquium Series will feature Dr. Krystale Littlejohn at the University of Oregon. Krystale E. Littlejohn is an assistant professor of sociology at the University of Oregon and author of Just Get on the Pill: The Uneven Burden of Reproductive Politics (UC Press, 2021). She earned her PhD from Stanford University in 2013 and her BA from Occidental College in 2007. Her work examines race, gender, and reproduction, particularly at the nexus between embodiment and biomedical technologies. Her research has been published in Demography, Gender & Society, and Journal of Health and Social Behavior, among other outlets. She has received funding from the American Association of University Women (AAUW), the Society of Family Planning Research Fund, and the ASA Minority Fellowship program.

Colloquia Title and Topic

Just Get on the Pill: The Uneven Burden of Reproductive Politics

Littlejohn will discuss insights from her book, Just Get on the Pill: The Uneven Burden of Reproductive Politics, published by University of California Press in August. In Just Get on the Pill, Littlejohn draws on interviews with 103 young cis women to understand the intersectional politics of pregnancy prevention. She shows how taken-for-granted ideas about gender shape how women and their partners think about birth control, how they use methods, and how they inequitably allocate responsibility for preventing pregnancy. She documents how these practices encroach on women’s ability to exercise bodily autonomy, prevent pregnancy, and protect themselves from disease. In the end, she shows that the gendered organization of pregnancy prevention is not natural. It is unjust.

 

 

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Joy Williams Reading & Celebration

Joy Williams Reading & Celebration

Sports & Society Reading Group: Collegiate Athletic Labor with Roger Noll and Victoria Jackson

Sports & Society Reading Group: Collegiate Athletic Labor with Roger Noll and Victoria Jackson

The Sports & Society reading group is pleased to welcome esteemed sports scholars Roger Noll and Victoria Jackson for a discussion of collegiate athletic labor, amateurism, “Name, Image, & Likeness” (NIL) rights, and the future of the NCAA.

Roger G. Noll is professor emeritus of economics at Stanford University.  Noll also is a Senior Fellow and member of the Advisory Board at the American Antitrust Institute.  Noll received a B.S. with honors in mathematics from the California Institute of Technology and a Ph. D. in economics from Harvard University.  Prior to joining Stanford, Noll was a Senior Economist at the President's Council of Economic Advisers, a Senior Fellow at the Brookings Institution, and Institute Professor of Social Science and Chair of the Division of Humanities and Social Sciences at the California Institute of Technology.

Noll is the author or co-author of seventeen books and over three hundred articles and reviews.  His primary research interests include technology policy; antitrust, regulation and privatization policies in both advanced and developing economies; the political economy of public law (administrative law, judicial processes, and statutory interpretation); and the economics of sports and entertainment.  Among Noll’s published books are Economic Aspects of Television Regulation (1973), Government and the Sports Business (1974), The Technology Pork Barrel (1991), Constitutional Reform in California (1995), Sports, Jobs and Taxes (1997), Challenges to Research Universities (1998), and Economic Reform in India (2013).

Noll has been a member of the advisory boards of the U.S. Department of Energy, Jet Propulsion Laboratory, National Aeronautics and Space Administration, National Renewable Energy Laboratory, and National Science Foundation.  He also has been a member of the Commission on Behavioral and Social Sciences and the Board on Science, Technology and Economic Policy of the National Research Council, and of the California Council on Science and Technology.

Noll has been awarded a Guggenheim Fellowship, the annual book award of the National Association of Educational Broadcasters, the Rhodes Prize for undergraduate education at Stanford, the Distinguished Service Award of the Public Utilities Research Center, the Alfred E. Kahn Distinguished Career Award from the American Antitrust Institute, the Distinguished Member Award from the Transportation and Public Utilities Group of the American Economic Association, Economist of the Year from Global Competition Review, and the American Antitrust Institute award for Distinguished Achievement by an Economist in Antitrust Litigation.

Victoria Jackson is a sports historian and clinical assistant professor of history at Arizona State University. She writes about the intersection of sport and society, exploring how the games we play (and watch) tell us much about the communities – local, national, and global – in which we live. Jackson has appeared on 60 Minutes to discuss American college sports, and her writing has appeared in the Los Angeles Times, Washington Post, Boston Globe, Slate, The Chronicle of Higher Education, Letras Libres (Mexico), Época (Brazil), The Independent (UK), and The Athletic, where she is now a regular contributor to the culture vertical. She is a former NCAA champion and retired professional track and field athlete.

 

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link and copies of the reading material.

Middle East - North Africa Film Series

The Fall 2021 MENA Film Series features Veer Zaara (September 27), Captain Abu Reed (October 18), and The Band's Visit (November 8).

The Band’s Visit

(2017 / 87 min.)
Directed by Eran Kolirin
Discussant:  Eyal Tamir

In this delightfully offbeat story, set in a town way off the beaten path, a band of musicians arrive lost, out of the blue. Under the spell of the desert sky, and with beautiful music perfuming the air, the band brings the town to life in unexpected and tantalizing ways. Even the briefest visit can stay with you forever. With a score that seduces your soul and sweeps you off your feet, and featuring Tony-winning performances and thrillingly talented onstage musicians, The Band's Visit rejoices in the way music makes us laugh, makes us cry, and ultimately, brings us together.

Click here to view all MENA films in this series.

 

 

Middle East - North Africa Film Series

The Fall 2021 MENA Film Series features Veer Zaara (September 27), Captain Abu Reed (October 18), and The Band's Visit (November 8).

Captain Abu Reed

(2007 / 102 min.)
Directed by Amin Matalqa
Discussant:  Younasse Tarbouni

Captain Abu Raed (Arabic: كابتن أبو رائ د ) is a 2007 Jordanian film directed and written by Amin Matalqa. It is the first feature film produced in Jordan in more than 50 years.[1] The Royal Film Commission of Jordan endorsed Captain Abu Raed to be submitted to the 81st Academy Awards for Best Foreign Language Film, the first ever submitted by Jordan.[2] The film won awards at numerous film festivals including the Sundance Film Festival, Heartland Film Festival, and the Dubai International Film Festival. It was screened at the Jerusalem International Film Festival in 2008.[3 Abu Raed is an airport janitor at the Queen Alia International Airport in Amman. After finding a Royal Jordanian captain's hat in the trash, the neighborhood children mistake him for an airline pilot and beg him to tell them stories of his adventures.

Click here to view all MENA films in this series.

 

 

Faculty Reading: G'Ra Asim & Niki Herd

Faculty Reading: G'Ra Asim & Niki Herd

G’Ra Asim, a writer and musician, is an assistant professor of creative writing at Washington University in St. Louis. His nonfiction debut, Boyz n the Void: a mixtape to my brother, was released in May via Beacon Press. His work has appeared in Slate, Salon, Guernica, The Baffler, and The New Republic. When not writing prose or teaching, he sings, plays bass, and writes lyrics for DIY pop punk quintet, babygotbacktalk.

Niki Herd is the author of The Language of Shedding Skin. Herd co-edited with Meg Day Laura Hershey: On the Life & Work of an American Master. Winner of the 2021 Inprint Donald Barthelme Prize in Nonfiction, Herd’s poetry, essays, and criticism appear in or are forthcoming from Oxford University Press, Lit Hub, The Rumpus, and Salon, among other journals and anthologies. She is a Visiting Writer in Residence at Washington University in St. Louis.

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/wash-u-faculty-reading-gra-asim-niki-herd-virtual-event

Click Here to Register
German Film Series:  Grizzly Man

German Film Series: Grizzly Man

Werner Herzog's Grizzly Man on November 18, 2021 at 7:00 p.m.

Our final screening in this semester’s Film Series sheds some light on Werner Herzog’s later turn to documentary filmmaking: Grizzly Man (2005).  This film is one of Herzog’s acclaimed and most well-known documentaries. In it, Herzog chronicles the life of self-proclaimed bear expert Timothy Treadwell.

The screening is free and open to the public.

After registering, you will receive a confirmation email containing information about joining the event.

Content Warning: Gore, Violence, Distressing

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German Film Series: Nosferatu the Vampyre

German Film Series: Nosferatu the Vampyre

Werner Herzog's Nosferatu the Vampyre on October 26, 2021 at 7:00 p.m.

Quite fitting to the month of October, we will screen Nosferatu the Vampyre (1979), one of Herzog’s best-known features. The real estate agent Jonathon Harker must make his way to Transylvania to complete an odd, but lucrative land deal. But he has no way of knowing what awaits him after his arduous journey…

The screening is free and open to the public.

After registering, you will receive a confirmation email containing information about joining the event.

Content Warning: Intense Sequences, Sexual Content, Violence

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German Film Series:  Aguirre, the Wrath of God

German Film Series: Aguirre, the Wrath of God

Werner Herzog's Aguirre, the Wrath of God on September 29, 2021 at 7:00 p.m.

German kicks off our Film Series off with one of Werner Herzog’s earlier feature films: Aguirre, the Wrath of God (1972), which follows a colonial expedition of Spaniards into Peru and the descent of the titular character into madness.

The screening is free and open to the public.

After registering, you will receive a confirmation email containing information about joining the event.

Content Warning: Intense sequences, Violence

 

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Joy Williams Reading & Celebration

The Washington University Libraries and English Department are hosting legendary writer Joy Williams for a special reading and conversation. Williams’ first novel in 20 years, Harrow, will be released on September 14. The exhibition “Joy Williams: Honored Guest”, featuring materials from the Joy Williams Papers, is on display in John M. Olin Library, with a digital version coming soon.

Deliberative Dialogue Workshop

Hosted by Washington University's Department of Sociology and The Gephardt Institute for Civic and Community Engagement Engage Democracy Initiative

Sociology classes can cover some pretty contentious topics.  During this workshop, students will learn how to use deliberative dialogue to build understanding with their classmates - and to grow as a person.  

This workshop is open to all Sociology students and those who are currently enrolled in Sociology courses.  Participation is limited to the first 30 pre-registered students.  

Please register at https://bit.ly/3ABTRA5  

For additional information or to inquire about future offerings of this workshop, please contact our Academic Coordinator.

2021 Humanities Lecture Series

2021 Humanities Lecture Series

The 2021 Humanities Lecture Series will feature three talks by Ian Bogost, the noted media studies scholar, game designer, and WU faculty.

Professor Ian Bogost will present three talks that explore the theory and concepts of play and games, and in the final lecture, discuss "How to Live Playfully." 

  • Monday, 11/15 "A Theory of Play"  (4:00-5:30 – Women’s Building Formal Lounge)   View the Lecture on U-tube
  • Wednesday, 11/17 "Think Inside the Box"   (4:00-5:30 – Women’s Building Formal Lounge)
  • Thursday, 11/18  "How to Live Playfully"  (reception before lecture—reception 5:00-5:45; Lecture 5:45-7:00 p.m. – Women’s Building Formal Lounge)

Bogost is internationally recognized for his writing on video games and media studies. He is the author of 10 books, most recently Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games, and is a contributing writer at The Atlantic. His research approaches media studies from the perspective of both a critic and a practitioner. While in graduate school, Bogost also worked for tech companies in the digital media space. After completing his doctorate in comparative literature at UCLA in 2004, he joined the faculty at Georgia Tech, where he held appointments in media studies, interactive computing, business, and architecture. He recently joined Washington University in St. Louis where he holds a joint professorship with Engineering and Arts and Sciences, and is the director of Film and Media Studies.

“I’ve worked in the technology and media industries, and I come to WashU from a major technical institute,” said Bogost. “But I was trained as a literary comparatist — the humanities form a cornerstone of both my scholarship and my identity. WashU is home to world-class talent in the humanities. I’m thrilled to be coming home to those disciplines again, but also to have a new opportunity to apply my experience in computing, design, and media to inspire transformative change.”

This lecture series is hosted by the Interdisciplinary Project in the Humanities.  For more information, contact iph@wustl.edu

These lectures are open to the public. Visitors to campus must adhere to the current visitor protocols.  Parking information for visitors can be found here.

Please RSVP below.

Virtual Book Launch - Black Feminist Sociology: Perspectives and Praxis

Join the Washington University Department of Sociology in virtually celebrating the book launch of Black Feminist Sociology: Perspectives and Praxis, co-edited by Drs. Zakiya Luna and Whitney Pirtle.

Register now here!

 

 

Fear of the Muslim Planet: Global Islamophobia in the New World Order

Arsalan Iftikhar, human rights lawyer and alumnus, Washington University

Join us for a conversation with author and human rights lawyer Arsalan Iftikhar, who will discuss his book Fear of the Muslim Planet: Global Islamophobia in the New World Order.

This event is presented by the Washington University School of Law Public Interest Law & Policy Speaker Series; Whitney R. Harris World Law Institute; Weidenbaum Center for Economy, Government & Public Policy; and John C. Danforth Center on Religion & Politics.

French Embassy recognizes French ConneXions cultural center

French Embassy recognizes French ConneXions cultural center

Celebrate our new center of excellence, French Connexions, for an evening reception on Oct. 7th

Representatives from the French Embassy in Washington D.C, Dr. Vincent Michelot (former director of Sciences-Po) and Dr. Nicolas Douay (cultural attaché) will officially recognize French ConneXions as part of Centres d'excellence network,  on October 7th from 5 pm-7 pm.  Welcome speech by Dean Hu (Arts and Sciences). Reception to follow at the Women's Building Formal Lounge on the outside lawn. 

In the afternoon, Vincent Michelot will be joining Lionel Cuillé's First-Year Seminar: Global Health in the Francophone World to discuss Covid and Health Policies in France,  and Nicolas Douay will be joining Steve Levillain’s French Cultural Expression Class to discuss banlieues. To read more about French ConneXions, check out the Record's story or visit via Facebook.

*Campus visitors must self-screen before visiting campus at visitorscreening.wustl.edu/symptom-screener

*Parking options can be found at parking.wustl.edu/visitors/

Divided City Graduate Fellows Colloquium

We invite you to listen to a series of PechaKucha style presentations on the research of Divided City Summer Graduate Fellows. PechaKucha is a presentation format where 20 images are shown each for 20 seconds, keeping presentations concise and fast paced. Graduate students in the humanities, humanistic social sciences, architecture, urban design and landscape architecture will present their summer research on urban segregation.

Public Tour: ‘The Outwin: American Portraiture Today’

Join student educator Jay Buchanan, graduate student in the Department of Art History & Archaeology at Washington University, for an online tour of The Outwin: American Portraiture Today. This exhibition features the finalists of the National Portrait Gallery’s fifth triennial Outwin Boochever Portrait Competition. The selected portraits in a variety of media respond to the current political and social context, offering perspectives on a range of themes of sociopolitical relevance, including immigration, the status of American workers, mass incarceration, gun violence and LGBTQ+ rights.

Farming, Gardening and Food Sovereignty in Native American Communities

Devon Mihesuah & Elizabeth Hoover, co-editors of ‘Indigenous Food Sovereignty in the United States: Restoring Cultural Knowledge, Protecting Environments, and Regaining Health’

Devon Mihesuah, a member of the Choctaw Nation, is the Cora Lee Beers Price Professor in International Cultural Understanding at the University of Kansas. Elizabeth Hoover is an associate professor in the Department of Environmental Science, Policy & Management at the University of California Berkeley. This event is part of the Indigenous Knowledge & Sustainability | Food conference.

Hosted by Missouri Botanical Gardens, in partnership with Washington University Climate Change Program.

Trauma, Incarceration and Ability to Learn

Em Daniels is a master educator and leading expert on the impacts of trauma on adult learning. Inaugural Maggie Garb Lecture Series.

Em Daniels is a master educator and leading expert on the impacts of trauma on adult learning. They are a skilled facilitator and speaker, with an extensive background in adult education that includes alternative high schools, prisons, free college campuses, private and nonprofit organizations, government institutions and community agencies. Their expertise focuses on countering the impacts of trauma on learning by expanding beyond a mental health approach and defining multiple points of entry to the work. Daniels emphasizes the necessity of addressing individual and systemic trauma as crucial to create and sustain a just and compassionate world.

Longevity for the World: Self and the Social Body in Early Modern China

He Bian (Ch. 邊和) is a historian of late imperial and a historian of science - 80th Historia Medica Lecture

Self-perfection and immortality are central to understanding Chinese medical history, but He Bian (Ch. 邊和), associate professor of History and East Asian Studies at Princeton University, highlights the rise of the social body and techniques for the masses.

Sisters of Carceral Liberation: Building a Movement of Social Justice for Black Women in Higher Education in Prison

Breea Willingham, associate professor of criminal justice, State University of New York, Plattsburgh - Inaugural Maggie Garb Lecture Series

BREEA WILLINGHAM is an interdisciplinary scholar and criminal justice professor whose teaching and research examines the intersections of race, gender, higher education and the criminal injustice system. She is particularly interested in examining Black women’s experiences with higher education in prison and amplifying the voices of Black women impacted by the injustice system.

Restoration

Syrita Steib is the founder and executive director of Operation Restoration, a nonprofit that creates opportunities for formerly incarcerated women, eradicating the roadblocks that she faced when returning to society after incarceration.

Syrita Steib started Operation Restoration in 2016 to eradicate the roadblocks she faced when returning to society after incarceration. Syrita serves as the executive director and is responsible for overseeing the administration, programs and strategic plan of the organization. She created Operation Restoration because of her experience with the legal system. At the age of 19, Syrita was sentenced to 120 months in federal prison. After serving nearly 10 years in prison, she was released into a community vastly different than the one she left. Other formerly incarcerated women helped her to readjust to the world she had left behind.

Cutting through the stereotypes of incarcerated people: The benefits of student mentorship and support networks inside prison

Grant E. Tietjen, associate professor, Department of Sociology and Criminal Justice, St. Ambrose University–Davenport - Inaugural Maggie Garb Lecture Series

Grant E. Tietjen is an associate professor in the St. Ambrose University–Davenport Department of Sociology and Criminal Justice, and also has direct criminal justice system contact. Tietjen earned his doctorate from the Department of Sociology at the University of Nebraska–Lincoln. He has written, researched and lectured on convict criminology, mass incarceration, class inequality, criminological theory and pathways to correctional/postcorrectional education. He has published in multiple peer reviewed journals, book chapters and academic encyclopedias; with multiple works in progress. Tietjen’s most recent peer reviewed research has been published in The Prison Journal and Critical Criminology. Additionally, he has given over 60 conference presentations, invited talks/public forums, and media interviews. Tietjen has been involved with the Convict Criminology (CC) group since 2005, mentoring new CC members, and serving as the group’s co-chair from 2017–19.  Further, in 2020, he was appointed the inaugural chair of the newly formed American Society of Criminology Division of Convict Criminology.

Prioritizing Higher Education and Career Goals in Prison & Reentry

Terrell A. Blount, director of the Formerly Incarcerated College Graduates Network - Inaugural Maggie Garb Lecture Series

Terrell A. Blount is a motivational speaker, mentor, and advocate for quality postsecondary education and career opportunities and policy change affecting justice-involved people. Approaching the completion of a six-year sentence, Terrell pursued his goal of graduating with a college degree, which he set for himself years before being released from prison.  “I just kept telling myself: ‘If I can do five years in prison, I can do five years in college.’” Soon, he found himself a BA graduate of the School of Communication & Information (SCI) and later, achieving his MPA in nonprofit management from the School of Public Affairs and Administration (SPAA), both at Rutgers University.

Today, he serves as the director of the Formerly Incarcerated College Graduates Network, a nonprofit organization supporting postsecondary education attainment among justice-involved individuals, while connecting formerly incarcerated students and professionals across the country. A leader in the higher education and justice space, Terrell participates on various steering committees and advisory boards and has experience in policy change and advocacy, program administration, philanthropy and college reentry programs. 

The Transformative and Rehabilitative Power of Higher Education in Prison

Inaugural Maggie Garb Lecture Series

Bryan Jordan was born and raised in the city of New Haven, Conn. He is the oldest of five siblings: two brothers and two sisters. After dropping out of high school, he received his GED while incarcerated in 1994. However, in 2016, while serving a sentence that would later be overturned, he was accepted into Second Chance Educational Alliance to pursue higher education in prison. Subsequently, Jordan went on to be 1 of 600 inmates to apply and be accepted into Yale University. Since his release, he has begun the enrollment process into Yale in pursuit of a law degree.

Artificial Intelligence: Applications, Promises, Pitfalls and Misperceptions

Ruopeng An, associate professor, Brown School, Washington University

Artificial intelligence (AI), characterized by machine and deep learning, has swept in today’s society like a perfect storm, leaving no stone unturned. From pizza delivery to crime control, from creative arts to chatbot companion, from autonomous driving to auto-trading, AI is already present in many facets of our lives. Of the many views of the future of AI, what version should we believe, if any? Should we embrace it, or should we fear it? Join us for a discussion of the enduring myths and debates surrounding AI.

She Kills Monsters

She Kills Monsters

By Qui Nguyen

Directed by William Whitaker

Agnes rediscovers the true character of her deceased kid sister Tilly in this delightful “Dungeons and Dragons” journey filled with Succubae, Faeries, and Bugbears.  The New York Times called the show “. . . kind of dopey and kind of invigorating and kind of remarkable. It will slash and shapeshift its way into your heart.”

October 22, 23, 29 & 30 at 8 p.m.
October 24 & 31 at 2 p.m.
Edison Theatre

“She Kills Monsters” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Ticket Information

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

Purchase Tickets

COVID-19 policies for patrons

All attendees are required to complete a health screener within 4 hours of arrival to campus. Be prepared to show the “Cleared for Campus” result to event staff upon arrival.
Visitor Screening Tool
WUSTL Student/Faculty/Staff Screening Tool

Masks are to be worn at all times while indoors on the Wash U campus. That includes the Edison lobby area, restrooms, and while seated in the theater.

“She Kills Monsters” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Tear Down the Walls: White Radicalism and Black Power in 1960s Rock

HUMANITIES BROADCAST - Patrick Burke, associate professor and chair of the Department of Music, Washington University

From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls: White Radicalism and Black Power in 1960s Rock, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock — white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. Patrick Burke is associate professor of music at Washington University in St. Louis. He is the author of Come In and Hear the Truth: Jazz and Race on 52nd Street, also published by the University of Chicago Press.

Fear and Loathing in New Spain: Antiblackness in Colonial Mexico

Miguel Valerio, assistant professor, Department of Romance Languages & Literatures, Washington University

Region and Enmity: A RaceB4Race Symposium, October 19–22, 2021

Download program

Enmity is a sustaining force for systemic racism, a fervent antipathy toward a category of people. Enmity exists at the nexus of individual and group identity and produces difference by desiring opposition and supremacy, imagining separation by force, and willing conflict. Enmity unfolds in different ways in different places, according to local logics of territory, population, language, or culture, even as these geographical divisions are subject to constant change.

This interdisciplinary symposium, hosted by Rutgers University, focuses on how premodern racial discourses are tied to cartographical markers and ambitions. The notions of enmity and region provide a dual dynamic lens for tracing the racial repertoires that developed in response to increasingly hostile contention between premodern cultural and political forces. The symposium will invite scholars to take up this intersection between region and enmity, and to examine how belief in difference, or the emergence of polarizing structures and violent practices, configured race thinking and racial practices in ways that are both unique to different territories and that transcend them.

Miguel A. Valerio is an assistant professor of Spanish at Washington University in St. Louis. His work has appeared in several journals, including Slavery and Abolition and Colonial Latin American Review. He is currently completing a book on Afro-Mexican festive practices, “Sovereign Joy: Afro-Mexican Festive Practices, 1539–1640,” under contract with Cambridge University Press. Besides exploring black joy and communal sovereignty, the book studies how Iberian racial ideology impacted Afro-Mexicans’ daily and festive lives. 

Co-sponsored by Rutgers, the State University of New Jersey, the Folger Institute at the Folger Shakespeare Library, and the Arizona Center for Medieval and Renaissance Studies at Arizona State University.

A Marvelous Work: Reading Mormonism in West Africa

HUMANITIES BROADCAST - Laurie Maffly-Kipp, the Archer Alexander Distinguished Professor & Interim Dean and Vice Provost for Graduate Education, Washington University

LAURIE MAFFLY-KIPP, the Archer Alexander Distinguished Professor & Interim Dean and Vice Provost for Graduate Education, Washington University. Maffly-Kipp’s lecture will discuss how the Church of Jesus Christ of Latter-day Saints pamphlets, books and other church materials circulated in West Africa two decades before offical missionary work began, leading to a unique “native” Mormonism. Believers crafted churches from these bare materials and doctrinal interpretations during the 1960s and 1970s. The lecture will also be broadcasted live at youtube.com/USULibraries. Utah State University Libraries’ Leonard J. Arrington Mormon History Lecture series.

The Gastronomic Revolution and Other Stories of Race and Coloniality in Peru

Dr. María Elena García, Associate Professor, University of Washington

María Elena García is associate professor in the Comparative History of Ideas at the University of Washington in Seattle. A Peruvian woman of Quechua ancestry, García received her PhD in Anthropology at Brown University and has been a Mellon Fellow at Wesleyan University and Tufts University. Her first book, Making Indigenous Citizens: Identities, Development, and Multicultural Activism in Peru (Stanford, 2005) examined Indigenous and intercultural politics in Peru in the immediate aftermath of the war between Sendero Luminoso and the state. Her work on indigeneity and interspecies politics in the Andes has appeared in multiple edited volumes and journals such as Anthropology Now, Anthropological Quarterly, International Journal of Bilingual Education and Bilingualism, Journal of Latin American and Caribbean Anthropology, Latin American Perspectives, and Latin American and Caribbean Ethnic Studies. Her second book, Gastropolitics and the Specter of Race: Stories of Capital, Culture, and Coloniality in Peru (published by the University of California Press and supported by an NEH Fellowship), examines the intersections of race, species, and capital in contemporary Peru. Her next project, Landscapes of Death: Political Violence Beyond the Human in the Peruvian Andes, considers the impact of political violence in Peru on more-than-human lives and bodies. You can learn more about García's teaching and scholarship here.

Co-sponsored by the Center for the Study of Race, Ethnicity & Equity (CRE2) and the Latinx | Latin American Race & Ethnicity Research Unit.

This event will be held in-person in McMillan Hall, G052 with a Zoom option available.

Please note that for all in-person events, attendees must adhere to Washington University’s public health requirements, including the latest events and meetings protocol. Guests will be required to show a successful self-screening result and wear a mask at all times.

Prefer Zoom? Register Here

Major-Minor Fair: Medical Humanities

Register to attend this drop-in information session on the Center for the Humanities’ Medical Humanities minor (click button below).

Register

Major-Minor Fair: Children’s Studies

Register to attend this drop-in information session on the Center for the Humanities’ Children’s Studies minor (click button below).

Register

Faculty Colloquium by Professor Wolfram Schmidgen: Theology and Literary Invention

Please join us for this in-person faculty colloquium in Hurst Lounge.

In this talk, Professor Schmidgen argues that modern literary practices were shaped by religion. Voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty, radicalized literary invention in the early eighteenth century. It allowed such writers as Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe to invert the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In this way, voluntarism helped establish the literary value of the deformed, the infinite, and the counterfactual.
 

COVID Guidelines
Overload: Switchboard Automation and the Disability History of 0s and 1s

Overload: Switchboard Automation and the Disability History of 0s and 1s

Mara Mills, Associate Professor of Media, Culture, and Communication at New York University.

a Performing Arts Department Colloquium

This talk considers the early history of digital labor and automation through a focus on the telephone switchboard. Labor historians suggest that operator management issues as much as technical innovation drove switchboard automation after 1913, when the Bell Telephone System consolidated its power as a legally sanctioned monopoly. Thinking alongside Frantz Fanon’s mid-century insights about telephone operators, surveillance capitalism, and overwork, this talk will highlight workers’ compensation for “disability” in New York and in the Bell System as an overlooked cost and management factor in early automation. 

 

Mara Mills is Associate Professor of Media, Culture, and Communication at New York University. Mills works at the intersection of sound studies and disability studies. More details about her research, grants, and awards can be found at maramills.org. 

 

 

 

 

This colloquium is free and open to the public.

Reading with Visiting Hurst Professor Karen Tei Yamashita

Karen Tei Yamashita is the author of seven books, including I Hotel, finalist for the National Book Award, and most recently, Letters to Memory, all published by Coffee House Press. Recipient of the John Dos Passos Prize for Literature, a U.S. Artists’ Ford Foundation Fellowship, and a National Book Foundation Lifetime Achievement Award for Distinguished Contribution to American Letters, she is professor emerita of literature and creative writing at the University of California, Santa Cruz. This event will be held via Zoom. 

Books available through Subterranean Books. 
 
Register Here!

Craft Lecture with Visiting Hurst Professor Karen Tei Yamashita

Karen Tei Yamashita is the author of seven books, including I Hotel, finalist for the National Book Award, and most recently, Letters to Memory, all published by Coffee House Press. Recipient of the John Dos Passos Prize for Literature, a U.S. Artists’ Ford Foundation Fellowship, and a National Book Foundation Lifetime Achievement Award for Distinguished Contribution to American Letters, she is professor emerita of literature and creative writing at the University of California, Santa Cruz. This event will be held via Zoom.

Books available through Subterranean Books. 
Register Here!
Environmental Objects and (Post)Industrial Sentiments

Environmental Objects and (Post)Industrial Sentiments

Weijie Song, Associate Professor, Chinese, Rutgers University

Teaching East Asia

In his critically acclaimed film The Piano in a Factory (2010), an elegy for a bygone working-class community and a revisit to the (post)industrial reality in Northeast China, Zhang Meng presents a stunning eulogy of two gigantic smokestacks (now dysfunctional), regarding them as coordinates for residential locations and work units, testimonies of growing up memories, and tokens of forgotten friendship at a time of tumultuous transition. By contrast, in her phenomenal yet “ephemeral” documentary Under the Dome (2015), a belated ecocritical epiphany and allergy, Chai Jing compellingly brings to the limelight towering factory smokestacks, which were once regarded as an overwhelming sign and symbol of industrial development and socialist modernization, now are understood as a source of air pollution and environmental health risks. The distinctive smokestack stories and sentiments provide an illuminating entry point into the changing material trajectories and social life, the awakening environmental consciousness, and the structural transformation of private feelings and public emotions against the great backdrop of industrial, de-industrial, and post-industrial times and related ecological impacts. This lecture aims at examining the genealogy of smokestack objects and associated affective attachments evidenced in diversified genres, works and movements from modernist observations to environmentalist interpretations, from literary imagination to cinematic representations, and from (post)socialist manifestations to ecocritical reflections.

Image: from Zhang Meng's film Piano in a Factory

Sponsored by East Asian Languages and Cultures

Zoom Registration

Jewish Physicians and Their Patients: Rescue Strategies in Nazi Occupied Poland

Natalia Aleksiun, Professor of Modern Jewish History, Touro College / Incoming Harry Rich Professor of Holocaust Studies at the University of Florida-Gainesville

Holocaust Memorial Lecture 2021

Natalia Aleksiun

The relationships between Jewish physicians, non-Jewish medical professionals and patients offer a window into rescue efforts in Nazi-occupied Poland. Jewish testimonies, diaries, memoirs and witness statements in postwar trials tell a story of how communities came together to organize hiding places and aid for Jewish doctors who were threatened by violence and murder. In the lecture, Prof. Aleksiun will discuss how pre-existing professional relationships, a sense of gratitude for medical services rendered in the past and an ongoing need for Jewish physicians’ expertise laid the foundation for a network of support that allowed Jewish physicians to continue to work in the face of the Holocaust and — in the case of some — survive.


About the speaker

Natalia Aleksiun, professor of modern Jewish history at Touro College, is the incoming Harry Rich Professor of Holocaust Studies at the University of Florida-Gainesville. She studied Polish and Jewish history at the Warsaw University, the Graduate School of Social Studies in Warsaw and Hebrew University in Jerusalem and New York University. She received her doctorates from Warsaw University and New York University. She is the author of Where To? The Zionist Movement in Poland, 1944–1950 (Warsaw, 2002), co-editor of several volumes, including Polin: Studies in Polish Jewry, vol. 29: Writing Jewish History in Eastern Europe (2017), and European Holocaust Studies, vol. 3: Places, Spaces and Voids in the Holocaust. She is co-editor of East European Jewish Affairs. In 2019, she published a critical edition of Gerszon Taffet’s Destruction of Żółkiew Jews. Her most recent book, Conscious History: Polish Jewish Historians before the Holocaust, was published in 2021 with Littman Library of Jewish Civilization. She is currently working on a book about the so-called cadaver affair at European universities in the 1920s and 1930s and on a project dealing with daily lives of Jews in hiding in Galicia during the Holocaust.

Read more about the history of Washington University’s Holocaust Memorial Lecture here.

Register
Faculty Colloquium by Julia A. Walker:

Faculty Colloquium by Julia A. Walker: "Going Viral" at the End of the Anthropocene

Please join us for this in-person colloquium in Hurst Lounge.

"This talk draws from the epilogue to my new book, Performance and Modernity: Enacting Change on the Globalizing Stage (Cambridge University Press, 2021).  In it, I extend the implications of the book’s historical argument to our own moment, using its core methodology to consider digital performance in the 21st century.  As the book demonstrates, performance is more than just a medium through which other art forms find expression.  Rather, it is a medium in its own right, giving shape to new ideas that assume an embodied gestalt before entering into consciousness and language. 

Where the book’s previous five chapters map historical styles of stage performance against the economic, industrial, political, social, and psychological changes of modernity, the epilogue examines the current shift from human to animatronic performers in film and networked media with the introduction of the computer.  Concluding with a meditation on the contemporary ambition to “go viral,” it suggests that in the pixelated form of computer-generated imaging is an emerging concept of self for the twenty-first century.  Inscribed in this new performance form, I suggest, is yet more evidence for the ways we seek to comprehend and adapt to changes in our ever-modernizing world." -Professor Julia A. Walker

Pre-order Performance and Modernity: Enacting Change on the Globalizing Stage here: https://www.cambridge.org/us/academic/subjects/arts-theatre-culture/amer...

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African men in military gear standing in front of a rioting crowd

Geometry Problems: Future military interventions in the undivided African city

Danny Hoffman is the Bartley Dobb Professor for the Study and Prevention of Violence in the Jackson School of International Studies at the University of Washington. An anthropologist and photojournalist by training, he is the author of two books on conflict and its aftermath in West Africa.

Update: this event has been moved to virtual, Zoom link below.

City Seminar 2021: The Divided City

What is an African city to a soldier?  The answer to this deceptively simple question will profoundly impact the lives of millions of people in the coming decades.  For much of the global military establishment, Africa’s urban spaces are becoming a problem at precisely the moment that security discourse is shifting from counterinsurgency to climate change and conventional peer-to-peer warfare.  What might recent events signal about the future direction of both foreign and domestic military engagements in African cities – and the consequences for those who live there?  Extreme forms of segregation were the heart of colonial and postcolonial security measures in African cities.  Is a different spatial order emerging for the continent’s urban battlespaces?

Register
Greco-Roman Roots of Modern Scientific Racism and White Supremacism

Greco-Roman Roots of Modern Scientific Racism and White Supremacism

Rebecca Futo Kennedy, Denison University

Rebecca Futo Kennedy is Associate Professor of Classics, Women's and Gender Studies, and Environmental Studies at Denison University and is Director of the Denison Museum. Her research interests include the intellectual, political, and social history of Classical Athens, Athenian tragedy, and identity formation (both gender/sexuality and race/ethnicity) and immigration in the ancient world. She is the author most recently of Immigrant Women in Athens: Gender, Ethnicity, and Citizenship in the Classical City (Routledge, 2014) and editor of the Handbook to Identity and the Environment in the Classical and Medieval Worlds (with M. Jones-Lewis; Routledge, 2015). She is a translator and editor (with S. Roy and M. Goldman) of Race and Ethnicity in the Classical World: An Anthology of Primary Sources (Hackett, 2013) and editor of the The Companion to the Reception of Aeschylus (Brill 2017). She is currently writing a book on race and ethnicity in antiquity and its entanglements in modern white supremacy and is co-translating a sourcebook of ancient texts on women in ancient Greece and Rome.

 

Register Here
AMCS Spring Research Colloquium

AMCS Spring Research Colloquium

Please join us for our annual AMCS Research Colloquium! We are excited to present AMCS Majors who will share their culminating research with the community. AMCS Majors complete their capstone projects under the direction of a project advisor or in the context of an approved, upper-level seminar. .

In addition to presentations we will announce the winner of the AMCS Lynne Cooper Harvey Undergraduate Writing Prize, which recognizes outstanding work on a topic in American culture studies.

AGENDA

9:00     Noah Cohan - Introductions  

9:10     Jack Adler - Restorative Justice: Internal Strengths & External Weaknesses (Class: Race, Ethnicity, and Culture: Critical Qualitative Understandings of Urban Education)

9:30     Maya Gonzales - The Story of the Little Brown Woman: An exploration into Evangelical Christian Engagement with Latin American Immigrants in the Central Valley of California in the Post-War Era

9:50     Leah Witheiler - Topics in American Drama: Theatre and Politics, A Deep Dive into Heidi Schreck's What the Constitution Means to Me

10:10   Emma Rich - "Children of Light": Rabbinic Interventions in Black-Jewish Relations, 1934-1945

10:30   BREAK         

10:40   Josh Miller - Children of Immigrants: Identity and Acculturation

11:00   Carly Hacker - "Hitler's Worst Nightmare": Music as Cross-Cultural Collaboration Between the Jewish and African American Communities

11:20   Cameron Ippolito - Tightening Up the Graphics: The Exploitive Nature of the Video Game Industry

11:40   Ellie Lieberman - What Alabama Has Left to Bear: Examining the Racist Undertones of the State’s Premier Football Dynasty and Its Legacy Beyond the Game

12:00   Shaelee Comettant - Corporeal Memory: Ana Mendieta, the Latina Experience, and the Body

12:20   LUNCH         

12:50   Sam Goldman - New York in the Time of AIDS: The Bathhouse Controversy

1:10     Sofia Aguilarn - The Binational Condition: The Mexico-US Relationship in Mexican History and Culture

1:30     Maggie He - Time’s Up: Halloween as Elevated Horror to Aid Franchising

1:50     Elena Lopez - Getting Fucked: The Legal Discrimination Against Pornography Performers

2:10     Kate Cavanaugh - Medicine, News, and Homophobia: An Interdisciplinary Approach to the Dawn of the HIV/AIDS Crisis in the United States from 1981-1985

2:30     BREAK         

2:50     Jesse Wachtel - Hina – The Immigration Story (Immigration, Identity, and the Internet)

3:10     Ellie Kenney - The Fever Dream of Capitalism: The Grotesque Excess of Fashion, Consumption, and Social Media

3:30     Isabela Gallegos - Working Toward Change: Military Sexual Trauma and Veterans' Mental Health

3:50     Gabi Senno -  Art from the Confines of ‘Camp’: Chiura Obata, Japanese Incarceration, and the Memory of Resistance

Rage of Innocence: How America Criminalizes Black Youth

Kristin Henning | Author, Rage of Innocence: How America Criminalizes Black Youth; Blume Professor of Law and Director, Juvenile Justice Clinic & Initiative, Georgetown Law

Moderated by Daniel Harawa, associate professor and director, Appellate Clinic, WashULaw. This event is presented by the Washington University School of Law Public Interest Law & Policy Speaker Series; the Department of African & African-American Studies; the Center for the Study of Race, Ethnicity & Equity; the Brown School; Clark-Fox Policy Institute; Weidenbaum Center on the Economy, Government, and Public Policy; the Black Law Students Association; and the Women of Color Law Society. 

In Conversation: Colonizing the Past: Constructing Race in Ancient Greece and Rome

HUMANITIES BROADCAST - Kathryn Wilson, senior lecturer in the Department of Classics; and Claudia Swan, Mark Steinberg Weil Professor of Art History in the Department of Art History & Archaeology; in conversation with Margo Hendricks, professor emerita in the Department of Literature at University of California, Santa Cruz

This panel explores critical issues raised by the fall 2021 Teaching Gallery exhibition, Colonizing the Past: Constructing Race in Ancient Greece and Rome. How have modern ideas on race influenced the interpretation and representation of racialized identities across different cultures, geographies, and religions in classical antiquity? How do narratives of whiteness influence contemporary understandings of ancient Greece and Rome?

Advocacy & Allyship: Establishing a Racial Equity Framework that Goes Beyond HR

Rachel Delcau, MSW ’12, chief community impact officer, Heart of Missouri United Way; La Toya Stevens, marketing & communications director, Heart of Missouri United Way

Everyone in an organization contributes to its culture, which makes equity and inclusion everyone’s responsibility. This conversation will focus on steps to establish a racial equity framework in your organization, how to identify inequities within your organization, and empowering colleagues to constructively advocate for people with marginalized identities. While we will center the experience of Black people in the workplace, the ideas shared will also apply to other groups and to an intersectional understanding of equity.

Informal Cities Workshop Kickoff Lecture: Chelina Odbert

Chelina Odbert, co-founder and executive director of the community development and design nonprofit Kounkuey Design Initiative

The annual Informal Cities Workshop provides students with an intensive, hands-on opportunity to grapple with frictions and interconnections that exist between the informal and the formal aspects of the city. It consists of a keynote lecture, which is free and open to the public, followed by a one-credit, weekend-long design charrette. Previous workshops have explored conditions in Varanasi, India; Lima, Peru; Cape Town and Johannesburg, South Africa; and Caracas, Venezuela.

The workshop and lecture are co-sponsored by the Center for the Humanities and The Divided City initiative.

International Writers Series: Matvei Yankelevich

Matvei Yankelevich — poet, translator, and co-founder of the publishing collective Ugly Duckling Presse — in discussion with Anca Roncea, a PhD student in Comparative Literature in the track for international writers
Bull in a China Shop

Bull in a China Shop

By Bryna Turner

Directed by Annamaria Pileggi

Turner describes her play as “Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937.  This is an excavation of queer history, a history that has been buried and hidden and kept from us. It’s also a queering of history, a look at past events through a contemporary gaze.”  Time Out asserts that “With a light hand and welcome irreverence, Turner neatly dispenses with two hoary shibboleths: that history is perforce dry, and feminists unfunny.”

April 14, 15, 16* & 17 at 8 p.m.
April 16 & 17 at 2 p.m.
A.E. Hotchner Studio Theatre

*ASL interpretation for the Saturday, April 16, 2022 production is provided by Lo’s Communicate Plus LLC.

“Bull in a China Shop” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Ticket Information - Please check back soon for link to purchase tickets.

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

 

COVID-19 policies for patrons

All attendees are required to complete a health screener within 4 hours of arrival to campus. Be prepared to show the “Cleared for Campus” result to event staff upon arrival.
Visitor Screening Tool
WUSTL Student/Faculty/Staff Screening Tool

Masks are to be worn at all times while indoors on the Wash U campus. That includes the Edison lobby area, restrooms, and while seated in the theater.

Reading by Visiting Hurst Professor Jerald Walker

Reading by Visiting Hurst Professor Jerald Walker

This event will be held via Zoom.

Along with the memoirs Street Shadows and The World in Flames, Jerald Walker is the author of How to Make a Slave and Other Essays, a Finalist for the 2020 National Book Award in Nonfiction. His work has appeared in publications such as The Harvard Review, Creative Nonfiction, The Iowa Review, and Mother Jones, and it has been widely anthologized, including five times in The Best American Essays series. A recipient of National Endowment for the Arts Fellowship, a Pushcart Prize, and winner of the L.L. Winship/PEN New England Award for Nonfiction, Walker is a Professor of Creative Writing and African American Literature at Emerson College.

Books available courtesy of Subterranean Books: https://store.subbooks.com/event/jerald-walker-reading-virtual-event

Register Here!
Craft Lecture with Visiting Hurst Professor Jerald Walker

Craft Lecture with Visiting Hurst Professor Jerald Walker

This event will be held via Zoom.

Along with the memoirs Street Shadows and The World in Flames, Jerald Walker is the author of How to Make a Slave and Other Essays, a Finalist for the 2020 National Book Award in Nonfiction. His work has appeared in publications such as The Harvard Review, Creative Nonfiction, The Iowa Review, and Mother Jones, and it has been widely anthologized, including five times in The Best American Essays series. A recipient of National Endowment for the Arts Fellowship, a Pushcart Prize, and winner of the L.L. Winship/PEN New England Award for Nonfiction, Walker is a Professor of Creative Writing and African American Literature at Emerson College.
 

Books available courtesy of Subterranean Books: https://store.subbooks.com/event/jerald-walker-reading-virtual-event

 

Register Here!
EALC Brown Bag Series | En o musubi: Eternal ties and missed connections in the animation of Makoto Shinkai

EALC Brown Bag Series | En o musubi: Eternal ties and missed connections in the animation of Makoto Shinkai

Christopher A. Born, assistant professor, Japanese & Asian Studies, Belmont University

EALC Brown Bag Series Lecture

The third-highest grossing animated film of all time, Your Name (Kimi no na wa, 2017), is a powerful romance that depicts young Japanese people in extraordinary circumstances as they navigate space and time to forestall a mysterious cataclysm. Frustrated with her life, a teenaged shrine maiden wishes she could be reborn as a boy in Tokyo. Her wish being granted, she awakens in Tokyo, and finds herself inhabiting the body of a teenage boy. Likewise, the boy awakens at a remote shrine, stunned to be in female form. Over time, the two switch in and out of each other’s bodies. As they learn about each other’s life and coach each other through notes left on smart phones, they recognize that they are tied together in cosmic ways that neither had imagined. Punctuated with the rhythms of rail-transit and electronic communication, coupled with rich Shinto and Buddhist ideas of fate and community and the difficulty of locating the self within them, Your Name deftly bridges the fantastic, the mundane, the sublime. Considering the development of his oeuvre from 2002-2019, this presentation examines how the films of director Makoto Shinkai (b. 1973) weave together visual narratives that express regret for missed connections, longing for enduring ties and the agency to create them. 

Sponsored by East Asian Languages and Cultures

image: Kimi no na wa, director Makoto Shinkai

The Counterfactual Chorus: Euripides' Andromache 274-308

The Counterfactual Chorus: Euripides' Andromache 274-308

Sarah Olsen, Williams College

The second choral ode of Euripides' Andromache poses a provocative question: what if the Trojan War had never happened? Drawing from work on queer temporality and counterfactual form, my talk will explore how this ode revisits and revises the epic past in order to imagine an alternative future. I will suggest that the performative role of the dramatic chorus makes it particularly well-suited to the articulation of possibilities and paths foreclosed by the dominant narratives of tragedy.

 

Sarah Olsen is Assistant Professor of Classics at Williams College, Massachusetts. She has published on Greek literature and culture from Homer to Heliodorus, with articles on such topics as sexuality in the ancient novel, the representation of dance in Greek vase painting, and the conceptualization of kinesthetic empathy in Greek poetry and philosophy. Her recent article on female sympotic dancers, which was published in both French and English in the interdisciplinary gender studies journal Clio, received the Barbara McManus award (2019) from the Women's Classical Caucus for excellence in scholarship on women or gender in antiquity. She is the author of Solo Dance in Archaic and Classical Greek Literature: Representing the Unruly Body

(Cambridge University Press, 2020).

 

NB: All attendees are required to abide by current university public health guidelines. Visitors to campus must complete an online screening no more than two hours before arrival, and all attendees must wear masks indoors, regardless of vaccination status.

Divided City Film Series - SLIFF

Free screenings (some in person and some online); several have discussions with scholars and/or filmmakers - St. Louis International Film Festival

The Divided City program focuses on the racial divide in St. Louis and other U.S. cities, and offers an international perspective by highlighting racial and ethnic divides in cities elsewhere. The program of 10 films is supported by The Divided City: An Urban Humanities Initiative, an initiative of Washington University’s Center for the Humanities that addresses one of the most persistent and vexing issues in urban studies: segregation. See SLIFF website for a complete listing.

Fri., Nov. 5, 7:30 pm: Target: St. Louis Vol. 1 screening and discussion with director Damien D. Smith and subjects

Sat., Nov., 6, 2 pm: The Kinloch Doc screening and discussion with director Alana Marie

Sat., Nov. 6, 4:30 pm: Ferguson Rises screening and discussion with director Mobolaji Olambiwonnu, producer Tanayi Seabrook and subject Michael Brown Sr.

FULL SCHEDULE
CANCELLED: Ways of Learning: An Apprentice Boatbuilder in Japan

CANCELLED: Ways of Learning: An Apprentice Boatbuilder in Japan

Douglas Brooks, boatbuilder

Douglas Brooks, a Vermont-based boatbuilder has been studying traditional Japanese boatbuilding for over twenty-five years. Since 1996 he has worked with six boatbuilders, and he is the sole apprentice for each of his teachers. Brooks’ research involves recording his teachers’ design secrets and techniques before they are lost. His latest book, Japanese Wooden Boatbuilding, is the first comprehensive study of the craft. In this lecture Brooks will discuss the crucial role of the apprentice system nurturing Japanese crafts and the threat posed by the absence of a new generation of apprentices. He will describe the roles and responsibility of the apprentice faced with the unorthodox teaching styles of his masters. He will describe his efforts to document and preserve this craft through articles, books and workshops, and he will discuss the future for this craft in a country at the forefront of modernization and change. His talk is a lesson in craft, learning, and boatbuilding, and includes his photographs of traditional boats from throughout Japan.

Sponsored by East Asian Languages and Cultures

Department of Music Lecture:

Department of Music Lecture: "Harmonic Rebellion"

Marc Copland, jazz piano

 

How and why the rules evolve and grow, only to be overtaken and replaced by new rules with more complexity and power, which evolve and grow, only to get overtaken and replaced by new rules with more complexity and power, which evolve and grow, only to …

Biography:
Pianist and composer Marc Copland has been spinning out sounds like no other pianist since the mid-1970s. A player with a lyrical sense of touch, unique innovative harmonies, and a deep sense of swing, his output as a leader is staggering: over 40 albums, recorded for over ten different labels, featuring major jazz voices of the past and present—John Abercrombie, Ralph Alessi, Joey Baron, Mike Brecker, Randy Brecker, Dennis Chambers, Mark Ferber, Drew Gress, Billy Hart, Dave Liebman, Victor Lewis, Joe Lovano, Greg Osby, Gary Peacock, Bill Stewart, Robin Verheyen, Ken Wheeler, etc. In the last decade, he was pianist for both Gary Peacock’s trio and John Abercrombie’s quartet. — And Copland is not one to simply rest on his laurels. In 2016 he started his own label, innerVoice Jazz, and in 2019 a partner label, Illusions/Mirage. His latest release, the solo piano outing "John," received several "best of" citations from Down Beat (USA), Jazz Magazine (France), Stereoplay (Germany), Rondo (Germany) and Neue Zürcher Zeitung (Switzerland).

Zoom Option Registration

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Sugar & Oil: Ecocritical Landscapes of Settler Colonialism, Slavery and Their Afterlives in South Louisiana

HUMANITIES BROADCAST - Robin McDowell, assistant professor of African & African American studies

A special lecture on Cancer Alley

Featuring Robin McDowell, assistant professor of African & African American studies, Washington University; and Leila Blackbird, University of Chicago

Join
Fall Grad Colloquium with Sara Flores and Alexandra Swanson

Fall Grad Colloquium with Sara Flores and Alexandra Swanson

Sara Flores will present “More American than Latin”: Antonio Moreno’s Hybrid Identity in the Silent Era and Alexandra Swanson will present “Always a Step Behind, Dazed”: Melodrama, Emotional Whiplash, and Romanticized Violence from The Castle Spectre to Twilight.

Hear Sara and Alex give brief overviews of how their papers came to fruition here.

Where Black Education Lives: The Convergence of History, Community, Policy, and Practice

Where Black Education Lives: The Convergence of History, Community, Policy, and Practice

Join Dr. Elizabeth Todd-Breland and Dr. Bianca J. Baldridge for this timely and important discussion. Dr. Todd-Breland is author of the award-winning book A Political Education: Black Politics and Reform in Chicago since the 1960s (UNC Press, 2018), associate professor of history at the University of Illinois-Chicago, and a member of the Chicago Board of Education. Dr. Bianca Bladridge is author of the award-winning book, Reclaiming Community: Race and the Uncertain Future of Youth Work (Stanford Press, 2019), associate professor of education at the Harvard Graduate School of Education, and former 20-year youth worker. Dr. Michelle A. Purdy, Wash U associate professor of Education and affiliated faculty with African and African-American Studies and Urban Studies, will serve as moderator.

The detrimental effects of COVID-19, protests and calls for racial justice, and critiques of Critical Race Theory continue to illuminate persistent systemic inequities in the United States. Yet, the current historical, political, and social moment also demonstrates the multi-faceted reality of where Black Education lives. Historically and presently, Black Education lives in Black students of all ages, parents and families, teachers, leaders of community-based educational spaces, community members, organizers, and more as they navigate their realties, thrive and succeed, and create anew. This moderated discussion features two extraordinary scholars in conversation about “Where Black Education Lives” and what it means to research with and about Black people, to participate in community endeavors to advance healthy and positive policies and practices, and to imagine new possibilities for Black education.

Sponsored by the Department of African and African-American Studies Intellectual Life Series and the Department of Education, Washington University in St. Louis

Register

Thirii Myo Kyaw Myint reads from her fiction

This event will be held on Zoom.

Thirii Myo Kyaw Myint is the author of the novel, The End of Peril, the End of Enmity, the End of Strife, a Haven (Noemi Press, 2018), which won an Asian/Pacific American Award for Literature, and a book of creative nonfiction, Names for Light: A Family History (Graywolf Press, 2021), which was the winner of the 2018 Graywolf Press Nonfiction Prize. She holds a BA in literary arts from Brown University, an MFA in prose from the University of Notre Dame, and a PhD in creative writing from the University of Denver. She is an Assistant Professor of English at Amherst College. 

Books available courtesy of Subterranean Books: https://store.subbooks.com/event/thirii-myo-kyaw-myint-reading-virtual-event

Register Here!
Digital Methods for Chinese Historical Research and the

Digital Methods for Chinese Historical Research and the "Books in China Database"

Joseph Dennis, Associate Professor - University of Wisconsin

In providing an overview of a project at the Max Planck Institute for History of Science that maps the circulation of books in China by time and space, this talk explores how digital tools are transforming research on Chinese history and literature.

Professor Joseph Dennis' visit is generously funded by the Goldschmidt Graduate Research Grant.

Public Tour: The Outwin-American Portraiture Today

Join student educator Jay Buchanan, graduate student in the Department of Art History & Archaeology, for a tour of The Outwin: American Portraiture Today. This exhibition features the finalists of the National Portrait Gallery’s fifth triennial Outwin Boochever Portrait Competition. The selected portraits in a variety of media respond to the current political and social context, offering perspectives on a range of themes of sociopolitical relevance, including immigration, the status of American workers, mass incarceration, gun violence and LGBTQ+ rights.

Celebrating Josephine Baker

Celebrating Josephine Baker

Join us on Nov. 30th at Graham Chapel to celebrate Josephine Baker.

Please join us in Graham Chapel for a celebration of St. Louis-born Josephine Baker: performing artist, fashion icon, Resistance hero, adoptive mother to a “Rainbow Tribe” of twelve children from different countries, speaker at the 1963 March on Washington – and now, the first woman of color to be entombed as a French national hero in the Panthéon. 

Special guests including St. Louis mayor Tishaura Jones, Washington University chancellor Andrew Martin, general consul of France Yannick Tagand, musical performances by WashU students, and fifth-graders from the French Immersion School will help our panel of artists, performers, and scholars pay tribute to the incomparable Josephine Baker. 

Opening Remarks
- Welcome from Professor Julie Singer
- Chancellor Andrew Martin
- St. Louis Mayor Tishaura Jones
- Yannick Tagand, General Consul of France in Chicago


II. Musical Performance
- Introduction by Professor Lionel Cuillé
- St. Louis Language Immersion School, French 5th Grade
Choreography by Mme. Coumba Gueye
- Danse chorégraphique: “Paris”, “Paris mes Amours”,
& “Medley of American Songs & The Charleston”
- Meher Arora, WU ’23, “J’ai Deux Amours”
- Jenise Sheppard, WU ’22, “Somewhere Over the Rainbow”


III. Reading: Josephine Baker’s Speech at the March on
Washington, 1963

- Grace Gore, double major in French and English, WU ’22


IV. Panel: Josephine Baker’s Artistic and Activist Legacy
Introduction: Joanna Dee Das, Assistant Professor,
Performing Arts Department
Moderator: Patrick Burke, Chair, Department of Music
Panelists:
- Lois Conley, President of The Griot Museum of Black History
- Heather Beal Himes, Choreographer and Director of
Audience Services, St. Louis Black Repertory Company
- Geoff K. Ward, Professor, African & African-American
Studies
- Denise Ward-Brown, Professor, Sam Fox School

This celebration is sponsored by French Connexions, the Department of Romance Languages and Literatures, and the Divided City initiative.

*image- Van Vechten, Carl, photographer. Portrait of Josephine Baker. , 1951. Photograph. https://www.loc.gov/item/2004662546/

*Campus visitors must self-screen before visiting campus at visitorscreening.wustl.edu/symptom-screener

*Parking options can be found at parking.wustl.edu/visitors/

RSVP for NOV 30th CELEBRATION

A Talk by Fahim Masoud

Fahim Masoud, an Intelligence Manager at Crisis24 specializing in the Middle East & North Africa region will talk about his Journey from Afghanistan to D.C. via St. Louis (Wash U and University of Illinois).

A JIMES graduate, Fahim serves as an Army Intelligence Officer with the Army National Guard. Fahim is a regular writer on foreign affairs. His writings have appeared in the Jerusalem Post, University of Southern California Center on Public Diplomacy, Khama Press, & International Policy Digest. He has been quoted in the Wall Street Journal, USA Today, CNN, and several other major publications.

Click here to see the flyer. 

For a zoom link, please contact Dr. Younasse Tarbouni (ytarbouni@wustl.edu

Americanist Dinner Forum: Race and K12 Education - Part 2

Americanist Dinner Forum: Race and K12 Education - Part 2

How should race be addressed in K12 classrooms in America? The Local History of a Nationwide Controversy.

That question -- which has proved so controversial over the past year -- raises fundamental questions about the contentious role of public education in America.  This series of webinars will address this question and more.  We hope you will join us for a productive and inclusive series of conversations.

Ebony Duncan-Shippy is an Assistant Professor in the Department of Education at Washington University in St. Louis. She examines the impacts of race & racism on education reform policy, school-community relationships, and the schooling experiences of marginalized youth in the United States. Her current work examines the implications of charter schools and school choice for racial disparities in education and the social correlates and determinants of school closures in predominately African American communities. Her newest book, Shuttered Schools: Race, Community, and School Closures in American Cities (Information Age Publishing, 2019), analyzes the disproportionate impact of public school closures on African American students in cities across the United States.

Curtis O’Dwyer is a passionate educator who is committed to doing what’s best for kids, and a champion for educational equity and justice. This is his sixth year teaching middle school science since graduating with his Masters of Art in Teaching from Washington University in St. Louis in Spring 2016. He is also the founder of STEAMaster, a program that remixes science education by integrating a hip-hop praxis, pedagogy, and critical lens into science curriculum to encourage student mastery and support students’ science identity development. Currently, Curtis serves as a science teacher in the University City School District and a board member for Educators for Social Justice. 

Anna-Stacia Allen is originally from Toledo, Ohio and a graduate of The Ohio State University. Anna-Stacia has spent her career working in non-profit and education-based organizations. She returns back to the St.Louis area extremely passionate about helping to provide equitable access to education for all families. 

This event is free and open to the public.

To receive the webinar link please REGISTER HERE.

Free Student Film Screening: 18 1/2

Free Student Film Screening: 18 1/2

Dan Mirvish, a 1989 alumnus who received the Guggenheim Award in 2017, will host a screening of “18 ½,” his new Watergate-era satire, Nov. 11 at 7:00PM. A panel discussion with Mirvish and WashU faculty will immediately follow.

18½
Directed by Dan Mirvish
87 minutes

This engaging 1970s-era dark-comedy thriller about the Watergate conspiracy poses an intriguing question: What if a copy of those infamous missing 18½ minutes of recording, allegedly erased by secretary Rosemary Woods, wound up in the hands of a well-meaning transcriptionist? The road to good intentions takes Connie (Willa Fitzgerald, “Little Women”) on a surreptitious journey to a rundown roadside inn with Paul (John Magaro, “First Cow”), a journalist who wants to help her. A small cast of zany characters — played by actors such as Richard Kind (“A Serious Man”), Vondie Curtis Hall (“Harriet”), and Troma’s Lloyd Kaufman — punctuate this clever cloak-and-dagger take on an odd footnote to the Nixon White House, and a number of surprise guest voices are heard on the “actual” tapes. “18½” is directed by Dan Mirvish, a frequent SLIFF guest whose films “Omaha,” “Between Us,” and “Bernard and Huey” all screened at the fest. Co-founder of the Slamdance Film Festival, Mirvish is a Washington U. grad and received SLIFF’s Charles Guggenheim Cinema St. Louis Award in 2017.

Award-winning filmmaker and author Dan Mirvish was a history and political science double major at WU before becoming a senate speechwriter, going to film school and cofounding the Slamdance Film Festival. His newest feature film, 18½, a 70s Watergate thriller/dark comedy starring Bruce Campbell as Nixon, is definitely historical fiction. But Mirvish will discuss how it raises pressing historical questions about what really happened at Watergate, and what are the implications for our own time. He'll also answer the age-old question, is there life after a history or poli sci major?

https://danmirvish.com/18-1-2

Documentary Screening: L’autre Joséphine

Documentary Screening: L’autre Joséphine

Documentary Screening: "L’autre Joséphine" by Philip Judith-Gozlin. The film will be presented by Lionel Cuillé, Teaching Professor in French and Director of the cultural center "French ConneXions."

5:00 - 6:30 PM
Documentary Screening: "L’autre Joséphine" by Philip Judith-Gozlin
France | 2008 | 64 minutes
In French with English subtitles

The film will be presented by Lionel Cuillé, Teaching Professor in French and Director of the cultural center "French ConneXions."

Behind the nudity of this sculptural "Ebony Venus" Freda Joséphine Mac Donald was a committed artist, a convinced militant and the mother of a multicultural family. With the passing years she fought for numerous causes, first glory, then black and oppressed people. This film is the intimate portrait of a mixed blood African American woman, a less known side of Joséphine Baker. A woman born in the USA, one of the precursors of a political and democratic change.

Location: Brown Hall 100 - Washington University in St. Louis
Free - Open to all
Presented by: cultural center French ConneXions at Washington University in St. Louis

 

RSVP FOR NOV.29th FILM

Reading in Time: On the Question of Palestine

Sherene Seikaly explores how practices of reading and writing, intersect with history, family, and the question of Palestine.

Sherene Seikaly is Associate Professor of History and the Director of the Center for Middle East Studies at the University of California, Santa Barbara. Seikaly's Men of Capital: Scarcity and Economy in Mandate Palestine (Stanford University Press, 2016) explores how Palestinian capitalists and British colonial officials used economy to shape territory, nationalism, the home, and the body. Her  forthcoming book, From Baltimore to Beirut: On the Question of Palestine focuses on a Palestinian man who was at once a colonial officer and a colonized subject, a slaveholder and a refugee. His trajectory from nineteenth century mobility across Baltimore and Sudan to twentieth century immobility in Lebanon places the question of Palestine in a global history of race, capital, slavery, and dispossession. Seikaly is co-editor of Journal of Palestine Studies and co-founder and co-editor of Jadaliyya. 

Click here to view the flyer.

Click here for additional information.

 

 

 

Annual Display of Rare Anatomical Texts

Becker Library’s Archives and Rare Books Division hosts the Annual Display of Rare Anatomical Texts in a virtual format.

The Becker Library’s Archives and Rare Books Division’s largest exhibit of the year is a unique opportunity to see a selection of spectacular medical works dating from the Renaissance to the 20th century up close. All are welcome to join the event on Zoom this year!

Featuring Truth Values

Performing artist, women’s equality activist and former mathematician Gioia De Cari was recently featured in the Association for Women in Mathematics’s We Speak series in “Perspectives on Women in STEM from a ‘Recovering Mathematician.’’’ She will discuss her work creating the play and soon-to-be film “Truth Values: One Girl’s Romp Through M.I.T.'s Male Math Maze” and founding the Truth Values Community, which aims to create a profoundly supportive environment for women in STEM through an innovative pairing of science and the arts. 

Race and Human Trafficking: How Racial Inequality Impacts Human Trafficking

Shima Rostami, Executive Director, Gateway Human Trafficking

A 400+ year history of institutional racism in America has created economic and social inequities that heighten the likelihood that African Americans could become victims of human trafficking. This discussion will provide information about the vulnerabilities to trafficking members of black and brown communities and other minority groups might face in our society.

Rivals in the Gulf: Religious Authority and the Qatar-UAE Contest Over the Arab Spring

Rivals in the Gulf: Religious Authority and the Qatar-UAE Contest Over the Arab Spring

A Zoom panel with David Warren, Nancy Reynolds, and Aria Nakissa to discuss Warren's new book, Rivals in the Gulf: Yusuf al-Qaradawi, Abdullah Bin Bayyah, and the Qatar-UAE Contest Over the Arab Spring and the Gulf Crisis, which analyzes the competing political interventions of two of the most famous Sunni Muslim scholars and their relationships with Qatari and Emirati foreign policy.

 

Josephine Baker: Artist and Activist

Join us for an evening in partnership with the Griot Museum of Black History to celebrate Josephine Baker through dance performances by Heather Beal, Antonio Douthit-Boyd, Ashleyliane Dance Company, and the Best Dance and Talent Center.

On November 30, 2021, the world-famous artist, activist, and humanist Josephine Baker (1906-1975), who was born in St. Louis, will receive one of France’s highest honors: re-burial at the Panthéon, the mausoleum for the country’s most distinguished citizens. In conjunction with this honor, “The Land on Which We Dance: Reclaiming the Spaces of Black Dance in St. Louis,” a Divided City Research Working Group, is co-sponsoring two events to honor Ms. Baker here in her hometown. Both are free and open to the public, but advanced registration requested.

Tuesday, November 30, 4-6pm 
Celebrating Josephine Baker
Graham Chapel, Washington University in St. Louis 
 

Friday, December 3, 7-8:30pm 
Josephine Baker: Artist and Activist
Emerson Performance Center, Harris-Stowe State University, 3031 Laclede Avenue

“La revolución será radializada: la cultura sónica en El Salvador, 1972-1992”.

“La revolución será radializada: la cultura sónica en El Salvador, 1972-1992”.

Presentation by PhD candidate Laura Zavaleta.

Presentation by PhD candidate Laura Zavaleta, in Spanish. All graduate students and faculty in Hispanic Studies are encouraged to attend.

Afghanistan: Where do we go from here?

Sigma Iota Rho Town Hall

Join us for SIR's biannual town hall event! This year we are bringing in four unique speakers to talk about the current and historical situation and what's next for Afghanistan.

  • Dr. Benjamin Hopkins, George Washington University, Professor of History and International Affairs; Director of the Sigur Center for Asian Studies; Co-Director of the East Asia National Resource Center
  • Mr. Trita Parsi, Quincy Institute for Responsible Statecraft, Executive VP
  • Dr. William Nomikos, Washington University in St. Louis, Assistant Professor of Political Science
  • Dr. Younasse Tarbouni, Washington University in St. Louis, Teaching Professor of Arabic

Attend in-person or via Zoom

Register here

Podding with Hamlet

Sujata Iyengar, Professor of English, University of Georgia; Co-founder and Co-editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation Director, Mobile Digital Editing Lab

Virtual Zoom Presentation

Sujata Iyengar* (Ph.D., Stanford University, 1998), Professor, specializes in English Renaissance Literature, Shakespearean Adaptation and Appropriation, Book History and Arts, and the Health Humanities.

Dr. Iyengar's first book was the germinal monograph Shades of Difference: Mythologies of Skin Color in Early Modern England (University of Pennsylvania Press, 2005); her Shakespeare's Medical Language was reissued from Bloomsbury/Arden in Spring 2014,  her co-authored textbook for the French agrégation exam, 'Not Like an old play': Shakespeare's Love's Labour's Lost appeared from Fahrenheit Editions in November 2014, and her edited collection Disability, Health, and Happiness in the Shakespearean Body was published by Routledge in January 2015. Her article "Why Ganymede Faints and the Duke of York Weeps," which appeared in Shakespeare Survey 67, integrates book history and the history of medicine. Her earlier explorations of the human body in written and visual representations include an award-winning article in ELH (2002), and essays in journals such as Shakespeare Quarterly, Shakespeare Survey, Literature/Film Quarterly, Shakespeare, Postmodern Culture, Medieval and Renaissance Drama in England, and Cahiers Élisabéthains as well as in peer-reviewed collections from the Folger Shakespeare Library, Purdue University Press, the University of Pennsylvania Press, the University of Toronto Press, Ashgate, Palgrave, and Routledge.

Dr. Iyengar spent academic year 2014-2015 on a Study in a Second Discipline Fellowship at the Lamar Dodd School of Art, taking courses in Letterpress, Paper-making, Book Arts and Typography. Her year in the Art School inspired her to begin writing poetry as well as to teach it; her free and formal lyrics have been published in a few juried "little magazines" in print and online, including Punctum Press's Lunch; Mezzo Cammin; Upstart Crow; Unsplendid; and Measure.

Click here to register for the Virtual Zoom Presentation

Stop. Rewind. Replay: Performance, Policing, and dismantling a Use of Force Paradigm

Natalie Alvarez Professor of Theatre and Performance Studies, Ryerson University

Natalie Alvarez is Professor of Theatre and Performance Studies in Ryerson’s School of Performance where she teaches courses in performance history and theory. She is the author of Immersions in Cultural Difference: Tourism, War, Performance (University of Michigan Press, 2018), winner of the 2019 Ann Saddlemyer Book Prize awarded by the Canadian Association for Theatre Research (CATR). She is Associate Editor of the Canadian Theatre Review and editor of two books on Latina/o Canadian theatre: Latina/o Canadian Theatre and Performance (Playwrights Canada Press, 2013), winner of CATR’s 2014 Patrick O’Neil Award and Fronteras Vivienties: Eight Latina/o Canadian Plays (Playwrights Canada Press, 2013), winner of the 2015 Patrick O’ Neil Award. She has also served as the editor of a number of journal special issues. She is co-editor with Keren Zaiontz (Queen’s) and Claudette Lauzon (SFU) of Sustainable Tools for Precarious Times: Performance Actions in the Americas (Palgrave Macmillan, 2019) and her book Theatre& War is currently in press as part of Palgrave Macmillan’s Theatre& series. Her work has been featured in a variety of international anthologies and journals including Theatre Journal, TDR, Contemporary Theatre Review, the Journal of Dramatic Theory and Criticism, and Theatre Research in Canada. In 2013, she was awarded the Richard Plant Essay Prize by CATR.

Natalie is the Principal Investigator of a four-year SSHRC Insight Grant, “Scenario Training to Improve Interactions Between Police and Individuals in Mental Health Crisis: Impacts and Efficacy”, which uses performance as a nexus for multidisciplinary research across the humanities and social sciences. With co-investigators Dr. Yasmine Kandil (Victoria) and Dr. Jennifer Lavoie (WLU), the project brings together a national team of theatre practitioners, simulation training experts, police trainers, mental health clinicians, forensic psychologists, and individuals with lived experience of mental illness to design, and measure the efficacy of, problem-based scenario training in de-escalation and mental health crisis response.

 

The Lives of Objects: Provenance Research Workshop

The Lives of Objects: Provenance Research Workshop

What does a 400-year-old Benin bronze have to do with the desegregation of a university sorority? How can the back of a Rembrandt help us to better understand the circulation of Nazi-looted art in the United States? What is the connection between an antefix from Ankor Wat and an offshore bank account?

The Department of Art History and Archaeology is pleased to host “The Lives of Objects: Provenance Research Workshop” on Thursday, March 31st at 5:30 pm. Provenance research aims to reconstruct an object’s ownership history, often with the aim of determining legal and ethical right to possession. Indeed, as museums reckon with the colonial and Nazi-era pasts of the objects in their collection, provenance research has come to the fore as an important art historical subfield. But provenance can also offer an alternative history of art. In an object’s path from maker to museum, we gain vital insight into the history of taste as well as shifts in the political and economic landscape. In “The Lives of Objects,” three provenance research specialists will offer case studies from museums across the United States, showcasing the techniques, strategies, and resources used to reveal an object’s biography.

This event is open to students, faculty, and staff at the Washington University in St. Louis only. Speakers include Dr. Catherine Herbert, Coordinator of Collections and Research at the Philadelphia Museum of Art; Dr. Maggie Crosland, Postdoctoral Fellow in Medieval Art at the Saint Louis Art Museum and Department of Art History and Archaeology; and Dr. Heather Read, Provenance Researcher for the Fleming Museum of Art at the University of Vermont and Visiting Lecturer in the Department of Art History and Archaeology.

Policy, Inequality, and Motherhood

Policy, Inequality, and Motherhood

A Power of Arts & Sciences Event

Join Caitlyn Collins, assistant professor of sociology, and Zakiya Luna, associate professor of sociology and dean's distinguished scholar, for a discussion on the causes and consequences of social inequality and policies that impact motherhood. Collins’ work has been featured in The Atlantic, Harvard Business Review, National Public Radio, The New York Times,  and The Washington Post, among others. Luna is author of the recently published Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice. 

Register to Receive Zoom Details
Composing Creativity: Perspectives on Musical Expression

Composing Creativity: Perspectives on Musical Expression

Presented by the Arts & Sciences Eliot Society as a part of "The Power of Arts & Sciences Week"

Join Christopher Stark, associate professor of composition, alumnus Cole Reyes, AB '20, and undergraduate student composer, Joseph Mosby, to talk about the work of expressing yourself through music. The event will include performances of a world premiere of "Entropy" for string quartet, piano and voice by Joseph Mosby and excerpt from Cole Reyes' work "to be confident." 

Cole Reyes (b. 1998) is a Brooklyn-based composer, educator, conductor and performer originally from the Chicagoland Area. His music is influenced by the modern expression of tonality and post-minimalism seeking to create a rich sonic atmosphere for a wide audience. His music has been awarded by groups such as IL-ACDA, the National Flute Association, Lux Choir, newEar Contemporary Chamber Ensemble, the Huntsville Master Chorale, the Six Degrees Singers, and San Francisco Choral Artists and many others. He has collaborated with artists such as the JACK Quartet, Transient Canvas, the Rhythm Method Quartet, Juventas New Music Ensemble, Dashon Burton, the Momenta Quartet, and Unheard-of//Ensemble. He received his undergraduate degrees in music and mathematics from Washington University in St. Louis. While there, he had the opportunity to study with Christopher Stark and LJ White. He currently attends New York University where he is pursuing a master’s degree in Concert Music Composition, studying with Robert Honstein, Michael Gordon, and Julia Wolfe.

Joseph Mosby is a first year student currently studying within the Department of Music at Washington University in St. Louis, pursuing his interests in composing among other passions. He's an aspiring composer and hopes to lead a career writing, performing, and recording various musical works that span many different genres and spaces.

Christopher Stark, whose music The New York Times has called, "fetching and colorful," has been awarded prizes from the Guggenheim Foundation, Chamber Music America, the Barlow Endowment, and the Fromm Foundation at Harvard. Named a "Rising Star" by the St. Louis Post-Dispatch, his music and arrangements have been performed by ensembles such as the Detroit Symphony, Los Angeles Philharmonic, Toronto Symphony, and members of the St. Louis Symphony. In 2012, he was in residence at Civitella Ranieri, a fifteenth-century castle in Italy, and in June of 2016 he was in residence at the Copland House. Recent highlights included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Phil Biennial. In 2018, he lived in Bergen, Norway where he worked with musicians from the BIT20 Ensemble; and in 2020, he was a resident artist at the Bogliasco Foundation in Italy as the Aaron Copland Fellow in Music. His film score for the feature-length film Novitiate premiered at Sundance in January 2017 and was theatrically released by Sony Pictures Classics. His debut CD, Seasonal Music, was released in 2019 on Bridge Records.

What is "The Power of Arts & Sciences Week"? 
A week of virtual events celebrating convergence, creativity, and community with our alumni and friends. Hosted by Arts & Sciences Advancement, this series aims to highlight the impact of Arts & Sciences among our worldwide network of supporters. All events are free and open to the public. 

Register Here
EALC Lecture Series | Trans in Relation, Topos in Motion: Narrativity and the Power of Congruency

EALC Lecture Series | Trans in Relation, Topos in Motion: Narrativity and the Power of Congruency

Howard Chiang, associate professor of history, UC Davis

This talk discusses the programmatic contours of a new keyword, transtopia, to theorize different scales of gender transgression that are not always recognizable through the Western notion of transgender. Historical examples from the Sinophone Pacific will be used to reframe the politics of knowledge production in terms of an ethics of congruent narrativity.

Professor Chiang’s research focuses on the history of modern China and global Sinophone cultures, with an emphasis on the critical studies of science, medicine, gender, and sexuality. His scholarship has been supported by Academia Sinica, British Arts and Humanities Research Council, Chiang Ching-kuo Foundation, Consortium for History of Science, Technology and Medicine, D. Kim Foundation, National Humanities Center, Tang Prize Foundation, and Wellcome Trust. His work has contributed to advancing the fields of transgender history, Sinophone studies, and the historical epistemology of East Asian medicine. His publications include Transtopia in the Sinophone Pacific (Columbia University Press, 2021).

Registration is required to attend lecture. Once registered you will receive the Zoom link.

Sponsored by East Asian Languages and Cultures

Supported by a grant from the Taiwan Ministry of Education

 

 

2022 Marcus Artist-in-Residence: Lecture Demonstration with RESILIENCE Dance Company

2022 Marcus Artist-in-Residence: Lecture Demonstration with RESILIENCE Dance Company

Featuring Performing Arts Department Alum Emily Haussler (LA '18)

RESILIENCE Dance Company presents a lecture-demo event as part of the Marcus Residency through Washington University Performing Arts Department. Join us as the company dancers perform excerpts from our upcoming full-length work, exploring how our experiences of memory affect our present, lived selves. In addition, witness and partake in collaborative

choreographic processes and hear about our work to challenge toxic norms in the dance world."

 

Emily Haussler is the Founder and Director of RESILIENCE Dance Company. Since founding the company in 2019, Emily has choreographed two full-length works (Stanzas & Sculptures, Making Room), directed two dance film projects (There are No Rules, Collective Realities), and produced several professional and community dance events. Artistically, Emily’s work focuses on finding visceral human connections through embodied empathy, vulnerability, and honesty. Most often she creates collaboratively, drawing on her dancers’ voices in addition to improvisational, modern, and contemporary techniques. Emily holds a B.A. in Dance and Biology from Washington University in St. Louis (2018) and has danced professionally with Common Thread Contemporary Ballet (2017) and Emily Duggins Dance (2019), and as a Trainee for both Nashville Ballet (2018) and Big Muddy Dance Company (2019). Outside her company, her works have been shown at EXCHANGE Choreography Festival and independently produced at the Looby Theater in Nashville, TN. Emily also teaches master classes to university students and organizes mental heath and dance workshops, both of which feed her passion for community work. 

 

The Marcus Residency is made possible by a fund established by the late Dr. Morris D. Marcus in memory of his wife, Margaret.

 

 

 

Lombardy at the Epicenter of the Covid-19 Pandemic: The Spring of 2020

Lombardy at the Epicenter of the Covid-19 Pandemic: The Spring of 2020

Professor Frank Snowden from Yale University presents a virtual lecture on Lombardy at the Epicenter of the Covid-19 Pandemic: The Spring of 2020.

This spring, the annual Paul and Silvia Rava Memorial Lecture at Washington University is honored to present Professor Frank Snowden from Yale University. Now in its 25th year, the first Rava lecture was given by Franco Fido, and has been honored by leading lights in Italian literature, history, art history, and culture studies over the years. 


Professor Snowden received his Ph.D. from Oxford University in 1975. His books include Violence and Great Estates in the South of Italy: Apulia, 1900-1922 (1984); The Fascist Revolution in Tuscany, 1919-1922 (1989); Naples in the Times of Cholera (1995) and The Conquest of Malaria: Italy, 1900-1962 (2006).  Conquest was awarded the Gustav Ranis Prize from the MacMillan Center at Yale in 2007 as “the best book on an international topic by a member of the Yale Faculty,” the Helen and Howard R. Marraro Prize by the American Historical Association as the best work on Italy in any period, and the 2008 Welch Medal from the American Association for the History of Medicine.


Please mark your calendar for Feb. 24th, 2022 from 4-6pm CST and Register for the online event on Zoom.

 

 

 

Register via ZOOM
Craft Lecture by Visiting Hurst Professor francine j. harris

Craft Lecture by Visiting Hurst Professor francine j. harris

This event will be held via Zoom.

francine j. harris’ third collection, Here is the Sweet Hand from Farrar, Straus & Giroux, is the winner of the 2020 National Book Critics Circle Award. Her second collection, play dead, was the winner of the Lambda Literary and Audre Lorde Awards and finalist for the Hurston/Wright Legacy Award. Her first collection, allegiance, was a finalist for the Kate Tufts Discovery and PEN Open Book Awards. Originally from Detroit, she has received fellowships from the National Endowment for the Arts, the MacDowell Colony, and the Cullman Center for Scholars and Writers at the New York Public Library. She is Associate Professor of English at the University of Houston and serves as Consulting Faculty Editor at Gulf Coast.

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/francine-j-harris-reading-virtual-event

Register Here!
Reading by Visiting Hurst Professor francine j. harris

Reading by Visiting Hurst Professor francine j. harris

This event will be held via Zoom.

francine j. harris’ third collection, Here is the Sweet Hand from Farrar, Straus & Giroux, is the winner of the 2020 National Book Critics Circle Award. Her second collection, play dead, was the winner of the Lambda Literary and Audre Lorde Awards and finalist for the Hurston/Wright Legacy Award. Her first collection, allegiance, was a finalist for the Kate Tufts Discovery and PEN Open Book Awards. Originally from Detroit, she has received fellowships from the National Endowment for the Arts, the MacDowell Colony, and the Cullman Center for Scholars and Writers at the New York Public Library. She is Associate Professor of English at the University of Houston and serves as Consulting Faculty Editor at Gulf Coast.

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/francine-j-harris-reading-virtual-event

Register Here!

35th Annual Martin Luther King Jr. Commemoration

HUMANITIES BROADCAST - Keynote lecture by John Baugh (AFAS, Psychology), “Equality Matters: St. Louisan Contributions in the Quest for Racial Harmony"

Featuring keynote address by John Baugh (Margaret Bush Wilson Professor in Psychology, Anthropology, Education, English, Linguistics, and African and African-American Studies) “Equality Matters: St. Louisan Contributions in the Quest for Racial Harmony”; and performances by Black Anthology, a WUSTL student-run performance arts show celebrating Black culture; and the Washington University Concert Choir featuring Joseph Mosby, Washington University undergraduate student.

Cultivating Empathy and Change: Recognizing the Life and Legacy of Henrietta Lacks, Film and Discussion

MLK Week Commemoration 2022, School of Medicine

Born in rural Roanoke, Virginia, on August 1, 1920, Henrietta Lacks was an African-American woman, wife and mother of five. She also became the “Mother of Modern Medicine,” changing the world with her immortal HeLa cells. Henrietta’s HeLa cells, taken without her or her family’s knowledge or consent, would become responsible for some of the greatest scientific advancements of the last century and continue to benefit all of humanity. We will view part of the 1997 documentary film The Way of All Flesh, with reflecting remarks by Darrell Hudson, associate professor at the Brown School. An opportunity for discussion with the audience will also be facilitated.

Dying of Whiteness: How the Politics of Racial Resentment is Killing America’s Heartland

MLK Week Commemoration 2022, School of Medicine

Jonathan Metzl is the Frederick B. Rentschler II Professor of Sociology and Psychiatry at Vanderbilt University, where he is also Director of the Center for Medicine, Health, and Society. He will discuss his book Dying of Whiteness: How the Politics of Racial Resentment is Killing America’s Heartland, followed by conversation with David H. Perlmutter, dean of the Washington University School of Medicine. 

More info

Mindful Movement for Healthy Living

HUMANITIES BROADCAST - David Marchant, professor of the practice, Department of Performing Arts

To be perfectly still or frozen in time is a notable phenomenon. Motion, or change of position, is a more familiar state. This February we explore ways that motion is also truly remarkable, having an impact on our physical and social worlds, and, on a smaller scale, our personal and work lives. MLA Lecture Series 2022.

Social Movements and Social Change

HUMANITIES BROADCAST - Zakiya Luna, Dean’s Distinguished Professorial Scholar, Department of Sociology

To be perfectly still or frozen in time is a notable phenomenon. Motion, or change of position, is a more familiar state. This February we explore ways that motion is also truly remarkable, having an impact on our physical and social worlds, and, on a smaller scale, our personal and work lives. MLA Lecture Series 2022.

Henry L. and Natalie E. Freund Visiting Artist Lecture: Lisa Lapinski

Lisa Lapinski, associate professor of art, Rice University

Lisa Lapinski earned a BA from University of California, San Diego (1990) and an MFA from the Art Center College of Design (2000). Lapinski lives and works in Houston, Texas, and is currently an associate professor of art at Rice University, where she teaches undergraduate sculpture. Miss Swiss: Lisa Lapinski, a co-publication between the Visual Arts Center at the University of Texas at Austin and Inventory Press, Los Angeles, her most comprehensive monograph to date, will be released this year. Published on the occasion of Drunk Hawking, her 2019 survey exhibition at the VAC in Austin, the book will include never before published images of Lapinski’s exhibitions and artworks from 2000 to the present, alongside contributions by Bruce Hainley, Graham Bader, Kyle Dancewicz, Sabrina Tarasoff and MacKenzie Stevens, as well as a conversation between the artist and Viola Schmidtt. Designed by artists Laura Owens and Asha Schechter of Apogee Press, the book will be an inventive collaboration between Owens, Schechter and Lapinski and provide new insights into Lapinski’s influential and idiosyncratic practice.

Dissecting the Past: Doctors, Donors and Assembling a Collection

82nd Historia Medica Lecture - Elisabeth Brander, director, Center for the History of Medicine and the head of the rare books division at Bernard Becker Medical Library
More info

MFA Lecture Series: Robyn O'Neil

Visual artist Robyn O’Neil

Robyn O’Neil lives and works in Washington State. Her work was included in the 2004 Whitney Biennial. She has had several traveling solo museum exhibitions in the United States, and is the recipient of numerous grants and awards. Her work is included in noted museums throughout the world. O’Neil has been included in numerous acclaimed group museum exhibitions both domestically and internationally, including the highly anticipated exhibition Dargerism at The American Folk Art Museum, featuring Henry Darger’s influence on contemporary art. She received a grant from the Irish Film Board with director Eoghan Kidney for a film written and art directed by her titled We, The Masses, which was conceived of at Werner Herzog’s Rogue Film School. She also hosts the weekly podcast “Me Reading Stuff.”

Mythologizing the West: A Conversation about American Identity, National Heroes, and Their Representations

Alexis Carr is a second-year graduate student at Washington University in St. Louis. She is pursuing a master’s degree in art history and archaeology.

Amid the worldwide racial justice protests of 2020, demands for institutional change and accountability came swiftly and grew loud. One critique that arose from those demands concerned the ways in which American history is (mis)represented in museums. Nineteenth-century American history is complex, contentious and often contested. The period of American Westward expansion captured the imagination of American genre and landscape painters, including Missouri-based artists George Caleb Bingham and Charles Ferdinand Wimar. These artists mythologized white settler colonialism and contributed to the formation of an American national identity through the landscape. But the “progress” of Westward expansion and the white supremacist ideology which justified it came at a tremendous cost to the Indigenous people as stewards of the land and to their cultures. This talk will investigate how constructions of American identity and national memory are presented within the gallery space. The talk will also explore how 19th-century American landscape paintings inform or contribute to the current conversation about representation and diversity within art museums, as well as the current movement to reexamine America’s history and national heroes.

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Israel Institute Visiting Artist Lecture: Maya Muchawsky Parnas

Maya Muchawsky Parnas, the Israel Institute Visiting Artist and the spring 2022 Wallace Herndon Smith Distinguished Visiting Lecturer, Sam Fox School

Maya Muchawsky Parnas (b. 1972) is an Israeli visual artist working predominantly with ceramics. She gained her BFA from the Bezalel Academy of Arts and Design, Jerusalem, and her MA in Ceramics and Glass from the Royal College of Art in London, UK. Maya lives and works in Jerusalem, the city where she grew up. She is a senior lecturer at the Bezalel Academy of Arts and Design, and her works have been exhibited in galleries and museums in Israel, Europe and in the United States.

Film Screening + Artist Talk: Dario Robleto

Artist Dario Robleto

Dario Robleto is an artist, researcher, writer, “citizen-scientist” and teacher. His research-driven practice results in intricately handcrafted objects that reflect his exploration of music, popular culture, science, war, and American history. Robleto uses unexpected materials such as melted vinyl records, dinosaur bones, meteorites, glass produced by atomic explosions and lost heartbeat recordings from the 19th century, and he transforms these artifacts from the vast inventory of humanity’s collective past into delicately layered objects that are sincere and personal meditations on love, death, eroding memory, and healing.

His work has been exhibited widely and is held in prominent collections including the Harvard Art Museum and the Whitney Museum of American Art. Robleto has been a lecturer at many universities and institutions including Harvard University, Cambridge, MA; Bard College, Annandale-on-Hudson, NY; Massachusetts Institute of Technology, Cambridge, MA; Rhode Island School of Design, Providence, RI; and the Hubble Space Telescope Science Institute, Baltimore, MD. In 2013-14 he served as the California College of the Arts Viola Frey Distinguished Visiting Professor, Oakland, CA. His work has been profiled in numerous publications and media including Radiolab, Krista Tippet’s On Being and The New York Times. He has been a visiting scholar and artist-in-residence at institutions such as the Smithsonian Museum of American History, the SETI Institute, the Robert Rauschenberg Residency and the Radcliffe Institute for Advanced Study at Harvard University. He served as the fall 2016 Arthur L. and Sheila Prensky Island Press Visiting Artist in the Sam Fox School.

Impacts of the Myanmar Coup: Human Rights Violations and Effects on Mental Health

Khin (Jue Jue) Min Thu, social worker, Queen’s Medical Center, Hawaii; and Hnin Thet Hmu Khin, doctoral student, Mahidol University, Thailand

Myanmar, formerly known as Burma, has been in the news since the February 2021 military coup, due to the human rights violations of the junta in power. The situation is so severe that US Secretary of State Antony Blinken has called it a “reign of terror.”

Join this conversation with Brown School MSW alums to learn more about the situation on the ground in Myanmar and to consider the mental health impacts on the population of 54 million as a result of the violence.

More info

A Queer Perspective on Successful Aging

Vanessa D. Fabbre, associate professor, Brown School

This presentation will introduce the experiences of transgender and gender-expansive older adults in the context of successful aging, a paradigmatic concept in the field of gerontology. More specifically, the presentation will highlight the experience of pursuing a gender transition in later life and what this means for new ways of thinking about aging “successfully” in a diverse and inequitable society.

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Advocacy & Allyship: Supporting Transgender Youth

Transgender Day of Visibility

Adolescence is a tender time full of profound self-discovery. Coming into your own is complicated enough and many transgender youths face extra challenges posed by the attitudes/ideologies of peers and adults, the practices and policies of the institutions in which they engage, and political efforts to strip away rights with abhorrent anti-trans legislation.

On Transgender Day of Visibility, join us for a conversation about the needs and experiences of transgender youth. Information will be shared and ideas will be suggested for how each of us can take steps to create a more caring and inclusive society.

Speakers

Lisa Brennan (she/her)
Co-leader, TransParent St Louis
Author of The Auditorium in my Mind/Treasuring My Transgender Child

Jess Jones (they/them)
Owner, Jess Jones Education & Consulting

Sayer Johnson (he/him)
Executive Director, Metro Trans Umbrella Group

Christopher Lewis (he/him)
Co-Director of Pediatric Transgender Health
Director of Differences of Sex Development Clinic
Washington University in St Louis School of Medicine

Moderated by:
Kelly Storck (she/her)
Licensed Clinical Social Worker
Author of Gender Identity Workbook for Kids

More info

Raising Queens: The Important Role of Racial Socialization in the Lives of Black Girls

Sheretta Barnes, associate professor, Brown School
More info

bell hooks and the Power of Teaching: A Reflective Panel Discussion

Open to members of the WashU community, organized by the Center for Teaching and Learning

A panel of WashU faculty, administrators, and staff will reflect on the life and legacy of bell hooks, with a particular focus on insights and lessons gleaned from Teaching to Transgress: Education as the Practice of Freedom and Teaching Community: a Pedagogy of Hope.

Panelists

  • Adrienne Davis, J.D. William M. Van Cleve Professor of Law; Founder & Co-director of the Law & Culture Initiative; Professor of Organizational Behavior and Leadership, Olin Business School
  • Anna Gonzalez, PhD, Vice Chancellor for Student Affairs
  • Meg Gregory, PhD, Associate Director for Faculty Programs and Services, Center for Teaching and Learning
  • Eliza Williamson, PhD, Lecturer in Latin American Studies and Romance Language & Literatures
  • Rafia Zafar, PhD, Professor of English, African and African-American Studies, and American Culture Studies

This event is open to members of the WashU community.

More info

The Future of Black Comics Inside and Outside of the Academy

HUMANITIES BROADCAST - Rebecca Wanzo, professor and chair of the department of Women, Gender and Sexuality Studies - 10th Annual Black Comic Book Festival, Schomburg Center

This reprise of the very first panel discussion at the Black Comic Book Festival in 2011 will explore the ever-expanding field of Black comics scholarship that charts the cultural and historical significance of Black representation in comic books, sequential art, graphic novels, and animation. Featured guests include Rebecca Wanzo (author of The Content of Our Caricature), Qiana Whitted (author of EC Comics: Race, Shock, and Social Protest), and JoAnna Davis-McElligatt (author of the forthcoming BOOM! Splat: Comics and Violence). 10th Annual Black Comic Book Festival, Schomburg Center for Research in Black Culture.

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Counter/Narratives: (Re)Presenting Race & Ethnicity

Counter/Narratives: (Re)Presenting Race & Ethnicity

An exhibition at Olin Library examining how counter-narratives emerge through contemporary artwork and critical reinterpretations of historic objects. 

The Counter/Narratives exhibition examines the ways in which objects and ideas are preserved, collected, and contested through archives and investigates the (re)presentation of historical narratives through artwork and artifacts. The exhibition especially aims to uncover and celebrate the often-obscured agency within and around these objects, exploring their role in building counter-narratives related to race, respect, interconnection, and belonging

Among the (counter)narratives the exhibition explores is the relationship between our institution and the history and legacy of slavery. A series of portraits subverts and expands the familiar focus on the anti-slavery position of William Greenleaf Eliot, spotlighting early pro-slavery institutional leaders and benefactors - including John O’Fallon, Henry Shaw, Wayman Crow, and others - and putting this counter-narrative in dialogue with similar acts of revision, recontextualization and reckoning taking place in contemporary art. For more about the exhibition visit Olin Exhibitions online.

Pictured: Henry Shaw, 1860 U.S. Census –Slave Schedules, St. Louis Township; Henry Shaw, Photograph by J.A. Scholten, ca.1882. Courtesy Missouri Historical Society. Photo composite by Ian Lanius.

Can I Be An Entrepreneur?

Can I Be An Entrepreneur?

A virtual panel event hosted by the Skandalaris Center

Join our panelists as they inspire and encourage attendees to turn their passions into successful ideas. At this workshop, students will get the opportunity to hear how our panelists moved their passions forward into entrepreneurial ideas, and how their knowledge and skills can contribute to society while doing what they love.

RSVP

Transnational Knowledge: A symposium on the production and circulation of scholarship in translation

HUMANITIES BROADCAST - Ignacio Sánchez Prado (Romance Languages & Literatures, Latin American Studies, Film & Media Studies) and Ignacio Infante (Comparative Literature and Romance Languages & Literatures)

Featuring “A Critique of Provincial Reason: Located Cosmopolitanisms and the Infrastructures of Theoretical Translation,” at 10:15 am with Ignacio Sánchez Prado (Romance Languages & Literatures, Latin American Studies, Film & Media Studies, Washington University) and “Translation and the Archive” at 2 pm with Ignacio Infante (Comparative Literature and Romance Languages & Literatures). How does knowledge change as it moves from one academic language culture to another? How “placed” are our intellectual concepts? In what ways does the dominance of English-language scholarship shape the production of knowledge around the world? Who is qualified to undertake a scholarly translation? This two-day, online symposium will address these and many other questions related to the location of scholarship in translation. School of Arts and Humanities, University of Texas at Dallas.

More info
RENT

RENT

The Performing Arts Department announces new dates for "RENT"

Book, Music and Lyrics By Jonathan Larson  

Directed by Ron Himes  
Choreography by Heather Beal
Musical Direction by Henry Palkes

The Pulitzer Prize- and Tony Award-winning rock musical shares the story of a group of struggling artists living in in the East Village as they try and make their way in the world.  Set in another time of pandemic (HIV/AIDS) we track a year of their lives as they seek out their artistic voices and negotiate all matters of the heart.

March 3, 4 & 5* at 8 p.m.
March 5 & 6 at 2 p.m.
Edison Theatre

*ASL interpretation for the Saturday, March 5, 2022 production is provided by Lo’s Communicate Plus LLC.

RENT is presented through special arrangement with Music Theatre International (MTI). All authorized Performance Materials are also supplied by MTI. www.MITShows.com
 

Ticket Information - Please check back soon for link to purchase tickets.

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

 

COVID-19 policies for patrons

All patrons 12 years and older will be required to show proof of COVID vaccination or provide a negative COVID test upon arrival at the venue. If you are a WashU student, faculty, or staff member, you may show your WashU ID as proof of COVID vaccination or negative COVID test.

All attendees are required to complete a health screener within 4 hours of arrival to campus. Be prepared to show the “Cleared for Campus” result to event staff upon arrival.
Visitor Screening Tool
WUSTL Student/Faculty/Staff Screening Tool

Masks are to be worn at all times while indoors on the Wash U campus. That includes the Edison lobby area, restrooms, and while seated in the theater.

Reading by Visiting Writer Garth Greenwell

Reading by Visiting Writer Garth Greenwell

This event will be held via Zoom. Registration is required.

Garth Greenwell is the author of What Belongs to You, which won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award, the James Tait Black Memorial Prize, and the Los Angeles Times Book Prize. A New York Times Book Review Editors' Choice, it was named a Best Book of 2016 by over fifty publications in nine countries, and is being translated into fourteen languages. His new book of fiction, Cleanness, was published in January 2020. A finalist for the Lambda Literary Award, it was longlisted for the Gordon Burn Prize, the Joyce Carol Oates Prize, the L.D. and LaVerne Harrell Clark Fiction Prize, and France’s Prix Sade (Deuxième sélection). Cleanness was named a New York Times Notable Book of 2020, a New York Times Critics Top 10 book of the year, and a Best Book of the year by the New Yorker, TIME, NPR, the BBC, and over thirty other publications. It is being translated into eight languages. Greenwell is also the co-editor, with R.O. Kwon, of the anthology KINK, which appeared in February 2021, was named a New York Times Notable Book, won the inaugural Joy Award from the #MarginsBookstore Collective, and became a national bestseller. His fiction has appeared in The New Yorker, The Paris Review, A Public Space, and VICE, and he has written nonfiction for The New Yorker, the London Review of Books, and Harper’s, among others. The recipient of honors including a 2020 Guggenheim Fellowship and the 2021 Vursell Award for prose style from the American Academy of Arts and Letters, Greenwell lives in Iowa City with his partner, the poet Luis Muñoz.

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/garth-greenwell-reading-virtual-event

Register Here!
Americanist Dinner Forum: Work, After the Future

Americanist Dinner Forum: Work, After the Future

The “public-private” divide is “gasping for air,” writes Paolo Virno. What does this mean for work’s present, and its future? This Americanist Dinner Forum looks at the blurred boundaries between life and work from the perspectives of feminist science and technology, literary, and sex work studies. Kalindi Vora investigates how technologies are designed to pry open our intimate non-work spaces, leisure time, and subjectivities in the interest of capitalist profit. Sarah Brouillette looks to the gig working “sensitivity reader” as a view into the feminization of work in the publishing industry. And Heather Berg turns to porn workers’ struggles against both the alienation of straight jobs and the constant laboring gigged sex work entails. Together, they ask, what demands we might make of the future of work? And, what tools we might have at our disposal in getting there? 

 

Kalindi Vora is Visiting Professor of Gender, Sexuality and Women’s Studies, and of Ethnicity Race and Migration at Yale University, with secondary appointments in History of Science and Medicine and American Studies. She is Professor of Gender, Sexuality and Women’s Studies at UC Davis, also Director of the Feminist Research Institute, and affiliate faculty of Science and Technology Studies. She is author of Life Support: Biocapital and the New History of Outsourced Labor (2015; winner of the 4S 2018 Rachel Carson book prize); and with Neda Atanasoski, Surrogate Humanity: Race, Robots and the Politics of Technological Futures, (Duke University Press, 2019). Her current book project, funded by an NSF Science and Technology Studies award, is provisionally titled, “Autoimmune: Chronic Conditions and Care in a Time of Uncertain Medicine." Her publications appear in journals including Current Anthropology, The South Atlantic Quarterly, Somatechnics, Ethnos: Journal of Anthropology, Postmodern Culture, Radical Philosophy, and Catalyst: Feminism, Theory, Technoscience.

Sarah Brouillette is a Professor in the Department of English at Carleton University in Ottawa, Canada. She is the author of Postcolonial Writers in the Global Literary Marketplace (2007), Literature and the Creative Economy (2014), and UNESCO and the Fate of the Literary (2019).

Heather Berg writes about sex, work, and social struggle. Her first book, Porn Work (UNC Press, 2021), explores workers' strategies for navigating--and subverting--precarity. Her writing appears in the journals Feminist Studies, Signs, South Atlantic Quarterly, and others. Heather is assistant professor of Women, Gender, and Sexuality Studies at Washington University in St. Louis. 

This event is free and open to the public.

To receive the webinar link please REGISTER HERE.

Li Gui: A Qing Man in the World

Tobie Meyer-Fong, professor of history, Johns Hopkins University

In 1876, a young clerk from the Qing Maritime Customs Service boarded a Japanese-owned steamship in the Treaty Port of Shanghai.  His destination:  The centennial world’s fair in the American city of Philadelphia, a journey that literally carried him around the world.  This man, Li Gui, is perhaps most famous as the author of a best-selling account of his travels, A New Account of a Trip Around the World. How does Li Gui’s travelogue read if we remove it from the confines of a teleological account of China’s modern history and resituate both the man and his book in the context of “late imperial global history” and in relation to the “printed world” of late Qing Shanghai?  This talk will consider Li Gui as a Qing man in a late imperial world defined not only by guns and great power competition but also by (shared) wonder at the new possibilities of circumnavigation and for self-representation in new media.  It seeks thereby to break apart rigid binaries and to reconsider the place of a late Qing man and his self-representation as a man of the world.

Registration is required to attend the lecture. Once registered you will receive the Zoom link.

Zoom Registration

Supported by a gift from Leung Tung Peter & Lin Young.

Sponsored by East Asian Languages and Cultures.

Kling Fellowship Information Session

Calling all sophomores interested in pursuing a humanities research project! You might be a great fit for our Kling Undergraduate Research Fellowship. Drop into our information session and chat with current Kling Fellows and teaching faculty to learn more about this prestigious opportunity. Applications are due Friday, March 11.

If you are interested in attending, please click the button below to register.

Register

Reading with Visiting Hurst Professor Brian Evenson

This event will be held via Zoom. Register below.

BRIAN EVENSON is the author of over a dozen books of fiction, most recently the story collection, The Glassy, Burning Floor of Hell (Coffee House Press 2021), the story collection A Collapse of Horses (Coffee House Press 2016), and the novella The Warren (Tor.com 2016). He has also recently published Windeye (Coffee House Press 2012) and Immobility (Tor 2012), both of which were finalists for a Shirley Jackson Award. His novel Last Days won the American Library Association's award for Best Horror Novel of 2009. His novel The Open Curtain (Coffee House Press) was a finalist for an Edgar Award and an International Horror Guild Award. Other books include The Wavering Knife (which won the IHG Award for best story collection), Dark Property, and Altmann's Tongue. He has translated work by Christian Gailly, Jean Frémon, Claro, Jacques Jouet, Eric Chevillard, Antoine Volodine, Manuela Draeger, and David B. He is the recipient of three O. Henry Prizes as well as an NEA fellowship. His work has been translated into Czech, French, Italian, Greek, Hungarian, Japanese, Persian, Russia, Spanish, Slovenian, and Turkish. He lives in Los Angeles and teaches in the Critical Studies Program at CalArts. 

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/brian-evenson-reading-virtual-event

Register here!

Craft Talk with Visiting Hurst Professor Brian Evenson

This event will be held via Zoom. Register below.

BRIAN EVENSON is the author of over a dozen books of fiction, most recently the story collection, The Glassy, Burning Floor of Hell (Coffee House Press 2021), the story collection A Collapse of Horses (Coffee House Press 2016), and the novella The Warren (Tor.com 2016). He has also recently published Windeye (Coffee House Press 2012) and Immobility (Tor 2012), both of which were finalists for a Shirley Jackson Award. His novel Last Days won the American Library Association's award for Best Horror Novel of 2009. His novel The Open Curtain (Coffee House Press) was a finalist for an Edgar Award and an International Horror Guild Award. Other books include The Wavering Knife (which won the IHG Award for best story collection), Dark Property, and Altmann's Tongue. He has translated work by Christian Gailly, Jean Frémon, Claro, Jacques Jouet, Eric Chevillard, Antoine Volodine, Manuela Draeger, and David B. He is the recipient of three O. Henry Prizes as well as an NEA fellowship. His work has been translated into Czech, French, Italian, Greek, Hungarian, Japanese, Persian, Russia, Spanish, Slovenian, and Turkish. He lives in Los Angeles and teaches in the Critical Studies Program at CalArts. 

Books are available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/brian-evenson-reading-virtual-event

Register here!

Reading by Orla Tinsley

This event will be held via Zoom. Register Below.

Orla Tinsley is an award-winning writer, educator, producer, literary critic and activist. They began writing about healthcare injustice for people with cystic fibrosis in Ireland at the age of 18 and immediately created a national impact with their writing in The Irish Times and interviews on key current affairs programs. Their first book, Salty Baby, debuted in the top 5 and was nominated as Best Newcomer at The Irish Book Awards. They have received numerous awards including Medical Journalist of the Year, Tatler Magazine’s Woman of the Year, National Young Person of the Year and the American Ireland Funds "Spirit of Ireland" award.  They are deeply passionate about social justice and education access, and they have an MFA from Columbia University where they began teaching Creative Writing in 2018. That same year they received the Human Rights Award from The Bar of Ireland for their lifelong work on organ donation as a healthcare activist and educator. In 2019 The Public Institute of Ireland awarded them the lifetime achievement award of the President's Medal for Storytelling. Their voice is regularly sought in Ireland and abroad and they are deeply passionate about motivating people. They have given talks at NYU, Fordham University, Columbia University, the Irish Center NY and the American Ireland Funds Global Leaders Summit. They currently teach Creative Nonfiction at The Irish Writers Center.

Books available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/orla-tinsley-reading-virtual-event

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Reading by Visiting Hurst Professor Joni Tevis

This event will be held via Zoom. Register below.

Joni Tevis is the author of two books of essays, most recently The World Is On Fire: Scrap, Treasure, and Songs of Apocalypse. Her essays have appeared in The Georgia Review, Orion, The Southern Review, Oxford American, Poets & Writers, and elsewhere. The winner of a Pushcart Prize and a National Endowment for the Arts Creative Writing Fellowship, she serves as the Bennette E. Geer Professor of English at Furman University in Greenville, South Carolina. She is at work on a new book of nonfiction about music and destruction.

Books available for purchase courtesy of Subterranean Books: https://store.subbooks.com/event/joni-tevis-reading-virtual-event

Register Here!

Craft Talk with Visiting Hurst Professor Joni Tevis

This event will be held via Zoom. Register Below.

Joni Tevis is the author of two books of essays, most recently The World Is On Fire: Scrap, Treasure, and Songs of Apocalypse. Her essays have appeared in The Georgia Review, Orion, The Southern Review, Oxford American, Poets & Writers, and elsewhere. The winner of a Pushcart Prize and a National Endowment for the Arts Creative Writing Fellowship, she serves as the Bennette E. Geer Professor of English at Furman University in Greenville, South Carolina. She is at work on a new book of nonfiction about music and destruction.

Books available courtesy of Subterranean Books: https://store.subbooks.com/event/joni-tevis-reading-virtual-event

Register here!

Black Anthology 2022: Asifuye Mvua Imemnyeshea

Join us for a screening of the 2022 Black Anthology production (previously pre-recorded).  The event will include a pre-show panel and a cast talk-back at the end of the screening.

Black Anthology is dedicated to telling stories from across the Black diaspora. In keeping with that tradition, this year’s production explores issues of the diasporic divide, as well as navigating life within systems of oppression. Black Anthology is a student-written, choreographed, directed and designed production with the goal of leaving the audience wrestling with questions of their own. This year, we ask: How am I shaped by the systems (and people) around me? How does one contend with/make sense of tradition in a changing society? 

Tickets are $10. You must be fully vaccinated to attend and the theatre will be sold at reduced capacity. There will be a free live-streamed version on Saturday, February 19 in the evening. For more information on that experience, please sign up here.

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Policymaking through a Racial Equity Lens

Jewel Stafford, assistant dean, Field Education; and Atia Thurman, lecturer, both with the Brown School at Washington University

Structural racism in laws and legislation have created gross inequities throughout every system of our society, ultimately encumbering our nation’s potential for greatness. Addressing these disparities requires that we analyze how current policies perpetuate racialized outcomes, and redesign policies to advance equity. Only then can we unlock the power and the promise of policy making as a tool of justice.

This Brown School Curriculum Showcase event is part of our recognition of Black History Month.

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Is Professionalism a Racist Construct?

Jewel D. Stafford, assistant dean for field education and teaching professor; and Cynthia D. Williams, assistant dean for community partnerships, both with the Brown School at Washington University

The term “professionalism” has at times been used to silence and marginalize people of color, when attributes of appearance, language or interactions that have nothing to do with job knowledge or constructive collegial relationships are labeled as “unprofessional”. In this context, so-called professionalism is coded language, a construct that upholds institutional racist policies and excluding practices.

This presentation will explore dismantling white supremacy and privilege in varied contexts while upholding social justice and advancing effective workplaces in which all contributors can bring their full selves to the job site.

This presentation is part of the Brown School's recognition of Black History Month.

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John Darnielle (Devil House) in conversation with author and musician G’Ra Asim

HUMANITIES BROADCAST - G’Ra Asim is assistant professor of English at Washington University.

Mountain Goats’ singer-songwriter John Darnielle will be in conversation with author and musician G’Ra Asim, assistant professor of English, Washington University.

Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success and a movie adaptation to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell — his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected — back into his own work and what it means, back to the very core of what he does and who he is.

Darnielle’s first novel, Wolf in White Van, was a New York Times best-seller, National Book Award nominee and a finalist for the Los Angeles Times Book Prize for first fiction, and widely hailed as one of the best novels of the year. Left Bank Books. 

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Gallery Talk: (Un)masking Health

Ivan Bujan, postdoctoral fellow in the Department of Women, Gender, and Sexuality Studies

Join faculty curator Ivan Bujan, postdoctoral fellow in the Department of Women, Gender, and Sexuality Studies at Washington University, as he discusses notions of health in relation to exclusionary ideologies of race, gender, sexuality, ability and class. In addition to scrutinizing notions of what a healthy body is — and according to whom — his Teaching Gallery installation, (Un)masking Health: Counter Perspectives, also invites us to reconsider the role that historical and contemporary grassroots movements, including the ongoing AIDS movement and the Movement for Black Lives, have had in connecting issues of health and social justice.

Ivan Bujan is a performance studies scholar working at the intersections of critical gender, race and sexuality studies; queer and trans of color critique; and contemporary visual cultures and performance; and he is deeply invested in creating publicly engaged scholarship on social justice and disparities in health. Bujan’s in-progress book manuscript highlights strategies queer of color artists have utilized to circumvent white supremacy, cis-masculinity, ableism and systemic racism in the cultural history of the ongoing HIV/AIDS crisis. The project centers a seldom studied domain of work related to AIDS, utilizing anti-HIV drug regimens and prevention methods as key visual motifs and responding to the contested pharmaceutical politics of the late 1980s onward. Bujan’s research appears in Viral Dramaturgies: HIV and AIDS in Performance in the 21st Century (Palgrave Macmillan, 2018), (Un)Desiring Whiteness: (Un)Doing Sexual Racism (Oxford University Press, forthcoming), Masculinities: A Journal of Identity and Culture and Theatre Journal.

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Art, Museums and the Fear of a Black Planet

Bridget R. Cooks, associate professor in the Department of Art History and the Department of African American Studies, University of California, Irvine

Ten years after the publication of her book Exhibiting Blackness: African Americans and the American Art Museum, scholar and curator Bridget R. Cooks discusses art, museums and demands for change in the age of Black Lives Matter. She considers the anxieties that Blackness provokes for rethinking art history and museum practices, and explores how artists are already imagining worlds of Black freedom.

Bridget R. Cooks is associate professor in the Department of Art History and the Department of African American Studies at the University of California, Irvine. Her research focuses on African American artists, Black visual culture and museum criticism. Cooks has worked in museum education and has curated several exhibitions, including Grafton Tyler Brown: Exploring California (2018), Pasadena Museum of California Art; Ernie Barnes: A Retrospective at the California African American Museum (2019), CAAM); and the nationally touring exhibition The Black Index.

Lois D. Conley, founder, president and CEO of the Griot Museum of Black History, will serve as moderator.

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RE: Ebony and Jet

Bridget R. Cooks, associate professor in the Department of Art History and the Department of African American Studies, University of California, Irvine

As a complement to Lorna Simpson’s use of Ebony and Jet magazines in her CAM exhibition Lorna Simpson: Heads, this RE: takes interest in the role of these preeminent publications in Black visual culture and media. Moderated by art historian and curator Bridget Cooks (University of California, Irvine), this program will take the format of a public seminar and community celebration. Cooks will provide context and facilitation, which will invite contributions from both invited guests and the general public in response to the question: What do Ebony and Jet mean to you? Participation with a range of voices are welcome, including scholars, artists, historians, journalists and readers of Ebony and Jet. A reception and art-making station will be available following the event. Presented by Contemporary Art Museum St. Louis and the Center for the Study of Race, Ethnicity & Equity at Washington University.

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Black Girlhood Studies in Conversation with Dr. Nazera Sadiq Wright

Nazera Sadiq Wright, associate professor of English and African American and Africana studies, University of Kentucky

In this conversation, Nazera Sadiq Wright will discuss her book Black Girlhood in the Nineteenth Century and recent digital humanities project, “DIGITAL GI(RL)S: Mapping Black Girlhood in the 19th Century.” Wright is associate professor of English and African American and Africana studies at the University of Kentucky. She is the author of Black Girlhood in the Nineteenth Century (University of Illinois Press, 2016), which won the 2018 Children’s Literature Association’s Honor Book Award for Outstanding Book of Literary Criticism. Her digital humanities project, “DIGITAL GI(RL)S: Mapping Black Girlhood in the 19th Century” documents the cultural activities of black girls living in Philadelphia in the 19th century. In 2019, she was elected to the American Antiquarian Society. Fellowships through the Ford Foundation, the National Endowment for the Humanities, the Andrew W. Mellon Foundation and the Bibliographical Society of America funded archival research for her second book, Early African American Women Writers and Their Libraries. Funded by the Center for Race, Ethnicity & Equity and co-sponsored with African and African American Studies; Institute for Public Health; American Culture Studies; and Women, Gender and Sexuality Studies.

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Women, Gender, and Sexuality Studies Spring Colloquium: AIDS and Time: Queering and Decolonizing the Health Crisis

Women, Gender, and Sexuality Studies Spring Colloquium: AIDS and Time: Queering and Decolonizing the Health Crisis

Professor Ivan Bujan is the Post-Doctoral Fellow in Women, Gender, and Sexuality Studies. Professor Marlon Bailey, Associate Professor Arizona State University will be the faculty respondent.

The success of the first antiretroviral therapies (ART) introduced in 1996 considerably prolonged the lives of people living with HIV, and in effect sparked conversations about a “post-crisis” time. Such discussions were reinstated with the 2012 approval of Pre-exposure Prophylaxis (PrEP), a daily pill regimen that successfully prevents the contraction of HIV in over 90% of people who take it as prescribed. As was the case with ART, promotion of PrEP blatantly ignores problems of partial access to the pill in socio-economically vulnerable queer of color and Indigenous communities, and focuses instead on narratives of progress featuring affluent, predominantly white and cis-male gay consumers. With an aim to complicate post-crisis discourses, an early draft of a chapter in Dr. Bujan’s book manuscript analyzes case studies of Indigenous and queer of color artists and HIV prevention workers who call critical attention to the biased pharmaceutical politics of PrEP. The chapter displays how their performative interventions queer and decolonize the post-AIDS time, and enable a momentary departure from realities constrained by multiple forms of institutional violence. Such critical methodology in researching burgeoning cultures of PrEP allows us to pose alternative protagonists in the ongoing history of HIV/AIDS and demonstrates the continual promising role of aesthetics and performance in prevention, community care, and its life.

To register contact wgss@wustl.edu.  Paper will be provided 2 weeks before colloquium.

Language choices in southern Africa: Ghost of European colonialism or pragmatism?

A Talk By: Dr. Thabo Ditsele, Associate Professor of Sociolinguistics at Tshwane University of Technology in Pretoria, South Africa

Professor Ditsele is an associate professor of Sociolinguistics at Tshwane University of Technology in Pretoria, South Africa. His research focuses on contact languages (mainly Sepitori and tsotsitaal), language and identity, multilingualism, language attitudes, and language policy and planning. In 2008, he published a Setswana novel titled: Maile maila boganana and two Setswana short stories in an anthology titled: Pelo e ganne molora. In 2020, he published a non-fiction book titled: From an obscure village to around the world (Volume 1: Americas). His published work in two languages (Setswana and English) sets him apart from many academics and storytellers as a ‘balanced bilingual’ writer.

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The Enslaver Enslaved: The Black Dominator in Creole Louisiana

The Enslaver Enslaved: The Black Dominator in Creole Louisiana

Andia Augustin-Billy is Associate Professor of French and Francophone Studies at Centenary College of Louisiana. She earned her Ph.D. in French Language and Literatures with a certificate in Women, Gender and Sexuality Studies from Washington University in St. Louis in 2015. Her ongoing research interests and published scholarship include analysis of race, gender, and sexuality in French-speaking Africa and the Caribbean.

Love, sex, betrayal, and revenge abound in works written by 19th century Louisiana’s gens de couleur libres – free people of color. Written and published in French journals and newspapers, in New Orleans and Paris, these narratives constitute a remarkable part of American literature that has remained largely unexamined. The authors go beyond titillating tales to offer a biting critique of slavery, to advocate for racial and economic justice, and to diligently humanize the black experience. This talk will illuminate the ways in which Victor Séjour, Adolphe Duhart, and François-Michel-Samuel Snaër, inspired by the French and the Haitian Revolutions, dared to reimagine provocative possibilities for themselves and for future generations, in which black personhood, whether at home or in the diaspora, emerges unsullied from the spoils of oppression and jubilantly blossoms.

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Why the Romans Should Care about Roman Law: the Perspective of the Early Empire

Matthijs Wibier, Lecturer in Ancient History, University of Kent, UK
Hesiodic poetry in Plutarch’s biographies

Hesiodic poetry in Plutarch’s biographies

Zoe Stamatopoulou, Associate Professor of Classics, Washington University in St. Louis

Plutarch, one of the most important Greek intellectuals of the early Roman Empire, was a big fan of the archaic poet Hesiod, and especially of his Works and Days. This talk examines closely how Plutarch uses Hesiod’s poetry in his biographical works, and it aims to demonstrate how Hesiodic didactic enhances the effectiveness of Plutarch’s biographies as narrative accounts of the past and as morally edifying texts.

Click here to register for this Zoom event
Challenges to Writing a Commentary on the Gospel of Judas

Challenges to Writing a Commentary on the Gospel of Judas

Lance Jenott, Lecturer in Classics and Religious Studies, Washington University in St. Louis

In sharp contrast to the Gospels in the Bible, the Gospel of Judas criticizes Jesus’s twelve disciples for worshipping a false god and leading a multitude of people astray. Unsurprisingly then, its unique theology and critical interpretation of Jesus’s closest followers was condemned as heresy by Christian bishops in the second century, and its text was successfully suppressed. The Gospel of Judas became known to modern readers only in 2006 when the National Geographic Society published the first English translation. The editio princeps of the Coptic text followed in 2007. Following my doctoral dissertation (2010) and monograph on the Gospel of Judas (2011), I was invited by the editorial board of the Hermeneia Commentary series to write the volume on this ancient book. In this presentation, I will give an overview of the Gospel of Judas’s narrative and then discuss some of the challenges involved in writing a commentary on it, including transcribing the lacunous manuscript, translating abstruse passages in the Coptic text (itself an ancient translation of a lost Greek original), and interpreting its rich imagery and polemical message.

Click here to register for this Zoom presentation.
Pan African Capital? Banks, Currencies, and Imperial Power

Pan African Capital? Banks, Currencies, and Imperial Power

Hannah Appel is Associate Professor of Anthropology at the University of California, Los Angeles, and Associate Director, Institute on Inequality + Democracy. She is the author of 2019's The Licit Life of Capitalism: US Oil in Equatorial Guinea (Duke University Press) and co-author of 2020's Can’t Pay Won’t Pay: the case for economic disobedience and debt abolition (Haymarket Press).

U.S. and Europe-based banks and international financial institutions including the IMF have been central to critical accounts of Africa’s place in global capitalism. And yet since 2008 these institutions have been in retreat on the continent, partially replaced by Pan African Banks. Putting ethnographic work with Africa-based finance professionals into dialogue with heterodox economic thinking on banks and currency sovereignty, I argue that we must not only analyze the geographic shift in where banks are headquartered and who owns them, but also generate empirical and theoretical shifts in what a bank is, what it does, and to what effect, especially in terms of the relationship between currencies, social violence, and imperial and racial power.

Click here to learn more about Professor Appel's fascinating work!

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Reflections on Craft: Connecting Creative and Scholarly Practice

Panel discussion featuring Washington University faculty in conversation with Faculty Book Celebration keynote speaker Charles Johnson
Charles Johnson — philosopher, novelist, screenwriter and professor emeritus, University of Washington — is the keynote speaker for the Faculty Book Celebration, taking place 4 pm, Thursday, March 3. 
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Faculty Book Celebration keynote speaker Charles Johnson, Professor Emeritus, University of Washington, will join a panel of Washington University faculty:

  • Rebecca Copeland, Professor of Japanese Language and Literature, Department of East Asian Languages and Cultures
  • Joanna Dee Das, Assistant Professor of Dance​, Performing Arts Department
  • Gerald Early, the Merle Kling Professor of Modern Letters, Departments of English and of African and African-American Studies
  • Shreyas R. Krishnan, Assistant Professor in Illustration, Sam Fox School of Design and Visual Arts

Moderated by Ignacio Infante, Associate Professor of Comparative Literature and Spanish; and Associate Director, Center for the Humanities.

Given the conditions of the ongoing COVID-19 pandemic, this event will be staged in a hybrid format. All are invited to attend virtually via Zoom, and we hope members of the Washington University community who are able will attend in person. In-person attendance is limited by seating capacity. 

Cosponsored by University Libraries

Aaron T. Beck's Chart of Virtues

Aaron T. Beck's Chart of Virtues

Rachael Rosner

History & Philosophy of Science and Medicine Seminar

Virtual link here

There are many options in today’s psychotherapeutic marketplace and it can be difficult to know, when seeking treatment, which one is right for you. What are the differences, for instance, between psychoanalysis, psychodynamic therapy, cognitive-behavior therapy (CBT), mindfulness-based treatment, etc.? If you’re already in therapy how can you identify your particular therapist's approach? This talk will offer a historical-biographical code, of sorts, for making sense of this confusing marketplace. In particular, I’ll be taking a biographical plunge into the father-figure of the cognitive-behavior therapy (CBT) movement, Aaron T. Beck, and exploring the roots of his centerpiece psychotherapeutic technology, the “Daily Thought Record" (DTR). The talk will conclude with suggestions for how this backstory of Beck’s DTR can help you make informed decisions about treatment across the board.

EALC Lecture Series | Economies of Compassion and Medicine in Colonial Korea

EALC Lecture Series | Economies of Compassion and Medicine in Colonial Korea

Sonja M. Kim, associate professor, Binghamton University

Drawing from literature of emotions and ethics, this presentation illustrates the construction of compassion, conveyed by the cultural idiom insul, as a central component of medical services and physicians’ professional identities in colonial Korea. Proper performance of compassion, benevolent charity, or other scripted emotional expressions was valued as conducive to a salubrious environment between care-providers and their patients. Failings, however, indicate fissures in structures of care and the contingent nature of medical compassion. This study demonstrates how changing material and moral economies in the medical landscape necessitated, at the same time made impossible, medical compassion in colonial Korea. This produced lingering affects that informed postcolonial health reform discussions.

Sponsored by East Asian Languages and Cultures

An Evening with the Lawrence Fields Trio

An Evening with the Lawrence Fields Trio

A 75th Anniversary Event presented in partnership with Jazz at Holmes

Fireside Chat with Lawrence Fields: 7pm - Holmes Lounge
The Lawrence Fields Trio: 8pm - Holmes Lounge

This alumni feature is in celebration of WUSTL MUSIC’s 75th Anniversary. 

 

Biography:

“I love playing music with Lawrence Fields! He’s full of ideas, plays with a beautiful sound and feeling and can swing! He’s always inspired – and that’s where the magic is...” — Joe Lovano

Lawrence Fields, born and bred in St. Louis, has earned a spot at the forefront of young jazz pianists, thanks to his blending of vintage ideals with a contemporary mindset.  In 2021, 2020, and 2019, Downbeat Magazine has placed him near the top of the keyboardist category in their “Rising Stars” critics poll. Veteran saxophone icon Joe Lovano – with his unerring ear for youthful talent – has become one of the pianist’s biggest fans. Fields is a member of several bands led or co-led by Lovano: his Classic Quartet (originally featuring Lewis Nash and George Mraz in the rhythm section); the Sax Supreme Quartet (with Chris Potter); and his Sound Prints quintet with trumpeter Dave Douglas. The Wall Street Journal praised Fields’ “elegant, probing” solos with Sound Prints, while The New York Times noted that he is “integral to the band’s plunging, changeable style.” A modern-minded bandleader from the younger generation also relies on Fields, as he mans the piano and keyboards for the Christian Scott Group. Referencing his role on acoustic and electric pianos in the trumpeter’s band, NextBop said: “Fields remains a constant lyrical presence on the keys – innovative, expressive, supportive, able to soar like a bird in his solos. He never fails to impress.”

On record, Fields has excelled for Scott on several albums, including co-writing and co-producing 3 songs on the Grammy-nominated The Emancipation Procrastination (Ropeadope, 2017), part of Christian’s Centennial Trilogy. He features prominently in the piano and keyboard chairs on Christian’s Grammy-nominated live recording Axiom (2020), as well as the Grammy-nominated Ancestral Recall (2019), and the Stretch Music (Ropeadope, 2015) and Christian Scott Atunde Adjuah (Concord, 2012) albums.

With Lovano and Douglas, the pianist features on the newest release Other Worlds (2021), and the critically-acclaimed Scandal (2018, Greanleaf), selected by The Guardian as their #1 jazz album of 2018, as well as one of Rolling Stone’s top 20 jazz albums of the year. Fields also plays on the live album Sound Prints: Live at Monterey Jazz Festival (Blue Note, 2015). He appears on the album Marsalis Music Honors Alvin Batiste (2007) alongside Branford Marsalis, Herlin Riley and Russell Malone, as well as on drummer Terri Lyne Carrington’s More to Say (a 2009 disc for which he served as a pianist, keyboardist, and composer-producer). Fields also appears on releases by drummer Jeff “Tain” Watts, bassist Yasushi Nakamura, vibraphonist Warren Wolf, and saxophonists Jaleel Shaw and Steve Slagle. The pianist has been a member of the Watts band, as well as that of trumpeter Nicholas Payton. In addition to performing onstage with the likes of Payton, Watts, Marsalis and Carrington, Fields has appeared with star bassist Christian McBride, trombonist Delfeayo Marsalis and bassist Robert Hurst, among others.

Fields leads his own trio and quartet, and his music has been featured on WBGO’s The Checkout series.  Lawrence also spoke with Fast Company Magazine in October 2019 about the process of improvisation.

Co-sponsors: 

Center for the Study of Race, Ethnicity & Equity
Center for the Humanities
Department of African and African-American Studies

 

Career Roundtable: French Studies for STEM

Career Roundtable: French Studies for STEM

The Career Center and WashU French Alumni present how a double major or minor in French studies is an asset when looking for a career in the sciences, medicine, technology,  global health, or even engineering.

Join WashU alumni who will share how a double major or minor in French studies is an asset when looking for a career in the sciences, medicine, technology,  global health, or even engineering. Our special guest, Dr. Jean-Paul Lallès, Attaché for French and Science at the French consulate in Chicago, will explain how French studies can expand your range of internships and career opportunities in the Francophone world.  Moderated by Prof. Lionel Cuillé and current students Caroline Chou (Pre-Med/French) and Caitlind Walker (Electrical Engineering Student/ French/ Danforth Scholar).

Location: Seigle Hall - Room 106 & Via ZOOM

ZOOM for those who cannot attend in Person

Book Launch: The Laws of Hammurabi

Please join us for the exciting Zoom book launch of The Laws of Hammurabi: at the Confluence of Royal & Scribal Traditions - with Author, Pamela Barmash and Guest Speaker, Bruce Wells

The Laws of Hammurabi is one of the earliest law codes, dating from the eighteenth century BCE Mesopotamia (ancient Iraq). It is the culmination of a tradition in which scribes would demonstrate their legal flair by composing statutes on a repertoire of traditional cases, articulating what they deemed just and fair. The book describes how the scribe of the Laws of Hammurabi advanced beyond earlier scribes in composing statutes that manifest systematization and implicit legal principles. The scribe inserted the statutes into the structure of a royal inscription, skillfully reshaping the genre. This approach allowed the king to use the law code to demonstrate that Hammurabi had fulfilled the mandate to guarantee justice enjoined upon him by the gods, affirming his authority as king. This tradition of scribal improvisation on a set of traditional cases continued outside of Mesopotamia, influencing biblical law and the law of the Hittite Empire and perhaps shaping Greek and Roman law. The Laws of Hammurabi is also a witness to the start of another stream of intellectual tradition. It became a classic text and the subject of formal commentaries, marking a Copernican revolution in intellectual culture.

Author, Pamela Barmash, PhD (Professor of Hebrew Bible & Biblical Hebrew in the Department of Jewish, Islamic, and Middle Eastern Studies at Washington University in St. Louis)  has published widely on biblical and ancient Near Eastern law and on history and memory.  Barmash teaches courses on modern perspectives on the Bible, law and justice, mythology, the problem of evil, traditional Scriptural interpretation, and biblical and ancient Jewish history, culture, and religion.

Guest Speaker, Bruce Wells, PhD (Associate Professor of Middle Eastern Studies at the University of Texas at Austin) specializes in the study of the Hebrew Bible and the Ancient Near East. Wells is the author of The Law of Testimony in the Pentateuchal Codes (2004), co-author (with Raymond Westbrook) of Everyday Law in Biblical Israel (2009), and co-author (with F. Rachel Magdalene and Cornelia Wunsch) of Fault, Responsibility, and Administrative Law in Late Babylonian Legal Texts (2019).

To view the poster for this event:  https://wustl.box.com/s/c1kd42fi597tgjtoxn9r5uswqilkdfhg

 

Sharia Genres and their Writers in Imamic Yemen

Sharia Genres and their Writers in Imamic Yemen

Please join us for a talk by Dr. Brinkley Messick

The historical instance in question is the twentieth century decades of an imam-led polity in the non-colonized, late agrarian age society of highland Yemen. With the support of ethnographic photography, I survey the relations between the main roles in sharīʿa governance and the main types of sharīʿa writings in the textual formation of the period. The perspectives are those of historical anthropology and Islamic Studies.

Brinkley Messick, PhD, (Professor of Anthropology and of Middle Eastern, South Asian, and African Studies at Columbia University) specializes in the anthropology of law, legal history, written culture, and the circulation and interpretation of Islamic law. He is the author of The Calligraphic State (1993), which was awarded the Albert Hourani Prize of the Middle Eastern Studies Association, and Sharīʿa Scripts: A Historical Anthropology (2018). He is also co-editor of Islamic Legal Interpretation (1996). He is at work on a book on the doctrine and court practice of Shari`a law in the pre-revolutionary twentieth-century Islamic state of highland Yemen. 

This event is sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies & the Department of History.

Click Here to view the flyer for this event.


*We want to ensure all in-person attendees stay healthy and safe while participating in events! As this is an in-person event, if you are non-WUSTL student/faculty/staff, please be aware of the following:

• All visitors must complete a screening four hours before arriving on campus – https://visitorscreening.wustl.edu/symptom-screener

• You will not be asked to show proof of vaccination while on campus, we just ask that you complete this screening above for clearance to come on campus.

• It is required that all individuals wear a mask at all times while indoors and maintain an adequate distance from other participants at the location for this event.

Behind the Sheet

Behind the Sheet

Season 45 - The Black Rep

By Charly Evon Simpson
Directed by Ron Himes

 In 1840s Alabama, Philomena assists a doctor, her owner, through experimental surgeries on her fellow slave women in search of treatment for a common post-childbirth complication. This compelling work challenges what history remembers through the women who experienced these involuntary surgeries, and reframes the very origin story of a great medical breakthrough. This production was made possible in part by the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project. Additional support from The Black Rep's Sophisticated Ladies and Caleres.

 

More at The Black Rep
Americanist Dinner Forum: A Discussion about

Americanist Dinner Forum: A Discussion about "The Neutral Ground"

AMCS and the Memory for the Future studio lab will host a Zoom discussion with filmmaker CJ Hunt about his recent documentary, The Neutral Ground. The film "documents New Orleans’ fight over monuments and America’s troubled romance with the Lost Cause. In 2015, director CJ Hunt was filming the New Orleans City Council’s vote to remove four confederate monuments. But when that removal is halted by death threats, CJ sets out to understand why a losing army from 1865 still holds so much power in America. A co-production of POV and ITVS, in association with the Center for Asian American Media. A co-presentation of Black Public Media and the Center for Asian American Media. Official Selection, Tribeca Film Festival.” A link to view the film will be distributed in advance of the event. Here is the trailer

Joining CJ Hunt in discussion will be Sue Mobley, Director of Research at Monument Lab. A New Orleans based urbanist, organizer, and advocate, Mobley is Visiting Fellow for Arts and Culture at the American Planning Association, as well as a member of New Orleans’ City Planning Commission. She has served as Director of Advocacy at Colloqate Design and was Co-Director of Paper Monuments, a public art and public history project that invited residents to imagine new monuments for New Orleans. WashU’s own Geoff Ward, Professor of African and African-American Studies and Director of the WashU & Slavery Project, and Rebecca Dudley, Phd Candidate in Anthropology and AMCS Harvey Fellow, will also be part of the conversation.

This event is cosponsored by African and African-American Studies, AnthropologyCenter for the Study of Race, Ethnicity & Equity, HistorySociology, Architecture, Sam Fox School of Design & Visual Arts and the Brown School.

This event is free and open to the public.

To receive the webinar link please REGISTER HERE.

JIMES Languages Calligraphy Workshop

JIMES Languages Calligraphy Workshop

The JIMES Department and Olin Library are co-sponsoring a JIMES Languages Calligraphy Workshop organized by Professor Younasse Tarbouni.

Please join us to learn about and create unique calligraphy based on Arabic script and other writings. Calligraphy pens and snacks are provided.

During the Friday workshop, Cassie Brand (Rare Books Curator) will join us for a display of rare materials featuring calligraphy and its influences.

All are welcome!

 

Click Here to view the flyer!

JIMES Languages Calligraphy Workshop

JIMES Languages Calligraphy Workshop

The JIMES Department and Olin Library are co-sponsoring a JIMES Languages Calligraphy Workshop organized by Professor Younasse Tarbouni. The workshop is open to everyone.

Please join us to learn about and create unique calligraphy based on Arabic script and other writings. Calligraphy pens and snacks are provided.

During the Friday workshop, Cassie Brand (Rare Books Curator) will join us for a display of rare materials featuring calligraphy and its influences.

All are welcome!

 

Click Here to view the flyer!

Middle East - North Africa Film Series

The Spring 2022 Middle East-North Africa film series features "Wadjda" (February 21) and "Tenja" (April 4).

Tenja (2004 / 80 mins.) - Directed by Hassan Legzouli

In his will, the head of a Moroccan family, who had immigrated to northern France in the '6Os, expresses his wish to be buried in his native village. When he dies, his son Nordine (Roschdy Zem) has no choice but to accompany his father's casket on its final journey, since in a traditional tribal system, the father's word is law. This beautifully observed road movie traces a journey that begins as obligation and ends as revelation.

Click here to access the poster for this event.

Please be sure to view the other film in this series.

Middle East - North Africa Film Series

The Spring 2022 MENA film series features "Wadjda" (February 21) and "Tenja" (April 4).

Wadjda (2012 / 98 min.) - Directed by Haifaa Al-Mansour

An enterprising Saudi girl signs on for her school's Koran recitation competition as a way to raise the remaining funds she needs in order to buy the green bicycle that has captured her interest.
Wadjda was the first feature film shot entirely in Saudi Arabia and the first feature-length film made by a female Saudi director. It won numerous awards at film festivals around the world. The film was selected as the Saudi Arabian entry for the Best Foreign Language Film at the 86th Academy Awards (the first time the country made a submission for the Oscars), but it was not nominated. It successfully earned a nomination for Best Foreign Film at the 2014 BAFTA Awards.

Click here to access the poster for this event.

Please be sure to view the other film in this series.

Locating Black Racial Science

Ayah Nuriddin, Princeton University - History and Philosophy of Science and Medicine (HPSM) Lecture

For much of the 20th century, African-American physicians, scientists and activists embraced aspects of eugenics and racial science to make arguments for racial equality. They mobilized what I call black eugenics, which I define as a hereditarian approach to racial uplift that emphasized social reform, public health and reproductive control as strategies of biological racial improvement. I argue that this engagement and embrace of eugenics was also undergirded by a long history of racial science that relied upon a commitment to beliefs in biological racial differences. African Americans invested in eugenics and racial science sought to disentangle ideas of biological race from racism by using the tools and practices of racial science. They hoped that with rigorous scientific study, they could understand the true nature of biological race and its relationship to their quest for equality. Understanding the true nature of biological race would also contribute to how they imagined the utility of eugenic interventions for improving the biological composition of the race.

History and Philosophy of Science and Medicine (HPSM) Lecture

More info

Virtual Book Club: Dr. Mutter’s Marvels

A display of books related to the history of anatomy, pathology, and obstetrics from the Bernard Becker Medical Library’s rare book collections will precede the discussion.

Imagine undergoing an operation without anesthesia, performed by a surgeon who refuses to sterilize his tools — or even wash his hands. This was the world of medicine when Thomas Dent Mütter began his trailblazing career as a plastic surgeon in Philadelphia during the mid 19th century.

A display of books related to the history of anatomy, pathology and obstetrics from the Bernard Becker Medical Library’s rare book collections will precede the discussion.

More info

Virtual Book Club: Tuesday Mooney Talks to Ghosts

Book club will begin with a show and tell of Edgar Allan Poe materials followed by a discussion of the book. University Libraries

A handsome stranger. A dead billionaire. A citywide treasure hunt. Tuesday Mooney’s life is about to change … forevermore. Tuesday Mooney is a loner, but when Vincent Pryce, Boston’s most eccentric billionaire, dies — leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe — Tuesday’s adventure finally begins.

Book club will begin with a show and tell of Edgar Allan Poe materials followed by a discussion of the book.

More info
The Disinherited: Christianity and Conversion in Calcutta in the 19th Century

The Disinherited: Christianity and Conversion in Calcutta in the 19th Century

Please join us for "The Disinherited: Christianity and Conversion in Calcutta in the 19th Century" by Dr. Mou Banerjee

This talk is based on the so-called “Great Tagore Will Case” which created a scandal in Calcutta, the capital city of the British Indian empire, in the mid-19th century. By looking closely at the events that precipitated this legal battle, I trace the evolution of the Lex Loci Act in India. This was a legal dispute regarding inheritance between two of the most influential members of colonial Bengali aristocracy, father and son, and involved properties valued at hundreds of thousands of sterling pounds. Prosonnocoomar Tagore, the first Indian member of the Viceregal Legislative Council, disinherited his son and heir Gyanendramohan Tagore (the first Indian barrister) because of his conversion to Christianity in 1851. Prosonnocoomar left his property to his nephew, Maharaja Jatindramohan Tagore. This was contested by his son, and the case went from the civil court in Calcutta to the Privy Council in London, from 1861 to 1880. It resulted in a tangled web of family lore that included tales of betrayal, generational curses and reincarnation. I analyze this case as a microhistory of the loss of social and moral capital on the part of Indian converts to Christianity. 

Dr. Mou Banerjee is assistant professor of history at UW-Madison. She holds a MA and PhD in History from Harvard University. She is a historian of modern South Asia, specializing in the period from 18th to the early 20th century. Her research interests include religion and politics in India, especially on the evolution of the concepts of private faith and public political identity during the 19th and early 20th centuries.

Please click here to view the flyer for this event.


*We want to ensure all in-person attendees stay healthy and safe while participating in events! As this is an in-person event, if you are non-WUSTL student/faculty/staff, please be aware of the following:

• All visitors must complete a screening four hours before arriving on campus – https://visitorscreening.wustl.edu/symptom-screener

• You will not be asked to show proof of vaccination while on campus, we just ask that you complete this screening above for clearance to come on campus.

• It is required that all individuals wear a mask at all times while indoors and maintain an adequate distance from other participants at the location for this event.

Fourth Annual Missouri Egyptological Symposium

The Fourth Annual Missouri Egyptological Symposium (#MOEgypt4) will take place at Washington University in St. Louis from October 14–15, 2022. The symposium has been co-organized by Dr. Nicola Aravecchia and a committee of Missouri-based Egyptologists.

World Literature as Process and Relation: East Asia's Russia and Translation

Heekyoung Cho, associate professor, University of Washington

This talk discusses world literature models through an examination of Russian and East Asian literary relations and translation-related issues. Through the discussion of recent world literary theories with a focus on East Asia-Russia literary interactions, translation, circulation, literary prizes, and ethical approaches to world literature, this talk argues that we are best served by thinking of world literature not as an entity that operates by inclusion and exclusion or as a single diffusion network defined by hierarchical and competitive relations but as a totality of entangled literary and cultural relations and processes through which new meanings and implications are generated. Rethinking world literature as a new lens, rather than as an object to know, also provides new perspectives that allow us to understand the world better through various literatures and their connections.

Heekyoung Cho is associate professor in the Department of Asian Languages and Literature at the University of Washington, Seattle. She is the author of Translation’s Forgotten History: Russian Literature, Japanese Mediation, and the Formation of Modern Korean Literature (2016). Her articles discuss topics on translation and the creation of modern fiction, translation and censorship, serial publication, world literature, and webcomics. Her current research focuses on seriality in cultural production in both old and new media, including digital serialization and transmedial production, as well as graphic narratives and media platforms.

Your safety is important to us. All attendees must wear a mask. All visitors must complete a screening four hours before arriving on campus – https://visitorscreening.wustl.edu/symptom-screener

Middle East - North Africa Film Series

Footnote (Hearat Shulayim) 2011/107 min. Directed by Joseph Cedar.

Eliezer Skolnik (Shlomo Baraba) and his son Uriel Skolnik (Lior Ashkenazi) are both bibilical scholars. The father has toiled in obscurity, whereas his son is an academic superstar. A comically unfortunate mishap is about to further fracture their already tenuous and awkward relationship. This 2011 Academy Award nominee, written and directed by Joseph Cedar, examines with a sweet and a heartfelt spirit the difficulties of academia and father-son relationships.

Click here to access the poster for this event.

Please be sure to view the other two films in this series. 

The Annual Distinguished Jewish Studies Lecture in JIMES

The Annual Distinguished Jewish Studies Lecture in JIMES

From Skokie to Charlottesville: American Antisemitism in Court -- with Prof. James Loeffler, University of Virginia

The recent Charlottesville trial of White Supremacists for organizing a violent 2017 rally raised the specter of another famous American court case, the 1977 Skokie Affair, when the U.S. Supreme Court permitted neo-Nazis to march in the town home to the largest American community of Holocaust survivors. Each case raised profound questions about free speech and hate speech, race and religion. In this lecture, historian and author James Loeffler, who covered the Charlottesville trial for The Atlantic, will compare the cases and discuss what they reveal about the role of law in the struggle against antisemitism.

James Loeffler is the Ida and Nathan Kolodiz Director of the Jewish Studies Program and Professor & Jay Berkowitz Chair in Jewish History in the Corcoran Department of History at the University of Virginia. He teaches courses in Jewish and European history, Russian and East European history, international legal history, and the history of human rights. He is a co-convenor of the UVA Human Rights Research Network, a faculty partner in the UVA Religion, Race & Democracy Lab, and co-editor of the Association for Jewish Studies Review. In 2020 he was elected a Fellow of the American Academy for Jewish Research. His publications include: The Law of Strangers: Jewish Lawyers and International Law in the Twentieth Century (Cambridge University Press, 2019), Rooted Cosmopolitans: Jews and Human Rights in the Twentieth Century (Yale University Press, 2018) and The Most Musical Nation: Jews and Culture in the Late Russian Empire (Yale University Press, 2010).


*We want to ensure all in-person attendees stay healthy and safe while participating in events! As this is an in-person event, if you are non-WUSTL student/faculty/staff, please be aware of the following:

• All visitors must complete a screening four hours before arriving on campus – https://visitorscreening.wustl.edu/symptom-screener

• You will not be asked to show proof of vaccination while on campus, we just ask that you complete this screening above for clearance to come on campus.

• It is required that all individuals wear a mask at all times while indoors and maintain an adequate distance from other participants at the location for this event.


Click Here to view the flyer.

All in-person attendees will be entered into a raffle to receive a signed copy of Dr. Loeffler's book!

Click Here to connect via Zoom

Wednesdays with WashU: A Conversation with CDC Director Rochelle P. Walensky, AB ’91, MD, MPH

Wednesdays with WashU: A Conversation with CDC Director Rochelle P. Walensky, AB ’91, MD, MPH

The Sociology Colloquium Series: Dr. G. Cristina Mora

The Sociology Colloquium Series: Dr. G. Cristina Mora

On Wednesday, September 14, 2022, the Sociology Colloquium Series will feature Dr. G. Cristina Mora from the University of California-Berkeley. Dr. Mora is an Associate Professor of Sociology and the Co-Director of the Institute of Governmental Studies at UC Berkeley. Her research focuses mainly on immigration, categorization, and racial and political attitudes in the United States. Her first book, Making Hispanics, was published by the University of Chicago Press and provides the first historical account of the rise of the “Hispanic/Latino” category in the United States. Mora has received numerous awards for her scholarship from the American Sociological Association, and her research has been the subject of various national media segments in venues like the Atlantic, the New Yorker, NPR, and Latino USA. In 2020, she helped to oversee the largest survey on Covid-19 and partisan politics in California and published some of the state’s first briefs and academic articles on the subject. She is currently working on her next book, California Color Lines, which examines inequality, perceptions of government, and political attitudes in California. In 2021 and 2022, she received the UCB Graduate Mentoring Award, and the Chancellors Award for Advancing Equity and Inclusion, and led UC Berkeley’s first social-science cluster hire on the issue of “Latinos and Democracy.”

Colloquia Title and Topic:

"California Color Lines: Immigration and Racial Attitudes in the Golden State"

How is increasing immigration and racial diversity understood in an era of economic precarity? The California Color Lines project examines these issues by marshalling survey and linked, in-depth interview data to understand how residents of one of the nation’s most diverse and economically unequal states form social and political worldviews. Our findings suggest that racial and immigration attitudes are powerfully linked and that much nuance and theoretical insight can be found when we look beyond the attitudinal poles to consider how ambiguity and contradictions structure contemporary sentiments. Overall, the project contributes toward a larger move to consider the nation as composed of distinct regional racial regimes that are shaped by the demographic, political, and economic histories of place.

 

 

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Department of Music Lecture: “Musicology Beyond Academia: An Alumni Panel”

Department of Music Lecture: “Musicology Beyond Academia: An Alumni Panel”

This alumni feature is in celebration of WUSTL MUSIC’s 75th Anniversary.

REGISTER for Zoom


Christina Fuhrmann, Professor of Music at Baldwin Wallace University Conservatory and editor of BACH: Journal of the Riemenschneider Bach Institute
Christina Linsenmeyer, Associate Curator at the Morris Steinert Collection of Musical Instruments at Yale University
Danielle Pacha, Former Managing Editor, Recent Researches, at A-R Editions (Middleton, Wisconsin).

Biographies:

Christina Fuhrmann, Professor of Music at Baldwin Wallace University Conservatory of Music, previously taught at Ashland University, where she was the 2015 winner of the Taylor Excellence in Teaching Award. She also has experience as managing editor of the Journal of Musicology. Her research has been published in venues such as The Oxford Handbook of the British Musical, Nineteenth-Century Music Review, and The Encyclopedia of Romantic Literature. Her book, Foreign Opera at the London Playhouses, from Mozart to Bellini (Cambridge University Press, 2015) received the Diana McVeagh Prize for Best Book on British Music, awarded biennially by the North American British Music Studies Association.

Christina Linsenmeyer was founding curator and interim Head of Curatorial Affairs at the Musical Instrument Museum (MIM), Phoenix, AZ (2008–2011).

In 2019, after working for many years as a postdoctoral researcher at the University of the Arts Helsinki, Sibelius Academy, with funding from the Academy of Finland, the Finnish Cultural Foundation, and the Finnish Non-Fiction Writer’s Association, she took a position at Yale University as Associate Curator at the Morris Steinert Collection of Musical Instruments. She holds a PhD in Musicology (Washington University in St Louis, 2011) and a diploma in Violin Making and Restoration (North Bennet Street School, 1996). She has served on the Board of the American Musical Instrument Society and is currently Vice President of ICOM–CIMCIM (International Council of Museums – International Committee for Collections of instruments and music).  She specializes in musical-instrument museums and organology. Her research explores the intersections of aesthetics (visual and aural), social history, and material culture – particularly the canon of violinmaking.

Danielle Pacha earned her Ph.D. in Musicology from Washington University in St. Louis in 2002. She joined the editorial staff at A-R Editions in 2003 and served as managing editor for Recent Researches in Music from 2015 to 2021. A medievalist by training, she notably helped shape several groundbreaking volumes in Recent Researches in the Music of the Middle Ages and Early Renaissance, including Philip the Chancellor, Motets and Prosulas, edited by Thomas B. Payne (2011), and Motets from the Chansonnier de Noailles, edited by Gaël Saint-Cricq, Eglal Doss-Quinby, Samuel N. Rosenberg (2017). Outside of A-R, she was a longstanding publishing consultant for the nonprofit FairShare CSA Coalition and was tapped to appear on the Genetics Society of America’s 2018 “Careers in Publishing” panel, joining several other STEM and HSS publishing specialists. She has shared her insights on publishing and editing as a guest lecturer at the University of Wisconsin–Madison and through Underscore, the A-R blog. She retired from her editorial career in mid-2021 and hopes that her next chapter will be equally as gratifying.

RLL On the Profession Workshops Spring 2022

RLL On the Profession Workshops Spring 2022

RLL On the Profession Workshops present two events supporting RLL graduate studies this Spring.

On the Profession is an ongoing workshop series that addresses a variety of topics such as dissertation design, publishing, how to approach the job market (including guidance for preparing materials, mock interviews, and practice job talks), as well as broader conversations about trends and contemporary questions shaping the profession. Goals of the workshops include helping students navigate the transition from graduate school to professional life after the PhD and, among others, engaging more general issues humanities scholars face today.

Spring 2022

March 25th, 3:00-4:30pm at EADS 203

  • How Faculty Do Research: with Profs. Tili Cuillé, Miguel Valerio and Elzbieta Sklodowska  

April 8th, 3:00-4:30pm at EADS 203

  • Planning an MPE: with Professors Seth Graebner & Akiko Tsuchiya 

Browse past events here

Questions?  Contact Prof. Tsuchiya

 

Foreign Language Learning Colloquium Speaker Series Presents Professor Susanne Rott

Foreign Language Learning Colloquium Speaker Series Presents Professor Susanne Rott

Professor Susanne Rott is our guest for WUSTL's Foreign Language Learning Colloquium Speaker Series

Please join us on April 7th and 8th for the Foreign Language Learning Colloquium Speaker Series with Associate Professor of Germanic Studies Susanne Rott from the University of Illinois, Chicago.  

  • April 7th from 4-5:00 pm Foreign Language Learning Lecture at WUSTL in McDonnell 162
  • April 8th from 9-10:00 am Foreign Language Learning Workshop at WUSTL in EADS 215

Lecture:      Thursday, April 7, 2022 from 4-5 pm in McDonnell 162

Designing an Evidence-Based Curriculum Promoting Vocabulary Development

Language learners have only a couple of years to master thousands of words to develop superior language proficiency (ACTFL 2012) in the classroom setting. Consequently, an effective curriculum needs to be grounded in evidence-based instructional interventions. In this talk I will outline relevant research findings on language-learning task design.  The talk will highlight task designs that have shown to increase the quantity and quality of word learning and, more importantly, word retention. I will provide specific insights from a study on the repeated retrieval of words and the use of self-tests.

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Workshop:     Friday, April 8, 2022 from 9-10 am in Eads 215

Language is Metaphorical, Formulaic, and Conventionalized. What are the Implications for Language Teaching?  

Most language learners associate the learning of vocabulary with the learning of individual words.  They know thousands of words after only a couple of years of instruction.  Nevertheless, they still don’t know which word combinations are possible in the target language, an ability that is a marker of advanced language proficiency. In this workshop we will identify examples of metaphorical, formulaic, and conventionalized language. We will then look at multiple activities that raise learners’ awareness of such multi-word expressions and that will help learners work effectively with input sources. 

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*The Washington University Foreign Language Learning Colloquium Speaker Series is sponsored by the Department of Germanic Languages and Literatures; the Department of East Asian Languages and Cultures; the Department of Jewish, Islamic and Near Eastern Languages and Cultures; Applied Linguistics; the Department of Romance Languages and Literatures, and the Dean of the Faculty of Arts and Sciences. 

**NOTE: Visitors must complete self-screening before coming to campus for this event at the following website: https://visitorscreening.wustl.edu/symptom-screener

Department of Music Lecture: “Listening Through the Firewall: A Sonic Narrative of Communication Between Taiwan and China”

Sarah Plovnick, Ph.D. candidate in ethnomusicology, University of California, Berkeley. This alumna feature is in celebration of WUSTL MUSIC’s 75th Anniversary.

REGISTER for Zoom

Sarah Plovnick, PhD Candidate in Ethnomusicology at the University of California, Berkeley

Listening Through the Firewall: A Sonic Narrative of Communication Between Taiwan and China
 
Abstract
This presentation explores the recent history of the Taiwan Strait (1949-today) from the perspective of audio communication. A focus on sound provides a way to reconceptualize the region, moving beyond the limitations of political borders to highlight salient moments in which individuals formed connections despite communication restrictions. These moments range from the iconic voice of Teresa Teng emanating from loudspeakers and radios in the 1970s, to the boom of the Taiwan-based Mandopop industry in the 1990s, to more recent social media interactions. The space of the Taiwan Strait is often discussed in contemporary media only in relation to political tensions. This research, in contrast, provides a nuanced, on-the-ground perspective of the role of cross-strait communication in the daily lives of Taiwanese and Chinese individuals. This novel perspective can then be mobilized toward efforts to facilitate open dialogue and mutual understanding in contentious political environments.
 
Biography
Originally from the Boston area, Sarah Plovnick completed a B.A. in Music and Comparative Arts at Washington University in St. Louis. Prior to her doctoral studies, she spent a year in the Dominican Republic, during which she studied the intersection of jazz with Afro-Dominican musics and taught youth music at the DREAM Project. She completed her M.A. in ethnomusicology at UC Berkeley in 2019, with a focus on Puerto Rican music in the aftermath of the 2017 hurricanes. She is a co-founder of the Berkeley Computational Music Research working group. She also performs regularly on the French horn in the context of jazz and other improvised musics.

Her research has been supported by Fulbright-Hays DDRA, the Taiwan Ministry of Education, the Global Taiwan Institute, the UC Berkeley Center for Chinese Studies, UC Berkeley Global International and Area Studies, the US Dept. of Education’s Foreign Language and Area Studies program (FLAS), and Fulbright-mtvU.
 


All attendees are required to complete the health screener within 4 hours of their arrival to campus and be prepared to show the "Cleared for Campus" result to the event staff upon entry. All attendees must wear a mask at all times while indoors. 
Visitor Screening Tool
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Wednesdays with WashU: A Conversation with CDC Director Rochelle P. Walensky, AB ’91, MD, MPH

Wednesdays with WashU: A Conversation with CDC Director Rochelle P. Walensky, AB ’91, MD, MPH

Wednesdays with WashU is a webinar series featuring Washington University alumni, faculty, parents, and friends from around the world. 

Feng Sheng Hu, dean of Arts & Sciences, professor of biology and of earth and planetary science, and Lucille P. Markey Distinguished Professor in Arts & Science will host a discussion with Rochelle P. Walensky, AB ’91, MD, MPH, director of the Centers for Disease Control and Prevention. The discussion will include Dr. Walensky’s highlights from her current role as the CDC director and how her academic path at Washington University helped prepare her.

Due to anticipated high attendance, Dr. Walensky will only answer presubmitted questions during the presentation. Registered attendees are encouraged to submit questions on the registration form.

 

Register to Receive the Livestream Link

Information Session - Medical Humanities Minor

Drop-in information session organized by students in the Medical Humanities minor

Drop-in information session organized by students in the Medical Humanities minor for prospective students.

Engineering self-reliance: Scientism, economic planning and Juch'e ideology in Cold War North Korea

Engineering self-reliance: Scientism, economic planning and Juch'e ideology in Cold War North Korea

Benoit Berthelier, lecturer in Korean studies, The University of Sydney

The existence and persistence of a socialist economy aiming to achieve self-sufficiency in the Democratic People's Republic of Korea (DPRK) is often explained solely by coercive factors: Soviet influence or tyrannical domestic leadership.

By looking at scientific literature, economics textbooks and North Korean Workers' Party documents from the late 50s to the 1980s, this talk shows that both the adoption of a planned economy and the search for self-reliance after the Korean War were not just sudden ideological pronouncements or the product of geopolitical pressures, but also technoscientific solutions to a set of domestic economic and social issues.

Yet these solutions also brought on new problems of their own. The transition to a planned economy, for instance, greatly increased data collection and processing needs quickly leading to a national shortage of human computational labor. It seemed, however, that these new problems too could be solved with the help of technology, as "electronic counting machines" and the new field of cybernetics promised the tools that would allow for the automation of planning. The North Korean leadership's continuing adherence to socialism, then, was less a matter of stubborn attachment to orthodoxy than the product of faith in the ability of science and technology to keep engineering solutions to the country's problems.

Sponsored by East Asian Languages and Cultures and Global Studies

image: researchers from the Automation Institute under the Academy of Sciences using computers to automate economic planning, from "Korea Today", vol. 12, 1974.

Sports & Society Reading Group: Athletes and Vaccines

Sports & Society Reading Group: Athletes and Vaccines

The Sports & Society reading group will meet on March 11th to discuss athletes and vaccine resistance (Novak Djokovic, Aaron Rodgers, and Kyrie Irving being prominent examples). Readings will be sent to those who RSVP.

If you're interested in joining us, e-mail co-organizer Noah Cohan for Zoom link and copies of the reading material.

Meet the Office of Graduate Studies in Arts & Sciences

Meet the Office of Graduate Studies in Arts & Sciences

Drop in to meet our staff and leadership and learn about our vision for supporting graduate students in Arts & Sciences.

The newly launched Office of Graduate Studies in Arts & Sciences invites graduate students and other members of the community to join this virtual meet-and-greet. Members of the office will introduce themselves and their work, and they look forward to learning more about the priorities, interests, and questions of graduate students in Arts & Sciences. Attendees will have a chance to win Amazon gift cards!

Check your email for Zoom information, or reach out to artscigrads@wustl.edu.

Spotlight on Women in Medicine and Science

Keynote Speaker: Reshma Jagsi, MD, is the Newman Family Professor and Deputy Chair in the Department of Radiation Oncology and Director of the Center for Bioethics and Social Sciences in Medicine at the University of Michigan.

The School of Medicine Office of Faculty Affairs and the Office of Faculty Development of Pediatrics along with other department’s offices of faculty development is hosting the Spotlight on Women in Medicine and Science annual symposium on March 3.

2021 marked the 100th anniversary of the first woman to graduate from WUSM, Faye Cashatt - Class of 1921. We have traditionally held it in the fall during the Women in Medicine month, but that wasn’t possible therefore we have targeted March instead during Women’s History Month.  Due to the pandemic, this will be a virtual event.

Our keynote speaker is Reshma Jagsi. Jagsi is Newman Family Professor and Deputy Chair in the Department of Radiation Oncology and Director of the Center for Bioethics and Social Sciences in Medicine at the University of Michigan. She has been funded by the NIH, Robert Wood Johnson Foundation, and the AMA to study issues of bioethics and gender equity in academic medicine.  She leads the national program evaluation for the Doris Duke Charitable Foundation's Fund to Retain Clinician Scientists and has evaluated the outcomes of the ten universities including WashU. In addition, WUSM's Barbara Warner will speak on her work on the effects of the neonatal microbiome on infant health, and Dineo Khabele, Chairperson of OBGYN, will speak on her research on ovarian cancer.

SWIMS will conclude with a panel to discuss the career journeys of our speakers and several women leaders from WUSM.

More info

Artist Talk Chitra Ganesh

Artist Chitra Ganesh discusses her multidisciplinary practice of experimental storytelling, intertwining the past, future and our turbulent present to create speculative worlds that are tethered to culture and history yet unbound by the limitations of contemporary reality.

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Dropping the Head-pan for Better Educational Opportunities: The Case of Girls in Northern Ghana at Risk of Dropping out of School for Child Labor

Alice Boateng, Senior Lecturer, Department of Social Work, University of Ghana; Abdallah Ibrahim, Senior Lecturer, School of Public Health, University of Ghana

This presentation shares the findings of an exploratory qualitative study that examined the push and pull factors behind the prevalence of girls migrating from the Northern Regions of Ghana to the southern cities, to carry loads using head-pan as porters (Kayayei) at the markets for economic survival.

The program will share preliminary findings of the ANZANSI study/project, which focuses creating educational and economic opportunities to empower the girls and their families economically, to prevent them from dropping out of school and migrating to southern Ghana for jobs as head-porters.

This program is presented in partnership with the International Center for Child Health and Development.

More info

International Writers Series: Anca Roncea

HUMANITIES BROADCAST - Doctoral student and translator Anca Roncea in conversation with Mary Jo Bang, poet, translator and professor of English at Washington University in St. Louis

In this virtual reading and discussion, Anca Roncea, translator and comparative literature doctorate student in the track for international writers, will discuss her translation of Tribar from the Romanian by Andra Rotaru (Saturnalia Books, 2022). Roncea will be joined in discussion by Mary Jo Bang, poet, translator and professor of English at Washington University in St. Louis. 

Anca Roncea grew up in Romania, speaks Modern Greek, French, and writes in English. Through her work, Anca explores the space where language can create pivots in the midst of displacement, while incorporating the aesthetics of Constantin Brancusi and the female artists of the Dada Movement. She is a graduate of the Iowa Writers’ Workshop, which is the University of Iowa’s Literary Translation MFA program. Anca’s poetry has been published in the Berkeley Poetry Review, Beecher’s Magazine, Omniverse, the Bare Life Review, and Lana Turner. She is currently working on her first book of poetry, which is an experimental translation of Tristan Tzara’s Vingt-Cinq Poèmes focusing on the period of WWI Zurich Dada and the female artists of the Dada Movement.

More info

Lecture: Brian Floca

Children’s book author and illustrator Brian Floca

Children’s book author and illustrator Brian Floca will deliver a public lecture, presented by the MFA in Illustration & Visual Culture program.

Floca is the author and illustrator of the children’s books Locomotive (winner of the 2014 Caldecott Medal), Moonshot: The Flight of Apollo 11 (recently revised and expanded), Lightship, and The Racecar Alphabet, among others. His latest book, Keeping the City Going, a tribute to healthcare and other essential workers who stayed on the streets and on the job during the Covid-19 pandemic, was recently published.

More info

Public Tour: Twentieth-Century Abstraction

Student educators lead interactive tours in the permanent collection, exploring 20th-century abstraction in a range of mediums. Join Jay Buchanan (MA/PhD student, Art History and Archaeology) on this hour-long tour.

More info

Ageism: What It Is, How It Hurts and How To Combat It

Nancy Morrow-Howell, the Bettie Bofinger Brown Distinguished Professor of Social Policy, Brown School and director, Harvey A. Friedman Center for Aging

Nancy Morrow-Howell’s research, advocacy and educational efforts have centered around changing work environments and employment policies to enable people to work longer; restructuring educational institutions so that individuals can educate themselves across the life course; enabling older adults to engage in volunteer and service work; and supporting caregiving to facilitate involvement and reduce negative effects.

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Chinese-Language Tour: Chitra Ganesh

Join student educator Yue Dai, doctoral student in the Department of Art History & Archaeology in Arts & Sciences, for an online tour of Chitra Ganesh: Dreaming in Multiverse. This exhibition presents a series of the artist’s recent prints and several video animations that draw on Buddhist and Hindu iconography, science fiction, queer theory, comics, Surrealism, Bollywood posters and video games, combining them with her own visual imagery and drawings to present speculative visions of society in the past, present and future.

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Israel Institute Visiting Artist Lecture: Maya Muchawsky Parnas

Maya Muchawsky Parnas, the Israel Institute Visiting Artist and the spring 2022 Wallace Herndon Smith Distinguished Visiting Lecturer in the Sam Fox School, will deliver a public lecture.

Maya Muchawsky Parnas (b. 1972) is an Israeli visual artist working predominantly with ceramics. She gained her BFA from the Bezalel Academy of Arts and Design, Jerusalem, and her MA in Ceramics and Glass from the Royal College of Art in London, UK. Maya lives and works in Jerusalem, the city where she grew up. She is a senior lecturer at the Bezalel Academy of Arts and Design, and her works have been exhibited in galleries and museums in Israel, Europe and in the United States.

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Artist Talk: Nicole Miller

Nicole Miller discusses her new site-specific installation, A Sound, a Signal, the Circus, contextualizing it within her recent body of work. She will explore notions of embodiment and creative articulation and also talk about her collaborations with youth of color.

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Slow Looking: ‘…in the waiting, in the weighting…’

Join student educator Jay Buchanan, doctoral student in the Department of Art History & Archaeology in Arts & Sciences, for a half hour of slow looking and conversation focused on the new mixed-media installation ...in the waiting...in the weighting... (2021) by Ebony G. Patterson (MFA-VA ’06).

Slow Looking is an ongoing series of 30-minute conversations about a single work of art.

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Monsters, Cyborgs and Vases: Specters of the Yellow Woman

Anne Anlin Cheng, Professor of English, Princeton University

Anne Anlin Cheng, professor of English at Princeton University and Visiting Hurst Professor at Washington University, will present the Women and the Kemper Lecture and consider a series of art objects as fulcrums through which to explore racialized gender, specifically the “yellow woman” and how it animates European-American narratives about the past and designs for the future.

Anne Anlin Cheng is professor of English and affiliated faculty in the Program in Gender and Sexuality Studies and the Committee on Film Studies at Princeton University. She is an interdisciplinary scholar who works at the intersection of aesthetics and politics, drawing from literary theory, critical race studies, film theory, feminist theory, and psychoanalysis. She works primarily with 20th-century American literature and visual culture with special focus on Asian-American and African-American literatures. She is the author of The Melancholy of Race: Assimilation, Psychoanalysis, and Hidden Grief (Oxford University Press, 2001), a study of the notion of racial grief at the intersection of culture, history, and law. Her second book, Second Skin: Josephine Baker and the Modern Surface (Oxford University Press, 2013), excavates the story of the unexpected intimacy between modern architectural theory and the invention of a modernist style and the conceptualization of Black skin at the turn of the 20th century.

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The ‘Ebbs and Flows of Struggle’: Black Power, Filipinx Cannery Workers, and the formation of the Alaska Cannery Workers Association (ACWA)

Dr. Michael Schulze-Oechtering Castañeda, Assistant Professor, Western Washington University

Abstract: The recent scholarship of civil rights historians and ethnic studies scholars have troubled the notion that appeals to a “common oppression” as “people of color” can unify multiracial coalitions.  Rather, they have built their analysis around the concept of “differential racialization,” which emphasizes the unique experiences that racial groups have with white supremacy: slavery and its afterlife, settler colonialism, and foreigner/enemy racialization.  While distinct racial experiences should not be conflated, we also know that communities of color do not live in isolation.  With this later point in mind, this talk examines an understudied history of Black and Filipino labor solidarity in the Pacific Northwest.  Specifically, my analysis centers the Alaska Cannery Worker Association (ACWA), a group of Filipino and other non-white white cannery workers in Alaska that formed in the summer of 1973.  While they were a product of a long history of Filipino labor radicalism on the West Coast, they drew upon the resources and strategies of militant black workers, who were radicalized by Seattle’s Black Power Movement against institutionalized racism in the Building Trades, the United Construction Workers Association (UCWA).  Through an examination of the fluid exchange of resources, people, and ideas between these laboring populations, this talk will make a case for the political potential of what I refer to as polycultural movement space, political sites were multiracial radical traditions overlap and mutuality, solidarity, and cross-fertilization across racial lines are nurtured across space and time.

Bio: Michael Schulze-Oechtering Castañeda is Assistant Professor of Comparative Ethnic Studies in Fairhaven College at Western Washington University (WWU) and a former Ford Foundation Postdoctoral Fellow.  His research uses social movement history and relational ethnic studies to explore how communities of color in the United States have both questioned and crossed racial boundaries.  He is currently working on a book manuscript under contract with the University of Washington Press, No Separate Peace: Black and Filipinx Workers and the Labor of Solidarity in the Pacific Northwest, 1970-2000.  This study examines the parallel and overlapping activist traditions and grassroots organizing practices of Filipino cannery workers in Alaska and Black construction workers in Seattle between the 1970s and the early 2000s.

Decolonizing Mindfulness, Mindful Decolonization, and Social Work Futurities

The third talk of the Center for the Study of Race, Ethnicity & Equity (CRE2) funded Mindfulness & Anti-Racism series presents the work of Professor Yellow Bird.

In collaboration with the Mindfulness Working Group at WashU, the Center for the Study of Race, Ethnicity & Equity and the Kathryn M. Buder Center for American Indian Studies, we proudly present Dr. Michael Yellow Bird pioneering work on Indigenous Mindfulness. This presentation will draw from Yellow Bird's most recent article, "Decolonizing Mindfulness, Mindful Decolonization and Social Work Futurities." In this presentation, Yellow Bird will discuss the positive effects of mindfulness interventions and how they can support social work values, healing practices, and improve well-being. He will also discuss how mindfulness is being co-opted, privatized, and colonized by the forces of neoliberal capitalism (Purser, 2019) and is being used to “pacify feelings of anxiety and disquiet at the individual level rather than seeking to challenge the social, political, and economic inequalities that cause such distress” (Carrette & Kind, 2004, p. 22] ). The presentation will conclude by sharing how mindfulness can be decolonized and moved towards practices designed to engage practitioners in systems change.

 

Speaker Information


Michael Yellow Bird, MSW, PhD, is Dean and Professor of the Faculty of Social Work at the University of Manitoba. He is an enrolled member of the MHA Nation (Mandan, Hidatsa, and Arikara) in North Dakota, USA. He has held faculty and administrative appointments at the University of British Columbia, University of Kansas, Arizona State University, Humboldt State University, and North Dakota State University. His research focuses on the effects of colonization and methods of decolonization, ancestral health, intermittent fasting, Indigenous mindfulness, neurodecolonization, mindful decolonization, and the cultural significance of Rez dogs. He is the founder, director, and principal investigator of The Centre for Mindful Decolonization and Reconciliation at the University of Manitoba. He serves as a consultant, trainer, and senior advisor to several BIPOC mindfulness groups and organizations who are seeking to incorporate mindfulness practices, philosophies, and activities to Indigenize and decolonize western mindfulness approaches in order to address systemic racism and engage in structural change.

He is the author of numerous scholarly articles, book chapters, research reports, and the co-editor of four books: For Indigenous Eyes Only: The Decolonization Handbook, 2005; For Indigenous Minds Only: A Decolonization Handbook, 2012; Indigenous Social Work around the World: towards Culturally Relevant Education and Practice, 2008; and Decolonizing Social Work, 2013. Choice Magazine, selected Decolonizing Social Work as a 2014 Choice Outstanding Academic Title. Choice Outstanding Titles are given extraordinary recognition by the academic community and are designated to be “the best of the best.” He is the co-author of two recent books,: A Sahnish (Arikara) Ethnobotany (2020), and Decolonizing Holistic Pathways Towards Integrative Healing in Social Work (2021). His most recent co-authored mindfulness article, Defunding Mindfulness: While We Sit on Our Cushions, Systemic Racism Runs Rampant (October, 2020), can be found here.

Register Here

The Magic in His Hands: Charles Johnson’s Artistic Versatility

Selections from the Charles Johnson Papers

Charles Johnson is a wildly prolific and widely acclaimed novelist, philosopher, essayist, screenwriter, cartoonist and more. The Magic in His Hands exhibition presents selections from Johnson’s recently acquired papers that demonstrate his many facets and show how Johnson often transcends their presupposed boundaries.

This exhibition is a companion to the Center for Humanities’ March 3, 2022, Faculty Book Celebration featuring Johnson.

For more information on Charles Johnson and The Magic in His Hands exhibition, please see the Center for Humanities’ article “The magic in his hands: Charles Johnson’s artistic versatility.”

This exhibition was organized by Curator of the Modern Literature Collection Joel Minor for Washington University Libraries.

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Slavery and Discrimination in Education, Voting Rights, and Economic Power

100th anniversary of the Mound City Bar Association

This year, 2022, marks the 100th anniversary of the Mound City Bar Association. In celebration of the anniversary, the Washington University Journal of Law & Policy recently published, “Celebrating the Mound City Bar Centennial; Looking back, Leading Forward,” which includes articles from prominent judges, lawyers, and professors on issues related to the Mound City Bar Association: https://journals.library.wustl.edu/lawpolicy/. This is the second of two programs featuring the authors. Cosponsored by the Washington University Public Interest Law & Policy Speaker Series, the Washington University Journal of Law & Policy, the Mound City Bar Association, and U.S. Arbitration & Mediation.

Speakers:

Professor David Konig, Washington University School of Law
Hon. David Mason, Judge, 22nd Circuit Court
Professor Kim Norwood, Washington University School of Law
Ronald Norwood, Lewis Rice, LLC
Denise Lieberman, Missouri Voter Protection Coalition
Sandra Moore, Advantage Capital
Dorothy White-Coleman, White Coleman & Associates, LLC
Hon. Lisa White Hardwick, Judge, Missouri Court of Appeals, Western District

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On the Profession: Planning an MPE

On the Profession: Planning an MPE

Planning an MPE

On the Profession is an ongoing workshop series that addresses a variety of topics such as dissertation design, publishing, how to approach the job market (including guidance for preparing materials, mock interviews, and practice job talks), as well as broader conversations about trends and contemporary questions shaping the profession. Goals of the workshops include helping students navigate the transition from graduate school to professional life after the PhD and, among others, engaging more general issues humanities scholars face today.
April 8th, 3:00-4:30pm at EADS 203
Planning an MPE: with graduate students, Gabriel Antúnez de Mayolo Kou, Lauris McQuoid-Greason, Emma Merrigan, Santiago Rozo-Sánchez

On the Profession - How Faculty Do Research

On the Profession - How Faculty Do Research

RLL On the Profession Workshops present two events supporting RLL graduate studies this Spring, with the first on March 25th on How Faculty Do Research

RLL On the Profession Workshops present two events supporting RLL graduate studies this Spring.
On the Profession is an ongoing workshop series that addresses a variety of topics such as dissertation design, publishing, how to approach the job market (including guidance for preparing materials, mock interviews, and practice job talks), as well as broader conversations about trends and contemporary questions shaping the profession. Goals of the workshops include helping students navigate the transition from graduate school to professional life after the PhD and, among others, engaging more general issues humanities scholars face today.

Spring 2022

March 25th, 3:00-4:30pm at EADS 203
How Faculty Do Research: with Profs. Tili Cuillé, Miguel Valerio and Elzbieta Sklodowska  

Indie Filmmaking Masterclass with AFAS Artist-in-Residence, David Kirkman

Indie Filmmaking Masterclass with AFAS Artist-in-Residence, David Kirkman

Hurst Talk: The Political Aesthetics of Compromise

Join us for a lecture by Professor Rachel Greenwald Smith.

From New York Times op-eds to SNL skits, the fantasy of compromise and the end of polarization is a recurring theme in contemporary U.S. culture. As political partisanship intensifies alongside the rise of a neo-fascist far right, compromise often seems like the only alternative to autocracy, minority rule, or even civil war. But what happens when compromise is no longer a viable pragmatic tool for the temporary reconciliation of conflict and instead becomes an ideal? Unmoored from specific negotiations and agreements, compromise as a value in and of itself begins to resemble an aesthetic category as much as a political tactic. This talk will place the rise of compromise as an aestheticized politics alongside the rise of compromise as an aesthetic value in literature and the arts, demonstrating how a position that claims immunity from the passion-driven political positions of our moment has itself become a site for irrational affective investment. 

As part of her Hurst visit, on Monday, 3/7, 2:30pm, Professor Smith will conduct a seminar for English Department graduate students on public-facing writing. Ana Quiring and Laura Evers will help moderate the discussion, which will take place in the Coffee Room. We will read in advance one of Professor Smith’s public-facing essays: “Friends and Enemies: On Slogan Tees,” which draws on Professor Smith’s recent book On Compromise, and was published in the Los Angeles Review of Books. During the seminar, we will discuss the essay and strategies for how to translate academic research for public-facing audiences. We are planning this as an informal, friendly, hands-on conversation, a time to ask questions and share ideas among ourselves. 

Rachel Greenwald Smith is Professor of English at St Louis University. She is the author of Affect and American Literature in the Age of Neoliberalism (Cambridge University Press, 2015) and On Compromise: Art, Politics, and the Fate of an American Ideal (Graywolf Press, 2021). Her research interests are in contemporary American literature, politics and aesthetics, culture and capitalism, and theories of emotion and embodiment. 

Spring 2022 Undergraduate Research Symposium

Spring 2022 Undergraduate Research Symposium

Join us for the annual Spring Undergraduate Research Symposium, which will highlight the diverse range of impressive research projects completed by WashU undergraduates, including Senior researchers completing theses, capstones, and other culminating projects.

The Office of Undergraduate Research is excited to host a Celebration of Undergraduate Research this spring, which kicks off with our annual Spring Undergraduate Research Symposium on April 20. Featuring nearly 180 students’ poster presentations and talks, the symposium showcases the diverse range of projects completed by WashU undergraduates and mentored by WashU faculty. Presenters stem from over 30 major and minor programs across Arts & Sciences, McKelvey, Sam Fox and Olin. See a full list of presenters here.

We hope that you are able to “stop by” the virtual event to support the students. The community’s participation means a great deal to them, and this year it will look like posting comments and questions on students’ pre-recorded poster presentations and talks. Also, many students are hosting Zoom Q&A sessions. Find the session time and link on the student's presentation page.

Additionally, the symposium is running concurrently with Departmental events featuring undergraduate research. We are particularly excited to join Departments in congratulating Senior researchers completing theses, capstones, and other culminating projects. For more details on some of the upcoming events, visit the OUR’s Events Page here

 

Join the Event

“And Here They Are Trampling on the People”: Housing, Urbanization, and Revolution in Cuba

City Seminar 2022: The Divided City

How did the 1959 Cuban Revolution impact the urban housing crisis in Cuba? The notion that housing is a human right was a central pillar of revolutionary ideology. In service to this idea, the new government ostensibly banned evictions in 1959 and nationalized all urban rental property in 1960 with the intent to provide every Cuban with a decent home. But what was the lasting impact of these policies? As Cuban cities fell into neglect and disrepair in the decades that followed, the island’s most vulnerable citizens, including large numbers of Afrocubans, were forced to build illegal communities and face down government demolition brigades as they made claims to the city. Examining their struggles helps us understand how the revolutionary mission to create universal housing access functioned at the ground level.

Meet the Speakers:

William Kelly is the ACLS Emerging Voices Fellow 2021-2022 at the Center for the Humanities, Washington University in St Louis

Alejandro Velasco (Associate Dean for Faculty and Academic Affairs, Associate Professor of History, NYU Gallatin School of Individualized Study) is a historian of modern Latin America whose research and teaching interests are in the areas of social movements, urban culture and democratization.  His book, Barrio Rising: Urban Popular Politics and the Making of Modern Venezuela (University of California Press, 2015), couples archivial and ethnographic research to examine how residents of Venezuela's largest public housing community pursued full citizenship during the heyday of Latin America's once-model democracy.

Kimberly Zarecor (Professor of Architecture in the College of Design at Iowa State University) has been teaching courses in architectural history and design since 2005.  Her historical research examines the cultural and technological history of architecture and urbanism in the former Czechoslovakia.  Her new research is about quality of life in small and shrinking rural communities in Iowa.

Register

Panel Discussion for ‘Behind the Sheet’

Co-Hosts: Ron Himes, Founder and Producing Director, The Black Rep; and Rebecca Messbarger, PhD, Director of Medical Humanities

The Medical Humanities minor is sponsoring a panel discussion to spark conversation about themes presented in The Black Rep’s production of Behind the Sheet. Co-hosts for the panel are Ron Himes, founder and producing director of The Black Rep; and Rebecca Messbarger, PhD, director of Medical Humanities.

Panelists

Dr. Dineo Khabele, chair, Department of OB/Gyn and the Mitchell & Elaine Yanow Professor at the Washington University School of Medicine

Sowande' Mustakeem, associate professor of history and of African and African-American studies at Washington University

Yolonda Wilson, PhD, associate professor of health care ethics at Saint Louis University

Hedwig Lee (moderator), professor of sociology, director of undergraduate studies and co-director of the Center for the Study of Race, Ethnicity & Equity at Washington University

African Film Festival:  UN FILS/A SON

African Film Festival: UN FILS/A SON

The 16th year of the African Film Festival is slated for March 25-27, 2022 at Brown Hall, Room 100 - Washington University.

Un Fils/A Son
In Arabic and French with English subtitles
by Mehdi Barsaoui (Tunisia, 2019, 95m

11 year old Aziz needs a liver transplant after being seriously injured during a terrorist ambush while on holiday in 2011. At the hospital a family secret will be revealed.
Young Talent Award for Best Feature Film, Hamburg Film Festival Y (2019) Best Actor, Lumiere Awards (2021) Horizons Award for Best Actor, Venice Film Festival (2019)


Proceeded by:


Tang Jer
In Wolof with English or French subtitles
by Selly Raby Kane (Senegal, 2020, 14m)

In his mysterious restaurant, an unusual Tangana tenant, the incessant ballet of the beings that populate the city of Dakar.

African Film Festival:  Lingui, Liens Sacres/ The Sacred Bonds

African Film Festival: Lingui, Liens Sacres/ The Sacred Bonds

The 16th year of the African Film Festival is slated for March 25-27, 2022 at Brown Hall, Room 100 - Washington University.

Lingui, Liens Sacres/ The Sacred Bonds
In Arabic with English subtitles
by Mahamat-Saleh Haroun (Chad/France, 2021, 88m)

On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year-old daughter, Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law.

Producers Award for International Cinema, Hamburg Film Festival (2021)
USA NBR Award for Top Five Foreign Language Films, National Board of Review (2021)
Award for the Respect of Minority Rights and Laity, Torino Film Festival Interfedi Award (2021)

Proceeded by:

Al-Sit
In Arabic with English subtitles
by Suzannah Mirghani (Sudan, 2020, 20m)

In a cotton-farming village in Sudan, 15-year-old Nafisa has a crush on Babiker, but her parents have arranged her marriage to Nadir, a young Sudanese businessman living abroad. Nafisa’s grandmother Al-Sit, the powerful village matriarch, has her own plans for Nafisa’s future. But can Nafisa choose for herself?

Best Short, Africa International Film Festival International Short Film Competition (2021)
Best Live Action, Berlin Interfilm Festival
Best Short and ZIFF Chairman’s Award, Zanzibar International Film Festival (2021)

 

African Film Festival:  Lady Buckit and the Motley Mopsters

African Film Festival: Lady Buckit and the Motley Mopsters

The 16th year of the African Film Festival is slated for March 25-27, 2022 at Brown Hall, Room 100 - Washington University.

Lady Buckit and the Motley Mopsters
by Adebisi Adetayo (Nigeria, 2021, 80m)

A precocious, self-absorbed little girl finds herself in wildly unfamiliar territory. There, she encounters a band of highly unusual characters who change the course of her destiny.

Proceeded by:

Begho
by Victoria Aryee & Daniel Kumah (Ghana, 2021, 7m)

Discovery of the Begho market, in West Africa, in the 16th century, through the eyes of a little girl named Kasi. Begho is a former market city, at the crossroads of several trade routes, which was occupied between the 11th and 18th centuries. As such, it is mentioned and documented in many early writings about West Africa and pre-colonial Ghana and oral tradition.

Lecture by Visiting Hurst Professor Anne Cheng

Lecture by Visiting Hurst Professor Anne Cheng

This event will be held via Zoom. Register below.

Against Use: Asian American Masculinity and the Telos of Instrumentality

What does a theory of “Ornamentalism” or ideas of ornamental personhood have to teach us about Asiatic masculinity? Although Asian masculinity in Western culture has long been excluded from the realm of aesthetics, both as objects and subjects, this paper argues that the history of Asiatic male labor in America has helped to shape, and has been shaped by, a set of larger debates about persons versus things, about ornaments versus tools.

Register Here!

Superalimentos

Matt Abel, Doctoral Candidate in Anthropology, Washington University in St. Louis & Emma McDonell, Assistant Professor, University of Tennessee at Chattanooga

For more information and upcoming talks, please visit the Agri-Food Workshop Website here: https://sites.wustl.edu/agrifood/agri-food-workshop/.

Zoom Link

Academic Pastoral

Lisa Powell, Sweet Briar College Director, Center for Human & Howard Sacks, Kenyon College Founder/Director, Rural Life Center

In 2015 Sweet Brian College announced it was closing, but its alumnae rose and brought in a new president who is remaking the college around sustainable food and farming. Director Lisa Powell tells the remarkable story of what is unfolding. Kenyon College has had its own farm for over 25 years. How has its sustainable agriculture program been sustained? What impact has it had?

For more information and upcoming talks, please visit the Agri-Food Workshop Website here: https://sites.wustl.edu/agrifood/agri-food-workshop/.

 

 

Zoom Link

Eating While Black

Psyche Williams-Forson, Professor and Chair, American Studies, University of Maryland & Rafia Zafar, Professor of English, African and African-American Studies, and American Culture Studies, Washington University in St. Louis

New work by Psyche Williams-Forson (University of Maryland) and Rafia Zafar (Washington University in St. Louis) on African American food, identity, stigma, and respect. 

For more information and upcoming talks, please visit the Agri-Food Workshop Website here: https://sites.wustl.edu/agrifood/agri-food-workshop/.

 

Zoom Link
Student Dance Showase:

Student Dance Showase: "Sunny Side Up"

Student Run, Student Choreographed, Student Danced!

Choreography by

Cecelia Anderson 

Renee Austin

Allison Fabrizio

Leighanne Guettler-James

Matthew Kalmans

Allison O’Bara

Jebron Perkins

Grace Philion

Jessica Tuck

Izzy Yanover

Tickets:

$5 for a Chair, $3 for Mat Seating

Ticket Link Coming Soon!

 

Women and the Recited Qur'an: Scriptural Recitation and Lecture

Women and the Recited Qur'an: Scriptural Recitation and Lecture

Ms. Madinah Javed

The Department of Jewish, Islamic, and Middle East Studies is delighted to host Ms Madinah Javed, an internationally known qari'ah (reciter) of the Qur'an on Wednesday March 23 at 4pm. Ms Javed will be giving a recital and lecture, entitled "Women and the Recited Qur'an." While there is an excellent body of Islamic scholarship that engages women's interpretations of the Qur'an as a text, to date less attention has been paid to the rich public soundscape of women's recitation, and questions of Qur'anic orality and aurality.
We hope you are able to join us.

Madinah Javed is a Scottish trainee lawyer and women’s rights campaigner living in Chicago, IL. She was born and raised in Glasgow, Scotland and is third-generation Scottish. Madinah is well known internationally as a qari’ah (reciter) of the Qur’an. She is a regular commentator in the media on women’s rights globally. She has given Qur’an recitations all around the world including at the British Museum and at the Scottish Parliament as a way for more people to hear the female spiritual voice in Islam. Madinah launched the trailblazing #FemaleReciterscampaign in 2017 to raise awareness of the rich public soundscape where women recite the divine text of the Qur’an. Madinah graduated from the University of Glasgow in 2019 with a Diploma in Legal Practice.

She also holds an LLB in Scots Law and looks forward to commencing her legal traineeship with the Scottish Government in September 2022. She is actively involved in the Andalus Community Hub and Beacon Institute in Glasgow. 

Click Here to view the flyer.

At the Edge of Whiteness: Brown Feeling and the Public Life of Blackness in José Clemente Orozco's U.S.-based Prints

The Latin American Studies Program is pleased to invite you to the following talk: "At the Edge of Whiteness: Brown Feeling and the Public Life of Blackness in José Clemente Orozco’s U.S.-based Prints," by Mary K. Coffey

This talk explores the Mexican artist, José Clemente Orozco’s, US-based lithograph on the public life of Blackness, executed during his second and longest sojourn in the United States between 1928 and 1934. I argue that his representation of variety theater in Harlem, in the first lithograph he produced, and his representation of lynching in the last lithograph the produced, speak to a concern with Blackness that was both new and related to the artist’s experiences with racialization while traveling, living, and working in the United States. By bringing Performance Studies scholar José Muñoz’s theorization of “the sense of brown” to bear upon Orozco’s work, I explore these prints as an expression of nascent brown feeling and thereby as a performance of a relational and in-process Latinidad. My focus on brownness in Orozco’s work suggests new pathways for understanding race beyond the Black/white binary that has thus far dominated discussions of race and representation in American art during the inter-war period. Likewise, it opens new questions about the concerns of Mexican artists during the “Mexican Vogue,” suggesting heretofore unconsidered connections with artists and intellectuals during the Harlem Renaissance as well as Mexican-American artists working today.

Please register in the following link: https://wustl.zoom.us/meeting/register/tJ0rfuChqzsiGtY_e0iJRcRt_ogfqkvGn3Zy

Content Warning// this talk discusses racial stereotypes, lynching, and the spectacularization of violence in art.

Mary K. Coffey is Professor of the Modern Art of the Americas at Dartmouth College in the Departments of Art History and Latin American, Latino, and Caribbean Studies. Her first book, How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State (Duke 2012), won the College Art Association’s Charles Rufus Morey Prize in 2012. Her most recent book, Orozco’s America: Myth, History, and the Melancholy of Race (Duke 2020) offers the first sustained analysis of José Clemente Orozco’s The Epic of American Civilization fresco cycle at Dartmouth College. Her current work concerns the “public life of Blackness” and anti-Blackness in the art of Orozco. She is also working on the historical construction of the Pedregal and the politics of extraction in post-Revolutionary Mexico. 

Sponsored by the Latin American Studies Program, with additional support 
by the American Culture Studies Program at Washington University.

For more information, please contact Prof. Ignacio M. Sánchez Prado at isanchez@wustl.edu

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora

Event Date: TBD

CANCELLED: Enslaved Histories: Value, Risk, and the Imagination of the Quantifiable Body in the Early Modern Atlantic

Pablo Gómez, Visiting Fellow, History and the Shelby Cullom Davis Center for Historical Studies, University of Wisconsin-Madison

THIS EVENT HAS BEEN CANCELLED, EFFECTIVE 4/11/2022. WE HOPE TO RESCHEDULE DR. GOMEZ FOR AN EVENT IN THE FUTURE. THANK YOU FOR YOUR INTEREST.

 

This talk will explore the emergence in sixteenth and seventeenth-century Iberian Atlantic slaving societies of novel concepts about the quantifiable nature of human bodies. These developments, he argues, gave rise to a new epistemology that conceived of fungible and universal bodies that were measurable and comparable, as were the diseases that affected them, in quantifiable and reproducible ways in a temporal framework. Scholars have traditionally identified these ideas as related to the rise of the New Science and political and medical arithmetics in late seventeenth-century and eighteenth-century English, French and northern European learned circles.

Dr. Gómez's research explores how early Iberian-centered slave trade enterprises of the sixteenth and seventeenth centuries generated, in an unprecedented manner, a gargantuan amount of data related to the mathematical measurement of human corporeality and the risks of slave bodies (and their labor) in financial terms. This history has remained mostly unexamined, especially in relation to accounts about the emergence of modern medicine, epidemiology, and demography. By focusing on the violent early history of bodily quantification in the Atlantic, his work re-locates narratives about critical events related to the value-creating nature of exchange practices as they refer to the human body and their role in the modeling of fundamental ideas for the nascent disciplines of political economy and public health in ensuing centuries.

Dr. Gómez will deliver this lecture as part of the History Department Colloquium Series.

Your health and safety are important to us. All campus visitors must complete WashU’s visitor screening tool (https://visitorscreening.wustl.edu) no more than four hours before coming to campus.  Kindly be prepared to show your screening results when you arrive at the event.

Inaugural David T. Konig Lecture: The Jefferson Image in the American Mind in the 21st Century. The changing meaning of Jefferson's legacy in Modern America.

Professor Annette Gordon-Reed, Carl M. Loeb University Professor, Harvard University
Annette Gordon-Reed

Annette Gordon-Reed will take Thomas Jefferson as a point of departure for a thought-provoking consideration of how Americans understand their own history.  She will consider how terms like freedom and slavery—terms now inseparable from Jefferson—have shaped the ways people talk about Jefferson.  This will be a wide-ranging consideration that explores politics and race, nation and identity, memory and memorials.

Gordon-Reed is Carl M. Loeb University Professor at Harvard University, where she is on the faculty of both the Harvard Law School and the Department of History.  She is the author of numerous books in both law and history.  She has received over sixteen major book prizes, including the Pulitzer Prize for The Hemingses of Monticello, a magisterial study that explores one enslaved family on Thomas Jefferson’s plantation and in the process reimagines how we understand both Jefferson’s landmark home and the experience of slavery.  Her most recent book is the New York Times best-seller On Juneteenth, which combines both American history and family history in telling the story of commemoration of emancipation.

 

This lecture is sponsored by the David T. Konig Lecture Series Fund, with co-sponsorships from the Department of History; the American Culture Studies Program; the Department of African and African-American Studies; the Center for the Studies of Race, Ethnicity & Equity; and the School of Law at Washington University in St. Louis.

This event is free and open to the public. Light refreshments will be served.

Named in honor of Professor David T. Konig, a long-serving faculty member in the History Department and School of Law, this lecture series showcases speakers working in Professor Konig’s fields of American legal history and early American history.

 

Your health and safety are important to us. All campus visitors must complete WashU’s visitor screening tool (https://visitorscreening.wustl.edu) no more than four hours before coming to campus.  Kindly be prepared to show your screening results when you arrive at the event.

 

 

Conspiracy! Evangelicals, Fear, and Nationalism in the 21st Century

A public lecture by Anthea Butler, author of “White Evangelical Racism: The Politics of Morality in America”

American Evangelicals are undergoing a profound shift in how they conceive their political, social and civic action in America. Anthea Butler’s talk will explore evangelicals’ changing beliefs, the embrace among many of conspiracy theories and nationalism, and the implications for the upcoming elections of 2022 and 2024.

Anthea Butler is the Geraldine R. Segal Professor in American Social Thought and Chair of Religious Studies at the University of Pennsylvania. A historian of African-American and American religion, Butler’s research and writing spans African American religion and history, race, politics, Evangelicalism, gender and sexuality, media and popular culture. You can find more of her writing and public engagement at Antheabutler.com.

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An Island Retreat: Sin, Secrecy, and the Offshoring of Sexually Abusive Priests

A public lecture by Kevin Lewis O’Neill, Director of the Centre for Diaspora and Transnational Studies and Professor in the Department for the Study of Religion, University of Toronto

Between 1952 and 1968, a Roman Catholic religious order known as the Servants of the Paraclete sought, bought and finally sold several small islands in the Caribbean for priests unable to stop “sin[ning] repeatedly with little children.” This talk details the Servants of the Paraclete’s mid 20th-century efforts at offshoring sexually abusive priests. It is a historical account that encourages scholars and activists alike to rethink the geography of clerical sexual abuse: Though there is a generally agreed upon history that bishops throughout the United States transferred priests between parishes to evade suspicion and at times prosecution, this provides a previously untold account of how the U.S. Church leveraged developments in moral theology, pastoral psychology and free market capitalism to secure transnational lines of flight for some of its most incorrigible abusers. 

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Squirrel Hill: The Tree of Life Synagogue Shooting and the Soul of a Neighborhood

A public lecture by Mark Oppenheimer, journalist and author of “Squirrel Hill”

Join us for this public lecture by Mark Oppenheimer, who will speak about his recent book Squirrel Hill, which offers a piercing portrait of the struggles and triumphs of one of America’s renowned Jewish neighborhoods in the wake of unspeakable tragedy that highlights the hopes, fears and tensions all Americans must confront on the road to healing.

Squirrel Hill, Pittsburgh, is one of the oldest Jewish neighborhoods in the country, known for its tight-knit community and the profusion of multigenerational families. On October 27, 2018, a gunman killed eleven Jews who were worshipping at the Tree of Life synagogue in Squirrel Hill–the most deadly anti-Semitic attack in American history.

Many neighborhoods would be understandably subsumed by despair and recrimination after such an event, but not this one. In his book, Mark Oppenheimer poignantly shifts the focus away from the criminal and his crime, and instead presents the historic, spirited community at the center of this heartbreak. He speaks with residents and nonresidents, Jews and gentiles, survivors and witnesses, teenagers and seniors, activists and historians.
 
Together, these stories provide a kaleidoscopic and nuanced account of collective grief, love, support and revival. But Oppenheimer also details the difficult dialogue and messy confrontations that Squirrel Hill had to face in the process of healing, and that are a necessary part of true growth and understanding in any community. He has reverently captured the vibrancy and caring that still characterize Squirrel Hill, and it is this phenomenal resilience that can provide inspiration to any place burdened with discrimination and hate.

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A man and dog walk down a narrow street between tall buildings

The House and the City

Daniel Blum is a practicing architect and educator based in Switzerland.

City Seminar 2022: The Divided City

Europe is built. More than two-thirds of the European population lives in cities. This makes the city a conditio sine qua non for European architecture. We never face a tabula rasa condition, neither physically nor intellectually.

The resilience of the European city is deeply rooted in its ability to transform, to adapt, to recover. This constant evolutionary process over centuries is transcending built fabric to what we call identity — the individual character of each city — which is often praised but cannot be produced as a whole.

In this sense, each house can be regarded as a tone in the symphony (or cacophony) of a city. Every new house, every refurbishment, is a change in the city fabric that influences its overall tune.

In our recent work, we are reflecting this responsibility toward the city: Each house is an attempt to balance private interests with the demands of the city in a specific place. In this reflection on specific local constellations (always with the city as protagonist), we regard each house as an opportunity to add, adjust, or even heal the fabric of the city in its constant evolution driven by social, economic, and cultural forces.

Daniel Blum is a practicing architect and educator based in Switzerland. He has worked as an academic assistant at the ETH and has been teaching regularly at various universities since 2014, such as the Dessau International Architecture School among many others. He is currently teaching a design studio at the Münster School of Architecture. His work has been exhibited widely through venues such as the Venice Biennale and Swiss Architecture Museum. Daniel worked with David Chipperfield Architects in London and Diener & Diener Architects in Basel. In 2017, he became head of design at Itten + Brechbühl in Basel and was appointed member of the board in 2019. 

Photo Credit: Yohan Zerdoun

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St. Louis Women Behind the Camera

St. Louis Women Behind the Camera

Elizabeth Eikmann, Postdoctoral Fellow in the Study of St. Louis and the American Story, will be discussing St. Louis women behind the camera at a virtual event sponsored by the St. Louis County Library as part of their Women's History Month programming.  Click here for registration.

Crisis in Ukraine: Past, Present and Future

Crisis in Ukraine: Past, Present and Future

The Office of the Provost and Crisis & Conflict in Historical Perspective, Department of History, invite you to join a thoughtful discussion with a panel of distinguished Washington University faculty members.

Panelists include:

  • Andrew Betson, Professor of Military Science, Gateway Battalion, Lieutenant Colonel, U.S. Army
  • Krister Knapp (moderator), University Teaching Professor and Exec. Coordinator, Crisis & Conflict in Historical Perspective.
  • Leila Sadat, James Carr Professor of International Criminal Law, Special Adviser on Crimes Against Humanity to the ICC Prosecutor
  • Janis Skrastins, Assistant Professor of Finance, Olin Business School
  • James Wertsch, David R. Francis Distinguished Professor of Anthropology and Global Studies,
    Director Emeritus of the McDonnell International Scholars Academy

This event is sponsored by the History Department and Office of the Provost at Washington University
in St. Louis. 

click here to register for this webinar

 

 

Joint Book Launch: ‘The New Sex Wars’ and ‘Porn Work’ with Brenda Cossman and Heather Berg

HUMANITIES BROADCAST - Heather Berg, assistant professor of women, gender and sexuality studies; and Rebecca Wanzo, chair and professor of women, gender and sexuality studies

Join us for a joint book launch spotlighting the new work of Brenda Cossman, professor of law at the University of Toronto, and Heather Berg, assistant professor of women, gender and sexuality studies at Washington University, followed by a conversation moderated by Rebecca Wanzo, chair and professor of women, gender and sexuality studies, Washington University. Mark S. Bonham Centre for Sexual Diversity Studies, University of Toronto.

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2021-2022 Weltin Lecture: Signifying on the “Tribe[s] of Interpreters”: “Early Christianity” as Colonialist-Nationalist Masquerade

Dr. Vincent L. Wimbush - Director, Institute for Signifying Scriptures

This lecture is intended to account for the practices, dynamics, operations, and effects---including the patho-logics and politics (masquerade)—that involves “scriptural”/“early Christian” studies, theorized broadly and transgressively. The exegetes (jurists and scholars) of such cultural-intellectual-political work/play—traversing several academic and extra-academic professional fields (literary criticism; classics; history; scriptural exegesis/church history; jurisprudence; science; socialsciences)—are encouraged to excavate the origins of such practices and their continued participation in them as part of the maintenance of the “symbolic” andpolitical “order of things” (scripturalization). All thoughtful persons, including cardcarrying academic guild members, are challenged to consider for the sake of our collective health and thriving the necessity of ex-centric and transgressive ways forward.

Vincent l. Wimbush, Ph.D., is an internationally recognized scholar of religion, with primary focus on the phenomenology and psycho-social politics of scriptures in society and culture.  He is past president of the Society of Biblical Literature and is Founding Director of the Institute for Signifying Scriptures.

Click here to register for this event, which will also be available on Zoom. 

 

E. G. Weltin retired from full time teaching after a long distinguished career as professor of Greek and Roman history and Director of the Program in Religious Studies at Washington University. Upon retirement, a lectureship in early Christian history was established in his honor by gifts from his students. Over the past 25 years, the Weltin lectures have brought distinguished scholars of early Christianity to campus for what has become one of the most anticipated events in the Religious Studies academic year.

To learn more about the impact of the Weltin Lecture visit: A professor’s lasting impact.

Bound for Beauty: A Book Binding Demonstration

Intricately cut colors of leather, gold tooling and elaborate designs adorn the covers of beautiful books, but have you ever wondered how these books are made? To celebrate the exhibition Bound for Beauty, Washington University Libraries is hosting a book binding demonstration by Noah Smutz, book conservator. Noah will discuss how to bind a book, with models he created to illustrate the steps. He will also demonstrate how to prepare leather for binding and apply gold tooling for decoration. After the demonstration, attendees will be invited to view the exhibition and enjoy the beautiful bindings on display. 

Noah Smutz is a book conservator and the owner of NS Conservation LLC. Smutz has been in the field of conservation since 2011 when he started as a student worker in the University of Kansas Libraries conservation lab. He has since held internships for the Smithsonian Archives and Bodleian Library among others. He graduated with a master’s degree in book conservation from West Dean College in the United Kingdom. Previously he has worked as a book conservator for the Smithsonian Libraries. He has been a member of the American Institute for Conservation since 2010 and a Professional Associate since 2019.

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Virtual Book Club: The Sixteen Pleasures

The Sixteen Pleasures takes us to Florence in the aftermath of a flood that has devastated the city’s cultural heritage collections. We follow an American book conservator, Margot Harrington, in her volunteer efforts to help Florence save what treasures it can. During her disaster recovery efforts in a water-logged convent, she uncovers the last copy of 15th century erotica, thought to have been destroyed by the Vatican centuries ago. Convinced by the abbess to save the order’s finances by selling the priceless volume discreetly, Margot finds herself in the heady world of secretive deals and passionate affairs.

A presentation by Danielle Creech, head of preservation, digitization and exhibitions, on real life disaster recovery efforts around the globe will precede the discussion.

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Faculty Book Talk: Heidi Kolk and Iver Bernstein

HUMANITIES BROADCAST - Iver Bernstein (History, AFAS and American Culture Studies)

Join us for a panel discussion by essay contributors to “The Material World of Modern Segregation: St. Louis in the Long Era of Ferguson.” The collection (forthcoming in The Common Reader: A Journal of the Essay, 2022) stems from a conference by that name in spring 2017, involving leading scholars on race, segregation and urban space, and experience from in and outside Washington University. The collection of essays is co-edited by Heidi Kolk (Sam Fox School) and Iver Bernstein (History, AFAS and American Culture Studies).

This event is taking place in Umrath Hall, and will also be livestreamed and recorded for virtual viewing. Follow link for details on pre-registration and health screening.

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"The Role of Law and Lawyers in Time of Crises" with Law Professor Brian Tamanaha

Join IPH and Legal Studies for a lecture by Brian Tamanaha, John S. Lehman University Professor of Law. We ask that new Legal Studies Minors attend a short welcome session before the lecture (at 4:00 p.m.) with Professor Frank Lovett.

"The Role of Law and Lawyers in Times of Crises"

An unrelenting series of crises have befallen the world and American society in recent years: the Russian invasion of Ukraine, Covid-19 pandemic, global warming, doubts about US elections and violent entry into the halls of Congress to interfere with the peaceful transfer of power, protests for racial justice, renewed battles over abortion, the so-called culture wars, and more. When faced with the individual and aggregate magnitude of these challenges it is easy to experience a sense of despair for society, and helplessness as individuals. But giving into despair is not an answer. This lecture describes the critical role law serves in these various crises (often unseen on the surface), explains how law has become a background infrastructure for society, and shows that law cannot fulfill this role without lawyers personally committed to upholding the rule of law.

Professor Brian Z. Tamanaha is a renowned jurisprudence and law and society scholar, and the author of ten books andover seventy-five articles and book chapters. His latest book is Legal Pluralism Explained: History, Theory, Consequences (Oxford 2021). His previous book, A Realistic Theory of Law
(Cambridge 2017), received the 2019 IVR Book Prize from the International Association of the Philosophy of Law and Social Philosophy for best legal philosophy book published in 2016-18, as well as an Honorable Mention for the 2018 Prose Awards in Law by the Association of University Presses.
In 2013, a National Jurist poll of 300 law deans and professors voted Professor Tamanaha #1Most Influential Legal Educator, owing to hiscritical examination of the legal academy, Failing Law Schools (Chicago 2012). Professor Tamanaha has twice been selected Professor of the Year by student vote.

Before becoming a law professor, he clerked for the Hon. Walter E. Hoffman, U.S. District Court for the Eastern District of Virginia, was an Assistant Federal Public Defender in Hawaii, was an Assistant Attorney General for Yap Statein Micronesia, and was Legal Counsel at the 1990 Micronesian Constitutional Convention. After these varied practice experiences, he earned a Doctorate of Juridical Science with a focus on legal theory at Harvard Law School.

More Info about IPH

More Info about Legal Studies

Combating Caste on U.S. College Campuses

A Dalit History Month Speaker Panel

Panel discussion 2:30-4 pm; reception in McMillan Courtyard immediately to follow. Please RSVP below.

In this student-faculty collaborated talk, Shailaja Paik (University of Cincinnati) and Prem Pariyar (California State University, East Bay) join Shefali Chandra (Washington University) and members of the student group Ekta and the Asian Multicultural Council to discuss how caste functions in college campuses within the South Asian diaspora, brainstorm tools to combat it, and connect caste with other transnational hierarchical systems. Join Ekta and AMC to kick off Dalit History Month this April!

Shailaja Paik is associate professor in the Department of History and affiliate in the Department of Women, Gender, and Sexuality Studies at the University of Cincinnati. Her scholarship and research interests focus on the politics of caste, gender and sexuality, and she is committed to advancing the dialogue in anti-caste and anti-colonial struggles, human rights, transnational women’s history, women-of-color feminisms and particularly on gendering caste and subaltern history. She is working on her third monograph, “Becoming ‘Vulgar’: Caste Domination and Normative Sexuality in Modern India,” and co-editing a book on Dr. B.R. Ambedkar (Cambridge University Press, forthcoming). Paik has published several articles on a variety of themes, including the politics of naming, Dalit and African-American women, Dalit women’s education and new Dalit womanhood in colonial India in prestigious international journals.

Prem Pariyar (MSW, ASW) is a Bay Area social worker and alumnus of California State University, East Bay’s master’s of social work program. He is a prominent Dalit Rights activist in the United States, and was instrumental in the implementation of caste protections in the California State University system in January of this year. In 2021, he was a recipient of the SOLAR Award (Outstanding Student Leader) at Cal State East Bay. Currently, he is an elected delegate to the National Association of Social Workers assembly from the California Chapter. Pariyar has been featured in Al Jazeera, Los Angeles Times, San Francisco Chronicle and Kathmandu Post.

Co-sponsored by Ekta (South Asian equality collective) and the Asian Multicultural Council with the Program in Global Studies and the Department of Women, Gender, and Sexuality Studies. Generous support from the Center for Humanities; Department of History; Law, Identity, and Culture; South Asian Languages and Cultures; and the Department of Jewish, Islamic and Middle Eastern Studies.

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Building Bridges for Equity and Inclusion: Introducing the St. Louis School Research-Practice Collaborative

Building Bridges for Equity and Inclusion: Introducing the St. Louis School Research-Practice Collaborative

You may be interested in the Department of Education's upcoming Ilene Katz Lowenthal and Edward Lowenthal Symposium Series event "Building Bridges for Equity and Inclusion: Introducing the St. Louis School Research-Practice Collaborative" on Tuesday, March 29th, 2022 from 4:00-5:15pm with reception to follow in the Women's Building Formal Lounge.

Join Dr. Saras Chung (Executive Director of SKIP Designed), Dr. Kelvin Adams (Superintendent of St. Louis Public Schools), Dr. Candice Carter-Oliver (Chief Executive Officer of Confluence Charter Schools), Jay Hartman (Executive Director of the Consortium Partnership Network of St. Louis Public Schools), Dr. Amber Jones (Harris-Stowe State University), Dr. Jason Jabbari (Washington University in St. Louis), and Dr. Andrew Butler (Washington University in St. Louis) to learn more about the St. Louis School Research-Practice Collaborative.

The mission of the St. Louis School Research-Practice Collaborative is to conduct rigorous research for educators to inform policies and practices that foster systemic improvements that lead to educational, social, and emotional growth for students in STL schools. We do this by creating collaborations between researchers and practitioners and conducting rigorous research for practice.

Please register for the event by March 25th using this link.

Reach out Kyle Trojahn (kyle.t@wustl.edu) with any questions or concerns, thank you!

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Retina Burn

Retina Burn

The students of the Lighting Technology class will put on a full concert in the Edison Theatre.

The Performing Arts Department  invites you to join the students of the Lighting Technology class as they put on a full concert in the Edison Theatre.  The concert, which we lovingly call RETINA BURN, is the culmination of a semester long process in learning the craft of designing a concert lighting and projection rig. Students have spent the better part of the semester programming this concert in computer visualization in preparation for the live show.

This concert is FREE and Open to the Public.  

Performance by UNCLE ALBERT with Tim Albert and Lisa Campbell.  This popular Illinois based band maintains their roots as well as they “Boogie da’ Blues.”

Egypt's Arab Spring 10 years after the resolution

Please join us for this Zoom public lecture which will be in Arabic.

Professor Hossam Barakat, University of Oklahoma

Facilitated by:  Housni Bennis.

For more information, please contact Housni Bennis (hbennis@wustl.edu) or Julia Clay (jclay@wustl.edu).

 

Click here to view the poster for this event.

Click here TO join on Zoom

 

 

Tale of Two Subsidies: Why the Afghan army did not fight and the Ukrainian army did

Tale of Two Subsidies: Why the Afghan army did not fight and the Ukrainian army did

Speaker: David K. Levine, Professor of Economics and Joint Chair Robert Schuman Center for Advanced Study, European University Institute, and John H. Biggs Distinguished Professor Emeritus, Department of Economics, Washington University in St. Louis.

The Weidenbaum Center is pleased to host David K. Levine. Professor Levine is the John H. Biggs Distinguished Professor of Economics Emeritus at Washington University and he maintains close connections with our Department of Economics. Professor Levine previously taught at UCLA where he held the Amen Alchian Chair in Economics. He has worked as a research consultant for the Federal Reserve Bank of St. Louis and the Federal Reserve Bank of Minneapolis. He now holds a chair in Economics at the European University Institute, a research associate of the National Bureau of Economic Research, and is a fellow of the Econometric Society. 

Professor Levine has published widely during a distinguished research career. Much of his work explains the relevance of economic theory to contemporary issues. His current areas of interest include political institutions, evolutionary models of the stae, and the formation and organization of interest groups. 

Register here 

This event is presented in conjunction with Washington University's Department of Economics. 

 

A Conversation with Angel Blue

A Conversation with Angel Blue

Host, Todd Decker

“The sumptuously voiced soprano Angel Blue is radiant, capturing both the pride and fragility of the character.”
 - THE NEW YORK TIMES

Biography:

Angel Blue has emerged in recent seasons as one of the most important sopranos before the public today. On September 23, 2019 she opened the Metropolitan Opera's 2019/2020 season as Bess in a new production of George Gershwin's Porgy and Bess; she will reprise this role at the Met in Fall 2021. These performances followed her internationally praised French Opera debut and role debut as Floria Tosca at the Aix-en-Provence Festival in July of 2019. She has also been praised for performances in many other theaters, such as the Vienna State Opera, Semperoper Dresden, San Francisco Opera, Seattle Opera, Theater an der Wien, Oper Frankfurt, and San Diego Opera. In the current season, Ms. Blue will make her debut at the Staatsoper Berlin in the title role of Tosca. She will also appear in recital at Carnegie Hall, in concert in Malta and at the Carmel Bach Festival, and in galas in St. Petersburg and Santa Fe. On September 27, 2021, Ms. Blue made history by performing the role of Destiny/Loneliness/Greta in Terrance Blanchard’s Fire Shut up in My Bones, the first production at the Metropolitan Opera by a Black composer. 

Puccini's La Boheme has played an especially prominent role in the development of Angel Blue's career. She made her United States operatic debut as Musetta at the Los Angeles Opera in 2007 while a member of the company's Young Artist Program and subsequently made her debut at the Teatro alla Scala in Milan in the same role. As Mimi, she has won special international acclaim. Ms. Blue first sang the role at the English National Opera in London in 2014 and has since sung Mimi for her debuts at the Palau de Les Arts in Valencia in 2015, at the Vienna State Opera in 2016, and with the Canadian Opera Company in 2019. Mimi was also the role of her Metropolitan Opera debut in 2017, and it is as Mimi that she will debut this season at the Hamburg State Opera. In Germany, she has already been heard as Mimi at the Semperoper Dresden. Other recent operatic engagements have included her debuts as Liu in Turandot at the San Diego Opera in 2018, as Marguerite in Faust at the Portland Opera in 2018 and as Bess in Porgy and Bess in Seattle in the same year. She debuted in Baden Baden as Elena in Mefistofele in 2016 and sang her first Violetta in La Traviata at the Seattle Opera in 2017, a role she also sang in the 2018/19 season for her debut at the Royal Opera House, Covent Garden and her return to the Teatro alla Scala. In the 2019/2020 season, Ms. Blue made her debut at the Hamburg State Opera as Mimi. She also became the first African-American to receive the Beverly Sills Award from the Metropolitan Opera in 2020. 

Also active on the concert platform, Ms. Blue has appeared in recital and in concert in over thirty-five countries. Important orchestral engagements have included Porgy and Bess at the Berliner Philharmoniker under Sir Simon Rattle and with the Philadelphia Orchestra under Marin Alsop, Mahler’s Symphony No. 2 with the Münchener Philharmoniker under the baton of Zubin Mehta, and Verdi’s Requiem in Sydney, Australia with Oleg Caetani. She has also sung Strauss’s Vier Letzte Lieder and Beethoven's Symphony No. 9 with the London Philharmonic Orchestra, Peri in Schumann's Das Paradis und die Peri with the Accademia Santa Cecilla in Rome, conducted by Daniele Gatti, and Beethoven's Symphony No. 9 with the Cincinnati Symphony under Music Director Louis Langree. Ms. Blue debuted in recital at the Ravinia Festival in August of 2019, after which she joined many of her international colleagues at the 2019 Richard Tucker Gala at Carnegie Hall in New York City.

Angel Blue was raised in California and completed her musical studies at UCLA. She was a member of the Young Artists Program at the Los Angeles Opera, after which she moved to Europe to begin her
international career at the Palau de les Arts in Valencia, Spain in 2009 and at the Verbier Festival in 2010. She subsequently appeared at the Theater an der Wien in The Rape of Lucretia (female chorus) and as Giulietta in Les Contes d’Hoffmann in a production created by Oscar-award-winning director William Friedkin. Blue also debuted in Frankfurt as the 3rd Norn in Götterdämmerung and returned to the United States as Clara in Porgy and Bess at the Seattle Opera in 2011. She also appeared as Micaela in Carmen with the Israeli Philharmonic and in Verdi’s Requiem with the Cincinnati Symphony under the late Raphael Frubeck de Burgos.


Angel Blue is represented by Zemsky Green Artists Management, New York, NY.

Co-Sponsored by  

Center for the Study of Race, Ethnicity & Equity

 

Hindi/Urdu Spring Festival: "Vasant Utsav"

Come and celebrate with us Spring Fest!

Join us for fun games, henna, a photo booth, and free snacks & desserts!

To view the poster for this event, click here.

Pan African Capital? Banks, Currencies, and Imperial Power

Pan African Capital? Banks, Currencies, and Imperial Power

Hannah Appel is associate professor of Anthropology at the University of California, Los Angeles, and associate director at the Institute on Inequality + Democracy. She is the author of 2019's The Licit Life of Capitalism: US Oil in Equatorial Guinea (Duke University Press) and co-author of 2020's Can’t Pay Won’t Pay: the case for economic disobedience and debt abolition (Haymarket Press).

U.S. and Europe-based banks and international financial institutions including the IMF have been central to critical accounts of Africa’s place in global capitalism. And yet since 2008 these institutions have been in retreat on the continent, partially replaced by Pan African Banks. Putting ethnographic work with Africa-based finance professionals into dialogue with heterodox economic thinking on banks and currency sovereignty, I argue that we must not only analyze the geographic shift in where banks are headquartered and who owns them, but also generate empirical and theoretical shifts in what a bank is, what it does, and to what effect, especially in terms of the relationship between currencies, social violence, and imperial and racial power.

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"Now is the right time. Come, come!": Unpacking Gender, Caste, and Humor in Bharatanatyam Performances of Eroticism

Anusha Kedhar, Assistant Professor in Dance, University of California, Riverside

Click here to register for this live zoom event.

Please Note The TIME CHANGE for this event is now at 1 p.m. via Zoom.

Anusha Kedhar is a scholar and practitioner of Indian dance. She was born and raised in Southern California but lived and worked in London, UK for several years as a professional dancer. She attended University of California, Berkeley (BA), London School of Hygiene and Tropical Medicine (MS), and University of California, Riverside (Ph.D.) where she received her doctorate in Critical Dance Studies in 2011. Her research interests include dance in India and the Indian diaspora, global political economy, and ethnographic methods in dance studies.

Kedhar’s book, Flexible Bodies: British South Asian Dancers in an Age of Neoliberalism (Oxford University Press, 2020), focuses on South Asian dancers in the UK and the creative ways in which they negotiate the demands of neoliberal, multicultural dance markets through an array of flexible bodily practices, including agility, versatility, mobility, speed, and risk-taking. Bringing together economic theories of flexible labor with embodied notions of flexibility in dance, the book re-frames flexibility as both a tool of labor exploitation as well as a bodily skill that dancers cultivate to navigate neoliberal multiculturalism. Kedhar’s writing on choreography, gesture, and Black Lives Matter protests has been featured in The Feminist Wire and The New York Times. She is currently working on a new project on eroticism (sringara) in bharata natyam.

Kedhar is an established performer and choreographer and has been a practitioner of bharata natyam for over 35 years. She trained with Ramya Harishankar (US) and has collaborated and performed with various contemporary South Asian choreographers in the US, UK, and Europe, including Mayuri Boonham (UK), Johanna Devi (Germany), Mavin Khoo (UK), Cynthia Ling Lee (US), Meena Murugesan (US), and Subathra Subramaniam (UK). Her solo choreography has been presented at the Southbank Centre (London), Mediterranean Institute for Theatre and Performance (Malta), UCLA (Los Angeles), Colorado College (Colorado), and Gibney Dance (New York). Kedhar is a Fulbright Scholar to India and the winner of the Selma Jeanne Cohen Award for dance scholarship. She previously taught at Colorado College and the University of Malta.

Neighborhood Branding Project Virtual Q&A

Neighborhood Branding Project Virtual Q&A

In the Neighborhood Branding Project, Ariela Schachter, an assistant professor of sociology, combs through Craigslist ads to uncover how the online rental market reflects and intensifies inequality along racial, ethnic, and socioeconomic lines. Join this virtual Q&A to learn more about the Neighborhood Branding Project. 

(Photo by Jason Dent on Unsplash)

The Zemmour Paradox: understanding France’s Presidential election

The Zemmour Paradox: understanding France’s Presidential election

Please join us for a fascinating discussion of the French presidential election focused on the unconventional candidacy of Eric Zemmour.

Please join us for a fascinating discussion of the French presidential election focused on the unconventional candidacy of Eric Zemmour. A pundit without political experience, a Jew from Algerian descent, Zemmour surprised everyone by launching a far-right campaign. Experts Cecile Alduy and David Haziza will talk about the extreme right in France and the Zemmour Paradox. 

  • Cécile Alduy, Stanford University : “Eric Zemmour and the “Race War”: Back to the Sources of the French Far Right.”
  • David Haziza, Columbia University :"Eric Zemmour, Racist Jew and Jewish Antisemite.”

Moderated by :

  • Flora Cassen, Associate Professor of Jewish, Islamic, and Middle Eastern Studies, Washington University in St. Louis
  • Lionel Cuillé, director of the French connexions centre d'excellence at Washington University in St. Louis.

The panel is co-organized by the French Connexions center of excellence, and the RLL Departments of French and Jewish, Islamic, and Middle Eastern Studies.

*In-person on WUSTL's Campus in EADS 102 or join us via ZOOM (link in button)

Join via ZOOM
Surface covered by various Zines

Ideas, Art and Community: My Zine Collection

Nicole Rainey, Director of Development at the ACLU of Missouri

The Collect O’Rama table is a space for individuals to share unique personal collections. Director of Development at the ACLU of Missouri Nicole Rainey has been collecting zines since the 1990s and shares a portion of them here in the Collect O’Rama table.

Rainey discovered zines in the mid-1990s by reading about riot grrrl punk in her dad’s Rolling Stone magazines. Zines reached a more prominent place in Rainey’s life as she discovered a community of activists protesting the war in Afghanistan after the September 11, 2001, attacks.

To read more information on Nicole Rainey’s zine collection in her own words, visit the Collect O’Rama table located on Level 2 of Olin Library in Risa’s Landing.

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Four SCUBA divers working on a coral restoration nursery

Fox Fridays Lecture: Hope Ginsburg

Hope Ginsburg, Professor at Virginia Commonwealth University School of the Arts

Hope Ginsburg will deliver a public lecture, presented in collaboration with the Sam Fox School’s Fox Fridays workshop series and Laumeier Sculpture Park.

Each of Ginsburg’s long-term projects builds community around learning. Her work is by turns collaborative, cooperative, and participatory. Artworks are made with peers, students, scientists, members of the public, and experts with knowledge from outside of the field. Her practice is interdisciplinary, social, and concerned with human and more than human well-being on our catastrophically changing planet.

Ginsburg has exhibited nationally and internationally at venues such as MoMA PS1, MASS MoCA, Wexner Center for the Arts, USF Contemporary Art Museum, Institute for Contemporary Art at VCU, Baltimore Museum of Art, SculptureCenter, KW Institute for Contemporary Art, Contemporary Art Center Vilnius, and the Mercosul Biennial in Porto Alegre, Brazil. Her work has received support from the National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts, and Women & Philanthropy at The Ohio State University. She is the recipient of a Wexner Center for the Arts Artist Residency Award, Virginia Museum of Fine Arts Fellowship, and Art Matters Foundation Grant.

Ginsburg has attended residencies such as the Robert Rauschenberg Residency, Skowhegan, the Wexner Center Film/Video Studio and The Harbor at Beta Local. Her work has appeared in The New York Times, Hyperallergic, Artforum, and The Wall Street Journal. Ginsburg holds a Master of Science in Visual Studies from Massachusetts Institute of Technology and a Bachelor of Fine Arts in Sculpture from Tyler School of Art. She is a professor at Virginia Commonwealth University School of the Arts and lives and works in Richmond, Virginia.

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Four intricate books displayed on a white background

Bound for Beauty

Cassie Brand, Curator of Rare Books

Before publishers started mass producing books with standardized bindings, owners took their books to be bound individually according to their tastes and budget.

Intricately cut colors of leather, gold tooling, silver, ivory, and even gemstones would adorn the covers of these highly prized books. The Bound for Beauty exhibition explores the most beautiful books in the University Libraries’ collections—both miniature and average size—and the decorative techniques used to produce such beauty.

This exhibition was organized by the Curator of Rare Books, Cassie Brand, for the Washington University Libraries.

Bound for Beauty is generously sponsored by Donald A. and Laura E. Shindler.

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Environmental Justice in St. Louis with the Missouri Coalition for the Environment

Missouri Coalition for the Environment

Join the Gephardt Institute's Graduate Impact Forum for a graduate social and civic conversation. We will host Missouri Coalition for the Environment, who is tackling the issue of environmental justice. This event is open to all graduate students who are interested in civic dialogue and learning more about the local St. Louis environmental issues. Whether you know a little or a lot, we hope you’ll join our conversation!

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Deconstructing Inclusion: Beyond a Seat at the Table

Lakeya Cherry: Chief Executive Officer, The Network for Social Work Management Mike Spencer: Presidential Term Professor & Director. Native Hawaiian, Pacific Islander & Oceanic Affairs, University of Washington Dana Toppel: COO, Jewish Family Service of San Diego Daniel Jacobson López: Assistant Professor of Social Work, Boston University Claude A. Robinson, Jr.: Executive Vice President, External Affairs and Diversity, UCAN

Intentionally and authentically leaning into the practice of inclusion empowers, amplifies, and honors the voices around the table to foster the power of collaboration and innovation for maximum impact.

Join this panel of experts as they share a deeper understanding of inclusion best practices and skills for implementation.

This program is presented in partnership with  Influencing Social PolicyGrand Challenges for Social Work, and the  Network for Social Work Management.

Register online to receive Zoom information on the morning of the event. You can also join us during the live stream.

Open Classroom | Register Now!

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Start Where You Are: Mapping a Journey Toward Equitable Data Practice

Social sector organizations can increase their impact, both individually and collectively, by strategically engaging with data. At this event, participants will identify specific tools and strategies for utilizing data in collaboration with community partners to advance shared priorities and promote equitable outcomes.

This session will provide multiple opportunities to assess where you are on your journey toward equitable data practice, reflect on where you would like to be, and identify tools for moving you toward your goals. No matter where you are starting, this event is for you!

Presenters will help you identify:

  • Your current capacity to utilize data to further your mission and increase your impact
  • Your capacity to engage with data in a way that centers equity and builds mutual trust and benefit with clients, community and other stakeholders
  • Organizational priorities for future growth in these areas
  • Tools and resources to help you along the way

Panelists include:

Carlton Adams: Chief Operations Officer, Operation Food Search
Bridget Blount: Chief Impact Officer, Baltimore’s Promise
Trina Ragain: Chief Innovation Officer, Operation Food Search
Ginger Zielinskie: Chief Strategy Officer, data.org

Join the Social Policy Institute to hear insights from national and local leaders, connect with social sector colleagues, and grapple together with big-picture questions about your current or future data practices.

The Data Science for Social Impact initiative is a partnership between the Social Policy Institute at Washington University in St. Louis and the Mastercard Center for Inclusive Growth, in collaboration with an advisory committee, the St. Louis Regional Data Alliance, and data.org.

Register to attend virtually

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Breaking Down Buzzwords: ‘Equity’

Panel discussion moderated by Vetta Sanders Thompson, E. Desmond Lee Professor of Racial and Ethnic Diversity and Associate Dean for Diversity, Inclusion & Equity, Brown School; Co-Director of the Center for Community Health Partnership and Research at the Institute for Public Health Washington University in St. Louis

Join the Center for Community Health Partnership & Research for the first in a four-part series of Collaborative Café discussions on health equity and research.

“Equity” is a term frequently used but with varying definitions and meaning in different communities or conversations. This session will explore what exactly the buzzword “equity” means.

St. Louis academic, health and community leaders will share their expertise during a panel discussion that outlines the foundations of equity. Panelists will discuss:

  • The meaning of the term equity – in particular, health equity and racial equity
  • How the understanding and use of the term “equity” has changed over time
  • How providers, advocates, and researchers with varied expertise are working to promote equity in St. Louis
  • Actions we can all take to promote equity

Panelists are: 

Mark Keeley, President and CEO, St. Louis Arc

Miranda Walker Jones, CEO, Little Bit Foundation

Nancy L. Morrow-Howell, Bettie Bofinger Brown Distinguished Professor of Social Policy, Brown School; Director, Friedman Center for Aging at the Institute for Public Health Washington University in St. Louis

To promote safety and social distancing, space is limited and advance registration is requiredRegister to attend

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College Behind Bars: WashU’s Prison Education Project

Panel discussion

In 2014, a group of faculty began offering WashU liberal arts courses to students incarcerated at Missouri Eastern Correctional Center. Those courses grew into degree programs, which were enriched with reading groups, lectures, chess,and performances, and supported through tutors and research assistants. Since its founding, the Prison Education Project has awarded 35 degrees, launched a re-entry program, expanded to a women’s facility, and supported the design and development of a Learning Management System created by incarcerated programmers, for incarcerated students. Join us for a conversation with Sean Armstrong, dean, University College; Jim Brock, WashU 2021, PEP alumnus and re-entry alumni coordinator; Rob Henke, PEP founding director; and Kennedy Young, WashU 2022, PEP tutor and book club facilitator, who will discuss the program, the joys and challenges of learning and re-entry, and the students who amaze and inspire them. The event will be moderated by Pat Matthews, associate dean for academics, University College. 

This event is presented by University College in partnership with WashU Engage.

Register to attend virtually.

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Fighting the Muses: Lucan Sings Ovid's Silenced Song of Civil War

Mark Thorne, PhD

Mark Thorne has held faculty positions at Luther College, Brigham Young University, Wheaton College, and Cornell College. He is co-editor (with Laura Zientek) of Lucan’s Imperial World: The Bellum Civile in its Contemporary Contexts (Bloomsbury Academic, 2020). His research topics include Lucan, Cato the Younger, Latin epic, the Neronian period, the transition from Roman Republic to Principate, cultural memory and identity, ancient exemplarity, and classical reception (especially science fiction/fantasy).

The Biggs Family Residency in Classics: Dr. Roger Bagnall

Dr. Bagnall is Leon Levy Director Emeritus at the Institute for the Study of the Ancient World (ISAW), Emeritus Professor of Ancient History at New York University and Emeritus Professor of History and Emeritus Jay Professor of Greek and Latin at Columbia University, and Director of the NYU/Columbia excavations at Amheida, Egypt. Dr. Bagnall is a world-renowned papyrologist, classicist, and historian, whose wide-ranging scholarship has made major contributions to our knowledge and appreciation of antiquity, and especially of Egypt in the Graeco-Roman and late antique periods.

Dr. Bagnall has previously spent time at Washington University as co-organizer and co-instructor of the 2018 Summer Institute in Papyrology in Olin Library's Julian Edison Department of Special Collections (read an account of the SIP on the library's blog). 

For an overview of Dr. Bagnall's accomplishments and links to some of his publications, visit his profile on the ISAW website


Monday, April 4th, 4:00 p.m. - Lecture: Transport, Capital, and Inequality in the Egyptian Oases

Location: Umrath Lounge

Introduction by Cathy Keane, Professor and Chair of Classics

A reception with refreshments provided will precede the lecture at 3:30 p.m.

 

Wednesday, April 6th, 4:00 p.m. - Seminar: Slavery in Roman Egypt: the Realities of Daily Life

Location: Hurst Lounge

Introduction by Nicola Aravecchia, Assistant Professor of Classics and of Art History and Archaeology

A selection of short primary readings, which attendees are asked to read before the seminar, is available for download at this link.

A reception with refreshments provided will precede the seminar at 3:30 p.m.

 

Thursday, April 7th, 4:00 p.m. - Lecture: Managing the Economy of Roman Egypt

Location: Women's Building Formal Lounge

Introduction by William Bubelis, Associate Professor of Classics and Curator of the Wulfing Coin Collection

A reception with refreshments provided will follow the lecture at 5:00 p.m.

EALC Lecture Series | Unruly Subjects in Medoruma Shun’s ‘Walking a Street Named Peace’ and Miri Yū’s Tokyo Ueno Station

Davinder L. Bhowmik, associate professor of modern Japanese literature, University of Washington, Seattle

This presentation takes a comparative approach to two works of fiction, ‘Walking a Street Named Peace’ by Shun Medoruma (1986) and Tokyo Ueno Station by Miri Yū (2014) highlighting the parallels between the protagonists as marginalized in terms of class and ethnicity within Japanese society. Professor Bhowmik draws on the work of Tetsuya Takahashi to show how Okinawa (the setting of Medoruma’s story) and Fukushima (the home prefecture of Miri’s protagonist) play a part in a ‘system of sacrifice’ which is oriented around the imperial throne in Japan. Drawing on scholarship by John W. Treat and Norma Field around a taboo of impunity and silence in relation to the Emperor, she argues that the pivotal placement of the system at the center of each of these stories can be seen to point to ongoing silences and inequities arising from unresolved wartime memories.

Registration is required to attend lecture. Once registered you will receive the Zoom link.

Registration

Sponsored by East Asian Languages and Cultures

Davinder L. Bhowmik is an associate professor of Japanese at the University of Washington, Seattle. She teaches and publishes research in the field of modern Japanese literature with a specialization in prose fiction from Okinawa, where she was born and lived until the age of 18. Other scholarly interests include regional fiction, the atomic bombings, and Japanese film. Her publications include Islands of Protest: Japanese Literature from Okinawa (co-edited with Steve Rabson, 2016); Writing Okinawa: Narratives of Identity and Resistance (2008); and “Temporal Discontinuity in the Atomic Bomb Fiction of Hayashi Kyōko (in Ōe and Beyond: Fiction in Contemporary Japan, 1999). Currently she is writing a manuscript on military basetown fiction in Japan.

Israeli Women's Art Festival

Please join us for this all-day event featuring lectures, craft talks, and performances which is funded through a grant from the Israel Institute

Yael Inbar, Puppeteer & Theater Director University of Maryland/Sapir College
Puppets, Animation, & Dance
Lecture/Presentation: 9:30am-11:00am


Maya Muchawsky Parnas, Sculptor/Ceramicist
Washington University/Bezalel Academy
Reflections of a Place
Craft Talk: 11:00am-12:00 Noon


Ronit Ziv, Choreographer & Dancer
Tulane University/Tel Aviv University
Moving Our Stories
Lecture/Performance: 1:30pm-2:30pm


Panel Discussion: 3:00pm-4:00pm

 

Click here to view the poster for this event.

For more information, visit:  https://jimes.wustl.edu/events

 

William C. Jones Memorial Lecture: China's Quest for Leadership: The Story of Universities

William C. Kirby, T.M. Chang Professor of China Studies, Harvard University

Co-sponsored by the Whitney R. Harris World Law Institute and the department of East Asian Languages and Cultures

Professor Kirby's talk is based on his new book Empires of Idea Creating the Modern University from Germany to America to China.

Today American institutions dominate nearly every major ranking of global universities. Yet in historical terms, America’s preeminence is relatively new, and there is no reason to assume that US schools will continue to lead the world a century from now. Indeed, America’s supremacy in higher education is under great stress, particularly at its public universities. At the same time Chinese universities are on the ascent. Thirty years ago, Chinese institutions were reopening after the catastrophe of the Cultural Revolution; today they are some of the most innovative educational centers in the world. Will China threaten American primacy? Empires of Ideas looks to the past two hundred years for answers, chronicling two revolutions in higher education: the birth of the re-search university and its integration with the liberal education model. William C. Kirby examines the successes of leading universities—The University of Berlin and the Free University of Berlin in Germany; Harvard, Duke, and the University of California, Berkeley, in the United States—to determine how they rose to prominence and what threats they currently face. Kirby draws illuminating comparisons to the trajectories of three Chinese contenders: Tsinghua University, Nanjing University, and the University of Hong Kong, which aim to be world-class institutions that can compete with the best the United States and Europe have to offer. But Chinese institutions also face obstacles. Kirby analyzes the challenges that Chinese academic leaders must confront: reinvesting in undergraduate teaching, developing new models of funding, and navigating a political system that may undermine a true commitment to free inquiry and academic excellence.

Hurst Talk: Mladen Dolar, What Is a Virus?

An internationally renowned philosopher and cultural critic, Professor Dolar will give a talk on April 14 (Hurst Lounge, 4:00) titled “What Is a Virus?” This will be an occasion for us to trace a genealogy of the term virus and reflect on its material and rhetorical uses, including during the COVID pandemic.

What Is a Virus? Thursday, April 14, 4:00, Hurst Lounge

It appears that the term virus, in the sense of an agent of infection, was first used in 1728, and the term materialism, in the sense of a philosophical position, was introduced in 1726, by a contingent coincidence, in the heyday of Enlightenment. Materialism was never just a cognitive problem; matter was traditionally most often seen as potentially infectious and virulent, something that has to be contained, so that the spirit appeared as an immunological problem. In this sense, virus may be seen as the invisible gist of matter, its problematic sting. At the same time, ideas have to rely on a viral capacity. When debating the Enlightenment in his Phenomenology of the Spirit, Hegel used the term infection, Ansteckung, in relation to the spread of enlightened reason, quoting Diderot and his reliance on the contagious powers of the ideas of truth, goodness and beauty. Virus could thus be the name of an invisible appendix of both matter and ideas, something that both derails them and drives them, something (almost nothing) that emerges at their interstice, having no consistence on its own and yet inhabiting their core. The talk thus raises the question not only of a “viral ontology,” but of a possible “politics of the virus.”

On Friday, April 15 (Hurst Lounge, 12:00), Professor Dolar will lead a seminar on one of his recent essays, “On Rumours, Gossip and Related Matters.” The essay offers a theory of rumor, including as literary narrative device. To order lunch and to request a copy of Professor Dolar’s essay for the Friday Seminar Event, please write to ancaparvulescu@wustl.edu.

 

Mladen Dolar is a preeminent scholar of philosophy and psychoanalysis, with a special interest in the intersection of literature and philosophy. He is a senior research fellow at University of Ljubljana, Slovenia, and a professor of philosophy at The European Graduate School. He is the author of numerous books and articles, best known among them A Voice and Nothing More (MIT Press, 2006). His current book project is The Riskiest Moment, forthcoming from Duke University Press.

Israeli Women's Art Festival Lecture: "Look Closely"

Filmmaker Yael Perlov, Duke University, Tel Aviv University

A group of young filmmakers, Israeli & Palestinian, reflect personal points of view. Produced in creative freedom and with mixed crews of Palestinians and Israelis, their work shows the potential of filmmaking and offer a glimmer of hope.

Opening event will be held via Zoom in Busch 100 (see button below).
Sessions held in-person/Zoom in the Women's Building Formal Lounge at Washington University in St. Louis

For more information, visit:  https://jimes.wustl.edu/events

Click here to view the poster for this webinar.

 

click here for webinar

 

(Re)Construction Workshop

(Re)Construction Workshop

The Counter/Narratives: (Re)presenting Race & Ethnicity exhibition demonstrates ways in which artists and archives can perform reparative work through their practices and encourages viewers to do the same. Working toward justice can be a physical activity as well as an intellectual one, as demonstrated in Roberto Visani’s cardboard slave kit: carpeaux blend and Sonya Clark’s Lesson Plan, both included in the exhibition.

The (Re)Construction Workshop is an open session that offers attendees a chance to connect directly with these artworks. Participants will help build the cardboard sculpture and make their own rubbing of the Civil War truce flag on a drop-in basis. This workshop provides an opportunity to connect directly with the artworks and engage deeply with their content.

Free and open to all.

Sign up here.

Book Discussion: 'Dying of Whiteness'

Physician Jonathan M. Metzl

Please join the Office of Diversity, Equity and Inclusion for a discussion of physician Jonathan M. Metzl’s book “Dying of Whiteness: How the Politics of Racial Resentment Is Killing America’s Heartland.” 

Talking to support groups in St. Girardeau for families who have lost someone to gun suicide, Metzl discovers a consistent but puzzling message: the loss of their loved ones is tragic, but the gun is not to blame. This first section of the book argues that changes to gun legislation in Missouri have led to an increase in firearm suicides, particularly among white men. To make the case, Metzl reviews the history of gun laws in Missouri, the difficulties associated with conducting accurate research into firearm deaths, and the recent politics of gun legislation.

The Office of Diversity, Equity, & Inclusion has 50 copies of the book available for those who wish to take part in the discussion. If you wish to purchase your own copy, Left Bank Books currently has the book available at a 20% discount as part of its Reading Group Pick program for the month of March.  Please indicate on the registration form if you would like a book and a preferred method of receiving the book, to campus or home address.

Part one: Missouri (Firearms)

Monday, April 11, 2022, 1:00 PM – 2:00 PM

Friday, April 14, 2022,  4:00 PM – 5:00 PM

Part Two: Tennessee (Health Care)

Monday, May 2, 2022, 1:00 PM – 2:00 PM

Thursday, May 5, 2022 , 4:00 PM – 5:00 PM

Part Three: Kansas (Government Programs)

Monday, TBD  1:00 PM – 2:00 PM

Thursday, TBD, 2022, 4:00 – 5:00 PM

Please register to attend a discussion/s of your choice taking place in March, April and May.  The discussions will cover three sections dedicated to a specific example from three different states, Missouri, Tennessee and Kansas.

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Brauer Lecture Series: 'The Pursuit of Happiness and True Success'

Arthur C. Brooks, William Henry Bloomberg Professor of the Practice of Public Leadership at the Harvard Kennedy School and Professor of Management Practice at the Harvard Business School.

How can you build a life that results in genuine human flourishing? How does happiness change over a lifetime? And how can we get happier as we age?

Arthur C. Brooks provides answers to these questions by exploring advances in behavioral economics and social psychology, ancient wisdom, and art and music. From his book “Gross National Happiness” and his documentary “The Pursuit,” he extracts life lessons that can help people pursue happiness, forge stronger relationships and build more meaningful lives.

Brooks’ 45-minute presentation will be followed by a 45-minute Q&A session. Registration is required. The event will be simulcast in Frick Forum once capacity in Graham Chapel is reached.

This inaugural event kicks off the Brauer Lecture Series, established through a gift from Distinguished Trustee Stephen F. Brauer and his wife, Camilla T. Brauer. The series was created to explore and encourage dialogue on the American free enterprise system and bring highly regarded thought leaders to Washington University to support student growth and development.

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AIA St. Louis Scholarship Trust Lecture: Marina Tabassum

Marina Tabassum, Bangladeshi architect, educator, and founder of Marina Tabassum Architects

Bangladeshi architect and educator Marina Tabassum will deliver the annual AIA St. Louis Scholarship Trust Lecture.

Tabassum founded Dhaka-based Marina Tabassum Architects in 2005. In her work, Tabassum seeks to establish a language of architecture that is contemporary yet reflectively rooted to place, always against an ecological rubric containing climate, context, culture, history. Her Bait Ur Rouf Mosque is distinguished by its lack of popular mosque iconography, its emphasis on space and light, and its capacity to function not only as a place of worship but also as a refuge for a dense neighborhood on Dhaka’s periphery. The portfolio of work notwithstanding, Tabassum’s practice remains consciously contained in size, undertaking a limited number of projects per year.

Tabassum is a visiting professor at Harvard University, Technical University Delft, Technical University Munich, University of Texas, and Bengal Institute. She received an Honorary Doctorate from the Technical University of Munich in 2020, Aga Khan Awards for Architecture in 2016, an Award from the American Academy of Arts and Letters in 2020, the Gold Medal of the French Academy of Architecture in 2021, the Soane Medal in Architecture from the United Kingdom in 2021, and the Jameel Prize in 2018. She is a distinguished member of the Royal Society of Arts. Tabassum was named among the top 10 thinkers of the COVID era by Prospect Magazine (UK) in 2020.

Tabassum is a member of the Steering Committee of the Aga Khan Awards for Architecture. She heads the Foundation for Architecture and Community Equity (FACE) focusing on environment and climate preparedness. She chairs the Board of Prokritee, a fair trade organization that ensures the livelihood of thousands of woman artisans of Bangladesh.

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Eyes on the Prize: Teaching the Civil Rights Movement’s Past and Future

Civil rights activist, filmmaker and educator Judy Richardson

Join civil rights activist, filmmaker and educator Judy Richardson in a conversation with St. Charles High School social studies teacher and coach David Forbes, a St. Louis “teacher of the year.” The two will discuss teaching the history of the civil rights movement and its continued relevance to today’s students. Richardson, who worked on all fourteen hours of Eyes on the Prize, will also give a unique behind-the-scenes look at the making of this historic series. Richardson was a researcher and the series associate producer and education director on the Academy Award-nominated and multi-award-winning PBS series. 

Eyes on the Prize tells the story of the civil rights movement (1954-1985), but only through the voices of those who actually lived this history. Its focus on grass-roots leadership was ground-breaking. She and Forbes will use clips highlighting the Montgomery Bus Boycott, the Black Panther Party in Chicago, King’s focus on economic justice, and other segments to show the leadership role of “ordinary people.” They will reveal how the story-telling techniques, solid research, and actual footage from that time make this history come alive for students of every age. Eyes on the Prize continues to be shown on PBS stations nationally and in schools throughout the country because of its relevance to issues we face today. It remains a vital record of the continuing struggle organized by a variety of ordinary Americans to correct the racial and economic inequities of American society.

This discussion is organized by the Julian Edison Department of Special Collections at the Washington University Libraries. The Libraries are honored to care for the collection of St. Louis-born Henry Hampton’s Blackside, Inc., which produced Eyes on the Prize and other important documentary series on African American history, arts, and culture. This event is made possible by the National Endowment for the Humanities, which has funded the Libraries’ work to digitize and restore the 183 interviews from the second season of Eyes on the Prize.

Judy Richardson was on the Student Nonviolent Coordinating Committee (SNCC) staff in Georgia, Mississippi, and Alabama from 1963-66. She was a founder of Drum & Spear Bookstore, once the country’s largest African American bookstore. She was on the production team for all fourteen hours of the seminal PBS series, Eyes on the Prize, as its series associate producer and education director, then continued to produce documentaries for PBS, the History Channel, and museums. Richardson co-edited Hands on the Freedom Plow: Personal Accounts by Women in SNCC, a compilation of the testimonies of fifty-three SNCC women, and co-directed two NEH three-week teacher institutes, co-hosted by Duke University and focused on teaching grassroots movements. Judy is a member of the SNCC Legacy Project board and the SNCCDigital website editorial board. She was a visiting professor at Brown University, and has an honorary doctorate from Swarthmore College. Currently, she is co-producing two films, including the new orientation film for the National Park Service’s Frederick Douglass House in Washington, D.C.

Free and open to all, registration required.

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#SciComm Seminar: Communicating with Policymakers to Maximize Impact

Karen Joynt Maddox: Associate Professor Washington University School of Medicine Co-Director, Center for Health Economics & Policy Timothy McBride: Bernard Becker Professor, Brown School at Washington University Co-Director, Center for Health Economics & Policy

Researchers often ask how they can have impact beyond the walls of their scientific community. This seminar will give a brief overview of the policymaking process, and teach participants how to communicate their work to various policy audiences to maximize its impact.

This event is hosted by the Center for Health & Science Communication, in collaboration with the  Center for Health Economics & Policy.

This seminar is open to all, but registration is required. A Zoom link will be provided the week of the event.

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Artificial Intelligence For Everyone

Ruopeng An, Associate Professor, Brown School

Still think AI is just a buzzword or something only to be messed with by computer scientists? Join this conversation as Professor An shares his own AI learning experiences as a social scientist with no formal training in computer science, showcasing that anyone can learn and apply AI in their daily work and study.

Want to use AI to predict future events? Detect objects in images? Create a chatbot? Write a summary? Recommend a book? Thanks to open-source high-level APIs, state-of-the-art AI models are available at your fingertips for free. Only two questions remain: Can I afford not to learn? If not, how do I start?  

This program is part of the Brown School’s Artificial Intelligence in the Social Sciences series.

Register online to receive Zoom information on the morning of the event. You can also join us during the live stream.

Open Classroom | Register Now!

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31st Annual Pow Wow

Buder Center for American Indian Studies

Please join the Buder Center for American Indian Studies for the 31st Annual Washington University Pow Wow taking place on Saturday, April 16, 2022 at the Washington University Field House!

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Focusing on Equity in the Research Process

Husain Lateef: Assistant Professor, Brown School Washington University in St. Louis Shanti Parikh: Chair of African and African-American Studies Professor of Sociocultural Anthropology and of African and African-American Studies Washington University in St. Louis Will R. Ross: MD, MPH Professor of Medicine, Division of Nephrology Alumni Endowed Professor, Division of Nephrology Associate Dean for Diversity Principal Officer for Community Partnerships Washington University School of Medicine

Join the Center for Community Health Partnership & Research for the second event in a four-part series of Collaborative Café discussions on health equity and research. Panelists will discuss the importance of focusing on equity while conducting research.

Research intended to help communities too often becomes harmful through inadequate planning, inappropriate use of data, and lack of community input. This session focuses on making the process of conducting research, from study design to dissemination, equitable for participants and communities. Panelists will discuss:

Why equity should be a primary focus when designing and conducting research

How researchers can use theory and methodology to ensure equity from the very beginning

Tools researchers can use to ensure equity within their research;

Appropriately understanding and using data

Successes and lessons learned from panelists’ own research

To promote safety and social distancing, space is limited and advance registration is required. Register to attend.

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Kathryn Davis - ‘Aurelia, Aurélia: A Memoir’

HUMANITIES BROADCAST - Kathryn Davis, Hurst Writer in Residence, in conversation with David Schuman, director of the MFA program, both in the Department of English at Washington University

Novelist Kathryn Davis will discuss her first work of nonfiction, Aurelia, Aurélia: A Memoir, with David Schuman, director of the MFA program at Washington University in St. Louis.

Aurelia, Aurélia begins on a boat. The author, 16 years old, is traveling to Europe at an age when one can “try on personae like dresses.” She has the confidence of a teenager cultivating her earliest obsessions — Woolf, Durrell, Bergman — sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, “climbing up and down the steep paths every morning with the real old women, looking for kindling.”

Kathryn Davis’ hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination. At its center is the death of her husband, Eric. The book unfolds as a study of their marriage, its deep joys and stinging frustrations; it is also a book about time, the inexorable events that determine beginnings and endings. The preoccupations that mark Davis’ fiction are recognizable here — fateful voyages, an intense sense of place, the unexpected union of the magical and the real — but the vehicle itself is utterly new.

Kathryn Davis is the author of six novels. She has received the Kafka Prize, the Morton Dauwen Zabel Award, a Guggenheim Fellowship and the Lannan Foundation Literary Award. She teaches at Washington University, and lives in Vermont and St. Louis, Missouri.

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Living together in tomorrow's world: French secularism beyond borders

Living together in tomorrow's world: French secularism beyond borders

International colloquium: Living together in tomorrow's world: French secularism beyond borders- En français (le matin) / and in English (afternoon)

The event is in person on the WUSTL Campus in the Women's Building.  To view online for free, preregister via ZOOM at the bottom of the page. 

 

In recent years, a new concept has emerged in France, called "le vivre ensemble" ( living together ), whose use seems to compensate for the difficulties of secularism ("la laïcité") to federate the different components of French society. The originality of our one-day conference consists in questioning the concept of "laïcité/ secularism" in a global perspective: how is this notion understood in international law; how is the governance of religions structured in the colonial and post-colonial space; how is this notion represented, or reconfigured, in the artistic domain? Our objective is to contribute to the interpretation of a concept  that is often misunderstood outside of France, but also to question the legal and political relevance of "laïcité" outside of the French context.
 
Schedule of the day:

In person /  on campus: Women's building formal lounge (all day)

 

8:30: Welcome : café et croissants

9:00: Conference Presentation: John Bowen, Professor of Sociocultural Anthropology
Dunbar-Van Cleve Professor in Arts & Sciences.

Special Guest: Jean Baubérot, Honorary President of the École pratique des hautes études (EPHE) and Professor Emeritus, Chair of "History and Sociology of Secularism".
"The mutations of secularism in France"

10:00 Comparative readings of "living together". Panel moderated by John Bowen.

Philippe Marlière, Professor of French Studies and European Political Science / University College London.
"Secularism, a legal principle and an essentially contested concept."


10:20 Anne Fornerod, Director of Research at CNRS, Rights and Religions (CNRS / University of Strasbourg).
"The links between secularism and living together in French law"

10:40 : Break (café/croissants)

11: 00 Marième N'Diaye, Research Fellow at CNRS, LAM/Sciences Po Bordeaux.
"Secularism in the land of Islam: the Senegalese example

11: 30 Jan Willem Duyvendak: Director of the Netherlands Institute for Advanced Studies in the Humanities (NIAS-KNAW) and Emeritus Research Professor in Sociology at the University of Amsterdam (UvA).
"In what ways is living together addressed in the Netherlands today? Another example of the rise of nativism".
 
Lunch break: 12:00 PM

1:00 PM "Secularism: a tool to prevent radicalization?"
Round-table discussion with Dorra Mameri Chaambi, PhD in History and Political Science, attached to the Societies, Religions, Secularities Group;  
in conversation with Vincent Jouane, Senior Lecturer in French Studies, Washington University in St. Louis) and our students at Washington University (FREN 307).
 
2: 15 PM International Law, Secularism and Religious Freedom in Europe.
Round-Table (in English) moderated by Leila Nadya Sadat, James Carr Professor of International Criminal Law; Special Adviser on Crimes Against Humanity to the ICC Prosecutor.

Lech Garlicki, Professor, Washington University School of Law & former Judge, European Court of Human Rights & Constitutional Court of Poland

Milena Sterio, Charles R. Emrick Jr.-Calfee Halter & Griswold Professor of Law, Cleveland Marshall School of Law

3:30-3: 45 Break.

3:45: The Governance of Religions in Colonial and Postcolonial Space.

Todd Shepard, Arthur O. Lovejoy Professor, John Hopkins University
"What Algerian independence reveals about the secularism of the "trente glorieuses".

4:00: Christophe Bertossi, Senior Research Fellow and Director of Ifri's Center for Migration and Citizenship
"Nativism, 'living together' and union values in France."

Directeur scientifique : John Bowen / Leila Sadat

Organisateur: Lionel Cuillé

Student organizers: Dommii DeMichele / Sai Vuda This project has been funded with support from the Cultural Services of the Embassy of France in the US. This communication reflects the views only of the author, and the Embassy of France cannot be held responsible for any use which may be made of the information contained therein.

 

Questions, contact Lionel Cuillé at : lcuille@wustl.edu

 

Register via ZOOM to view online

"Who Owns Women's Rights?: Reflections on The UN Convention on the Elimination of all Forms of Discrimination Against Women (CEDAW)"

AFAS 2022 Distinguished Visiting Scholar, Rhoda Reddock will discuss her latest work as a women's right expert for the United Nations Committee on the Elimination of Discrimination against Women (CEDAW).

Rhoda Reddock is Emerita Professor of Gender, Social Change and Development and former Deputy Principal of The University of the West Indies (UWI), St. Augustine Campus in Trinidad and Tobago. She also served as Head of the Institute for Gender and Development Studies, St. Augustine in its formative years, from 1994-2014. After undergraduate studies at the UWI, she completed her Masters at The Institute for Social Studies, The Hague and her Ph.D. at the University of Amsterdam. Her multi-disciplinary research interests include gender and feminism, women’s social and labour history; gender and social movements; Radical Caribbean social thought, environment, development, masculinities, culture, ethnicity and identity and sexualities. Prof. Reddock’s publications include eight books, three monographs, four special journal issues and over seventy peer-reviewed articles and book chapters. She is currently a member of the United Nations Committee on the Elimination of Discrimination against Women (CEDAW).

 

This visit is sponsored in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program.

Register for virtual

She Was Sure She Was In Hell: Women's War Trauma In/As History

Bridget Keown, PhD, University of Pittsburg

Food provided!

 

The First World War provided one of the first definitions of war trauma in modern history, and is continually invoked in present-day narratives of PTSD. But how did this diagnosis develop, and what were the consequences for those who didn't meet those criteria? In this presentation, we will consider the ways in which 'shell shock' developed as a diagnosis that focused on combatant men, what the effects were on women, on the British and Irish battlefront and the home front, and what the consequences of this history are for present-day studies and treatments of war trauma.

 

Bridget Keown earned her PhD in history at Northeastern University, where her research focused on the experience and treatment of war-related trauma among British and Irish women during the First World War and Irish War of Independence, and the construction of history through trauma.  She has written blogs on this research for the American Historical Associationand Lady Science, and is a contributing writer for Nursing Clio. She is also researching the history of kinship among gay and lesbian groups during the AIDS outbreak in the United States and Ireland.  Her other interests include the history of emotions, history of medicine, gender and the horror genre, and postcolonial queer theory and performance.  Bridget is a co-chair of the Gender and Memory Working Group of the Memory Studies Association and serves on the Executive Council of the American Conference for Irish Studies.

Click here for Zoom

"Movimiento de Varones Anti-Patriarcales: feminismo, militancia y el #niunamenos"

Prof. Paola Ehrmantraut presents: "Movimiento de Varones Anti-Patriarcales: feminismo, militancia y el #niunamenos"

Prof. Paola Ehrmantraut presents: "Movimiento de Varones Anti-Patriarcales: feminismo, militancia y el #niunamenos" 

El movimiento de hombres feministas o “varones anti patriarcales” está creciendo rápidamente América Latina: en los últimos dos encuentros presenciales, diversos grupos han reunido alrededor de 2000 personas en Buenos Aires y Montevideo de toda América Latina en paneles y grupos de discusión. El Colectivo de Varones Antipatriarcales (Argentina) y el Colectivo Traidores de Papá (Uruguay) son dos de los grupos más grandes y organizados. Como dice un participante del encuentro en Buenos Aires en 2018, este momento se siente como “una revolución dentro y fuera de mí.” ¿Pero lo es? ¿O estamos siendo testigos de cómo el patriarcado se reinventa a sí mismo en una expresión más aceptable de su poder?

Estallido social in Chile

Estallido social in Chile

An event specifically created for undergraduates on the Estallido social in Chile.

Thursday, April 7, Eads 215: 4:30pm-6pm - An event specifically created for undergraduates on the Estallido social in Chile.

There will be appetizers and dessert! The event starts at 5, food will be available at 4:30.

Chilean author Nicolás Poblete Pardo's new novel Subterfugio

Launch of Chilean author Nicolás Poblete Pardo's new novel Subterfugio with an introduction by Prof. Paola Ehrmantraut, Associate Professor of Spanish and Director of the Dept of Women Gender and Sexuality Studies at St Thomas University.

Launch of Chilean author Nicolás Poblete Pardo's new novel Subterfugio with an introduction by Prof. Paola Ehrmantraut, Associate Professor of Spanish and Director of the Dept of Women Gender and Sexuality Studies at St Thomas University. The launch will take place from 4-530 in and will be followed by a reception in the RLL offices starting at 530-7. Wine, beer and appetizers will be served. 
Read more about the new novel:

subeterfuigo.jpg

Book jacket of Subeterfugio
Media Folder: 

Abuso, misoginia y estallido social en la nueva novela de Nicolás Poblete Pardo

 

 

En Estados Unidos y en Chile, el autor presentará Subterfugio, una historia atravesada por la violencia, cuyos dañados protagonistas experimentan un efecto espejo con el estallido de una sociedad también traumatizada.

 

 

Tras el éxito de crítica obtenido por su novela Dame pan y llámame perro y la publicación de su primer poemario en inglés Swimming the witch - ambas entregas en plena pandemia - el autor chileno Nicolás Poblete Pardo reaparece con una historia que profundiza en los traumas y fracturas, así como en las formas en que opera la violencia en los sujetos.

 

Cercana al thriller psicológico, esta nueva novella, titulada Subterfugio (Editorial Cuarto Propio), tendrá una primera presentación durante el mes de abril en el Departamento de Lenguas Romances de Washington University in St. Louis, Estados Unidos. El autor fue invitado por esta institución para realizar una serie de conferencias y clases. Posteriormente, la novela se presentará en Chile, en una fecha por definir.

 

La narración parte en los idílicos paisajes de la costa chilena, en el contexto de un retiro terapéutico. Sebastián es un psicólogo que se ha especializado en víctimas de abuso sexual. Él mismo sufrió un abuso a los 14 años, durante un paseo scout de su colegio. Sus compañeros y el profesor a cargo nunca denunciaron el caso y, por falta de herramientas, Sebastián no fue capaz de lidiar con esto (se le sumaba, por cierto, la adicción de su madre, único lazo familiar).

 

La inesperada aparición de una adolescente en su consulta saca a flote los traumáticos recuerdos de Sebastián, pues, a poco andar en la terapia, confirma que esta paciente es la hija de José Miguel, su victimario décadas atrás. Ese ataque que lo dejó con cicatrices psíquicas y físicas, es el gatillo para que terapeuta y paciente se embarquen en un proceso mutuo de sanación que requiere de una venganza. María Ignacia, una hija no deseada (un ‘desliz’ como lo califica su padre), es otra víctima de la misoginia y el abuso de éste, un connotado médico con millonarias acciones en el sistema de las isapres. Paralelo al proceso que los protagonistas experimentan, vemos otros casos que informan sobre el acontecer social, como el ingeniero sin habilidades sociales e incapaz de lidiar con su paternidad; el de la mujer que rompe todo vínculo con su familia, porque no aceptan su relación con un inmigrante haitiano; el de un hombre atormentado por haber experimentado placer al ser violado. El telón de fondo es el de una sociedad en transición: Chile, en pleno estallido social.

 

Nicolás Poblete Pardo ha publicado sus tres últimas novelas y poemario bajo el sello de Editorial Cuarto Propio. Simultáneamente, escribe como periodista especializado en cultura en la plataforma Cine y Literatura y en la revista La Panera, entre otros medios.

 

 

SE AGRADECE DIFUSIÓN

 

Contacto:

Elisa Cárdenas

chiletexto@gmail.com

+56977595108

 

Free Film Screening: A Brighter Summer Day

Free Film Screening: A Brighter Summer Day

The Department of East Asian Languages and Cultures, the Program in Film and Media Studies, and the WUSTL China Forum present a movie series showcasing works of acclaimed Taiwanese directors and their unique perspectives on Taiwanese culture and identity

A Brighter Summer Day DIRECTED BY: EDWARD YANG 1991 | 237 mins | Taiwan | Mandarin/Min Nan/Shanghainese  w. English subtitles
Format: DCP

Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema was directed by Edward Yang. Set in the early sixties in Taiwan, A BRIGHTER SUMMER DAY is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.

OFFICIAL TRAILER

Free Film Screening with Discussion: Pushing Hands

Free Film Screening with Discussion: Pushing Hands

The Department of East Asian Languages and Cultures, the Program in Film and Media Studies, and the WUSTL China Forum present a movie series showcasing works of acclaimed Taiwanese directors and their unique perspectives on Taiwanese culture and identity.

PUSHING HANDS DIRECTED BY: ANG LEE 1991 | 105 min. | Taiwan, USA | Mandarin & English w. English subtitles Format: DCP

Having just moved from Beijing, elderly tai chi master Mr. Chu (Sihung Lung) struggles to adjust to life in New York, living with his Americanized son Alex (Ye-tong Wang). Chu immediately butts heads with his put-upon white daughter-in-law, Martha (Deb Snyder), a writer who seems to blame him for her own paralyzing inability to focus. But when Chu begins teaching tai chi at a local school, his desire to make a meaningful connection comes to fruition in the most unexpected of ways. PUSHING HANDS is the debut film from Oscar-winning director Ang Lee, forming the first chapter in his "Father Knows Best" trilogy, which depicts the tensions between the traditional Confucian values of the older generation and the realities of modern life. Co-written by collaborator James Schamus, PUSHING HANDS was selected by the 1992 Berlin International Film Festival and won three Golden Horse Awards, paving the way for Lee's worldwide success with films such as CROUCHING TIGER, HIDDEN DRAGON and BROKEBACK MOUNTAIN.

OFFICIAL TRAILER


 The seminar that follows the screening invites Professor Letty Chen and Ki Chow from the Department of East Asian Languages and Cultures to comment on the Taiwanese diaspora, traditional values and culture, and how they have evolved to adapt to life abroad.

Speakers:

Ki “Cora” Chow is a third-year Ph.D. student in the Department of East Asian Languages and Cultures at Washington University in St. Louis. She is the winner of the Stanley Spector Memorial Award and the 40th Hong Kong Youth Literary Award in Translation. She has translated and authored several books, including One Man One Story: A Journalistic Anthology (2010) and Caring for the Young Buds: Memoirs of Chan-Chen Shu-an (2013). Her current research focuses on the relations between trauma, affects, and melodrama in contemporary China and Hong Kong.
 
Lingchei Letty Chen is professor of modern Chinese language and literature at Washington University in St. Louis. She is also the Chair of the Department of East Asian Languages and Cultures. She holds a Ph.D. in Comparative Literature and Modern Chinese Literature, from Columbia University. Published works include Writing Chinese: Reshaping Chinese Cultural Identity, The Great Leap Backward: Forgetting and Representing the Mao Years, and Sights and Sounds of the Cold War in Socialist China.

Supported by a grant from the Ministry of Education, Taiwan.

Registration is only required for online participation in either the screening or the seminar.

Free and open to the public.

Event in Honor of Steve Zwicker

Event in Honor of Steve Zwicker

Please mark your calendars for a special event celebrating the work of our colleague Steven Zwicker. On Friday, April 8, Steve will give a talk titled “'The Trouble with Friends and Relatives': John Milton in Collaboration” (abstract below).

Derek Hirst, Steve’s long-term friend and collaborator in the Department of History, will introduce the event. The talk will be followed by a reception. This is an occasion for us as a community to honor Steve’s contributions to the study of early modern literature, to our department and to the university—over the last 52 years.

 

'The Trouble with Friends and Relatives': John Milton in Collaboration

 

This talk explores the ways of literary collaboration, of literary possession, of belonging to or with another—not the sort of exercise you might encounter in the study of Shakespeare’s plays where scholars armed with computers and algorithms determine which words Shakespeare wrote and which words his collaborators wrote for him, or together with him, or instead of him, or in addition to him. My notion of collaboration is vaguer, looser, not tied to calculable models of co-authorship. I am interested, rather, in the psychological or imaginative dimension of collaboration, the idea of collaboration as a kind of identification and a betrayal, the idea, that is, of collaborative work as possession by and of others. Such collaborations did not always produce a keen sense of pleasure in the co-opted; some produced anger and some provoked payback, a reflex especially true of John Milton’s age, perhaps especially true for the animadverting John Milton. Though having said that, immediately some of Milton’s contemporaries come to mind, writers certainly familiar with the poetics of payback—Andrew Marvell, John Dryden, the earl of Rochester. So we might just leave this at ‘especially true of John Milton’s age,’ a time of answers and animadversions, of adversarial relations among troubling peers, even among a writer’s friends and relatives.

 

As this talk outline indicates, Steve's work ranges across the literary history of the seventeenth century and focuses especially on Restoration literature, paying special attention to the poetry, criticism, and drama of John Dryden.  He is the world authority on Dryden.  He has focused our attention especially on the interaction of history and literature.  He has written and edited, co-authored and co-edited (his interest in collaboration is deep), a number of groundbreaking studies.  His published works include John Dryden: Poems, Plays, Prose, Letters; Marvell at 400, edited with Matthew Augustine; Lord Rochester in the Restoration World, edited with Matthew Augustine; Andrew Marvell, Orphan of the Hurricane, with Derek Hirst; The Cambridge Companion to Andrew Marvell, ed. with Derek Hirst; Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England, ed. with Kevin Sharpe; The Cambridge Companion to John Dryden; Reading, Politics, and Society in Early Modernity, ed. with Kevin Sharpe; John Dryden: A Tercentenary Miscellany; Selected Poems of John Dryden, ed. with David Bywaters; Refiguring Revolutions, ed. with Kevin Sharpe; The Cambridge Companion to English Literature: 1650-1740; Lines of Authority: Politics and English Literary Culture, 1649-1689; Politics of Discourse, ed. with Kevin Sharpe; Politics and Language in Dryden’s Poetry: The Arts of Disguise; Dryden’s Political Poetry: The Typology of King and Nation.

Sociology Colloquium Series Series Presents: Dr. John Eason

Sociology Colloquium Series Series Presents: Dr. John Eason

On Thursday, March 31, 2022, the Sociology Colloquium Series will feature Dr. John Eason from the University of Wisconsin-Madison. John Major Eason is an Associate Professor in the Department of Sociology at the University of Wisconsin-Madison and Director of the University of Wisconsin-Madison Justice Lab. He holds a Ph.D. from the Department of Sociology at the University of Chicago. He served as a political organizer for then Illinois State Senator Barack Obama. His research interest challenges existing models and develops new theories of community, health, race, punishment, and rural/urban processes in several ways. First, by tracing the emergence of the rural ghetto he establishes a new conceptual model of rural neighborhoods. Next, by demonstrating the function of the ghetto in rural communities he extends concentrated disadvantage from urban to rural community process. These relationships are explored through his book, Big House on the Prairie: Rise of the Rural Ghetto and Prison Proliferation, at the University of Chicago Press. For a more complete biography, a list of his research and publications, complete course descriptions, and information on how to request a letter of recommendation, feel free to visit johneason.com.

Colloquia Title and Topic:

"Punishment is Purple: The Political Economy of Prison Building"

The United States is unique among rich countries in the world in its level of contemporary mass incarceration, a massive social change that has reshaped the nature of inequality and social mobility. We have more than tripled the number of prison facilities since 1970. Despite employing nearly 450,000 corrections officers, occupying a land mass of roughly 600 square miles, and costing conservatively $30 billion to build, this massive public works project has transformed the American countryside virtually unnoticed, with nearly 70 percent of U.S. facilities being built in rural communities. We suggest that mass incarceration—the annual rate of more than 2 million being locked up—was not possible without the prison boom—the increase from roughly 500 to nearly 1700 carceral facilities. We explore the political, social, and economic influences of prison building across states, regions, and cities/towns. Using multilevel modeling, we find that racial and economic disadvantage predicts prison building in towns across different periods of the prison boom. We also find that party affiliation of state legislatures predicts prison building across different periods of the prison boom. While others find a link between Republican Party strength in state legislatures and mass incarceration, our findings suggest that prison building, like other types of punishment, result from bipartisan political support for the state’s ability to punish. We conclude by discussing policy and theoretical implications.

 

Join us virtually
Disability in Brazil: Experiences, Arts, Activisms

Disability in Brazil: Experiences, Arts, Activisms

This virtual panel features four presentations by disabled Brazilian scholars, artists, and activists working towards disability visibility and justice.

This virtual panel features four presentations by disabled Brazilian scholars, artists, and activists working towards disability visibility and justice. Drawing from their own research and artistic-activist practices, panelists will address the intersections of gender, sexuality, race, and disability in Brazilian disability worlds; "disability" as a historical category in the Brazilian context; and the political and aesthetic potentialities of disabled people's self-representations in Brazil's social and cultural diversity. This panel promises to reveal productive points of convergence and divergence in disability studies in Brazil and the United States, and will generate dialogue on how U.S.-based disability scholars, artists, and activists might learn from work being done in the Global South. Panelists and presentations:

  • Anahí Guedes de Mello - "Who Writes on Behalf of Disability in Brazilian Social Thought?"
  • Marco Gavério - "Race and Disability in Brazil in the film White Out, Black In"
  • Bruna Teixeira, Malta Lee, and Olga Aureliano (Retratos Defiças Project) - "Retratos Defiças [Crip Portraits]: the Art and Trajectory of Crip Bodies Portrayed or Described in their Particular Worlds"
  • Fábio Passos - "Disabled People’s Aesthetics of Nudity: Political and Anti-normative Bodies"

This event is open to all WashU faculty, students, and staff and will be recorded and later made publicly available. Presentations will be in Portuguese with simultaneous translation to English. CART captioning in English will be provided. The presentations will be followed by a question-and-answer session open to all attendees.

This event is presented by the WashU Latin American Studies Program (LASP) and the Brazilian Anthropological Association Disability and Accessibility Committee (CODEA-ABA). It is currently co-sponsored by:

  • WashU Latin American Studies Program
  • WashU Center for the Humanities
  • “Realities of Disability in Brazil” Working Group (Wenner-Gren Foundation)
  • WashU Department of Romance Languages and Literatures
  • WashU Center for Diversity and Inclusion
  • WashU Department of Anthropology
  • WashU Center for the Study of Race, Ethnicity, and Equity

For more information, consult https://elizawilliamson.com/events/

Photo by Libellum Amanda Bambu and Gabriela Amorim  Photography | 2021 | Myelomeningocele | Maceió-AL

on Instagram at @amandabambu, @bibi_amorim

www.retratosdeficas.com/amanda-gabriela

REGISTER via ZOOM
Sports & Society Reading Group: Whereas Hoops

Sports & Society Reading Group: Whereas Hoops

The Sports & Society reading group will meet on April 22nd for our third and final meeting of the spring, this time in person! John Early and Noah Cohan will share the artist’s book created for the Whereas Hoops project.

If you're interested in joining us, e-mail co-organizer Noah Cohan

Sociology Colloquium Series Series Presents: Dr. Angela Garcia

Sociology Colloquium Series Series Presents: Dr. Angela Garcia

On Monday, April 18, 2022, the Sociology Colloquium Series will feature Dr. Angela Garcia from the University of Chicago. Dr. Angela S. García is Assistant Professor at the University of Chicago Crown School of Social Work, Policy, and Practice. She is a scholar of migration, membership, law, and the state, with a focus on undocumented migration and US immigration federalism. García’s award-winning book, Legal Passing: Navigating Undocumented Life and Local Immigration Law (University of California Press), compares the impacts of restrictive and accommodating subnational immigration laws for undocumented Mexican immigrants. Her current work includes a book project on middle-aged undocumented immigrants who simultaneously care for their US households and aging parents in communities of origin, and a collaborative study on urban inclusion through Chicago’s municipal ID programs and its response to COVID-19 for marginalized residents. García earned a PhD in Sociology and a MA in Latin American Studies from the University of California, San Diego.

Colloquia Title and Topic:

"Strategic Systems Seeking: When and Why Marginalized Communities Seek Out the State"

People who experience exclusion from the state disproportionally view government as a punitive, surveilling force rather than a benevolent service provider. Marginalized groups—from undocumented immigrants to people involved in the criminal-legal system—thus commonly avoid government and its associated record-keeping systems. At the same time, marginalized communities disproportionately rely on government for essential services. In light of this contradictory relationship, when and why do people who face overlapping systems of marginalization seek out the state? This study develops a relational framework of engagement, arguing that, because marginalized residents have strong incentives to identify needed and low-threat supports, they respond to policies designed around administrative justice—an approach that seeks to attenuate inequitable constituent-state interactions. We apply this relational framework to Chicago’s municipal ID program, CityKey, which launched in 2018. Analyzing interviews (N=196) with ID program enrollees, the study argues that the program’s administrative justice policy design induces strategic system seeking among a diverse set of marginalized communities. This study contributes to scholarship on inequality and policy feedback effects, elucidating the strategic behavior of marginalized groups and the key role of cities in promoting inclusion in the broader polity.

Join us virtually
Sociology Colloquium Series Presents: Dr. Filiz Garip

Sociology Colloquium Series Presents: Dr. Filiz Garip

On Friday, April 15th, 2022, the Sociology Colloquium Series will feature Dr. Filiz Garip of Princeton University. Dr. Garip’s research lies at the intersection of migration, economic sociology and inequality. Within this general area, she studies the mechanisms that enable or constrain mobility and lead to greater or lesser degrees of social and economic inequality. Dr. Garip received her Ph.D. in Sociology and M.S.E in Operations Research & Financial Engineering both from Princeton University. She hold a B.S. in Industrial Engineering from Bosphorus University in Turkey. Dr. Filiz Garip collaborates with scholars in different fields, including economics, demography and computer science. Her research has been supported by grants from the National Science Foundation, the Clark Fund, Milton Fund, Cornell’s Center for the Study of Inequality, Harvard Center for Population and Development Studies, David Rockefeller Center for Latin American Studies, the Cornell Atkinson Center for Sustainability, and the Weatherhead Center for International Affairs.

Dr. Filiz Garip will be speaking on climate change, migration and inequality.

Join Now
Washington University Dance Collective: REDUX

Washington University Dance Collective: REDUX

Artistic Direction by Cecil Slaughter

Redux - dance reimagined, friends reunited, art reinvigorated!

Join us for an evening of renewed creativity and a resurgence of inspired dance making. Our showcase performance consists of a revival of works representing WUDC classics, as well as new works with a fresh twist that reflects a renewed momentum and artistic expression. Redux is a celebration of our collective humanity and the perseverance of the human spirit.

As the Performing Arts Department’s repertory dance company, Washington University Dance Collective comprises student dancers who have distinguished themselves on the basis of ability, technical skill, and performance acumen. 

April 8 at 8 p.m.
April 9 at 8 p.m.
Edison Theatre

Tickets are FREE for all WashU Full-time undergraduate and graduate students and University College students who have been admitted into a degree program. 

Please Note: WashU student tickets are not available on-line. WashU Students should pick up their FREE ticket at anytime during Edison Box Office Hours: Monday – Friday 10 am – 4 pm; and Saturday 10 am – 2 pm.
If you plan to pick up your ticket immediately before a show, please be sure to arrive 30 – 45 minutes prior to start time to ensure you are seated before the curtain rises.

Purchase Tickets

COVID-19 Policy

Health and Safety Policies

  • Beginning March 14, wearing a face mask is optional but strongly encouraged at Edison Theatre and the A. E. Hotchner Studio Theatre. If you arrive to the venue and decide you would like a face mask, the staff will be happy to provide one.
  • While we encourage patrons to be fully vaccinated, proof of vaccination or a negative COVID test will not be required for attending events.
  • We are seating up to 100% capacity for events in Edison Theatre and the A. E. Hotchner Studio Theatre. Depending on total attendance, some general admission events may allow for socially distanced seating.
  • If you are experiencing cold or flu symptoms and you have tickets to an event, please let us know prior to the performance. We will gladly exchange or refund your ticket.
2022 A Black Space Odyssey: A Conversation About Afrofuturism and Its Importance in Film

2022 A Black Space Odyssey: A Conversation About Afrofuturism and Its Importance in Film

Moderated by Dr. Zachary Manditch-Prottas, Filmmaker David Kirkman (Artist in Residence with AFAS) and Dr. Reynaldo Anderson speak on the rise of Afrofuturism in TV, Film, and its importance. David will also show a fresh glimpse of UNDERNEATH, an Afrofuturist feature film he has been working on while as the Artist in Residence at Washington University.

underneath3.jpg

Media Folder: 
Register Here

"From the Quarry to the Studio: the Sedimented Histories of Painting on Stone"

Dr. Christopher Nygren, Associate Professor of Renaissance and Baroque Art, Department of History of Art and Architecture, University of Pittsburgh Senior Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art (2021-2022)

South to Freedom: Runaway Slaves to Mexico and the Road to Civil War

Alice Baumgartner, assistant professor, Department of History, University of Southern California

The Nineteenth Century in the Americas Reading Group, from the Center for the Humanities, is honored to host Alice Baumgartner for a virtual talk on her groundbreaking book, South to Freedom: Runaway Slaves to Mexico and the Road to Civil War (2020). South to Freedom focuses on Mexico’s abolition of slavery and how its increasingly radical antislavery policies fueled the sectional crisis in the United States. For Baumgartner, the US invasion to Mexico was an attempt to stop runaways and secure the institution of slavery. However, this actually upset the delicate political balance between free and slave states. This is a revelatory and essential new perspective on antebellum America and the causes of the Civil War.

Please join us Thursday, April 21 to learn more about Baumgartner’s work and engage in conversation with her.  

Alice Baumgartner earned a BA in history from Yale University and an M.Phil in Latin American Studies from the University of Oxford, where she was a Rhodes Scholar. She earned a PhD from Yale University in 2018. She now teaches history at the University of Southern California. 

This talk is sponsored by the Center for the Humanities.

Zoom Registration

Medical Humanities Senior Recognition Ceremony and Reception

Lit paper lanterns floating on water

Requiem of Light Memorial Concert and Lantern Lighting

A memorial for the more than 5,000 St. Louisans lost to COVID-19.

"Seating is first come, first serve on Art Hill and guests should bring their own chairs or blankets. Music will begin at 7:15 p.m. with remarks at 7:30 p.m. The requiem will conclude with the lantern lighting ceremony at approximately 8:15 p.m."
Quoted from The Source article.

 

For more details, including the ceremony program and a list of speakers and performers, please visit the Requiem of Light website.

"Anatomy Lesson" Lecture by Dr. Patrick Baqué

Dr. Patrick Baqué is the Dean of the Medical School in Nice, France.

Dr. Patrick Baqué will teach an "Anatomy Lesson," "Leçon d'anatomie" (in French).


While the lecture is in French, the Q/A will be in French / English.

Freedom | Information | Acts

Studiolab Open House

Join us for an open house of the first Studiolab, Freedom | Information | Acts, a full-year interdisciplinary graduate course addressing access to archival materials from the Jack Willis and Henry Hampton collections of civil rights documentary film projects, and to movement history more broadly.

Thinking through access to these materials and stories, the Studiolab students have used an array of archival sources to teach a research methods course at the Missouri Eastern Correctional Center through WashU’s Prison Education Project.

Follow the link below for details and to RSVP.

More info
Women in Philosophy Art Show

Women in Philosophy Art Show

We would like to invite you to the opening night of the second Washington University Department of Philosophy Art Exhibit: Women in Philosophy: Power and Prominence, 

 

This year's show is centered around celebrating the powerful contributions of women within the field of Philosophy through art. Some of the featured philosophers will be Hypatia, Émilie du Châtelet, Mary Wollstonecraft, Susanne Langer, Hannah Arendt, Simone Weil, Angela Davis, Heisook Kim, Judith Butler, and many more. 

 

19 students at the Sam Fox School of Art have each created an artwork across various mediums to represent the philosophy and the biography of their philosopher of choice. 

 

The opening will be Friday, April 22nd at 5 pm in Wilson Hall 214, and refreshments will be served. Please feel free to extend the invitation as well to others who you think would be interested in attending. If you are unable to make it on the opening night, don’t worry. The works will be on view from 4/22 until 4/29 at Wilson Hall 1st and 2nd floors. Thanks, and we hope to see you there! 

 

 

Best regards,

Becky Moon of Artists Alliance for Philosophy

Geography of Identity in Artistic Creativity

Geography of Identity in Artistic Creativity

Professor Abdelilah Ennassef, Columbia University

The department of Jewish, Islamic, and Middle Eastern Studies is proud to sponsor a virtual lecture in Arabic by Prof. Abdelilah Ennassef of Columbia University.

Facilitated by Prof. Housni Bennis

The event is being hosted online via Zoom, you can attend by clicking here: Zoom Link

For more information, contact either Housni Bennis (hbennis@wustl.edu) or Julia Clay (jclay@wustl.edu)

South-Asian Karaoke and Drama!

South-Asian Karaoke and Drama!

The JIMES Department is sponsoring a social event and language exhibition organized by Professor Meera Jain. The event is open to everyone.

Please join us for an evening of music and drama as our Hindi students showcase dramatic performances, song, and dance. Snacks will be provided.

All are welcome!

The event flyer is available here: Link to Flyer

Reading with Hengameh Yaghoobifarah

Reading with Hengameh Yaghoobifarah

The Center for the Humanities Reading Group “Comparative Readings of LGBTQ+ Literature in German” (Conveners: Christian Schuetz, Franzi Finkenstein) invites you to join for a discussion of Hengameh’s 2021 debut novel Ministerium der Träume (English: Ministry of Dreams) published by Blumenbar/Aufbau Verlag. Hengameh will be reading the novel’s first chapter in English and some other passages in German, followed by a Q&A and discussion in English. Please note: this is a Zoom event.

Ministerium der Träume: “When the police arrive at her door, Nas' world comes crashing down: Her sister Nushin is dead. Car accident, say the officers. Suicide, Nas is convinced. Together they have survived everything: their migration to Germany, the loss of their father, the emotional absence of their mother, Nushin's unplanned motherhood. Although a child does not fit into her life, Nas takes her niece in. Even when she finds out that Nushin had secrets, Nas swallows the betrayal, giving her all to reconstruct her sister's story – she realizes that Nushin would never have abandoned her. "Ministry of Dreams" is a novel about a family you choose and the one you are forced into. It’s a debut about the unconditional solidarity among siblings, a debut that also penetrates the dark corners of contemporary Germany.“ (Yaghoobifarah, translated by Christian Schuetz)

HENGAMEH YAGHOOBIFARAH was born in Kiel (Germany) in 1991. Hengameh studied Media Culture and Scandinavian Studies at University of Freiburg and Linköping University. Since 2014, Hengameh works as an editor at Missy Magazine and as a freelance journalist. Hengameh’s texts have appeared in SPEX, an.schläge, and Hengameh’s column “Habibitus” appears in the German daily newspaper Die Tageszeitung.

This event is sponsored by the Department of Germanic Languages and Literatures and the Center for the Humanities at Washington University in St. Louis.

Click on the RSVP button below to register and receive a Zoom link.

RSVP
Event in honor of Vivian Pollak

Event in honor of Vivian Pollak

We would like to invite you to an event celebrating the work of our colleague Vivian Pollak on Thursday, May 5, 2022 at 4:00 pm. This is an occasion to honor Vivian’s contributions to the study of nineteenth-century American literature, the English Department, and the University.

We have invited Rafael Walker, Assistant Professor at Baruch College, to speak. Rafael was Vivian’s undergraduate student and wrote his undergraduate thesis under her supervision. The talk, “Biraciality as Neuter: Jean Toomer’s Cane,” is based on his current book project.

Vivian’s former PhD student Tarah Demant, Interim National Director of Programs, Government Affairs, and Advocacy at Amnesty International, will offer brief closing remarks before Vivian reads a poem or two.

The event will be followed by a reception honoring Vivian’s career at Washington University over the last twenty-seven years.

Vivian Pollak has written field-defining monographs on the work of Walt Whitman and Emily Dickinson. Her work has paid special attention to poetry and poetics, to literary biography, and to questions of gender and sexuality. Her books include Dickinson: The Anxiety of Gender (1984), The Erotic Whitman (2000), and Our Emily Dickinsons: American Women Poets and the Intimacies of Difference (2017), which was nominated for the James Russell Lowell Prize of the Modern Language Association. Her current projects include an essay on “Walt Whitman and Muriel Rukeyser Among the Jews” for the Oxford Walt Whitman Handbook and an essay for the Cambridge History of Queer American Literature on “Queer Mythology from Whitman to Frost.”

SIR Cultural Expo 2022

Annual expo of cultural groups on campus

SIR Cultural Expo is an annual event hosted by Washington University in St. Louis' chapter of Sigma Iota Rho. Modeled after a club fair and featuring live performances by student groups, this event exposes the greater Washington University community, especially students, to the variety and diversity of cultures and experiences present at the university. This event also hopes to celebrate diversity and inclusion, to offer a moment of festivity and enjoyment at the end of the winter season, and to initiate and facilitate conversation around campus cultural groups.

Rethinking Monuments & Memorials

Rethinking Monuments & Memorials

WashU & Slavery Project director Geoff Ward and planning committee member and Professor of History Peter Kastor will be panelists at the Missouri History Museum's event examining the shifting commemorative landscape in St. Louis. Panelists will discuss examples including the museum's reinterpretation of the Jefferson statue, commemoration of Mill Creek Valley, interventions in Tower Grove Park, and work with EJI to address histories and legacies of lynching. Universities Studying Slavery will be among the initiatives featured at event resource tables, which will help to share and support the array of remembrance efforts underway in greater St. Louis.

Conversation with James Merrill scholars Langdon Hammer and Stephen Yenser

Langdon Hammer, the Niel Gray, Jr. Professor of English, Yale University; and Stephen Yenser, Distinguished Professor Emeritus, UCLA

The Poetry and Poetics Reading Group at Washington University invites you to a conversation about James Merrill with literary scholars Langdon Hammer (James Merrill: Life and Art, 2015) and Stephen Yenser (The Consuming Myth: The Work of James Merrill, 1987). The reading group will meet in Olin Library’s Special Collections, Room 142, and our guests will join via Zoom. The conversation marks the culmination of the group’s semester-long exploration of the Merrill archive housed in WashU’s Special Collections, but we welcome newcomers to join!

Please RSVP to Alex Mouw (alexmouw@wustl.edu) and Ann Marie Jakubowski (ajakubowski@wustl.edu).

Anatomy Lesson by Professor Patrick Baqué: Chief Surgeon and Dean of the Faculty of Medicine of Nice (France)

Anatomy Lesson by Professor Patrick Baqué

Chief Surgeon and Dean of the Faculty of Medicine of Nice (France)
Danforth Campus
DUC 276

Professor Patrick Baqué is a surgeon, professor of Anatomy and General Surgery at the CHU Pasteur, and Dean of the School of Medicine in Nice  (France).

He teaches human anatomy and surgery to medical students, nursing and physiotherapy schools, midwives and doctors in post-graduate training.

He is a member of the French Medical College of Professors of Anatomy. 

He wrote the anatomy textbook used by  Pre-Med students in France.

 

Event sponsored by the Centre d'excellence French Connexions.

To register, contact Dr. Lionel Cuillé : lcuille@wustl.edu

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French connexions logo
Media Folder: 

History Department Senior Honors Thesis Symposium

Please join the History Department as they showcase the work of their 2022 Senior Honors students.

Literature in the Making: A Reading (Spring 2022)

This is the highlight of the semester for the International Writers Track in Comparative Literature. The members of this semester’s Literature in the Making class, taught by Professor Matthias Göritz, will share their work, which includes original pieces as well as translations of other authors’ works.
Remembrance of 1836 Lynching of Francis McIntosh

Remembrance of 1836 Lynching of Francis McIntosh

In partnership with Equal Justice Initiative (EJI), the St. Louis Community Remembrance Project will commemorate the 1836 lynching of Francis McIntosh on April 30 in Kiener Plaza.

In 1836 Francis McIntosh, a free Black man, was abducted by a white mob from the St. Louis jail (then at 6th & Chestnut), chained to a tree a block away at 7th & Chestnut, and burned alive. No one was held responsible. The burned tree was left as a monument to racial terror. WashU trustee and major benefactor John O'Fallon is said to have served as foreman of the grand jury that declined to bring an indictment against perpetrators of the lynching, as advised by the presiding Judge Luke Lawless. One of WashU’s early buildings, O’Fallon Polytechnic Institute, opened in 1867 at 7th and Chestnut, the very intersection where Francis McIntosh was burned alive by a mob three decades earlier. Ironically, WashU School of Law began in that building, at this historic St. Louis intersection marred by corruption of the rule of law. 

On April 30, 2022 the St. Louis Community Remembrance Project - an initiative led by the Reparative Justice Coalition of St. Louis (RJCSTL) - is commemorating the lynching of Francis McIntosh with a public Soil Collection Ceremony. All are welcome. For more about the lynching of Francis McIntosh, this event, and other coalition efforts, follow the button below to the coalition website (rjcstl.org). Several WashU faculty, staff, students and alumni volunteer with the Reparative Justice Coaltion and have supported the development of St. Louis' Community Remembrance Project.

 

 

More info

Scholarly Writing Retreat 2022

WashU scholars in the humanities and humanistic social sciences are invited to jump-start their summer writing.

The Scholarly Writing Retreat offers WashU humanities and humanistic social sciences faculty, postdocs and graduate students the opportunity to jump-start their summer writing in a motivated, supportive and collaborative atmosphere. Participants will bring their laptops and research materials to the Center for the Humanities and work intensively (but quietly!) on their individual projects in communal spaces, following a schedule of focused writing periods, lunch breaks (participants will bring their own lunch or eat at the DUC) and coffee breaks. 

Registration is now closed.

Mark S. Weil Memorial Service

Please join us as we celebrate the life of Mark S. Weil, the E. Desmond Lee Professor Emeritus for Collaboration in the Arts at Washington University in St. Louis. The memorial service will be held in Steinberg Auditorium at 11 a.m., Saturday, June 4, 2022, with a reception to follow in Kuehner Court,  Anabeth and John Weil Hall. Livestream of the event is also availablehttps://livestream.com/accounts/7945443/events/10191066

Parking is available at the East End garage. For more information, visit this campus map. 

For more information about the event, or to make any special arrangements, call 833-284-4968 or email specialevents@wustl.edu.

 

Senior Honors Thesis Symposium

Senior Honors Thesis Symposium

We will be talking about law and land, conspiracies and bureaucracies, new archives and old wounds. The complete schedule is provided below - attendees are welcome to come for all or part of the symposium. It's a chance to celebrate our thesis writers, discuss their research, and think about questions small and large.

Schedule

12:30-1:00 p.m.: Wartime Politics and Bureaucracy in Twentieth-Century America

Nick Brdicko, "Rationalizing Bureaucracy: Robert McNamara and Planning-Programming-Budgeting System (PPBS)"

Paul Gerstle, "The  1940s Unity Façade: Partisan Debate and Calls for Unity in the Wartime Elections"

 

1:00-1:30 p.m.: Law and Economy in the Medieval Manor and Contado

Thomas Humphrey, "Farm, Wood, and Valley in Late Medieval Italy"

Nicholas LaMore, "Manorial Law at the Margins: Theory and Practice in East Anglia Before the Plague"

 

1:30 p.m.-1:40p.m. Break

 

1:40-2:30 p.m.: Contested Memory: The Unrelenting Power of Collective Trauma

Malcolm Douglass, "Shot Dead in Dallas: The Sprouting of a Kennedy Assassination Conspiracy Culture"

Kyle Klemme: "After the War: How 1920s German Intellectuals Defined a Decade of Despair"

Ayush Halder: "Film and False Memory:  Remembering the Partition of India"

 

2:30-3:00 p.m.: Laws in Flux

Julia Fish, "Shit Jurisdiction:  Land and Racialized Bodies in Seward's Outhouse"

Kyle Melles, "Emergency Powers and Detention Laws in Colonial and Independent Kenya"

 

Afterwards, please join us for the History Department "We're Making History!" Gala in the Women's Building Formal Lounge.

 

 

Epistemic Norms as Social Norms

Epistemic Norms as Social Norms

Workshop with Laura Frances Callahan, Peter Graham, Daniel Star, Deborah Tollefsen, Manuel Vargas, and Natalia Washington.

At this workshop we will focus on several issues in social epistemology that concern the intersection of epistemic and social normativity.  These include questions about  responsibility and accountability for beliefs and biases, epistemic injustice, the moral psychology of ignorance, divisions of epistemic labor, intellectual virtues and vices of groups, and the nature and source of of epistemic normativity.

Speakers:

  • Laura Frances Callahan (University of Notre Dame)
  • Peter Graham (University of California, Riverside)
  • Daniel Star (Boston University)
  • Deborah Tollefsen (University of Memphis)
  • Manuel Vargas (University of California, San Diego)
  • Natalia Washington (University of Utah)

There will be no cost to attend the workshop, but registration is required.  Email ahazlett@wustl.edu if you plan to attend.

This workshop is sponsored by the Philosophy Department and by the Center for the Humanities at Washington University in St. Louis.

Virtual Book Club: The Pull of the Stars

A presentation of historical medical texts from the Becker Medical Library will precede the discussion. 

In 1918 Dublin, in an understaffed maternity ward, the lives of nurse Julia Power, doctor Kathleen Lynn, and volunteer Bridie Sweeney come together. Set against the backdrop of twin catastrophes of the Great Flu Pandemic and World War I, the novel follows these three women over the course of three days in a story of how hope can persevere against all odds. 

A presentation of historical medical texts from the Becker Medical Library will precede the discussion. 

Free and open to all, registration required.

More info

Counter/Narratives: ‘More Than One Thing’

Screening of the short film ‘More Than One Thing’ followed by a brief discussion

The story of the Pruitt-Igoe housing development is often considered a tragedy. Throughout its existence, local media regularly fixated on its downfall due to lack of resources, proliferating racist images of crime, neglect and disorder. In reality, its history is much more complex. The short film More Than One Thing provides a different viewpoint of this moment in history through the personal narrative of teenager and resident Billy Towns. The film was shot by WashU graduate student Steven Carver in 1968 and 1969 and is told through the eyes of Billy as he narrates over footage of his everyday life, sharing his hopes and dreams with the viewer. The film acknowledges some realistic concerns, but largely serves as an embracing and optimistic portrayal of the young man, providing space for him to speak in his own words.

Presentd by the Ethical Society of St. Louis and Washington University Libraries. The film was first screened at the Ethical Society in 1970 and was preserved and digitized by Washington University Libraries’ Film and Media Archive in 2016. The film is included in the exhibition Counter/Narratives: (Re)presenting Race & Ethnicity, on view at the John M. Olin Library through July 10, 2022.

Free and open to all; registration required.

More info
ScreenDance Film Festival

ScreenDance Film Festival

Now Available to Stream until August 7!

During the pandemic, the Dance Composition Courses pivoted by necessity to making choreography projects in video format. We quickly realized that video offered an entirely new and dynamic stage for dance performance that deserved its own course to provide a laboratory for choreographing for camera. And so the “Screendance" Composition II was established and going forward will run every even year spring semester.
 
This showcase comprises the 14 short film projects of Spring 22 Dance Composition II.  We hope you enjoy!
 
Click this link:
https://wustl.box.com/v/SP22DanceCompFinalFilms

Available to stream until August 7, 2022!

A Memorial, Celebrating the life of Carter Revard (Date & Location Updated)

A Memorial, Celebrating the life of Carter Revard (Date & Location Updated)

Carter Revard, Professor Emeritus of English, passed away in January of this year.

 

The English Department, along with the Revard Family, will be hosting a memorial on Wednesday, June 29th at 2:00, in the Women's Building Formal Lounge, to celebrate life the life of Carter Revard, share stories, and reflect on the great impact he had on this community

 

We encourage you to extend this invitation to anyone you know who is connected to Carter or his family. Additionally, we realize that travel is not always possible. If you cannot attend the memorial, please send your sentiments to Lawrence (lbrevard@wustl.edu), who will share them with those who can attend, or contribute to the online obituary here: https://stlouiscremation.com/obituaries/carter-curtis-revard/.
 

On Campus, The Record published a full obituary, with beautiful pictures.

 



 

Carter taught in the English department for over thirty years, retiring in 1997. He published scholarship on a wide range of Middle English poetry, including Chaucer, the Pearl-Poet, and William Langland, but was most celebrated for his landmark research on the medieval manuscript known as Harley 2253, an extraordinary collection of literature in English, French, and Latin now housed in the British Library.  His identification of the scribe responsible for much of the manuscript, as it comes down to us, opened up a world of knowledge about the cultural contexts of this book, its contents, and its readers.  Carter edited and translated works from Harley 2253, placed them in conversation with Boccaccio and Chaucer, and examined the logic and purpose of the entire anthology.  

 

Carter was also a renowned and award-winning poet and essayist whose commitment to medieval study was complemented by a lifelong devotion to teaching and promoting Native American culture and writing; his poetry and essays spoke to these values. Carter's collections of work include: Ponca War Dancers (1980), Cowboys and Indians, Christmas Shopping (1992), An Eagle Nation (1993), and How the Songs Come Down (2005); as well as a collection of essays, Family Matters, Tribal Affairs (1998), and a mixed-genre memoir, Winning the Dust Bowl (2001).

 

Listen to Carter read aloud the poem "Close Encounters" (a River Styx reading at Duff's).

 

From Lawrence Revard and the entire Washington University family, we hope to see you June 29th.

 

Counter/Narratives of Independence: Celebrating Juneteenth

Counter/Narratives of Independence: Celebrating Juneteenth

Join the University Libraries, in partnership with the Department of African and African-American Studies and the WashU & Slavery Project, for a special Juneteenth celebration. Come together as a community to learn more about the holiday and enjoy refreshments. The event will begin with an introduction to Juneteenth and its importance in history and today. Following the introduction, activities for all ages will be available, including a dramatic reading of Frederick Douglass’s speech “What to a Slave is the Fourth of July?,” children’s story time, interactive stations, and a viewing of current exhibitions.

Free and open to all, registration required.

Juneteenth Pop-Up Display

Juneteenth Pop-Up Display

In commemoration of Juneteenth, a pop-up display organized around the practices of storytelling and remembrance.

In commemoration of Juneteenth, we bring together works by four contemporary American artists of African descent—Torkwase Dyson, Trenton Doyle Hancock, Joyce Scott, and Danny Tisdale—for a pop-up display organized around the practices of storytelling and remembrance. While viewing the display, we invite you to reflect on what histories we are taught, whose stories matter, and how we remember. An accompanying reading table contains multiple points of entry for learning about the historical events surrounding emancipation as well as their legacies in the present, offering context for understanding the ongoing struggle for Black liberation and racial justice through the lenses of historical texts, personal narratives, and children’s literature.

Image credit

Torkwase Dyson (American, b. 1973), A Place Called Dark Black (Bird and Lava), 2020. Acrylic and ink on canvas, 96 x 80 x 2". University purchase, Parsons Fund and Bixby Fund, 2021.

Wednesday with WashU: A Conversation with Ann Brashares

Join Danielle Dutton, associate professor of English in Arts & Sciences, on Wednesday, May 25 for a livestreamed interview with Ann Brashares, WashU parent and New York Times Bestselling author.

Wednesdays with WashU is a webinar series featuring Washington University alumni, faculty, parents, and friends from around the world. Join Danielle Dutton, associate professor of English in Arts & Sciences, for a Q&A with bestselling author Ann Brashares.

About Ann Brashares

Author Ann Brashares won millions of fans with her blockbuster series The Sisterhood of the Traveling Pants in which she powerfully captures the emotional complexities of female friendship.

As an undergraduate, Brashares studied philosophy at Barnard College. Expecting to continue her studies in graduate school, she took a year off after college to work as an editor, hoping to save money for school. Loving her job, she never looked back, remaining in New York City and working in various editorial jobs until she began her first novel, The Sisterhood of the Traveling Pants, which became an international best seller.

Over the next five years she wrote three sequels – The Second Summer of the Sisterhood, Girls in Pants, and Forever in Blue. The Sisterhood of the Traveling Pants was made into a popular feature film and released by Warner Brothers in 2005, and the sequel was released in 2008. Her first adult novel, The Last Summer (of You and Me) was released in 2007. A companion book to the Sisterhood series, 3 Willows: The Sisterhood Grows, was published in 2009. The second companion book, Sisterhood Everlasting, was published in 2011. Her second novel for adults, My Name is Memory was published in 2010 and has been optioned for film. Brashares' young-adult time travel novel, The Here and Now, was published in April 2014 and The Whole Thing Together was published in 2017.

Brashares a mother of four and lives in New York City. She is married to artist Jacob Collins and grew up in and around Washington, D.C. Before becoming a writer, she was a receptionist, an editor, a ghostwriter, and briefly, the co-president of a small media company. 

Ann Brashares loves babies and children (many of whom are no longer children), teaching, gardening, and the effort, more generally, of growing and taking care of living things, in some cases fictional. She also loves walking, running, and biking around New York and other – especially old – cities. She loves reading fiction, poetry, and history; She loves talking about ideas and also arguing about them in a civilized way. And she prizes curiosity above intellect and cherishes her friendships. 

Register
St. Louis Filmmakers Showcase: Nightlife 

St. Louis Filmmakers Showcase: Nightlife 

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

Nightlife
Seth Ferranti, 70 min.
This call-to-action documentary tells the inspiring story of the Rev. Kenneth McCoy, known to St. Louis as the “Pastor of the Streets.” McCoy’s Nightlife Ministry, whose participants walk the streets of North St. Louis at night, fights an epidemic of mental illness and drug addition, actively interrupting gun violence in a city notoriously known for being one of the murder capitals of America. McCoy’s motto: “Our love for our people and belief in our convictions is stronger than our own fear of death.” The film, a culmination of two years of filming and three years of editing, features more than 25 interviews and gripping vérité footage of the ministry’s nighttime interventions. Although it vividly documents the North Side’s poverty and homelessness, its drug addicts and dealers, its gangbangers and prostitutes, the film is also filled with hope, love, consideration, and caring.
With director Ferranti and subject McCoy.


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: A New Home

St. Louis Filmmakers Showcase: A New Home

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

A New Home
Joseph Puleo, 57 min.
This informative documentary tells the story of the Bosnian refugees who fled to St. Louis in the early ’90s, examining their impact on our community and offering a retrospective overview of the war and resulting genocide. The St. Louis area is home to more displaced Bosnians than any other city in the world — perhaps more than 75,000. This 30-year diaspora has benefited the metro area in a multiplicity of ways. On a practical front, the influx of population has contributed substantially to the area’s tax base, but the impact is far greater from a human perspective, with the Bosnians generously sharing their culture and helping to make St. Louis a more welcoming and diverse place. The film features interviews with such local authorities as Anna Crosslin, who headed the International Institute as it facilitated the massive resettlement effort, and former St. Louis Mayor Francis Slay. “A New Home” is director Puleo’s much anticipated follow-up to his wildly popular “America’s Last Little Italy: The Hill,” which screened virtually during the 2020 editions of both the Showcase and the St. Louis International Film Festival.
With director Puleo.


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: Winemaking in Missouri: A Well-Cultivated History

St. Louis Filmmakers Showcase: Winemaking in Missouri: A Well-Cultivated History

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

Winemaking in Missouri: A Well-Cultivated History
Catherine Anys Neville & Chris Roider, 60 min.
Catherine Neville, the Emmy-winning producer and host of Nine Networks’ “tasteMAKERS,” and co-director Chris Roider trace the nearly 200-year history of Missouri’s rich winemaking past. Their documentary features winemakers and experts detailing the evolution of what was — and is again today — one of the state’s leading industries. Weaving together historic images with in-depth interviews, “Winemaking in Missouri” touches on winemaking’s inflection points across the decades. Among those featured: Jon Held from Stone Hill Winery, Pat and Peter Hofherr from St. James Winery, Angie Geis of Noboleis Vineyards, Annie Gunn’s sommelier Glenn Bardgett, and Kansas City-based author and wine consultant Doug Frost (who is one of only four people in the world to hold the dual titles of Master Sommelier and Master of Wine).
With co-directors Neville and Roider.


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: All Gone Wrong

St. Louis Filmmakers Showcase: All Gone Wrong

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

All Gone Wrong
Josh Guffey, 100 min.
After a rookie cop is killed in a drug bust gone wrong, his veteran partner (Chris Halverson) is put on leave. Embarking on an unauthorized investigation, he uncovers a pervasive narcotics network operating under the surface of a rural town. Filming in St. Louis with a host of top-notch local actors and crew, writer/director Josh Guffey turns in a superb, high-octane thriller that features Tony Todd of “Candyman” in a central role. The origins of Guffey’s film can be traced to a true story related by a colleague of his police-officer sister. The case involved an especially talented undercover cop who went into an Illinois town alone to dismantle the narcotics trade — all without the help (or even knowledge) of the local police. Months later, after a host of arrests, he left the organized drug network in disarray. Touching on many of today’s critical issues, including race, corruption, criminal-justice reform, civil forfeiture, and cycles of incarceration, “All Gone Wrong” incorporates all that Guffey has learned in the 15 years since first hearing that catalyzing story. The film premiered at the 2021 St. Louis International Film Festival.
With director Guffey and members of the cast and crew.


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: Hungry Dog Blues

St. Louis Filmmakers Showcase: Hungry Dog Blues

22nd Annual Whitaker St. Louis Filmmakers Showcase  July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

Hungry Dog Blues
Jason Millner, 75 min.
In this neo-Western crime thriller set in rural Missouri, two estranged half-brothers kidnap the lead witness against their incarcerated father to prove his innocence. The film explores just how far we’re willing to go to protect the ones we love. The harrowing journey it chronicles harkens back to classic American films that use a small-town story to tell a larger tale about us all. Director Millner and producing partner Irina Gorovaia, who also plays Tina in the film, are alums of the 2019 St. Louis International Film Festival with their short film “A Magnificent Gray.”
With director Millner and producer/co-star Gorovaia.


TICKETS

Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: Thriller Shorts

St. Louis Filmmakers Showcase: Thriller Shorts

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

Thriller Shorts
114 min.


Bootycall
Pelan Le, 7 min.
Every online dater’s worst nightmare: a booty call gone horribly and dangerously wrong.

The Contract
Aaron McLaughlin, 10 min.
A mysterious man attempts to reconcile with the consequences of his actions.
 
Dementia 29
Ben Manhanke, 25 min.
A young woman uses her unique psychic powers to make ends meet.

Friendly Competition
Dominic Regazzi, 10 min.
A lonesome drug dealer ends a streak of lonely nights when his favorite customer decides to stick around to play a board game.

Interstellar Gunslingers
Nate Carroll, 3 min.
A former cavalry scout and lawman is challenged to an out-of-this-world duel for his gold-mine claim.

Intruder
Gabriel Hunter Sheets, 5 min.
After a drunk man returns home, he quickly realizes that he’s mistakenly entered the wrong apartment, but before he has a chance to leave, mysterious noises from upstairs lure him further inside.

No Frog Eyes Shine
Eric Wolfgang Nelson, 37 min.
The lead runner of a moonshine crew does a cash drop at a mystery woman’s house, but things take a deadly turn because of the lure of quick cash.

Paragon
Lupe Medina, 12 min.
When a young woman opens her deceased mother’s music box, a dancer is possessed by an evil spirit that could bring about her ruin.

Restroom
Cory Byers, 5 min.
A college student finds herself alone in a restroom — or is she?


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
St. Louis Filmmakers Showcase: Documentary Shorts

St. Louis Filmmakers Showcase: Documentary Shorts

22nd Annual Whitaker St. Louis Filmmakers Showcase July 15-17 & 22-24, 2022 Washington University’s Brown Hall Auditorium

Documentary Shorts
101 min.

My Ozarks
Jason Brasier, Sean Loftin & Ian McGee, 44 min.
A series of nine short documentaries offer intimate portraits of real people and places in the eastern Missouri Ozarks.

The Outlander
Dominik Espey & Matthew Gargiula, 17 min.
John and Toni are essentially homeless but eke out a thrifty and fulfilling life on the downtown riverfront.

Tim Hawkins: Professional Moron
Christina Russell, 12 min.
After getting swept up in the whirlwind of his career, local comedian Tim Hawkins had to slow his life down to learn the meaning of true success.
 
We Work for the Purple Space
Patrick Delhougne & Nyara Williams, 25 min.
Overcoming social anxiety and a strong hatred for shoes, singer Zida Lioness sacrifices, suffers, and ultimately succeeds in her quest to reach “The Purple Space” with the support of family and friends.

Who Is Syd?
Gabriel Hunter Sheets, 3 min.
Syd discusses their experience with depression, derealization, and coming to terms with their gender identity and sexuality.


TICKETS
Tickets for film programs from July 15-17 & 22-24 at Washington U.’s Brown Hall Auditorium are $15 each; $12 for students with valid and current photo ID and Cinema St. Louis members. (All credit-card and handling fees are incorporated into the ticket price.)

More info
Rethinking Gu Yanwu from a Global Qing Perspective

Rethinking Gu Yanwu from a Global Qing Perspective

John Delury, professor of Chinese studies, Yonsei University [Seoul]

Gu Yanwu (1613-1682) was one of the more incisive political thinkers of the early decades of the Qing, and he went on posthumously to exercise a towering influence on dominant intellectual trends for the life of the dynasty—from 18th century evidential research (kaozheng) of Dai Zhen, to the 19th century statecraft reform (jingshi) of Wei Yuan, all the way up through early 20th century cultural nationalism of Liang Qichao. In this lecture, Professor John Delury revisits his earlier work on the life and thought of Gu Yanwu, the subject of his dissertation 15 years ago, by locating Gu Yanwu in a global Qing context. How were Gu’s lived experiences as well as his ideas about politics, economics, and society informed by developments outside China’s borders? How aware was Gu of the global trends shaping the Ming-Qing transition and early Qing, and to what degree did he factor that larger context into his writings? Was Gu Yanwu’s critique of two despotisms, which (according to Delury) is the central concept of his masterpiece, The Record of Daily Learning [1670/1695], connected to global currents in political thought and intellectual history? Finally, was there any global legacy left by Gu and contemporary relevance to world politics in his ideas, or is his significance as a thinker bounded by the limits of the sinosphere?

Registration is required to attend the lecture. Once registered you will receive the Zoom link.

Supported by a gift from Leung Tung Peter & Lin Young.

John Delury is a historian of modern China and US-China relations. He is Professor of Chinese Studies at Yonsei University Graduate School of International Studies (GSIS), also serving as chair of the undergraduate Program in International Studies at Yonsei’s Underwood International College (UIC) and founding director of the Yonsei Centre on Oceania Studies.

John is the author of Agents of Subversion: The Fate of John T. Downey and the CIA’s Covert War in China (Cornell, 2022) and co-author with Orville Schell of Wealth and Power: China's Long March to the Twenty-first Century (Random House, 2013). Based in Seoul since 2010, his articles can be found in journals including Asian Survey, Journal of Asian Studies, Late Imperial China, and Sungkyun Journal of East Asian Studies. His commentaries on current affairs appear in Foreign Affairs, Foreign Policy, The New York Times, and Washington Post, and he contributes book reviews for the quarterly journal Global Asia, where he is associate managing editor.

John is a senior fellow of the Asia Society Center on U.S.-China Relations; public intellectual fellow of the National Committee on US-China Relations; Pacific Century Institute board member; National Committee on American Foreign Policy leadership council member; and member of the Council of Foreign Relations. He is a part of the Republic of Ireland’s foreign affairs advisory network and is invited to offer his analysis on East Asian affairs with government, think tank, corporate, and civil society organizations globally. A native of Sacramento, California, he studied at Yale University for his BA, MA, and PhD in history. 

Unheard-of Ensemble: Fire Ecologies

Unheard-of Ensemble: Fire Ecologies

Harold Blumenfeld Event


Fire Ecologies
Unheard-of performs Fire Ecologies, a fifty-five minute unique musical and visual experience that explores American landscapes through the lens of climate change. Composer Christopher Stark and video artist Zlatko Ćosić embarked on a journey across the United States capturing audio and video for this multimedia experience. The work incorporates field recordings of the 2020 California wildfires along with sonic and visual imagery from Chris's trip across Montana, Oregon, and California as well as parts of Colorado. Zlatko gathered footage from the American heartland surrounding Missouri as well as long form explorations of nature surrounding St. Louis. Stark created a work that can be experienced both in concert halls as well as in nature from gallery spaces to the Gowanus Canal. 

Christopher Stark, composer
Christopher Stark, whose music The New York Times has called, "fetching and colorful," has been awarded prizes from the Guggenheim Foundation, Chamber Music America, the Barlow Endowment, and the Fromm Foundation at Harvard. Named a "Rising Star" by the St. Louis Post-Dispatch, his music and arrangements have been performed by ensembles such as the Detroit Symphony, Los Angeles Philharmonic, Toronto Symphony, and St. Louis Symphony. In 2012, he was in residence at Civitella Ranieri, a fifteenth-century castle in Italy, and in June of 2016 he was in residence at the Copland House. Recent highlights included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Phil Biennial. In 2018, he lived in Bergen, Norway where he worked with the BIT20 Ensemble; and in 2020, he was a resident artist at the Bogliasco Foundation in Italy as the Aaron Copland Fellow in Music. He is currently living and working in Rome, Italy as the 2022-23 Elliott Carter Rome Prize recipient. His film score for the feature-length film Novitiate premiered at Sundance in January 2017 and was theatrically released by Sony Pictures Classics. His debut CD, Seasonal Music, was released in 2019 on Bridge Records.

Zlatko Ćosić, video artist
Zlatko Ćosić is a video artist born in Yugoslavia whose work includes short films, video installations, theater and architectural projections, and audio-visual performances. Ćosić’s experience as a refugee influenced and shaped the content of his early artistic practice. His work began with the challenges of immigration and shifting identities, evolving to socio-political issues related to injustice, consumerism, and climate crisis. Ćosić's artwork has been shown in over fifty countries in exhibitions such as the Contemporary Art Museum St. Louis, Ann Arbor Film Festival, Video Vortex XI at Kochi-Muzeris Biennale, ZKM Center for Art and Media Karlsruhe, St. Louis International Film Festival, Torrance Art Museum, Alchemy Film and Moving Image Festival, /si:n/ Video Art and Performance Biennale, Institut Für Alles Mögliche, The Pulitzer Arts Foundation, Kunstverein Kärnten, and the Research Pavilion at the 57th Venice Biennale. He has received grants including the WaveMaker Grants at Locust Projects, a Kranzberg Grant from Laumeier Sculpture Park, and the Regional Arts Commission Artist Fellowship.

Unheard-of Ensemble
Unheard-of Ensemble is a contemporary chamber ensemble dedicated to connecting new music to communities across the United States through the development and performance of adventurous programs, using technology and interactive multimedia. Unheard-of is committed to the idea that new music belongs in every community, and implements this mission through concerts and educational workshops throughout New York, as well as across the United States through touring. Unheard-of’s scope and impact has grown dramatically since forming in 2014, now a nation-wide community across multiple artistic genres. With an approach that is open and welcoming of all voices, Unheard-of strives to be a vehicle for imaginative voices novel and experienced, experimental and traditional, uncomfortable and accessible.

Unheard-of commissions large-scale multimedia projects, runs its own summer workshop for emerging composers (the Collaborative Composition Initiative or CCI), and self-presents collaborative concerts with community organizations like the Gowanus Dredgers and Tideland Institute. These innovative projects range from concerts aboard rafts in the Gowanus Canal in Brooklyn, to gallery spaces and concert halls. Unheard-of’s 2022-23 season features new commissions by Nickitas Demos, Lila Meretzky, Adam Mirza, and “Unheard-of plays Unheard-of”, a concert of premieres written by the ensemble. This October the ensemble tours Ohio, visiting Kent State University, Kent State’s Stark Campus, and Oberlin. In November, Unheard-of has a residency at Washington University of St. Louis, visits Illinois State University, and performs on Crosstown Arts’s series in Memphis, Tennessee. Unheard-of’s spring features a four-day guest residency with the Northwestern University composition studio, a concert at Chicago’s Constellation, and a collaboration with Minnesota-based Spitting Image Collective workshopping and premiering new multimedia works written by the collective.

Unheard-of Ensemble’s 2021-22 season took them across the Midwest, Southeast, Texas and their home state of New York. Unheard-of served as the 2021-22 KEAR ensemble-in-residence at Bowling Green State University. They presented tours of the Midwest, visiting the Johnstone Fund Series in Columbus, Ohio, Miami University, Ohio University, and West Virginia University. The group also toured the South with performances at University of Texas- San Antonio, Texas State University, Southeastern Louisiana University, University of Tennessee Chattanooga, Emory University, Chattanooga State Community College, and University of Georgia. In 2020-21, the ensemble presented virtual residencies at Florida State University, University of Florida, University of Central Florida, and the University of Tennessee-Chattanooga. To date, the ensemble has premiered over 100 works with commissions.

Unheard-of has received support from the Johnstone Fund for New Music, the Dwight and Ursula Mamlok Foundation, the Tennessee Arts Commission, the Foundation for Contemporary Arts, the Barlow Endowment, the Alice M. Ditson Fund, the Aaron Copland Fund, the Lower Manhattan Cultural Council, the New York Women Composers Organization, the Brooklyn Arts Council, and the Puffin Foundation. Unheard-of was a recipient of a Chamber Music America Classical Commissioning Grant to commission recent Rome Prize-winner Christopher Stark, as well as a Chamber Music America Ensemble Forward Grant made possible with support of the New York Community Trust.

Their debut album Unheard-of//Dialogues was released to critical acclaim: “a fantastic debut by a group that has been doing more than their part to inject vitality into the new music scene for the last few years” (Jeremy Shatan, An Earful). The album’s eclectic repertoire has garnered the attention of critics from ArtsATL (“Powerfully evocative,”) Steve Smith of National Sawdust Log (“scintillating and evocative,”) and Creative Loafing Atlanta (“mellifluous magic.”)
 

Credit: Images from video by Zlatko Ćosić

Co-sponsored by Center for the Humanities

 

Climate Change and the Arts: a pre-concert talk hosted by Christopher Stark

Climate Change and the Arts: a pre-concert talk hosted by Christopher Stark

Composer Christopher Stark will host a conversation preceding the Unheard-of Ensemble's performance of Stark's Fire Ecologies.  The performance will take place in the E. Desmond Lee Concert Hall at 7:30 P.M.

Credit: Image from video by Zlatko Ćosić

Co-sponsored by Center for the Humanities

Alison Bechdel - Washington University International Humanities Prize

Lecture and reception for cartoonist-memoirist and MacArthur “Genius” Alison Bechdel, author of “Fun Home” and winner of the 2022 Washington University International Humanities Prize

Free and open to the public

Please note: We have reached capacity for seating in the Clark-Fox Forum and the livestream watch party in the Kemp Auditorium (Room 116) in Givens Hall.

  • Online viewing is still open! Follow this link to RSVP. 

  • All are invited to the post-lecture reception and popup exhibit at the Kemper Art Museum.

Parking on campus: Visitors are welcome to park at the East End Parking Garage, located near Forsyth and Skinker boulevards (map). Follow this link for details about public transportation options.


Cartoonist Alison Bechdel, author of Fun Home: A Family Tragicomic and other works that explore queer identity and family relationships, will deliver a lecture as she receives the Washington University International Humanities Prize, presented by the Center for the Humanities. The biennial award honors a person who has contributed significantly to the humanities through a body of work that has dramatically impacted how we understand the human condition. 

Following the lecture, all are invited to a reception at the Mildred Lane Kemper Art Museum, where attendees will enjoy refreshments and view a popup display of work by local cartoonists and illustrators. Exhibitors include Marie Enger, Sacha Mardou, Rori de Rien and Steenz; Sam Fox School of Design and Visual Culture alumni Dmitri Jackson, Kruttika Susarla and J. Marshall Smith; and Sam Fox Illustration and Visual Culture faculty John Hendrix, Dan Zettwoch, Shreyas R Krishnan and D.B. Dowd.

    Wednesday, November 9 - Lecture and Reception

    • 4 pm, in-person in Clark-Fox Forum, Hillman Hall; livestream watch party in Kemp Auditorium, Givens Hall (both locations are at capacity) AND online via Zoom (see registration below): Award presentation and lecture
    • 5 pm (or immediately following lecture), Lobby, Kemper Art Museum: Reception and popup exhibit

    RELATED EVENT

    From left: Rebecca Wanzo, Phoebe Gloeckner, Molly Carney, Jerry Craft

    Thursday, September 22 - Banned Comic Books panel discussion

    Preceding the event, there was a discussion about banned comic books with graphic novelists Jerry Craft and Phoebe Gloeckner, ACLU of Missouri staff attorney Molly Carney and moderator Rebecca Wanzo, professor and chair of the Department of Women, Gender and Sexuality Studies at Washington University and author of The Content of Our Caricature: African American Comic Art and Political Belonging. 

    VIEW PANEL DISCUSSION RECORDING: https://humanities.wustl.edu/publications-and-recordings


    Alison Bechdel. Photo by Elena Seibert.

    About the speaker

    Alison Bechdel’s comic strip Dykes To Watch Out For became a countercultural institution among lesbians and discerning non-lesbians all over the planet. And her more recent, darkly humorous graphic memoirs about her family have forged an unlikely intimacy with an even wider range of readers.

    Bechdel self-syndicated Dykes to Watch Out For for twenty-five years, from 1983 to 2008. The award-winning generational chronicle has been called “one of the pre-eminent oeuvres in the comics genre, period.” (Ms. magazine)

    In 2006 she published Fun Home: A Family Tragicomic. Time magazine named it the Best Book of 2006. It was adapted into a musical by the playwright Lisa Kron and the composer Jeanine Tesori. It opened on Broadway at the Circle in the Square Theater on April 19, 2015,  and won five Tony Awards, including “Best Musical.”

    In her work, Bechdel is preoccupied with the overlap of the political and the personal spheres, the relationship of the self to the world outside. Her 2012 memoir Are You My Mother? A Comic Drama delved into not just her relationship with her own mother, but the theories of the 20th century British psychoanalyst Donald Winnicott. Her most recent book, The Secret to Superhuman Strength (May 2021), continues her investigation of the relationship between inside and outside, in this case the outside where she skis, bikes, hikes, and wanders in pursuit of fitness and, incidentally, self-transcendence.

    Alison’s comics have appeared in The New Yorker, Slate, McSweeney’s, The New York Times Book Review, and Granta. She has been awarded Guggenheim and MacArthur Fellowships. She lives up a hill in Vermont.

    Follow this link to read the award announcement.

    ZOOM REGISTRATION

    Proposal-Writing Information Session & Workshop 2022

    Information session and workshops for faculty and postdocs seeking external funding

    Information Session

    Thursday, August 25, 10 am–11 am
    Danforth University Center, Room 276

    Proposal Workshop

    Friday, August 19, 12 pm CDT: Proposal submission due date

    August 25 or 26: First Review 
    Final date and time to be determined by the individual groups

    Week of August 29: Revisions
    Final date and time to be determined by the individual groups

    Follow link below for details and registration. 

    More info

    Divided City Community Grant Info Session 2022

    We are now accepting proposals for the third and final round of Divided City Community Grants. Divided City 2022 will offer grants between $5,000 - $20,000 to individuals and organizations in the St. Louis metro area engaged in community work or creative practice related to urban segregation. Members of the St. Louis community can apply without Washington University affiliation.

    If you're interested in submitting a proposal and would like additional information, we invite you to join us for a virtual informational session on Wednesday, August 10th at 12pm. Registration is required. Please RSVP below.

     

    Those previously funded by the initiative are eligible to apply but preference will be given to projects not yet funded through the Divided City. Funds are for project-focused grants and cannot go toward direct-service or general operating expenses of an organization. This is the final funding cycle for these grants and all expenditures must be allocated by June 2023 at the very latest.

     

    For more details, please see our website. The deadline is September 7, 2022.

    RSVP
    What does reproductive health look like post-Dobbs?

    What does reproductive health look like post-Dobbs?

    Join this discussion around reproductive health, designed to help guide us in the wake of the Dobbs ruling.

    Panel members include Dineo Khabele, MD, chair of the Department of Obstetrics and Gynecology and the Mitchell & Elaine Yanow Professor, and Tessa Madden, MD, MPH, associate professor of Obstetrics and Gynecology and chief of the Division of Family Planning. This event will be moderated by Rebecca Wanzo, PhD, chair of the Department of Women, Gender, and Sexuality Studies. 

    Sponsored by the Office of the Provost and the Department of Women, Gender, and Sexuality Studies in Arts & Sciences

    Register
    Sixth Annual Robert Morrell Memorial Lecture in Asian Religions: Turning Ghosts into People: Religion and Gender Politics in the Chinese Communist Revolution

    Sixth Annual Robert Morrell Memorial Lecture in Asian Religions: Turning Ghosts into People: Religion and Gender Politics in the Chinese Communist Revolution

    Xiaofei Kang, associate professor of religion, The George Washington University

    This talk discusses how Maoist propaganda utilized religion to develop a standard narrative of salvation for its own rule. Specifically, it explores how the propaganda machine co-opted traditional discourse of ritual exorcism in the production and dissemination of the White-haired Girl, a 1945 opera that has been hailed as a revolutionary classic up to the present day. The opera invokes the cosmic redemption of female ghosts to make the female body and sexuality emblematic of class exploitations and national liberation. This gender-laden narrative created a renewed ethical and cosmological rationale for CCP leadership. Building on this narrative, Maoist propaganda proliferated to champion the liberation of the Chinese peasants in the land reform (1946-1953), and to legitimize the Communist civilizing mission of the ethnic borderlands in the early PRC. The archetypal storyline of the White-haired Girl thus evolved into a metanarrative of the Chinese revolution and directly contributed to the formation of the Mao Cult. The lasting appeal of the White-haired Girl illustrates that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy.

    Dr. Kang is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006. Translated into Chinese by Yao Cheng-chih: Boya Publishing House, 2009; Zhejiang University Press, 2011). Her second book, Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (with Donald S. Sutton, Brill, 2016), won Choice’s Most Outstanding Academic Title in 2016. She is a co-editor of Gendering Chinese Religion: Subject, Identity and Body (with Jia Jinhua and Ping Yao, SUNY Press, 2014,), and is now working on gender, religion and the twentieth-century Communist revolution in China. 

    The Morrell Memorial Lecture in Asian Religions commemorates the work of the late Professor Emeritus Robert E. Morrell, a specialist in Japanese literature and Buddhism who taught at Washington University for 34 years and who holds special significance for the campus, as Morrell was the first to teach a course on Buddhism. This annual series commemorates his life work by bringing distinguished scholars of Asian religions to campus.

    This lecture is cosponsored by the Department of East Asian Languages and Cultures and the Program for Religious Studies.

    Vietnam: Race, Violence, and Decolonization in a Mekong Delta at War, 1945-54

    Vietnam: Race, Violence, and Decolonization in a Mekong Delta at War, 1945-54

    Global Studies Speaker Series, Dept. of East Asian Languages and Cultures and History Dept. Present Professor Shawn McHale

    We often like to think of decolonization in terms of binary struggles between European oppressors and indigenous resistance. But what happens when an anticolonial war is combined with a civil war? Based on extensive research on three continents and in three languages (Vietnamese, French, and English), this lecture focuses on the “forgotten” part of the First Indochina War (1945-54): the war for the Mekong delta, the heart of southern Vietnam. It examines the interactions between existing racial and ethnic stereotypes and a dynamic of violence on an unstable agricultural frontier. This mix led to a particularly vicious war for the countryside, and led to massive out-migration from the delta. Understanding this conflict helps us understand the strange birth of South Vietnam (1954-1975).

    The speaker is the author of two books and a range of articles on Vietnamese cultural, social, and political history. His latest work is The First Vietnam War: Violence, Sovereignty, and the Fracture of the South, 1945-56 (Cambridge University Press, 2021).

    Shawn McHale, a specialist in Southeast Asian History is a Professor in the Dept of History and International Affairs, at  The George Washington University and Thanks for your assistance.

     

    Historical photo of St. Louis kindergarten class

    Drop in session: Local History Open House

    Organized by Special Collections, University Libraries; open to all WashU faculty and staff

    An open session for faculty interested in learning more about the archives, and ways to incorporate local history into their courses. A selection of St. Louis-focused archive documents will be on display, along with examples of course assignments that use archive collections. Open to all WashU faculty and staff. Organized by Special Collections, University Libraries. 

    Additional events in the fall 2022 “Teaching About St. Louis / In St. Louis” series

    Thursday, October 13, 1-2 pm
    Considering Trauma

    This session will focus on how to incorporate, process, reflect on trauma when assigning St. Louis-focused coursework. Brief presentation, followed by discussion. Snacks and drinks provided. RSVP link and details to come.
     
    Friday, November 11, 11 am-12 pm
    Sharing Scholarship

    This session will focus on ways to ethically and sustainably share course-created sources, such as digital maps, blog posts, posters, and more. Brief presentations, followed by discussion. Snacks and drinks provided. RSVP link and details to come.

     

    Headline photo courtesy Washington University Archives

    Gallery Talk: Works on Paper—New on View

    Molly Moog, curatorial assistant, Mildred Lane Kemper Art Museum, and research assistant, modern and contemporary art, Saint Louis Art Museum

    Molly Moog, curatorial assistant, discusses a diverse selection of prints, drawings, and paintings on paper from the sixteenth century to the present in the newly reinstalled Works on Paper Gallery at the Kemper Art Museum. The installation features works by Rembrandt van Rijn, James McNeill Whistler, Käthe Kollwitz, Glenn Ligon, and Jaune Quick-to-See Smith, among others. The talk highlights different print mediums and discuss themes prominent in the gallery, such as the study of the past though a contemporary lens and artists’ visualizations of the unseen or socially invisible.

    More info

    Voting, Misinformation, Disinformation and Manipulation

    Shireen Mitchell, founder of Stop Online Violence Against Women, Inc., and Jennifer Slavik Lohman, director of the St. Louis Area Voter Protection Coalition

    Elections in the United States continue to face threats from false and misleading narratives, conspiracy theories, misinformation, disinformation and malinformation. This event will feature insights from national and local experts on the history of information disorder and its effects on political discourse.

    Speakers are Shireen Mitchell (founder of Stop Online Violence Against Women, Inc.) and Jennifer Slavik Lohman (director of the St. Louis Area Voter Protection Coalition). Gena Gunn McClendon, director of Voter Access and Engagement in the Center for Social Development, will moderate the discussion. 

    Please visit https://csd.wustl.edu/empower-voting224/ to register and for more information.

    More info
    How Disruption Drives Political Change with Clarissa Rile Hayward

    How Disruption Drives Political Change with Clarissa Rile Hayward

    Join Clarissa Rile Hayward, professor of political science, for a virtual Q&A about her research into the strategic use of political disorder. Read more about the role disorder plays in politics in the Ampersand online or in the latest print edition of the magazine. 

    This talk is part of the Power of Arts & Sciences event series. 

    (Photo from the State Archives of North Carolina, Public domain, via Wikimedia Commons)

    Register
    The Chinese Dragon and the Yellow Peril: The Evolution of Western Media Portrayals of China since Opium Wars

    The Chinese Dragon and the Yellow Peril: The Evolution of Western Media Portrayals of China since Opium Wars

    Dr. Ariane Knüsel, University of Fribourg

    This talk discusses how European and American media portrayals of the late Qing Dynasty have had a lasting influence on perceptions of China. Relations between China and Western countries since the Opium Wars have often been portrayed with “the West” as a single entity. A closer look, however, tells a different story. Relying on American and European newspaper and magazine articles and editorial cartoons about China, this talk shows how enduring metaphors about China like the dragon or the yellow peril were created and how they spread in Europe and the USA. Since media discourse is influenced by geopolitical interests, the discursive construction of nationhood, as well as the respective political, economic, social and cultural context in each country, media portrayals of China in the closing stages of the Qing Dynasty differed considerably from country to country. In order to illustrate this, the talk traces the evolution of Western media portrayals of China as a dragon and as the yellow peril from the establishment of foreign spheres of interests in China to the Boxer Uprising, and it compares them briefly to media reactions to the founding of the People’s Republic of China and portrayals of China in recent years. It will explain that, although the dragon and the yellow peril are transnationally circulating metaphors, media images of China are cultural constructs, and so the way China is portrayed in a specific country at a certain time is always influenced by the national context as well.

    Registration is required to attend the lecture. Once registered you will receive the Zoom link.

    Supported by a gift from Leung Tung Peter & Lin Young.

    Ariane Knüsel is Senior Researcher, working on Sino-Swiss relations in the Cold War. She has been Swiss Scholar at the Wilson Center, and Visiting Scholar at the University of California, Berkeley. Her publications deal with Western relations with China, Western media portrayals of China, and Chinese and Swiss intelligence.

    Stories From World War II

    Special Collections exhibition

    The Stories From World War II exhibition brings together stories from the Second World War told through special collections. A variety of personal accounts are presented along with currencies from concentration camps and illustrated calendars that underscore the impact of the war on individuals everywhere.

    Highlights include the Walter M. Goldschmidt letters written to his parents during his time serving in Europe and items from the William Miles collection, a documentary filmmaker who has explored the stories of African American soldiers during the war.

    More info

    Faculty Book Talk: Felicia Fulks

    White Allies Handbook, provides an action-based resource to help those considering serving as allies and promoting racial equality among all marginalized people.

    Join us for a discussion with Felicia Fulks (Asa F. Seay Business Librarian), writing under Lecia Michelle. Her talk will be followed by a Q&A, and refreshments will be provided.

    Free and open to all, registration required.

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    ‘Hypnerotomachie’: A Rare Book Open House

    University Libraries recently acquired a rare copy of Hypnerotomachie, printed in Paris in 1561. The book features gorgeous illustrations, interesting layouts, and notes from previous owners. Hypnerotomachie will be on display with other items from the Rare Book Collections that contextualize its importance in history.

    Free and open to all, registration required.

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    Faculty Book Talk: Miguel A. Valerio

    Miguel A. Valerio, assistant professor, Department of Romance Languages and Literatures, and author, ‘Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1640’

    Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1640, provides an exploration of how Afro-Mexicans affirmed their culture, subjectivities, and colonial condition through festive culture and performance.

    Join us for a discussion with Miguel A. Valerio (Romance Languages and Literatures). His talk will be followed by a Q&A, and refreshments will be provided.

    Free and open to all, registration required. Organized by University Libraries.

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    WashU Libraries Virtual Book Club: I Know Why the Caged Bird Sings

    Join us for the September book club to discuss I Know Why the Caged Bird Sings by Maya Angelou. I Know Why the Caged Bird Sings is a 1969 autobiography describing the young and early years of American writer and poet Maya Angelou. 

    This coming-of-age story illustrates how strength of character and a love of literature can help overcome racism and trauma. Book club will begin with a special presentation on banned books, followed by a discussion of the book. 

    Free and open to all, registration required.

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    Considering Trauma

    Teaching about St. Louis series, organized by Special Collections, University Libraries

    This session will focus on how to incorporate, process, and reflect on trauma when discussing history. Part of the Teaching about St. Louis, in St. Louis series. Open to all in the Washington University community who are incorporating an aspect of St. Louis-focused work into their teaching and instruction. Snacks and drinks provided.

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    William Gaddis Centenary Conference

    Beyond the “Very Small Audience”: Centenary, Archive, and Futures

    Join us for a conference on novelist William Gaddis (1922-1998) on October 20–22, in celebration of his centenary year. Gaddis’ legacy and influence will be celebrated and explored by scholars, curators, fiction writers, artists, and others with paper presentations, discussions, readings, performances, and exhibitions. 

    Author and Gaddis expert Steven Moore will start off the conference on Thursday, October 20, at Holmes Lounge with a keynote address focused on the future of Gaddis studies. 

    Free and open to all, registration required.

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    Money of the Holocaust

    Steve and Ray Feller, authors, “Silent Witnesses: Civilian Camp Money of World War II”

    This presentation will explore forms of money used in World War II concentration and internment camps, and will reveal how money was used to control prison populations, in addition to its use as a tool of propaganda. Presenters Steve and Ray Feller, a father-daughter team, have done firsthand research on this topic and are the authors of the standard work on the subject, Silent Witnesses: Civilian Camp Money of World War II. Steve Feller is the B.D. Silliman Professor of Physics at Coe College, while Ray Feller is associate dean and co-director, Student Support Services, at MIT.

    Free and open to all, registration required.

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    Faculty Book Talk: Hillel J. Kieval

    Hillel J. Kieval, the Gloria M Goldstein Professor of Jewish History and author, “Blood Inscriptions: Science, Modernity, and Ritual Murder at Europe’s Fin de Siècle”

    Blood Inscriptions: Science, Modernity, and Ritual Murder at Europe’s Fin de Siècle, examines four cases to consider how discredited beliefs that Jews murdered Christian children for ritual purposes became plausible to educated European elites.

    Join us for a discussion with Hillel J. Kieval (History). His talk will be followed by a Q&A, and refreshments will be provided.

    Free and open to all, registration required.

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    Sharing Scholarship

    Teaching about St. Louis series, organized by Special Collections, University Libraries

    This session will focus on ways to ethically and sustainably share course-created sources, such as digital maps, blog posts, posters, and more. Part of the Teaching about St. Louis, in St. Louis series and open to all in the Washington University community who are incorporating an aspect of St. Louis-focused work into their teaching and instruction. Snacks and drinks provided.

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    WashU Libraries Virtual Book Club: Restoration

    Join us for the November book club where we will discuss Restoration by Rose Tremain. Shortlisted for the Booker Prize in 1989, Rose Tremain’s work of historical fiction follows the trials and tribulations of Englishman Robert Merivel, an aspiring physician during the reign of King Charles II. The narrative follows him from the royal court to London’s seedy underworld as he meets with nobles, courtesans, artists, and other denizens of Restoration society.

    Book club will begin with a presentation of materials relating to 17th-century medicine, followed by a discussion of the book. 

    Free and open to all, registration required.

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    Spiderweb Capitalism: How Global Elites Exploit Frontier Markets

    Spiderweb Capitalism: How Global Elites Exploit Frontier Markets

    The Global Studies Speaker Series, the Sociology Department and the American Culture Studies Department Present a Lecture by Professor Kimberly Kay Hoang

    In 2015, the anonymous leak of the Panama Papers brought to light millions of financial and legal documents exposing how the superrich hide their money using complex webs of offshore vehicles. Spiderweb Capitalism takes you inside this shadow economy, uncovering the mechanics behind the invisible, mundane networks of lawyers, accountants, company secretaries, and fixers who facilitate the illicit movement of wealth across borders and around the globe. Kimberly Kay Hoang traveled more than 350,000 miles and conducted hundreds of in-depth interviews with private wealth managers, fund managers, entrepreneurs, C-suite executives, bankers, auditors, and other financial professionals. She traces the flow of capital from offshore funds in places like the Cayman Islands, Samoa, and Panama to special-purpose vehicles and holding companies in Singapore and Hong Kong, and how it finds its way into risky markets onshore in Vietnam and Myanmar. Hoang reveals the strategies behind spiderweb capitalism and examines the moral dilemmas of making money in legal, financial, and political gray zones.

     

    Bio:

    Kimberly Kay Hoang is an Associate Professor of Sociology and the College and the Director of Global Studies at the University of Chicago. She is the author of two books Spiderweb Capitalism and Dealing in Desire.

     

    WU Cinema Presents: Se7en

    WU Cinema Presents: Se7en

    DAVID FINCHER'S DARK MASTERPIECE. Original 35MM Release Print!

    Director: David Fincher
    Runtime: 127 mins
    1995 /US
    Format: 35MM

    In a dark, noir-inflected examination of evil, Brad Pitt and Morgan Freeman play two homicide detectives on the trail of a serial killer who murders his victims in accordance with the seven deadly sins. Employing a bleach bypass technique to achieve its signature dark and gritty atmosphere, Seven marked a high point in ’90s American cinema, earning a place on Roger Ebert’s “Great Movies” list and helping to turn Fincher into a household name.

     

     

     

     

     



     


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

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    WU Cinema Presents: The Big Lebowski

    WU Cinema Presents: The Big Lebowski

    All Jeff ‘the Dude’ Lebowski wants to do is go bowling, but when he’s mistaken for LA millionaire big Lebowski and a pair of thugs pee on his rug — “it really tied the room together!” — he’s forced to take action, and so the laziest man in Los Angeles County takes on nihilists, ferrets, and empire tycoons, guzzling White Russians all the while. NEW 4K RESTORATION DCP!

    Director: Joel Coen, Ethan Coen
    Runtime: 117 mins.
    1998
    Format: DCP

    “This comic update of the world crystallized by Raymond Chandler charts the disastrous involvement of laidback dopehead Jeff ‘the Dude’ Lebowski in a kidnapping case involving the wife of his millionaire namesake. The Dude is hired as bagman and of course finds himself increasingly at risk as he makes his way about an LA populated by the rich, strange and dangerous. Nor do his bowling buddies help: Donny (Steve Buscemi) is frankly several pins short of a strike; while Walter (John Goodman), a crazed, irascible Viet vet, is so determined to stand his (and the Dude’s) ground that he causes more trouble than he solves. A prime example of the Coens’ effortless brand of stylistic and storytelling brilliance.” – Geoff Andrew, Time Out (London).

     

     

     

     



    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    WU Cinema Presents: Spirited Away

    WU Cinema Presents: Spirited Away

    Winner of the Academy Award® for Best Animated Feature, Hayao Miyazaki’s wondrous fantasy adventure is a dazzling masterpiece from one of the most celebrated filmmakers in the history of animation.

    Director: Hayao Miyazaki
    Runtime: 2 hrs 5 mins
    2002 /Japan
    Format: DCP

    Chihiro’s family is moving to a new house, but when they stop on the way to explore an abandoned village, her parents undergo a mysterious transformation and Chihiro is whisked into a world of fantastic spirits ruled over by the sorceress Yubaba. Put to work in a magical bathhouse for spirits and demons, Chihiro must use all her wits to survive in this strange new place, find a way to free her parents and return to the normal world. Overflowing with imaginative creatures and thrilling storytelling, Spirited Away became a worldwide smash hit, and is one of the most critically-acclaimed films of all time.

    “It is plainly, though not simply, a masterpiece from an acknowledged master of contemporary animation, and a wonderfully welcoming work of art that’s as funny and entertaining as it is brilliant, beautiful and deep.” – Joe Morgenstern, Wall Street Journal

     

     

     

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    Suicide, Anomy, and Stavrogin's Noose

    Suicide, Anomy, and Stavrogin's Noose

    A conversation with Dr. Amy Ronner

    In Dr. Amy D. Ronner’s sixth book, Dostoevsky as Suicidologist: Self-Destruction and the Creative Process, she analyzes multiple suicides in Fyodor Dostoevsky’s writings to show how his understanding of self-homicide prefigures theories of prominent suicidologists. Based on her book, Dr. Ronner’s talk will reveal answers to some of the most mystifying questions. Why do people kill themselves? Is suicide a social fact? Why does a town plummet into chaotic ruin in Dostoevsky’s Demons? Why does Nikolay Stavrogin churn with pent-up rage and why does he choose that thickly soaped noose in lieu of a bullet for his self-demise? But there is an penultimate question mark: can there be a ligature between artistry and the pluripresent impulse to self-annihilate?

    Public Tour: ‘Shaved Portions’

    L. Irene Compadre, founding principal of Arbolope Studio and lecturer in the Sam Fox School; and Leslie Markle, curator for public art, Mildred Lane Kemper Art Museum

    Join L. Irene Compadre, founding principal of Arbolope Studio and lecturer in the Sam Fox School, and Leslie Markle, curator for public art, for a twilight tour of Chakaia Booker’s monumental installation Shaved Portions, on view at the intersection of Skinker Blvd. and Brookings Drive. 

    Free and open to the public.

    Shaved Portions was originally commissioned by Oklahoma Contemporary Arts Center for the Campbell Art Park in Oklahoma City. It is presented at the Kemper Art Museum courtesy of the artist and the Washington University in St. Louis Art on Campus program.

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    ASL Tour: Materials and Methods

    Graphic artist, photographer, and cartoonist Mark Edghill

    Join graphic artist, photographer, and cartoonist Mark Edghill for an American Sign Language tour in the permanent collection, exploring a range of artistic methods and materials and their relationship with an artwork’s subject matter. Learn about experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst, Rivane Neuenschwander and Corinne Wasmuht.

    Following the tour, attendees are invited to socialize and enjoy a complimentary drink from the Coffee Bar. 

    This program is offered in conjunction with the 2022 Deaf Visual Arts Festival in collaboration with DEAF Inc. to celebrate Deaf culture and to promote accessibility to the arts.

    The tour is free and open to the public, but registration is required.

    More info

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    Free and open to the public.

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    Q&A with Katharina Grosse

    Artist Katharina Grosse and Sabine Eckmann, the William T. Kemper Director and Chief Curator, Mildred Lane Kemper Art Museum

    As part of the opening celebrations for Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions, the artist Katharina Grosse will be interviewed by Sabine Eckmann, the William T. Kemper Director and Chief Curator. Grosse is internationally celebrated for her large-scale, on-site works that she paints across built and natural environments. This exhibition is the first major survey to focus on the artist’s important studio-based paintings.

     

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    Leaving China Opening Reception and Artist Talk

    James McMullan, illustrator, ‘Leaving China: An Artist Paints His World War II Childhood’

    The Libraries and the Sam Fox School present a special reception and discussion with James McMullan, whose illustrations for the children’s book Leaving China: An Artist Paints His World War II Childhood are on display in the Thomas Gallery at John M. Olin Library. Food and drinks will be provided. 

    Free and open to all, registration required.

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    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    Free and open to the public.

    More info

    Chinese-Language Tour: Katharina Grosse Studio Paintings

    Join student educator Weixun Qu, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for a tour of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    Free and open to the public.

    More info

    Ervin Scholars: Honor the Legacy

    Come view a physical and online exhibit highlighting the John B. Ervin Scholars Program. The Ervin Scholars recipients are awarded for academic excellence, leadership, community service and diversity. Part of the Ervin Scholars 35th Anniversary Celebration.

    Free and open to all.

    More info
    20th Annual Mary Meachum Celebration

    20th Annual Mary Meachum Celebration

    Be a part of history in the making at Missouri's first nationally recognized Underground Railroad site. Celebrate freedom seekers like Mary Meachum, who in 1855 led enslaved people across the Mississippi to Illinois, where slavery was outlawed.

    You're invited to be a part of history in the making at the 20th Annual Mary Meachum Celebration on Saturday, October 1, 2022 at Missouri's first nationally recognized Underground Railroad site - the Mary Meachum Freedom Crossing on the Mississippi Greenway.

    Each year, this event shines a spotlight on Black St. Louis history through theater performances, music, and activities for the whole family in a festive atmosphere with opportunities to shop, dine, and learn about community resources. The event takes place from 12 pm to 5 pm, but don't miss the main event: historical reenactments looking back over 20 years of celebrations from 3 pm to 4 pm.

    The event is FREE and for people of all ages. For more information, visit www.MaryMeachum.org.

    The event is significant to the WashU & Slavery project because several of the people who sought freedom by crossing the Mississippi River at this site in 1855 were enslaved by people who founded and shaped Washington University. Learn more about Esther, one of the freedom-seekers, who had been enslaved to WashU benefactor Henry Shaw.

    Where is the Mary Meachum Site?

    The site is located on the Mississippi Greenway. Several sections of the greenway are currently impacted by construction. To bike or walk to the site, you can park in North Riverfront Park and ride south on the greenway. To drive there, take Highway 70 to Grand Ave: East toward river; North on Hall to Prairie; Right on Prairie to site & parking.

    Who was Mary Meachum?

    Mary Meachum (1801–1869) and her husband, Reverend John Berry Meachum, were American abolitionists who dedicated their lives to educating and freeing enslaved people.  As part of Reverend Meachum’s church, he established a school for free and enslaved black students called the “The Candle Tallow School.” After the state of Missouri banned all education for black people in 1847, the Meachum’s moved their classes to a steamboat in the middle of the Mississippi River, which was beyond the reach of Missouri law. He provided the school with a library, desks and chairs, and called it the “Floating Freedom School.”  The Meachum’s home on Fourth Street in St. Louis was a safe house on the Underground Railroad. They also helped enslaved people escape to Illinois, where slavery was outlawed. Their work involved considerable risk due to the passage of the Fugitive Slave Act of 1850- a law authorizing the hunting and capture of escaped enslaved people and requirement that they be returned to their enslavers.

    Reverend John Berry Meachum grew up enslaved in Virginia and Kentucky before earning enough money to purchase his freedom. Before leaving Kentucky, he met Mary, an enslaved woman who was set to be moved by her enslavers to St. Louis. John followed Mary to St. Louis where he bought her freedom and eventually established the First African Baptist Church, the first black congregation in St. Louis. After John’s death in 1854, Mary Meachum continued their work educating and freeing enslaved people.

    What is the significance of the Mary Meachum Freedom Crossing Site?

    On the night of May 21, 1855, in the area that is now part of the Mississippi Greenway: Riverfront Trail north of the Merchant’s bridge, Mary Meachum attempted to help a small group of enslaved people cross the Mississippi River to Illinois where slavery was outlawed. However, enslavers and law enforcement officials caught at least five of the enslaved people and arrested Mary for her participation in the plot. She was charged in criminal court for helping the “fugitives” escape. In 2001, the National Park Service recognized the site as part of the Underground Railroad Network to Freedom.

    Portrait of Mary Schmidt Campbell

    Do Colleges and Universities Bear Responsibility for K-12 Public Education?

    Mary Schmidt Campbell, 10th president of Spelman College (2015-22) - 2022 James E. McLeod Memorial Lecture on Higher Education
    RELATED ARTICLE
    ‘WashU is not for us’: Universities embracing the public good
    By Michelle A. Purdy, associate professor in the Department of Education and author of Transforming the Elite: Black Students and the Desegregation of Private Schools.

    Many of our nation’s great colleges and universities reside in large urban centers where public school education has been under-resourced, and students have been dramatically underserved. What responsibility, if any, should elite, well-resourced institutions of higher education assume for the public-school outcomes of the communities in which they reside?

    This event will be staged in a hybrid format. All are invited to attend virtually via Zoom or in person. Please click on the button below to RSVP.

    Parking on campus: Visitors are welcome to park at the East End Parking Garage, located near Forsyth and Skinker boulevards (map). Follow this link for details about public transportation options.


    Portrait of Mary Schmidt Campbell
    Mary Schmidt Campbell
    President, Spelman College, 2015-22

    About the speaker

    In March 2015, Mary Schmidt Campbell, Ph.D., was named Spelman’s 10th president. She began her professional career in New York, as the director of the Studio Museum in Harlem at a time when the city of New York was on the verge of bankruptcy. Under her leadership, the museum became the country’s first accredited Black fine arts museum and a linchpin in the redevelopment of Harlem. She then served as commissioner of cultural affairs for New York City under two mayors, and from there entered the world of academia as dean of New York University’s renowned Tisch School of the Arts, where she served for over two decades. [Read Campbell’s full biography at this link.]

    RSVP
    Department of Music Lecture: Florent Ghys

    Department of Music Lecture: Florent Ghys

    “Utopian Instrumentation and Audiovisual Musique Concrête”

    Florent Ghys - Lecturer in Music, Washington University in St. Louis

    Florent Ghys will discuss some of the concepts involved in the making of his recent double album "Ritournelles & Mosaïques" (Cantaloupe Music 2022). 

    Biography:
    Florent Ghys is a composer and double bass player originally from Bordeaux, France, and now based in St Louis, MO. His music has been described as “highly contrapuntal, intelligent and inventive...” (WQXR-FM), and a “thrilling breed of post-minimal chamber music” (Time Out NY). His pieces “blend elements of minimalism, pop music, and a dose of extravagant wit” (John Schaefer, WNYC). 

    CANCELED - Department of Music Lecture: Rami Toubia Stucky

    CANCELED - Department of Music Lecture: Rami Toubia Stucky

    “When Bossa Was Black: Brazilian Music in 60s America”

    CANCELED

    Rami Toubia Stucky -Lecturer in Music, Washington University in St. Louis

    Ask your Amazon Alexa or Google Home to “play bossa nova.” You will hear the mellifluous sounds of white artists such as GRAMMY-winners Frank Sinatra, Antônio Carlos Jobim, Astrud Gilberto, and Stan Getz. Their recordings of bossa nova, a style of music developed in Brazil during the late 1950s, captivated American audiences during the 1960s and continue to impact us today. Data from Music ID shows that in 2019, the GRAMMY-award winning album from 1964, Getz/Gilberto, spent 90 weeks on Apple Music’s Daily Top Jazz Charts (likely because of the news coverage of João Gilberto’s passing that year). Listen to Spotify's official "bossa nova music" playlist. Go to your local Starbucks. Or a hotel lobby. Enter that hotel's elevator. Or get placed on hold with that hotel's customer service representative. Sinatra, Jobim, and other white artists feature prominently. The music that they made during the 1960s permeates modern airwaves. 

    Seemingly forgotten, though, are the various black artists that took part in this initial craze of the 1960s: the doo-wop groups, the soul singers, the hard bop musicians, the funk drummers. The Dells. Ernestine Anderson. Kenny Dorham. Bernard “Pretty” Purdie. These musicians often recorded alongside artists like Sinatra and Getz. But they also released their own albums full of soft and seductive bossa nova music. And they lead groups that performed raucous, bluesy, and funky renditions of bossa nova as well. Their music helped drive this initial interest in Brazilian music during the 1960s. Yet their stories have remained untold. The music they made is conspicuously absent from contemporary understandings of bossa nova – absent from the Spotify playlists, the Apple Music Jazz Charts, and the history books. This talk tells their stories. It reclaims their music. It tells the history of when bossa nova was black. 

    Biography:
    Rami Toubia Stucky is a music scholar who specializes in twentieth century American music and culture. During the 2022-2023 year, he will work as a Lecturer in the Department of Music at Washington University, St. Louis. You can learn more about him, his music, and his research on his personal and professional website, http://songsmysisterlikes.com.

    Banned Comic Books

    Panel discussion moderated by Rebecca Wanzo, professor and chair of the Department of Women, Gender and Sexuality Studies, Washington University

    Event recording

    Who’s afraid of comic books? Book bans across Missouri and the U.S. have often targeted graphic novels and comic books, especially those that depict issues of gender, sexuality and race. New Missouri laws will punish educators and school librarians who provide restricted materials to students with fines and jail time. This event considers banned comic books from the perspectives of the artists who create them and the advocates who defend them. Panel lineup includes:

    • Jerry CraftNew York Times bestselling author and illustrator of the graphic novels New Kid and Class Act. New Kid is the only book in history to win the John Newbery Medal for the most outstanding contribution to children’s literature (2020), the Kirkus Prize for Young Readers’ Literature (2019), and the Coretta Scott King Author Award for the most outstanding work by an African American writer (2020). 
    • Molly Carney, ACLU MO. Carney joined the ACLU of Missouri as a Staff Attorney in 2020. As a member of the legal team, she engages in all aspects of strategic litigation efforts to protect civil rights and liberties, including her current work on litigation and advocacy against book bans across Missouri.
    • Phoebe Gloeckner, graphic novelist. Gloeckner’s book The Diary of a Teenage Girl (2002) was praised as “one of the most brutally honest, shocking, tender, beautiful portrayals of growing up female in America.”

    Discussion moderated by Rebecca Wanzo, professor and chair of the Department of Women, Gender and Sexuality Studies, Washington University. Wanzo is author of The Content of Our Caricature: African American Comic Art and Political Belonging, winner of the 2021 Eisner Award for Best Academic/Scholarly Work and the 2021 Charles Hatfield Book Prize from the Comics Studies Society.

    Organized by Left Bank Books, St. Louis Public Library, and the Center for the Humanities and Department of Women, Gender and Sexuality Studies at Washington University in St. Louis.

    Arrangements for the appearance of Jerry Craft made through HarperCollins Speakers Bureau, NY, NY.


    RELATED EVENT

    Alison Bechdel - Washington University International Humanities Prize

    4 PM | Wednesday, November 9, 2022
    Washington University, Hillman Hall, Clark-Fox Forum

    Lecture and reception for cartoonist-memoirist and MacArthur “Genius” Alison Bechdel, author of Fun Home and winner of the 2022 Washington University International Humanities Prize. More details at the link above.

    Dancing Dual Diasporas: Jewishness and Blackness in Dege Feder's Ethiopian Contemporary

    What does it mean to find home in the body? Ethiopian-Israeli multimedia artist Dege Feder embodies Jewish and African diasporas in her dances about women’s kinship, refugees, and collective power. As the artistic director of Beta Dance Company in Haifa, Israel, Feder grounds her work in Ethiopian eskesta dancing driven by Israeli contemporary dance compositional devices. Her work’s blended aesthetics display bodily evidence of Jewish diasporic cultures that reflect her migration history from Ethiopia to Israel and between Jewish and African diasporic spheres. In this talk, Kosstrin shows how dancing dual diasporas like this generates corporeal potential for belonging for practitioners who do not feel fully at home in one location or another based on their competing experiences of peoplehood and exile in both places. Reception to Feder’s tours to the United States, moreover, first as a performer in Ruth Eshel’s Eskesta Dance Theater, and then as an independent choreographer, show the divergent ways hybrid American audiences perceive Israel through the work of choreographers in Jewish cultural minorities. Kosstrin argues that the eskesta logic qua Israeli-contemporary compositional vehicles of Feder’s work trace Jewish migrations from East Africa through the Middle East. Feder’s work thus offers a case study for understanding global Jewry that remaps circulations of global Black arts outside of transatlantic histories. 

    Dr. Hannah Kosstrin is a dance historian and movement analyst. She researches Jewish and Israeli dance in global contexts. At The Ohio State University, she is Associate Professor and Director of Graduate Studies in the Department of Dance, and affiliate faculty with the Melton Center for Jewish Studies and the Center for Slavic, East European, and Eurasian Studies. Her book "Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow" won Finalist for the Jordan Schnitzer Book Award from the Association for Jewish Studies.
    “Digital Humanities” as a Method for Studying Pre-modern Korean Culture

    “Digital Humanities” as a Method for Studying Pre-modern Korean Culture

    Maya Stiller, associate professor of Korean art history & visual culture, University of Kansas

    EALC Lecture Series

    In this talk Maya Stiller will discuss the Digital Humanities component of her book, Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea, which establishes the importance of site-specific visual and material culture as an index of social memory construction. Stiller argues for an expansion of accepted historical narratives on travel and mountain space in pre-modern East Asia. Rather than studying Asian pilgrimage routes as strictly religious or tourist, in the case of Kŭmgangsan, they were also a method of constructing social memory. Kŭmgangsan is one of the most prominent sacred mountains in Korea. Embarking on a journey to Kŭmgangsan to view and contribute to its sites of memory was an endeavor that every late Chosŏn (ca. 1598-1910 C.E.) Korean hoped to achieve in their lives. Kŭmgangsan became not just a destination for religious pilgrims and tourists, but an important site of social engineering. Carving Status is the first historical study in a Western language to examine this practice.

    Maya Stiller is an Associate Professor of Korean art history & visual culture at the University of Kansas. She earned a B.A. and M.A. with double majors in Korean Studies and Art History from Humboldt University, a doctorate degree in East Asian Art history from Freie Universität Berlin and a Ph.D. in Asian Languages & Cultures from UCLA. Her most recent articles have been published in the Journal of Asian Studies and the Journal of Korean Religions. In 2021, her book Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea was published by University of Washington Press.

    Registration is required to attend lecture. Once registered you will receive the Zoom link.

    Sponsored by East Asian Languages and Cultures

    Bridging Gaps: Hometown Ervin Scholars Changing the World

    Brittany Packnett Cunningham, Vice President of Social Impact at BET, NBC News and MSNBC political analyst, and host of UNDISTRACTED, and Morgan DeBaun, serial entrepreneur, corporate advisor, and founder and CEO of Blavity, will discuss "Bridging Gaps: Hometown Ervin Scholars Changing the World" with moderator Professor Rafia Zafar.

    Dean Wilmetta Toliver-Diallo and Dr. Laura Stephenson will convene this special event in honor of the 35th Anniversary of the John B. Ervin Scholars Program, co-sponsored by the Office of Scholar Programs, the John B. Ervin Scholars Program, the Office of the Provost, the WashU Black Alumni Council, and the Power of Arts & Sciences.

    Please register to attend the September 30 Assembly Series Event featuring Brittany Packnett Cunningham (’06) and Morgan DeBaun (’12) in Edison Theater at 5:30 pm. A reception will immediately follow in the Danforth University Center.

    Register 

     

    Honoring Archer Alexander

    Honoring Archer Alexander

    On September 24, 2022, Archer Alexander will be recognized in two public events, being held in his honor, in St. Charles and St. Louis. All are welcome!

    From the organizers:

    Imagine yourself trapped between two hostile forces during the Civil War in Missouri. Caught in this huge conflict the enslaved Archer Alexander would earn his freedom, because of his brave act at the Peruque Creek bridge in St. Charles County. When he learned of his enslaver’s plot to destroy the vital railroad bridge, he rushed to inform the Union Troops stationed at the guardhouse. This critical knowledge would save hundreds of lives, and precious military supplies. Archer was forced to flee for his life, via the network to freedom. He would find safety in the home of a Unitarian minister, and founder of Washington University in St. Louis, William Greenleaf Eliot. It would be dangerous to harbor a fugitive. Then the news came. Archer’s freedom was announced in the newspapers on September 24, 1863!

    On September 24, 2022, Archer Alexander will be recognized in two events, being held in his honor, to which the public is invited

    10 am at 119 S. Main Street in St. Charles, the former site of the St. Charles County Courthouse in 1863. Join us for the ceremony!

    1 pm at St. Peters UCC Cemetery in St. Louis (Normandy) 2101 Lucas & Hunt Memorial Service with his family and friends will celebrate the life of this American Hero.

    The public is invited to share in both special events.

    The 1918-1921 Pogroms in Ukraine and the Onset of the Holocaust

    Jeffrey Veidlinger, the Joseph Brodsky Collegiate Professor of History and Judaic Studies, University of Michigan - Holocaust Memorial Lecture
    RELATED ARTICLE
    Ukraine and a forgotten chapter in Holocaust history
    By Sylvia Sukop, Olin Fellow and PhD student in German and Comparative Literature

    Between 1918 and 1921, over 100,000 Jews were murdered in Ukraine by peasants, townsmen and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them and killed them. Largely forgotten today, these pogroms — ethnic riots — dominated headlines and international affairs in their time. Aid workers warned that 6 million Jews were in danger of complete extermination. Twenty years later, these dire predictions would come true.

    Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems.

    Jeffrey Veidlinger is the Joseph Brodsky Collegiate Professor of History and Judaic Studies at the University of Michigan and author of In the Midst of Civilized Europe: The Pogroms of 1918-1921 and the Onset of the Holocaust.

    Supported by the Silk Foundation.

    For more on the Holocaust Memorial Lecture, click the button below.

    Headline image: “Jews marching in protest of pogroms,” United States Holocaust Memorial Museum.

    More info

    Material World of Modern Segregation: St. Louis in the Long Era of Ferguson

    A volume panel discussion, that features Douglas Flowe, Iver Bernstein, along with Heidi Kolk and Eric Sandweiss, Thomas and Kathryn Miller Professor of History at Indiana University, sponsored by the University City Public Library

     Join us for “Modern Segregation in St. Louis,” an online and interactive panel discussion featuring experts on urban culture and politics, and racial identity. This event will focus on local neighborhoods that have historically been most impacted by segregation and racial identity erasure, including Wellston, Cherokee Street, and the Delmar divide.

    The four panelists for this event are: Washington University Professor of History Iver Bernstein; Georgie W. Lewis Associate Professor of History at Washington University Douglas Flowe; Assistant Professor in the College of Art at the Sam Fox School of Design and Visual Arts and Assistant Vice Provost for Academic Assessment at Washington University Heidi Kolk; and Miller Professor of History and Adjunct Professor of Folklore and Ethnomusicology at Indiana University Eric Sandweiss.

    All four panelists have work featured in The Material World of Modern Segregation: St. Louis in the Long Era of Ferguson, a book-length journal that was published earlier this year by Washington University’s The Common Reader.

    This online program is free and open to all. Email reference@ucitylibrary.org to receive an email invitation to the Zoom event. The program will also be live-streamed to UCPL’s Facebook page and YouTube channel.

    Jazz Dance Is...: A Conversation with Melanie George

    Jazz Dance Is...: A Conversation with Melanie George

    Join the Performing Arts Department for a conversation with Melanie George, named one of Dance Magazine's "30 over 30" in 2021 and an Associate Curator at Jacob's Pillow Dance Festival.

    As an artist, thinker, writer, and educator specializing in jazz dance, Melanie George centers the West African roots of jazz dance via the historically-informed technique, Neo-Jazz, which aims to unseat the privilege of Eurocentric dominance in contemporary jazz dance. In an effort to advance recognition and awareness of this form — and all jazz dance styles and techniques, Melanie founded Jazz Is… Dance Project. In this conversation, Assistant Professor of Dance Joanna Dee Das will talk with Ms. George about the history of jazz dance and its relationship to jazz music, Ms. George's work in advocating for jazz dance as a Black aesthetic form, how the multiple hats she wears (as scholar, artist, educator, and curator) weave together, and what she sees as the future of jazz dance.

    Please join us for refreshments following the talk.

    RSVP for this event

    Masks are requested at this event.

    Bio: Named one of Dance Magazine’s 30 over 30 in 2021, Melanie George is the founder and director of Jazz Is… Dance Project and Associate Curator and Director of Artist Initiatives at Jacob’s Pillow. A sought-after teacher and choreographer of the neo-jazz aesthetic, her jazz choreography is regularly commissioned by colleges throughout the United States. As a dramaturg, she has contributed to projects by Raja Feather Kelly, Susan Marshall & Company, Urban Bush Women, Machine Dazzle, Alice Sheppard/Kinetic Light, Helen Simoneau Danse, David Neumann & Marcella Murray, and SW!NG OUT, among others. Current projects include new works by LaTasha Barnes, and Ephrat Asherie Dance. Publications include chapters in Working Together in Qualitative Research, Jazz Dance: A History of the Roots and Branches, and Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century. Melanie is featured in the documentary UpRooted: The Journey of Jazz Dance, and founded the global advocacy website jazzdancedirect.com. She has worked as a consultant in the arts for over a decade, applying her expertise in scholarship and education to assist artists and arts organizations in articulating language and facilitating the development of creative work. In addition to her work with independent choreographers and dance educators, Melanie has provided professional services for The Guggenheim Museum, BAM, The Joyce Theatre, and Stephen Petronio Company, Dance Education Laboratory, among others. She is the former Dance Program Director at American University, and has guest lectured at Harvard University, the Yale School of Drama, and The Juilliard School. Melanie is the 2021 recipient of the Outstanding Leadership Award from the National Dance Education Organization.


    Co-sponsored by the Performing Arts Department and The Divided City: An Urban Humanities Initiative

    A Conversation with Jerome Harris

    A Conversation with Jerome Harris

    Host, Rami Toubia Stucky

    In coordination with Dr. Stucky's "Music of the African Diaspora" class we are delighted to facilitate a conversation with ground-breaking jazz musician Jerome Harris.  This is part of Mr. Harris' residency which will also include a free performance on December 2nd at 7:30 P.M. in the Pillsbury Theatre, 560 Music Center.  Learn more about that performance here.

    About Jerome Harris:
    Jerome Harris is widely recognized as a unique musical stylist, garnering international acclaim for his incisive and versatile voice on both guitar and bass guitar.

    Jerome’s first major professional work was as bass guitarist for the iconic jazz saxophonist Sonny Rollins, starting in 1978; from 1988 to 1994 he was Rollins’ guitarist, and appears on seven of his albums. Harris has also recorded and/or performed live on six continents with Jack DeJohnette, David Krakauer, Amina Claudine Myers, Bill Frisell, Paul Motian, Martha Redbone, Julius Hemphill, Ray Anderson, Leni Stern, David Amram, Don Byron, Bobby Previte, Oliver Lake, Bob Stewart, George Russell, and Roy Nathanson.

    Harris’s extensive international travel includes numerous stints in Japan with Sonny Rollins, as well as tours sponsored by the U.S. State Department: to six southeastern African countries with saxophonist Sam Newsome and guitarist Marvin Sewell, to India and southeast Asia with flutist Jamie Baum and guitarist Kenny Wessel, to India and several Middle Eastern countries with vibraphonist Jay Hoggard’s quintet, and to five African nations with saxophonist Oliver Lake’s reggae/jazz/funk band “Jump Up.”

    Jerome Harris appears on more than seventy recordings, ranging widely in musical conception while maintaining deep expressive integrity. As bandleader, Rendezvous—the first-ever jazz release by the audio connoisseur magazine Stereophile—captures the drive and grace of his acoustic quintet in gorgeous high-resolution sound. On Hidden in Plain View (New World), Harris’s acoustic bass guitar underpins an all-star group reinterpreting compositions by jazz trailblazer Eric Dolphy. Soma Code, Jerome’s debut as a bandleader, highlights his evocative guitar playing in the context of his inventive compositions for acoustic and electric instruments.

    Among Harris’s recordings as featured sideman are Paul Motian Band’s Garden Of Eden (ECM), Abraham Inc.’s Together We Stand (Table Pounding/Label Bleu), Roy Nathanson Sotto Voce’s Complicated Day (Enja), Jack DeJohnette’s Oneness (ECM), Don Byron’s A Fine Line: Arias and Lieder (Blue Note), Marty Ehrlich Large Ensemble’s A Trumpet In The Morning (New World), Ray Anderson Lapis Lazuli Band’s Funkorific (Enja) and Ned Rothenberg Sync’s Inner Diaspora (Tzadik), Harbinger (Animul), and Port of Entry (Intuition). Each showcases Jerome’s expressive range, command of style nuances, and creativity. Harris served as arranger, rhythm guitarist and assistant to musical director Vernon Reid in the 1999 Joni’s Jazz tribute concert staged in New York’s Central Park–with Joni Mitchell herself in attendance–accompanying singers as diverse in style as Chaka Khan, Jane Siberry, Duncan Sheik and P.M. Dawn. Other Harris credits include a Broadway stint as guitarist in the South African R&B/rock musical Kat and the Kings, as well as work on industrial, commercial and film score dates.

    Jerome Harris has taught at Hampshire College, William Paterson University, Lehman College (City University of New York), and the Alternative Guitar Summit Summer Camp. His published writings include the essays “Considering Jaki Byard” (Sound American SA22, Anthology of Recorded Music, Inc.) and “Jazz on the Global Stage,” in the anthology The African Diaspora: A Musical Perspective, edited by Ingrid Monson (Routledge). In this study, he offers an insider’s view of the history, present state and future implications of the spread and flourishing of jazz in locales far from its African-American birthplace.

    Harris conceived and organized “Living Time”: George Russell’s Musical Life and Legacy, an in-depth examination of the career of legendary composer/bandleader/theorist/educator George Russell (1923-2009). While Russell’s innovative music, challenging ideas and pivotal position in jazz history have been celebrated around the world, he remains somewhat under-recognized in the United States. This colloquium was a major appraisal of Russell’s multi-faceted work and his critical contributions to African American improvisational art music. Panelists included David Baker, Gary Giddins, Cameron Brown, Joe Hunt, Stanton Davis, Marty Ehrlich, Ken Schaphorst, Ben Schwendener, and Russell biographer Duncan Heining; professors Ingrid Monson of Harvard and John Howland of Rutgers served as panel moderators. This event was presented by the New England Conservatory of Music as part of the 40th anniversary celebration of its jazz studies program, the first fully accredited jazz program at a music conservatory (George Russell taught at NEC from 1969 to 2004).

    Since 2020, Jerome Harris has been an active member of Music Workers Alliance, an American advocacy and activism organization dedicated to empowering music performers, creators, DJs and sound engineers. MWA develops and promotes beneficial corporate practices and governmental policies at federal, state and local levels; it seeks to ensure that Americans working in live venues, recorded music settings and the digital domain—including women, people of color, and others underrepresented in the industry—are educated about fair working conditions and benefits, and how to achieve them. Music Workers Alliance informs creators about their right to control and profit from their creations. It conducts survey research about music workers, and mounts campaigns to educate elected officials and the public about the contributions and needs of our sector of America’s performing arts enterprise. Through collective action, Music Workers Alliance strives to foster a culture where music is valued financially and culturally, and where music workers benefit and achieve dignity in our lives.

    Raised in Brooklyn, New York, Jerome began his instrument studies on accordion, then played violin in a middle-school orchestra. Initially self-taught on guitar and bass guitar, as a teenager he immersed himself in a broad range of music—rock, pop, blues, country, gospel, folk and R&B—as both fan and player. After earning a B.A. in psychology and social relations at Harvard College in 1973, Harris attended New England Conservatory of Music as a scholarship student in jazz guitar, graduating with honors in 1977.

    Co-Sponsored by  

     

    Center for the Study of Race, Ethnicity & Equity
    & Center for the Humanities

     

    Fucking A

    Fucking A

    In Fucking A, Hester Smith, the shunned local abortionist, hatches a plan to buy her jailed son’s freedom — and nothing will deter Hester from her quest.

    In this gritty journey of story and song, Hester’s branded letter A becomes a provocative emblem of vengeance, violence, and sacrifice. Written by Pulitzer Prize-winning playwright Suzan-Lori Parks, Fucking A was inspired by Nathaniel Hawthorne’s classic novel, The Scarlet Letter; Parks’s brilliant reimagining of the tale feels deeply contemporary as though it has been pulled from our contemporary headlines.

    By Suzan-Lori Parks
    Directed by Jacqueline Thompson
    April 20, 21, & 22 at 8 p.m.
    April 23 at 2 p.m.
    A.E. Hotchner Studio Theatre

    Purchase Tickets

    “Fucking A” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
     

    WUDance Collective: GENESIS

    WUDance Collective: GENESIS

    “There is an important story needing to come through each of us. We are longing to be seen, to be necessary.” — Toko-pa Turner

    Dance is the physical emergence of the untold stories that originate from deep within ourselves. Fueled by emotion and energy, it moves through the body and out into space to create the language from which we tell the stories of our everyday lives. Please join us for an evening of dance derived from deep personal reflections on our most valued experiences in the world. 

    Washington University Dance Collective serves as the Performing Arts Department’s resident dance company. WUDC is a unique blending of talented and expressive movers from very diverse backgrounds who bring with them a wide range of movement styles and performance acumen. The dancers work with faculty, community, graduate, and undergraduate student choreographers, as well as perform throughout the St. Louis community.

    Artistic Direction by Cecil Slaughter
    April 7 at 8 p.m.
    April 8 at 8 p.m.
    Edison Theatre

    Purchase Tickets

    2023 MFA Student Dance Concert: No Boundaries

    2023 MFA Student Dance Concert: No Boundaries

    This year’s concert, "No Boundaries", celebrates the sixth year of the MFA in Dance final project with choreography by Kendra Key and Erin Morris.

    The program brings to our audience an outpouring of choreographic inspirations. Each creation offers a particular perspective on contemporary topics and abstract concepts: both historic and current. These original works look at collaborative articulations that move beyond existing expectations of what dance should be. One is the innovative and collaborative process that comes from sourcing material when the rules are developed as the dance is designed. The other is an exploration of the creative and performative spectrum of social and avant-garde jazz dance.

    Artistic Direction by Christine Knoblauch- O’Neal
    March 25 at 8 p.m.
    Edison Theatre

    This event is free and open to the public.
     

    Washington University Dance Theatre: This is Temporary

    Washington University Dance Theatre: This is Temporary

    The annual dance concert features diverse artwork by resident and guest choreographers, performed by student dancers of the Performing Arts Department.

    As we continue adapting to an always “new (ab)normal,” we are becoming accustomed to living in a constantly shifting world. Time feels simultaneously slow and brief, and the only constant is that everything is impermanent.
    This is Temporary explores how dance art exists in a similarly fugitive state, with movement as its poetic medium embodying the transitory nature of our human experience.

    Artistic Direction by David Marchant
    December 2 & 3 at 8 p.m.
    December 4 at 2 p.m.
    Edison Theatre


    Purchase Tickets

    The Dust

    The Dust

    Love and Mortality. Existence and Destruction. These are the tensions at play in Hsu Yen Ling’s "The Dust".

    The play presents a series of seemingly unrelated scenes unfolding at what the writer calls the “instant of explosion.” Explosion of a building? Of a city? Of individual lives? A mother meets an estranged son. A professional couple debate what they choose to know about how they will die. A surrogate mother imagines starting a new world with the birth father. The Dust presents fragments of lives hovering on the brink of annihilation, and yet, all these people are doing their very best to move beyond fear to live lives of authentic happiness. Annelise Finnegan’s translation gives Hsu’s beautiful work a clear theatrical voice. First produced in November of 2013 in Taiwan, this is the U.S. premiere of The Dust.

    By Hsu Yen Ling
    Translation by Annelise Finegan
    Directed by William Whitaker
    November 17, 18 & 19 at 8 p.m.
    November 19 & 20 at 2 p.m.
    A.E. Hotchner Studio Theatre

    Purchase Tickets

    Originally commissioned and produced by the Performing Arts Department at Washington University in St. Louis with special permission from and in cooperation with the playwright, Hsu Yen Ling.

    Into The Woods

    Into The Woods

    "Into the Woods" is a cautionary tale about life, love, and loss as it explores the crisis of coming of age in an uncertain world.

    Inspired by the fairytales of the Brothers Grimm, composer/lyricist Stephen Sondheim and book writer James Lapine upend the "Happily Ever After" trope to unearth the doubts, fears, and longings that undermine prepackaged morals.  Winner of three Tony Awards and the 1988 Drama Critics Circle Award and Drama Desk Award for Best Musical, Into the Woods is a story of our time. In our current moment of social unrest and political polarity, this fractured fairytale challenges us to grapple with ambivalence and uncertainty without losing our humanity.

    Music & Lyrics by Stephen Sondheim
    Book by James Lapine
    Directed by Annamaria Pileggi
    October 21, 22, 28 & 29 at 8 p.m.
    October 23 & 30 at 2 p.m.
    Edison Theatre

    Purchase Tickets

    INTO THE WOODS is presented through special arrangement with Music Theatre International (MTI).
    All authorized performance materials are also supplied by MTI. www.mtishows.com

    The Oresteia

    The Oresteia

    The House of Atreus is burdened by an old curse and trapped in a cycle of retributive violence.

    How can justice be achieved without piling new crimes on top of old ones? Ellen McLaughlin’s gripping adaptation of the trilogy by Aeschylus explores the intimacy of violence and the centrality of actions by women in this ancient Greek story about the foundations of the law.

    Translation by Ellen McLaughlin
    Directed by Pannill Camp
    February 24 & 25 and March 3 & 4 at 8 p.m.
    February 26 and March 5 at 2 p.m.
    Edison Theatre

    Purchase Tickets


    The Oresteia is presented with the permission of use from Ellen McLaughlin.
     

    A Conversation on Race and Computing

    A Conversation on Race and Computing

    The Center for the Study of Race, Ethnicity & Equity is pleased to welcome Safiya U. Noble, author of Algorithms of Oppression: How Search Engines Reinforce Racism (NYU Press), to the Washington University campus as a Distinguished Visiting Scholar. Join us for a conversation with Dr. Noble on race and computing. This visit is sponsored in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program. Other cosponsors include the Department of African and African-American Studies, the Department of Mathematics and Statistics, the Program in Film and Media Studies, the Center for Health Economics and Policy (CHEP), Center for Health Economics and Research, the Institute for Informatics (i2), and the Department of Medicine.
    Mapping Nairobi's Linguistic Profile

    Mapping Nairobi's Linguistic Profile

    Professor Iribe Mwangi (University of Nairobi) will discuss his collaborative work with AFAS professor Mungai Mutonya mapping Nairobi's linguistic mosaic, a project supported in part by a 2020 Carnegie African Diaspora & International Institute of Education Fellowship.

    Nairobi's population is increasingly diverse, younger, and linguistically versatile. Recent demographic reports show that over half of the city's four million residents are under thirty-five years and identify with disparate ethnicities and nationalities. Besides the fifty or more Kenyan languages spoken varyingly across the county, speech communities from Burundi, Eritrea, Ethiopia, Rwanda, South Africa, South Sudan, the Democratic Republic of Congo, Zambia, and Zimbabwe continue to enrich the city's linguistic mosaic. The talk will discuss the ongoing mapping project that seeks to define the obscure, intricate, and frequently overlapping language boundaries across Nairobi's sub-counties.

    Speaker Bio:

    Professor Iribe Mwangi is an Associate Professor and Chairman of the Department of Kiswahili at the University of Nairobi. He holds B.Ed, M.A and PhD degrees in Kiswahili and linguistics. A leading translation and communication consultant, Prof. Iribemwangi is a linguist who specializes in Kiswahili phonology, morphology and sociolinguistics. He has written over 65 books, book chapters and journal articles in these and other areas of language and linguistics. https://www.researchgate.net/profile/Iribe-Mwangi 

     

    Note: Prof. Mwangi will be visting AFAS from Oct. 3 to Oct. 7, meeting with faculty and students, discussing continued collaborations with the University of Nairobi, and delivering this talk. We will update the event page with date, time, and location details shortly.

    Visiting Hurst Professor - Danielle Evans

    Visiting Hurst Professor - Danielle Evans

    Washington University Department of English is pleased to welcome Danielle Evans as a Visiting Hurst Professor the first week of October 2022. Reading and Craft Lecture will be hosted in Duncker Hall Hurst Lounge.

    See the full event poster HERE.

    Craft Lecture: Tuesday, Oct. 4 at 8:00 pm
    Reading: Thursday, Oct. 6 at 8:00 pm
    Hurst Lounge, Duncker Hall Rm. 201
    Reading followed by Reception and Book Sale

    Danielle Evans is the author of the story collections The Office of Historical Corrections and Before You Suffocate Your Own Fool Self. Her first collection won the PEN American Robert W. Bingham Prize, the Hurston-Wright award for fiction, and the Paterson Prize for fiction; her second won the Janet Heidinger Kafka Prize and The Bridge Book Award and was a finalist for The Aspen Prize, The Story Prize, and The LA Times Book prize for fiction. She is the 2021 winner of The New Literary Project Joyce Carol Oates Prize, a 2020 National Endowment for the Arts fellow, and a 2011 National Book Foundation 5 under 35 honoree. Her stories have appeared in magazines including The Paris Review, A Public Space, American Short Fiction, Callaloo, The Sewanee Review, and Phoebe, and have been anthologized in The Best American Short Stories 2008, 2010, 2017, and 2018, and in New Stories From The South.

    She received an MFA in fiction from the Iowa Writers Workshop, previously taught creative writing at American University in Washington DC and the University of Wisconsin, Madison, and currently teaches in The Writing Seminars at Johns Hopkins University.

    Learn more about Danielle Evans on her website here.

    MFA Event - Visiting Hurst Professor, Kadijah Queen

    MFA Event - Visiting Hurst Professor, Kadijah Queen

    Washington University Department of English is pleased to welcome Kadijah Queen, as an MFA Exclusive Visiting Hurst Professor. Events will include a reading and craft lecture, hosted in the Duncker Hall, Hurst Lounge the last week in September.

    See the full event poster HERE.

    Craft Lecture: Tuesday, Sept. 27 at 8:00 pm
    Reading: Thursday, Sept. 29 at 8:00 pm
    Both events hosted in Hurst Lounge, Duncker Hall Rm. 201
    These events are limited to members of the MFA Program.

    Khadijah Queen is the author of six books of poetry, most recently Anodyne (Tin House Books, 2020), which Ilya Kaminsky called “dazzling.” Her other books include I'm So Fine: A List of Famous Men & What I Had On (YesYes Books 2017), a finalist for the National Poetry Series, which was praised in O Magazine, The New Yorker, Los Angeles Review, and elsewhere as “quietly devastating,” and “a portrait of defiance that turns the male gaze inside out,’ Conduit (Akashic / Black Goat 2008), Black Peculiar (Noemi Press 2011) and Fearful Beloved (Argos Books 2015). Her verse play Non-Sequitur (Litmus Press 2015) won the Leslie Scalapino Award for Innovative Women's Performance Writing. The prize included a full staged production of the play at Theaterlab NYC from December 10 - 20, 2015 by Fiona Templeton's The Relationship theater company. Individual poems and prose appear in Poetry, Fence, Tin House, American Poetry Review, Buzzfeed, Gulf Coast, Poor Claudia, The Offing, jubilat, Memoir, Tupelo Quarterly, DIAGRAM, LitHub, New Delta Review, The Force of What's Possible and elsewhere. Her 2019 op-ed on poetry and disability, co-edited with Jillian Weise, appeared in The New York Times.

    When asked about perceptions of her work as experimental, she responded, “Labels don’t disturb me as much perhaps as they should, mostly because I know they don’t truly define me or my work, just aspects. My 13-year-old son says to call it experimental could cause the work to not be treated as legitimately as it should. Black Peculiar, I feel, does experiment with form/genre, just as my first book, Conduit, experiments with language. But no one could successfully argue that the work isn’t poetry or isn’t literature, or that the intellectual and emotional undercurrents don’t come through.”

    Queen received her Ph.D in English from the University of Denver, and her MFA in Creative Writing from Antioch University. She is an Assistant Professor of creative writing at University of Colorado, Boulder, and serves as core faculty for the Mile-High MFA in creative writing at Regis University.

    Learn more about Kadijah Queen on her website here.

    WU Cinema Presents: The Godfather

    WU Cinema Presents: The Godfather

    50th Anniversary! See Coppola’s masterpiece in a newly crafted 50th anniversary 4K digital restoration, overseen by the director himself.

    Director: Francis Ford Coppola
    Runtime: 175 mins.
    1972
    Format: 4K DCP

    In celebration of The Godfather’s 50th anniversary, this new 4k restoration of Francis Ford Coppola’s epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleone family. Oscar winner Coppola paints a chilling portrait of the Sicilian clan’s rise and near fall from power in America, masterfully balancing the story between the Corleone’s family life and the ugly crime business in which they are engaged. Based on Mario Puzo’s bestselling novel, and featuring career-making performances by Al Pacino, James Caan, Talia Shire, Diane Keaton, and Robert Duvall, this searing and brilliant film garnered ten Academy Award nominations and won three, including Best Picture.

     

    “The Godfather is the most memorable, most influential, most quoted, most beloved, most discussed, most imitated, most revered and most entertaining American movie ever made.” – Chicago Sun Times

     

     


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info

    A new vision: Chinese spectacles and eyesight in "A History of Lenses" (1681)

    Kristina Kleughten, David W. Mesker Associate Professor of Art History and Archeology at Washington University in St. Louis - Historia Medica Lecture

    In 1681, the Chinese scholar-artisan lens maker, Sun Yunqiu (ca. 1650–after 1681), published his short catalog, “A History of Lenses” (Jingshi, 1681). This first Chinese-authored treatise on optical devices describes several optical devices together with four types of spectacles: For presbyopia and nearsightedness, as well as lenses for aging eyes and for alleviating the discomfort of conjunctivitis. Presumed lost since the mid Qing dynasty, a single copy of “A History of Lenses” was rediscovered in 2007, containing complex illustrations. Instead of depictions of the featured devices or diagrams depicting their function, the images, alongside poetry and erudite inscriptions, present a variety of antiques, works of art and material objects. Beginning with the spectacles, the publication integrates illustrations and texts to situate the new optical devices into more established, elite cultural practices.

    Focusing on the four types of spectacles in “A History of Lenses” reveals a range of techniques used to convince cultivated gentlemen that they should purchase these highly personal devices, and demonstrates how sight and vision were reconceptualized to integrate traditional Chinese medical beliefs with the new technology of spectacles.

    Bernard Becker Medical Library, in collaboration with the Center for History of Medicine at Washington University School of Medicine, presents this lecture series on the history of medicine. Lectures are free and open to the public.

    More info
    The First Vigilante: Natural Law, Slavery, and the Killer Cobbler: A Salon discussion with Associate Professor Yann Robert from the University of Illinois at Chicago

    The First Vigilante: Natural Law, Slavery, and the Killer Cobbler: A Salon discussion with Associate Professor Yann Robert from the University of Illinois at Chicago

    The Eighteenth-Century Interdisciplinary Salon presents Yann Robert, Associate Professor of French and Francophone Studies at the University of Illinois at Chicago who will discuss a pre-circulated paper drawn from his new book project on the rise of the vigilante.

    On Fri., Sept. 23rd from 3-5 pm, Yann Robert, Associate Professor of French and Francophone Studies at the University of Illinois at Chicago and author of Dramatic Justice: Trial by Theater in the Age of the French Revolution (Penn, 2018) will discuss a pre-circulated paper drawn from his new book project on the rise of the vigilante. Please contact Tili Boon Cuillé for a copy of the paper if you would like to participate in the discussion. This joint endeavor of the Eighteenth-Century Interdisciplinary Salon and the French Connexions Cultural Center is made possible by a grant from the Center for the Humanities.

    The First Vigilante: Natural Law, Slavery, and the Killer Cobbler

    A Salon discussion with Associate Professor Yann Robert from the University of Illinois at Chicago

    Vigilantism is widely regarded as a uniquely American phenomenon, originating in the American Revolution and Frontier. Yet decades earlier the French priest Jean-Baptiste Labat published a short story that constitutes the first literary example of a vigilante in France -- and perhaps even anywhere. This 1730 tale of a killer cobbler leads me to explore the historical and philosophical conditions that made the emergence of modern vigilantism possible. In this new genealogy, vigilantism finds its birth and raison d'être in natural law theory, notably John Locke's notion of a "natural right to punish," and in the attempts by Labat and others to justify slavery as an institution and as a set of punitive practices. This alternative history of vigilantism illuminates the ways in which vigilante hero worship in film and literature continues to function today as a narrative veil for racial and economic violence.

     

    For those who are unable to join us in person but would like to participate via Zoom, please follow the link below for advance registration:

    You are invited to a Zoom meeting.
    When: Sep 23, 2022, 03:00 PM Central Time (US and Canada)
    Register in advance for this meeting:
    https://wustl.zoom.us/meeting/register/tJEsd-irrzMoGdGLM5rSFChA_4GsoLhuKT3V
    After registering, you will receive a confirmation email containing information about joining the meeting.

     

    Simone Veil: How an Auschwitz survivor and conservative politician won the battle for abortion rights in France.

    Simone Veil: How an Auschwitz survivor and conservative politician won the battle for abortion rights in France.

    Organized by the French Connexions Center of Excellence, in collaboration with the Department of Jewish, Islamic, and Middle Eastern Studies.

    Organized by the French Connexions Center of Excellence, in collaboration with the Department of Jewish, Islamic, and Middle Eastern Studies.

    Moderator: Associate Professor, Flora Cassen, Chair of Jewish, Islamic, and Middle Eastern Studies

    Introduction by Lionel Cuillé, Director of French Connexions “Simone Veil's bipartisan speech (1974)”

    Special Guest: the founding Rabbi of Central Reform Congregation., Susan Talve.

    Please let us know how many are attending by filling out the below RSVP form.

    RSVP
    Colloquium in Honor of Pascal Ifri:  Narrative Space

    Colloquium in Honor of Pascal Ifri: Narrative Space

    French Section Colloquium in Honor of Pascal Ifri. Open to all RLL members and invited guests.

    Details TBA.

    "Race, Reproduction, and Death in Modern Palestine"

    Frances S. Hasso is Professor in the Program in Gender, Sexuality and Feminist Studies at Duke University. She holds secondary appointments in the Department of Sociology and the Department of History. Her scholarship focuses on gender and sexuality in the Arab world. ORCID

    Frances S. Hasso is Professor in the Program in Gender, Sexuality and Feminist Studies at Duke University. She holds secondary appointments in the Department of Sociology and the Department of History. She was a 2018-2019 Fellow at the National Humanities Center. She is an Editor Emerita of the Journal of Middle East Women’s Studies (2015-2018). She joined the Duke faculty in 2010 after 10 years at Oberlin College. Her scholarship focuses on gender and sexuality in the Arab world. ORCID

     

    This event is co-sponsored by Jewish, Islamic, and Middle Eastern Studies.

    Greek Tragedy Symposium: Anapests and the Tragic Plot

    Timothy Moore

    Professor Timothy Moore will be speaking on Thursday, September 15th via Zoom at 9:00 AM Central Time on “Anapests and the Tragic Plot,” as part of a symposium on Greek tragedy (Peradotto Sessions III) at the University of Buffalo.  For a Zoom invitation and to register, please reach out to Roger Woodard: rwoodard@buffalo.edu

    HIV/AIDS and the Politics of Caregiving: Surfacing Coalitional Intimacies through the Domestic Archive

    Stephen Vider, Assistant Professor of History and Director of the Public History Initiative, Cornell University
    Photo: Susan Kuklin, Kachin and Michael at
    Michael’s Apartment, 1987. Courtesy of the artist.

    The history of HIV/AIDS activism has often been told with a focus on public space. In this talk, Stephen Vider draws from his new book, The Queerness of Home, to trace the history of more private responses to AIDS: in the 1980s and ‘90s, activists not only took to the streets but also ventured into other people’s homes as volunteer caregivers and remade the boundaries of queer community. Vider will also discuss how he translated this history into the exhibition AIDS at Home, featured at the Museum of the City of New York in 2017, and how focusing on private life shifts the stakes of public history.

    This talk is being sponsored by the History Department as part of its Colloquium Series, as well as by Women, Gender, and Sexuality Studies, and American Culture Studies.

    At the Crossroads of History and Myth: The Great Mycenaean Kingdoms

    Dr. Michael L. Galaty, Director and Curator of European and Mediterranean Archaeology, Museum of Anthropological Archaeology, Professor of Anthropology, Department of Anthropology, University of Michigan

    Exciting archaeological discoveries in the past 150 years have unearthed the great palaces of the Mycenaean world, immortalized in Homer’s Iliad. These palaces stand at the crossroads between myth and historical reality and offer a glimpse into some of the earliest states in Western civilization. Traditionally, Mycenaean states were thought to be small and independent but connected through their art, society, and culture. This view has been challenged by recent archaeological work, which suggests that the Mycenaean world was politically unified and formed a single kingdom stretching over a large part of Greece. This lecture will assess the implications that this assumption has for today’s world, in which some nations seek to grow at the expense of others, whereas others seek to separate and thereby shrink.

    Tickets for this program may be reserved in person at the Museum’s Information Centers or through MetroTix at metrotix.com or 314.534.1111. All tickets reserved through MetroTix incur a service charge; the service charge is waived for tickets reserved at the Museum.

    For information about the Museum’s safety protocols, visit slam.org/covid-19-response.

    Presented in partnership with the Hellenic Government–Karakas Family Foundation Professorship in Greek Studies, University of Missouri–St. Louis; the Departments of Classics and Art History and Archaeology, Washington University in St. Louis; and the Classical Club of St. Louis.

    A Roundtable Discussion of Erin McGlothlin’s New Book, The Mind of the Holocaust Perpetrator in Fiction and Non-Fiction

    A Roundtable Discussion of Erin McGlothlin’s New Book, The Mind of the Holocaust Perpetrator in Fiction and Non-Fiction

    Moderator: Flora Cassen, Associate Professor of History; Chair of Jewish, Islamic and Middle Eastern Studies

    Please join us for a roundtable discussion of Erin McGlothlin’s book, The Mind of the Holocaust Perpetrator in Fiction and Non-Fiction (2021) with panelists:

    Tabea Linhard, Professor of Spanish; Director of Global Studies
    Anika Walke, Associate Professor of History; Georgie W. Lewis Career Development Professor  
    Anca Parvulescu, Professor of English; Liselotte Dieckmann Professor of Comparative Literature

    The discussion will take place on October 14th at 3:00pm in Hurst Lounge, Duncker Hall. A reception will follow.

    Michael Rothberg writes about The Mind of the Holocaust Perpetrator, “In this much-anticipated work, McGlothlin draws on her considerable knowledge of narrative theory to offer the most substantial and sustained exploration of the literature of perpetration in English to date. Expertly bringing together fictional and nonfictional representations of Nazi perpetrators, McGlothlin takes us through an ethical minefield with nuance and sensitivity. The careful work of reading undertaken here is itself a strong argument for the value of literary studies in confronting some of the most significant and troubling areas of human history and culture.”

    Erin McGlothlin is Professor of German and Jewish Studies and Vice Dean of Undergraduate Affairs in the College of Arts and Sciences at Washington University.

    Please join us for a discussion and celebration of this important book!

    Haley Swenson: Doing Feminist Work: Wielding Narrative, Data, and Intersectionality Outside the Academy

    Haley Swenson: Doing Feminist Work: Wielding Narrative, Data, and Intersectionality Outside the Academy

    The speaker, Haley Swenson majored in English & Women's & Gender Studies in undergrad, and received a Masters Degree and PhD in Women's, Gender & Sexuality Studies, while volunteering as a grassroots organizer for several campaigns and movements throughout her academic career. In 2017 she made the leap from higher education to a non-partisan think tank in Washington, DC, where she edited a daily vertical that ran at Slate.com on gender, work and social policy. Today she writes for a variety of mainstream news outlets, and has appeared as a commentator on NPR, CBC Radio, and CNN International. She also runs a research and action initiative on rebalancing the division of labor at home and its connection to gender, racial, and class equity, which has been featured in the New York Times and at CNN.com

    What does it mean to work for intersectional gender justice in 2022? In 2017, millions of women and allies marched in Washington, representing the largest protest in US history, yet the five years since have witnessed the destruction of basic reproductive rights and decades-won economic progress. The #MeToo movement put sexist work cultures and bosses on notice across the country, yet an ongoing backlash mocks and attacks survivors and elevates abusers as martyrs to a "cancel culture" gone awry. Communities that have supported each other through mutual aid and bold local movements for change during a deadly pandemic have also faced a scourge of misogynistic and racist gun violence, and a proto-fascist movement dismantling trans rights and anti-racist education across the country. 

     

    Though this uneven, dangerous political terrain we encounter and experience each day fragments and confuses resistance, it also creates unprecedented opportunities, both large and small, for intervening. Gender studies, with its interdisciplinary approach to answering questions, its rich legacy of analyzing and relating to social movements, and its bedrock call for intersectionality in policy, culture, and practice, is a critical field for preparing feminist workers to intervene and agitate for feminist outcomes in a wide variety of fields, industries, and occupations. 

     

    Join us for a presentation and discussion about how one feminist scholar uses data analysis, storytelling, and an intersectional lens to translate feminist ideas for mainstream conversation through news media and pop culture, and why she believes the potential has never been greater for  feminists to play a public role in agenda-setting across non-feminist institutions, even as so much hangs in the balance.

     

    "Foundations of Community Engagement" Workshop

    The Washington University Department of Sociology encourages students to expand their course-related knowledge through several extracurricular and cocurricular opportunities - like this one!

    In partnership with the Gephardt Institute for Civic and Community Engagement, the WashU Department of Sociology will host an in-person workshop titled "Foundations of Community Engagement" on Monday, September 19th from 1:00 - 2:20 p.m.

    In this workshop, participants will learn what community engagement is, becoming familiar with the numerous resources and opportunities that the Gephardt Institute provides to WashU students. Additionally, participants will come to understand the intimate relationship between the discipline of sociology and the practices of community engagement.

    Seating is limited to 20 participants and can be reserved here. "No-show" participants will forfeit their eligibility to attend future workshop events. 

    "Exploring Social Identity Development" Workshop

    The Washington University Department of Sociology encourages students to expand their course-related knowledge through several extracurricular and cocurricular opportunities - like this one!

    In partnership with the Center for Diversity and Inclusion, the WashU Department of Sociology will host an in-person workshop titled "Exploring Social Identity Development." 

    In this workshop, participants will learn what social identities are, how they develop, and how they impact our perception and navigation of the world around us. Participants will also become familiar with the numerous resources and opportunities that the Center for Diversity and Inclusion provides to WashU students. Additionally, participants will come to understand the intimate relationship between the discipline of sociology and social identities.

    Seating is limited to 20 participants and can be reserved here. "No-show" participants will forfeit their eligibility to attend future workshop events. 

    The Politics of Reproduction Presents Professor Alison Kafer, "Disability and Reproductive Justice"

    Alison Kafer, Associate Professor of Feminist Studies, University of Texas - Auburn Disability justice activists have long been concerned with ableist approaches to pregnancy and abortion. Disabled people also face many barriers to reproductive health care and have a heightened risk of sexual assault and pregnancies they did not choose. How does a disability studies lens reshape some of the conversations about reproductive justice?

    Sponsored by the Office of the Provost and the Department of Women, Gender, and Sexuality Studies, Global Studies, Arts & Sciences 

    Zoom Registration Here

    The Politics of Reproduction Presents Professor Caitlin Myers, Middlebury College: "Who Gets Trapped in Post Roe America?"

    Caitlin Myers, John G McCullough Professor Of Economics at Middlebury College

    Within hours of the end of Roe, state abortion bans began to take effect and clinics began to close, leaving would-be patients with little time to lose scrambling to figure out where to go next in a shifting and unstable landscape. As stunning as this moment may be, it’s neither unprecedented nor unpredictable. We’ve seen changes in abortion access before, and quantitative social scientists have spent decades using data and statistics to study these “natural experiments”—situations where sudden localized change in access affords us an opportunity to isolate and measure causal effects. I will discuss this literature and draw on it to provide a forecast of how many people seeking abortions are likely to find themselves trapped by distance and poverty, and what happens to them next.

     

    Sponsored by the Office of the Provost and the Department of Women, Gender, and Sexuality Studies, Global Studies, Arts & Sciences 

    Zoom Registration Here

    The Politics of Reproduction Presents: Professor Mytheli Sreenivas, "Reproductive Politics and the Making of Modern India"

    Professor of History and Women's, Gender and Sexuality Studies at the Ohio State University

    Professor Sreenivas's book: Reproductive Politics and the Making of Modern India, asks how biological reproduction—as a process of reproducing human life—became central to reproducing India as a modern nation-state.  While “reproductive politics” in India is often assumed to begin with population control in the 1960s, my research takes a longer historical perspective to show that reproduction was first called into public question in response to colonial-era crises, and was central to feminist, nationalist, and modernizing projects from the late nineteenth century onward.  To tell this story, I investigate debates commonly understood to be part of reproductive politics, including about about marriage, family, and contraception. However, my research reveals that concerns about reproduction were also woven through a much wider range of political questions—about poverty and crises of subsistence, about migration and claims of national sovereignty, and about normative heterosexuality and drives for economic development.

    The Politics of Reproduction presents Professor Colin Burnett: "The Rights of Intensity: Or, What Does 4 Months, 3 Weeks and 2 Days (Mungiu, 2007) 'Say' about Abortion?"

    Colin Burnett, Associate Professor of Film and Media Studies at Washington University

    Sponsored by the Office of the Provost and the Department of Women ,Gender, and Sexuality Studies, Global Studies, Arts & Sciences 

    VIRTUAL: Alumnus Author Book Talk: "Our Team: The Epic Story of Four Men and the World Series That Changed Baseball" by Luke Epplin, AB '01

    Visiting Hurst Professor - Carissa Harris

    Visiting Hurst Professor - Carissa Harris

    Washington University Department of English is pleased to welcome Carissa Harris as a Visiting Hurst Professor from September 19th through the 23rd. Craft Lecture, "Reproducing Wenches" will be hosted in Duncker Hall, Hurst Lounge.

    Public Writing Workshop: Monday, Sept. 19th at 1:30 pm

    Public Lecture: Wednesday, Sept. 21st at 4:00 pm

    Hurst Lounge, Duncker Hall Rm. 201

     

    * Work-in-Progress Seminar: Friday, Sept. 23rd at 2:00 pm

    Coffee Room, Duncker Hall Rm. 210


    Reproducing Wenches: 

    This lecture takes a deep dive into the medieval (and post-medieval) history of the word “wench,” focusing on how it became a derogatory term naming a woman who was young, single, socio-economically disadvantaged, and sexually available. Paying particular attention to "wench maternity," it frames its discussion through the lens of Dobbs vs. Jackson Women’s Health Organization, showing how the concepts embodied by the wench are central to the Supreme Court’s decision, and it looks ahead to the potential futures that the medieval wench embodies.

    Public Writing Workshop:

    This workshop will focus on the process of turning specialized academic research, or simply academics' pop culture interests, into accessible writing for non-academic audiences. We'll discuss the processes of coming up with ideas, choosing publication outlets, pitching, and working with editors. Participants are encouraged (but not required) to come to the workshop with ideas for potential pieces of public writing, which we can workshop and discuss together. 

    Suggested Preliminary Reading for the Public Writing Workshop:

    * Required preliminary reading for the Work-in-Progress Seminar:

    • "The Ends of Fellowship: Obscenity, Felawe Masculinity, and Gendered Vulnerability in Chaucer's Manciple’s Prologue and Tale."
    • Please email jrosenfe@wustl.edu if you wish to receive a copy of this paper

    Carissa Harris is a writer, scholar, and educator living in Philadelphia, where she teaches courses on Gender and Sexuality in Medieval Literature and Culture. Her first book, Obscene Pedagogies: Transgressive Talk and Sexual Education in Late Medieval Britain (Cornell University Press, 2018), analyzes sexual education, consent, and rape culture from Geoffrey Chaucer’s Canterbury Tales to the Access Hollywood tape. Obscene Pedagogies won the Society for Medieval Feminist Scholarship’s 2020 prize for Best First Book of Medieval Feminist Scholarship.

    Harris has published essays for both public and academic audiences on a variety of topics, including medieval histories of intoxication and consent, medieval rape reparations and the Bill Cosby case, the racialized history of the word “wench,” medieval impotence trials, rape and rage in Chaucer’s Legend of Philomela, obscene riddles, the medieval origins of the word “fuck,” and the 600-year-old history of “Teen Mom” entertainment. In addition to writing and teaching, she is an editor for Exemplaria: Medieval/Early Modern/Theory and for The Sundial (a public-facing digital publication by the Arizona Center for Medieval and Renaissance Studies). Harris serves on the editorial board for Medieval Institute Publications’ Premodern Transgressive Literatures series and The Chaucer Review.

    Learn more about Carissa Harris on her website, here.

    Visiting Hurst Professor - Jabari Asim

    Visiting Hurst Professor - Jabari Asim

    Washington University Department of English is pleased to welcome Jabari Asim as a Visiting Hurst Professor the last week in October. Both the reading and the craft lecture will be hosted in Duncker Hall, Hurst Lounge.

    See the full event poster HERE.

    Craft Lecture: Tuesday, Oct. 25 at 8:00 pm
    Reading: Thursday, Oct. 27 at 8:00 pm
    Hurst Lounge, Duncker Hall Rm. 201
    Reading followed by reception and Book Sale

    An accomplished poet, playwright, and writer, Jabari Asim has been described as one of the most influential African American literary critics of his generation. Asim has served as the editor-in-chief of Crisis magazine—the NAACP’s flagship journal of politics, culture, and ideas— and as an editor at The Washington Post, where he wrote a syndicated column on politics, popular culture, and social issues. His writing has appeared in Essence, The Baffler, the Los Angeles Times, the New York Times, The New Republic, American Prospect, Yale Review, and elsewhere. He is the recipient of a Guggenheim Fellowship in Creative Arts and is the author of eight books for adults—including Yonder—and thirteen books for children. His debut book of poems, Stop and Frisk, was published in 2020. His latest books for young readers, Me And Muhammad Ali, and A Child’s Introduction to Jazz, will be released later this year.

    Asim is currently the Elma Lewis Distinguished Fellow and a Professor at Emerson College. He is the Graduate Program Director of the MFA Program in the Department of Writing, Literature and Publishing.

    Learn more about Jabari Asim on his page at Emerson College, here.

    Visiting Writer - Rae Armantrout

    Visiting Writer - Rae Armantrout

    Washington University Department of English is pleased to welcome Rae Armantrout as a Visiting Writer on October 20th, 2022. Reading and book sale will be held in Duncker Hall, Hurst Lounge.

    See the full event poster HERE.

    Reading: Thursday, Oct. 20 at 8 Central
    Hurst Lounge, Duncker Hall Rm. 201
    Reading followed by Reception and Book Sale

    Writing for the Poetry Foundation, David Woo says that Rae Armantrout’s recent book Finalists (Wesleyan 2022) “emanates the radiant astonishment of living thought.” Charles Bernstein says, “Her sheer, often hilarious, ingenuity is an aesthetic triumph.” Armantrout’s book, Conjure, was named one of  the10 “best books”  of 2020 by Library Journal.  Her 2018 book, Wobble, was a finalist for the National Book Award that year. Her other books with Wesleyan include Partly: New and Selected Poems, Just Saying, Money Shot and Versed. In 2010 Versed won the Pulitzer Prize for Poetry and The National Book Critics Circle Award. In 2007 she received a fellowship from the Guggenheim Foundation. Her poems have appeared in many anthologies and journals including Poetry,,Conjunctions, Lana Turner, The Nation, The New Yorker,  the London Review of Books, The New York Review of Books, Bomb, Harpers,  The Paris Review, Postmodern American Poetry: a Norton Anthology, and The Open Door: 100 Poems, 100 Years of Poetry Magazine. Retired from UC San Diego where she was professor of poetry and poetics, she is the current judge of the Yale Younger Poets Prize.

    Learn more about Rae Armantrout on the Poetry Foundation website here.

    Tour de Museo: Spanish-language tour

    Join Karla Aguilar, student educator and PhD student in Hispanic Studies in Arts & Sciences, and José Garza, museum academic programs coordinator, for a Spanish-language tour of select artworks in the permanent collection and the special exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The interactive tour will encourage visitors to share observations and interpretations.

    Free and open to the public; registration is encouraged. RSVP to kempereducation@wustl.edu.

    More info

    The Hole: An Ethnographic Descent into Mexico City’s Anexos

    Angela Garcia, Associate Professor, Department of Anthropology, Stanford University

    Abstract: In the past two decades, informal addiction treatment centers called anexos (annexes) have proliferated throughout Mexico. Run and utilized by low-income communities, these centers utilize captivity, coercion, and violence as instruments for recovery. Based on ten years of ethnographic research in Mexico City, this talk examines anexos’ social and therapeutic practices, exploring how they conjure up, amplify, and rework contemporary forms of affliction and violence in Mexico City’s peripheral neighborhoods. In doing so, it challenges the prevailing view of anexos as a punitive or criminal institution and reveals them to be a microcosm that makes visible the profoundly unequal and precarious world that Mexico is today.

    Bio: I am an anthropologist working at the intersection of social and political theory, aesthetics, ethics, medicine, literature, postcolonial and feminist thought. I am interested in how history, inequality and violence play out in multiple social and political spheres, including the domestic and therapeutic.

    Learn more about Professor Garcia: https://anthropology.stanford.edu/people/angela-garcia.

    WU Cinema Presents: Scream

    WU Cinema Presents: Scream

    Special presentation in 35mm! "A masterclass in horror cinema. Funny, scary, entertaining. You can't go wrong with Scream." - HorrorQueers

     

    Director: Wes Craven
    Runtime: 111 mins
    1996 /US
    Format: 35MM

    Horror master Wes Craven reinvigorated the slasher genre with the 1990’s meta-horror movie SCREAM. Neve Campbell plays a high school senior whose group of friends is being terrorized by a masked killer that is obsessed with horror films. This slick, witty look at the horror genre is an instant classic and bolsters one of the most iconic opening scenes in film history. Presented on 35MM!

     

     

     

     

     


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    Middle East and North Africa Film Series - Session Two

    Middle East and North Africa Film Series - Session Two

    Facilitated by Dr. Younasse Tarbouni

    Join us for the second session of the Middle East and North Africa (MENA) Film Series.

    For this viewing, we are showing the 2014 Jordanian film, Theeb

    "Nominated for the 2016 Academy Award for Best Foreign Language Film.

    In 1916, while war rages in the Ottoman Empire, Hussein raises his younger brother Theeb ("Wolf") in a traditional Bedouin community that is isolated by the vast, unforgiving desert. The brothers' quiet existence is suddenly interrupted when a British Army officer and his guide ask Hussein to escort them to a water well located along the old pilgrimage route to Mecca. So as not to dishonor his recently deceased father, Hussein agrees to lead them on the long and treacherous journey. The young, mischievous Theeb secretly chases after his brother, but the group soon find themselves trapped amidst threatening terrain riddled with Ottoman mercenaries, Arab revolutionaries, and outcast Bedouin raiders.

    Naji Abu Nowar's powerful and assured directorial debut, set in the land of Lawrence of Arabia, is a wondrous "Bedouin Western" about a boy who, in order to survive, must become a man and live up to the name his father gave him."

    The viewing will be facilitated by Dr. Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department

    Middle East and North Africa Film Series - Session One

    Middle East and North Africa Film Series - Session One

    Facilitated by Dr. Younasse Tarbouni

    Join us for the first session of the Middle East and North Africa (MENA) Film Series.

    For this viewing, we are showing the 2009 Israeli film, Ajami

    "Nominated for a Best Foreign Language Film Oscar®, and winner of many international film prizes, Ajami is a bold new crime drama set on the margins of an Arab ghetto in the Israeli city of Jaffa that "could almost be in the Los Angeles of 'Boyz N the Hood,' the Baltimore of 'The Wire' or the Rio de Janeiro of 'City of God.'(New York Times)

    Teeming with Palestinian illegal immigrants, Israeli Arabs, Christians and Jews, Ajami is a cloistered urban neighborhood as treacherous and potentially deadly as the front lines of Gaza. When a Bedouin extortionist is gunned down in self defense, a teenager is mistakenly killed in retribution, and an entire Arab family faces extinction. Under the same roof, a young Palestinian risks his life and freedom to pay for treatment that would save his dying mother. Out on the streets, a Jewish cop preys on the local drug trade by night while searching for his missing brother by day. Enemy, neighbor, or both, everyone in Ajami runs the same risk of death, arrest and heartbreak.

    Working with a cast of non-actors in the real streets, back alleys, nightclubs and rooftops of Ajami itself, co-directors Yaron Shani and Scandar Copti have crafted a "stunning" (New York Magazine) film that deftly meshes characters and conflicts with unsentimental compassion, uncompromising realism, and harrowing violence."

    The viewing will be facilitated by Dr. Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    More info

    Public Opening: Lest We Forget

    Join us for the opening of the Holocaust memorial exhibition of photographic portraits of survivors by Luigi Toscano, Lest We Forget. Special remarks will be made by the artist as well as Erin McGlothlin, professor of German and Jewish Studies in Arts & Sciences; Andrew Martin, Washington University chancellor; Dee Dee Simon, co-founder of Conversation Builds Character; Rachel Miller, one of the survivors portrayed in the exhibition; and Miriam Silberman, president of Washington University’s Student Union. A reception will follow.

    If you are not available to join us in person, this event will be livestreamed. Visit https://livestream.com/wustl/lestweforget. 

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    More info

    Chinese-Language Tour: Sculpture Garden

    Join student educator Yue Dai, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for a tour featuring iconic artworks in the Museum’s Florence Steinberg Weil Sculpture Garden. Step outside the Mildred Lane Kemper Art Museum building and view art in the open air, including works in bronze by Auguste Rodin and Pierre-Auguste Renoir, kinetic sculpture by Alexander Calder and recent works by Dan Graham and Chakaia Booker. The Sculpture Garden integrates the museum’s prominent collection into the expanded green space of the East End, creating a network of art, nature and people. We will reflect together on the dynamics between public art and the environment and their roles on campus.

    More info

    Gallery Talk: Ambivalent Pleasures

    Rachel Slaughter, lecturer in College Writing, and Jay Buchanan, graduate student in the Department of Art History & Archaeology in Arts & Sciences, discuss their Teaching Gallery installation, Ambivalent Pleasures: Advertiser Content in American Art. The installation prompts the question of how the visual culture of marketing and markets influences our lives.

    More info

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    More info

    The Gold Standard of Child Welfare Policy Is Being Challenged: What ICWA (Indian Child Welfare Act) Opponents Are Actually After

    The Indian Child Welfare Act (ICWA) is largely supported by those who interact with it: child welfare experts, state welfare agencies and tribal nations. It’s been called the gold standard of child welfare policy. So why is it facing a full-throated legal challenge that will be heard by the Supreme Court this fall? Our panelists will explain why ICWA is an effective and important piece of legislation and illuminate how the questions addressed in the ICWA challenge make it an attractive target for opponents who want to use it as a back door to undermine tribal sovereignty.

    Sarah Kastelic, PhD (Alutiiq)
    Executive Director, National Indian Child Welfare Association

    Erin Dougherty Lynch, JD
    Staff Attorney, Native American Rights Fund

    Sheldon Spotted Elk, JD (Northern Cheyenne)
    Senior Director of Judicial National Engagement, Casey Family Programs

    More info

    LGBTQ History and the Black Experience in St. Louis

    Join us for an opportunity to learn more about the the Black experience in LGBTQ history and the intersections between racial and queer identities. 

    This is a student centered event.

    This event is a part of the CDI's celebration of National Diversity Week.

    More info

    Jihad and the Negotiation of Gender and Religious Difference

    Asma Afsaruddin is a Professor of Middle Eastern Languages and Cultures at Indiana University Bloomington.

    Visiting scholar Asma Afsaruddin, an expert on Islamic studies, including Islamic religious and political thought, contemporary Islamic movements, gender roles, and Islam in modern society, will draw upon her varied academic backgrounds to present on the topic of Jihad and the Negotiation of Gender and Religious Difference.

    Presented by the Jewish, Islamic, and Middle Eastern Studies department.

    Foreign Languages Association of Missouri (FLAM) 2022 Conference

    Foreign Languages Association of Missouri (FLAM) 2022 Conference: Embracing our Diversity through Languages, Oct. 7th & 8th at the Danforth Campus of Washington University in St. Louis.

    ​Our Keynote Speaker is Akash Patel, ACTFL President-Elect, and Founder of the Happy World Foundation that brings native speakers of different countries to language classrooms in the United States. He is also a 2018 Global Teacher Finalist and a National Council Member at the United Nations Association of the USA.

    The conference presentation schedule includes our own RLL faculty sharing their best practices at these sessions:

     Session 2 - 10-10:50am (50-min Workshops)

    Student-Centered Digital Learning, Teaching, and Gaming

    Presenters: Mark Dowell, Iva Youkilis, Washington University in St. Louis

    Session 4 -1:30-2:20

    Tools to Promote Inclusion and Diversity in a Language Classroom

    Presenter: Vincent Jouane, Washington University in St. Louis

    Session 5 -2:30-3:20

    Coffee as the Locus of Cultural, Economic and Linguistic Exchange in Francophone and Portuguese-Speaking Countries

    Presenters: Elizabeth Allen, Mark Dowell, Washington University in St. Louis

    -     WashU Conference Sponsors: The Center for Teaching and Learning, the Center for Humanities, Global Studies, the Departments of RLL, EALC, JIMES, Classics, and German have generously agreed to contribute to the conference.

    For more information and to register, please visit the FLAM website

    The Assault on Truth – and What to Do About It

    A conversation with Cherie Harder, Jonathan Rauch, and Peter Wehner

    Americans on all sides of today’s religious and political divides are calling on their leaders to stop telling lies and to tell the truth about the state of our nation. Yet what some deem the truth about democracy, others believe are lies manufactured and spread for power and profit. What damage is this fragmentation doing to us and to our social, religious, and civic institutions? Is it irreversible? Most importantly, what can we do to end the assault on truth?

    Please join us for this important conversation and stay for a reception immediately following with the speakers.

    Free and open to all. Follow link below for speaker bios and to RSVP.

    More info
    Jewish Intellectual Responses to Antisemitism in Contemporary France

    Jewish Intellectual Responses to Antisemitism in Contemporary France

    Join Sarah Hammerschlag, Professor of Religion and Literature at the University of Chicago and Jacob Levi, Lecturer in French at Connecticut College for a roundtable discussion on Jewish intellectual responses to antisemitism in contemporary France.

    Topics:

    Sarah Hammerschlag (University of Chicago), “Does the World Need Jews?: Jewish Exemplarity and the Anxiety of Other Forms of Otherness.”

    Sarah Hammerschlag is a scholar in the area of Religion and Literature with research focused on the position of Judaism in the post-World War II French intellectual scene. Her most recent book is Devotion: Three Inquiries in Religion, Literature and Political Imagination (2021), co-written with Constance Furey and Amy Hollywood.

    Jacob Levi (Connecticut College), "L’Affaire Carpentras, Anti-Semitism, and the Future of Europe"

    Jacob Levi's research focuses on questions of language, representation, and translation in 20th century French literature and philosophy, with a focus on Jewish identity in post-war France. His current book project, Exile, Adventure, and the Book: Judéité in Post-War French Thought, is an intellectual history of 20th century French-Jewish thinkers, specifically philosophers Emmanuel Levinas and Jacques Derrida, and poet Edmond Jabès.

    Moderated by Flora Cassen, chair of the Jewish, Islamic, and Middle Eastern Studies department.

    Presented by the Jewish, Islamic, and Middle Eastern Studies department in collaboration with the French Connexion Cultural Center.

    A Conversation with Michael Curtis

    A Conversation with Michael Curtis

    Join us for a conversation with the European Union Deputy Ambassador to the US

    This student-run event aims to provide space for students to interact with European Union Deputy Ambassador to the US, Michael Curtis.

    Students from Sigma Iota Rho and the Alexander Hamilton Society will moderate the discussion. 

    Global Futures Workshop with Kimberly Kay Hoang

    Global Futures Workshop with Kimberly Kay Hoang

    Please join us for the first “Global Futures” workshop with Kimberly Kay Hoang from the University of Chicago

    The Global Futures Initiative aims to strengthen our Global Studies program, covering both the needs of students interested in an innovative and interdisciplinary liberal arts education from a global perspective and of faculty committed to collaborative teaching, scholarship and public-facing endeavors.

    All faculty and graduate students are welcome, but attendance is limited to registered participants.   Upon registration, you will receive a copy of the introduction to Hoang’s recent book Spiderweb Capitalism.   Please register by October 6.  

    If you have any questions, please contact Tabea Linhard. 

    RSVP
    Nagae Yūki Poetry Reading

    Nagae Yūki Poetry Reading

    Join East Asian Languages & Cultures in welcoming award-winning performance poet Nagae Yūki for a multi-media reading in Japanese and English with Q&A to follow.

    Nagae Yūki (永方佑樹) received the 2012 Poetry and Thought Newcomer’s Award, and her 2019 poetry collection, Absentee Cities (Fuzai toshi) was awarded the Rekitei Prize in Japan. As a performance-poet, her work is at the frontier of a new cross-disciplinary way of approaching poetic practice, deconstructing lived and social environments and reconstructing them using technology. She is a lecturer at Nagoya University of the Arts and is currently participating in the International Writing Program (IWP) at the University of Iowa, funded by the Bureau of Educational and Cultural Affairs, U.S. Department of State.

    GeoPossessions: Topos of the Voice

    GeoPossessions: Topos of the Voice

    Nagae Yūki, poet

    Award-winning poet Nagae Yūki will introduce the WashU community to CŌEM Collective’s geospatial sonic landscape, bringing the voices of Tokyo to the Danforth Campus. Join us for an introduction to the project and then utilize CŌEM’s free app to experience GeoPossessions for yourself.

    Bio: Nagae Yūki (永方佑樹) received the 2012 Poetry and Thought Newcomer’s Award, and her 2019 poetry collection, Absentee Cities (Fuzai toshi) was awarded the Rekitei Prize in Japan. As a performance-poet, her work is at the frontier of a new cross-disciplinary way of approaching poetic practice, deconstructing lived and social environments and reconstructing them using technology. She is a lecturer at Nagoya University of the Arts and is currently participating in the International Writing Program (IWP) at the University of Iowa, funded by the Bureau of Educational and Cultural Affairs, U.S. Department of State.

    Sponsored by East Asian Languages and Cultures

    History, temporality and China's revolutions

    History, temporality and China's revolutions

    Rebecca E. Karl, Professor of History, New York University

    This talk takes up the relationship established between history and temporality in the course of China's modern revolutions. Taking up various revolutionary moments/movements -- Republican, Communist, feminist, and others -- Prof. Karl attempts to weave an account of the present through an excavation of the past seen through the prism of China's and the world's revolutionary twentieth century.

    This event is part of the History Department Colloquium Lecture Series and is being co-sponsored by East Asian Languages and Cultures

     

    Divided City Summer Graduate Fellows Colloquium

    Divided City Summer Graduate Fellow Presentations

    We invite you to listen to a series of PechaKucha-style presentations on the research of Divided City Summer Graduate Fellows. PechaKucha is a simple presentation format where 20 images are shown each for 20 seconds, keeping presentations concise and fast paced. Graduate students in the humanities, humanistic social sciences, architecture and urban design will present their research on urban segregation broadly conceived.

    Meet our 2022 Graduate Fellows and learn more about their research here: https://thedividedcity.com/graduate-summer-fellowship-recipients/ 

    Hope to see you there! All are welcome.

    Liselotte Dieckmann Lecture with Karin Schutjer—San Marco in the Muck: Goethe’s Venetian Epigrams as the Poetry of Emergent Form

    Prof. Schutjer's research interests concern broadly the intersections of philosophy, religion, literature, and social thought in the late-eighteeneth and early-nineteenth century Germany. She is the author of Goethe and Judaism: The Troubled Inheritance of Modern Literature (Northwestern University Press 2015) and Narrating Community after Kant: Schiller, Goethe, and Hölderlin (Wayne State University Press 2002). At OU she regularly teaches both upper and lower-division German courses, including "Goethe's Faust and the Problem of Evil", "Inventing Germany in the 18th Century", and "Classicism & Romanticism" and a general education class focused on German environmental culture.

    Schutjer is currently the editor of the book series New Studies in the Age of Goethe published by Bucknell University Press and sponsored by the Goethe Society of North America. She also serves on editorial or advisory roles for Nexus:Essays in German-Jewish Studies and World Literature Today.

    Reception starts at 6:00pm

    Lecture starts at 6:30pm

    Work-in-Progress. Graduate Student Colloquium

    Work-in-Progress. Graduate Student Colloquium

    Join us for this event, featuring work from two of our Romance Languages and Literatures graduate students: Elodie Tantet from French and Gabriel Antúnez de Mayolo Kou from Hispanic Studies. 

    This year's Work-in-Progress. Graduate Student Colloquium is scheduled for Thursday November 3 from 4:30 to 5:30 PM in Cupples I Room 115 (in-person! Finally!).

    Each presentation is ten minutes long, followed by a Q&A. This session includes: 

    • Elodie Tantet, French Studies: "Streetwalkers on the Revolutionary Stage"

    Snacks will be provided. We are looking forward to seeing you all! 

    William H. Matheson Workshop with Johannes Göransson:

    William H. Matheson Workshop with Johannes Göransson:"Transgressive Circulation"

    Johannes Göransson is an associate professor in the English Department at the University of Notre Dame. Please Note: This workshop is limited to graduate students only.

    Transgressive Circulation: Taking examples from contemporary poetry, this will be a discussion about the unruly energy of translation - how it traverses boundaries and unsettles established rules and norms - and asks translators, poets and scholars to think about what it might mean for our work, and how we might operate in and with this unruly energy. 

    Johannes Göransson is the author of eight books of poetry and criticism, most recently Poetry Against All (2020), and the translator of several books of poetry, including works by Aase Berg, Ann Jäderlund, Helena Boberg and Kim Yideum. His poems, translations and critical writings have appeared in a wide array of journals in the US and broad, including Fence, Lana Turner, Spoon River Review, Modern Poetry in Translation (UK), Kritiker (Denmark) and Lyrikvännen (Sweden). He is an associate professor in the English Department at the University of Notre Dame and, together with Joyelle McSweeney, edits Action Books.

    This event is sponsored by Comparative Literature.

    Please Note: This workshop is limited to graduate students only.

    ‘Saint Pollution’: Aspects of Environmental Literary History in 1870s-1920s St. Louis

    Presented by Jason Finch, Associate Professor, English Language and Literature, Åbo Akademi University; Visiting Researcher, Divided City Initiative, Center for the Humanities, Washington University in St. Louis (September–December 2022)

    City Seminar 2022: The Divided City

    Environments and atmospheres of smoke, metal, brick and human/nonhuman encounter recur in the literature of St. Louis during its period of national and international prominence, approximately the 1870s to the 1920s. This body of writing is extensive both in genre and in terms of authors and readers’ diverse positionings. But academic work on St. Louis literary history remains sparse, and is largely concerned with the crisis period of the later twentieth century.

    Rather than tracing writers of civic importance or the roots in this city of those who became world famous elsewhere, Jason’s current research seeks atmospheres particular to St. Louis in the period’s rich literary corpus. Environmental case studies selectively examined in his paper include the city’s notoriously smoky air and the impact of transport infrastructures (including in accidents and the role of tracks in dividing urban populations from one another spatially). The noxious industries of St. Louis, centrifugal demographic moves northwards, southwards and westwards, and the pervasive rail yards and streetcar lines of the late nineteenth- and early twentieth-century city echo through poetry, fiction and nonfictional prose by Sarah Teasdale, Kate Chopin, Marietta Holley and Theodore Dreiser. In their 1890s to 1920s texts, the tone is energetic, not elegiac or melancholic like that of later, memorializing, writings by exiles T.S. Eliot and Tennessee Williams, an energy retained in underexamined memoirs from the 1930s to 1950s by the dramatist Orrick Johns and the world champion boxer Henry Armstrong. Methodologically, the paper links literary urban studies with environmental history.

    The City Seminar was founded in 2007 as a forum through which scholars across disciplines and from colleges and universities throughout the St. Louis area share ideas, research methods, theories, and topics on urban issues int he United States and abroad. The City Seminar has been especially effective in bringing Architecture, Urban Design, and Humanities scholars into regular dialogue. Click here for more information about The Divided City.

     

    Headline image: The Smoke Nuisance: Report of the Smoke Abatement Committee of the Civic League (1906) (in Special Collections, John M. Olin Library, Washington University in St. Louis)

    RSVP

    Intersections: Black and Indigenous Sound in the Early Atlantic World

    Organized by Miguel Valerio, assistant professor of Spanish, Department of Romance Languages & Literatures, Washington University, and colleagues from Virginia Commonwealth University, Christopher Newport University, Florida State University

    Join us in exploring the intersections of Black and Indigenous sounds and music in the early Atlantic world. The event will feature short presentations from leading scholars, Q&A sessions, music, and a performance by the Charlottesville-based band Lua, known for their innovative blend of Latin-American and Appalachian tradition. The event is free and open to all.

    This public event is part of a two-day symposium that focuses on sound in the early Atlantic world. In recent decades, thinkers in Black Studies and Indigenous Studies have transformed our understanding of this region's deeply multicultural past. But disciplinary, geographic, and linguistic divides can make it difficult for those working in diverse fields to bring research in these areas into dialogue. This symposium gathers scholars of music, history, literature and languages to converse about early Indigenous and Black performances in Latin America, the colonial United States, Atlantic Africa, Europe, and throughout the Atlantic basin.

    This event is timed to coincide with Hispanic heritage month and Indigenous People’s Day in order, to highlight intersections among Indigenous and Black performances in Latin-American and Anglo American colonial histories. In the spirit of collaboration, participants converse across disciplines in pursuit of a more inclusive understanding of the colonial past.

    Collective, interdisciplinary thinking is an important “next step” in the burgeoning field of early Atlantic sound. By moving beyond traditional subjects, geographies, and disciplinary divides, scholars can work together to tackle common challenges and better attune our ears to harmonies and resonances throughout the vast region.

    Humanities Research Center, College of Humanities and Sciences, Virginia Commonwealth University
     

    More info
    College of Arts & Sciences Major Minor Fair

    College of Arts & Sciences Major Minor Fair

    Each fall, the College holds a Major-Minor Fair, where students can talk to faculty members and get more information on many majors and minors at one time and in one place.

    At the Major-Minor Fair, you can:

    • Gather information about majors and minors in Arts & Sciences
    • Learn about second majors and minors in other divisions
    • Meet important faculty and staff in those fields
    • Get information related to the major from the Career Center, Overseas Programs Office, Library and the Office of Undergraduate Research

    Department of Music Lecture: “Freestyle Skateboarding and Entrainment: Expressing Metric Layers through Tricks” 

    Bryce Noe, Doctoral student in musicology, Washington University in St. Louis

    Title
    “Freestyle Skateboarding and Entrainment: Expressing Metric Layers through Tricks” 

    Abstract
    Corporeally expressing music’s metric structure is a fundamental characteristic of freestyle skateboarding routines. In preparation for contests, freestyle skateboarders must choose a piece of music, choreograph a two-minute routine to that piece, spend many weeks or months practicing, and perform their choreographed routines in an arena with multiple judges and audience members. The process of internalizing and expressing meter, known as entrainment, requires the listener to coordinate between different layers of periodicity. In this paper, I argue that freestylers articulate a taxonomy of periodic layers—subdivision, tactus, and phrase—through particular classes of maneuvers. I will focus on the music selections and performances by Yuzuki Kawasaki and Mike Osterman—the highest-placed freestylers at the 2019 World Round-Up Freestyle Skateboarding Championships.

    Biography
    Bryce studies choreography and sound in sport settings. In particular, he examines sporting spaces and events as sites whereby knowledge—both semantic and somatic—is transmitted sonically. Additional research interests include disability studies, popular music, and urban musicology. Prior to graduate study at Washington University in St. Louis, Bryce earned his Master of Music degree in Musicology at the University of Miami’s Frost School of Music. His master’s thesis, “Freestyle Soundscapes: An Acoustemology of Freestyle Skateboarding Contests,” is an exploration of freestyle skateboarders’ engagement with music and sound during contests as well as the (sub)cultural and gender politics embedded within such sporting spaces.

    Department of Music Lecture: Michael Scott Asato Cuthbert

    Department of Music Lecture: Michael Scott Asato Cuthbert

    “The Future Drags Us Backwards: The Dangers of Canonization in Computational Music Studies”

    Michael Scott Asato Cuthbert, Associate Professor of Music, MIT

    Abstract
    Computational music analysis has the promise of opening up exciting new avenues in musicology, music theory, and the selection of concert repertoire.  With tools that can search across hundreds of thousands of scores, it should be possible to find hidden gems in archives: works with chords, forms, and ideas that predate established works by decades or even centuries.  But algorithms can only work on the data that they are fed, and scores need to specially prepared (“encoded”) to be available to researchers.  With a few exceptions, large-scale encoding projects have been led by scientists and amateur musicians and been shaped by expectations such as “Open Data” and have not taken advantage of Fair Use exceptions to copyright. At a time when the fields of interest in music scholarship expand, computer music analysis threatens to move in the opposite direction, enshrining canonical composers such as Bach and Palestrina whose collected works editions were completed before 1926 and out of copyright.  Cuthbert’s talk raises these issues and their impact at present in his work and the consequences for the future if left unchecked.  The talk suggests ways that musicologists can mitigate or reverse this trend though action and activism. 

    Biography
    Michael Cuthbert researches computational and algorithmic approaches to studying music, and also medieval music, especially of Italy. He has received the Rome Prize in Medieval Studies, a Villa I Tatti Fellowship, and a Radcliffe Fellowship. Cuthbert founded the Digital Humanities Lab at MIT and created the open-source “music21” toolkit.

    Department of Music Lecture: Mariusz Kozak

    Department of Music Lecture: Mariusz Kozak

    “Musical Meter as Bodily Technique: Headbanging to Progressive Metal and the Enactment of Time”

    Mariusz Kozak, Associate Professor of Music, Columbia University

    Abstract
    In this talk, I will develop a functional definition of meter as a form of culturally situated bodily inquiry and discovery about the sonically afforded, reliably repeatable, and transferable possibilities for a particular kind of emotional and bodily affinity with members of a social group. To illustrate this perspective, I draw on progressive metal, a genre known for its rhythmic and metric complexity. With its creative handling of musical time, undergirded by a powerful link between the bodies of its practitioners and the driving force accorded to the backbeat, progressive metal affords acculturated listeners the opportunity to enact certain kinds of agency, affirming membership within a group but also pushing against social expectations. Normative movements to this music, such as headbanging and fist pumping, are an expression of kinesthetic knowledge, or the knowledge of “how music goes.” It is this knowledge that underlies musical meter.

    Bio
    Mariusz Kozak is Associate Professor of Music at Columbia University and the author of Enacting Musical Time: The Bodily Experience of New Music. His research centers on the relationship between music, cognition, and the body. His articles have appeared in the Journal of Music Theory, Music Theory Spectrum, and Music Theory Online, among others. In 2020 he was one of the featured speakers at the Plenary Session of the Annual Meeting of the Society for Music Theory. His current projects include meter and rhythm in progressive metal, the role of musical affect in creating interpersonal relationships, and a book on the history of the cognitive science of music in the twentieth century.
     

    WU Cinema Presents: The Rocky Horror Picture Show

    WU Cinema Presents: The Rocky Horror Picture Show

    The Rocky Horror Picture Show comes to WU Cinema! Screening at Midnight on Thursday October 27th.

    MIDNIGHT MOVIE!

     

    The Rocky Horror Picture Show
    Directed by: Jim Sharman
    Runtime: 1h 40m.
    1975
    Format: DCP

    The Rocky Horror Show is the story of two squeaky clean college kids – Brad and his fiancée Janet. When by a twist of fate, their car breaks down outside a creepy mansion whilst on their way to visit their former college professor, they meet the charismatic Dr Frank’n’Furter. It is an adventure they’ll never forget, filled with fun, frolics, frocks, and frivolity.

    Featuring timeless classics, including Sweet TransvestiteDamn it Janet, and of course, the pelvic-thrusting Time Warp.

     

     

     

     

     

     


    Rocky Horror is a fun, lively experience … but there are some rules:

    If you’re going to The Rocky Horror Show, it’s not the time to sit there quietly and mind your manners. You MUST participate! Of course, you’re not a Rocky Horror virgin. (And if you are, keep it to yourself, trust us.) But if you want a prop bag and instructions for when to use it we’ve got you covered.

    • Participation kits will be sold at the concession stand and include:bubbles, noise makers, toilet paper, news papers, water pistols, and instruction sheets (explaining when to use each item)
    • We encourage participation, but please do NOT bring: rice, water, confetti, squirt bottles, or lighters. They are not allowed, NO EXCEPTIONS.
    • When you use the items included in your Participation Kit, make sure to throw them up and back. Do not throw anything at the cast or the screen.
    • No photography is allowed during the film/performance.

    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info

    William H. Matheson Lecture and Reception with Johannes Göransson: "In Defense of Mimicry: Poetry in Translation"

    This event is sponsored by Comparative Literature.

    In Defense of Mimicry: The real poet is original, the bad poet imitates. That's the story we've been told. The translator has been lumped in with the imitators. In this talk I will approach mimicry differently, finding in its excess a new direction for both poetry and translation, paying special attention to the work of Swedish underground icon Eva Kristina Olsson and her un-masterpiece The Angelgreen Sacrament. 

    Johannes Göransson is an associate professor in the English Department at the University of Notre Dame and, together with Joyelle McSweeney, edits Action Books. He is the author of eight books of poetry and criticism, most recently Poetry Against All (2020), and the translator of several books of poetry, including works by Aase Berg, Ann Jäderlund, Helena Boberg and Kim Yideum. His poems, translations and critical writings have appeared in a wide array of journals in the US and broad, including Fence, Lana Turner, Spoon River Review, Modern Poetry in Translation (UK), Kritiker (Denmark) and Lyrikvännen (Sweden). 

    Please join us for a brief reception and lecture. Snacks and refreshments will be served from 6:00pm to 6:30pm on the second floor landing near Duncker 101. The lecture will start at 6:30pm and conclude at 7:30pm.

    Liselotte Dieckmann Workshop with Karin Schutjer—Writing a Journal Article: Tips and Inspirations

    From Dr. Karin Schutjer:

    I will bring some tips; I would love it if you could bring some inspirations. That is, please come prepared to say a few words about an example of academic writing you admire, not in terms of its content per se, but in terms of its style, voice, tenor, structure, or other features.  And, of course, come with any questions you have about the publishing process.  I look forward to the opportunity to hear from you!

    2022 RDE Kickoff

    Reception and showcase - Enjoy drinks, snacks and chats in the indoor-outdoor space of the Lewis Collaborative’s classroom and courtyard

    The Redefining Doctoral Education in the Humanities (RDE, or “Ready”) initiative is gearing up for its fourth funding cycle. Via three grant programs, the Center for the Humanities is poised to support faculty in developing new capacities that enable new kinds of career training for graduate students. 

    With the next round of competitions on the horizon (deadlines of December 2, 2022), RDE’s new PI, humanities center director Stephanie Kirk, will host a Q&A and brief presentation for prospective applicants. Special guests Anika Walke (History) and Geoff Ward (AFAS) will invite attendees into their studiolab, Memory for the Future, currently underway. Attendees will gain a clear sense of funding possibilities and concrete advice for proposals. 

    Co-sponsored by the Office of Graduate Studies in Arts & Sciences.

    Americanist Dinner Forum: The Racialized Sporting Landscape of St. Louis: Bias and Basketball in a Divided City

    Americanist Dinner Forum: The Racialized Sporting Landscape of St. Louis: Bias and Basketball in a Divided City

    St. Louis is a divided city: ineluctably marked by racism and the legacies of racial segregation in the form of the “Delmar Divide.” St. Louis is also a championship city: host to the title-winning Cardinals, Blues, and, once, Rams and Hawks. And St. Louis is home to Forest Park, its “Crown Jewel” and one of the premier public parks in the nation, full of sporting and cultural amenities, many of them free. And yet there are currently no basketball facilities in the park, nor have there ever been, despite the game’s tremendous popularity over the last 130 years. Several other St. Louis parks, including Tower Grove Park and Lafayette Park, once had basketball, only to have the hoops taken out due to “disrepair.” Given the sport of basketball’s popular association with Blackness over the last 60 years, it is not hard to surmise the reasons why the game is missing from these signature parks, all of which are found south of the red line that was (and is) Delmar Boulevard.  In this panel we will discuss how anti-Black racism has affected the sporting landscape of St. Louis and what St. Louisans can and are doing to change it.

    Geoff Ward is Professor of African and African-American Studies and faculty affiliate in the Department of Sociology and American Culture Studies Program at Washington University in St. Louis. He is director of the WashU & Slavery Project, a university initiative based in the Center for the Study of Race, Ethnicity & Equity (CRE2), in partnership with the consortium of Universities Studying Slavery. Ward served on the national advisory board for Monument Lab’s National Monument Audit, and is a member of the Mayor's Commemorative Landscape Taskforce in Clayton, MO, and the Reparative Justice Coalition of St. Louis, a network of volunteers working with Equal Justice Initiative and other partners to address legacies of racist violence in the region. He is collaborating with Prof. Anika Walke (History) to co-lead Memory for the Future in 2022, a reparative public humanities lab supported by the Redefining Doctoral Education Initiative of the Center for the Humanities. 

    Kelly Harris is an Assistant Professor of Occupational Therapy and Surgery (Public Health Sciences) at Washington University School of Medicine. She is also a licensed speech-language pathologist and has provided clinical services in medical, educational and community settings for more than 20 years. Harris leads the Health Equity, Opportunity, and Education Research Lab. Her research agenda seeks to understand how systemic racism and specifically efforts to support and resist equity in health and educational settings operates to limit achievement and opportunity for youth with chronic diseases, specifically asthma and sickle cell disease. She is a Faculty Affiliate of the Social Policy Institute, and a Faculty Scholar at the Institute for Public Health. She is also a member and the current Chair of the Forest Park Advisory Board.

    John Early is Senior Lecturer in the Sam Fox School of Design and Visual Arts at WashU. He is also a multidisciplinary visual artist whose site-based work explores the textures, layers, and histories of place. Since 2020, Early has collaborated with Noah Cohan on “Whereas Hoops,” a project combining public scholarship, spatial interventions, and activism to address the absence of basketball courts in St. Louis’s Forest Park. In April 2022, Early’s essay about a basketball court in North St. Louis was included in the edited volume, “The Material World of Modern Segregation: St. Louis in the Long Era of Ferguson.” In addition to participating in public projects based in Chicago, St. Louis, and Florence, Italy, Early has exhibited widely across the Midwest and nationally. He is a Faculty Affiliate at the university’s Center for the Study of Race, Ethnicity & Equity.

    Noah Cohan is Assistant Director of American Culture Studies at WashU. His research and teaching are oriented to the intersection of American fan cultures, sports, and narratives, particularly as they pertain to race and gender. As co-creator of “Whereas Hoops,” he has extensively researched and written about the history of basketball in St. Louis and its parks. He is the founding coordinator of the Sports Studies Caucus of the American Studies Association, co-convener of the AMCS program initiative in Sports and Society: Culture, Power, and Identity, and a Faculty Affiliate at WashU’s Center for the Study of Race, Ethnicity & Equity.

    Geoff Ward
    Kelly Harris
    John Early
    Noah Cohan

     

     

     

     

     

     

     

     

     

     

     

    This event will take place in person in Umrath Lounge. Due to the continuing pandemic, food will not be served and AMCS strongly encourages everyone to wear masks for this event, as some members of our community are immunocompromised. Please RSVP using the link below by Monday, October 24th

    RSVP

    History After Dark: Witchy and Weird Books

    Join the Young Friends of the Missouri Historical Society and Washington University Libraries to explore the weirder side of the Rare Book Collections at Washington University. Keeping in mind that Halloween is just around the corner, attendees will see a 16th-century witch-hunting manual, an early book on demons, works on alchemy, 15th and 19th century depictions of the dance of death, a Ouija board hand drawn by a famous author, and more. Curator of Rare Books Cassie Brand will give a short presentation on the books, followed by refreshments and a chance to learn more about the Young Friends.

    More info

    Echoes of Voices Past: Preserving the Public Lectures of Washington University’s Assembly Series

    University Archives has digitally preserved over one thousand Assembly Series Lecture audio recordings. These public lectures feature the most prominent voices of the late 20th and early 21st centuries. This virtual event will provide an overview of the collection, highlight the grant work, and share the impact of some of the lectures on ​the Washington University community.

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical, and aesthetic qualities of color and paint on canvas.

    More info

    South Asian Cultural Street Games

    Join us for games, food, and kite flying!

    Click here to view the poster for this event.

    WU Cinema Presents: Chungking Express

    WU Cinema Presents: Chungking Express

    One of the defining works of nineties cinema and the film that made Wong Kar Wai an instant icon, Chungking Express is a stylish, two-part tale of love and longing. Screening in a director-supervised 4K restoration!

    Director: Wong Kar-wai
    Runtime: 102 mins
    1994/Hong Kong
    Cantonese with subtitles in English
    Format: DCP – Restoration 4K

    “A radiant, crazy quilt that can make you laugh in awe at its technical wizardry in one scene and pierce your heart in the next.”—Peter Travers, Rolling Stone

    The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon.

    Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works. Each day Cop 223 buys a can of pineapple with an expiration of May 1, symbolizing the day he’ll get over his lost love.  Cop 663 is depressed over a ruptured romance, but when his ex-girlfriend drops his spare set of keys at the café, the waitress lets herself into his apartment to spruce up his life.

    Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ California Dreamin’ into tokens of romantic longing. 1994, Hong Kong, 4K DCP, in Cantonese, English, Japanese, Hindi, Mandarin, Punjabi, and Urdu with English subtitles, 102 minutes. Rated PG-13

     


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info

    Wakanda and Beyond: Black Creatives and Comic Art

    Please join us for a panel discussion inspired by the new film Wakanda Forever, moderated by Rebecca Wanzo, professor and chair of the Department of Women, Gender, and Sexuality Studies at WashU and author of The Content of Our Caricature: African American Comic Art and Political Belonging (NYU Press, 2020).

    Panelists include:

    • Jonathan W. Gray, associate professor English at the CUNY Graduate Center & John Jay College, author of Civil Rights in the White Literary Imagination
    • Clifford Thompson, author and illustrator of the graphic novel Big Man and the Little Men
    • Qiana Whitted, professor of English and African American Studies, University of South Carolina; author, Eisner Award-winning book, EC Comics: Race, Shock, and Social Protest

    See website to register.

    More info

    Sensory Futures

    Dr. Michele Friedner (University of Chicago, Department of Comparative Human Development) is a medical anthropologist researching deaf and disabled peoples’ social, moral, religious, and economic practices, with a primary focus on deafness in India. She will join us to discuss her recently published book, Sensory Futures: Deafness and Cochlear Implant Infrastructures in India (University of Minnesota Press).

    Sensory Futures explores new sensory infrastructures that have emerged in India and elsewhere because of the popularity of cochlear implants. Dr. Friedner examines the new kinds of sensory inequalities that develop and the ways that interventions might actually limit children's sensory, modal, and relational possibilities. She asks how we might examine and work towards other possible presents and futures in which there are multiple ways of being normal.

     

    Presented by the WU Disability & Embodied Difference Reading Group, this event is sponsored by the WashU Center for the Humanities, and it is open to all WU faculty, students, and staff. Zoom automatic captioning will be provided.

    Register Here
    Roundtable discussion of Tili Boon Cuillé’s Divining Nature

    Roundtable discussion of Tili Boon Cuillé’s Divining Nature

    Please join us for a roundtable discussion of Tili Boon Cuillé’s Divining Nature: Aesthetics of Enchantment in Enlightenment France.  A reception will follow.

    Cuillé's research is in eighteenth-century French literature, philosophy, and aesthetics, particularly the history of science and emotion and the debates about the musical, visual, and performing arts. She is also the author of Narrative Interludes: Musical Tableaux in Eighteenth Century French Texts.

    Panelists
    Wolfram Schmigden, Professor of English
    Rebecca Messbarger, Professor of Italian
    Minsoo Kang, Professor of European History, UMSL

    Moderator
    Alex Stefaniak, Associate Professor of Musicology

    Joanna Stalnaker writes about Divining Nature: "Genuinely interdisciplinary and drawing on an astonishing range of sources, Divining Nature is a remarkable achievement. Tili Boon Cuillé demonstrates that enchantment and the sentiment of the divine lie at the heart of scientific and aesthetic debates in the eighteenth century and are in no way antithetical to the spirit of the Enlightenment."

    Event in Honor of David Lawton

    Event in Honor of David Lawton

    We would like to invite you to an event celebrating the work of our colleague David Lawton. This is an occasion to honor David’s contributions to the study of medieval literature, the English Department, and the University. 

    Join in via Zoom, Friday, October 28, 1:00pm CDT

     

    Please email the English office at english@wustl.edu for the full Zoom invite.

     

    Live from Normandy, David will give a talk titled, "Phonomachia: The Conflict between Language and Voice."

     

    We will be joined by several of David's former students, Zooming in from Geneva, Minnesota, Louisiana, Indiana, and St. Louis.

     

    David Lawton was awarded the 2022 Sir Israel Gollancz Prize for his lifetime contributions to Middle English studies and field-defining research.  He is is Professor of English at Durham University, UK and Emeritus Professor at Washington University in St. Louis.  David has published extensively on Middle English alliterative poetry, editing Joseph of Arimathea (1983) and (with Ralph Hanna) The Siege of Jerusalem (Early English Text Society, 2003), and on Chaucer, publishing Chaucer’s Narrators in 1985 and his edition of Chaucer’s complete works for Norton in 2019. He has published books on the Bible in English and on blasphemy, and is an authority on Middle English biblical translation. He is the longest-serving Executive Director of the New Chaucer Society (2002-12) and was founding co-editor (1998-2018) of the annual New Medieval Literatures. His most recent monograph is Voice in Later Medieval English Literature: Public Interiorities (Oxford University Press, 2017), described by one reviewer as "necessary reading for those interested in the literature, culture, and history of the European Middle Ages." A volume of essays in his honor, Medieval Literary Voices, edited by his former advisees Sif Ríkharðsdóttir and Louise D’Arcens, was published in July 2022, and includes a chapter on his scholarly career by John M. Ganim.

    Folk Dances of South Asia

    JIMES and Hindi-Urdu present an evening of dance, community, and joy!

    Refreshments will be served!

    No experience necessary.  Only enthusiasm!

    Click here to view the poster for this event.

    Faculty Book Talk: Tazeen M. Ali

    The Women’s Mosque of America: Authority & Community in US Islam analyzes how American Muslim women assert themselves as religious actors in the U.S. and beyond, using the Qur’an as a tool for social justice and community building.

    Join us for a discussion with Ali (Religion and Politics). The talk will be followed by a Q&A, and refreshments will be provided.

    More info

    New Perspectives Talk: Martín Chambi

    Rest as Resistance: Photography of Martín Chambi

    Karla Aguilar Velásquez, PhD student in Hispanic Studies, discusses the work of Indigenous photographer, Martín Chambi, who photographed Inca ruins and portraits of Andean communities in the early 20th century. The talk challenges Chambi’s association with Peruvian Indigenism, a cultural-political movement that celebrated the place of the Indigenous community within national identity, and considers how the photographs function as forms of resistance to performing exceptionality as national pride through scenes of leisure.

    More info
    Tracking Proust's Geography: What We Know about Places In Search of Lost Time

    Tracking Proust's Geography: What We Know about Places In Search of Lost Time

    Melanie Conroy is an Associate Professor of French at the University of Memphis.

    She is the author of Literary Geographies in Balzac and Proust (Cambridge, 2022). Her research explores the intersection of literature, visual studies, and social networks in modern French culture. She is the co-director of the Salons Project, a part of Mapping the Republic of Letters, as well as the director of Mapping Balzac. She received her doctorate from Stanford University and MAs from the University of Paris 8 and SUNY Buffalo. She is currently working on a cultural history of eighteenth- and nineteenth-century European salons as sites of literary production, as well as an accompanying database of French and European writers’ demographics and their social and literary networks. 

    Digital mapping has transformed the way that many in literary studies view geography, with realist geographies becoming more salient. Yet many literary geographies cannot be mapped accurately with standard geographical tools. Marcel Proust's In Search of Lost Time presents an interesting case of a novel in which place is fundamental yet the inter-relation of places is not identical to historical French and European geography. How can we use the tools of digital mapping to represent this gap between fiction and history? This talk presents some traditional maps of Proustian places, along with alternative ways of representing spatial relations, including bubblelines and network graphs, which might be more appropriate to Proustian ways of thinking.
     

    Film Screening & Discussion: Women Curating Women

    Following a self-guided tour of Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions, enjoy a screening of scenes from Claudia Müller’s documentary Women Artists, a video in which Katharina Grosse and other women artists envision curating exhibitions of the work of other women artists. Join Sabine Eckmann, William T. Kemper Director and Chief Curator; Stephanie Koch, interim executive director at The Luminary; and Tamara Schenkenberg, curator at the Pulitzer Arts Foundation, for a follow-up discussion including such topics as why the works of women artists are still less valued on the art market and why there are still significantly fewer works by women artists exhibited in museums. The conversation continues over a dinner by Reine Bayoc, chef and owner of SweetArt, inspired by the plant-based communal meals shared by Grosse’s studio staff.

    Free and open to the public; registration required.

    (If registration is full, email kempereducation@wustl.edu to add your name to the waiting list.)

    5 pm       Exhibition viewing
    5:30 pm  Screening
    6 pm       Discussion and dinner

    More info

    Online Chinese-Language Tour: Katharina Grosse Studio Paintings

    Join student educator Yue Dai, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for an online tour of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical, and aesthetic qualities of color and paint on canvas.

    线上中文美术导览:Katharina Grosse 邀请您来和艺术史暨考古学系博士生戴悦共同探索本期展览《Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions》。Katharina Grosse是一位德国当代艺术家,她凭借大型实地绘画而享誉国际。本次展览将聚焦于Grosse的画室绘画,并探索她对于色彩和颜料在画布上物理、光学和美学等诸种性质的试验。

    欲参加者,请提前预约报名。

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works, and explores the artist’s experimentation with the physical, optical, and aesthetic qualities of color and paint on canvas.

    More info

    Matthias Göritz with translator Mary Jo Bang - ‘Colonies of Paradise: Poems’

    The first book of poetry by Matthias Göritz to be available in English, in a translation by a renowned writer.

    Very few books of poetry by contemporary German writers are available to English-speaking readers. In Colonies of Paradise, acclaimed poet and translator Mary Jo Bang introduces the poems of novelist, poet and translator Matthias Göritz, one of the most exciting German writers publishing today. The poems in this book, which originally appeared in German under the title Loops, take the reader on a tour of Paris, Chicago, Hamburg and Moscow as they explore childhood, travel and the human experience. Unsettling our expectations about adulthood, the book permeates the quotidian with a disquieting strangeness that leads us deeper into our own lives and histories. Göritz’s sly humor, keen insight and artistry are brought to the fore in Bang’s careful and innovative translation, allowing an English-language audience to enter fully the intricate interiority of Göritz’s work.

    MATTHIAS GÖRITZ is a poet, translator, and novelist. He has written four poetry collections, Loops, Pools, Tools and Spools; three novels, including Der kurze Traum des Jakob Voss (The Brief Dream of Jakob Voss) and Parker; and three novellas. He has received the Hamburg Literature Prize, the Mara Cassens Prize, the Robert Gernhardt Prize and the William Gass Award. He teaches at Washington University in St. Louis.

    MARY JO BANG is the author of eight books of poetry — including Elegy: Poems, which received the National Book Critics Circle Award — and the translator of Dante’s Inferno, illustrated by Henrik Drescher, and Purgatorio. She has received a Hodder Fellowship from Princeton University, a Guggenheim Fellowship and a Berlin Prize Fellowship. She teaches creative writing at Washington University in St. Louis.

    More info

    Observable Readings: Carl Phillips & David Baker

    Carl Phillips, professor of English, Washington University

    Carl Phillips, professor of English, Washington University, is the author of 16 books of poetry, most recently Then the War: And Selected Poems 2007-2020 (Farrar, Straus & Giroux, 2022). His honors include the 2021 Jackson Prize, Aiken Taylor Award for Modern American Poetry, Kingsley Tufts Award, Lambda Literary Award, PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, Library of Congress, American Academy of Arts and Letters, and Academy of American Poets. Phillips has also written three prose books, most recently My Trade Is Mystery: Seven Meditations from a Life in Writing (Yale University Press, 2022); and he has translated the Philoctetes of Sophocles (Oxford University Press, 2004).

    David Baker is author of 13 books of poetry, most recently Whale Fall, published in July by W. W. Norton, and Swift: New and Selected Poems, as well as six books of prose about poetry. Among his awards are prizes and grants from the Guggenheim Foundation, NEA, Mellon Foundation and Poetry Society of America. Baker’s poetry and essays have appeared in American Poetry Review, The Atlantic, The Nation, The New York Times, The New Yorker, Poetry and The Yale Review. He served for many years as poetry editor of The Kenyon Review, where he continues to curate the annual eco-poetry issue, “Nature’s Nature.” $5 suggested donation. See website for livestream.

    Organized by St. Louis Poetry Center.

    More info
    CANCELLED: “Women Talking” Film Screening and Panel Discussion

    CANCELLED: “Women Talking” Film Screening and Panel Discussion

    This event has been cancelled.

    Women Talking
    Directed by Sarah Polley
    U.S. | 2022 | 104 minutes

    In a remote Mennonite community, women have been waking from sleep bruised and battered, some are pregnant. Religious leaders argue it’s God’s punishment for their sins. But when one wakes to find an attacker in her room, the horrible truth comes out. In a sunlit barn, the women debate: will they stay, as is expected, and forgive their attackers? Fury, fear, resignation, obedience, hope – each woman, though dressed alike in the unadorned style of the community, expresses a different view. Polley’s direction is perfectly calibrated and precise, with the flow of speech choreographed, and delivered like a dance by her gifted cast (Frances McDormand, Jessie Buckley, Rooney Mara, Claire Foy, to name a few). Despite their lack of formal education, the women are sharply articulate; big ideas, explored in intimate spaces. And while their experience is culturally specific, the film speaks universally.


     The screening (104 min.) will be followed by a panel discussion with Washington University faculty members John Powers and Rebecca Wanzo.

    Performing Black Sovereignty

    Performing Black Sovereignty

    Miguel Valerio, Assistant Professor of Spanish, Washington University in St. Louis

    In this colloquium, Miguel Valerio, Assistant Professor of Spanish,  will discuss the sources and methodologies from his new book, Sovereign Joy: Afro-Mexican Kings and Queens, 1539-1640. Sovereign Joy explores the performance of festive black kings and queens among Afro-Mexicans between 1539 and 1640. This fascinating study illustrates how the first African and Afro-creole people in colonial Mexico transformed their ancestral culture into a shared identity among Afro-Mexicans, with particular focus on how public festival participation expressed their culture and subjectivities, as well as redefined their colonial condition and social standing. By analyzing this hitherto understudied aspect of Afro-Mexican Catholic confraternities in both literary texts and visual culture, Valerio teases out the deeply ambivalent and contradictory meanings behind these public processions and festivities that often re-inscribed structures of race and hierarchy. Were they markers of Catholic subjecthood, and what sort of corporate structures did they create to project standing and respectability? Sovereign Joy examines many of these possibilities, and in the process highlights the central place occupied by Africans and their descendants in colonial culture. Through performance, Afro-Mexicans affirmed their being: the sovereignty of joy, and the joy of sovereignty.

    MiguelValerio is a scholar of the African diaspora in Latin America and the Iberian Peninsula. He teaches courses in Afro-colonial culture and contemporary Afro-Latin American literature and culture. His research has focused on black Catholic brotherhoods or confraternities and Afro-creole festive practices in colonial Latin America, especially Mexico and Brazil. His research has appeared in various academic journals, including Slavery and Abolition, Colonial Latin American Review, The Americas, and The Journal of Festive Studies. He is the author of Sovereign Joy: Afro-Mexican Kings and Queens, 1539-1640 (Cambridge University Press, 2022) and a co-editor of Indigenous and Black Confraternities in Colonial Latin America: Negotiating Status through Religious Practices (Amsterdam University Press, 2022).

    Header Image Credit: Jose Teofilo de Jesus (Brazilian), Africa, c. 1810.

     

     

    Translation : Dramaturgy

    The Performing Arts and East Asian Languages and Cultures Departments invite you to a mini-conference in conjunction with our production of Hsu Yen Ling’s The Dust.

    “Translation : Dramaturgy,” is supported by a grant from the Republic of China (Taiwan) and features presentations by translators working in a variety of languages, including a keynote address by actress/playwright Ellen McLaughlin, whose contemporary translation of The Oresteia will be presented by the Performing Arts Department Spring 2023.

    Registration is open until Sunday, November 6, 2022.

    Click Here to Register

    Thursday, November 17

    Hurst Lounge

    4:00 p.m. - Conference Keynote
    Ellen McLaughlin, "What We Owe to the Dead"

    Friday, November 18

    Women's Building Formal Lounge

    9:00 - 11:00 am 
    Intra- and Interculturalism: Trans/National Contexts 
    Moderator: Matthias Görritz

    Panelists:
    Martin Puchner, “How to Translate a Secret Language: The Strange Case of Rotwelsch, The Language of Vagrants in Middle Europe”
    Aparna Dharwadker, "Multilingualism and Theatre Translation: The View from India"
    Heather Denyer, “Transcultural Translation: Sharing West African Theatre with US Audiences”

    11:30 - 12:45 
    Lunch Provided

    1:00 - 3:30 p.m.
    Translating the Paralinguistic
    Moderator: Philip Boehm

    Panelists:
    Neil Blackadder, “Translator-Director Collaboration as Dramaturgy”
    Dasia Posner, “Translating beyond Words”
    Adam Versényi, “Ramón Griffero and The Politics of the Dramaturgy of Space”

    4:00 p.m.
    Production Keynote
    Annelise Finegan, “A crowd of voices... What is 'human'?": Translation of Hsu Yen Ling's The Dust as Dramaturgy”

    8:00 p.m.
    PAD Production of Hsu Yen Ling's The Dust* (A.E. Hotchner Studio Theatre)
    Followed by a post-show discussion with director William Whitaker, translator Annelise Finegan, and playwright, Hsu Yen Ling

    *Tickets for The Dust can be purchased at https://edison.wustl.edu/calendar_event/the-dust/

    Saturday, November 19

    Women's Building Formal Lounge

    9:00 - 11:30 am
    Roundtable on publishing Drama in Translation

    Panelists:
    Adam Versényi, founding editor of The Mercurian 
    Neil Blackadder, founding partner of TinT 
    Martin Riker, publisher of Dorothy: A Publishing Project

    12:00 p.m. - Box Lunch

    Monika Weiss presents her work

    Monika Weiss, faculty at Sam Fox School of Design & Visual Arts, will join the composition seminar to present her interdisciplinary work. 
    Public event open to everyone. 
    Monika Weiss website

    Bio: 
    Over the past twenty-five years, the internationally recognized Polish-American artist Monika Weiss has developed a transdisciplinary practice composed of moving image, sound, sculpture, performance and drawing. Recurring material and conceptual motives include sound, water, the body, stillness, doubling and gestures of lamentation. Important across her oeuvre is a relationship to history and collective remembrance, which the artist’s work approaches in profoundly affective ways. Her synesthetic art resists closure as it explores states of transformation and oscillates, as Mark McDonald (The Metropolitan Museum of Art) noted, “between proposal and presence, the allusive and the tangible.” Based in New York, the artist holds professorship at Sam Fox School of Design & Visual Arts. Her work has been featured in over 90 exhibitions, numerous publications and collections internationally, including solo shows at CAA Zamek Ujazdowski, Warsaw, Lehman College Art Gallery, New York, and Museum of Memory & Human Rights, Santiago, Chile. Dedicated to victims of gendered violence, the artist’ forthcoming outdoor monument/antimonument Nirbhaya will open in 2023 for six-month duration on Dag Hammarskjold Plaza, New York, a gateway to the United Nations. Permanent sister version of the project is planned as part of the Sculpture Park at the Centre of Polish Sculpture in Orońsko.

    What's Slavery Got to Do with It? Plautus' Rudens, Roman Slavery, and 1884 St. Louis

    Roberta Stewart, Dartmouth College

    Professor Stewart’s lecture will revisit the remarkable 1884 performance of Plautus’ ancient Roman comedy Rudens by a group of nine female students at Washington University. This event was commemorated in a virtual symposium and performance in 2021, hosted by the Department of Classics, is discussed in a 2022 article in Classical Receptions Journal by Julia Beine, and is further examined in an upcoming special of Classical Journal, guest-edited by Tim Moore and Zoe Stamatopoulou. Professor Stewart’s lecture examines the sociopolitical and ideological context of the performance, and the stories of the women who made it happen.

    INHABITATION: Earth Pigments Workshop

    INHABITATION: Earth Pigments Workshop

    Earth Pigments Workshop

    This public workshop includes a short informational talk and demonstration of methods for incorporating archives and ethnography in environmental artmaking. Participants will learn hands-on techniques for creating watercolors with soil and other organic matter and take home a small pigment pot created during the workshop.

    The exhibition is in conjunction with INHABITATION, an exhibition and residency at the Albert and Tina Small Center for Design, Tulane University (October 26–December 15) co-led by AFAS professor Robin McDowell. INHABITATION references a concept that theorist Malcolm Ferdinand writes about in his book Decolonial Ecology, and describes how the participants of this exhibit are attempting to move away from colonial inhabitation wherein land and people are seen as disposable resources. The exhibit showcases a caring engagement with the material byproducts of extraction— such as archival film, chemical pigments, plastic, and expanded polystyrene foam—and invites passerbys to relate and re-imagine our relationships to the built environment, and in turn, one another. Throughout the eight week residency, the exhibit will shift as pieces are worked on, and additional artists contribute.

    About the Artists
    Kira Akerman
     is an educator and documentary filmmaker, and her forthcoming film, Hollow Tree, is about three young women coming of age in the climate crisis. Her installation derives from the film and alludes to 18th and 19th century colonial projects that resulted in manipulation of Louisiana's landscape. Throughout the course of her residency at the Small Center, other participants featured in Hollow Tree will contribute to the exhibition and workshops. Dr. Robin McDowell is a featured expert in the film and will exhibit her mixed media artworks that envision Black history as a chemical and geological churning. It is a resistant reading of the reports and travelogs of white scientists and a subversion of historically rooted horrors of numeracy. Using soil, clay, silt, rock salt, and carbon byproducts from sites in south Louisiana, these artworks reclaim stories trapped within extracted minerals themselves. Annabelle Pavvy, one of the protagonists in the film, will exhibit woodcuts of an extracted cypress tree.

    Film Screening: Where is Anne Frank?

    Film Screening: Where is Anne Frank?

    with Director Ari Folman in attendance

    Presented by the St. Louis International Film Festival, and cosponsored by the Adam Cherrick Lecture Fund and the Department of Jewish, Islamic, & Middle Eastern Studies at Washington University in St. Louis, "Where is Anne Frank?" will be screened on November 12th with Director Ari Folman in attendance for both the film and a subsequent Q&A period.

     

    The animated film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. A fiery teenager, Kitty wakes up in the near future in Anne Frank's house in Amsterdam and embarks on a journey to find Anne, who she believes is still alive, in today's Europe. While the young girl is shocked by the modern world, she also comes across Anne's legacy.

     

    Directed by two-time SLIFF veteran Ari Folman (“Waltzing with Bashir” and “The Congress”), this imaginative and moving animated film will touch audiences of all ages. The first movie to be supported by The Anne Frank Fonds Basel, granting the director rare and privileged access to Anne Frank's diary, various texts and family archives. Director Folman will be in attendance at this screening. Kitty is voiced by Emily Carey, who plays Queen Alicent in HBO’s “House of the Dragon.”

     

    For more information on the film and St. Louis International Film Festival, click here.

    To request a reserved seat at the sceening, click here (past event: this link will no longer accept reservation requests).

     


     

    The Adam Cherrick Lecture Fund in Jewish Studies at Washington University was established in 1988 by Jordan and Lorraine Cherrick of St. Louis, Missouri in memory of their son. Its purpose is to advance Jewish Studies at Washington University. Since its inception, the Fund has benefited both the University community and St. Louis at large by bringing world-renowned scholars to speak on campus.

    How Do Black Lives Matter in Italy?

    How Do Black Lives Matter in Italy?

    Join us for a virtual lecture and conversation in English with Italian-Brazilian activist and writer Kwanza Musi Dos Santos

    For more details, contact Dr. Dalla Torre

    Discussion: Immigration in Italy

    Discussion: Immigration in Italy

    A presentation by Professor Karim Hannachi, Research and Study Centre on Immigration (IDOS), Italy

    The Statistical Dossier on Immigration is an annual report drawn up by many researchers through the collection of well-founded data, the processing of statistics and the analysis of almost all aspects relating to the presence of immigrants in Italy: distribution on the national territory; living conditions; integration; work; school; religion; racism and discrimination. Professor Hannachi will address these and other issues on and about migrants in Italy, specifically in Sicily.

    This event is a hybrid online/in-person presentation. If you wish to attend online, please contact the JIMES department for a copy of the Zoom link.

    Click here to download a copy of the flier: Link

    The Tunisian Migrant Experience in Italy

    The Tunisian Migrant Experience in Italy

    Dr. Rayed Khedher is an Assistant Teaching Professor at Wake Forest University.

    Based on his multi-sited ethnographic research, Dr. Khedher will talk about Tunisian migrants’ experiences of suffering and resistance in Italy. He will analyze how these vulnerable, yet empowered men enter new sites of struggle to protect themselves and to disrupt the hegemonic Italian border narrative.

     

    This is a public Zoom lecture in Arabic.

    Presented by the Department of Jewish, Islamic, and Middle Eastern Studies; facilitated by Prof. Housni Bennis.

    Contact Julia Clay (jclay@wustl.edu) for Zoom information.

    The Sociology Colloquium Series: Welcomes Nicholas Smith

    The Sociology Colloquium Series: Welcomes Nicholas Smith

    On Wednesday, November 9, 2022, the Sociology Colloquium Series will feature Nicholas Smith from Indiana University. Nicholas C. Smith is a Ph.D. candidate in the Department of Sociology at Indiana University. His research focuses on three distinct, but related, areas that lie at the intersection of medical sociology, social psychology, and race-ethnicity: (1) racial residential segregation and health, (2) stress-related mechanisms of health inequalities, and (3) social network activation during health-related crises. To carry out his research program, Nicholas employs multiple quantitative methods and draws on U.S. census and individual-level survey data. His research has been supported by the Robert Wood Johnson Foundation, the Ford Foundation, and the Horowitz Foundation.

    Colloquia Title and Topic:

    Sick by Structure: Residential Segregation, Social Networks, and Black-White Disparities in Health

    Though social networks have long been theorized as a critical resource that may attenuate the negative impact of residential segregation on health, few empirical studies have explored this possibility. Using an egocentric network approach, this study examines social network processes linking residential segregation to health and health disparities among Black and White Americans. Specifically, drawing on U.S. census data and individual-level survey data from the Person-to-Person Health Interview Study, I ask: (1) To what extent does residential segregation contribute to Black-White disparities in physical and mental health? (2) Do characteristics of social networks moderate the association between residential segregation and health? While I find residential segregation to have no association with physical and mental health for White Americans, residential segregation is associated with worse physical health but better mental health for Black Americans; however, these relationships are moderated by network factors. That is, the adverse association between residential segregation and physical health is substantially attenuated among Black Americans who are embedded in networks with high bridging social capital (i.e., less-dense networks with a high proportion of non-kin and college-educated ties). Further, I find that residential segregation is associated with better mental health only among Black Americans who are embedded in networks with high bonding social capital (i.e., smaller, closer, and more kin-centered networks). Taken together, these findings suggest that the link between residential segregation and health, and processes underlying this relationship, may be more complex than current theory predicts.

     

     

    Evelyn From the Internets

    Presented by Black Anthology

    Washington University in St. Louis student group Black Anthology will present comedy writer and YouTube sensation Evelyn Ngugi, a/k/a “Evelyn From the Internets,” for a talk and Q&A.

    Ngugi started posting her often hilarious, always heartfelt videos almost a decade ago, commenting on topics ranging from popular culture (“Take me Wakanda!”) to Black trauma (“Call in Black”) to sparkling water (“I tried all 14 original flavors of LaCroix”).

    Ngugi also was enlisted by Google to support Michelle Obama’s initiative for global girls’ education and PBS Digital Studios to co-host “Say It Loud,” a show about Black histories and cultures. Her video “‘Black-sounding names and their surprising history” has 1.4 million views.

    Over time, “Evelyn from the Internets” has amassed some 240,000 YouTube subscribers and one very famous fan — Beyonce, who played her video, “Beyonce Said Drink This #Lemonade, Heaux!!,” at a Texas concert.

    More info

    The Divided City spotlight - St. Louis International Film Festival

    The Divided City spotlight film lineup focuses on the racial divide in St. Louis and other U.S. cities, and offers an international perspective by highlighting racial and ethnic divides in cities elsewhere. The series is supported by The Divided City: An Urban Humanities Initiative, which addresses one of the most persistent and vexing issues in urban studies: segregation. All screenings in the lineup are free except Night Life.

    More info
    Workshop Demotivation While Learning a Foreign Language: A Skeleton in the Closet with Prof. María del Carmen Méndez Santos

    Workshop Demotivation While Learning a Foreign Language: A Skeleton in the Closet with Prof. María del Carmen Méndez Santos

    The Washington University Foreign Language Learning Colloquium Speaker Series presents: Dr. María del Carmen Méndez Santos, Professor at the Section of General Linguistics, Department of Language, Literature, Theory of Literature, and Linguistics at the University of Alicante (Spain)

    Demotivation While Learning a Foreign Language: A Skeleton in the Closet

    It is widely agreed that linguistic aptitude and motivation are key factors in the language learning process. However, there is a tendency to neglect a “dark” side of one of them: demotivation. It is important, for example, to reflect on the cause of high dropout rates worldwide, not only at a organizative level but also in the classroom. This workshop will familiarize participants with theory and practice related to demotivation and provide concrete recommendations on how to avoid demotivation in language instruction.


    The Washington University Foreign Language Learning Colloquium Speaker Series is sponsored by the Department of Germanic Languages and Literatures; the Department of East Asian Languages and Cultures; the Department of Jewish, Islamic and Near Eastern Languages and Cultures; Applied Linguistics; the Department of Romance Languages and Literatures, and the Dean of the Faculty of Arts and Sciences

    How the Pandemic Has Changed Us as Learners: From Theory to Practice by Prof. María del Carmen Méndez Santos

    How the Pandemic Has Changed Us as Learners: From Theory to Practice by Prof. María del Carmen Méndez Santos

    The Washington University Foreign Language Learning Colloquium Speaker Series presents: Dr. María del Carmen Méndez Santos, Professor at the Section of General Linguistics, Department of Language, Literature, Theory of Literature, and Linguistics at the University of Alicante (Spain)

    Visitors are encouraged to complete self-screeing beforehand.


    How the Pandemic has Changed Us as Learners: From Theory to Practice

    Our daily lives have changed drastically in recent years due to Covid-19. Governments made the decision of moving from face-to-face classes to instruction online. But what we did was not traditional “online learning” because we were in the middle of a crisis. Therefore, we should, more appropriately, speak of “emergency distance education” (EDE). In this lecture, we will reflect on the main challenges faced during the pandemic and demotivational factors connected to it while considering different types of focus-group research. We consider, in particular, a study with learners of Spanish from Latvia. The findings of this study suggest that the greatest challenge of returning to a “new normal” concern increased difficulty with concentrating, anxiety about returning to the face-to-face settings, and feelings of disillusion and “pointlessness” tied to learning.


    The Washington University Foreign Language Learning Colloquium Speaker Series is sponsored by the Department of Germanic Languages and Literatures; the Department of East Asian Languages and Cultures; the Department of Jewish, Islamic and Near Eastern Languages and Cultures; Applied Linguistics; the Department of Romance Languages and Literatures, and the Dean of the Faculty of Arts and Sciences

    French Connexion: Talk with Prof. Benjamin Hoffmann, author of L'Île de la Sentinelle

    French Connexion: Talk with Prof. Benjamin Hoffmann, author of L'Île de la Sentinelle

    Benjamin Hoffmann, Associate Professor of French, director of the Centre d'Excellence, and specialist of eighteenth-century literature and philosophy at the Ohio State University will discuss his recent novel L'Île de la Sentinelle (Gallimard, 2022) in the context of Professor Tili Boon Cuillé's seminar on Utopian Fiction.

     

    Benjamin Hoffmann grew up in Bordeaux. After studying modern literature and philosophy at the Sorbonne and the École Normale Supérieure, he earned a PhD from Yale University and he's currently an Associate Professor at The Ohio State University where he teaches 18th century French literature and creative writing. His research has been supported by the Whiting Foundation, the Beinecke Library at Yale University, and the College of Arts and Sciences at The Ohio State University.

    Hoffmann is the author of eight books published in France and the US. His work explores various genres (novel, story, short story, essay, critical study) to question recurring themes: exile and the representation of otherness; nostalgia and the experience of mourning; lies and the social impact of new technologies; the legacy of the Enlightenment and the Age of Great discoveries; America's history and its troubled present.


    Le livre: Située à mille kilomètres des côtes de l’Inde, l’île de la Sentinelle abrite le dernier peuple entièrement coupé du monde moderne, les Sentinelles. Personne ne sait d’où ils viennent, quelle langue ils parlent, quelles sont leurs croyances. Seule certitude à leur sujet : cela fait des siècles qu’ils repoussent les étrangers qui se risquent chez eux, voyageurs vénitiens, colons britanniques, naufragés chinois, braconniers malaisiens, monarques européens ou missionnaires venus des États-Unis. L’île de la Sentinelle raconte l’histoire de ce peuple et celle de Krish et Markus, deux amis que tout oppose, hormis leur fascination pour l’île interdite. L’un est anthropologue, marié à une Américaine et d’origine indienne ; l’autre est un éditeur new-yorkais célibataire et l’héritier d’une immense fortune bâtie dans le marché de l’art. 

    Emporté par le souffle de l’aventure, L’île de la Sentinelle est un récit sur l’amitié et le temps qui passe, sur les rapports de classes et l’Amérique contemporaine, sur la destruction d’un couple, sur la mondialisation et ceux qui tentent de lui échapper.


    Open to the public in-person or via Zoom.


    To join by Zoom, register in advance for this meeting. After registering, you will receive a confirmation email containing information about joining the meeting. 

    For more information, contact Dr. Lionel Cuillélcuille@wustl.edu 

    The fantastical anatomical collections of Frederik Ruysch: A symposium

    Registration is required: Last day to register is Nov. 4, 2022.

    Ruysch’s anatomical tableaux are some of the most compelling images in the history of scientific illustration: Fetal skeletons stand on mountains of kidney stones and specimens float in jars topped with arrangements of dried flowers — a vision of death and science that can be disconcerting to modern eyes. 

    Becker Library had the honor of contributing images to a new English translation of the works of Frederik Ruysch. The latest edition was edited by Joanna Ebenstein of the Morbid Anatomy Museum, who joins us as keynote speaker for this special one-day event to celebrate the book's launch. 

    In this symposium, we’ll explore the fascinating works of Dutch anatomist and botanist Frederik Ruysch and discuss the early modern artistic and scientific traditions that gave rise to his vision.

        
    Keynote speaker

    Joanna Ebenstein, Founder & Creative Director, Morbid Anatomy Museum

    Panelists

    Claudia Swan, Mark Steinberg Weil Professor of Art History, Washington University in St. Louis

    Rebecca Messbarger, Professor of Italian, Washington University in St. Louis                  

    Elizabeth Wyckoff, Curator of Prints, Drawings and Photographs, Saint Louis Art Museum

    More info
    David Kirkman's Underneath: Children of the Sun

    David Kirkman's Underneath: Children of the Sun

    The Department of African and African American Studies at Washington University in St. Louis is proud to sponsor this film as part of the St. Louis International Film Festival.  Purchase tickets for the screening below. Learn more about the SLIFF

    Tickets

    Classical Club of St. Louis: Egyptomania - The Obsession and Appropriation of Ancient Egypt throughout History

    Julia Troche, Missouri State University

    For more information about the Classical Club of St. Louis, visit the club's website.

    Classical Club of St. Louis: Satire on the Edge(s)

    Cathy Keane

    For more information about the Classical Club of St. Louis, visit the club's website.

    Classical Club of St. Louis: A Coin for the Ferryman book discussion

    Rebecca Sears

    For more information about the Classical Club of St. Louis, visit the club's website.

    Classical Club of St. Louis: What is the Gospel of Judas?

    Lance Jenott

    In sharp contrast to the biblical Gospels, the Gospel of Judas criticizes Jesus’s twelve disciples for worshipping a false god and for leading a multitude astray. Unsurprisingly then, its unique theology and critical interpretation of Jesus’s closest followers was condemned as heresy by Christian bishops in the second century, and its text was successfully suppressed. The Gospel of Judas became known to modern readers only in 2006 when the National Geographic Society published the first English translation, followed by the first printing of the Coptic text in 2007. This talk will introduce the text’s modern publication history, its heretical theology and critical depiction of Jesus’s twelve disciples, and offer a historical explanation for its story as one controversial voice from the ancient church.


    For more information about the Classical Club of St. Louis, visit the club's website.

    The Barbara & Michael Newmark Endowed Sociology Lecture: Dr. Hahrie Han

    The Barbara & Michael Newmark Endowed Sociology Lecture: Dr. Hahrie Han

    You are cordially invited to join the Department of Sociology at Washington University in St. Louis for the second presentation of its recently established lecture series. This lectureship honors Barbara and Michael Newmark, alumni and longtime community leaders in St. Louis. The series supports visits to Washington University in St. Louis by scholars whose work engages with the concept of a pluralistic society where diverse religious, racial, and ethnic groups live and work together, and their differences enhance the community.

    This year's speaker, Prof. Hahrie Han, will present a talk titled "Mapping the Modern Agora: Perils and Possibilities for Pluralism in America."

    Hahrie Han is the Inaugural Director of the SNF Agora Institute, the Stavros Niarchos Foundation Professor of Political Science, and Faculty Director of the P3 Research Lab at Johns Hopkins University. She is an award-winning author of four books and numerous articles published in leading scholarly outlets including the American Political Science Review, the American Sociological Review, the Journal of the American Medical Association (JAMA), and elsewhere. She has also written for outlets like the New York Times, the Washington Post, and others. She is an elected member of the American Academy of Arts and Sciences and was named a 2022 Social Innovation Thought Leader of the Year by the World Economic Forum's Schwab Foundation. She is currently working on a fifth book, to be published with Knopf (an imprint of Penguin Random House), about faith and race in America, with a particular focus on evangelical megachurches.

    This lecture will be held on Thursday, November 17th at 5:30 p.m., in Washington University's Umrath Hall Lounge. A reception will immediately follow the lecture's conclusion. The event is open to the public. ​Please feel free to share with those who may be of interest, both on-campus and in the local communities.

    More information about our esteemed speaker can be found at: https://politicalscience.jhu.edu/directory/hahrie-han/ and at https://www.hahriehan.com/ 

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the Mildred Lane Kemper Art Museum’s permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    More info

    Gallery Talk: Europe after the Rain

    Join Sabine Eckmann, William T. Kemper Director and Chief Curator, Mildred Lane Kemper Art Museum, for a discussion of The Endless Night by Max Ernst, a painting on long-term loan from the Parker Foundation, on view until spring 2023.

    Painted in 1940 just before Max Ernst fled fascist Europe, The Endless Night belongs to a loose group of artworks in which Ernst visualized nightmarish and ghostly otherworlds suggestive of Europe’s political and cultural destruction during World War II. These apocalyptic topographies evoke devastation, violence and war—partly through abstracted spongy, porous and fragmented elements, and partly through crisp renditions of monsters, fossils and surreal creatures in flux. 

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    More info

    On ‘Death of a Salesman’: A Conversation with Ron Himes

    In the classic Death of Salesman, Arthur Miller explores the disillusionment of the American Dream and the toll it takes on all aspects of life for traveling salesman Willy Loman and his family. The Black Rep will be performing this seminal work January 11-29, 2023, at Washington University’s Edison Theater in a production directed by Jacqueline Thompson, with company founder and artistic director Ron Himes in the role of Willy Loman. Join Ron Himes, BS ’78, for a conversation about the production, the Black Rep and this moment in American theater. This program is offered in partnership with Washington University’s Osher Lifelong Learning Institute.

    Ron Himes is the founder and producing director of the Saint Louis Black Repertory Company, which has developed a national reputation for staging quality productions from an African-American perspective. Himes founded the Saint Louis Black Repertory Company in 1976 while still a student at Washington University, where he graduated with a bachelor’s degree in business administration. In 2003, Himes was appointed the first Henry E. Hampton, Jr. Artist-in-Residence at Washington University, a joint appointment of the Performing Arts and African American Studies departments.

    More info

    Public Tour: Materials and Methods

    Student educators lead interactive tours of works in the permanent collection that incorporate various artistic methods and materials, including experimental processes, unusual materials and archival research in works by such artists as Torkwase Dyson, Max Ernst and Rivane Neuenschwander.

    More info

    Artist Talk: Chakaia Booker

    Chakaia Booker discusses her installation Shaved Portions, on view outside the Mildred Lane Kemper Art Museum at the intersection of Skinker Blvd. and Brookings Drive, contextualizing it within her recent body of work. 

    Chakaia Booker (American, b. 1953) earned a BA in sociology from Rutgers University (1976) and an MFA from the City College of New York (1993). Her public art commissions include Millennium Park, Chicago; Garment District Alliance, New York; National Museum of African American History and Culture, Washington, DC; and Institute of Contemporary Art, Miami. Her work is in more than forty public collections, and she has exhibited across the US, Europe, Africa, and Asia. She is the recipient of grants, fellowships, and awards from numerous organizations, including the John Simon Guggenheim Memorial Foundation; Pollock-Krasner Foundation; American Academy of Arts and Letters; and Joan Mitchell Foundation; among many others. She lives in New York City and works in New York and Allentown, PA.

    More info

    Public Tour: Katharina Grosse Studio Paintings

    Student educators lead interactive tours of this season’s exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The exhibition features studio-based paintings by contemporary German artist Katharina Grosse, internationally known for painting large-scale, on-site works and explores the artist’s experimentation with the physical, optical and aesthetic qualities of color and paint on canvas.

    More info

    Translating Poetry (It’s Not Easy): Matthias Goeritz and Mary Jo Bang

    Matthias Goeritz, Professor of Practice of Comparative Literature, and Mary Jo Bang, Professor of English, Washington University

    Join us for an evening celebrating the publication of Colonies of Paradise (Triquarterly, 2022) by Matthias Goeritz, Professor of Practice of Comparative Literature, and translated by Mary Jo Bang, Professor of English. Goeritz and Bang will discuss the innovative new translation of the original German work, which takes the reader on a tour of Paris, Chicago, Hamburg, and Moscow, exploring themes of childhood, travel, and the human experience. As practitioners of both poetry and the translation of poetry, our two authors will converse about the tricky but crucial work of literary translation.

    Matthias Goeritz is a poet, translator, and novelist. He has written four poetry collections, Loops, Pools, Tools and Spools; three novels, including Der kurze Traum des Jakob Voss (The Brief Dream of Jakob Voss) and Parker; and three novellas. He has received the Hamburg Literature Prize, the Mara Cassens Prize, the Robert Gernhardt Prize, and the William Gass Award.

    Mary Jo Bang is the author of eight books of poetry—including Elegy: Poems, which received the National Book Critics Circle Award—and the translator of Dante’s Inferno, illustrated by Henrik Drescher, and Purgatorio. She has received a Hodder Fellowship from Princeton University, a Guggenheim Fellowship, and a Berlin Prize Fellowship.

    More info

    2022 Nobel Prize Laureate Annie Ernaux Reading & Discussion

    In celebration of Annie Ernaux’s Nobel Prize, the Libraries and the Department of Romance Languages and Literature welcome you to a special reading and discussion. Ernaux is a prominent French writer, professor of literature, and was awarded the 2022 Nobel Prize in Literature on October 6, 2022. 

    More info
    Breaking the Silence

    Breaking the Silence

    Breaking the Silence is an organization which brings former IDF soldiers to college campuses to talk about the occupation

    JStreet at WashU is honored to invite Breaking the Silence to visit the Washington University campus as part of their 2022 United States tour. They will be speaking candidly about their experiences of and knowledge about the occupation in an effort to provide an individual-level perspective on a large-scale action.

    English Grad Student Colloquium 2022

    English Grad Student Colloquium 2022

    Please join us for the 2022 English Grad Student Colloquium, taking place on Friday, November 18th at 4:30 pm, in The Hurst Lounge, Duncker Hall Rm. 201.

    Presentations include:

    Ashni Clayton

    • Uncomfortable Sensations: Emotion and Sites of Queer Possibility in Wilke Collins' The Woman in White

    Bonnie Pang

    • The Father, the Daughter, and the Commercial Spirit: Milly as Bloom's Second Body

    Thomas Howard

    • The Centrifugal Aphorism: Tracing a Transatlantic Form in the Nineteenth Century
    Coffee and Conversation with Ari Folman

    Coffee and Conversation with Ari Folman

    Ari Folman is an international award-winning director of films such as "Waltz with Bashir" and "Where is Anne Frank?" Hosted by novelist and screenwriter Sayed Kashua.

    Join Sayed Kashua for an informal conversation with director Ari Folman about his career and his latest film Where is Anne Frank? ahead of its presentation in the St. Louis International Film Festival.

    The film will be screened at 7:30pm on November 12th; more information on the screening and how to reserve seats is available here: https://jimes.wustl.edu/events/film-screening-where-anne-frank

    Presented by the St. Louis International Film Festival, and cosponsored by the Adam Cherrick Lecture Fund and the Department of Jewish, Islamic, & Middle Eastern Studies at Washington University in St. Louis


     

    The Adam Cherrick Lecture Fund in Jewish Studies at Washington University was established in 1988 by Jordan and Lorraine Cherrick of St. Louis, Missouri in memory of their son. Its purpose is to advance Jewish Studies at Washington University. Since its inception, the Fund has benefited both the University community and St. Louis at large by bringing world-renowned scholars to speak on campus.

    WU Cinema Presents: DIAL CODE SANTA CLAUS

    WU Cinema Presents: DIAL CODE SANTA CLAUS

    Your new favorite holiday slayride. When a psychopathic Santa Claus invades his house and kills his dog on Christmas Eve, a young boy dressed like Rambo must defend his home and his family at all costs.
    Director: René Manzor
    1989 | 87 mins
    4K DCP

    Previously only available via VHS bootlegs and a huge audience slayer since its debut at Fantastic Fest, DIAL CODE SANTA CLAUS (aka 3615 CODE PÈRE NOËL and DEADLY GAMES) is your new favorite holiday slayride. Thomas is a typical 1980s kid: he loves computers, role-playing games, and his dog. While mom is away at the office on Christmas Eve, Thomas and his grandfather are left home alone — perfect timing for a disgruntled, perverted, bloodthirsty Santa Claus to raid the home down the chimney. But Hell hath no fury like a mulleted ten-year-old with an arsenal of toys! Made a year before HOME ALONE, the French-made DIAL CODE SANTA CLAUS has almost the same plot — only filled with more style, bloodshed, and Rambo references.

    More info
    WU Cinema Presents: Student Film Showcase

    WU Cinema Presents: Student Film Showcase

    The best productions from Fall 2022 created by students in Making Movies and Making Movies II: Intermediate Narrative Filmmaking.

    Watch short films by Wash U students in this annual showcase, presented by WU Cinema and the Program in Film & Media Studies.

    More info
    African Modernism in America

    African Modernism in America

    Organized by the American Federation of Arts and the Fisk University Galleries, African Modernism in America is the first major traveling exhibition to examine the complex connections between modern African artists and patrons, artists, and cultural organizations in the United States, amid the interlocking histories of civil rights, decolonization, and the Cold War.
    Online Discussion with Sana de Courcelles: Representing France at the World Health Organization

    Online Discussion with Sana de Courcelles: Representing France at the World Health Organization

    Sana de Courcelles is the former Director of the Sciences Po School of Public Affairs in France and an Affiliated Professor in the areas of public innovation and health.

    Virtual discussion open to the public, in English.


    Sana de Courcelles is a specialist in public management and governance, with a strong expertise on health and global health issues. She has exercised advisory, diplomatic and management functions in the public and private sectors in France and in International Organization in Geneva (GAVI Alliance, WHO, ILO).   Currently Director for Special Initiatives at the Office of the Director-General of ILO, Sana de Courcelles served from 2016 to 2019 as the executive director and affiliated professor at the School of Public Affairs at Sciences Po, Paris. Sana de Courcelles is also a former collaborator in the office of the Minister of Public Service and State Reform, as well as at the French Prime Minister Office on Investments, or in the office of the Assistant Director-General of the World Health Organization (WHO), in charge of Health Systems and Innovation, in Geneva. She was health counsellor at the Permanent Mission of France to the United Nations Office at Geneva, and special envoy of the French government on the international response to the COVID-19 pandemic. She started her professional carrier as a consultant - manager in public management at Capgemini consulting.   Sana de Courcelles holds a Master in Public Management and Political Communication from CELSA, as well as a Master in Human Resources, Communication and Marketing. She is also Certified Board Member, graduated from the French Institute of Directors and Sciences po. She is a member of the Board of Directors of Santé Publique France, and of the Foundation Médecins du Monde. She is a founding member of the Think Tank Santé mondiale 2030. 

    Moderators:

    Caline Mattar, Associate Professor of Medicine (Washington University in St. Louis Medical School), co-director of the Infectious Diseases Fellowship Program

    Lionel Cuillé, Director of the French Connexions Center of Excellence, Romance Languages and Literatures


    This Lecture Series is made possible by a grant from the Cultural Services of the French Embassy in Washington D.C.


    Register in advance for this meeting

    After registering, you will receive a confirmation email containing information about joining the meeting.

    Why Institutions Matter: Religious Perspectives on Building and Sustaining Institutions in a Fractured Society

    Richard W. Garnett, Shadi Hamid, Kristen Deede Johnson, Yuval Levin and John Inazu

    This dialogue between some of the nation’s foremost thinkers on institutions and religious pluralism will focus on the challenges and opportunities of building and sustaining civic institutions in a polarized society. Speakers include Richard Garnett, Notre Dame Law School; Shadi Hamid, Brookings Institution; Kristen Deede Johnson, Western Seminary; and Yuval Levin, American Enterprise Institute. The panel will be moderated by John Inazu, who holds a joint appointment with the John C. Danforth Center on Religion and Politics and the School of Law.

    Richard W. Garnett is the Paul J. Schierl/Fort Howard Corporation Professor of Law at University of Notre Dame Law School. He teaches and writes about the freedoms of speech, association, and religion and constitutional law more generally. He is a leading authority on questions and debates regarding the role of religious believers and beliefs in politics and society. 

    Shadi Hamid is a senior fellow in the Center for Middle East Policy at Brookings Institution. He is the author of Islamic Exceptionalism: How the Struggle Over Islam is Reshaping the World, which was shortlisted for the 2017 Lionel Gelber Prize. His first book, Temptations of Power: Islamists and Illiberal Democracy in a New Middle East, was named a Foreign Affair, Best Book of 2014.

    Kristen Deede Johnson is the G.W. and Edna Haworth Professor of Educational Ministries and Leadership and the Dean and Vice President of academic affairs at Western Theological Seminary. Her teaching and scholarship engage areas of theology, discipleship and formation, justice, culture and political theory. In partnership with International Justice Mission, she and co-author Bethany Hanke Hoang recently wrote the award-winning The Justice Calling: Where Passion Meets Perseverance. In 2018, Kristen was named as one of “10 New or Lesser-Known Female Theologians Worth Knowing” by Christianity Today. 

    Yuval Levin is the director of Social, Cultural, and Constitutional Studies at the American Enterprise Institute, where he also holds the Beth and Ravenel Curry Chair in Public Policy. The founder and editor of National Affairs, he is also a senior editor at The New Atlantis, a contributing editor at National Review, and a contributing opinion writer at The New York Times. Dr. Levin served as a member of the White House domestic policy staff under President George W. Bush. 

    John Inazu is the Sally D. Danforth Distinguished Professor of Law and Religion and holds a joint appointment in the School of Law and the John C. Danforth Center on Religion and Politics. Inazu’s scholarship focuses on the first amendment freedoms of speech, assembly, and religion, and related questions of legal and political theory. 

    More info
    Coffee Chats with Medical Humanities Dr. Anya Plutynski

    Coffee Chats with Medical Humanities

    What is Mental Health? with Dr. Anya Plutynski

    WashU Medical Humanities presents Dr. Anya Plutynski! Dr. Plutynski studies the philosophy of science and medicine. Her talk will center on mental health, and deconstruct the idea of what a disease is, how we often classify mental illness, and what it means to be "healthy." No prior knowledge is required!

    Coffee, hot cocoa, and yummy snacks provided! Come and bring a friend!

    French Multimedia Poetry: discussion with Anne-James Chaton

    French Multimedia Poetry: discussion with Anne-James Chaton

    In connection with Lionel Cuillé's seminar on "Experimental Writings: Literature and Science," you are invited to join in a discussion with multimedia/performance poet Anne-James Chaton

    Anne-James Chatonn was a fellow at the Villa Medici, French Academy in Rome in 2020–2021. He received the Bernard Heidsieck-Centre Pompidou International Prize for Literature in 2022. 

    He has developed a multi-faceted work, based on a study of the textual materials that punctuate the daily life of contemporary societies. This “poor” literature, produced on a daily basis by a multitude of machines—cash register receipts, museum entrance tickets, leaflets, business cards, credit cards, subscriptions, etc.—constitutes the material for his textual work, which is also used in the production of his work.

    The plural and polyglot dimension of his work has led him to develop projects with artists from other scenes and other languages. He has created pieces with Phia Ménard, Sylvain Prunenec, Valeria Giuga, and has written numerous albums with guitarist Andy Moor (The Ex), and Sonic Youth member Thurston Moore. His books are published by Al Dante and P.O.L., his visual works are shown by the Far West Gallery and his sound compositions are published on the German label Noton. 

    His recent books: Vies d'hommes illustres d'après les écrits d'hommes illustres, éditions Al Dante, 2011; Elle regarde passer les gens, Verticales, 2016; L'affaire La Pérouse, P.O.L, 2019; Vie et mort de l'homme qui tua John F. Kennedy, P.O.L., 2020


    Anne-James Chaton will first present his work through a series of performances, followed by a Q&A. You can come to the class in person, or join online.


    Register in advance for this meeting.

     

    Gabriel Peoples Lecture: This Song Will Never Die

    Gabriel Peoples Lecture: This Song Will Never Die

    Dr. Gabriel Peoples lectures on the performances that have “gone viral,” and marks how a newscast documenting a tragic attempted rape can transform into a comedic trap music video and the impacts this can have in the lives of those marked by racialized gender.

    RSVP

    Literacies for Life and Career Early Adopter Grants Information Session

    Learn more about the Literacies for Life and Career initiative and how to become an early adopter to pilot the literacy-based approach in your courses.

    Literacies for Life and Career Early Adopter Grants Information Session

    Learn more about the Literacies for Life and Career initiative and how to become an early adopter to pilot the literacy-based approach in your courses.

    OUR Fall 2022 Undergraduate Research Symposium

    OUR Fall 2022 Undergraduate Research Symposium

    The Office of Undergraduate Research is excited to host the Fall 2022 Undergraduate Research Symposium. 

    The annual Fall Undergraduate Research Symposium is a venue for students to present their research to the greater WashU community. This year's symposium will once again be held virtually and be open December 1 - 3.

    Each year the Fall Undergraduate Research Symposium showcases the diverse range of impressive research projects completed by WashU undergraduates and provides opportunities for students to share their research, to engage in peer networking and cross-disciplinary conversations, and to develop presentation skills. 

    Join the Event

    What Good Is Higher Education for Our Cities? – 2023 Faculty Book Celebration

    Featuring keynote speaker Davarian Baldwin, the Paul E. Raether Distinguished Professor of American Studies, Trinity College, and author, “In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities”

    The publication of a monograph or significant creative work is a milestone in the career of an academic. The Center for the Humanities commemorates this achievement annually during the Faculty Book Celebration. The event recognizes Washington University faculty from across Arts & Sciences by displaying their recently published works and large-scale creative projects and inviting two campus authors and a guest lecturer to speak at a public gathering. 

    FACULTY BOOK CELEBRATION
    There’s so much to celebrate, and so many ways to join in! 
    Anytime
    Virtual Book Display
    How I Made This Book

    Thursday, February 23

    1 pm  |  Panel discussion, “Humanities and the City” | Olin Library, Room 142

    4 pm  |  Keynote lecture and Washington University faculty speakers (right) | Umrath Lounge

    Keynote lecture

    RECORDING AVAILABLE

    “What Good Is Higher Education for Our Cities?”

    4 pm | Umrath Lounge

    In today’s dominant knowledge economy, universities have become big business and our cities their company towns. But there are both benefits and costs to those who live in the shadow of these ivory towers. With St. Louis as our backdrop, this talk ponders: What good is higher education for our cities?

    ABOUT THE KEYNOTE SPEAKER

    Davarian L. Baldwin is a leading urbanist, historian, and cultural critic. He currently serves as the Paul E. Raether Distinguished Professor of American Studies and founding director of the Smart Cities Research Lab at Trinity College (CT). Baldwin is the author of several books, most recently In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities and is the text author of The World of the Harlem Renaissance: A Jigsaw Puzzle. He sits on the executive committee of Scholars for Social Justice and the national council of the American Association of University Professors. Baldwin also serves as a distinguished lecturer for the Organization of American Historians and was just named a 2022 Freedom Scholar by the Marguerite Casey Foundation. His opinions and commentaries have been featured in numerous outlets from NBC News, PBS, and The History Channel to USA Today, Washington Post and TIME

     

    Washington University faculty speakers

    Two members of the Washington University faculty will speak on their own new book releases.

    Miguel Valerio

    Assistant Professor, Department of Romance Languages and Literatures and Performing Arts Department (affiliate)

    Sovereign Joy: Afro-Mexican Kings and Queens, 1539-1640 (Cambridge University Press, 2022)

    Sovereign Joy explores the performance of festive black kings and queens among Afro-Mexicans between 1539 and 1640. This fascinating study illustrates how the first African and Afro-creole people in colonial Mexico transformed their ancestral culture into a shared identity among Afro-Mexicans, with particular focus on how public festival participation expressed their culture and subjectivities, as well as redefined their colonial condition and social standing. By analyzing this hitherto understudied aspect of Afro-Mexican Catholic confraternities in both literary texts and visual culture, Miguel A. Valerio teases out the deeply ambivalent and contradictory meanings behind these public processions and festivities that often re-inscribed structures of race and hierarchy. Were they markers of Catholic subjecthood, and what sort of corporate structures did they create to project standing and respectability? Sovereign Joy examines many of these possibilities, and in the process highlights the central place occupied by Africans and their descendants in colonial culture. Through performance, Afro-Mexicans affirmed their being: the sovereignty of joy, and the joy of sovereignty.

    Lynne Tatlock 

    Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair, Department of Germanic Languages and Literatures, and director, Program in Comparative Literature

    Jane Eyre in German Lands: The Import of Romance, 1848–1918 (Bloomsbury, 2022)

    Lynne Tatlock examines the transmission, diffusion, and literary survival of Jane Eyre in the German-speaking territories and the significance and effects thereof, 1848-1918. Engaging with scholarship on the romance novel, she presents a historical case study of the generative power and protean nature of Brontë’s new romance narrative in German translation, adaptation, and imitation as it involved multiple agents, from writers and playwrights to readers, publishers, illustrators, reviewers, editors, adaptors, and translators.

    Jane Eyre in German Lands traces the ramifications in the paths of transfer that testify to widespread creative investment in romance as new ideas of women’s freedom and equality topped the horizon and sought a home, especially in the middle classes. As Tatlock outlines, the multiple German instantiations of Brontë’s novel — four translations, three abridgments, three adaptations for general readers, nine adaptations for younger readers, plays, farces, and particularly the fiction of the popular German writer E. Marlitt and its many adaptations — evince a struggle over its meaning and promise. Yet precisely this multiplicity (repetition, redundancy, and proliferation) combined with the romance narrative’s intrinsic appeal in the decades between the March Revolutions and women’s franchise enabled the cultural diffusion, impact, and long-term survival of Jane Eyre as German reading.

    Though its focus on the circulation of texts across linguistic boundaries and intertwined literary markets and reading cultures, Jane Eyre in German Lands unsettles the national paradigm of literary history and makes a case for a fuller and inclusive account of the German literary field.


    Panel discussion

    RECORDING AVAILABLE

    “Humanities and the City”

    1 pm  |  Olin Library, Room 142

    Moderated by Laura Perry, Assistant Director for Research and Public Engagement, Center for the Humanities

    Faculty Book Celebration keynote speaker Davarian Baldwin will join a panel of Washington University faculty: Shanti Parikh, Professor and Chair of African and African-American Studies and Professor of Sociocultural Anthropology; Samuel Shearer, Assistant Professor of African and African-American Studies; Geoff Ward, Professor of African and African-American Studies. Lunch provided.

    Co-sponsored by University Libraries

    Literature in the Making: A Reading (Fall 2022)

    Please join us for a student reading for the course "Literature in the Making!"

    Readers include:

     

    Rajnesh Chakrapani     

    Lara-Mareen Förster

    Carlota J Gamboa 

    Safwan Khatib

    Amira Jihane Khelfallah

    Stephanie Nebenführ

    Sarah Maria Medina Perez

    Anca Roncea

    Rebecca Weingart

     

    Light snacks and beverages will be available!

    A World of Words: A Reading

    Please join us in a student reading event for the course "A World of Words!"

    Readers include: 

    Mert Alpsoy

    Julia Blanchard

    Dylan Desmarais

    Hillary Fujimoto

    Haley Pak

    Lyn Park

    Dani Sas

    Sidney Speicher

    Anisha Sunkara

    Jaylene Trujillo

    The reading will take place in Eads 203 from 4:00pm to 5:20pm. Light snacks and beverages will be available.

    SIR Town Hall: A Rise in Authoritarianism in the European Union?

    SIR Town Hall: A Rise in Authoritarianism in the European Union?

    Join us in Simon 1 at 8:00 PM on Thursday, December 1st, to watch and participate in our live panel discussion with Dr. Matthew Gabel and Dr. Seth Jolly, both expert political scientists with extensive research experience on the European Union. We will discuss the alleged rise in authoritarianism in the past two decades in the European Union, with a period of audience questions and answers following the panel discussion. 

     

    The Vine Cafe will cater dinner. 

    Grigsby Lecture

    Grigsby Lecture

    Dr. Alani Hicks-Bartlett, Assistant Professor of Comparative Literature and French Studies at Brown University, will give a lecture titled "A Trace of Shadows and the 'duro encuentro': Materiality, Loss, and Recovery in Medieval and Early Modern Literature." A light reception will follow. 

    Annual Dr. Martin Luther King Jr. Commemoration: Beloved Community

    Keynote address by Geoff K. Ward, professor of African and African-American studies, faculty affiliate in the Department of Sociology and Program in American Culture Studies and director of the WashU & Slavery Project

    The 36th Annual Dr. Martin Luther King Jr. Commemoration honors the legacy of Dr. King and the impact he has made on those who carry the torch for humanity. Washington University Chancellor Andrew D. Martin, Provost Beverly Wendland and Rev. Callista Isabelle, Washington University director for religious, spiritual and ethical life, will provide remarks. The commemoration includes performances by Black Anthology, the Washington University student run production group and the Washington University Concert Choir. A reception in the Danforth University Center (DUC) follows the program. The event is free and open to the public.

    More info
    The deaf shoemaker:  Ability, disability, and daily life in the sixteenth century

    The deaf shoemaker: Ability, disability, and daily life in the sixteenth century

    The Department of History, the Center for the Humanities, and the Early Modern Medicine Reading Group are happy to welcome Dr. Jacob Baum from Texas Tech University to present his ongoing research on early modern disability

    Jacob Baum
    Interim Director of the Medieval and Renaissance Studies Association at Texas Tech University
    Associate Professor of Late Medieval and early Modern Germany

    This lecture taking place on Thursday, February 16th, in Busch 18 at 4:00p will focus on Dr. Baum's work on researching a deaf shoemaker named Sebastian Fisher who chronicled his attempts to cure his disability in early modern Germany.

    The following day, on Friday, February 17th, in Busch 18 at 2:30p, we would like to invite participants to sit down with Dr. Baum in a less formal fashion to workshop the article that has arisen out of his research on Sebastian Fischer.

    At the second event, light refreshments will be served.

    These events are being sponsored by the Department of History, the Center for the Humanities, and the Early Modern Medicine Reading Group.

    Book Celebration for Matthew Shipe's

    Book Celebration for Matthew Shipe's "Understanding Philip Roth"

    Please Join us for a Celebration of Matthew Shipe's new book, "Understanding Philip Roth" on December 14th, at 3:00 PM in the Hurst Lounge.

    Matthew has published essays on John Updike, Philip Roth, Raymond Carver, Don DeLillo, and Barry Hannah. In 2015, he won the John Updike Review's Emerging Writers Prize for his essay "The Long Goodbye: The Role of Memory in John Updike's Short Fiction." He currently serves as President of the Philip Roth Society and is on the Executive Board of the John Updike Society. He is also on the editorial board of Philip Roth Studies.

    Given his credentials, it should come as no surprise that Matthew Shipe's latest book is a deep, yet accessible, dive into the work of Philip Roth. Fondly reviewed for both its focus and its brevity, Understanding Philip Roth is a must read for anyone interested in the author's work and his influence on American Literature.

    "Matthew Shipe has done something extraordinary, rendering the breadth of Philip Roth's oeuvre in a mere 120 pages. Even more astonishing, his critical study is both accessible and sophisticated; bright undergraduates, along with seasoned Roth scholars, will be engaged. This is an important and deft introduction to one of the major writers and voices of our time." - James Schiff, University of Cincinati  

    Mapping Xinjiang: A Mongol-Banner Cartographer and the Qing Geographic Knowledge of Central Eurasia in the Late Eighteenth Century

    Mapping Xinjiang: A Mongol-Banner Cartographer and the Qing Geographic Knowledge of Central Eurasia in the Late Eighteenth Century

    Ling-Wei Kung, Institute of History and Philology, Academia Sinica

    The Institute of History and Philology at Academia Sinica collects a huge map of Xinjiang made by a Qing Mongolian banner officer called Suningga in 1773. As the only existing copy in the world, this colorful manuscript map has plentiful cultural and heritage values. Additionally, it also contains significant historical meanings in providing abundant pictorial and literary information on Xinjiang under the rule of the Qing dynasty in the late eighteenth century. Namely, this map source is an invaluable resource in studying the history and the Qing and Xinjiang, especially Qing geographic of the so-called Xiyu (China’s western regions) and Qing infrastructure’s influence on Xinjiang’s landscape. The map meticulously illustrates the natural and human landscape of South Xinjiang, especially the infrastructure and social situation of Altishahr after the Qing conquest of the Zunghars. It should be noted that this map contains voluminous preface and postscript in which Suningga elaborated on the making process of the map based on his military experience in Xinjiang in the 1760s. His writings profoundly shed light on the interactions between diverse knowledge traditions including Song-Ming geomancy, Qing historical and geographic studies of Northwest China, and Islamic geography from Central Asia. Moreover, the map centering on Xinjiang contains extensive geographic records that profoundly reflects the author’s geographic understanding of the Tianxia. In addition to studying the history and geography of Xinjiang, these records provide critical clues to understand the diversity of cartography, geography, and worldview in the Qing empire. By contextualizing the map’s cartographic images and literary annotations together with related Qing records in Manchu and Chinese, the speaker investigates the development of Qing geographic knowledge of the Xiyu and Qing infrastructure’ influence on Xinjiang’s landscape, starting from the interactive perspective of late imperial China and Central Eurasia in the eighteenth century. Finally, based on historical and philological studies on the Qing map, the speaker has reconstructed the Qing traffic route of South Xinjiang by mapping it in a geographic information system (GIS).

    Registration is required to attend the lecture. Once registered you will receive the Zoom link.

    Supported by a gift from Leung Tung Peter & Lin Young.

    “For when you speak, I no longer understand” (Soph. Aj. 1262): Unraveling of Communication and Dissolution of Binaries in the Finale of Sophocles’ Ajax

    “For when you speak, I no longer understand” (Soph. Aj. 1262): Unraveling of Communication and Dissolution of Binaries in the Finale of Sophocles’ Ajax

    Asya Sigelman, Bryn Mawr College

    Sophocles’ Ajax contains a notorious compositional crux: the hero dies mid-play, and the last third of the tragedy is occupied with drawn-out verbal arguments between opposing Achaean factions over the dead Ajax’ body. This lecture sheds new light on the play’s peculiar composition by examining how the unraveling of communication that takes place during these verbal arguments is related to the temporary dissolution of the core binaries of friend-enemy and Hellene-barbarian.

    To register for this virtual event, please click here.

    This lecture was recorded; the recording is archived here.

    Rethinking Early Modern Globalization through the Case of Qing China and Its Perception of Its Own Position in the World

    Rethinking Early Modern Globalization through the Case of Qing China and Its Perception of Its Own Position in the World

    Yue Du, assistant professor of history, Cornell University

    The term “Central State” (Zhongguo/Dulimbai gurun), which is used as the equivalent to the English term China today, experienced thorough transformation and gained its modern meaning as a territorial, sovereign country during the second half of the nineteenth century. By 1900, intellectuals in China viewed the Qing as but one regime whose fate warranted special concern only as a means to save the trans-dynastic entity that was the Chinese nation (Zhongguo); meanwhile, they perceived the “Central State” as but one “parallel” (pingxing) country competing for survival in a globe composed of "tens of thousands of countries." The conceptual decentralization of the China-based empire took place only following the Arrow War (1856-60), facilitated by systematic diplomatic engagement between the Qing and Euro-American countries and by translation of international law. The timing of this conceptual revolution reveals the limited impact of early modern globalization on the worldviews of rulers and cultural elites in China despite the integration of Ming and Qing China into global economy, begging us to rethink the nature and scope of early modern globalization.

    Registration is required to attend the lecture. Once registered you will receive the Zoom link.

    Registration

    Supported by a gift from Leung Tung Peter & Lin Young.

    Performing Democracy in the Graveyard: The Gwangju Uprising, Mangwoldong Cemetery, and South Korea’s Affective Space for Democracy

    Performing Democracy in the Graveyard: The Gwangju Uprising, Mangwoldong Cemetery, and South Korea’s Affective Space for Democracy

    Hayana Kim, Washington University in St. Louis

    What is the relationship of grief and politics? What kind of transformative politics might arise when people in grief come together to generate an alternative future? In this talk, Hayana Kim illuminates a women-led activism for democracy in South Korea by spotlighting the Mangwoldong Cemetery. Located in Gwangju, South Korea, the cemetery is one of the most important battlefields for democracy in contemporary South Korea where the May Mothers, or the grieving mothers of the 1980 Pro-Democracy Gwangju Uprising fought for the right to mourn their deceased children during the country’s military dictatorship years. In illuminating this history, she examines an activist performance which she calls jesa activism – a commemorative activism that turned jesa, memorial rites that is otherwise a private and familial ritual, into a spectacular public assembly of anti-dictatorship protest. During jesa activism, not only did the May Mothers present spectacles of grief in demanding justice, but countless citizens also came in solidarity to bear pressure on the state by congregating in the graveyard to perform communal acts of mourning. The result was a production of the country’s most insurgent space for democracy to engender a future to be otherwise. Kim's central argument, arising from archival research and oral history interviews from ethnographic field research, is that May Mothers staged jesa activism to raise questions on what it means to foster affective democracy. The May Mothers, her work shows, teach us that a society becomes more democratic when politics derive from grief – an expansive grief in which deaths previously erased and disavowed by the state arise to take up a prominent space in communal memories. Photo Provided by the May 18 Archives (Copyright: Kim Young Bok)

    Hayana Kim is an interdisciplinary performance scholar who examines artistic and activist performances in service of democracy in post-Yusin South Korea. Currently teaching in the Department of East Asian Languages and Cultures and in the Performing Arts Department at Washington University in St. Louis, she is a PhD candidate in the Interdisciplinary PhD Program in Theatre and Drama at Northwestern University. Kim is the recipient of multiple awards from national and international theatre and performance conferences including the 2021 Helsinki Prize from the International Federation for Theatre Research and two Emerging Scholars Awards from the Association for Asian Performance (2020) and from ATHE’s Performance Studies Focus Group (2017) in recognition of her projects that look at theatre and protest cultures in South Korea. Her research also received numerous grants and fellowships including the Mellon/SSRC and Mellon/ACLS fellowships, as well as support from the University of Iowa’s Korean Studies Research Network (KoRN), funded by the Korea Foundation. Three publications based on her research have appeared in a peer-reviewed journal like Asian Theatre Journal (2021), and in edited collections published with the Cambridge University Press (2020), Chonnam National University (2020). This talk comes from her fourth publication, forthcoming in an edited collection with the University of Michigan Press, which illuminates women’s contribution to facilitating a turn from dictatorship to democracy in South Korea.

    Artwork image

    Forum on Medicine, Race, and Ethnicity in St. Louis, Past to Future

    All are welcome to this community-building gathering and discussion of critical questions on health and well-being, illness and care for our diverse St. Louis community.

    Parking on campus: Visitors are welcome to park at the East End Parking Garage, located near Forsyth and Skinker boulevards (map). Follow this link for details about public transportation options.

    Doors open at 7:30 am. Please check in at the registration table when you arrive.

    RSVPs are required. 

    On Saturday, February 25, 2023 the Medical Humanities Program and the Center for Race, Ethnicity & Equity will co-host a Forum on Medicine, Race, and Ethnicity in St. Louis, Past to Future. The event is sponsored by the Office of the Provost as part of the Here and Next strategic initiative, and enjoys support from the Center for the History of Medicine at Washington University Medical School, the Institute for Public Health, and the WashU & Slavery Project.

    This is a public-facing event and all members of the university and broader St. Louis community are welcome. It is free of charge and we will offer lunch to attendees. Detailed information and RSVP are forthcoming.

    Along with a welcome by Gerald Early, the Merle Kling Professor of Modern Letters and director of the Center for Race, Ethnicity and Equity, and keynote address by Will Ross, MD, associate dean of diversity at Washington University School of Medicine, 22 speakers, including scholars, public health leaders, artists, and citizens of St. Louis, will take part in six moderated panels: 

    • The History and Legacy of Pruitt-Igoe
    • The History and Legacy of Homer G. Phillips Hospital 
    • Questions of Health and Wellbeing in the St. Louis Latin American Community
    • Bodies at Risk: Obstetrics, Trauma, and Disease
    • Questions of Health and Wellbeing in the St. Louis Asian Community
    • Activist and Reparative Art 

    Follow this link for complete program and list of speakers.

    The Forum on Medicine, Race, and Ethnicity in St. Louis, Past to Future is supported by the Office of the Provost and Washington University’s ten-year strategic vision, Here and Next, designed to mobilize research, education, and patient care to establish WashU and St. Louis as a global hub for transformative solutions to the deepest societal challenges. When we bring our community together around topics that expand our knowledge and our perspectives, we stimulate the open, vibrant environment that will make our strategic vision possible.

     

    Headline image: “At the Heart of It” by Cbabi Bayoc. Bayoc will participate in the Activist and Reparative Art panel discussion.

    Register to attend

    In Conversation with Michelle Alexander

    Fannie Bialek (Religion & Politics) discusses the state of legal and social movements against mass incarceration with best-selling author, legal scholar, and social justice activist Michelle Alexander

    The John C. Danforth Center on Religion and Politics is honored to host Professor Michelle Alexander for a public conversation on the state of legal and social movements against mass incarceration. Since the publication in 2010 of Alexander’s sea-changing book The New Jim Crow, millions more Americans have been incarcerated in prisons and jails, sometimes held for years without a trial. But American conversations about incarceration have changed, with growing abolitionist movements as well as state and federal initiatives for carceral reform. Alexander’s work has done much to bring these issues to light.

    Professor Fannie Bialek will ask Alexander about the state of legal and social movements for carceral reform and prison abolition and their invigoration of religious activism for social change. There will also be time for audience Q&A and a reception immediately following in nearby Umrath Lounge.

    We hope you will join us in person or online for this Danforth Distinguished Lecture. Graham Chapel is open seating and doors will open at 6:00 p.m.

    Free and open to all.

    More info
    Annual Stanley Spector Memorial Lecture: Inglorious, Illegal Bastards: Japan’s Self-Defense Force During the Cold War

    Annual Stanley Spector Memorial Lecture: Inglorious, Illegal Bastards: Japan’s Self-Defense Force During the Cold War

    Aaron Skabelund, associate professor of history, Brigham Young University

    In Inglorious, Illegal Bastards, Aaron Skabelund examines how the Self-Defense Force (SDF)—the post–World War II Japanese military—and specifically the Ground Self-Defense Force (GSDF), struggled for legitimacy in a society at best indifferent to them and often hostile to their very existence.
    From the early iterations of the GSDF as the Police Reserve Force and the National Safety Force, through its establishment as the largest and most visible branch of the armed forces, the GSDF deployed an array of public outreach and public service initiatives, including off-base and on-base events, civil engineering projects, and natural disaster relief operations. Internally, the GSDF focused on indoctrination of its personnel to fashion a reconfigured patriotism and esprit de corps. These efforts to gain legitimacy achieved some success and influenced the public over time, but they did not just change society. They also transformed the force itself, as it assumed new priorities and traditions and contributed to the making of a Cold War defense identity, which came to be shared by wider society in Japan. As Inglorious, Illegal Bastards demonstrates, this identity endures today, several decades after the end of the Cold War.

    Reception to follow.

    Aaron Skabelund is Associate Professor of History at Brigham Young University. He is the author of Empire of Dogs: Canines, Japan, and the Making of the Modern Imperial World (Cornell UP, 2011), and “‘Bite, Bite against the Iron Cage’: The Ambivalent Dreamscape of Zoos in Colonial Seoul and Taipei,” Journal of Asian Studies (May 2020), co-authored with Joseph Seeley of the University of Virginia.

    2023 Helen Clanton Morrin Biennial Lecture: David Henry Hwang

    2023 Helen Clanton Morrin Biennial Lecture: David Henry Hwang

    Through the Helen Clanton Morrin Lecture series we continue to teach our students that theatre does not simply entertain, but in fact emboldens us to make change.

    David Henry Hwang’s stage work includes the plays M. Butterfly, Chinglish, Yellow Face, Golden Child, The Dance and the Railroad, and FOB, as well as the Broadway musicals Aida, Flower Drum Song (2002 revival) and Disney’s Tarzan. His screenplays include M. Butterfly and he is currently penning the live-action feature musical remake of Disney’s The Hunchback of Notre Dame as well as an Anna May Wong biopic to star actress Gemma Chan. For television, he was a Writer/Consulting Producer for the Golden Globe-winning television series The Affair and is now creating two television series, Billion Dollar Whale for Westward/SKG and another for Netflix. Called America’s most-produced living opera librettist, he has written thirteen libretti, including five with composer Philip Glass. He also co-wrote the Gold Record “Solo” with the late pop music icon Prince.

    Hwang is a Tony Award winner and three-time nominee, a three-time OBIE Award winner, a Grammy Award winner who has been twice nominated, and a three-time Finalist for the Pulitzer Prize in Drama. A professor at Columbia University School of the Arts, Hwang is a Trustee of the American Theatre Wing, where he served as Chair, and sits on the Council of the Dramatist Guild. Recent honors include his 2022 induction onto the Lucille Lortel Playwrights’ Sidewalk and his 2021 induction into the American Academy of Arts and Sciences. His newest musical, Soft Power, a collaboration with composer Jeanine Tesori, opened in New York at the Public Theatre, where it received a 2020 Grammy nomination for Best Musical Theatre Album and was a Finalist for the 2020 Pulitzer Prize in Drama.

     In 2016, The David Henry Hwang Society was founded by William C. Boles (Rollins College), Martha Johnson (University of Minnesota), and Esther Kim Lee (University of Maryland). The DHH Society is devoted to the scholarly examination of plays by David Henry Hwang.

    Photo Credit: Actors (L-R) B. D. Wong and John Lithgow in a scene from the Broadway production of the play, "M. Butterfly." -Copyright held or managed by the New York Public Library

    About the Helen Clanton Morrin Lecture Series

    Helen Clanton Morrin, was a former writer, editor, public relations director and community service volunteer in St. Louis. From 1969 to 1988, Mrs. Morrin was executive director of the World Affairs Council in St. Louis. In that capacity, she was responsible for planning and directing programs, volunteer recruitment, membership, and travel. From 1934 to 1941, she was a feature writer and editor to the Globe-Democrat. After that, she was public information director for the Post-Dispatch. Some of her high-profile interviews included Eleanor Roosevelt, Betty Davis, Helen Hayes, Gen. James Doolittle, and the Dalai Lama. She also did public relations work with Fleishman-Hillard Inc., St. Louis Children’s Hospital, the Missouri Botanical Garden, and several others. She was a past president of the Junior League of St. Louis and served on numerous boards including Mary Institute, John Burroughs School, St. Louis Children’s Hospital, and the St. Louis Nanjing Sister committee.

    Click here for more information about the Helen Calnton Morrin Lecture Series

    Americanist Dinner Forum: Introducing 

    Americanist Dinner Forum: Introducing  "Left in the Midwest:  St. Louis Progressive Activism in the 1960s and 1970s"

    The American Culture Studies Program invites you to a Zoom webinar panel discussion featuring three contributors to Left in the Midwest. Dr. Keona K. Ervin will present her research on the St. Louis chapter of the National Alliance Against Racist and Political Repression, Dr. Mary Maxfield on lesbian organizing in 1970s St. Louis, and Dr. Ezelle Sanford III on African American grassroots activism and the decline of municipal public healthcare. A moderated Q&A will follow.

    All registrants will receive an exclusive promotional code to purchase Left in the Midwest from the publisher at a 35% discount.

    This event is sponsored by the American Culture Studies Program and organized by Elizabeth Eikmann, a Postdoctoral Fellow in the Study of St. Louis and the American Story.

    The event is free and open to the public. To obtain the webinar link, please click the RSVP button below.

    About Left in the Midwest

    Despite St. Louis’s mid-twentieth-century reputation as a conservative and sleepy midwestern metropolis, the city and its surrounding region have long played host to dynamic forms of social-movement organizing. This was especially the case during the 1960s and 1970s, when a new generation of local activists lent their energies to the ongoing struggles for Black freedom, lesbian and gay liberation, feminist social transformations, environmental protection, an end to the Vietnam War, and more. This volume, the first of its kind, offers fifteen scholarly contributions that together bring into focus the exceptional range of progressive activist projects that took shape in a single midwestern city during these tumultuous decades. 

    In contrast to scholarship that seeks to interpret the era’s social-movement initiatives in a primarily national context, the works presented in this expansive collection emphasize the importance of locality, neighborhood, community institutions, and rooted social networks. Documenting wrenching forces of metropolitan change as well as grassroots resilience,  Left in the Midwest shows us how place  powerfully shaped agendas, worldviews, and opportunities for the disparate groups that dedicated themselves to progressive visions for their city. By revising our sense of the region’s past, this volume also expands our sense of the possibilities that the future may hold for activist movements seeking change in St. Louis and beyond. 

    Keona K. Ervin, a native of St. Louis, is Associate Professor and Director of Gender, Sexuality, and Women’s Studies at Bowdoin College. Ervin is the author of the award-winning Gateway to Equality: Black Women and the Struggle for Economic Justice in St. Louis (2017). A recipient of the Career Enhancement Fellowship from the Institute for Citizens and Scholars, she has published articles and reviews in International Labor and Working-Class History, the Journal of Civil and Human Rights, Souls: A Critical Journal of Black Politics, Culture and Society, New Labor Forum, and the Los Angeles Review of Books

    Mary Maxfield is a Postdoctoral Fellow in Women’s and Gender Studies at Saint Louis University (SLU), focusing on lesbian/queer community formation, technology, and space. Mary holds a PhD in American Studies from SLU, an MA in American Culture Studies from Bowling Green State University, and a BA in Creative Social Change from Fontbonne University. Previously, Mary’s academic work has been featured in Feminist Media Studies and Frontiers: A Journal of Women Studies. A 2021 Lambda Literary Emerging Writers Fellow, Mary has a strong commitment to bridging academic and creative work, as well as to forging and sustaining queer networks. 

    Ezelle Sanford III is an Assistant Professor at Carnegie Mellon University where he teaches courses in the history of American medicine and public health as well as African American history. Dr. Sanford  is currently working on a book manuscript titled, Segregated Medicine: How Racial Politics Shaped American Healthcare  which is under contract with Columbia University Press.  Segregated Medicine utilizes the important case of St. Louis’s Homer G. Phillips Hospital, the largest Black-serving U.S. general hospital in the mid-twentieth century, to trace how the logic and legacy of racial segregation established enduring structures of health inequity. Dr. Sanford's scholarship uses historical perspectives and analysis to inform his advocacy for an equitable future in American healthcare. An alumnus of Washington University in St. Louis where he was a John B. Erin scholar, and Princeton University where he completed his doctoral studies, Dr. Sanford previously served as a Postdoctoral Fellow in the Program on Race, Science, and Society at the University of Pennsylvania. His scholarship has been supported by the Ford Foundation, The Center for Afromerican Urban Studies and the Economy, and Johns Hopkins University among other  institutions. His scholarship has appeared in both academic and popular outlets including National Geographic, the American Journal of Public Health, Black Perspectives, Informal History, and the Journal of the National Medical Association

    RSVP

    "On the Aesthetics of Black Inexpression"

    Tina Post, Assistant Professor, Department of English, The University of Chicago

    RDE Faculty Retreat Spring 2023: Community engagement

    Featuring Davarian Baldwin, the Paul E. Raether Distinguished Professor of American Studies at Trinity College, founding director of the Smart Cities Lab, and author of “In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities.”

    RDE’s 2023 workshop is for Washington University humanities scholars who seek to incorporate community engagement in their teaching, research and service.

    Sessions will:

    • emphasize the ethics and process of community engagement and guide participants through designing a mutually beneficial and reciprocal project or course;  
    • introduce local experts, on-campus resources and fruitful models of engaged humanities projects; and
    • feature frank conversations with community members about the power dynamics and practical aspects of community engaged projects.

    Participants will leave the workshop with a working knowledge of best practices for community engagement as well as a draft sketch for a community engaged project of their own design.

    Click on the button below for details and registration. Please register by February 1, 2023.
     

    More info

    Funding Information Lunches for Humanities Faculty

    Have lunch with us (our treat) as we learn about the available resources for pursuing external funding in the Office of Foundation Relations, Office of Research Development and Arts & Sciences!

    Due to weather conditions, this meeting has been moved online. Registrants should check their email for a Zoom link.

    Registration for the January 25 lunch is now closed. Please register for the February 1 lunch if you would like to attend.

    The Center for the Humanities aims to support humanities faculty in applying for external grants to support their research and teaching in addition to the center’s internal funding opportunities. Join us this semester for meet-and-greets with staff from the Office of Foundation Relations, Office of Research Development and Center for Humanities. Over lunch, staff will share resources and opportunities for humanities faculty to secure external funding — and field questions from humanities faculty about specific opportunities as well as the broader humanities funding landscape. We welcome you to register for either event (or both).

    In attendance

    • Nora Kelleher, Foundation Relations
    • Anne Stengle, Foundation Relations
    • Trisha Sutton, Arts & Sciences and Center for the Humanities
    • Catherine Determan, Office of Research Development
    • Nicole Moore, Office of Research Development

    Lunch dates (lunch is provided)

    • Wednesday, January 25, 11:30 am–12:30 pm, ZOOM ONLY, please contact Alicia Dean for additional details (aliciad@wustl.edu)
    • Wednesday, February 1, 11:30 am–12:30 pm, Danforth University Center, Room 234 (RSVP here)

    Contact Laura Perry, assistant director for research and public engagement, with any questions. 

    Legacies of (De)segregated Medicine: Exhibit Opening and Lecture with Dr. Ezelle Sanford, III

    Legacies of (De)segregated Medicine: Exhibit Opening and Lecture with Dr. Ezelle Sanford, III

    Bernard Becker Medical Library, in collaboration with the Center for History of Medicine at Washington University School of Medicine, presents this lecture series on the history of medicine. Lectures are free and open to the public. After Dr. Sanford's lecture, join us in Glaser Gallery for a reception to celebrate the opening of our latest exhibit, "In Their Own Words: Stories of Desegregation at Washington University Medical Center."

    Funding Information Lunches for Humanities Faculty

    Have lunch with us (our treat) as we learn about the available resources for pursuing external funding in the Office of Foundation Relations, Office of Research Development and Arts & Sciences!

    The Center for the Humanities aims to support humanities faculty in applying for external grants to support their research and teaching in addition to the center’s internal funding opportunities. Join us this semester for meet-and-greets with staff from the Office of Foundation Relations, Office of Research Development and Center for Humanities. Over lunch, staff will share resources and opportunities for humanities faculty to secure external funding — and field questions from humanities faculty about specific opportunities as well as the broader humanities funding landscape. We welcome you to register for either event (or both).

    In attendance

    • Nora Kelleher, Foundation Relations
    • Anne Stengle, Foundation Relations
    • Trisha Sutton, Arts & Sciences and Center for the Humanities
    • Catherine Determan, Office of Research Development
    • Nicole Moore, Office of Research Development

    Lunch dates (lunch is provided)

    • Wednesday, January 25, 11:30 am–12:30 pm, Danforth University Center, Room 248  (registration is now closed for January 25)
    • Wednesday, February 1, 11:30 am–12:30 pm, Danforth University Center, Room 234 (registration is now closed for February 1)

    Contact Laura Perry, assistant director for research and public engagement, with any questions. 

    ‘The Rule of Four’ by Ian Caldwell & Dustin Thomason

    At this book club, we will discuss The Rule of Four by Ian Caldwell and Dustin Thomason. On the eve of graduation, two friends are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili, a Renaissance text that has baffled scholars for centuries. But when a longtime student of the book is murdered just hours later, a chilling cycle of deaths and revelations begins.

    The book club will begin with a presentation on the Hypnerotomachia Poliphili, the real-life book that inspired The Rule of Four, followed by a discussion of the novel.

    More info

    Returning Home: Repatriation of Jewish Books Confiscated During WWII

    HUMANITIES BROADCAST – Conversation on Jewish books in the context of World War II with Hillel Kieval (JIMES), Anika Walke (History) and Erin McGlothlin (GLL)

    In 2021, the Library of the Jewish Museum in Prague contacted Washington University Libraries to learn more about books in the Brisman Collection of Jewish Studies bearing the book stamp of the Library of the Jewish Religious Community in Prague. Both institutions worked together to prove that the books had been confiscated by the Nazis during World War II and to repatriate these stolen items to their rightful home.

    From 4-5:30 pm, Hillel Kieval, Anika Walke, and Cassie Brand will give short presentations discussing Jewish books in the context of World War II and the process of repatriation, followed by a conversation moderated by Erin McGlothlin. A reception will follow the discussion.

    More info

    Jan Wagner Reading & Discussion

    In this virtual reading and discussion, Max Kade Visiting Writer Jan Wagner will present his work in English translation. Wagner is a German poet, essayist, and translator. His collections of poems include Guerickes Sperling, Achtzehn Pasteten, Australien, and Regentonnenvariationen, for which he was awarded the Prize of the Leipzig Bookfair. The Art of Topiary is the most recent translation of Wagner’s work into English.

    The editor of two influential anthologies of German language poetry, including, with the poet Björn Kuhligk, Poetry of the Now: 74 Voices, Wagner is also the German translator of several British and American poets, including James Tate, Matthew Sweeney, and Charles Simic. He is the recipient of the Mondsee Poetry Award, the Anna Seghers Award, the Ernst Meister Award for Poetry, the Mörike Preis, and the first Arno Reinfrank Award. In 2017, he was awarded the Georg Büchner Prize. He lives in Berlin.

    More info
    MFA Readings

    MFA Readings

    Join us on April 27th, at 8:00 PM in the Hurst Lounge, where second-year MFA students will read from their own works of fiction, nonfiction, and poetry.

    Visiting Writer: André Naffis-Sahely

    Visiting Writer: André Naffis-Sahely

    André Naffis-Sahely is the author of two collections of poetry, The Promised Land: Poems from Itinerant Life and High Desert, as well as the editor of The Heart of a Stranger: An Anthology of Exile Literature. He will be giving a talk on Zoom on April 13th at 8:00 PM.

    Visiting Writer André Naffis-Sahely is the author of two collections of poetry, The Promised Land: Poems from Itinerant Life and High Desert, as well as the editor of The Heart of a Stranger: An Anthology of Exile Literature. He is a Lecturer at the University of California, Davis in the US and the editor of Poetry London in the UK.

    To join the Zoom call, on Thursday, April 13th at 8:00pm (Central), please click the link below:

    https://wustl.zoom.us/j/94354728188?pwd=MGoxWHhtVnlFeXZFWVJnakZBMDBNQT09

    Meeting ID: 943 5472 8188

    Passcode: 061635

    Visiting Hurst Professor: Leslie Jamison, Reading

    Visiting Hurst Professor: Leslie Jamison, Reading

    Leslie Jamison is the New York Times bestselling author of four books: The Empathy Exams, The Recovering: Intoxication and Its Aftermath, Make it Scream, Make it Burn, and a novel, The Gin Closet. She will be conducting a Reading in the Hurst Lounge on April 6th at 8:00 PM.

    Get your copy of any of Leslie's Books (and support local!) using the link here.

    Professor Leslie Jamison is the New York Times bestselling author of four books: The Empathy Exams, The Recovering: Intoxication and Its Aftermath, Make it Scream, Make it Burn, and a novel, The Gin Closet. She is a contributing writer for the New York Times Magazine and was the guest editor for the 2017 edition of Best American Essays. A finalist for a National Magazine Award, her work has appeared in numerous publications including The New Yorker, The Paris Review, and The New York Review of Books. She is a professor at Columbia University and lives in Brooklyn with her family. 

     

    Visiting Hurst Professor: Leslie Jamison, Craft Talk

    Visiting Hurst Professor: Leslie Jamison, Craft Talk

    Leslie Jamison is the New York Times bestselling author of four books: The Empathy Exams, The Recovering: Intoxication and Its Aftermath, Make it Scream, Make it Burn, and a novel, The Gin Closet. She will be conducting a Craft Talk in the Hurst Lounge on April 4th at 8:00 PM.

    Get your copy of any of Leslie's Books (and support local!) using the link here.

    Professor Leslie Jamison is the New York Times bestselling author of four books: The Empathy Exams, The Recovering: Intoxication and Its Aftermath, Make it Scream, Make it Burn, and a novel, The Gin Closet. She is a contributing writer for the New York Times Magazine and was the guest editor for the 2017 edition of Best American Essays. A finalist for a National Magazine Award, her work has appeared in numerous publications including The New Yorker, The Paris Review, and The New York Review of Books. She is a professor at Columbia University and lives in Brooklyn with her family. 

     

    Visiting Hurst Professor: Renee Gladman, Reading

    Visiting Hurst Professor: Renee Gladman, Reading

    Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. She will be giving a Reading in the Hurst Lounge on March 30th at 8:00 PM.

    Get your copy of any of Renee's Books (and support local!) using the link here.

    Professor Renee Gladman is the author of fourteen published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians, as well as three collections of drawings, Prose Architectures (2017) One Long Black Sentence, a series of white-ink drawings on black paper, indexed by Fred Moten (2020) and Plans for Sentences, an image/text-based meditation on black futurity and other choreographies of gathering (2022). Recent essays and visual work have appeared in POETRY, The Paris Review, Granta, Harper's, BOMB magazine, e-flux and n+1. She has been awarded fellowships, artist grants, and residencies from the Harvard Radcliffe Institute, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), among others, and is the recipient of a 2021 Windham-Campbell prize in fiction.

    For more information, visit reneegladman.com.

    Visiting Hurst Professor: Renee Gladman, Craft Talk

    Visiting Hurst Professor: Renee Gladman, Craft Talk

    Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. She will be conducting a Craft Talk in the Hurst Lounge on March 28th at 8:00 PM.

    Get your copy of any of Renee's Books (and support local!) using the link here.

    Professor Renee Gladman is the author of fourteen published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians, as well as three collections of drawings, Prose Architectures (2017) One Long Black Sentence, a series of white-ink drawings on black paper, indexed by Fred Moten (2020) and Plans for Sentences, an image/text-based meditation on black futurity and other choreographies of gathering (2022). Recent essays and visual work have appeared in POETRY, The Paris Review, Granta, Harper's, BOMB magazine, e-flux and n+1. She has been awarded fellowships, artist grants, and residencies from the Harvard Radcliffe Institute, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), among others, and is the recipient of a 2021 Windham-Campbell prize in fiction.

    For more information, visit reneegladman.com.

    Visiting Writer: Kate Bernheimer

    Visiting Writer: Kate Bernheimer

    Kate Bernheimer’s most recent book is Office at Night, a novella co-authored with Laird Hunt. She will be joining us in the Hurst Lounge on February 9th at 8:00 PM.

    Get your copy of any of Kate's Books (and support local!) using the link here.

    Kate Bernheimer’s most recent book is Office at Night, a novella co-authored with Laird Hunt (Finalist, Shirley Jackson Awards). It was published by Coffee House Press and co-commissioned by The Walker Art Center. She also is the author of two story collections, How a Mother Weaned Her Girl from Fairy Tales (illustrated by Catherine Eyde) and Horse, Flower, Bird (illustrated by Rikki Ducornet) both published by Coffee House Press. Her novels — The Complete Tales of Ketzia Gold, The Complete Tales of Merry Gold, and The Complete Tales of Lucy Gold (sometimes referred to as “the Gold family trilogy) were published between 2001 and 2008 by Fiction Collective 2. Maria Tatar (Chair, Program in Folklore & Mythology, Harvard University) writes, “A master of minimalist style, Kate Bernheimer taps into the poetry of fairy tales to reveal the dread that seeps into ordinary things as well as the redemptive power of language and story.”

    Bernheimer has also edited four anthologies, including the bestselling and World Fantasy Award winning My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales and the World Fantasy Award nominated xo Orpheus: Fifty New Myths, both published by Penguin Random House. My Mother She Killed Me has been translated into Russian and Chinese. Kate Bernheimer also writes fairy-tale criticism, with work appearing such places as The Los Angeles Times, Marvels & Tales: The Journal of Fairy-Tale Studies, The New Yorker, The New York Times Book Review, and NPR's "All Things Considered." Writing for the New York Times, bestselling author Benjamin Percy said of her work, "Anyone attracted to fairy tales and fables should check out the stories and criticism of Kate Bernheimer."

    Her fabulist children's books (The Girl in the Castle inside the Museum with illustrations by Nicoletta Ceccoli, The Lonely Book with illustrations by Chris Sheban, and The Girl Who Wouldn't Brush Her Hair with illustrations by Jake Parker) are all published by Penguin Random House/Schwartz & Wade Books and have been nominated for many awards. They have been translated into Korean, Japanese, Spanish, Catalan, French, Italian, Romanian, and Hebrew. Bernheimer lectures internationally about fairy tales as an art form; representative venues include The Museum of Modern Art in NY, NY, The Blanton Museum in Austin, TX, Harvard University in Cambridge, MA, Brooklyn Bridge Park in Brooklyn, NY, and Brown University in Providence, RI. In 2005 she founded, and currently continues to edit, the annual journal Fairy Tale Review (Wayne State University Press), the country's only literary journal dedicated to fairy-tale writing in English and in translation to English.

    Bernheimer’s work as an author, critic, and professor explores the intersections of contemporary fairy tales with multiple disciplines. To this end she frequently collaborates with her brother, Andrew Bernheimer (Principal of Bernheimer Architecture and Director of Architecture/Parsons The New School of Design), on new fiction, architectural competitions, and for an ongoing “Fairy-Tale Architecture” series for Places, an international, interdisciplinary magazine dedicated to scholarship on architecture, landscape, and urbanism. In this series, diverse architects, designers, and structural engineers from around the world have selected favorite tales and produced works exploring the intimate relationship between the domestic structures of fairy tales and the imaginative realm of architecture.

    Middle East / North Africa Film Series - Session Three

    Middle East / North Africa Film Series - Session Three

    The Spring 2023 MENA film series features "In Between" (February 13), "The Unorthodox" (March 2), and "The Syrian Bride" (April 19 - Iftar to follow) Facilitated by Drs. Ayala Hendin and Younasse Tarbouni

    Join us for the final session of the Spring 2023 Middle East and North Africa (MENA) Film Series.

    The Syrian Bride (2004 / 97 min.) - Directed by Eran Riklis

    In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the Revolution Studios in Damascus, Syria. They have never met each other because of the occupation of the area by Israel since 1967; when Mona moves to Syria, she will lose her undefined nationality and will never be allowed to return home. Mona's father Hammed is a political activist pro-Syria that is on probation by the Israeli government. His older son Hatten married a Russian woman eight years ago and was banished from Majdal Shams by the religious leaders and his father. His brother Marwan is a wolf trader that lives in Italy. His sister Amal has two teenager daughters and has the intention to join the university, but her marriage with Amin is in crisis. When the family gathers for Mona's wedding, an insane bureaucracy jeopardizes the ceremony.

    The viewing will be facilitated by Drs. Ayala Hendin and Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department.

    In recognition of Ramadan, Iftar will be provided after the screening.

    Middle East / North Africa Film Series - Session Two

    Middle East / North Africa Film Series - Session Two

    The Spring 2023 MENA film series features "In Between" (February 13), "The Unorthodox" (March 2), and "The Syrian Bride" (April 19 - Iftar to follow) Facilitated by Drs. Ayala Hendin and Younasse Tarbouni

    Join us for the second session of the Spring 2023 Middle East and North Africa (MENA) Film Series.

    The Unorthodox (2018 / 92 min.) - Directed by Eliran Malka

    The year is 1983 and Yaakov Cohen, the owner of a Jerusalem printing press, is tired from being pushed around. It seems that he was born on the wrong side, with the wrong family name and in a moment's decision he decides to establish a Sephardic-ultra-Orthodox list that will run to the Jerusalem municipality. He gathers two friends, and together they improvise a campaign - no means, no connections, no money, but with much rage, passion and a sense of justice.

    The viewing will be facilitated by Drs. Ayala Hendin and Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department

    Middle East / North Africa Film Series - Session One

    Middle East / North Africa Film Series - Session One

    The Spring 2023 MENA film series features "In Between" (February 13), "The Unorthodox" (March 2), and "The Syrian Bride" (April 19 - Iftar to follow) Facilitated by Drs. Ayala Hendin and Younasse Tarbouni

    Join us for the first session of the Spring 2023 Middle East and North Africa (MENA) Film Series.

    In Between (2016 / 103 min.) - Directed by Maysaloun Hamoud

    Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.

    The viewing will be facilitated by Drs. Ayala Hendin and Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department

    WU Cinema Presents: Groundhog Day

    WU Cinema Presents: Groundhog Day

    Do you know what today is?

    This Groundhog Day, join us in Brown 100 for a screening of the classic 1993 comedy on 35mm! To celebrate the occasion, we'll be doing a Groundhog Day-themed Kahoot, and the winner will take home a special prize. The Kahoot begins promptly at 8pm with the screening immediately following.

    Director: Harold Ramis
    Runtime: 101 mins
    1993
    Format: 35MM

    Bill Murray is at his wry, wisecracking best in this riotous romantic comedy about a weatherman caught in a personal time warp on the worst day of his life. Teamed with a relentlessly cheerful producer (Andie MacDowell) and a smart-aleck cameraman (Chris Elliott), TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney, Pennsylvania, to cover the annual Groundhog Day festivities. But on his way out of town, Phil is caught in a giant blizzard, which he failed to predict, and finds himself stuck in small-town hell. Just when things couldn’t get any worse, they do. Phil wakes the next morning to find it’s Groundhog Day all over again… and again… and again.


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    WU Cinema Presents: Ratatouille

    WU Cinema Presents: Ratatouille

    Co-presented with SPOON, washu’s online publication about all things food!

    Director: Brad Bird
    Runtime: 111 mins
    2007
    Format: 35MM

    SPOON Catered Event Treats for sale:

    Madeleines – $1
    Vegan Cookies – $1

    Doors open at 7:30pm

    This delicious tale of a rat who cooks is pure joy, a grand achievement — one of the most beautiful animated pictures ever made. Stephanie Zacharek – Salon.com

    A Pixar animation, released by Walt Disney Pictures. Remy dreams of becoming a great chef, despite being a rat in a rodent-phobic profession. He moves to Paris to follow his dream, and with the help of hapless garbage boy Linguini he puts his culinary skills to the test in the kitchen, but he must stay in hiding at the same time, with hilarious consequences. Remy eventually gets the chance to prove his culinary abilities to a great food critic but is the food good?


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    “The Brain is a Box of Surprises”: Habilitating Bodyminds and Caring for Potential After Zika in Bahia, Brazil

    “The Brain is a Box of Surprises”: Habilitating Bodyminds and Caring for Potential After Zika in Bahia, Brazil

    Eliza Williamson, Lecturer, Latin American Studies, Washington University in St. Louis

    This talk traces how Brazilian mothers raising children diagnosed with congenital Zika syndrome mobilize diverse therapeutic technologies to cultivate the optimal development of their children’s bodyminds—what I call habilitative care. Drawing on several years of ethnographic engagement with Afro-Brazilian families affected by the 2015-16 Zika virus epidemic in Bahia, Brazil, I show how discourses of plasticity and potential animate investments in habilitative care. I argue that mothers’ care practices enact disabled children’s potential, insisting that they are worthy of therapeutic investment. Through habilitative care, mothers contest dominant narratives that cast their children, and Black and disabled children generally, as disposable and future-less.

    Chronicles of War Biology East of the Mediterranean

    Chronicles of War Biology East of the Mediterranean

    Omar Dewachi, Associate Professor, SAS, Medical Anthropology, Rutgers University

    As the 20th anniversary of the Iraq war approaches, America seems to have moved on as the War on Terror becomes relegated to the past. I pose a question: how should we reckon with the afterlife of empire? As part of a book manuscript, in this talk, I build on close to two decades of ethnographic research on war injury and medical and public health practice in the Middle East to explore what I call “war biology”– how the wounding of war is registered in human and non-human life. The legacies of war linger, from the collapse and reconfiguration of healthcare infrastructures to the movement of refugees and patients across the region, to the rise of environmental toxicity and superbugs. Focusing on the uneasy nexus of militarism, environment, and the body, I propose “war biology” as a window into the aftermath of violence and the precarious futures of our planetary and global health.

    Conversation and Cocktails with J'Nai Bridges

    Conversation and Cocktails with J'Nai Bridges

    An evening of conversation and cocktails with opera star and Great Artists Series performer J’Nai Bridges alongside OTSL’s New Works Collective featured artist, soprano Melissa Joseph, with host, Sarah Price from Washington University. Learn more their musical inspirations, what it is like being a star of the opera world, and the power of the artist as activist.

    Biographies:

    J’Nai Bridges, mezzo-soprano
    Two-time Grammy® Award-winning American mezzo-soprano J’Nai Bridges, known for her “plush-voiced mezzo-soprano” (The New York Times) and “calmly commanding stage presence” (The New Yorker) has been heralded as “a rising star” (Los Angeles Times), gracing the world’s top opera and concert stages.

    Bridges is a leading figure in classical music’s shift toward conversations of inclusion and racial justice. The 2021/22 season alone saw Bridges’ ascent into the sphere of new music, taking on several world-premieres but continuing to explore the traditional roles. She is one of Kennedy Center’s NEXT 50 leaders of cultural diversity.

    Bridges’ career highlights include receiving the Richard Tucker Career Grant and Sphinx Medal of Excellence, and she is a Marian Anderson award winner. Bridges was invited to perform at the National Library of Congress to honor legendary fashion designer Diane von Furstenburg as a recipient of the 2022 Justice Ruth Bader Ginsburg Woman of Leadership Award. She made her highly anticipated Metropolitan Opera debut in Phillip Glass’ Akhnaten, the CD of which went on to win a 2022 Grammy® for Best Opera Recording. Bridges has also performed all over Europe and North America. 


    Melissa Joseph, soprano

    Haitian-American soprano Melissa Joseph was a Gerdine Young Artist with Opera Theatre of Saint Louis (OTSL) in 2022 and appeared as Lily in Awakenings.  She returns to OTSL in March 2023 in the world premiere of the New Works Collective and will make her debut as Musetta in La bohème at Opera Philadelphia this spring. Ms. Joseph was the Encouragement Award Winner in the 2021 Eastern Region Metropolitan Opera National Council Auditions and has appeared with White Snakes Projects, Mass Opera, and the New England Conservatory Summer Opera Workshop.

     


     

    Sarah Price, soprano

    Soprano, Sarah Price is a powerful lyrical interpreter of opera, concert works, and the cabaret stage. Winner of the St. Louis Metropolitan Opera Auditions and the St. Louis Artist Presentation Society Competition, Ms. Price has performed operatic and concert repertoire throughout the U.S., Italy, Austria, and Germany. In addition to her operatic work, Ms. Price is a section leader in the St. Louis Symphony Chorus. She has also been a member of and frequent soloist with the St. Louis Chamber Chorus and can be heard on several solo tracks on their CD American Declarations, recorded by Regent Records. On the cabaret stage, Ms. Price has performed shows at the Kranzberg Art Center, The Bistro, and The Sheldon Concert Hall, produced by St. Louis Cabaret. In demand as an educator as well as a performer, she serves on the voice faculty of Washington University in St. Louis and maintains an active voice studio in St. Peters.


    Co-sponsored by:


    Center for the Study of Race, Ethnicity & Equity

    Additional financial assistance for this project has been provided by the The Missouri Arts Council and the Robert H. Orchard Fund

     

     

    Department of Music Lecture: Christopher Douthitt

    Department of Music Lecture: Christopher Douthitt

    “Near-Songs, Audio Spaces, and the Exploded Lyric”

    Christopher Douthitt, Lecturer in Electronic Music, Washington University in St. Louis

    Title:
    Near-Songs, Audio Spaces, and the Exploded Lyric

    Abstract:
    Christopher Douthitt will discuss his recent compositions and scholarly projects, which explore the connections between audio manipulations, songlike expression, and the spatial perception of sound.
     
    Biography:
    Christopher Douthitt is a composer, performer, and researcher from Spokane, Washington. His creative work engages language, technology, and collaboration, usually in mixed electroacoustic ensembles. His research focuses on the design of new digital instruments and on the construction of space in audio recordings. He is Lecturer in Electronic Music at Washington University in St Louis.
     

    Department of Music Lecture: Molly Herron

    Department of Music Lecture: Molly Herron

    “Through Lines: Working with Old and New”

    Molly Herron, Associate Professor of Composition and Theory, Vanderbilt University

    Abstract:
    Molly Herron discusses the process of making her album “Through Lines: New Music for Viola da Gamba Consort” and her collaboration with the ensemble Science Ficta. With the album’s seven original works (and four interludes) Herron achieves a modern sound informed by baroque music. She discusses the micro and macro concerns of composing both personally and in conversation with tradition. 
     
    Biography:
    Composer Molly Herron “thinks deeply about motion, energy, and the physics of sound” (NPR). Whether writing for baroque strings, flower pots, or newly designed instruments, her work achieves “a wonderful consideration of counterpoint and sound in time” (Seen and Heard International). Herron’s work has been featured on the Bang on a Can Marathon, MATA festival, American Composers Orchestra’s SONiC Festival, Fast Forward Austin, Berlin Film Festival, and Sundance Film Festival. She has written for Argus Quartet, Sō Percussion, Contemporaneous, and the String Orchestra of Brooklyn among many others. Her work has been supported by MATA, The New York Foundation for the Arts, The Brooklyn Arts Council, the Copland Fund, Avaloch Farm New Music, and Exploring the Metropolis.

    Herron received a Masters of Music degree from The Steinhardt School at New York University and a Ph.D from Princeton University. She is an Associate Professor of Composition and Theory at Vanderbilt University.

    Department of Music Lecture: Rami Toubia Stucky

    Department of Music Lecture: Rami Toubia Stucky

    “When Bossa Was Black: Brazilian Music in 60s America”

    Rami Toubia Stucky, Lecturer in Music, Washington University in St. Louis

    Abstract
    Ask your Amazon Alexa or Google Home to “play bossa nova.” You will hear the mellifluous sounds of white artists such as GRAMMY-winners Frank Sinatra, Antônio Carlos Jobim, Astrud Gilberto, and Stan Getz. Their recordings of bossa nova, a style of music developed in Brazil during the late 1950s, captivated American audiences during the 1960s and continue to impact us today. Data from Music ID shows that in 2019, the GRAMMY-award winning album from 1964, Getz/Gilberto, spent 90 weeks on Apple Music’s Daily Top Jazz Charts (likely because of the news coverage of João Gilberto’s passing that year). Listen to Spotify's official "bossa nova music" playlist. Go to your local Starbucks. Or a hotel lobby. Enter that hotel's elevator. Or get placed on hold with that hotel's customer service representative. Sinatra, Jobim, and other white artists feature prominently. The music that they made during the 1960s permeates modern airwaves. 

    Seemingly forgotten, though, are the various black artists that took part in this initial craze of the 1960s: the doo-wop groups, the soul singers, the hard bop musicians, the funk drummers. The Dells. Ernestine Anderson. Kenny Dorham. Bernard “Pretty” Purdie. These musicians often recorded alongside artists like Sinatra and Getz. But they also released their own albums full of soft and seductive bossa nova music. And they lead groups that performed raucous, bluesy, and funky renditions of bossa nova as well. Their music helped drive this initial interest in Brazilian music during the 1960s. Yet their stories have remained untold. The music they made is conspicuously absent from contemporary understandings of bossa nova – absent from the Spotify playlists, the Apple Music Jazz Charts, and the history books. This talk tells their stories. It reclaims their music. It tells the history of when bossa nova was black. 

    Bio
    Rami Toubia Stucky is a music scholar who specializes in twentieth century American music and culture. During the 2022-2023 year, he will work as a Lecturer in the Department of Music at Washington University, St. Louis. You can learn more about him, his music, and his research on his personal and professional website, http://songsmysisterlikes.com.

    Department of Music Lecture: Douglas W. Shadle

    Department of Music Lecture: Douglas W. Shadle

    “A New Deal for American Composers: Florence B. Price and the Federal Music Project”

    Douglas W. Shadle, Associate Professor, Musicology, Vanderbilt University
     
    Abstract:
     The mobilization of US government resources that led to the formation of the Federal Music Project, a division of the Works Progress Administration, in 1935 remains unrivaled in scope or ambition. Beyond supporting routine performances of orchestras, bands, and choirs of all shapes and sizes, the endeavor gave significant attention to education, research, and composition. Current biographical narratives of composer Florence B. Price (1887-1953) indicate that highly visible performances of her orchestral music in Chicago and Detroit book-ended the six-year period during which the WPA’s musical programs were in place. Yet, until now, we know very little about her musical activities during this broadly generative historical moment. Drawing from archival resources held at the Abraham Lincoln Presidential Library and Museum in Springfield, Illinois, and the Library of Congress, this presentation shows for the first time how Price’s engagement with the WPA reshaped her compositional endeavors until her sudden death in 1953.
     
    Biography:
    Douglas W. Shadle is an Associate Professor of Musicology at the Vanderbilt University Blair School of Music. He has published two books with Oxford University Press—Orchestrating the Nation (2016) and Antonín Dvořák’s New World Symphony (2021). He is currently co-authoring, with Samantha Ege (University of Southampton), a biography of Florence B. Price for the Oxford University Press Master Musicians Series.
     

    Faculty Showcase

    Faculty Showcase

     

    WashU performance faculty will perform various solo and chamber works.

    Program:

    Over the Rainbow (1939) Music by Harold Arlen (1905-1986), Arranged for marimba by Robert Oetomo
    Sebastian Buhts, marimba

    Five pieces for two violins and piano by Shostakovich (1906 - 1975)/arr. Levon Atovmyan
    Manuela Topalbegovic, violin, Hannah Frey, violin and Sunghee Hinners, piano

    "King David" from A Garland for de la Mare by Herbert Howells (1892 - 1983)
    Tai Oney, countertenor and Sandra Geary, piano

    Sonatina Bulgarica (1995) by Atanas Ourkouzounov (b.1970)
         Allegro ritmico
    Manuela Topalbegovic, violin, and W. Mark Akin, guitar

    Nyet, tolka tot, kto znal (None, but the lonely heart) Op. 6, No. 6 by Tchaikovsky (1840 – 1893)
    Benjamin Worley, bass-baritone and Sandra Geary, piano

    Between the Bars by Eliott Smith
    Alone Together (1932) Music by Arthur Schwartz (1900 - 1984) lyrics by Howard Dietz (1896 - 1983)
    Joel Vanderheyden, saxophone with Vince Varvel, guitar

    Cantata 51, Jauchzet Gott in Allen Landen by Johann Sebastian Bach 1685 - 1750
    Kelly Daniel-Decker, soprano, Todd Decker, piano, and Mary Weber, trumpet

    Suite for violoncello solo by Gaspar Cassadó
         1. Preludio-Fantasia 
    Jun Seo, cello

    Music for double bass, electronics, with video
    Florent Ghys, double bass

    Global Indian, Nubile Indian: Caste and Marriage in the Making of the Indian Diaspora

    Shefali Chandra, Associate Professor of History, Women, Gender and Sexuality Studies, and Asian American Studies, Washington University

    In the MLA tradition of approaching a theme from multiple perspectives, our speakers address bridges and divides locally, internationally, and even across species.

    Bridging Divides

    The current presidential administration began with a commitment to bridging political divides, even offering physical bridges in the form of an infrastructure bill to help meet that goal. Locally, the team at Health Equity Works has studied inequity created by geographical divide resulting from conscious choices to create a segregated city, and then explored recommendations and activities that dismantle regional divides.

    The MLA lecture series is co-sponsored by the Osher Lifelong Learning Institute.

    The series takes place every Saturday in February over Zoom.

    More info

    More Than Just Entertainment: The Politics of Branson’s Tourism Industry and Ethical Questions for Scholars

    Joanna Dee Das, Assistant Professor of Dance, Washington University

    In the MLA tradition of approaching a theme from multiple perspectives, our speakers address bridges and divides locally, internationally, and even across species.

    Bridges & Divides

    The current presidential administration began with a commitment to bridging political divides, even offering physical bridges in the form of an infrastructure bill to help meet that goal. Locally, the team at Health Equity Works has studied inequity created by geographical divide resulting from conscious choices to create a segregated city, and then explored recommendations and activities that dismantle regional divides.

    The MLA lecture series is co-sponsored by the Osher Lifelong Learning Institute.

    The series takes place every Saturday in February over Zoom.

    More info

    The Importance of Racial Socialization Messages in the Lives of African-American Youth

    Sheretta Butler-Barnes, Associate Professor, Brown School of Social Work, Washington University

    In the MLA tradition of approaching a theme from multiple perspectives, our speakers address bridges and divides locally, internationally, and even across species.

    Bridges & Divides

    The current presidential administration began with a commitment to bridging political divides, even offering physical bridges in the form of an infrastructure bill to help meet that goal. Locally, the team at Health Equity Works has studied inequity created by geographical divide resulting from conscious choices to create a segregated city, and then explored recommendations and activities that dismantle regional divides.

    The MLA lecture series is co-sponsored by the Osher Lifelong Learning Institute.

    The series takes place every Saturday in February over Zoom.

    More info

    From Darkness to Light: Examining Oppression and Liberation Through Poetry

    Erica Bumpers, managing director, Race and Opportunity Lab, Washington University in St. Louis

    The power and impact of poetry is on the rise, as a way for our nation to turn inward to understand our social, political, and economic inequities. Join Erica Bumpers as she explores the writings “Hanging Fire” by Audre Lord and “And Perhaps That Made Her Beautiful” by Morgan Harper Nichols, and their relevance to the lived experiences of today’s youth who face a society resistant to change.

    This presentation is part of the Brown School’s recognition of Black History Month.

    Register online to receive Zoom information on the morning of the event. You can also join us during the live stream.

    More info

    Super-intelligence, Frankenstein, and Post-humanism: AI Ethics Beyond Data and Algorithmic Bias

    Ruopeng An, associate professor, Brown School, Washington University

    Moving beyond the contemporary debates centering on data and algorithmic bias, join Ruopeng An as he discusses the philosophical and practical issues concerning AI ethics in the future.

    Do AI's have sentience or awareness, and if so, do we want/need to treat AI's as moral agents and offer them rights? How can we learn to coexist with AI (super)intelligence? Do we have a "third way” besides technological singularity (and resulting apocalypse) and trans-humanism (superhuman)?

    This presentation is part of the Brown School’s Artificial Intelligence in the Social Sciences Series.

    More info

    Gallery Talk: New on View in Photography

    Molly Moog, curatorial assistant, Kemper Art Museum

    Molly Moog, curatorial assistant at the Kemper Art Museum, discusses two newly opened photography installations. The first highlights travel photography taken primarily for American and European audiences by commercial studios in Italy, Japan, Egypt, and the Ottoman Empire in the late nineteenth and early twentieth centuries. The second examines the works of Martín Chambi and Edward Sheriff Curtis, who carried out influential photographic practices at different latitudes of the Americas in the early twentieth century. The juxtaposition of Chambi and Curtis’s images creates a context for dialogue about the photography of Indigenous communities under the conditions of settler colonialism and during rapid processes of modernization and urbanization in the Americas.

    More info

    Change Gon’ Come

    Black Anthology 2023

    Black Anthology aims to tell stories about the Black experience. Our hope is that viewers are immersed, become a part of that experience, and are motivated to learn more. This year’s play will bring to light the struggles African Americans face in their everyday lives and in neighborhoods. We get to see firsthand generations live through a seemingly similar cycle.

    There will be a preshow panel at 6:15 pm each night.

    More info

    Anti-oppressive and De-colonial Approaches to Community Engagement in St. Louis

    Durrell Smith, assistant professor, Brown School, Washington University

    Against a backdrop of de-colonial challenges, what should be the role of anti-oppressive community work practice? Join Durrell Smith, who has over a decade of experience actively combating institutionalized racism, as he identifies anti-oppressive and de-colonial approaches to community engagement. We will discuss guidance, lessons learned, and practical tips to build healthier communities in the St. Louis region.

    This presentation is part of the Brown School’s recognition of Black History Month.

    Register online to receive Zoom information on the morning of the event. You can also join us during the live stream.

    More info

    The Experience: Cathartic Writing, Collectivity, and Care Among Undocumented Mexican Immigrants

    Angela Garcia, Associate Professor, Department of Anthropology, Stanford University

    This talk draws from an ethnography of a little-known therapeutic community of undocumented Mexican immigrants living in the United States. The foundation of this community is a grueling three-day healing ritual called an experience (la experiencia). This talk describes one such experience that took place in the Northern California forest in 2019, focusing on its novel practice of cathartic writing. I argue that this writing practice is far more than a tool for self-care or self-expression; it is also a medium for collectivity and political critique, one that helps us examine the limits of the biomedical self. By writing a “self” that is never alone, the experience provides a mode of care and healing that enables immigrants to collectively weather and represent the myriad forms of violence that accompany undocumented life.

    Testimony as Transformation: Culturally- and Spiritually-Adapted Narrative Therapy among Cambodian Genocide Survivors

    Testimony as Transformation: Culturally- and Spiritually-Adapted Narrative Therapy among Cambodian Genocide Survivors

    Elena Lesley, Postdoctoral Research Fellow; Science, Technology, and International Affairs; Edmund A. Walsh School of Foreign Service; Georgetown University

    Lesley will be presenting her research about mental health treatment for survivors of the Khmer Rouge regime in Cambodia. From 1975-1979, the communist regime was responsible for the deaths of roughly two million people, or a quarter of the country’s population.
    Her project focused on Testimonial Therapy, which was introduced to the country in 2009 in the context of transitional justice efforts, and adapted by Cambodian NGO workers. Although the therapy at first seemed to conflict with local ethno-psychological and spiritual beliefs that encourage forgetting and emotional detachment from past trauma, Lesley found the therapy proved surprisingly effective in several respects. Drawing on Cambodian Buddhist concepts, therapy participants were able to create narratives that they believed “had usefulness” for current society and offered regenerative effects for both individual wellbeing and social networks.

    The Next Generation of Therapists: Migration, Belonging, and Mental Health Care in France

    The Next Generation of Therapists: Migration, Belonging, and Mental Health Care in France

    David Ansari, Bridge to the Faculty Scholar, Department of Medical Education, University of Illinois at Chicago

    In France, transcultural psychiatry is a leading approach in supporting the mental health needs of immigrant and minority patient populations. The goal of transcultural psychiatry is to provide access to language interpretation and recognize the socio-cultural dimensions of mental illness. Transcultural psychiatry is also an important training site for budding psychiatrists and psychologists who wish to support individuals whose mental health conditions have been exacerbated by displacement and discrimination. Crucial to this training is a structure of apprenticeship, where apprentice therapists develop clinical and caring skills under the guidance of supervising therapists. Drawing on ethnographic fieldwork in four mental health clinics for immigrants and their descendants in Paris, I examine the affective and embodied dimensions of becoming a transcultural therapist. I attend to the smoothness and friction between apprentice therapists, many of whom identify as second or third-generation descendants of immigrants, and their supervisors, many of whom came to France as immigrants. Apprentice therapists found it affirming to reflect on their own experiences and forms of belonging in therapy. They also identified how supervising therapists policed their speech and instrumentalized these forms of belonging. I argue that transcultural psychiatry, which is meant to be inclusive of ways of belonging that have been devalued in France, may inadvertently produce exclusion. My analysis reveals how the tensions between apprentice and supervising therapists parallel evolving conceptualizations of belonging—in terms of race and religion—in France.

    Subaltern Epistemologies of Health: Collaborative Ethnographies from Colombia

    Subaltern Epistemologies of Health: Collaborative Ethnographies from Colombia

    Cesar Abadia-Barrero, Associate Professor of Anthropology, University of Connecticut

    In the first part I will present the results of over 10-years of collaborative work conducted at the oldest child and maternity hospital in Colombia. Along with powerful photography, this works highlights how subaltern epistemologies of medical care were created, advanced, practiced and thought at the most important medical school in Colombia and how workers, university professors, and students experienced, confronted, and resisted the privatization of the country’s health care system. The second part deals with ongoing efforts to support initiatives that promote peace building and healing in Colombia’s southwest region of Caquetá. Importantly, this research considers the role of medicinal plants not only in supporting new community relationships between displaced farmers and indigenous communities, but also in strengthening ancestral knowledge and practices and inter-species forms of care that are fundamental for Colombia’s post-peace accord times.

     The New PhD: How to Build a Better Graduate Education

    The New PhD: How to Build a Better Graduate Education

    From February 6-8, the Office of Graduate Studies in Arts & Sciences will be hosting Leonard Cassuto, Professor of English at Fordham University, author of The New PhD: How to Build a Better Graduate Education, with Robert Weisbuch, The Graduate School Mess, and a regular writer for The Chronicle of Higher Education about graduate education.

    During Professor Cassuto’s visit, he will be engaging in conversations with faculty, graduate students, and graduate education leaders across the university. Topics will range from changes in the national landscape of graduate study, to the role of experiential learning for graduate programs; the place and type of qualifying exam a program offers, to graduate program design and career diversity.

    We would like to invite Arts & Sciences graduate students to a lunch forum with Professor Cassuto for conversations about The New PhD, aspects of your program, and national questions surrounding graduate education. 

    February 6, 11:30am-1pm, Whittemore House End Room

    Space is limited to fifteen students, so we encourage you to RSVP quickly—students who attend the forum will also receive a free copy of The New PhD

    RSVP

    Humanities and the City

    Panel discussion featuring Washington University faculty in conversation with Faculty Book Celebration keynote speaker Davarian Baldwin

    RECORDING AVAILABLE

    Faculty Book Celebration keynote speaker Davarian Baldwin, the Paul E. Raether Distinguished Professor of American Studies, Trinity College, will join a panel of Washington University faculty:

    • Shanti Parikh, Chair of African and African-American Studies and Professor of Sociocultural Anthropology and of African and African-American Studies
    • Samuel Shearer, Assistant Professor of African and African-American Studies
    • Geoff Ward, Professor of African and African-American Studies

    Moderated by Laura Perry, Assistant Director for Research and Public Engagement, Center for the Humanities.

    This event will be staged in a hybrid format. All are invited to attend virtually via Zoom or join us in person (lunch provided).

    Cosponsored by University Libraries

    For more on the Faculty Book Celebration, follow this link.

    Book Celebration for Anca Parvulescu & Manuela Boatca's

    Book Celebration for Anca Parvulescu & Manuela Boatca's "Creolizing the Modern: Transylvania Across Empires"

    Please join us for a book celebration of Anca Parvulescu’s Creolizing the Modern: Transylvania Across Empires (cowritten with Manuela Boatcă), followed by a discussion.

    Respondents:

    J. Dillon Brown, Associate Professor of English

    Nicole Svobodny, Senior Lecturer in Global Studies

    Laura Evers, Graduate Student in English


    Moderator:

    Melanie Micir, Associate Professor of English


    The celebration and discussion will take place on Friday, February 10, at 2:30pm, in Hurst Lounge, Duncker Hall. A reception will follow.

    Creolizing the Modern revisits the history of Transylvania as a series of migrations and imperial formations. It uses as the center of its archive Liviu Rebreanu’s novel Ion (2010), long considered the first Ro-language modern novel, which it re-reads as a marginal text of World Literature. Crosspollinating literary studies and sociology, the book develops a comparative method for engaging with regions of the world that have inherited multiple, conflicting imperial and anti-imperial histories.

    Laura Doyle, author of Inter-imperiality, writes: “Creolizing the Modern is above all a brilliant model of method. Revealing the power of interdisciplinary collaboration, Anca Parvulescu and Manuela Boatcă approach Transylvania as both a particular site of world-historical struggle in modernity/coloniality and an illustrative case study of the convergent operations of empires, extractive economies, stratified identities, and literary discourses. A must read.”

    Anca Parvulescu is the Liselotte Dieckman Chair of Comparative Literature at Washington University in St. Louis. Her research and teaching interests include international modernism, affect theory, literary and critical theory, comparative literature, and visual culture.  She is also the author of Laughter and The Traffic in Women's Work.

    Please join us for this discussion and celebration of this important book at the intersection of literary studies and sociology!

    Read more on Creolizing the Modern at Cornell University Press.

    Strangelove or: I had to do it and learn to love Hanford

    Strangelove or: I had to do it and learn to love Hanford

    Benjamin J. Deans, Department of Anthropology
    WU Cinema Presents: IF BEALE STREET COULD TALK

    WU Cinema Presents: IF BEALE STREET COULD TALK

    A heart-stopping love story.

    WU Cinema, NOIR, and the Academy for Diversity, Equity, and Inclusion are proud to bring If Beale Street Could Talk to WashU’s campus.

    Prior to the screening, NOIR, WashU’s first multimedia production company and affinity space for Black creatives, will showcase a few original, short films.

    IF BEALE STREET COULD TALK
    (2018, USA, 119 min)
    Directed by Barry Jenkins

    Barry Jenkins (Moonlight) adapts James Baldwin’s 1974 novel chronicling two star-crossed lovers in 1970s Harlem. Gorgeously photographed, meticulously structured, and deeply resonant, Jenkins lyrically demonstrates how little has changed in the Black American experience over the past 50 years. The film was awarded Best Feature and Best Director at the 2019 Independent Spirit Awards and Regina King won the Oscar for Best Supporting Actress.


    Tickets
    Unless otherwise noted, admission is:
    Free for Washington University students with proper ID.
    $7 for the general public $5 for seniors, Washington University alumni and students from other schools $4 for Washington University staff and faculty
    We offer general admission seating with payment of cash or credit.
    Note: Last-minute changes may occur.

    More info
    Meet the Makers, An Insider’s Look at OTSL’s New Works Collective

    Meet the Makers, An Insider’s Look at OTSL’s New Works Collective

    Co-presented by Opera Theatre, Washington University’s CRE2 and Department of Music

    Last winter, more than 130 artists applied to create new operas with OTSL. Ultimately, just three multi-genre teams were selected by a panel of St. Louis artists, advocates, and community leaders. Meet the artists who are pushing the boundaries of opera, hear musical excerpts from their works, and learn more from acclaimed scholars at Washington University about the context surrounding each story. 

    Moderated by Professor Adrienne Davis, featuring artists Tre’von Griffith, Joe X. Jiang, Simon Tam, and Del’Shawn Taylor, Professor Marlon M. Bailey and Post-Doctoral Fellow in African and African American Studies,  Dr. Ashley Dennis.
     

    REGISTER


    There will be a small reception prior to the event. Doors open at 7:00 P.M.

    Parking is free and can be found in the rear of the building. There is a shared parking garage with COCA, which offers complimentary parking on a first come, first serve basis. Entrance is behind the building on Washington Ave.

    Annual Weltin Lecture: "The Wild Edges of Character: Creation in the Gospel of Luke," with Michal Beth Dinkler

    Michal Beth Dinkler, Associate Professor of the New Testament at Yale Divinity School, joins the Religious Studies Program for the Annual Weltin Lecture on April 4, 2023
    • 4:30pm-6:00pm (light reception to follow)

    • April 4, 2023

    • Goldberg Formal Lounge in the Danforth University Center

    • Michal Beth Dinkler, Associate Professor of the New Testament at Yale Divinity School

    • The Annual Weltin Lecture will be hosted in-person and via Zoom as a hybrid presentation.

     

    https://religiousstudies.wustl.edu/files/religiousstudies/DinklerReduced.JPG

    “The Wild Edges of Character: Creation in the Gospel of Luke.” 

    Typically, scholars treat references to the environment in the Gospel of Luke in one of two ways: nature is read as the inanimate background, or setting, in which animate human characters play out the plot, or the environment is seen as symbolically representing deeper spiritual truths. Drawing on literary ecocriticism, I argue that Creation itself functions as a vibrant and diverse living character in the Gospel of Luke. Reading Creation as an active narrative agent not only aligns with certain ancient views of nature as autonomous and alive; it also challenges prevailing contemporary assumptions about literary characterization and individual selfhood, thereby offering alternative ways of being in relationship with the Lukan narrative and with the earth itself.

    Please RSVP at the link below or, register for Zoom here.

    Professor Dinkler’s research lies at the intersection of New Testament and Ancient Christianity (NT/AC) and contemporary literary theory, providing a generative vantage point from which to advance scholarly discourse in multiple arenas. Treating a range of literature both within and external to the NT canon, her work consistently argues that literary theory can reshape the complex hermeneutical discussions that animate NT/AC studies and its adjacent disciplines. Professor Dinkler’s first book, Silent Statements: Narrative Representations of Speech and Silence in the Gospel of Luke (2013), demonstrates how close attention to speech and silence illuminates the plot, characterization, themes, and narrative rhetoric of Luke’s Gospel. Her second book, Literary Theory and New Testament Scholarship (2019), stands as the only comprehensive account of the half-century during which NT scholars have interfaced with literary theory; guiding students and scholars of the New Testament through the maze of contemporary literary theory, the volume argues for the interpretive benefits of an updated literary approach to the New Testament. In addition to chapters in edited volumes, Professor Dinkler’s work has been published in journals such as the Journal of Biblical Literature, Journal for the Study of the New Testament, and New Testament Studies, among others. She co-chairs the Gospel of Luke Section and serves on the Steering Committee for the Book of Acts Section of the Society of Biblical Literature, and serves on the editorial boards of Catholic Biblical Quarterly and The Encyclopedia of the Bible and its Reception. Professor Dinkler is an elected member of Studiorum Novi Testamenti Societas, a Research Fellow at Universität Regensburg, and a Research Associate at the University of Pretoria. She is also an ordained minister in the Presbyterian Church (USA).

    The Legacy of E.G. Weltin

    E. G. Weltin retired from full time teaching after a long distinguished career as professor of Greek and Roman history and Director of the Program in Religious Studies at Washington University. Upon retirement a lectureship in early Christian history was established in his honor by gifts from his students. Over the past 25 years, the Weltin lectures have brought distinguished scholars of early Christianity to campus for what has become one of the most anticipated events in the Religious Studies academic year. To learn more about the impact of the Weltin Lecture visit: A professor’s lasting impact.

    RSVP

    Baci Rubati/Stolen Kisses Homosexual Love in Fascist Italy. A documentary

    Presentation and Q&A with Italian director and historian Gabriella Romano (in person or via Zoom)

    For information on screening, please contact Dr. Dalla Torre at elenad@wustl.edu

    Zoom link for those who cannot attend in person : https://wustl.zoom.us/j/7166260148

    Gendering Male Dan: Jingju Male Cross-Gender Performers and Performance in the Post-Cultural Revolution Era

    Yan Ma, postdoctoral fellow in Chinese performance cultures, Washington University

    EALC Brown Bag

    The dan role (female role) is one of the four major role categories in jingju (Beijing/Peking opera). The dan role can be performed by both men and women, who will be referred to as either male dan or female dan in this talk. Prominent male dan masters especially those active in the Republican era (1912-1949) established and perfected the dan role performance system. The socialist government that established the People’s Republic of China in 1949 had a negative attitude toward cross-gender performances; male dan therefore have been generally excluded from the official jingju training system. This talk identifies and explicates the gender politics of the jingju male dan in the post-Cultural Revolution era (1976 to the present) in terms of the gendered obstacles to training and developing male dan, the interactions between the identity of individual male dan and the ways they pursue their careers, and the gendered perspectives of male dan, female dan and other parties on dan role training and performances.

    Kling Undergraduate Honors Fellowship information session

    WashU sophomores in the humanities and humanistic social sciences are invited to apply for the Center's Merle Kling Undergraduate Honors Fellowship Program. This nearly 20-year-old program selects a cohort of five to seven ArtSci sophomores who want to conduct independent research in the humanities or humanistic social sciences. The humanities center provides a significant stipend each semester as well as a weekly writing-intensive seminar here at the center. Many of our Kling Fellows ultimately take their Kling research back to their majors in the form of a senior honors thesis. 

    This year’s Kling application deadline is March 10, the Friday before Spring Break.

    More info

    Recipe as a Bodily Text

    Suyoung Son, associate professor in Asian studies, Cornell University

    EALC Lecture Series

    How were women’s cooking recipes read and transmitted in Chosŏn Korea? Dr. Son's talk focuses on the two sixteenth-century cookbooks of the elite women and examines how the collection of women’s recipes served as a precious family monument and analog for women’s feminine virtue. While the material shape of the collections reveals the primacy of Confucian patriarchal impulse to shape women’s writing as legitimate patrimony, it does not diminish the significance of the corporeality of female work—that is, women’s cooking and penmanship as practice of physical handiwork, bodily discipline, and embodied skill and knowledge. Instead of being encapsulated as the undervalued female knowledge within physical bounds, the cookbooks in fact embraced a broader sense of text than the lettered signification and proliferated their meanings via the interplay of verbal and physical textualities.

    Suyoung Son is Associate Professor in Asian Studies at Cornell University. She is a literary and cultural historian of early modern China and Korea (1500-1900), focusing on the social practices of writing and reading in light of book history, history of knowledge, and studies of gender and authorship. Her first book, Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China (Harvard UP), explores the intricate relationship between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in the widespread practice of self-publishing of writers in late imperial China. She is writing her second book, tentatively titled Culinary Books and Recipes for Knowledge in Chosŏn Korea, which examines how cookery writings in Chosŏn Korea mediated between textual knowledge and embodied practice.

    Future Fridays - The Transdisciplinary Futures Initiative: Mindfulness, Science, and Practice

    Future Fridays - The Transdisciplinary Futures Initiative: Mindfulness, Science, and Practice

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: The Storytelling Lab: Black Joy Collaborative

    Future Fridays - The Transdisciplinary Futures Initiative: The Storytelling Lab: Black Joy Collaborative

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: The Storytelling Lab: Bridging Science, Technology and Creativity

    Future Fridays - The Transdisciplinary Futures Initiative: The Storytelling Lab: Bridging Science, Technology and Creativity

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: Improving Data Integration Techniques

    Future Fridays - The Transdisciplinary Futures Initiative: Improving Data Integration Techniques

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: Police Body Camera Metadata

    Future Fridays - The Transdisciplinary Futures Initiative: Police Body Camera Metadata

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: Trust and Public Health

    Future Fridays - The Transdisciplinary Futures Initiative: Trust and Public Health

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Future Fridays - The Transdisciplinary Futures Initiative: Stories that Win

    Future Fridays - The Transdisciplinary Futures Initiative: Stories that Win

    The Graduate Center is partnering with the Arts & Sciences Incubator for Transdisciplinary Futures initiative to host informal lunches where graduate students can connect with faculty leading the initiatives. 

    Digital Media Lecture:

    Digital Media Lecture: "Gonzo Self-Help: Or, Personal Care in the Era of Platform Capitalism"

    In conjunction with it search for an assistant professor in digital media, Film & Media Studies would like to invite you to a series of lectures on topics such as computational creativity and artificial intelligence. The lectures are open to the public, but seating will be limited so come early.

    Tess McNulty Dartmouth College 

    Talk abstract:Of all the web’s varieties of quasi-therapeutic content, few have been so pervasive—so widely viewed, shared, and liked across multiple platforms—as “Gonzo Self-Help.” Vloggers and bloggers have flooded platforms with iterations of the popular genre, describing radical experiments in self-care, and bearing titles like “I Adopted a Child For a Day!” and “What I Learned From Giving Up Solid Food.” Collections of highly-viewed YouTube videos and Medium posts, 2019-2021, reveal not only the genre's prominence, but also its significance. Gonzo Self-Help has embodied an essential ethos of platform capitalism, concerning self-care. This ethos, and the genre that expresses it, now serve purposes both liberatory and exploitative.

    Digital Media Lecture:

    Digital Media Lecture: "The Colonial Ideology of Procedural Generation"

    In conjunction with it search for an assistant professor in digital media, Film & Media Studies would like to invite you to a series of lectures on topics such as computational creativity and artificial intelligence. The lectures are open to the public, but seating will be limited so come early.

    Chris Kerich University of California Santa Cruz 

    Procedural-generation technology is the programmatic creation of some content: terrain, dialogue, weapons, and more. Especially as deployed in video games, procedural generation (or sometimes, “proc gen”) is inextricably linked to colonial ideas of expansion and consumption of resources. Using a historical and technical view of the technology of procedural generation, as well as contemporary artwork, it becomes clear that digital media creators must reevaluate the tools they use to avoid reinforcing their embedded, colonial ideology.

    Digital Media Lecture:

    Digital Media Lecture: "Unmasking White Data: A Digital Forensics of White Supremacy"

    In conjunction with it search for an assistant professor in digital media, Film & Media Studies would like to invite you to a series of lectures on topics such as computational creativity and artificial intelligence. The lectures are open to the public, but seating will be limited so come early.

    Brett Zehner The Ohio State University 

    What role do digital media play in the production of white supremacy? For instance, on the screen side of computational culture, extremist ideology circulates through memes and discussion boards. However, I argue that we must also understand the backend of social media, where algorithmic identification accelerates the production of white supremacy. In this talk, I will detail Cambridge Analytica’s use of Facebook to weaponize psychological profiles in campaign strategy. I will then analyze 4chan's bump algorithm that automatically pins extreme content to the top of its discussion board. I use these two examples to illustrate the production of white racialized data. And I ultimately argue that the reduction of a user’s identity to data marks an important shift in both racialization and radicalization that have far-reaching consequences for social justice.

    Lunch with Sarah Schulman

    Lunch with Sarah Schulman

    Sarah Schulman, Award-Winning Author of Let the Record Show: A Political History of ACT Up New York, 1987-1993

    Open to any interested undergrads, not only WGSS majors & minors

    RSVP Required

    Date: Tuesday, February 28, 2023


    Time: 11:30-12:30 pm


    Location: Seigle Hall 305


    About the Event

    For undergraduates:  How can the activism of the past help us understand how to build effective social justice movements today? WGSS invites you to lunch and a discussion with queer writer and activist Sarah Schulman (Distinguished Professor of the Humanities, College of Staten Island). Schulman is author of the recent award-winning book Let the Record Show: A Political History of ACT Up New York, 1987-1993 and has written and/or produced more than twenty works of fiction and nonfiction, plays and films about LGBTQ life, activism, and politics. Bring your questions, ideas, and your appetite!  Please RSVP by ​Friday, the 25th.

    About the Author

    Sarah Schulman is the author of more than twenty works of fiction (including The Cosmopolitans, Rat Bohemia, and Maggie Terry), nonfiction (including Stagestruck, Conflict is Not Abuse, and The Gentrification of the Mind), and theater (Carson McCullers, Manic Flight Reaction, and more), and the producer and screenwriter of several feature films (The Owls, Mommy Is Coming, and United in Anger, among others). Her writing has appeared in The New Yorker, The New York Times, Slate, and many other outlets. She is a Distinguished Professor of Humanities at College of Staten Island, a Fellow at the New York Institute of Humanities, the recipient of multiple fellowships from the MacDowell Colony, Yaddo, and the New York Foundation for the Arts, and was presented in 2018 with Publishing Triangle's Bill Whitehead Award. She is also the cofounder of the MIX New York LGBT Experimental Film and Video Festival, and the co-director of the groundbreaking ACT UP Oral History Project. A lifelong New Yorker, she is a longtime activist for queer rights and female empowerment, and serves on the advisory board of Jewish Voice for Peace.

    Sponsors

    Department of Women, Gender, & Sexuality Studies, Left Bank Books, Department of History, American Culture Studies Program, and Center for the Humanities.

    RSVP

    COCA Presents : Artful Speaker Workshop

    This is the final part of the two-part series. Speak the Speech is an immersive, highly interactive experience of how to be seen, heard, and understood in a way that brings the story alive, creating connection and trust with the audience. We’ve invited COCA to adapt this amazing workshop to our A&S Grad Students.

             

                                                 

    Speak the Speech: The second workshop segment engages participants in exercises from the world of theater; the actor’s craft. Participants experiment with the physical dimension of how to be seen, heard, and understood in a way that brings the story alive, creating connection and trust with the audiences. They will learn breathing, projection, and articulation techniques as well as the language of gesture and physical presence for the stage.

    Artful Speaker is an immersive, highly interactive experience designed to sharpen participants' story construction and presentation skills.

    RSVP is required! 

                                                                                                                                                                                                                                                                                               

     

     

    RSVP
    AFAS Featured Event: Works of Dr. Zachary Manditch-Prottas & Dr. Gabriel Peoples

    AFAS Featured Event: Works of Dr. Zachary Manditch-Prottas & Dr. Gabriel Peoples

    Dr. Zachary Manditch-Prottas, a lecturer in African and African American Studies and American Culture Studies & Dr. Gabriel Peoples, Ford Foundation Fellow Assistant Professor of Gender Studies at Indiana University will both present their works-in-progress

    Dr. Zachary Manditch-Prottas presents:  A Native Son in a Foreign Land: Donald Goines, the (Anti)Canon, and Transnational Iconicity

    In 1993,  Holloway House Publishing rolled out a peculiar new marketing campaign around their most celebrated author, Donald Goines. Goines had been dead for 30 years. The advertisements suggested that this author, who was largely dishonored amongst American critics since his death, had been re-born abroad. The advertisements boasted that “France Discovers Goines.”  Goines’ novels had been acquired by Gallimard Publishing and were translated into French as part of their Série Noire collection. In the shadow of this 30-year belated Francophone renaissance was the fact that Goines had never been critically acclaimed in America. Goines’ iconicity among working-class and incarcerated African Americans was concurrent with his marginalization among critics and literati. Indeed, much of America had never “discovered” Goines. This essay asks, what did French readers and critics see in Donald Goines that American literary circles did not? 

    Dr. Gabriel Peoples presents: When Streaming Goes Wrong?: Glitch as technocorporeal Black performance

    Moments of communal ecstasy have gained noted importance to me over the years of DJing, as they often represent a kind of solidarity for partygoers that coalesces through erotics, play, and music. In the Fall of 2021, I adapted a performance ethnography into a staged moment. The performance recounted and enacted a moment at a party I DJ’d where Lil Jon’s music was the central catalyst. My performed recounting of the moment was done over a mix I recorded of Hyphy, New Orleans Bounce, and Crunk music. However, the live stream recording of my performed ethnography dropped the music and only captured my narration, the smiles, claps, and other gestures from the panel and audience who were moving in tandem with what they heard. The glitch revealed something fundamental to how music operates on a level of feeling that can be seen and felt without being able to be heard. Here I, as C. Gingrich-Philbrook & J. Simmons suggest about the glitch, reframe “error/randomness as desire/pattern.” I contend that it is not the recording that failed but, the reorganization of the senses beyond the mono sensor that succeeded, what Lamonda Horton-Stallings calls the “transaesthetic.” Indeed, the technological brings us into focus as rhythmic, affective, and performative beings in ways that reveal the contours of the music that has otherwise failed to be heard.

    RSVP
    Indigeneity and the Production of History: Oral History Praxis in a Native American Community

    Indigeneity and the Production of History: Oral History Praxis in a Native American Community

    The History Department and American Culture Studies Program present a Distinguished Visiting Scholar...

    Malinda Maynor Lowery

    Cahoon Family Professor of American History, Emory University

     

    Indigenous people work to make the facts of their history known; such facts are rarely understood from the written record alone.

    This talk discusses the practice of oral history within the Lumbee Indian Tribe of North Carolina and how history constitutes an act. An Indigenous Studies lens helps us see history as doing, as well as telling, reading, and studying.

     

    This colloquium is being supported in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program. 

    Free and open to the public.  Light refreshments will be served.

    The Inaugural Stern Family Lecture with Joseph Sassoon

    The Inaugural Stern Family Lecture with Joseph Sassoon

    Joseph Sassoon is Professor of History and Political Economy at Georgetown's Center for Contemporary Arab Studies and holds the al-Sabah Chair in Politics and Political Economy of the Arab World.

    Joseph Sassoon will provide a public lecture on his latest work, "The Sassoons: The Great Global Merchants and the Making of an Empire."

    A spectacular generational saga of the making (and undoing) of a family dynasty: the riveting untold story of the gilded Jewish Bagdadi Sassoons, who built a vast empire through global finance and trade—cotton, opium, shipping, banking—that reached across three continents and ultimately changed the destinies of nations. With full access to rare family photographs and archives.

    They were one of the richest families in the world for two hundred years, from the 19th century to the 20th, and were known as ‘the Rothschilds of the East.’

    Mesopotamian in origin, and for more than forty years the chief treasurers to the pashas of Baghdad and Basra, they were forced to flee to Bushir on the Persian Gulf; David Sassoon and sons starting over with nothing, and beginning to trade in India in cotton and opium.

    The Sassoons soon were building textile mills and factories, and setting up branches in shipping in China, and expanding beyond, to Japan, and further west, to Paris and London. They became members of British parliament; were knighted; and owned and edited Britain’s leading newspapers, including The Sunday Times and The Observer.

    And in 1887, the exalted dynasty of Sassoon joined forces with the banking empire of Rothschild and were soon joined by marriage, fusing together two of the biggest Jewish commerce and banking families in the world.

    Against the monumental canvas of two centuries of the Ottoman Empire and the changing face of  the Far East, across Europe and Great Britain during the time of its farthest reach, Joseph Sassoon gives us a riveting generational saga of the making of this magnificent family dynasty.

    Once We Were Slaves: A Multiracial Jewish Family in Early America

    Once We Were Slaves: A Multiracial Jewish Family in Early America

    Laura Arnold Leibman is Professor of English and Humanities at Reed College.

    Presented by the Adam Cherrick Lecture Fund and the Department of Jewish, Islamic, and Middle Eastern Studies

    An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and--at times--white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race--as well as on the role of religion in racial shift--in the first half of the nineteenth century.

    Laura Arnold Leibman's work focuses on how material culture changes our understanding of the role of women, children, and Jews of color in the early Atlantic World. Leibman is the author of The Art of the Jewish Family: A History of Women in Early New York in Five Objects (Bard Graduate Center, 2020) which won three National Jewish Book Awards, and Messianism, Secrecy and Mysticism: A New Interpretation of Early American Jewish Life (2012), which won a Jordan Schnitzer Book Award and a National Jewish Book Award. She is known for her scholarship in Digital Humanities and regularly teaches courses in this area. She has served as the Chair of the Digital Media Committee for the Association for Jewish Studies (AJS), and the academic director of the award-winning, multimedia public television series American Passages: A Literary Survey (2003).


    The Adam Cherrick Lecture Fund in Jewish Studies at Washington University was established in 1988 by Jordan and Lorraine Cherrick of St. Louis, Missouri in memory of their son. Its purpose is to advance Jewish Studies at Washington University. Since its inception, the Fund has benefited both the University community and St. Louis at large by bringing world-renowned scholars to speak on campus.

    WU Cinema Presents: PRINCESS MONONOKE

    WU Cinema Presents: PRINCESS MONONOKE

    This screening is co-presented by WU Cinema and the WashU Office of Sustainability and is dedicated to the fight against climate change.

    Please consider donating to Ujima, a non-profit service provider that supplies equitable access to food, education, and employment to communities in St. Louis. Please also consider donating to Seeds, a nonprofit that supports a network of over 250 community gardens, school gardens, and urban orchards in neighborhoods throughout the St. Louis region. During this screening, we will be popping our own popcorn and serving bulk candy distributed in WashU greenware to limit packaging waste. These three opportunities to support our natural environment bring us closer to Princess Mononoke, a hero in her world for consciously fighting for the coexistence of humanity and nature.


    Princess Mononoke
    Director
    Hayao Miyazaki
    Country Japan
    Year 1997
    Running Time 134 minutes
    Japanese with English subtitles

    An action-packed epic, Princess Mononoke also doubles as a thoughtful meditation on humanity’s relationship with nature.

    “The film’s strength lies in its refusal to paint either its arguments or its characters in black and white: There are no pure heroes, no clear-cut villains and no pat answers.” – Ernest Hardy, L.A. Weekly

    “Beautifully constructed and painstakingly written, this is about as close to a perfect animated epic as you’re likely to get.” – Melanie McFarland, Seattle Times

    “This imaginative and intriguing Anime deserves all the plaudits heaped upon it.” – Mark Dinning, Empire Magazine

    While defending his village from a demonic boar-god, the young warrior Ashitaka becomes afflicted with a curse that grants him super-human power in battle but will eventually take his life. Traveling west to find a cure or meet his destiny, he journeys deep into sacred depths of the Great Forest where he meets San (Princess Mononoke), a girl raised by wolf-gods who is waging battle against the human outpost of Iron Town, on the edge of the forest. Mononoke is a force of nature – with blood smeared lips, riding bareback on a great white wolf, doing battle with both gods and humans, she is as iconic a figure as any from film, literature, or opera.


    Tickets
    Unless otherwise noted, admission is:
    Free for Washington University students with proper ID.
    $7 for the general public $5 for seniors, Washington University alumni and students from other schools $4 for Washington University staff and faculty
    We offer general admission seating with payment of cash or credit.
    Note: Last-minute changes may occur.

    More info

    Ancient Philosophy Colloquium

    Sukaina Hirji, University of Pennsylvania

    Thanks to the generous support of the Department of Classics, the Department of Philosophy, and the Center for the Humanities, Washington University in St. Louis will be hosting workshops devoted to the study of ancient Greek and Roman philosophy.


     

    Ancient Philosophy Workshop #2

    David Johnson, Southern Illinois University-Carbondale

    Thanks to the generous support of the Department of Classics, the Department of Philosophy, and the Center for the Humanities, Washington University in St. Louis will be hosting workshops devoted to the study of ancient Greek and Roman philosophy.


    Workshop: Some passages of Xenophon on Courage

    See the following handout, which includes Memorabilia 3.9.1-3, 4.6.10-11, 4.8.1. Apology 33. Cyropaedia 3.3.49-55. Hipparchicus 4.13. 

    • 1:30-3:30 pm 

    Colloquium: "A Socratic Soldier on Courage"

    • 4:00-6:00 pm

    Ancient Philosophy Workshop #1

    Marta Heckel, University of Missouri

    Thanks to the generous support of the Department of Classics, the Department of Philosophy, and the Center for the Humanities, Washington University in St. Louis will be hosting workshops devoted to the study of ancient Greek and Roman philosophy.


    Workshop: On Plato, Republic 524d9-527c11

    • 1:30-3:30 pm 

    Colloquium: “The Divided Line and Education in the Republic

    • 4:00-6:00 pm
    Kimberly Templeton Lecture on Sex and Gender in Medicine

    Kimberly Templeton Lecture on Sex and Gender in Medicine

    Marianne Legato, MD Emerita Professor of Clinical Medicine at Columbia University Founder and Director of the Foundation for Gender-Specific Medicine

    Kimberly Templeton Lecture on Sex and Gender in Medicine

    Date: Monday, April 3, 2023


    Reception: 5:30 pm in the Women's Building Formal Lounge


    Lecture: 6:30 pm in Wrighton Hall 300


    Description: Lecture and reception with Dr. Marianne Legato. Introduction, Rebecca Wanzo Chair, Department of Women, Gender, and Sexuality Studies. Reception sponsored by the Academic Women's Network.

    RSVP: https://wgss.wustl.edu/rsvp-templeton-lecture

     

    About Dr. Templeton

    Kimberly Templeton, MD, is professor of orthopaedic surgery at the University of Kansas Medical Center in Kansas City. As the first McCann Professor of Women in Medicine and Science in the United States, Kimberly is a role model for aspiring female physicians and a tireless advocate for women mentoring women. Kimberly speaks at venues around the country in the area of sex and gender medicine. She serves on committees working to expand the definition of “women’s health” and incorporating this into medical professionals’ education, as well as into policies regarding specific health conditions, such as chronic pain and opioid use.

    Active in American Orthopaedic Association, Kimberly was the second female orthopaedic surgeon to be accepted into the association in its 116 year-old history and now represents the organization at the Association of American Medical Colleges. She is past-president of the Ruth Jackson Orthopaedic Society serving as the group’s national spokesperson and advocate for women’s musculoskeletal health. In addition, Kimberly serves on the National Board of Medical Examiners, is a past-president of the American Medical Women’s Association, a founding board member of the Academy of Women’s Health, and past vice-chair of the American Medical Association Women Physician Section. In 2013, Kimberly was named by the National Academy of Sciences to the musculoskeletal work group, reviewing and recommending new venues for sex and gender research for the National Aeronautic and Space Administration (NASA). Named “Top Doc” by Ingram’s magazine, she received the Marjorie J. Siddridge leadership award for women in medicine from the University of Kansas in 2012. She received the Elizabeth Blackwell Award by the American Medical Women’s Association in 2013 and the inaugural Women Leaders in Medicine Award from the American Medical Student Association in 2008. She was named to the University of Kansas Women’s Hall of Fame and an honorary alumnus of the University of Kansas in 2014. In 2019, she received the Bertha Van Hoosen Award from AMWA honoring women physicians demonstrating exceptional leadership and service to women physicians and students.

    RSVP
    WU Cinema Presents: DAZED AND CONFUSED

    WU Cinema Presents: DAZED AND CONFUSED

    Matthew McConaughey and Milla Jovovich star in this 70's throw-back about a group of high school stoners and one wildly funny night they will never forget... if only they could remember...

    Director Richard Linklater
    Running Time 102 minutes
    Year 1993

    DCP Projection

    “School’s breaking up for the summer of ’76. The seniors debate party politics while next term’s freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they’ll wield the stick one day. No one’s looking much farther ahead than that. This has a free-wheeling, ‘day-in-the-life-of’ structure which allows writer/director Linklater, in his second feature, to eavesdrop on an ensemble cast without much in the way of dramatic contrivance. There’s a quirky counter-cultural intelligence at work: sympathy for those on the sidelines, and a deadpan pop irony which places this among the hippest teenage movies. While the camera flits between some two dozen youngsters (played by uniformly excellent unknowns), Linklater allows himself to develop a handful of stories. Seriously funny, and shorn of any hint of nostalgia or wish-fulfilment, this is pretty much where it’s at.” – Time Out (London)


    Tickets
    Unless otherwise noted, admission is:
    Free for Washington University students with proper ID.
    $7 for the general public $5 for seniors, Washington University alumni and students from other schools $4 for Washington University staff and faculty
    We offer general admission seating with payment of cash or credit.
    Note: Last-minute changes may occur.

    More info
    Russia's War in Ukraine:  One Year On

    Russia's War in Ukraine: One Year On

    The Department of History's Crisis & Conflict in Historical Perspective Lecture Series invites you to join a thoughtful discussion with a panel of distinguished Washington University faculty members

    Panelists include:

    • Andrew Betson, Deputy Chief of Staff- Military,
      1st Armored Division, Fort Bliss, El Paso, Texas,
      Emeritus Professor of Military Science
    • Krister Knapp (moderator), Teaching Professor and Coordinator, Crisis & Conflict in Historical Perspective
    • Leila Sadat, James Carr Professor of International Criminal Law, Special Adviser on Crimes Against
      Humanity to the ICC Prosecutor
    • Janis Skrastins, Assistant Professor of Finance, Olin Business School
    • James Wertsch, David R. Francis Distinguished Professor of Anthropology and Global Studies,
      Director Emeritus of the McDonnell International Scholars Academy

    This panel discussion is being sponsored by the Department of History's Crisis and Conflict in Historical Perspective Lecture Series and the Office of the Dean of Arts and Sciences. 

    Will also be available on Zoom. 

    Light refreshments will be served.

    For more information, click here to view the poster for this event. 

    Click here to access recording of this webinar.

     

    The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler

    Author David Kertzer in conversation with Marie Griffith, director of the John C. Danforth Center on Religion and Politics

    Join the John C. Danforth Center on Religion and Politics for a conversation with Pulitzer Prize-winning author David Kertzer about his new book The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler. Marie Griffith, director of the John C. Danforth Center on Religion and Politics, will discuss with Kertzer his research based on newly opened Vatican archives. There will also be time for audience Q&A.

    When Pope Pius XII died in 1958, his papers were sealed in the Vatican Secret Archives, leaving unanswered questions about what he knew and did during World War II. Those questions have only grown and festered, making Pius XII one of the most controversial popes in Church history, especially now as the Vatican prepares to canonize him.

    In 2020, Pius XII’s archives were finally opened, and David Kertzer — widely recognized as one of the world’s leading Vatican scholars — has been mining this new material ever since, revealing how the pope came to set aside moral leadership in order to preserve his church’s power.

    Based on thousands of never-before-seen documents not only from the Vatican, but from archives in Italy, Germany, France, Britain, and the United States, The Pope at War paints a new, dramatic portrait of what the pope did and did not do as war enveloped the continent and as the Nazis began their systematic mass murder of Europe’s Jews. The book clears away the myths and sheer falsehoods surrounding the pope’s actions from 1939 to 1945, showing why the pope repeatedly bent to the wills of Hitler and Mussolini.

    More info

    Virtual Book Club: The Book of Madness and Cures

    In the world of 16th-century Venice, medicine is predominantly the profession of men. Yet Gabriella Mondini, herself the daughter of a renowned physician, manages to make her way into the ranks of practitioners — until her father disappears in the midst of researching his encyclopedia on disease. Her position in jeopardy and guided by the letters he left behind, Gabriella sets out to find her father, keeping her own medical notes on diseases and treatment as she follows the trail through Europe.

    A presentation of materials related to medicine in early modern Europe will precede the discussion.

    More info
    Visiting Writer: Eula Biss

    Visiting Writer: Eula Biss

    Eula Biss’ most recent book is "Having and Being Had," described as a roguish and risky self-audit of the value system she has bought into. She will be joining us in the Hurst Lounge on March 23rd at 8:00 PM.

    Eula Biss is the author of four books: Having and Being Had (2020), On Immunity (2014), Notes from No Man’s Land (2009), and The Balloonists (2002). Her work has been translated into a dozen languages and has been recognized by a National Book Critics Circle Award, a Guggenheim Fellowship, and a 21st Century Award from the Chicago Public Library. As a 2023 National Fellow at New America, she is at work on a collection of essays about how private property has shaped our world.

    For the past twenty years, Biss has taught writing in large lecture halls and small community bookstores, at public elementary schools and private universities. She developed a commitment to progressive education at Hampshire College, where she studied creative writing and visual art before earning an MFA in nonfiction writing from the University of Iowa. She currently teaches nonfiction for the Bennington Writing Seminars. She is a founding editor of Essay Press and a member of the Penny Collective. She lives a mile from Lake Michigan, where she swims in sun and shadow.

    “She's a poet, essayist and a class spy…believer and apostate, moth and flame.”

    Learn More about Eula Biss on her website, here.

    Graduate Conversation with Sarah Schulman

    Graduate Conversation with Sarah Schulman

    Sarah Schulman, Award-Winning Author of Let the Record Show: A Political History of ACT Up New York, 1987-1993

    Open to any interested graduate students, not only WGSS

    RSVP Required

    Date: Monday, February 27, 2023


    Time: 10:00-11:00 am


    Location: McMillan Hall 211


    About the Event

    For graduate students: Join Sarah Schulman, award-winning author, filmmaker, and oral historian, and longtime activist, for coffee and an informal conversation about storytelling, writing, and social justice. Open to all interested graduate students. Please RSVP by 2/24.

    About the Author

    Sarah Schulman is the author of more than twenty works of fiction (including The Cosmopolitans, Rat Bohemia, and Maggie Terry), nonfiction (including Stagestruck, Conflict is Not Abuse, and The Gentrification of the Mind), and theater (Carson McCullers, Manic Flight Reaction, and more), and the producer and screenwriter of several feature films (The Owls, Mommy Is Coming, and United in Anger, among others). Her writing has appeared in The New Yorker, The New York Times, Slate, and many other outlets. She is a Distinguished Professor of Humanities at College of Staten Island, a Fellow at the New York Institute of Humanities, the recipient of multiple fellowships from the MacDowell Colony, Yaddo, and the New York Foundation for the Arts, and was presented in 2018 with Publishing Triangle's Bill Whitehead Award. She is also the cofounder of the MIX New York LGBT Experimental Film and Video Festival, and the co-director of the groundbreaking ACT UP Oral History Project. A lifelong New Yorker, she is a longtime activist for queer rights and female empowerment, and serves on the advisory board of Jewish Voice for Peace.

    Sponsors

    Department of Women, Gender, & Sexuality Studies, Left Bank Books, Department of History, American Culture Studies Program, and Center for the Humanities.

    RSVP
    Joshua Chambers-Letson: One More Try

    Joshua Chambers-Letson: One More Try

    Professor of Performance Studies and Asian American Studies at Northwestern University and author of After the Party: A Manifesto for Queer of Color Life and A Race So Different: Law and Performance in Asian America.

    One More Try (Or, Teacher, There Are Things That I Don’t Want To Know)

    Date: Monday, April 10, 2023

    Time: 4 pm

    Location: Seigle 204

    Description: The reading group “Cruising Utopia in the 2020s” invites you to a lecture by Joshua Chambers-Letsona return to the dynamics of melancholia and reparation in queer theory, a meditation on the art of living with grief, and another (final) attempt to reconcile with a teacher who told you goodbye, goodbye, goodbye…

    Joshua Chambers-Letson is Professor of Performance Studies and Asian American Studies at Northwestern University and author of After the Party: A Manifesto for Queer of Color Life and A Race So Different: Law and Performance in Asian America. They are presently the 2022-2023 Thinker in Residence with the Felix Gonzalez-Torres Foundation.

    Sponsored by the Department of Women, Gender, & Sexuality Studies, the Center for the Study of Race, Ethnicity & Equity, and the Center for the Humanities.

    RSVP

    Public Lecture: Sarita Sundar

    Sarita Sundar is the founder of Hanno, a heritage interpretation and design consultancy. Her practice and research spans heritage studies, popular and visual culture, and design theory. 

    At Hanno, Sarita Sundar combines 30+ years of working with brand strategy and design solutions with her academic training in museum studies. She engages in critical inquiries into how culture engages with the visual, ranging from research into Indian vernacular typography (“Indians don’t like White Space,”  2016) to studies of intangible culture in performance practices (The Goddess and her Lieutenant: objects systems at a village festival,  2016).

    As part of a Fulbright Visiting Scholar Fellowship (August 2022 to May 2023), Sundar co-taught a course called “Visualizing India” at the history department of the University of Vermont along with her faculty host, Abigail McGowan. Her project as part of the fellowship examines the intersectional design histories between the U.S. and India. 

    Sundar holds an M.Des. in visual communications from the National Institute of Design (NID) and a master’s in museum studies from the University of Leicester (2016). She was founding partner at an award-winning multidisciplinary design company, Trapeze, for a decade before moving her focus to her research interests at Hanno.

    Sundar is visiting faculty at the National Institute of Design, National Institute of Fashion Technology, Srishti Manipal School of Design and Technology, and Indian Institute of Craft Development. 

    More info

    Eighteenth-Century Interdisciplinary Salon Event

    The Eighteenth-Century Interdisciplinary Salon will host a joint presentation by Jürgen Overhoff, Professor of History at the University of Munster, and Patrick Baker, Translator and Historian, on the subject of How to Present Frederick the Great to a Contemporary American Audience: A Workshop Report on the Translation of a Double Biography of the Prussian King and George Washington.

    RSVP
    The Department of Sociology Spring 2023 Film Series Presents:

    The Department of Sociology Spring 2023 Film Series Presents: "Clusterluck"

    The Department of Sociology will be holding a special screening of the award-winning documentary titled, "Clusterluck". This short film was produced by one of our very own Sociology affiliates, Dr. Candace Hall. This event is co-sponsored by the Office of the Provost.

    Film Synopsis

    Long story short-Black faculty are a few in the academy, less than 6%. This documentary short, clusterluck, captures the intentionality of recruiting Black faculty to Southern Illinois University Edwardsville; and explores the creation of an international community to support Black faculty toward thriving and experiencing joy at the institution. The film is a digital visualization of my research on Black faculty experiences in academia and encourages higher education leaders to reimagine recruitment and hiring practices necessary for diversification of the professoriate. I am hopeful this work shows the world what is possible for Black faculty when recruitment is done with care and intentionality.

     

     

     

    Please join us for the screening of "Clusterluck", and the Q&A session immediately following. 

    Light refreshments will be served.

     

    The Department of Sociology Spring 2023 Film Series Presents:

    The Department of Sociology Spring 2023 Film Series Presents: "Our America: Lowballed"

    The Department of Sociology will be holding a special screening of the ABC News documentary titled, "Our America: Lowballed". This documentary features one of our very own Sociology faculty, Professor Elizabeth Korver-Glenn.

    Please join us for the screening of "Our America: Lowballed", and the Q&A session immediately following.

    Light refreshments will be served. 

    Creative Practice Workshop Information Session

    Creative Practice Workshop Information Session

    Please join the center’s co-directors, Danielle Dutton and Ignacio Infante, for an information session about the WashU Creative Practice Workshop, including the application process. Registration is required. Please RSVP below. 

    RSVP
    The Department of Sociology Spring 2023 Colloquium Series Presents: Dr. Joya Misra

    The Department of Sociology Spring 2023 Colloquium Series Presents: Dr. Joya Misra

    On Wednesday, March 8, 2023, the Sociology Colloquium Series will feature Dr. Joya Misra. Dr. Misra is the Provost Professor and Roy J. Zuckerberg Endowed Leadership Chair at the University of Massachusetts, Amherst. Her research considers intersectional inequalities and policy solutions at both workplace and societal levels. She is currently President-Elect of the American Sociological Association.

    Colloquia Title and Topic:

    "I don't believe that I have been wanted”: BIPOC Faculty Experiences of Overinclusion and Exclusion"

    This paper explores the specific context-dependent mechanisms of racial and gender privilege among university faculty. Interviews with 62 faculty members who share the same rank and department context but differ by race and gender provide insights on how race and gender condition faculty experiences. The researchers find that gendered racism shows up in three ways in academic contexts: “over-inclusion,” active exclusion, and  passive exclusion. Over-inclusion includes the reliance of the university on BIPOC women faculty’s labor given the university’s “diversity mantra.” Active exclusion involves the devaluation of BIPOC faculty’s research, teaching and service, and a lack of access to resources and positions. Passive exclusion reflects how BIPOC women and men are left out of collaborations, mentoring, and decision-making relative to white colleagues. Moving beyond rhetoric to disrupting racism in the academy requires addressing over-inclusion, and both active and passive exclusions, as well as recognizing the differences in experiences of BIPOC women and men.


     

    Visiting Hurst Professor: Cedar Sigo, Craft Talk

    Visiting Hurst Professor: Cedar Sigo, Craft Talk

    Cedar Sigo is the author of eight books and pamphlets of poetry, including Language Arts, Stranger in Town, Expensive Magic, two editions of Selected Writings, and most recently All This Time. He will be conducting a Craft Talk in the Hurst Lounge on February 16th at 8:00 PM.

    Get your copy of any of Cedar's Books (and support local!) using the link here.

    Professor Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the author of eight books and pamphlets of poetry, including Language Arts, Stranger in Town, Expensive Magic, two editions of Selected Writings, and most recently All This Time. He also published the Bagley Wright Lecture Series book Guard the Mysteries.

    Visiting Hurst Professor: Cedar Sigo, Reading

    Visiting Hurst Professor: Cedar Sigo, Reading

    Cedar Sigo is the author of eight books and pamphlets of poetry, including Language Arts, Stranger in Town, Expensive Magic, two editions of Selected Writings, and most recently All This Time. He will be giving a Reading in the Hurst Lounge on February 23rd at 8:00 PM.

    Get your copy of any of Cedar's Books (and support local!) using the link here.

    Professor Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the author of eight books and pamphlets of poetry, including Language Arts, Stranger in Town, Expensive Magic, two editions of Selected Writings, and most recently All This Time. He also published the Bagley Wright Lecture Series book Guard the Mysteries.

    Jerry Dunn, Children’s Advocacy Services of Greater St. Louis

    Children’s Studies event

    Jerry Dunn, PhD, executive director of Children’s Advocacy Services of Greater St. Louis, will present on the work the agency does in the community on behalf of children and adolescents who have experienced trauma. Children's Advocacy Services offers trauma-informed assessment and counseling, facilitation of multi-disciplinary investigative and support teams, child-sensitive forensic interviews, consistent victim advocacy, undergraduate and graduate training, responsive community outreach, and relevant advocacy to influence public policy. 

    Dunn is an assistant clinical professor in the Department of Psychology at University of Missouri–St. Louis. Her clinical and research interests involve assessment and treatment of high-risk children and their family members in community and school-based settings. She chairs the Advisory Council for the St. Louis Family and Community Partnership, works with the Missouri Network of Child Advocacy Centers, reports to the Board of Directors for Missouri Kids First and acts as the agency liaison to the National Childhood Traumatic Stress Network.

    Memory for the Future Showcase

    Studiolab Open House - RSVPs appreciated

    Join us for refreshments and a showcase of project work by students of the Memory for the Future Studiolab, a yearlong course that combines the study of interlinked histories and legacies of colonialism, slavery and genocide with collaborative development of reparative public humanities projects in St. Louis. The studiolab is led by Anika Walke (History), Geoff Ward (AFAS) and Santiago Rozo-Sanchez (RDE/M4F Postdoctoral Fellow).

    The event will take place at the Lewis Collaborative at 725 Kingsland, steps north of the University City Public Library in the Delmar Loop. Parking is free at the north entrance of the building, and a shuttle is available for easy transport from the Mallinckrodt Bus Plaza on the main campus.

    All are welcome!

    RSVP
    Virtuous Healing: Therapeutic Knowledge in Women’s Educational Literature in Early Modern Japan

    Virtuous Healing: Therapeutic Knowledge in Women’s Educational Literature in Early Modern Japan

    W. Evan Young, assistant professor of history, Dickinson College

    EALC Lecture Series

    During the Tokugawa period (1603–1868), didactic literature for women increasingly featured an impressive amount of medical know-how. Largely overlooked within the history of medicine, educational texts aimed at a female readership, such as Onna daigaku (The greater learning for women, 1716), in fact represent some of the most voluminous collections of therapeutic knowledge in early modern vernacular print. This presentation explores how these texts attempted to fashion readers into capable caregivers by strategically providing formulas from erudite medical treatises alongside simple remedies prepared with everyday ingredients found in and around the home. Just as importantly, moral guidebooks, exemplary literature, and educational compendia in this period also contributed to fashioning a new aspect of feminine virtue that imagined women as skilled and resourceful healers.

    Speaker Bio:

    W. Evan Young is a historian of Japan who specializes in medicine and science. As an assistant professor at Dickinson College, he teaches courses on the history of East Asia, the history of illness and therapy, and the history of gender and sexuality. His first book project, Family at the Bedside: Illness, Healing, and Knowledge in Early Modern Japan, explores how families dealt with ailments in the eighteenth and nineteenth century. His second major research project traces the history of medical knowledge in popular print, especially women’s magazines, from the late nineteenth century through the mid-twentieth century.

    Sex Dolls at Sea: Imagined Origins of Sexual Technologies

    Sex Dolls at Sea: Imagined Origins of Sexual Technologies

    Bo Ruberg, PhD (they/them) is an associate professor in the Department of Film and Media Studies and affiliate faculty in the Department of Informatics at the University of California, Irvine. They are also the Co-Editor-in-Chief of the Journal of Cinema and Media Studies.

    Dr. Bo Ruberg 

    Abstract: Technologies designed for sex and intimacy are on the rise, from wifi-enabled sex toys to sex robots. Along with this boom in "sex tech" devices has come a set of cultural narratives about the history of sex tech itself. These histories repeatedly situate the origins of today's sexual technologies in the story of the very first sex dolls: the dames de voyage, supposedly rudimentary dolls stitched together by sailors on long, lonely sea voyages. Quirky and anecdotal as it may seem, the tale of the dames de voyage does serious cultural work for proponents of contemporary sex tech, who use the story to make sexual technologies seem like the long-established realm of inventive, lusty, heterosexual white men. But did these sailors' dolls really exist?

     

     

     


    Bo Ruberg, PhD (they/them) is an associate professor in the Department of Film and Media Studies and affiliate faculty in the Department of Informatics at the University of California, Irvine. They are also the Co-Editor-in-Chief of the Journal of Cinema and Media Studies. Their research explores gender and sexuality in digital media. They are the author of three monographs: Video Games Have Always Been Queer (NYU Press, 2019), The Queer Games Avant-Garde: How LGBTQ Game Makers Are Reimagining the Medium of Video Games (Duke University Press, 2020), and Sex Dolls at Sea: Imagined Histories of Sexual Technologies (MIT Press, 2022).They are also the co-editor of Queer Game Studies (University of Minnesota Press, 2017) and Real Life in Real Time: Live Streaming Culture (MIT Press, 2023).

    WGSS Senior Presentations

    WGSS Senior Presentations

    Our students contribute to the field of WGSS and everyday practices

    Date: Monday, May 1, 2023


    Time: 11-1 pm


    Location: Wrighton Hall 301 & Zoom


    Description: Committed to transformative scholarship, our students contribute to the field of WGSS and everyday practices.

    RSVP: https://wgss.wustl.edu/rsvp-honors-thesis-presentations

    Program:

    Honors thesis presentations:

    • Savannah Henderson
    • Emily Tack

    Sex, Gender, and Public presentations:

    • Lauren Hirschmann
    • Hope Shimony
    • Brianna Chander 

    Fellowship and pizza to follow.

    Here and Next: Igniting Imagination & Creative Collaboration

    Building Bridges not Walls: Applying Lessons from Contemplative Science to Enhance Equity and Inclusion in the Classroom, Clinic and Beyond

    As part of the Mindfulness and Anti-Racism series, we will host Doris Chang, a clinical psychologist and Associate Professor in the NYU Silver School of Social Work.
    A Special Premiere Preview Screening of the Movie Why Is Mona Lisa Smiling? The Re-imagination of the Corporation

    A Special Premiere Preview Screening of the Movie Why Is Mona Lisa Smiling? The Re-imagination of the Corporation

    Join the WashU Alumni Association and Power of Arts & Sciences for a look at the current state of the modern corporation and a glimpse of what the future might hold for these organizations. The evening begins with a special premiere preview screening of Why Is Mona Lisa Smiling? The Re-imagination of the Corporation, a documentary film produced by Arts & Sciences alumnus Brad Siegel, AB ’79. The film is co-produced by Brand New World Studios and FORTUNE Media.

    African Film Festival: Xalé

    African Film Festival: Xalé

    The 2023 Festival will run March 24th through March 26th at Brown 100, Washington University.

    Xalé
    n Wolof and French with English subtitles
    Moussa Sene Absa, Senegal, 2022, 101 minutes

    The drama centers on Awa, a 15-year-old student, and her twin brother (and confidante) Adama, who dreams of a better life in Europe. When their beloved grandmother arranges for their Aunt Fatou to marry a relative whom Fatou detests, the results of this forced union bear consequences not only for the unhappy couple, but for the community — and, most gravely, for the twins. The film boldly inflects contemporary melodrama with traditional storytelling modes in this potent, music-filled tale of one woman’s tragedy and transcendence.

    Precede by:

    Egúngún (Masquerade)
    In Yoruba and English with English subtitles
    Olive Nwosu, Nigeria, 2021, 14 minutes

    A woman returns to her hometown of Lagos in search of healing. What she discovers instead is a path that takes her into her past and toward a new understanding of the people and experiences that shaped her. Egúngún (Masquerade) is a meditation on home, memory, and identity — on the many versions of ourselves that haunt us.

    More info
    African Film Festival: Tug Of War (Vuta N’Kuvute)

    African Film Festival: Tug Of War (Vuta N’Kuvute)

    The 2023 Festival will run March 24th through March 26th at Brown 100, Washington University.

    Tug Of War (Vuta N’Kuvute)
    In English and Swahili with English subtitles
    Amil Shivji, Tanzania and South Africa, 2021, 92 minutes 

    Denge, a young freedom fighter, meets Yasmin, an Indian-Zanzibari woman, in the middle of the night as she is on her way to be married. Passion and revolution ensue in this coming-of-age political love story set in the final years of British colonial Zanzibar.

    Preceded by:

    La Star
    In Lingala and French with English subtitles
    Kevin Mavakala, Senegal, 2022, 14 minutes

    A director does everything possible to ensure his film shoot is successful. Unfortunately for him, he casts an actress who does not make his task easy.

    Reception and post-show discussion with Amil Shivji, moderated by filmmaker Ekwa Msangi following screening.

    More info
    African Film Festival: 2023 Youth Matinee

    African Film Festival: 2023 Youth Matinee

    The 2023 Festival will run March 24th through March 26th at Brown 100, Washington University.

    Snail and the Whale
    In English
    Max and Suzanne Lang, Animation by Triggerfish, South Africa, 2019, 27 minutes

    The amazing journey of a tiny snail who longs to
    see the world and hitches a ride on the tail of a friendly humpback whale. A joyous, empowering story about the natural wonders of the world and discoveringthat no 

    Troll Girl
    In English
    Kay Carmichael, Animation by Triggerfish, South Africa, 2021, 8 minutes

    A trollish child, raised by a nun in a human village, defies her own insecurities and the villagers’ fears to save her mother from danger.

    My Better World
    In English
    Fundi Films/Maan Creative, Tanzania/South Africa, 2021–22, 30 minutes
    My Better World 
    is an animated series that follows
    the exciting adventures of six African teens as they navigate the complex challenges of school, family, and friendship! The series was developed with the help of local teens and is brought to life by a team of artists and animators from across Africa.

    More info
    WU Cinema Presents: XXY

    WU Cinema Presents: XXY

    The moody, surreal “XXY” explores the world of Alex (Inés Efron), an intersex teenager born with both male and female sex organs navigating the treacherous emotional and hormonal rapids of uncertain gender.

    Dir. Lucia Puenzo
    Argentina. 2007
    91 mins
    In Spanish with English subtitles.

    Most adolescents confront tough choices and life decisions, but rarely any as monumental as the one facing fifteen-year-old Alex, who was born an intersex child. As Alex begins to explore her sexuality, her mother invites friends from Buenos Aires to come for a visit at their house on the gorgeous Uruguayan shore. Alex is immediately attracted to a young man, which adds yet another level of complexity to her personal search for identity, and forces both families to face their worst fears.

    2007: Cannes Film Festival: Critics’ Week – Grand Prize. Grand Golden Rail

    2007: Valladolid Film Festival – Seminci: Official Selection

    2007: Goya Awards: Best Spanish Language Foreign Film

    2007: 6 Sur Awards: 6 awards, including Best Film, Director & First Work. 13 Nom.

    2007: Ariel Awards: Best Latin-American Film


    Tickets
    Unless otherwise noted, admission is:
    Free for Washington University students with proper ID.
    $7 for the general public $5 for seniors, Washington University alumni and students from other schools $4 for Washington University staff and faculty
    We offer general admission seating with payment of cash or credit.
    Note: Last-minute changes may occur.

    More info
    Aaron Coleman in Conversation with Mary Jo Bang

    Aaron Coleman in Conversation with Mary Jo Bang

    Aaron Coleman (MFA ’15, PhD ’21), whose papers and other materials are now part of the Modern Literature Collection, will be in conversation with English professor and poet Mary Jo Bang, whose papers are also part of the Modern Literature Collection. The event will include a light buffet dinner. Coleman is featured in the exhibition Wherein I Am: Highlights from the Aaron Coleman Papers. Co-sponsored by the Center for Literary Arts, the Department of Comparative Literature, and the Writing program.

    Open to Washington University affiliated faculty, staff, and students. Registration required.

    Aaron Coleman Reading: International Writer's Series 2023

    Aaron Coleman Reading: International Writer's Series 2023

    Aaron Coleman (MFA ’15, PhD ’21), whose papers and other materials are now part of the Modern Literature Collection, will read his poetry and translations. Professor Ignacio Infante will introduce Coleman and moderate a brief Q&A after, followed by a light reception. Coleman is featured in the current exhibition Wherein I Am: Highlights from the Aaron Coleman Papers. Co-sponsored by the Center for Literary Arts, the Department of Comparative Literature, and the Writing program.

    The International Writers Series is a collaboration between the International Writers track of the Program in Comparative Literature and the Washington University Libraries to celebrate new publications of creative works by writers and translators in the Washington University in St. Louis community and beyond.

    Free and open to all, registration requested.

    WU Cinema Presents: The Room

    WU Cinema Presents: The Room

    Bust out those plastic spoons! Tommy Wiseau’s The Room is coming to WU Cinema in all its football-throwing glory!

    A Midnight Movie Event!

     

    The Room
    Rated R • Length 99 min • Year 2003

    Experience the cult phenomenon on the big screen! THE ROOM, which inspired James Franco’s award-winning adaptation THE DISASTER ARTIST, follows Johnny – a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.

    An intense, sensual thriller, The Room is an intricately knit web of sweet secrets and bitter lies that interrogates the very form of drama itself as well as a truly unforgettable piece of cinema.

     


    Tickets
    Unless otherwise noted, admission is:
    Free for Washington University students with proper ID.
    $7 for the general public $5 for seniors, Washington University alumni and students from other schools $4 for Washington University staff and faculty
    We offer general admission seating with payment of cash or credit.
    Note: Last-minute changes may occur.

    More info
    The Objects that Remain: Criminal Evidence, Holocaust Artifacts, and Work of Doing Justice

    The Objects that Remain: Criminal Evidence, Holocaust Artifacts, and Work of Doing Justice

    Laura Levitt is Professor of Religion, Jewish Studies, and Gender at Temple University

    Building from her book, The Objects That Remain, Laura Levitt will consider the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. She will do this by focusing on artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the United States. What might it mean to do justice to violent pasts outside the juridical system or through historical empiricism, the dominant ways in which we think about evidence from violent crimes and other highly traumatic events? What do the objects that remain and the stories that surround them enable and what forms of intimacy are possible in our lives after? Levitt offers a form of companionship as a different kind of reckoning where justice becomes an animating process of telling and holding. While addressing the afterlives of trauma, she will also consider the relationship between traumatic once ordinary objects and those we continue to live with. What possessions do we let go of and which ones do we keep?

    This event is free and open to all. Umrath Hall is open seating and doors will open at 4:30 p.m. for this event. Join us for a reception with the speaker after the lecture.

    Please register at rap@wustl.edu or 314-935-9345 so we can appropriately plan.

    This event is co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies and the John C. Danforth Center on Religion and Politics.

    For more information, visit: https://rap.wustl.edu/events/the-objects-that-remain/

    Germany’s Forgotten Genocide: A film screening and discussion of Kavena Hambira’s ‘Nuh-Mi-Bee-Uhn’

    Featuring Kavena Hambira and Miriam Gleckman-Krut, artist-scholars-in residence with the Memory for the Future Studiolab

    The St. Louis Kaplan Feldman Holocaust Museum will present the film Nuh-Mi Bee-Uhn, directed by Kavena Hambira. The film “focuses on the twentieth century’s first genocide—the Herero and Nama Genocide, carried out by Germany in 1905 in his family’s native Namibia. Hambira bridges geography and time to describe the indelible and far-reaching impacts of the genocide and the ongoing struggle for reparations and reconciliation.” The film will be accompanied by a discussion with Hambira and his colleague, Miriam Gleckman-Krut, both of whom are artist-scholars-in residence at the Memory for the Future Studiolab at Washington University. The discussion will examine the linkages between the history and memory of this and other genocides and the Holocaust. Registration required; see website.

    More info

    Welcome Reception and Installation: ‘Nuh-Mi-Bee-Uhn’

    Miriam Gleckman-Krut and Kavena Hambira are currently in residence with the Memory for the Future (M4F) Studiolab, a yearlong graduate seminar and practicum supported by the Center for Humanities’ RDE Initiative. Gleckman-Krut and Hambira are collaborating on written and cinematographic work to think across Germany’s 20th-century genocides, including the genocide of Herero and Nama in Namibia in 1905 and the Holocaust. During their residency, they will work with M4F students and faculty and the St. Louis public to explore artistic and scholarly representations of the struggle for reparations and reconciliation and other forms of reparative memory. More information on Gleckman-Krut and Kavena Hambira: https://www.m4f.community/m4f-projects/germanys-forgotten-genocide. 

    Light refreshments served.

    The event will take place in the studiolab classroom at the Lewis Collaborative at 725 Kingsland, steps north of the University City Public Library in the Delmar Loop. Parking is free at the north entrance of the building, and a shuttle is available for easy transport from the Mallinckrodt Bus Plaza on the main campus.

    "Looking at the Creative Process Through the Lens of Scenic Design"

    Rob Morgan, Teaching Professor of Drama, Washington University in St. Louis

    Based on his 30 years of experience in stage design, exhibit design, art direction for film, and theme park and industrial design, Robert Mark Morgan's talk will highlight the lessons in creativity included in the text of this new book The Art of Scenic Design: A Practical Guide to the Creative Process. The talk will demonstrate that while a design process for creating these types of works can seem like niche applications, the lessons learned in collaboration, testing and re-testing ideas, prototyping concepts, overcoming fears, venturing guesses, divergent thinking, and the creative process in general are applicable – and valuable – in nearly all disciplines and professions both inside and outside of the entertainment industry. 

    The book follows an accomplished designer on a narrative of the theatrical design process from early phases of a design with a creative team encompassing visual research, idea-making, and collaborative relationships, to sketching, prototyping, and testing ideas, through to the execution and manifestation of the design with a team of artists and collaborators.

    Please Note: The Location has changed, the colloquium will now take place in McMillan, G052.

    A bit more about the author/speaker:

    Robert Mark Morgan has designed professionally in the areas of theatre, museum, and theme park venues. Avatar the Exhibition (museum exhibit) originally designed for Experience Music Project in Seattle toured in the U.S. and Canada for 3 years. Rob’s designs have been seen onstage nationally at the Utah Shakespeare Festival, Asolo Repertory Theatre (Sarasota, FL), Indiana Repertory Theatre, Repertory Theatre of St. Louis, The Old Globe, Cincinnati Playhouse in the Park, Studio Arena (Buffalo, NY), Childrens Theatre Company (Minneapolis, MN), Cleveland Play House, the MUNY - St. Louis, San Jose Repertory Theatre, Denver Center Theatre Company, Alliance Theatre (Atlanta), Barrington Stage, Marin Theatre Company, Magic Theatre, and American Conservatory Theatre (ACT) in San Francisco.

    The History and Politics of Birth Control

    Seanna Leath, assistant professor in the Department of Psychological and Brain Sciences at Washington University

    Seanna Leath, assistant professor in the Department of Psychological and Brain Sciences at Washington University, will discuss the history and politics of birth control, with a particular focus on Black women and reproductive justice. Reproductive justice (RJ) refers to: (1) the right not to have a child; (2) the right to have a child; and (3) the right to raise and nurture children in safe and healthy environments. She will urge audience members to consider how we can move towards a future where self-determination, healing justice and community care inform our conversations, social practices and governmental policies around Black women’s reproductive rights. Leath is a Black feminist scholar and community-based researcher whose expertise includes intersectional identity development, Black family socialization processes, and wellness practices among Black women and girls. She directs the Fostering Healthy Identities and Resilience (FHIRe) Collaborative, a research group of Black and Latina students and community partners in Charlottesville and St. Louis, and is a member of the Reproductive Justice Working Group, based at the Washington University Center for the Humanities. In-person and livestream viewing options available.

    More info
    Center for the Literary Arts Speaker Series: Literary Agent Q&A

    Center for the Literary Arts Speaker Series: Literary Agent Q&A

    Join us for breakfast and a series of events with Anna Moschovakis and her agent Akin Akinwumi. Moschovakis will read from and discuss her own work, after which Akinwumi will speak about his work representing international literary voices in a commercial environment. Following Akinwumi's discussion, the two will respond to audience questions. All are welcome. 

    Moschovakis is an award-winning poet, novelist, and translator, and one of the founding members of the acclaimed Ugly Duckling Presse. Her translation of David Diop’s At Night All Blood Is Black received the 2021 International Booker Prize. She has taught writing at Pratt, Bard, Columbia, and Naropa. 

    Akinwumi is the founder of Willenfield Literary Agency, an international agency dedicated to representing writers working in contemporary literature. His main areas of specialization are literary fiction, literary nonfiction, general nonfiction, visual narrative, and poetry. 

     

    RSVP
    Center for the Literary Arts Speaker Series: Author Anna Moschovakis Reading & Talk

    Center for the Literary Arts Speaker Series: Author Anna Moschovakis Reading & Talk

    Join us for breakfast and a series of events with Anna Moschovakis and her agent Akin Akinwumi. Moschovakis will read from and discuss her own work, after which Akinwumi will speak about his work representing international literary voices in a commercial environment. Following Akinwumi's discussion, the two will respond to audience questions. All are welcome. 

    Moschovakis is an award-winning poet, novelist, and translator, and one of the founding members of the acclaimed Ugly Duckling Presse. Her translation of David Diop’s At Night All Blood Is Black received the 2021 International Booker Prize. She has taught writing at Pratt, Bard, Columbia, and Naropa. 

    Akinwumi is the founder of Willenfield Literary Agency, an international agency dedicated to representing writers working in contemporary literature. His main areas of specialization are literary fiction, literary nonfiction, general nonfiction, visual narrative, and poetry. 

     

    RSVP
    Center for the Literary Arts Speaker Series: Living as a Writer

    Center for the Literary Arts Speaker Series: Living as a Writer

    Join us for a discussion on how writers navigate the professional aspects of their careers. 

    Visiting keynote speaker Anna Moschovakis, an award-winning poet, novelist, translator, and one of the founding members of the acclaimed Ugly Duckling Presse, will join WashU creative writing faculty members G'Ra Asim (creative nonfiction), Danielle Dutton (fiction), and Niki Herd (poetry) to discuss everything from prizes and publishing to grants and grad school. This will be a lively, informal event directed by student questions. All are welcome. Food and drink will be served.

     

    RSVP
    Francophone Week

    Francophone Week

    Celebrated yearly in March, the International Francophonie Day (Journée Internationale de la Francophonie) is a worldwide celebration that reunites francophones to celebrate French language and francophone cultures. This year, we reflect on the role of time in shaping the francophonie ; the French language has changed and continues to change to reflect the enormous diversity of francophone communities in all continents around the globe using the language for everything from everyday communication to writing scientific reports and groundbreaking literature.

    The 2023 edition is the 3rd by the WashU French community. This is a week-long and student-led event with the help of faculty members, the WashU center for excellence French ConneXion, RLL Department, and Olin Library.

    Until March 22nd, undergraduate students can submit a creative writing for a chance to win the 1st prize of our writing contest. Guidelines can be found on the website

    There will be a High School category organized and partnered with French ConneXions. 

    This year will offer the following in-person program : 

    • Tuesday, March 28th. Trivia Night, at 5pm, in McDonnell 362. *Registration needed - Prizes to win for the winning team*
    • Wednesday, March 29th. Soccer game on Mudd Field, at 4pm, with the Arabic program. *Registration needed - all level welcomed*
    • Thursday, March 30th. Movie night "La Brigade" (2022) in McDonnell 162 at 5pm, this movie is at the intersection of our classes “The Art of French Cooking” (FR320) and “Cultural Expression: Les Banlieues” (FR307)
    • Friday, March 31st. Café & Croissants in Eads open space (2nd floor) from 10am to 12pm.

    Americanist Dinner Forum: Public Humanities Workshop, Part I: A Conversation with Malinda Maynor Lowery

    Americanist Dinner Forum: Public Humanities Workshop, Part I: A Conversation with Malinda Maynor Lowery

    All are invited for dinner and conversation with Dr. Malinda Maynor Lowery. Dr. Lowery is a historian and documentary film producer who is a member of the Lumbee Tribe of North Carolina. She is Cahoon Professor of American History and head of the Native American and Indigenous Studies Initiative at Emory University.

     Join us for a conversation with Dr. Lowery as we discuss the challenges and pleasures of leveraging one’s expertise in new formats. Moderated by Paige McGinley, Director of American Culture Studies. 

    This event is being supported in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program.

    RSVP

    “Community as Rebellion” Lorgia García Peña

    Featuring Lorgia García Peña, professor of Latinx studies at Princeton University and author of “Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color” – Annual McLeod Lecture on Higher Education
    Community as Rebellion

    JAMES E. McLEOD MEMORIAL LECTURE ON HIGHER EDUCATION

    We have reached maximum capacity for the in-person lecture. Please join us online by registering at this link. This lecture will not be recorded.

    Reception immediately to follow.


    Lorgia García-Peña, PhD, is a writer, activist and scholar who specializes in Latinx Studies with a focus on Black Latinidades. Her work is concerned with the ways in which antiblackness and xenophobia intersect the Global North producing categories of exclusion that lead to violence and erasure. Through her writing and teaching, García Peña insists on highlighting the knowledge, cultural, social and political contributions of people who have been silenced from traditional archives.

    She is the author of three award-winning books, The Borders of Dominicanidad: Race, Nations and Archives of Contradictions (Duke, 2016), which was translated and published in Spanish by Editorial Bonó in 2020; Translating Blackness: Latinx Colonialities in Global Perspective (Duke, 2022) and Community as Rebellion (Haymarket, 2022), translated as La comunidad como rebelión (Haymarket, 2023). Additionally, her work has been covered in several publications including the New York Times, Washington Post, The New Yorker, The Boston Review and Harper’s Bazaar. She has appeared on CNN, BBC, MSNBC, Univision and Telemundo and is a regular contributor to NACLA and Asterix Journals.

    An engaged scholar committed to liberating education and bridging the gaps that separate the communities she comes from (Black, immigrant, working) and the university, García Peña is also a co-founder of Freedom University Georgia, a school that provides college instruction to undocumented students and the co-director of Archives of Justice a transnational digital archive project that centers the life of people who identify as Black, queer and migrant. She has been widely recognized for her public facing work: In 2022 she received the Angela Davis Prize for Public Scholarship, in 2021 the Margaret Casey Foundation named her a Freedom Scholar, and in 2017 the Massachusetts Institute of Technology (MIT) presented her a Disobedience Award for the co-founding of Freedom University. Additionally, her scholarship has been supported by the Ford Foundation, The Johns Hopkins University African Diaspora Studies Postdoctoral Fellowship and the Future of Minority Studies Fellowship and the Mellon Foundation.

    García-Peña earned a PhD in American Culture from the University of Michigan, Ann Arbor in 2009 and an MA in Latin American and Latino Literatures from Rutgers University.

    [UPDATE, 4/11/23: Date change from October 12 to October 4.]

     

    Public Humanities Workshop, Part 2: A Forum for Practitioners with Malinda Maynor Lowery

    Public Humanities Workshop, Part 2: A Forum for Practitioners with Malinda Maynor Lowery

    This hands-on workshop is designed for individuals or small teams currently engaged in public-facing work in the humanities. A Washington University affiliation is not required. Curators, filmmakers, podcasters, writers, programmers, and more are all welcome. Projects can be at any stage of development. Participants will briefly share the discoveries and challenges of their work, and receive feedback from Distinguished Visiting Scholar Malinda Maynor Lowery. Dr. Lowery is a historian and documentary film producer who is a member of the Lumbee Tribe of North Carolina. She is Cahoon Professor of American History and head of the Native American and Indigenous Studies Initiative at Emory University.

    Moderated by Laura Perry, Assistant Director for Research and Public Engagement, Center for the Humanities. Lunch will be served. RSVP required, space is limited.

    This event is being supported in part through funding from the Office of the Provost: Distinguished Visiting Scholar Program.

    RSVP

    Continuing Presence of Discarded Bodies: Occupational Harm and Necro-Activism

    Eunjung Kim, Associate Professor of Women’s and Gender Studies and Disability Studies, Syracuse University

    Starting from the two activist campsites set up in Seoul, one by the coalition of disability organizations and the other by the Supporters for the Health and Rights of People in the Semiconductor Industry, Eunjung Kim explores a history of occupational health movements and their intersections with disability rights movements in South Korea. Against the bureaucratic technology of rating the degree of disability and harm, necro-activism emerges in the form of persistent involvements of dead bodies, mourning, and other-than-human presence, making claims for justice as an ongoing practice of everyday life and afterlife.

    Eunjung Kim’s presentation will be followed by a Q&A with the audience. Free and open to the public.

    Hosted by the WU Disability and Embodied Difference Reading Group, sponsored by the Center for the Humanities.

    Zoom Link

    Panel Discussion: Collecting and Exhibiting Modern African Art

    As part of the opening festivities for African Modernism in America, exhibition co-curators Perrin Lathrop, assistant curator of African art at the Princeton University Art Museum, and Jamaal Sheats, gallery director and curator, and professor of art at Fisk University, are joined by Bukky Gbadegesin, associate professor of art history at Saint Louis University, for a discussion exploring histories of collecting and displaying modern African art in the United States, including the 1961 landmark exhibition Art from Africa of Our Time organized by the Harmon Foundation and the role of Fisk University in exhibiting African artists of the mid-20th century.

    More info

    Public Tour: Power of Place

    Student educators lead interactive tours of the permanent collection designed to prompt discussion and reflection on the power of place in relationship to works by such artists as Jaune Quick-to-See Smith, Torkwase Dyson, and Martín Chambi, as well as early travel photography.

    More info

    ‘The First World Festival of Negro Arts’ Screening & Discussion

    Join us to open the Washington University African Film Festival with a screening of The First World Festival of Negro Arts (1966), the official documentary of the Festival Mondial des Arts Negrès (FESMAN) held in Dakar, Senegal, in 1966. Over 2,000 artists, dancers, intellectuals, performers, and writers from Africa and the African diaspora gathered to celebrate Black culture in the newly independent nation of Senegal. Director, producer, actor, and writer William Greaves documented this historic event that included exhibitions of classical, modern, and contemporary African art, performances and theatrical productions, and a colloquium of philosophers, authors, and cultural critics.

    The screening will be followed by a Q&A with Baba Badji, postdoctoral associate in Comparative Literature, Institute for the Study of Global Racial Justice at Rutgers University, and faculty from the Department of African and African-American Studies in Arts & Sciences.

    More info
    Senior Honors Thesis Information Session

    Senior Honors Thesis Information Session

    Are you considering writing a senior honors thesis as part of your Global Studies major?

    If so, there’s a lot to know as you make your plans. Prof. Seth Graebner will host an information session (in person and streamed on Zoom). 

     

     

    Black Women in Media - Missouri History Museum

    AFAS and FMS professor Raven Maragh-Lloyd will be featured in the Missouri History Museum's Thursday Night at the Museum program on Black Women in Media.
    Department of Music Lecture: Jacob P. Cupps & Varun Chandrasekhar

    Department of Music Lecture: Jacob P. Cupps & Varun Chandrasekhar

    Jacob P. Cupps, PhD student in music theory, Washington University in St. Louis 

    Title
    “‘If You’re Seeking Understanding…’: Glissant’s Opacity, ELUCID’s I Told Bessie, and the Politics of Legibility in Contemporary Underground Hip-Hop”

    Abstract
    Spotify’s Carl Chery claims that, in the streaming era, the designation “underground rap” has lost its meaning because all rappers share the same space on the internet (Gee 2021). This presentation, by contrast, reframes undergroundness as a set of social behaviors that operate in opposition to Chery’s notion of boundaryless listening. Cupps argues that mainstream hip-hop culture enacts a “liberal mandate of legibility” (Momii 2021) that underground hip-hop disrupts by communally centering what Édouard Glissant refers to as opacity—or “that which cannot be reduced” through Western interpretations of the racialized Other (1997). This talk uses two fan responses to the Brooklyn-based underground rapper ELUCID’s album I Told Bessie (2022) to demonstrate the difference between modes of interpretation in mainstream and underground communities: (1) Professor Skye’s YouTube review, which attempts to render ELUCID legible as an emcee who “makes emotional sense [but not] sense sense,” thereby reducing the album to a commentary on Blackness in America, and (2) Joseph Rathgeber’s zine about I Told Bessie, which reinforces the album’s opacity through associative, multilayered commentary on it.

    Biography
    Jacob P. Cupps researches music production and subgenre formation in rap, examining the means by which hip-hop musicians create and communicate identities in sound. In particular, Jacob is developing several projects centered around musicians associated with the Ruby Yacht collective, as well as the independent rap labels Backwoodz Studioz and Mello Music Group.


    Varun Chandrasekhar, PhD student in music theory, Washington University in St. Louis 

    Title
    “Clownin’ in Blue: Mingus and the Jazz Absurd” 

    Abstract
    This talk provides a close reading of Mingus’s “The Clown” to demonstrate how the piece, through its numerous a-typicalities (its orchestration, the voice-over, its free improvisation) recasts jazz as an absurdist art form. The interpretation combines theories from Esslin’s (2001) conception of the “theater of the absurd,” Bhaktin’s (2009) historicization of the clown, and Fanon’s (2008) existential psychoanalysis of the white gaze as a means to understanding the piece. Varun argues that Mingus, within Baraka’s (1999) paradigm of jazz, forces the listener to notice the absurd debasement of an African-American art form. In absurdist terms, Mingus’s idiosyncrasies reject the normative expectations that a jazz listener would use to approach the tune. Thus, within the existential paradigm, these quasi ”fourth-wall” breaks reveal Mingus’s personal critique of the corporatized cooption of jazz in a manner that galvanizes the audience.

    Biography
    Varun Chandrasekhar's research, building on his experience as a guitarist, focuses on the existential condition of the jazz musician. Varun examines how the complex, racially marked, urban reality of the jazz musician can guide our understanding of the music, how the fact that the jazz musician is thrown into the world influences our musical intuitions, and whether these properties are then theoretically quantifiable.

    “Fragmentology in Islamic Manuscripts: Gathering the Fragments of A Persian Book”

    Dr. Shiva Mihan, Visiting Lecturer, Washington University in Saint Louis
    Department of Music Lecture: Lisa Pollock Mumme & Tad Biggs

    Department of Music Lecture: Lisa Pollock Mumme & Tad Biggs

    Lisa Pollock Mumme, PhD student in musicology, Washington University in St. Louis 

    Title
    “Death on the Road: Music and the Deaths of Women in the Mad Max Film Franchise”

    Abstract
    Imperator Furiosa (Charlize Theron) became the Mad Max franchise's first woman road warrior in Mad Max: Fury Road (2015). Many hailed the development as a feminist shift in a historically masculine-dominated franchise, but others interpreted the change as an empty gesture. Specific study of the music that accompanies the deaths of women in action films provides insight into women's subjectivities in a genre notorious for suppressing them. How are women's deaths treated differently in terms of music across the Mad Max franchise's thirty-six-year-long run? This talk engages feminist analysis in close readings of sound and image in the music that accompanies the deaths of feminine characters in Mad Max (1979), The Road Warrior (1981), and Mad Max: Fury Road (2015).
     
    Biography
    Lisa Pollock Mumme studies gender and sexuality in music. She primarily works on film music, particularly the science fiction and horror genres. Her master’s thesis at the University of Iowa, “Not Things: Gender and Music in the Mad Max Franchise,” combined music, film, and feminist scholarship to analyze the gendered score of a masculine-dominated dystopian franchise. In her PhD work at Washington University in St. Louis, Lisa concentrates on gender and sexuality in horror film music. Lisa has published her work on Mexican soprano Ángela Peralta (1845-1883) in The Opera Journal.


    Tad Biggs, PhD student in musicology, Washington University in St. Louis 

    Title
    “‘The Fat Man’s Dance was not only beautiful and exhilarating; it was glorious’: Music, Dance, and Humor in the Fat Men’s Association of New York City” 

    Abstract
    In 1867 Frederick Nash composed Fat Man’s Polka Redowa, a light and humorous musical number, commissioned by the Fat Men’s Association of New York City. The occasion was the fourth annual Fat Men’s Association Ball. A tremendous hit, the event involved music, dance, and a giant feast –– a grand spectacle for an enthusiastic audience. In examining this artifact of an historically situated subculture, Biggs demonstrates that the Fat Man’s Polka Redowa helped to sonically structure a humorous spectacle of fat male bodies in graceful dance, relying on an historical set of attitudes about fatness quite different from today.

    Biography
    Tad Biggs is a PhD student in Musicology and a Lynn Cooper Harvey Fellow in American Culture Studies at Washington University in St. Louis. His research interests include concert and popular music of the United States, archival work, music and fat studies, and aesthetics. Prior to attending Washington University in St. Louis, Tad completed his Master of Music degree at the University of Arizona, where he was selected as the distinguished master’s candidate for his master’s thesis “Julia Perry’s Stabat Mater, Black Cultural History, and the Lynching of Christ.” 

    ‘Left in the Midwest’ Author Talk

    Join University Libraries for a virtual book talk about the newly published book Left in the Midwest: St. Louis Progressive Activism in the 1960s and 1970s. Hear from contributing authors Clarence Lang, Luke Ritter, and Nina Gilden Seavey. Benjamin Looker, one of the volume’s co-editors, will help moderate the discussion.

    More info

    Faculty Book Talk: Todd Decker

    Todd Decker, the Paul Tietjens Professor of Music in the Department of Music and author of “Astaire by Numbers: Time and the Straight White Male Dancer”

    Astaire by Numbers uses a quantitative digital humanities approach and production records to reveal how Fred Astaire perfected his film dances on the set, in rehearsal halls, and editing rooms. Todd Decker (Musicology, American Culture Studies, and Film and Media Studies) uses the lens of race, gender and sexuality to re-assess Astaire as an icon of American popular culture.

    Join University Libraries for a discussion with Decker. The talk will be followed by a Q&A, and refreshments will be provided.

    More info

    International Writers Series: Tere Dávila & Rebecca Hanssens-Reed

    Join University Libraries for an evening of fiction in translation with Puerto Rican author Tere Dávila and translator Rebecca Hanssens-Reed. Hanssens-Reed’s translation of Dávila’s Mercedes’s Special Talent won a 2022 O. Henry Prize for Short Fiction.

    Tere Dávila

    Tere Dávila is the recipient of two Puerto Rican National Prizes: for her novel, Nenísimas, and the short story collection Aquí están las instrucciones, both published in 2018. She has also published three other short-fiction collections, children’s books and books on Puerto Rican culture. Her short stories have been translated and featured in international anthologies and literary magazines. In 2017 she received Puerto Rico’s New Voices Award, and in 2015 her short story “El fondillo maravilloso” was adapted into an award-winning short film.

    Rebecca Hanssens-Reed

    Rebecca Hanssens-Reed is a literary translator and PhD student in the track for international writers.

    More info

    Virtual Book Club: ‘The Bad-Ass Librarians of Timbuktu’

    Join University Libraries for a special National Preservation Week book club as we read the fascinating true story of The Bad-Ass Librarians of Timbuktu by Joshua Hammer. Haidara, a mild-mannered archivist from the legendary city of Timbuktu, became one of the world’s greatest smugglers by saving the texts from sure destruction. With bravery and patience, Haidara organized a dangerous operation to sneak all 350,000 volumes out of the city to safety.

    Book club will begin with a short presentation on preservation, followed by a discussion of the book.

    More info
    Lunch and Q & A with Cynde Strand

    Lunch and Q & A with Cynde Strand

    Join the Storytelling Lab for lunch and a conversation with Cynde Strand, legendary CNN camerawoman and news producer, whose 30 year career took her around the globe covering wars, earthquakes and revolutions helping CNN to become the pre-eminent 24 hour news provider whose storytelling changed the way we look at the world.
    Cynde will speak about her varied experiences in storytelling: How does a cameraperson 'on the ground' tell a story in real time while dodging snipers' bullets?  Conducting heart wrenching interviews as refugees tell their own personal stories against the tableau of larger geo-political narratives... What happens to the crew in Baghdad as the bombs start falling and THEY become the story. How can they remain objective when their own lives are on the line?
     
    Cynde's later years running the CNN International Desk in Atlanta will reveal how news executives choose which stories to tell and the attempt to weave them into a comprehensive insightful overview narrative.  She'll describe the evolution of CNN's 'Follow the Sun' strategy that's a relay race of various global bureaus handing off the 'power stick,' as the sun rises in cities around the world -- all responding to breaking events that constantly change and shape the way correspondents tell their stories. 
     
    Cynde's transition from 'run and gun' shooter behind the camera... to a producer who's responsible for securing the 'feed' to Atlanta from the remote Sudanese desert... to managing the multi-screened cockpit of the CNN International Desk -- sending Anderson Cooper on a tricky helicopter flight into a Haiti that's still shaking from the catastrophic earthquake... has all been at the heart of the way CNN tells the story of the world, 24-7.
     

    Food and drinks will be provided.
    It's limited attendance, so please you must RSVP.

    RSVP
    Gender-Affirming Care: Facts and Myths

    Gender-Affirming Care: Facts and Myths

    A Discussion of Gender-Affirming Care: Facts and Myths

    Date: Monday, March 6, 2023


    Time: 4:00-5:00 pm


    Location: Zoom Registration Required


    About the Speakers

    MARLON M. BAILEY

    Professor, Department of African & African American Studies and Women, Gender, & Sexuality Studies at Washington University in St. Louis

    AMY EISEN CISLO

    Senior Lecturer, Department of Women, Gender, & Sexuality Studies at Washington University in St. Louis

    TAMSIN KIMOTO

    Assistant Professor, Department of Philosophy at Goucher College

    Register

    50 Years of Title IX with Vanessa Grigoriadis

    Vanessa Grigoriadis is author of “Blurred Lines: Rethinking Sex, Power, and Consent on Campus.”

    Visit University Libraries’ 50 Years of Title IX exhibition and hear from speaker Vanessa Grigoriadis on Blurred Lines: Rethinking Sex, Power, and Consent on Campus. Refreshments will be served.

    More info

    Diaspora Dialogues: African Art Influence across the Atlantic

    Following a self-guided tour of African Modernism in America, join the annual Diaspora Dialogues event, a conversation among Black women in St. Louis organized by Vitendo4Africa and Delta Sigma Theta Sorority Inc. International Awareness and Involvement Committee. This year’s theme will center on a transnational discussion of African art and its connections to African American artists, the social and political roles of art in African and African American contexts during the 1950s and 1960s, and the importance of teaching these histories to challenge Western notions of African art. Invited speakers include Erin Falker-Obichigha, artist, art historian, and curator; Bukky Gbadegesin, associate professor of art history at Saint Louis University; Yvonne Osei, artist; and MwazaCarol Thompson-Robinson, artist. The discussion on the social and political roles of art in African and African American contexts continues over a modern Congolese cuisine provided by Lady Lauralie.

    More info

    Gerard Sekoto and the International Histories of African Modernism

    Joshua Cohen, associate professor of art history at the City University of New York, discusses the life and work of the South African painter Gerard Sekoto (1913–1993), who made vibrant Postimpressionist-style works in the 1940s before relocating permanently to Paris in 1947 — a move that allowed him to distance himself geographically from Apartheid, which began the following year. Living as an artist and musician in exile, Sekoto participated in a series of conferences and exhibitions charged with anticolonial ambitions and Cold War tensions. Sekoto’s tumultuous trajectory both reflects and reveals the international histories of African modernism at midcentury.

    More info

    RE: Worldbuilding through Performance

    Drawing on Jacolby Satterwhite’s ability to create immersive and expansive environments in the exhibition Spirits Roaming on the Earth, this program explores the power of performance to transcend limitations. Professor Marlon M. Bailey will facilitate a conversation that includes queer theory, Black LGBTQ cultural formations, performance, and more. This event is free and open to the public and will include ASL interpretation provided by student interpreters from St. Louis Community College.
    RSVP
    Friday Archaeology:  Building a Regional Narrative in the Bronze Age Country of Towns

    Friday Archaeology: Building a Regional Narrative in the Bronze Age Country of Towns

    This week, Jack Berner will be discussing his research during his talk entitled, "Building a Regional Narrative in the Bronze Age Country of Towns."
     
    Please note that the location has been moved to Wrighton Hall 300 just for this meeting, so please allow yourself some extra time to navigate to the room. We will still be meeting from 4-5pm with refreshments and conversation beforehand. All are welcome!
    Hebrew Department Film Presentation -

    Hebrew Department Film Presentation - "Noodle"

    Facilitated by Noa Weinberg and Eyal Tamir of the Hebrew Department

    Join us for an evening of film and cultural contextual discussion.

    Noodle (2007 / 90 min.) - Directed by Ayelet Menahemi

    At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings -- as different from each other as Tel Aviv is from Beijing -- accompany each other on a remarkable journey, one that takes them both back to a meaningful life.

    Trailer: click this link to view on YouTube

    This event is sponsored by the Jewish, Islamic, and Middle Eastern Studies department

    Graduate Student Information Session and Lunch

    Graduate Student Information Session and Lunch

    Please join WashU's new Center for the Literary Arts for an informal lunchtime conversation! Co-directors Ignacio Infante and Danielle Dutton want to hear what programming and support would best serve creative/literary arts graduate students at WashU, and to share news about upcoming CLA programming and events. Lunch will be served. 

    RSVP

    Humanities Podcasting Lunch - WashU Graduate Students

    Podcasts have increasingly become an exciting forum for academics to share their research, find new audiences, and build communities across the airwaves. Interested in learning more about academic podcasting? Join us for lunch!

    WashU graduate students for all disciplines are welcome. We’ll discuss the landscape of academic podcasting for listeners, teachers, and creators alike. And you’ll also hear from WashU grad students about their own podcasting innovations! Earlier this year, graduate students in the humanities had an exciting opportunity to enhance their professional portfolio with a winter virtual podcasting institute led by the National Humanities Center: Podcasting the Humanities: Creating Digital Stories for the Public. The Graduate Student Podcasting Winter Institute is an annual five-day virtual program that trains PhD students how to design, record, and share a full podcast that applies their humanistic skills to a topic of public interest. The Office of Graduate Studies and the Center for the Humanities co-sponsored several graduate students to participate in this annual institute, and now invites them to share their insights gained during the experience.

     

    Registration required

     

    A sneak preview of what these podcasters learned:

    Ruochen Chen (History): I did not believe that I would be able to make podcasts on my own by taking a five-day crash course. I do now. The hands-on experience and the close-knit atmosphere in group work were an invaluable compeller. I am now using the skills I learnt in making some introductory podcasts for a course that I intend to teach in the History Department. In an age when the humanities are in crisis, it might be imperative that we scholars adopt some latest technologies in disseminating knowledge and conveying the value of our subjects to attract the largest potential audience. 

    Franzi Finkenstein (German) I applied for the “Podcasting Institute” due to various reasons. First, I wished to refine my technical skills in terms of recording and editing with professional equipment. Secondly, I was curious about how the NHC would teach us about alternative methods and media of knowledge production that are underrepresented in academia. Thirdly, I was looking forward to working in collaboration with other students from other or adjacent fields and create something together that would contribute to culturally relevant discourses. The product of this tense “Podcasting Institute” (5 days 7-8 hours/day) is a 23 minutes long conversation between me (German & WGSS), Savannah (Rhetorics), Samaria (Religion, AFAS), Tomi (Bio Ethics)  “On The Womb” which deals with the multiperspectivity and the struggles of having a womb in today’s post-Dobbs climate.

    Anastasia Sorochinsky (English): I was eager to participate in the Humanities Podcasting Institute because of my interest in the crossover between academic topics and cultural conversations, and I continue to be particularly fascinated by those channels in which these kinds of dialogues emerge and take place. The Podcasting Institute provided not only such a venue, but also excellent coverage of the technical skills and equipment required to create and participate in podcasting. It was also very generative to be able to speak with people across disciplines and institutional positions, and I look forward to using the skillset I developed to put a podcast out into the world!

    Learn more at the lunch and meet your fellow podcast enthusiasts!

    RSVP

    Public Tour: Power of Place

    Student educators lead interactive tours of the permanent collection designed to prompt discussion and reflection on the power of place in relationship to works by such artists as Jaune Quick-to-See Smith, Torkwase Dyson, and Martín Chambi, as well as early travel photography.

    More info

    Online Chinese-Language Tour: African Modernism in America

    线上中文美术导览: 在美国的非洲现代主义

    邀请您来和艺术史暨考古学系博士生戴悦共同探索本期展览《African Modernism in America》。本次展览将聚焦于现代非裔艺术家和美籍赞助人、艺术家與文化组织的关系,其中囊括公民权利、去殖民化、和冷战之間环环相扣的历史。《African Modernism in America》陳列了由五十位艺术家分別創作的七十多幅画作,这些经典代表作足以展现非洲1950年代及1960年代的艺术与美国艺术和文化政治的关系。

    Join student educator Yue Dai, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for an online tour of this season’s exhibition African Modernism in America. Drawing primarily from Fisk University’s remarkable collection of gifts from the Harmon Foundation, the exhibition examines connections between modern African artists and patrons, artists, and cultural organizations in the United States, amid the interlocking histories of civil rights, decolonization, and the Cold War. The exhibition features more than seventy artworks by fifty artists that exemplify the relationships between the new art that emerged in Africa during the 1950s and 1960s and the art and cultural politics of the U.S.

    More info

    Public Tour: ‘African Modernism in America’

    Student educators lead interactive tours of this season’s exhibition African Modernism in America. Drawing primarily from Fisk University’s remarkable collection of gifts from the Harmon Foundation, the exhibition examines connections between modern African artists and patrons, artists, and cultural organizations in the United States, amid the interlocking histories of civil rights, decolonization, and the Cold War. The exhibition features more than seventy artworks by fifty artists that exemplify the relationships between the new art that emerged in Africa during the 1950s and 1960s and the art and cultural politics of the US.

    More info

    Public Tour: Power of Place

    Student educators lead interactive tours of the permanent collection designed to prompt discussion and reflection on the power of place in relationship to works by such artists as Jaune Quick-to-See Smith, Torkwase Dyson, and Martín Chambi, as well as early travel photography.

    More info
    Center for the Literary Arts Creative Practice Workshop Information Session

    Center for the Literary Arts Creative Practice Workshop Information Session

    Please join one of the center’s co-directors, Danielle Dutton for an information session about the WashU Creative Practice Workshop, including the application process. Registration is required. Please RSVP below.

    RSVP
    AFAS Featured Hybrid Event: Black Feminist Activism & Politics in Brazil

    AFAS Featured Hybrid Event: Black Feminist Activism & Politics in Brazil

    Black Feminist Activism & Politics in Brazil: A Conversation & Documentary Screening co-sponsored by the Department of African & African American Studies, the Department of Music, Latin American Studies Program, & the Office of the Provost at WashU.

    Join Dr. Kia Caldwell, Black Latin American feminist scholar, Professor of African & African American Studies & Vice Provost for Faculty Affairs & Diversity alongside Black feminists & activists, Velma Reis & Monica Cunha, in-person or by webinar, as they discuss the current and future political state of Brazil, specifically centralizing the conversation around black feminism and how it fits into the political, health equity, public defense, and congressional Brazilian landscape.

    This event is hybrid and can be viewed by clicking the link below.

    Streaming begins promptly at 2:25pm 

    https://wustl-hipaa.zoom.us/s/97598772133

    Activism, Scholarship, and Radical Self-Care: a Conversation with ericka huggins

    Activism, Scholarship, and Radical Self-Care: a Conversation with ericka huggins

    Come join the Mellon Mays Undergraduate Fellows for the 2023 virtual symposium.

    The virtually-moderated discussion between Huggins and Angela LeBlanc-Ernest will cover Huggins’ academic and community work, Black Panther Party Community Programs, and Huggins’ recent co-authored publication, Comrade Sisters: Women of the Black Panther Party.

    Speaker Information

    Ericka Huggins is an educator, Black Panther Party member, former political prisoner, human rights advocate, and poet. For 50 years, Ericka has used her life experiences in service to community. From 1973-1981, she was director of the Black Panther Party’s Oakland Community School. From 1990-2004 Ericka managed HIV/AIDS Volunteer and Education programs. She also supported innovative mindfulness programs for women and youth in schools, jails and prisons.

    Ericka was professor of Sociology and African American Studies from 2008 through 2015 in the Peralta Community College District. From 2003 to 2011 she was professor of Women and Gender Studies at California State Universities- East Bay and San Francisco. Ericka is a Racial Equity Learning Lab facilitator for WORLD TRUST Educational Services. She curates conversations focused on the individual and collective work of becoming equitable in all areas of our daily lives. Additionally, she facilitates workshops on the benefit of self care in sustaining social change. She is co-author, with Stephen Shames, of the book, Comrade Sisters-Women of the Black Panther Party, published in 2022.

    Angela D. LeBlanc-Ernest is an independent scholar, documentarian, multi-media content creator, oral historian, and community archivist whose projects focus on 20th-century social movement history, gender, education, and culture. She received a Bachelor’s in Afro-American Studies from Harvard University and a MA in History from Stanford University. She has spent her 30+ year career bridging the divide between academic institutions and communities by developing and participating in projects that have public history components and incorporating narrators themselves in the process. Most recently, she was a photographic archival and an oral history consultant for Comrade Sisters: Women of the Black Panther Party (2022), author of the books companion guide, the Comrade Sisters Women of the Black Panther Party Discussion and Resource Guide, and co-organizer of the Comrade Sisters book tour. Angela is the founding director of The OCS Project LLC, an academic research project that focuses on the Oakland Community School, one of the Black Panther Party’s educational institutions and flagship community programs. She also is the recipient of a 2022-2023 Oral History Association and National Endowment for the Humanities Fellowship for her to work on the Oakland Community School Oral History Project.

    Register Here
    Global Aspects of Food in the Middle East

    Global Aspects of Food in the Middle East

    Hayrettin Yücesoy, Associate Professor of Arabic and Islamic Studies, History (Affiliate), and Global Studies

    As part of the MENAA Speaker series, join Dr. Yücesoy for an exploration of the impact of food on local culture and international relationships.   

    Food will be provided from Taj Market - kebab, rice, and veggie samosas

    A flier for the event may be downloaded from this link: Flier Download

    Public Tour: ‘African Modernism in America’

    Student educators lead interactive tours of this season’s exhibition African Modernism in America. Drawing primarily from Fisk University’s remarkable collection of gifts from the Harmon Foundation, the exhibition examines connections between modern African artists and patrons, artists, and cultural organizations in the United States, amid the interlocking histories of civil rights, decolonization, and the Cold War. The exhibition features more than seventy artworks by fifty artists that exemplify the relationships between the new art that emerged in Africa during the 1950s and 1960s and the art and cultural politics of the US.

    More info
    African Film Festival: Saint Omer

    African Film Festival: Saint Omer

    The 2023 Festival will run March 24th through March 26th at Brown 100, Washington University.

    Saint Omer
    In French with English subtitles
    Alice Diop, Senegal/France, 2022, 122 minutes

    Follow Rama, a novelist who attends the trial of Laurence Coly at the Saint-Omer Criminal Court to use her story to write a modern-day adaptation of the ancient myth of Medea. Things do not go as expected.

    Preceded by:

    Precious Hair & Beauty
    In English and Yoruba with English
    John Ogunmuyiwa, United Kingdom, 2021, 11 minutes 

    An ode to the mundanity and madness of the high street, told through the window of an African hair salon.

     

    More info
    AFAS Featured Event: Virtual Roundtable on Reproductive Justice; The Social, Political, & Legal Implications of the Overturning of Roe vs Wade

    AFAS Featured Event: Virtual Roundtable on Reproductive Justice; The Social, Political, & Legal Implications of the Overturning of Roe vs Wade

    The Department of African & African American Studies Speaker Committee presents the Spring Series "Future of Sex" virtual roundtable. This roundtable focuses on the direction of reproductive justice and its potential negative or positive implications on public health.

    Join our expert panelists, Dr. Rebecca Wanzo, Dr. Kimala Price, Dr. Mellissa Linton, and Dr. Marlon Bailey as they discuss reproductive, gender, and sexual justice, and the relationship between the attack on reproductive and bodily autonomy and gender-affirming care. This is a virtual-only event, please join us by clicking the link:  Virtual Roundtable Zoom Link

    A New Global Studies? Global-South Perspectives, Activist Engagement, Interdisciplinary Innovation

    A New Global Studies? Global-South Perspectives, Activist Engagement, Interdisciplinary Innovation

    Join us for a public lecture with Paul Amar, Professor, and Director of the Orfalea Center for Global and International Studies

    In this talk, Prof. Paul Amar, recent Department Chair and founder of the PhD program in the Department of Global Studies and current Director of the Orfalea Center for Global & International Studies at the University of California, Santa Barbara, will highlight some of the most exciting trends in the evolving field of Global Studies.  He will map the centering of perspectives and scholars from the Global South and the shift in research ethics from extraction toward community partnerships and public action. And he will identify the challenges and opportunities of interdisciplinary institution-building in the context of austerity politics and isolationist anti-globalism.

    Global Futures Workshop with Paul Amar

    Global Futures Workshop with Paul Amar

    Join us for a workshop with Paul Amar, Professor, and Director of the Orfalea Center for Global and International Studies

    Paul Amar is the Director of the Orfalea Center for Global and International Studies and Professor at the Department of Global Studies at the University of California, Santa Barbara.

    He is a political scientist and anthropologist who speaks seven languages and has published in nine languages. He holds affiliate appointments in Feminist Studies, Sociology, Comparative Literature, Middle East Studies, and Latin American & Iberian Studies, and has been awarded two Fulbright Fellowships in the past. Before he began his academic career, he worked as a journalist in Cairo, a police reformer and sexuality-rights activist in Rio de Janeiro, and as a conflict-resolution and economic-development specialist at the United Nations. 

    His books include: Cairo Cosmopolitan (2006); New Racial Missions of Policing (2010); Global South to the Rescue (2011); Dispatches from the Arab Spring (2013); and The Middle East and Brazil (2014). His book “The Security Archipelago” was awarded the Charles Taylor Award for “Best Book of the Year” in 2014 by the American Political Science Association.

    RSVP
    AFAS Featured Event: Talk with Maya Berry The Black Corporeal Undercommons in Post-Fidel Cuba

    AFAS Featured Event: Talk with Maya Berry The Black Corporeal Undercommons in Post-Fidel Cuba

    Historic expansion of market reforms in post-Fidel Revolutionary Cuba has contributed to increasingly stark racialized class inequality on the island. The contours of these socioeconomic changes are felt and mediated by Black people in distinctly gendered ways. In this talk, based on ethnographic fieldwork with rumberos (rumba performers) between 2012 and 2018, the embodied practices of African-inspired faith systems are engaged as means for ritual kin to form a space of well-being autonomous from the state and its development designs.

    Maya J. Berry is a dancer, performance scholar, and social anthropologist by training who brings a Black feminist approach to her research on the Black political imagination in Havana, Cuba. Her writing appears in American AnthropologistAfro-Hispanic ReviewBlack Diaspora ReviewCultural AnthropologyCuban Studies, Dance Research Journal, and the Journal of Latin American and Caribbean Anthropology. Prior to joining the University of North Carolina at Chapel Hill as assistant professor of African diaspora studies, she was a postdoctoral fellow at the Institute of Sacred Music at Yale University. Her research has been supported by the Ford Foundation, the Institute for Citizens & Scholars (formerly the Woodrow Wilson Foundation), and the Wenner-Gren Foundation for Anthropological Research, among others.  

    Working at the Intersection of Art, Activism, and Anti-Carcerality: Sarah Shourd and Shubra Ohri in Conversation

    The Washington University Prison Education Project is delighted to present the 2023 Maggie Garb Memorial Lecture, featuring playwright and journalist Sarah Shourd in conversation with Shubra Ohri, an attorney with the Missouri office of the Roderick & Solange MacArthur Justice Center.

    Join us for a discussion of the state of anti-carceral efforts locally and nationally and the role of journalism, art, and public activism in resisting mass incarceration. 

    Registration is required for this event. 

    More info

    Shared Muses: Nature, Music, and Art

    As part of the Saint Louis Art Museum's Earth Day Celebration "Shared Muses: Music, Nature, and Art," Department graduate students Brooke Eastman, Elizabeth Mangone, and Hoyon Mophokee will be giving pop-up talks in the museum galleries: 

    1:00-1:20 pm, Wells Fargo Advisors Gallery 218
    Pop-up talk: Joaquín Sorolla and an Impressionism Beyond France
    with Hoyon Mephokee, graduate student at Washington University in St. Louis

    1:30-1:50 pm, Wells Fargo Advisors Gallery 218
    Pop-up talk: Nature and Industry in Monet’s Paintings
    with Brooke Eastman, graduate student at Washington University in St. Louis

    2-2:20 pm, Wells Fargo Advisors Gallery 218
    Pop-up talk: Water and Impressionism
    with Elizabeth Mangone, graduate student at Washington University in St. Louis

    To learn more about the rest of the event schedule, visit https://www.slam.org/event/shared-muses-nature-music-and-art/

    Global Trade & Exchange, c. 600-1600: A Forthcoming Installation at the Saint Louis Art Museum

    Dr. Maggie Crosland, Etta Steinberg Postdoctoral Teaching Fellow

    In this talk, Dr. Crosland will provide an overview and update on my forthcoming installation at SLAM, which explores trade and artistic connections across the world in the centuries between 600 and 1600. She will discuss her process for choosing artwork, layout, and didactic materials, as well as some of the challenges that have arisen in the planning stages. 

    The Anthropology of Anxiety

    The Anthropology of Anxiety

    Nutsa Batiashvili, Free University of Tbilisi Katie Hejtmanek, Brooklyn College Susan Lepselter, Indiana University Rebecca Lester, Washington University in St. Louis

    The event will feature 4 scholars who have been working collaboratively over the past few years on this topic: Professors Nutsa Batiashvili, Katie Hejtmanek, Susan Lepselter, and Rebecca Lester.  They will each give papers (about 20 min each), followed by Q&A.  A reception will follow.

    The State and Future of Academic Publishing

    Michelle Komie, Publisher for Art, Archaeology and Urban History at Princeton University Press and Archna Patel, Acquisitions Editor at Penn State University Press

    "The State and Future of Academic Publishing" is part of a 3 workshop series on issues related to academic publishing and art history. Archna and Michelle will provide their insights and respond to questions on the current state and future directions of academic publishing in art history and archaeology. A Department reception will follow. 

    This workshop is sponsored by the Mark S. Weil and Joan M. Hall endowment. 

    Envisioning Baroque Rome, From Paper to Pixels

    Dr. Sarah C. McPhee, Samuel Candler Dobbs Professor of Art History and Chair Art History Department, Emory University

    DIY Rights and Reproductions

    Hannah Wier, Research Assistant, Department of Prints, Drawings and Photographs, Saint Louis Art Museum Digital Art History Lab Assistant, Washington University in Saint Louis

    In this workshop, Hannah will give you all of the tools to acquire visual media for your publications. A PDF guide to DIY Rights and Reproductions authored by Hannah will also be provided. To wake us up for this early morning workshop, cold brew and doughnuts will be served!

    This workshop is one of a three part series developed by the DAHL, exploring a range of issues related to academic publishing in art history. The workshop series if funded by the Mark S. Weil and Joan M. Hall endowment faculty grant. 

    2023 Student Dance Showcase

    2023 Student Dance Showcase

    Student Run, Student Choreographed, Student Danced!

    SDS is proud to present our 2023 showcase "A Beautiful Life". Composed by nine student choreographers, pieces will cover a wide range of styles and subjects. We are grateful to put on another show this spring and to allow so many students to help create new works with the talented dancers here at WashU. We hope that our audience is eager to jump in and experience how beautiful life can be!

     

     

    Choreography By:
    Jill Mark
    Erin Prein
    Allison O’Bara
    Lexy Sokolowski
    Izzy Yanover
    Amarnath Ghosh
    Arielle Meisel
    Callie Kamanitz
    Jebron Perkins

    Reserve your tickets here:
    https://www.eventbrite.ie/e/568483518507

     

    Student Dance Showcase

    Student Dance Showcase

    Student Run, Student Choreographed, Student Danced!

    SDS is proud to present our 2023 showcase "A Beautiful Life". Composed by nine student choreographers, pieces will cover a wide range of styles and subjects. We are grateful to put on another show this spring and to allow so many students to help create new works with the talented dancers here at WashU. We hope that our audience is eager to jump in and experience how beautiful life can be!

     

     

    Choreography By:
    Jill Mark
    Erin Prein
    Allison O’Bara
    Lexy Sokolowski
    Izzy Yanover
    Amarnath Ghosh
    Arielle Meisel
    Callie Kamanitz
    Jebron Perkins

    Reserve your tickets here:
    https://www.eventbrite.ie/e/568483518507

     

    Paul and Silvia Rava Memorial Lecture in Italian Studies:

    Paul and Silvia Rava Memorial Lecture in Italian Studies: "Gendered Experiences of the Holocaust in Italy: Space, Place, and Testimonies"

    Alberto Giordano, Professor in the Department of Geography at Texas State University

    Research Interests: Historical GIS, Holocaust and Genocide Geography, Policy Applications of GIScience, Spatial Applications of Forensic Anthropology

    The Rava Memorial Lecture is funded by the family of Paul and Silvia Rava and sponsored by the Department of Romance Languages and Literatures

    Reception begins at 4:00 pm and lecture begins at 5:00 pm. 

     

    Retina Burn

    Retina Burn

    The students of the Lighting Technology class will put on a full concert in the Edison Theatre.

    The Performing Arts Department  invites you to join the students of the Lighting Technology class as they put on a full concert in the Edison Theatre.  The concert, which we lovingly call RETINA BURN, is the culmination of a semester long process in learning the craft of designing a concert lighting and projection rig. Students have spent the better part of the semester programming this concert in computer visualization in preparation for the live show.

    This concert is FREE and Open to the Public.  

    Performance by UNCLE ALBERT with Tim Albert and Lisa Campbell.  This popular Illinois based band maintains their roots as well as they “Boogie da’ Blues.”

    SIR Town Hall Spring 2023

    SIR Town Hall Spring 2023

    Beyond the Pitch: Qatar, Human Rights, and the World Cup

    Town Hall is a panel discussion hosted by Sigma Iota Rho focusing on the 2023 World Cup hosted by Qatar and their impact on conversations surrounding human rights, international relations, and globalism. This event brings together experts from various fields, including sports, politics, and human rights activism, to discuss the intersection of these topics and their impact on Qatar and the world.

    The event aims to facilitate an open and honest discussion about the challenges facing Qatar after hosting the World Cup, including concerns about labor practices and human rights violations. Panelists will explore the various issues surrounding the event, including the treatment of migrant workers, gender inequality, and environmental concerns.

    Town Hall also provides an opportunity for participants to engage in constructive dialogue about how to improve the situation in Qatar and create a more inclusive and equitable world. The event encourages active participation from the audience, with opportunities for questions and comments from the floor.

    Overall, Town Hall seeks to provide a platform for meaningful conversation by bringing together diverse voices and perspectives. The event hopes to promote understanding, collaboration, and positive change for Qatar and the world.

    Graduate Hooding & Recognition Ceremony

    Graduate Hooding & Recognition Ceremony

    Each May our master's and doctoral degree recipients gather with their family, faculty, and peers in a heartfelt celebration of achievement. 

    The next Arts & Sciences Graduate Studies Hooding and Recognition Ceremony will be held on Friday, May 12, 2023, at 3 p.m in Graham Chapel. At this ceremony, each graduate will be recognized by name and the doctoral students will be hooded. On Monday, May 15, the All-University Commencement will be held on Francis Olympic Field at 9 a.m., and the graduates will be recognized by school. 

    Please note that the Division of Biology and Biomedical Science (DBBS) will have a separate Hooding and Recognition ceremony on Friday, May 12 at 9:30 a.m. at the 560 Music Center.  For more information about their ceremony click here

    Additional Details on the Hooding and Recognition Ceremony
    College of Arts & Sciences Recognition Ceremony

    College of Arts & Sciences Recognition Ceremony

    Every May, graduating seniors are joined by their friends, family, faculty, and peers in a heartfelt celebration of achievement. 

    The next Arts & Sciences Recognition Ceremony will be held on Sunday, May 14, at 8:30 am on Francis Olympic Field. At this ceremony, each graduate will be recognized by name.  On Monday, May 15, the All-University Commencement will be held on Francis Olympic Field at 9 a.m., and the graduates will be recognized by school. 

    We will stream the ceremony on our Virtual Recognition website

    Additional details on the Recognition Ceremony

    Tere Dávila in Discussion with Zorimar Rivera Montes

    Puerto Rican author Tere Dávila and Zorimar Rivera Montes, assistant professor of Latinx studies in the Department of Romance Languages and Literatures will discuss Dávila’s literary fiction and its relationship to Puerto Rican culture and contemporary global issues. 

    More info
    Israel Approaching 75: Reform, Protests & Contexts

    Israel Approaching 75: Reform, Protests & Contexts

    Facilitated by Dr. Ayala Hendin, Department of Jewish, Islamic, and Middle Eastern Studies (JIMES)

    Please join us for an open conversation on current events in Israel with JIMES faculty. Together, we will try to make sense of the proposal for judiciary reform, the protests, and the wider implications.

    Monday, April 3rd at 4 PM 

    Busch Hall, room 18.

    ​*Refreshments will be served*

    The Biggs Family Residency in Classics: Dr. Francesco De Angelis

    The Biggs Family Residency in Classics: Dr. Francesco De Angelis

    Professor of Art History and Archaeology, Columbia University

    Colloquium--The Making of Victory: Triumphal Arches and Their Representation in Roman Art

    Monday, March 18, 4:00 pm, Umrath Lounge

    Seminar--Paying Attention: Images of Arches on Ancient Roman Coins

    Wednesday, March 20, 4:00 pm, Seigle 301

     

    Lecture--What Monuments for a Modern Century? Italian Colonial Arches in Africa

    Thursday, March 21, 4:00pm, Steinberg Auditorium

    Each event is free and open to the public and will be followed by a reception. 

    Find out more about the Biggs Family Residency in Classics

    Collecting Wonders

    Claudia Swan, Inaugural Mark Steinberg Weil Professor of Art History at Washington University

    Beginning in the 16th century in Europe, collectors assembled Wunderkammern, so-called cabinets of curiosity designed to evince wonder and awe. These collections housed weird and sometimes wild conjunctions of the natural and the man-made, the local and the exotic. Claudia Swan, the inaugural Mark Steinberg Weil Professor of Art History at Washington University, will discuss how objects in curiosity cabinets were collected, exchanged, stolen, organized and valued. Free tickets for the on-site program may be reserved in person at the Saint Louis Art Museum’s Information Centers or through MetroTix. This lecture will also be livestreamed for free via Zoom; see website to register.

    More info

    Scholarly Writing Retreat 2023

    WashU scholars in the humanities and humanistic social sciences are invited to jump-start their summer writing.

    The Scholarly Writing Retreat offers WashU humanities and humanistic social sciences faculty, postdocs and graduate students the opportunity to jump-start their summer writing in a motivated, supportive and collaborative atmosphere. Participants will bring their laptops and research materials to the Center for the Humanities and work intensively (but quietly!) on their individual projects in communal spaces, following a schedule of focused writing periods, lunch breaks (participants will bring their own lunch or eat at the DUC) and coffee breaks. 

    Registration is now closed.

    Plant, Prison, Port, and Pigment: Histories of Environmental Racism in Southeast Louisiana

    Plant, Prison, Port, and Pigment: Histories of Environmental Racism in Southeast Louisiana

    Robin McDowell, Washington University

    We will livestream the presentations on Thursdays at 4:00 p.m. at the Living Earth Collaborative YouTube Channel

    Basant Utsav - A Spring Celebration

    Basant Utsav - A Spring Celebration

    Meera Jain is a Lecturer of Hindi languages and cultures with the Department of Jewish, Islamic, and Middle Eastern Studies

    Join us for South Asian cultural activites, games, and refreshments!

    We will have: CANstruction* Rangoli, Henna or "Mehendi", Yoga, Games, and more.

    For more information, contact Prof. Meera Jain, Julia Clay, or the JIMES mailbox (jimes@wustl.edu)

    Presented by the Department of Jewish, Islamic, and Middle Eastern Studies and the South Asian Languages and Cultures faculty.

    *cans used in the construction of the Rangoli will be donated to a food pantry. Donations accepted.

    Film Screening:

    Film Screening: "Becoming Yamazushi" followed by Q&A with Director G Yamazawa

    A son honoring family legacy discovers how art can be a champion for healing, lost history, and cultural liberation, as he takes us on the poetic journey of Yamazushi.

    Come join us for a film screening of Becoming Yamazushi (2022) on Thursday, April 20th at 4pm in Seigle L006.

    Directed and narrated by Japanese American MC and poet G Yamazawa, the documentary is a family history about G’s immigrant parents and their restaurant, Yamazushi. Through a poetic narration of his parents’ journey of running the oldest Japanese restaurant in Durham, North Carolina, G honors family legacy and discovers how art can be a champion for healing, lost history, and cultural liberation.

     

    This event has been organized by Daniel Woo, Postdoctoral Fellow in Ethnic Studies. The program will feature a 15-minute film screening, followed by a Q/A moderated by Daniel and Ila Sheren, Associate Professor of Art History and Archaeology and Director of Graduate Studies in AMCS.

    Bio: G Yamazawa is an MC, poet, and teaching artist born and raised in Durham, North Carolina. A National Poetry Slam Champion and Kundiman Fellow, he has toured in 48 states and 12 countries, with notable performances at the Sundance Film Festival, the Pentagon, Princeton University, and NYU-Abu Dhabi. Becoming Yamazushi is G’s first film and has been awarded the Reel South Award at the 2022 New Orleans Films Festival.

     

    Check out the trailer for Becoming Yamazushi

     

     

     

     

     

     

     

    Drop-in tea and chat with Howard Manly of The Conversation

    Drop in and join us for tea, snacks and a chat with Howard Manly, Race + Equity Editor of The Conversation.

    We are excited to provide this informal opportunity for Arts & Sciences faculty to meet and speak with Manly about opportunities to publish their scholarship for a broader, public audience. 

    The Conversation is a nonprofit, independent news organization dedicated to producing trustworthy and informative articles written by academic experts. Your work at Washington University can help to provide crucial context for issues of the day, and The Conversation is one of the premier platforms for sharing that expertise.

    Spring Arabic Calligraphy, Manuscript, and Rare Books Expo

    Spring Arabic Calligraphy, Manuscript, and Rare Books Expo

    Dr. Younasse Tarbouni is a Teaching Professor of Arabic for the Department of Jewish, Islamic, and Middle Eastern Studies. A.J. Robinson is the reference/subject librarian for Islamic Studies and South Asian Studies in Olin Library.

    Join Dr. Tarbouni and subject librarian A.J. Robinson in Olin Library for an opportunity to learn about and create unique calligraphy based on Arabic script and other writings in an all-proficiency levels workshop.

    Both sessions of this two day event run from 9:00am to 11:00am; the Friday, April 14th session will feature an exhibition of manuscripts and rare books from Olin's collections to showcase calligraphy and its influences.

    Paper and sample calligraphy will be provdied, participants are encouraged to bring their favorite pen for practice. Special pens will be provided to participants for final contributions. Light snacks and coffee provided.

    This event is open to all.

    Co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies and Olin Library

    Astolfo

    Astolfo

    Italian Film Festival: USA of St. Louis, from April 7-22, 2023.

    Astolfo
    2022 | 1h 37m
    Director: Gianni Di Gregorio

    Astolfo, a pensioner who no longer expected anything more from life, is evicted from his apartment in Rome and takes refuge in the old family home, a dilapidated building in a small town in central Italy that had once been a noble palace.
    He adjusts to life in the small town, barely gets by,  argues with the mayor, finds an old friend and give refuge to a couple of local misfits like himself.
    Then he meets Stefania, a woman of his age, and falls in love. It will be the beginning of a new life, more difficult but also more beautiful, and real…the only kind worth living.

    Films in original language with ENGLISH SUBTITLES

    Tomorrow's a New Day

    Tomorrow's a New Day

    Italian Film Festival: USA of St. Louis, from April 7-22, 2023.

    Tomorrow's a New Day
    (Domani è un altro giorno)
    2019 | 1h 40m
    Director: Simone Spada

    Giuliano and Tommaso have been friends for more than thirty years, but the next four days will be the hardest they’ve ever known. Giuliano, a vivacious actor who loves life, has been diagnosed with a terminal illness. After a year-long fight, he’s decided to forgo his treatment. Tommaso, who is a teacher living in Canada, returns to Rome to help his friend tie up all the loose ends, including who will take care of Giuliano’s dearest companion, the wide-eyed Bernese mountain dog, Pato.

    Films in original language with ENGLISH SUBTITLES

    Aspromonte: Land of the Forgotten

    Aspromonte: Land of the Forgotten

    Italian Film Festival: USA of St. Louis, from April 7-22, 2023.

    Aspromonte: Land of the Forgotten
    (Aspromonte - La terra degli ultimi)
    2019 | 1h 29m
    Director: Mimmo Calopresti

    In 1951 in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with other villages. In the wake of this tragedy, all of the inhabitants put aside their work and unite to build their own road.
    Giulia, the new school teacher, arrives from the North with a mission: to teach standard Italian to help integrate the local children with the rest of Italy. But she will have to contend with local mafia leader, Don Totó, who is determined to ensure that the town remains cut off and under his control.

    Special Guest: Director Mimmo Calopresti

    Films in original language with ENGLISH SUBTITLES

    ‘Target: STL (Vol. 1)’ Screening and Panel

    Free and open to all: Screening of the documentary Target: STL (VOL. 1) and discussion featuring director Damien Smith, Ben Phillips and Dr. Lisa Martino-Taylor. Target: STL (VOL. 1) tells the story of how the U. S. military conducted secret chemical testing on citizens of St. Louis’ Northside. Told through the eyes of the survivors who bravely share their experiences of being unwitting test subjects. Long before the current scandal of lead poisoning of the water supply of Flint, Michigan, the U.S. Army conducted secret experiments on unknowing residents of northern St. Louis using toxic chemicals. The predominantly African American residents of northern St. Louis are the focus of this film.Target: STL (VOL. 1) shares their disturbing story of how these Cold War experiments occurred and the film examines the actions of the U.S. military that extended beyond the guarantees of public safety promised to U.S. citizens by the Constitution.

    Register at this link

    Presented by Memory for the Future, a studiolab at WashU focused on reparative public memory work.

    More info
    Pleasure, Danger, and The Long History of (Social) Media: A Symposium

    Pleasure, Danger, and The Long History of (Social) Media: A Symposium

    Description: Join the Department of Women, Gender, and Sexuality Studies for an exciting two-day symposium where researchers across disciplines will come together to share ideas and works in progress on the topic of media’s limits and possibilities, from girlhood and fan communities to joy, death, and resistance online. 

    Date: Thursday, April 20 and Friday, April 21, 2023


    Location: Danforth University Center in the Goldberg Formal Lounge

     

    Thursday, April 20, 2023

    4:00 pm - Symposium Opening Keynote Conversation with Professor Wendy Hui Kyong Chun

    Moderated by Reem Hilu, Assistant Professor, Film and Media Studies

    Reception follows

    Wendy Hui Kyong Chun is Simon Fraser University’s Canada 150 Research Chair in New Media in the School of Communication and Director of the Digital Democracies Institute--a group of diverse scholars and stakeholders from around the world who collaborate across disciplines, schools, industry, and public sectors to research and create vibrant democratic technologies and cultures. She has studied both Systems Design Engineering and English Literature, which she combines and mutates in her research on digital media. She is the author many books, including: Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT, 2006), Programmed Visions: Software and Memory (MIT 2011), Updating to Remain the Same: Habitual New Media (MIT 2016), and Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (2021, MIT Press). She has been Professor and Chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and is currently a Visiting Professor. She is a Fellow of the Royal Society of Canada, and has also held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard.

    RSVP: https://wgss.wustl.edu/rsvp-conversation-wendy-hui-kyong-chun

     

    Friday, April 21, 2023

    10:00 am - Presentations

    Join us for presentations on the effects of social media in pre-teen and teen girls from the psychological perspective. Learn more about what is broadly known about girls' social media use, recent findings from scholars here at Wash U, and plans for upcoming projects. After, please join our speakers, three leading experts in the topic of social media on mental health, for breakfast and an open conversation about the benefits and risks associated with social media in today's young girls.

    RSVP: https://wgss.wustl.edu/rsvp-girlhood-age-social-media

    “Girlhood in The Age of Social Media”  

    Alison Tuck, MA

    Renee Thompson (Associate Professor, Department of Psychological & Brain Sciences Washington University in St. Louis)

    “Discussing Social Media and Mental Health in Preteen Girls"

    Laura Hennefield (PhD, Assistant Professor, Department of Psychiatry, Child & Adolescent Division)
     
    Alison Tuck, MA
     
    Renee Thompson (Associate Professor, Department of Psychological & Brain Sciences, Washington University in St. Louis)

     

    1:00 pm - Panel: “The Pleasures and Pains of Sustaining Fan Communities – From Early Film to TikTok”

    Diana Anselmo (Assistant Professor in Critical Studies, California State University, Long Beach) - “The Love and the Wound: Female Film Fandom Then and Now”

    Rukmini Pande (Associate Professor in Literary and Communication Studies, O.P Jindal Global University, India) – “'A sense of beleaguered exceptionalism': Tracking Media Fandom’s Confrontations with Race/ism” 

    Nicholas Sammond (Professor of Cinema and Media Studies, University of Toronto) - “'Yes, That’s Exactly It, That’s Me!': Letters, Queer and Women’s Comix and the Making of Community”

    RSVP: https://wgss.wustl.edu/rsvp-pleasures-and-pains-sustaining-fan-communities

     

    3:00 pm - Concluding Roundtable: “Black Joy, Black Death, Black Love: Making Sense of Pleasure and Danger Online”

    A Conversation with Dr. Brooklyne Gipson (Assistant Professor, Department of Communication at the University of Illinois, Urbana-Champaign), Kishonna Gray-Denson (AssociateProfessor, Writing, Rhetoric, Digital Studies and African/African-American Studies, University of Kentucky); and Raven Maragh-Lloyd (Assistant Professor, Department of African and African American Studies, Washington University in St. Louis)

    RSVP: https://wgss.wustl.edu/rsvp-concluding-roundtable

     

    Sponsors: The Department of Women, Gender, and Sexuality Studies and co-sponsored by the Program in Film and Media Studies, Jewish, Islamic, and Middle Eastern Studies, the Department of Psychological & Brain Sciences, and the College of Arts and Sciences.

    2023 Peterson Photography Lecture Series: Dr. Krista Thompson

    2023 Peterson Photography Lecture Series: Dr. Krista Thompson

    The Art History Program, Fine and Performing Arts, and the Peterson Lecture Fund, with support from African American Studies, Communications, and the ATLAS Program present an upcoming talk at St. Louis University with Dr. Krista Thompson for the 2023 Peterson Photography Lecture Series. Dr. Krista Thompson is an endowed professor at Northwestern who specializes in African and Diaspora Visual Studies, Art History, film, photography, and new media. She will be speaking on her forthcoming book: The Evidence of Things not Pictured: On Photographic Disappearance and the Archive in Jamaica.

    On 24 May 2010, soldiers and police officers—with the aid of the U.S. Department of Homeland Security—entered the West Kingston community of Tivoli Gardens in search of Christopher “Dudus” Coke. Coke became a fugitive after the United States sought his extradition. After almost four days, at the end of this operation, Coke remained at large, but at least 69 civilians—mostly young black men—and 3 members of the security forces lay dead and with two others disappeared. Examining photographs, surveillance footage, artistic, and archival projects related to the massacre, Dr. Thompson asks why the hunt for a single fugitive led to the detainment, containment, and killing of so many. The talk discusses strategies for critically reassessing the evidence of things not captured in the widely accepted visual and discursive formations surrounding the event and in narratives of state violence in Jamaica more generally.

    Lena Blou: Performing the political

    Lena Blou will share her dance practice by evoking the practical, aesthetic, historical, anthropological and philosophical dimensions of Gwoka, Techni’ka and Bigidi and discusses with our students what these concepts teach us about how to approach uncertainty, unpredictability, imbalances, in contemporary society.

    "My aim during this residency is to verify the hypothesis according to which colonial and slave-trading history generated a way of moving the body that expresses a particular approach to the world."

    Lēna Blou holds diplomas in jazz and contemporary dance, choreographic interpretation, and dance teaching. She founded the Center for Dance and Choreographic Studies (CEDC) in 1990 and the Compagnie Trilogie in 1995. She obtained a Masters in Caribbean Art and Cultural Promotion in 2015, and a PhD in 2021. In 2017, she founded Larel Bigidi’Art, a space for training, creation, and research. Since 2020, she has been developping her projects as part of Lafabri’k, a Laboratory of Dance and Expression through Movement. She was awarded the French Legion of Honor in 2008, and was made an Officer of the National Order of Merit in 2013.

    The event is sponsored by the French Connexion center of excellence, and the Performing Arts Department, and the Villa Albertine Chicago.

    (Zoom) Hurst Professor: Nazera Sadiq Wright

    (Zoom) Hurst Professor: Nazera Sadiq Wright

    Nazera Sadiq Wright is the Associate Professor of English, African American, and Africana Studies at the University of Kentucky. She will be presenting her lecture, "Frances E. W. Harper's Library Ticket," followed by a brief Q&A with the audience.

    Professor Wright is the author of Black Girlhood in the Nineteenth Century (University of Illinois Press, 2016), which won the 2018 Children’s Literature Association’s Honor Book Award for Outstanding Book of Literary Criticism. Her Digital Humanities project, DIGITAL GI(RL)S: Mapping Black Girlhood in the Nineteenth Century documents the cultural activities of black girls living in Philadelphia in the nineteenth century. In 2019, she was elected to the American Antiquarian Society. Fellowships through the Ford Foundation, the National Endowment for the Humanities, the Andrew W. Mellon Foundation, the Bibliographical Society of America, and the American Philosophical Society funded archival research for her second book, Early African American Women Writers and Their Libraries.

    Read more about Professor Wright on her page at the University of Kentucky.

    Get her book, Black Girlhood in the Nineteenth Century, here.

    To join the Zoom call, on Thursday, April 20th at 4:00pm (Central), please click the link below:

    https://wustl.zoom.us/j/95477255494?pwd=bkI4bGVFUG1lTWdaNmhFTlhDOUhFQT09

    Meeting ID: 954 7725 5494
    Passcode: 762874

    TEMPO Conference

    Literature in the Making Public Reading Event

    This reading is held by graduate students in the International Writers PhD track in Comparative Literature!

    Please join us for this semester's public reading event for the course Literature in the Making!

     

    Hurst Lounge

    Wednesday, April 19th

    6:00pm to 7:30pm

     

    Featured readers:

    Gbenga Adeoba

    Zain Baweja

    Rajnesh Chakrapani

    Stephanie Nebenfuehr

    Tolu Daniel Ojuola

    Rebecca Weingart

     

    Body Arithmetic: Facts, Quantification, and the Human in the Early Modern Iberian Atlantic

    Body Arithmetic: Facts, Quantification, and the Human in the Early Modern Iberian Atlantic

    Pablo Gómez, University of Wisconsin, Madison

    This talk will explore the emergence in sixteenth and seventeenth-century Iberian Atlantic slaving societies of novel concepts about the quantifiable nature of human bodies. These developments, he argues, gave rise to a new epistemology that conceived of fungible and universal bodies that were measurable and comparable, as were the diseases that affected them, in quantifiable and reproducible ways in a temporal framework. Scholars have traditionally identified these ideas as related to the rise of the New Science and political and medical arithmetics in late seventeenth-century and eighteenth-century English, French and northern European learned circles.

    Dr. Gómez's research explores how early Iberian-centered slave trade enterprises of the sixteenth and seventeenth centuries generated, in an unprecedented manner, a gargantuan amount of data related to the mathematical measurement of human corporeality and the risks of slave bodies (and their labor) in financial terms. This history has remained mostly unexamined, especially in relation to accounts about the emergence of modern medicine, epidemiology, and demography. By focusing on the violent early history of bodily quantification in the Atlantic, his work re-locates narratives about critical events related to the value-creating nature of exchange practices as they refer to the human body and their role in the modeling of fundamental ideas for the nascent disciplines of political economy and public health in ensuing centuries.

    Dr. Gómez will deliver this lecture as part of the History Department Colloquium Series.

    Observation, Stillness, Deviation: The Theory and Practice of Travel in William Henry Hudson

    The Nineteenth Century in the Americas Reading Group, sponsored by the Center for the Humanities, is honored to host Javier Uriarte for a virtual talk. 

    Uriarte is an associate professor in the Department of Hispanic Languages and Literature at Stony Brook University. He is interested in theories of space and place, war studies, environmental studies, and the intersections between literary studies, history, geography, philosophy and politics. He specializes in the study of travel narratives, territorial imagination, war and representation, the Amazon, state consolidation and cultural production in 19th-century Latin America. 

    In 2020, he published his first book, The Desertmakers: Travel, War, and the State in Latin America, which examines the conceptualizations of space in war settings through the travel narratives of Richard Burton, William Henry Hudson, Francisco Moreno and Euclides da Cunha. The Desertmakers shows the central role of war in modernization and state formation processes in 19th-century Latin America.  

    register for zoom
    Eid Ul-Fitr and End of Semester Celebration

    Eid Ul-Fitr and End of Semester Celebration

    Toqeer Shah is a Lecturer of Urdu in the Hindi department, Housni Bennis is a Senior Lecturer in the Arabic departmet, and Hayrettin Yücesoy is the Director of Undergraduate Studies for Jewish, Islamic, and Middle Eastern Studies

    Join the faculty and students of the Jewish, Islamic, and Middle Eastern Studies department's Arabic and Urdu language classes, along with WashU Arab Culture Club, for food, music, games, hennah, and a general celebration of the end of another academic year!

    Let off some steam, learn about the history of food in the Middle East from Professor Yücesoy, play games, and take a moment for yourself before the stress of finals.

    The event will be held in Mudd Field or, in case of inclement weather, McDonnell Hall at Room 162.

    For more information, contact: yucesoy@wustl.edu; hbennis@wustl.edu; or t.shah@wustl.edu 

    Sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies.

    2023 Humanist Games

    Join us for this year's Humanist Games to celebrate the end of the spring semester!

    McMillan Courtyard

    4:00pm to 6:30pm

     

    Enjoy an afternoon of Humanist Games with fellow students and faculty! We'll be offering a delicious spread of food, ice cold beverages, and good times for all. Please RSVP using the button at the bottom of the page by Wednesday, May 3rd!

    If you have any questions, please email Ben Locke (blocke@wustl.edu)

     

    Hosted by IPH with the support of Comparative Literature and the department of Germanic Languages & Literatures

    RSVP below!

    RSVP
    Phillip Maciak at Left Bank Books

    Phillip Maciak at Left Bank Books

    Left Bank Books presents TV editor for the Los Angeles Review of Books & a lecturer at Washington University in St. Louis, Phillip Maciak, who will discuss his funny, insightful work of cultural criticism and history Avidly Reads Screen Time, in our store on May 25th at 5:30pm!

    Join us for in the store or on YouTube Live Page.
    Maciak will be in conversation with fellow author and Washington University English professor Martin Riker!
    Order copies of Avidly Reads Screen Time from Left Bank Books to support authors and independent bookstores!

    Maciak will personalize and sign copies for sale from Left Bank Books.
    If you are unable to make it in person, leave a personalization note in your order.


    Phillip Maciak is the TV editor for the Los Angeles Review of Books and a lecturer in English and American Culture Studies at Washington University in St. Louis. He's the author of The Disappearing Christ: Secularism in the Silent Era, and his writing has appeared in Slate, The New Republic, and The Week, among other places.

    Martin Riker is the co-founder and publisher of the feminist press Dorothy, a Publishing Project, and the author of Samuel Johnson's Eternal Return. He teaches in the English department at Washington University in St. Louis, and his criticism has appeared in the Wall Street Journal and the New York Times, among other publications.

    What happens when screen time is all the time?

    In the early 1990s, the phrase "screen time" emerged to scare parents about the dangers of too much TV for kids. Screen time was something to fret over, police, and judge in a low-grade moral panic. Now, "screen time" has become a metric not only for good parenting, but for our adult lives as well. There's even an app for it! In the streaming era--and with streaming made nearly ubiquitous during COVID-19--almost every aspect of our day is mediated by these bright surfaces. Whether it was ever the real villain in the first place, or merely a convenient proxy for unaddressed familial, social, and institutional failures, screen time is now all the time.

    Avidly Reads Screen Time is a funny, insightful work of cultural criticism and history about how we define screens, and how they now define us. From Mad Men to iCarly, Vine to FaceTime, binge-watching to doom-scrolling, Phillip Maciak leads us on a sometimes heartwarming, sometimes harrowing tour of the media that brings us together and tears us apart.

    "A witty, intimate meditation on the way we watch now from Phillip Maciak, an author of the celebrated Dear TV column. Hopscotching elegantly from Twin Peaks to bedtime doomscrolling, Zoom school to Vine, Maciak explores the deep paradoxes of 'screen time, ' the mirror we all gaze into, at once together and alone."-- Emily Nussbaum, Pulitzer Prize winning author of I Like to Watch: Arguing My Way Through the TV Revolution

    "What a timely and important contribution to the study of the present! Maciak beautifully synthesizes scholarship, art, and his personal experiences of the past decades, teasing apart some of the skeins that get knotted together around that ubiquitous modern experience (and source of anxiety), screen time. Maciak puts aside the scolding that haunts today's parents (and scrollers), and instead shows the complex and sometimes even beautiful ways technology has changed the way we learn, play, communicate, fight, create, and connect, reframing our habits and providing some wonderful cultural criticism along the way. An essential text for our streaming, scrolling era."-- Lydia Kiesling, author of The Golden State, A Novel

    "Alas, we are creatures made of screens! But beheld in Maciak's shrewd, tender gaze, our relationship with these pulsing surfaces that situate our lives loses the flavor of a diagnosis--in its place, wit, and curiosity. This book offers a roomy haven for working out what it means to live and grow up in a modern age, honoring the tangle of feelings--bad, euphoric--that accompany our most sacred rituals, from appointment television to all that scrolling. It prompted me to continue wondering about the screens we take for granted, what they offer us and why we return."-- Lauren Michele Jackson, contributing writer, The New Yorker

    Spring Grad Colloquium

    Spring Grad Colloquium

    Three of our beloved PhDs, Ann Marie Jakubowski, Crystal Payne, and Maria Sciiliano, share their latest research in an informal evening of presentations, snacks, and refreshments.

    Micah Bazant - Anti-Racism and Creative Practice

    Micah Bazant - Anti-Racism and Creative Practice

    Visiting artist Micah Bazant is a trans, Jewish artist and organizer.

    The Washington University Department of Jewish, Islamic, and Middle Eastern Studies along with the Academy for Jewish Religion, California (AJRCA) welcome Micah Bazant - a trans, Jewish artist who works with liberation movements to reimagine the world.

    The presentation, "Anti-Racism and Creative Practice," is a part of the course, "The Jewish People in America: Race and Ethnicity," but will be open to the public via Zoom at the link provided.

    Zoom: https://wustl.zoom.us/j/91274152263?pwd=ZG5hc21qZ2dSV0s0azNoU2FsNUxvUT09
    Passcode: 696859

    Micah Bazant created the underground Jewish trans zine Timtum in 1999 and co-founded the national Trans Day of Resilience art project, which has supported trans artists and poets of color since 2015. They have collaborated with hundreds of organizations including Sex Worker Organizing Project, Jewish Voice for Peace, Arab Resource and Organizing Center, Sins Invalid, the Movement for Black Lives, Climate Justice Alliance and more. In 2019 they received the "Art Is a Hammer" award from the Center for the Study of Political Graphics. Bazant’s work has been featured in many exhibitions, films, and publications and is held in the permanent collection of the Los Angeles County Museum of Art and the Library of Congress. More importantly, their art can be seen at protests, abortion clinics, classrooms, prisons, and LGBTQI community spaces all over the world. The foundation of their work is a deep belief that all our liberation is bound together. The foundation of their work is a deep belief that all of our liberation is bound together.

    Half of the artists fee from this speaking engagement will go to support their friend, Ashley Diamond

    For more information, contact Maxwell Greeberg (gmaxwell@wustl.edu) or Julia Clay (jclay@wustl.edu)

    Spring Hafla

    Spring Hafla

    Hosted by the Washington University Arab Culture Club

    The WashU Arab Culture club welcomes Noelani Kelly from her course, "Belly Dance and Beyond: Popular and Folkloric Dances of the Middle East," to provide instruction in basic movements and steps for two different dance styles: social belly dance and dabke!

    Music, dancing, food, and community.

    For more information, please contact Housni Bennis (hbennis@wustl.edu) or Julia Clay (jclay@wustl.edu)

    Sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies

    SIR Sping Cultural Expo

    Join SIR, the Global Studies student organization, for their yearly Cultural Expo. 

    To learn more, you can check out SIR on Instagram

    SAHRA: The MENAA Cultural Showcase

    SAHRA: The MENAA Cultural Showcase

    Hosted by the Middle Eastern and North African Association

    Sahra (n): soirée (an elegant evening party or social gathering)

    Join the MENAA in Tisch Commons for an evening of music and dancing featuring free, traditional Middle Eastern dishes, henna, calligraphy, and more.

    Contact the MENAA at wumenaa@gmail.com or @wustlmenaa for more information.

    A Retirement Talk and Reception for Bob Milder

    A Retirement Talk and Reception for Bob Milder

    Please join us in extending best wishes to Bob Milder, who is retiring from Washington University this year.

    XXXXXX

    We invite you to attend an event and reception to celebrate Professor Milder and his many accomplishments. Randall Fuller, the Herman Melville Distinguished Professor of American Literature at the University of Kansas, will give a talk, accompanied with remarks from Matthew Shipe, and Bob Milder himself. A reception will follow.

    Please join us!

     

    Those who cannot attend, but wish to share comments with Professor Milder, can send them to esusan@wustl.edu.

    Kemper Live featuring Candice Ivory

    Kemper Live featuring Candice Ivory

    with Emanuel Harrold, Adam Maness, Jahmal Nichols, and Joel Vanderheyden

    Inspired by the exhibition African Modernism in America, Kemper Live explores African and African Diasporic arts past and present. Performances by Black Anthology and Candice Ivory, Department of Music in Arts & Sciences, and local dancers and poets will occur simultaneously throughout the Museum. This event is free and open to the public.  
     
    Kemper Live is an ongoing performance series that brings artists across disciplines to connect sound, movement, and visual arts, transforming galleries into a multimedia sound installation. 
      
    Support for this program is provided by Women and the Kemper and the Department of Music, Arts & Sciences. 


    Listen to a playlist inspired by the exhibition and curated by Candice Ivory >> 

    Read the press release >>


    Biographies:

    Emanuel Harrold continues to raise the bar with gracing the stage, recording, and collaborating with the likes of Damon Alburn, Gregory Porter, Hypnotic Brass Ensemble, De La Soul, & Keyon Harrold. When you think of the word forward, Emanuel Harrold's name comes to mind. Fashion, community, music, and love... Emanuel's family music legacy stands for over 3 generations of musicians. If you enjoy artists such as Gregory Porter, Robert Glasper, Terrace Martin, Max Roach, Miles Davis, and soulful motivational music, Harrold likes it too.
     
    Born into the artistry of music by way of St. Louis, MO. Harrold is no stranger to being a part of projects receiving Grammy awards and selling millions of records and digital streams. Emanuel's father was a pastor whilst growing up,  the appetite for singing & playing instruments grew. There were many musical outlets such as his grandfather's  Memorial Lancers Drum and Bugle Corp, church gatherings, & family reunions.  Harrold did not seriously pursue drumming until after high school. In St. Louis, Emanuel was involved with Off Broadway musicals with The Black Repertory Theater and traditional jazz & local Gospel scenes. Harrold is a self taught musician and inspired by many great people on his musical journey to date. He is a graduate of The New School, in New York. Harrold has performed or recorded in no specific order with Wynton Marsalis, Roy Hargrove, Robert Glasper, Ronnie Mathews, Keyon Harrold, Damon Auburn, John Hicks, James Spaulding, Shedrick Mitchell, Marcus Strickland, Stevie Wonder,  Kidz in The Hall, Hypnotic Brass Ensemble, Ben L'Oncle Soul, Gregory Porter,Ambrose Akinmusire, Revive The Live  Big Band, Jonathan  Baptiste, Keyon Harrold, Laura Mvula, and many other amazing musicians.  Emanuel is currently involved in community www.mySAH.org in his hometown of St. Louis in Ferguson. Emanuel has created jobs through a commercial cleaning company hiring, influencing and teaching skills needed in his own community. You can hear Harrold's most recent drumming contribution on Gregory Porters All Rise, Still Rising and soon to come his own soon to be released album titled We Da People ft. many notable artist such as Malcolm-Jamal Warner, Gregory Porter, Saunders Sermons II (Tedeschi Trucks Band), Jermaine Holmes ( D’Angelo), Shereef Keys, & Chrystal & Charles Ransom II. His EP Funk La Soul released in August 2022 in conjunction with Gear Box Records UK. 

    Candice Ivory is an internationally acclaimed vocalist, composer, and recording artist. After being selected for Betty Carter's Jazz Ahead residency at the Kennedy Center, she studied voice and composition at the New School of Jazz and Contemporary Music in New York. Since then, she has performed across the United States and Europe as well as in Cuba. At Rhodes College in Memphis, she created the Unscripted symposium series and the King Biscuit research fellowship in partnership with the Mike Curb Institute for Music and the King Biscuit Blues Festival. Ivory, a member of the Recording Academy, has recorded three albums and appeared as a guest artist on many others, most recently on Kenneth Brown's Love People. In 2021, she was named a Featured Artist of Missouri in recognition of her work as a musician and visual artist. She is currently working on a new album as well as multiple projects that merge music and visual art.

    Adam Maness is a versatile multi-instrumentalist, songwriter and composer. Born in St. Louis, Missouri, Maness has performed around the globe with award-winning artists from a plethora of musical genres. His songs and compositions have been featured on several national and international recordings, television shows, and films. The Adam Maness Trio formed in early 2017 around a mutual love of melody, and joyful improvisation. Featuring Adam Maness on piano, Bob DeBoo on bass, and Montez Coleman on drums, the trio is continually adding new compositions and arranging popular songs in the tradition of the modern piano trio.

    With 20 years of experience, Jahmal Nichols has shared the stage with artists from all over the world, including Gregory Porter, Fontella Bass, Jon Faddis, Sean Jones, Terrell Stafford, Houston Person, Eric Roberson, Matt Wilson, Anat Cohen, Frank Foster, Julie Dexter, Anthony David, and many more.

    His second solo album Black Frequencies is out now and features guest appearances from Marcus Anderson, Lil’ John Roberts, Montez Coleman, Cory James, Eric Roberson, Federico Pena, Darryl McCoy Jr., Andre Boyd, Carlos Brown, Jr., Kyle Bolden, Tivon Pennicott, Chip Crawford, Emanuel Harrold, Mavis Swan Poole, Adam Maness, Ondre J, Keyon Harrold, Mike Pugh, Phillip Graves, Andrew Exum, Philip Lassiter, Zida Lioness, and Malcolm-Jamal Warner.

    Joel Vanderheyden holds a D.M.A. in Saxophone Performance and Pedagogy (University of Iowa – with Kenneth Tse), a M.M. in Jazz Studies (University of Maryland – with Chris Vadala), and a B.A. in Music Education and Performance (University of Minnesota-Morris). Joel endorses D'Addario reeds and Selmer saxophones, and performs regularly with the St. Louis Symphony Orchestra, the Jazz St. Louis Big Band, and the electro-jazz ensembles, Koplant No and Vehachi. He is Professor of Music and Director of Jazz at Jefferson College in Hillsboro, Missouri. He has previously served as Director of Jazz and Woodwinds at Oakton Community College in the Chicago area, and Director of Jazz at the University of Minnesota-Morris.


    AFRICAN MODERNISM IN AMERICA
    March 10, 2023 - August 6, 2023

    Barney A. Ebsworth Gallery + Saligman Family Atrium

    Organized by the American Federation of Arts and the Fisk University Galleries, African Modernism in America is the first major traveling exhibition to examine the complex connections among African artists and patrons, artists, and cultural organizations in the United States, amid the interlocking histories of civil rights, decolonization, and the Cold War. During these years, such institutions as the Museum of Modern Art, New York (MoMA), and Historically Black Colleges and Universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists’ paintings, sculptures, and works on paper defy typical Western narratives about African art being isolated to a “primitive past”; their presentation in the US rooted these vital works firmly in the present for American audiences. This exhibition draws primarily from Fisk University’s remarkable collection of gifts from the Harmon Foundation, a leading American organization devoted to the support and promotion of African and African American artists and to forging links between transatlantic artists and audiences. It features more than seventy artworks by fifty artists that exemplify the relationships between the new art that emerged in Africa during the 1950s and 1960s and the art and cultural politics of the US.

    In 1961 the Harmon Foundation organized the landmark exhibition Art from Africa of Our Time. The same year the Museum of Modern Art exhibited its first acquisition of contemporary African art, Men Taking Banana Beer to Bride by Night (1956) by Sam Ntiro (Tanzania). The simultaneity of the Harmon Foundation’s exhibition and MoMA’s purchase was crucially important in drawing attention to African artists’ modernity in a moment of shifting relationships between the US and African nations. By then many African nations had gained independence from colonial rule. Also in 1961 the Freedom Riders protested segregation in the American South; Congolese independence leader Patrice Lumumba was killed in a CIA-supported assassination plot; and eminent Pan-Africanist W. E. B. DuBois emigrated to Ghana. Within the changing social and political contexts of colonialism, decolonization, and independence in Africa, artists developed new visual languages, and such exhibitions as Art from Africa of Our Time enabled US audiences to recognize their shared aesthetic and political concerns.

    African Modernism in America is presented in four sections. The first, “Art from Africa of Our Time: The Modern African Artist,” foregrounds the places and people who supported the Harmon Foundation exhibition and promoted modern African artists in the United States. The second section, “Mapping Modernist Networks in Africa,” highlights the continent-wide networks of artists, galleries, literary journals, and art education programs instrumental in the development of these new, forward-thinking venues for the display and discussion of postcolonial art. The third section of the exhibition, “African Modernists in America,” highlights the establishment of meaningful connections between African and African American artists in the US. The exhibition concludes with “The Politics of Selection,” a new commission of the same name by the Nigeria-based sculptor Ndidi Dike that interrogates the collecting histories in the Cold War as presented throughout the exhibition, including those of the Harmon Foundation. Dike’s immersive, multimedia installation examines the multiplicity of viewpoints, biases, prejudices, allegiances, and omissions she uncovered in her research in the archives at the Harmon Foundation and Fisk University.

    Image credit

    Uche Okeke (Nigerian, 1933–2016), detail of Ana Mmuo (Land of the Dead), 1961. Oil on board, 36 1/16 x 48 in. National Museum of African Art, Smithsonian Institution. Gift of Joanne B. Eicher and Cynthia, Carolyn Ngozi, and Diana Eicher. © 1961 Uche Okeke. Courtesy of Professor Uche Okeke Legacy Limited and American Federation of Arts.

    Juneteenth Keynote: From New Orleans to Galveston to St. Louis and Beyond

    Juneteenth Keynote: From New Orleans to Galveston to St. Louis and Beyond

    Join us for a riveting nine-generation family migration story from Texas to Missouri. Vanessa Slaughter, a native St. Louisan, will join Jim Vincent of the St.  Louis African American History & Genealogy Society in a fireside chat to trace her family’s legacy to Galveston, Texas, in  the 1860s. Each generation builds on the foundation of love, community, and freedom to give us inspiration to dig into our own family histories and celebrate Juneteenth as a community. The  evening will kick off with a brief presentation about the history and meaning of the Juneteenth holiday by Dr. Geoff K. Ward of Washington University in St. Louis and will end with a live performance by the Community Gospel Choir of St. Louis, inspiring us to look deep into our own family legacies of migration, freedom, and community love.

    Divided City End of Year Celebration

    Open to the public - lunch + short performance by Saint Louis Story Stitchers

    RSVP
    The Maid of McMillan Screening

    The Maid of McMillan Screening

    Come enjoy a film screening of The Maid of McMillan, a 15-minute silent film written and produced by Washington University in St. Louis students in the Thyrsus Dramatic Club in 1916. Also, hear about grant-funded work to preserve and digitize the film, more about the film itself and WashU at the time, along with an update about activities of the still active Thyrsus Club. Light refreshments will be available.
    University-Wide Commencement Ceremony

    University-Wide Commencement Ceremony

    The university-wide Commencement Ceremony will take place on Monday, May 15, 2023, at 9:00 a.m. on Francis Olympic Field. Additional climate-controlled and accessible viewing locations are listed below.

    Commencement is a rain or shine event. Tickets are not required. Seats are available first come, first served. 

    An all-school Commencement festival will immediately follow the university-wide Commencement ceremony on Monday, May 15. The celebration will include local food and beverage, games, photo opportunities, live entertainment, and will stretch from Mudd Field to Tisch Park. Festival will start at the conclusion of the Commencement Ceremony and end at 3:00 p.m.

    Commencement Office Website

    Colloquium in Memory of Penelope Biggs

    Sponsored by the Department of Classics and the Program in Comparative Literature

    SCHEDULE FOR THE DAY

     

    8:30am - 9:00am

    Coffee

     

    9:00am - 9:15am

    Introduction

     

    9:15am - 10:15am

    Ovid's Contesting Muses

    John F. Miller, Arthur F. and Marian W. Stocker Professor of Classics, University of Virginia

    This talk explores how, against backgrounds of ancient literature, scholarship, and artistic reception, Ovid stages the strange scenario of the Muses disagreeing with one another and how a Renaissance Latin imitator resolves the difficulty.

     

    10:15am - 10:30am

    Break

     

    10:30am - 11:30am

    Teaching Latin in the USA: Challenges and Opportunities

    Teresa Ramsby, Professor of Classics, University of Massachusetts at Amherst

    Professor Ramsby will describe the trends in Latin pedagogy in the United States and discuss the challenges facing Latin teachers and Latin programs. Her talk will offer some strategies we, as educators and teachers of educators, can implement to overcome these challenges and transform some of them into opportunities. There are many resources and programs that support Latin teachers and that augment best practices in Latin teaching. Prepared with information and working together, we can help Latin programs survive and thrive in the United States.

     

    11:30am - 12:30pm

    Lunch

     

    12:30pm - 1:30pm

    The Cure at Athens: The Disease Theme in Sophocles’ Ajax and Oedipus at Colonus

    Sheila Murnaghan, Alfred Reginald Allen Memorial Professor of Greek, University of Pennsylvania

    Building on Penelope Biggs’s important discussion of “the disease theme” in Sophocles, this talk focuses on the concepts of sickness and cure in relation to two protagonists, Ajax and Oedipus, who are destined to become cult heroes in Athens.  In Sophocles’ depiction of these heroes’ deaths, a human understanding of life as an alternating sequence of diseases and cures, and of medical skill as a proud human achievement, is integrated with a divine vision that transcends ordinary human distinctions and concepts of time. 

     

    1:30pm - 1:45pm

    Thoughts from the Biggs Family

     

    1:45pm - 2:15pm

    Discussion

     

    2:15pm

    Dessert

     

    Please RSVP via the link below by November 17, 2023, in order to secure your attendance. A virtual option will be available for these lectures. 

    RSVP at this link for either in-person or Zoom attendance.
    Memorial service for Professor George Pepe

    Memorial service for Professor George Pepe

    A memorial service for Professor George Pepe, organized by his family and sponsored by the Department of Classics, will be held at 3:00pm on Friday June 2nd in Umrath Lounge on the Washington University campus.

    The closest visitor parking to Umrath Lounge is available in the Danforth University Center (DUC) parking garage. Information regarding parking can be found here.

    Umrath Hall is located in between the Danforth University Center and Graham Chapel.

    What Do Egalitarians Really Want?

    Agnes Callard, Associate Professor in Philosophy, The University of Chicago
    Lecture-concert:

    Lecture-concert: "Israeli art-song: between fantasies and realities"

    Sponsorship by the Department of Jewish, Islamic, and Middle Eastern Studies is made possible by the Stern Family Foundation



    Iris Malkin, mezzo-soprano
    Ido Ariel, piano and moderation

    This lecture-concert follows the history of the Israeli art song. Songs for voice and piano setting Hebrew poems have been composed since the early 20th century, reflecting Israel's rich and complicated culture. Mezzo-soprano Iris Malkin and pianist Ido Ariel present this fascinating genre's contrasting trends, over 100 years of tensions between West and East, Zionism and Post-Zionism, Classical, and Popular music.  

    The Stern Family Lecture Series

    Biographies:

    Dr. Ido Ariel - The Jerusalem Academy of Music and Dance

    Dr. Ido Ariel is a pianist, accompanist, corepetitor, lecturer, and translator, he is a leading figure in the field of Art-Song in Israel. He chaired the vocal department at the Jerusalem Academy of Music and Dance where he later served as Dean. He founded and directed concert series such as "Singing Words" and "Shira-Shir," presenting concerts dedicated to classical as well as Israeli art-song with prominent Israeli singers. He has accompanied many acclaimed singers in Israel and abroad, and directed and artistically advised related concert series. He lectured and gave masterclasses on Lied and Israeli art-song in leading music academies in Israel, Europe, and the U.S. Dr. Ariel completed his doctoral studies at the RCM, London, researching coaching of the songs of Arnold Schoenberg. Recently, he has been active in translation-for-singing of the art-song repertoire, publishing, and performing art-songs in new Hebrew translations. He teaches at the JAMD and many of Israel's prominent singers are among his students.

    Iris Malkin - Mezzo-Soprano

    Israeli-born mezzo-soprano, pianist, and vocal coach Iris Malkin graduated from the Jerusalem Academy of Music with a Master’s Degree in Vocal Performance and an Artist Diploma in Piano – with a Vocal Coaching emphasis. Iris has performed widely both as a singer and as a pianist in concerts and festivals in Israel, Europe, and the United States, and her performances have been broadcast worldwide.

    In addition to the mainstream operatic repertoire, Iris has distinguished herself in the world of Hebrew and Jewish works as well as the highly nuanced Spanish song repertoire. She is dedicated to sharing her passion for art song performance with audiences around the world.  Iris performed under the baton of Pierre Boulez during the 2006 Lucerne Festival, including collaboration with Boulez’ celebrated Ensemble Intercontemporain, and in 2011 was a guest soloist with the Chamber Orchestra of the South Bay performing songs from Mahler’s Des Knaben Wunderhorn and De Falla’s El Amor Brujo. In January 2012 she released her CD Cadencia, with songs from England, Spain, and Puerto Rico with award-winning guitarist Edward Trybek and she is the featured soloist on Stig Jonas Pettersson’s Album The Dracula Letters which was released in 2015.  Iris is in demand as a vocalist in recordings for films, video games, and movie trailers. She is a featured soloist on the soundtrack of the film Kill Zone, which was nominated for Best Original Score at the Hollywood Music in Media Awards in 2009. Recently, Iris performed as a soloist with the Los Angeles Jewish Symphony in a concert dedicated to works by Jewish women composers conducted by Dr. Noreen Green.

    Iris is currently on the faculty of the UCLA Herb Alpert School of Music as a vocal coach - lecturer in the voice department.
     

    Typewriter keys

    Proposal-Writing Information Session & Workshop 2023

    Information session and workshops for faculty and postdocs seeking external funding

    Information Session (registration open)

    Thursday, August 24, 11 am–12:30 pm
    Danforth University Center, Room 276

    Roundtable discussion featuring:

    • Bill Courtney, Research Development and Administration, Arts & Sciences 
    • Nicole Moore, Office of Research Development 
    • Nora Kelleher, Office of Foundation Relations
    • Peter Kastor, the Samuel K. Eddy Professor in the Department of History and Associate Vice Dean of Research in Humanities, Humanistic Social Sciences, and Creative Practice in Arts & Sciences
    • Tili Boon Cuillé, Professor of French and Comparative Literature

    Proposal Workshop (registration closed)

    Small-workshop group members have been sent an email with their meeting times and locations. Please contact cenhum@wustl.edu if you have not yet received this communication.

    Friday, August 18, 12 pm CDT: Proposal submission due date

    August 24 or 25: First Review 
    Final date and time to be determined by the individual groups

    Week of August 28: Revisions
    Final date and time to be determined by the individual groups

    Follow link below for details and registration. 

    More info
    WUDance Collective: GLIMMERS

    WUDance Collective: GLIMMERS

    “Glimmers are small moments that spark joy or peace…”

    Glimmers bring hope, insight, and connectivity. They radiate a beauty that illuminates the corners of our existence. They are points of light that spark the imagination bringing flashes of insight into the human condition. Join us in celebrating a shimmering tapestry of creativity with choreography by Wash U Dance Collective graduate and undergraduate choreographers as well as PAD dance faculty and staff. Inspired by the concept of Glimmers, this promises to be an evening of dance art that nurtures and recharges the soul.

    Washington University Dance Collective serves as the Performing Arts Department’s resident dance company.  WUDC is a unique blending of talented and expressive movers from very diverse backgrounds who bring with them a wide range of movement styles and performance acumen. The dancers work with faculty, community, graduate and undergraduate student choreographers, as well as perform throughout the St. Louis community.

    Artistic Direction by Cecil Slaughter
    April 5 at 7:30 p.m.
    April 6 at 7:30 p.m.
    Edison Theatre
     

    2024 MFA Student Dance Concert

    2024 MFA Student Dance Concert

    Join us for our seventh MFA Dance Concert featuring the works of our MFA candidates, Caroline Gonsalves Bertho, Emily Duggins Ehling, and Amarnath Ghosh. As part of their final project, each of these artists will premiere an original piece featuring undergraduate, local, and global dancers that showcases their diverse approaches to contemporary dance-making. Witness explorations of digital liveness, an embodied response to poetry, and a reimagining of Rabindranath Tagore’s collection of songs, “Seasons of Life.”

     

    Artistic Direction by Elinor Harrison

    March 22 & 23 at 7:30 p.m.

    Edison Theatre

     

    Admission is Free.

    The Winter's Tale

    The Winter's Tale

    Once upon a time . . . King Leontes of Sicilia accused his childhood friend King Polixenes of Bohemia of seducing his wife. His jealousy was groundless and preposterous, and yet no one could dissuade him from it. Even when the “Oracle” confirmed his wife Hermione’s innocence, he rejected the truth and pushed his entire kingdom into further turmoil. Ultimately, Leontes lost everything -- wife, family, and all those who loved him.
     
    Years passed . . . and a new generation moved the world beyond the imperious behavior of delusional men. Geography shifted, magic became possible, and a world formerly driven by rage was re-envisioned to one where reconciliation and understanding prevail.
     
    The Winter's Tale is Shakespeare’s grand and ambitious fable that defies categorization. Four hundred years later, everything thing about it seems custom made for our moment.

    Translation by William Shakespeare
    Directed by William Whitaker
    February 23 & 24 and March 1 & 2 at 7:30 p.m.
    February 25 and March 3 at 2 p.m.
    Edison Theatre
     

    Washington University Dance Theatre:  WUDT'sNEXT

    Washington University Dance Theatre: WUDT'sNEXT

    Whether explicitly or implicitly, artists use their medium to express personal experience, tell stories, and to contemplate where we have been, where we are now, and where we are going. WUDT’sNEXT, this year’s installment of the Performing Arts Department’ s annual fall dance concert poses the question to its artists, “what’s next?”-- in dance, in art, in society and culture. 

    This annual concert dance showcase features diverse and creative choreography by resident and guest artists, performed by select student dancers of the Performing Arts Department.

    Artistic Direction by David Marchant
    December 1 & 2 at 7:30 p.m.
    December 3 at 2 p.m.
    Edison Theatre
     

    God of Carnage

    God of Carnage

    God of Carnage follows a meeting between two sets of parents after a playground altercation between their sons. The adults agree to settle the dispute amicably, putting on a show of politeness. However, the facade of civility quickly falls as the four give into their childish rage. Couple spats with couple, husbands turn on wives, and the ugly side of humanity is revealed with hilarity. This dark comedy reminds us of how close we are to crossing a line, and how ridiculous it looks when we do. 

    By Yasmina Reza
    Translated by Christopher Hampton
    Directed by Sami Ginoplos
    November 16, 17 & 18 at 7:30 p.m.
    November 18 & 19 at 2 p.m.
    A.E. Hotchner Studio Theatre

     

    "GOD OF CARNAGE is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play” Service collection. (www.dramatists.com)"
     

    Cabaret

    Cabaret

    “What good is sitting alone in your room? Come hear the music play..."

    Join us for a raucous and risqué revival of Kander and Ebb’s musical masterpiece.  Set in the chaotic world of Weimar Berlin, Cabaret is a phantasmagorical theater of pleasure, churning with hedonistic “camp,” that dances wildly on the edge of disaster.  As the looming Nazi storm becomes terrifyingly real, the play asks the challenging, and deeply resonant, question:  “What would you do?”

    Music by John Kander & Lyrics by Fred Ebb
    Book by Joe Masteroff
    Directed by Jeffery Matthews
    October 27 & 28 and November 3 & 4 at 7:30 p.m.
    October 29 and November 5 at 2 p.m.
    Edison Theatre

     

    CABARET is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com
     

    What We Can Learn from Performing Roman Comedy

    What We Can Learn from Performing Roman Comedy

    Christopher Polt, Boston College and T.H.M. Gellar-Goad, Wake Forest University

    Experiences of participants at an NEH Summer Seminar on the Performance of Roman Comedin 2023 demonstrate that performing scenes from the plays of Plautus and Terence not only allows us to appreciate these plays better, but brings greater understanding of ancient Roman society and the nature of theatrical performance. This workshop will feature videos of the scenes performed at the institute.

    Sponsored by the Department of Classics.

    Co-sponsored by the Performing Arts Department.

    This presentation will be held in-person, and via Zoom. Please contact Classics@WUSTL.edu if you would like to be sent the Zoom link. Thank you!

     

    Photo credit: Maya Chakravorty

    The Problem of Josephus

    Jonathan Price, Tel Aviv University

    Josephus’ life was full of challenges: he was hounded by constant accusations of treachery; after the failed Jewish rebellion against Rome, he tried to recreate himself, with varying success, as an historian and authority on Judaism for an ill-informed and often hostile audience; he wrote voluminous histories as an urgent God-sent mission (so he believed) to preserve Jews and Judaism from further violence, but it is uncertain whether many people read him in his day; finally, he had to navigate the perils of Flavian court politics. Two millennia later, Josephus poses serious problems for the modern reader, mainly, how to use any of his information reliably, and whether and how to read his huge corpus as literature rather than a vast repository of information. In this lecture, I shall sharpen those problems by using examples from his writings, and suggest ways through them.

     

    Sponsored by the Department of Classics.

    Co-sponsored by the Program in Religious Studies, the Department of Jewish, Islamic, and Middle Eastern Studies, and the Department of History.

    A.E. Hotchner Playwriting Festival 2023

    A.E. Hotchner Playwriting Festival 2023

    We invite you to become a part of the playwriting process at the script-in-hand staged reading of each play.

    For nearly 30 years, the Performing Arts Department has produced the A.E. Hotchner Playwriting Festival as a vehicle to support and develop new plays written by WashU students. The annual Festival begins with a university-wide solicitation of new, unproduced plays. Several plays are selected, through an anonymized screening process, to be developed in a two-week event in September.  During those two weeks, each play will be workshopped with a professional dramaturg, a faculty director and student cast.  The Festival culminates in a public staged reading of each play.  

    Guest dramaturg, Mead Hunter, will mentor the writers during the Hotchner Festival workshop in September 2023.

    This year’s 2023 Festival is supported by the Office of the Dean of Arts & Sciences as well as a grant from Tim Hotchner.

    All Readings will take place in-person in the A.E. Hotchner Studio Theatre.  Admission is free and open to the public.

    Friday, September 22 at 7 p.m.


    The Smoke Watcher
    by Bela Marcus
    Directed by Sarah Whitney

    Lost Cat (a 10-minute Play)
    by Bela Marcus
    Directed by Sarah Whitney


    Saturday, September 23 at 7 p.m.

     

    Minds at Work
    by Maddy Klass
    With Direction by William Whitaker

     

     

     

     

    Now Boarding (a 10-minute Play)
    by Charlie Meyers
    With Direction by William Whitaker

    TRIADS Speaker Series with Catherine Knight Steele

    This event is co-sponsored with the DI2B Accelerator.

    Bio:

    Catherine Knight Steele is an Associate Professor of Communication at the University of Maryland - College Park where she directs the Black Communication and Technology lab (BCaT) as a part of the Digital Inquiry, Speculation, Collaboration, & Optimism (DISCO) Network funded by the Andrew W. Mellon Foundation. 

    Her research focuses on race, gender, and media, with a specific emphasis on Black culture and discourse and digital communication. She examines representations of marginalized communities in the media and how groups resist oppression and practice joy using online technology to create spaces of community. 

    TRIADS Speaker Series with Brandon Stewart

    Strengthening Propaganda and the Limits of Media Commercialization in China: Evidence from Millions of Newspaper Articles

    A defining feature of the information environment in contemporary China is scripted government propaganda – the government directs newspapers to use specific language when reporting on particular events. Yet due to the mix of syndication and scripting, it is difficult to tell if any given article is explicitly government-directed news. Using a newly-collected database of six million newspaper articles from major domestic newspapers in China and linking them to leaked propaganda directives, we identify scripted propaganda coordinated by China's Central Publicity Department from 2012-2021 by examining patterns of text reuse across papers published on the same day. We demonstrate that over the past 10 years, scripting in official party newspapers shows increasing constraint and more focus on explicitly ideological content.

    Bio:

    Brandon Stewart is an Associate Professor in the Department of Sociology at Princeton University and is also affiliated with the Department of Politics and the Office of Population Research.  He develops new quantitative statistical methods for applications across the social sciences.  Methodologically his focus is in tools which facilitate automated text analysis and model complex heterogeneity in regression.  Many recent applications of these methods have centered on using large corpora of text to better understand propaganda in contemporary China.  His research has been published in journals such as American Journal of Political Science, Political Analysis and the Proceedings of the Association of Computational Linguistics.  His work has won the Edward R Chase Dissertation Prize, the Gosnell Prize for Excellence in Political Methodology, and the Political Analysis Editor’s Choice Award.

    48 St. Stephen featuring a World Premiere by Christopher Stark

    48 St. Stephen featuring a World Premiere by Christopher Stark

    Award-winning duo 48 St. Stephen will perform works by Bach, Walker, Messiaen, and a world premiere of a work by WashU composer Christopher Stark. Free admission. No reservations, tickets, or registration is required. Free parking is available in the garage behind the building.


     

    Program:
    Sonata No. 6 for violin and keyboard in G Major, BWV 1019 (1717- 23) by J.S. Bach (1685 - 1750)
         I. Allegro
         II. Largo
         III. Allegro 
         IV. Adagio 
         V. Allegro

    Sonata No. 1 for violin and piano (1958) by George Walker (1922 - 2018)

    Quatuor pour la fin du temps (1940-41) by Olivier Messiaen (1908 - 1992)
         VIII. Louange à l’lmmortalité de Jésus

    Cocci di tempo (2023) (world premiere) by Christopher Stark (b. 1980)
         This commission has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Mellon Foundation.

    Biography:
    48 St. Stephen is an adventurous ensemble whose mission is to develop a sense of closeness between the old and new, and a timelessness that holds them together.  The duo is deeply committed to works by living composers as well as masterpieces from the traditional canon, and they create concert experiences that connect repertoire from the likes of Bach, Mozart, and Prokofiev to today’s most experimental music.
     
    Founded at the very beginning of 2020, 48 St. Stephen has rapidly increased their visibility in the fields of contemporary music and chamber music.  The group has won several awards and grants including St. Botolph Club Foundation’s Emerging Artist Award and Chamber Music America’s Commissioning Grant with Rome Prize winner Christopher Stark.  The duo was also selected to perform at Ramapo College’s “Healing Hands” project, a series dedicated to exploring how the arts contribute to healing during the COVID-19 pandemic’s challenging times.
     
    The COVID-19 pandemic motivated the group to be more active and creative in ways to connect with audiences.  In 2020, 48 St. Stephen commissioned and documented two new pieces by Bongani Ndodana-Breen (University of Cape Town) and Yoon-Ji Lee (Berklee College of Music).  The resultant pieces, which reflected the composers’ responses to the height of the pandemic, were premiered by Metropolis Ensemble and later aired on the German public radio WDR 3’s program “Tonart.”
      
    The ensemble has performed recitals at venues in Illinois, Massachusetts, Michigan, New York, and Rhode Island, and looks forward to upcoming residencies at Southern Illinois University Edwardsville, Washington University in St. Louis, and Vanderbilt University.  48 St. Stephen’s 2023-2024 commissions include music by Molly Herron, Dan VanHassel, and Patrick O’Malley. 
     


    Christopher Stark, whose music The New York Times has called, "fetching and colorful," has been awarded prizes from the American Academy in Rome, Guggenheim Foundation, Chamber Music America, Barlow Endowment, and the Fromm Foundation at Harvard. Named a "Rising Star" by the St. Louis Post-Dispatch, his works have been performed by ensembles such as the Los Angeles Philharmonic, St. Louis Symphony, Toronto Symphony, and Detroit Symphony, and he has created arrangements for the producers of artists like Drake, Eminem, and Zac Brown Band. Stark has held residencies at Civitella Ranieri, Copland House, AiR Bergen in Norway, and the Bogliasco Foundation where he was the Aaron Copland Fellow in Music. His film score for the feature-length film Novitiate, starring Melissa Leo and Margaret Qualley premiered at Sundance in 2017 and was theatrically released by Sony Pictures Classics later that year. Stark currently lives and works in Missouri, where he is an Associate Professor of Music at Washington University in St. Louis and a Creative Partner of the St. Louis Symphony, where he curates their contemporary chamber music series at the Pulitzer Foundation.

    Faculty Showcase

    Faculty Showcase

    WashU performance faculty will perform various solo and chamber works.

     

    Program:

    Sonata for Arpeggione and Piano by Franz Schubert (1797 - 1828)
            Allegro Moderato
    Amy Greenhalgh, viola
    Sarah Johnson, piano

    Birds of Peace by Gwyneth Walker (1947)
            Caged Bird
            The Raven and the Dove
            Everyone Sang

    Tamara Campbell, soprano
    Sandra Geary, piano
    Jennifer Gartley, flute
     
    32 Variations on an original theme in C minor, WoO 80 by Ludwig van Beethoven (1770 - 1827)
    Sunghee Hinners, piano
     
    Corduroy (1994) by Pearl Jam
    Mercy Street (1986) by Peter Gabriel (b. 1950)
    Vince Varvel, guitar & Joel Vanderheyden, saxophone

    "Sonatina" by Federico Moreno Torroba (1891 - 1982)
         Allegretto
         Andante
         Allegro

    W. Mark Akin, guitar
     
    Promenades for flute, violin, and piano by Bohuslav Martinů (1890 - 1959) 
            Poco Allegro
            Adagio
            Scherzando
            Poco Allegro – Vivo

    Hannah Frey, violin
    Jennifer Gartley, flute
    Amanda Kirkpatrick, piano

    Khiara Bridges Keynote Address

    Khiara Bridges Keynote Address

    Join us for a keynote address from Khiara Bridges,Anthropologist and Professor of Law at UC Berkeley

    Khiara M. Bridges is a professor of law at UC Berkeley School of Law. She has written many articles concerning race, class, reproductive rights, and the intersection of the three. Her scholarship has appeared in the Harvard Law Review, Stanford Law Review, the Columbia Law Review, the California Law Review, the NYU Law Review, and the Virginia Law Review, among others. She is also the author of three books: Reproducing Race: An Ethnography of Pregnancy as a Site of Racialization (2011), The Poverty of Privacy Rights (2017), and Critical Race Theory: A Primer (2019). She is a coeditor of a reproductive justice book series that is published under the imprint of the University of California Press.

    Wicked Women: White Women as Perpetrators of Mass Violence

    The Wicked Women: White Women as Perpetrators of Mass Violence exhibition discusses the connection between whiteness, gender, and violence through women carrying out events and systems of mass violence and discrimination.

    By looking at the Holocaust, the Namibian Genocide, the East St. Louis Massacre of 1917, chattel slavery, and white supremacy in conjunction with each other, viewers will learn the role that white women played, and continue to play, in each event and system, as well as how and why these events are connected through broader systems of colonialism and racism. The exhibition focuses on a selection of books, some of which are available to check out from Olin Library.

    Victoria Limón curated this exhibition in association with Memory for the Future, a StudioLab and organization that aims to educate the St. Louis community on issues of racism and multidirectional memory.

    Organized by University Libraries.

    Header image: Kaplan Feldman Holocaust Museum, St. Louis, Missouri.

    More info

    Virtual Book Club: ‘The Vapors’

    Virtual book discussion of ‘The Vapors’ by David Hill

    Join us for the August WashU Libraries Virtual Book Club to discuss The Vapors by David Hill.

    Hot Springs, Arkansas, got its start as a spa town, where people would go to soak in its mineral-rich spring waters to partake in their supposed health benefits. But Hot Springs wasn’t just a retreat for health-minded individuals–at one point it rivaled Las Vegas as America’s premier destination for gambling and nightlife. Hot Springs native Hill pulls back the curtain on the seedier history of this small Arkansas town, offering a fascinating glimpse into an often overlooked part of America.

    As Hot Springs’ original claim to fame was its medicinal waters, a short presentation of the history of medicinal bathing (balenology) will precede the discussion of the book.

    Free and open to all, registration required for Zoom link.

    Organized by the Bernard Becker Medical Library, University Libraries.

    More info

    Fire & Freedom: Food and Enslavement in Early America

    The traveling exhibition explores ways in which meals can tell us how power is exchanged between and among different peoples, races, genders and classes.

    The National Library of Medicine produced this exhibition and companion website.

    The traveling exhibition explores ways in which meals can tell us how power is exchanged between and among different peoples, races, genders, and classes. In the Chesapeake region during the colonial era, European settlers relied upon indentured servants, Native Americans, and enslaved Africans for labor, life-saving knowledge of farming and food acquisition, and to gain economic prosperity. Fire and Freedom looks into life at George Washington’s Mount Vernon plantation and the labor of enslaved workers to learn about the ways that meals transcend taste and sustenance.

    The National Library of Medicine produced Fire and Freedom: Food and Enslavement in Early America, guest curated by historian, author, and educator Psyche Williams-Forson, PhD (University of Maryland, College Park).

    More info

    International Writers Series: Efe Duyan

    Efe Duyan (‘The Behavior of Words’) with Derick Mattern

    In this reading and discussion, former Visiting Hurst Professor Efe Duyan returns to St. Louis to present The Behavior of Words, the first book of his poetry translated into English. He will be joined in discussion by Derick Mattern, literary translator and Comparative Literature PhD candidate in the track for international writers.

    Duyan was born in Istanbul in 1981. As an internationally recognized poet, his poems have been translated to over twenty-five different languages. His debut novel Başka (Other) was published in 2022. The Behavior of Words was published earlier this year by White Pines Press in a translation by Aron Aji. As an advocate of freedom of expression and creative thinking, he has been an active cultural actor curating international events, workshops, and conferences. He currently teaches architecture in Riga.

    Free and open to all, but registration is requested. Organized by University Libraries.

    More info

    Gallery Talk: Exile Art

    A glimpse into the vast sociopolitical network of World War II-era artists exiled in the United States

    Tobias Feldmann, PhD student in German and Comparative Literature, discusses archival material and new works on view recently added to the Mildred Lane Kemper Art Museum’s permanent collection display on exile art, including such primary sources as letters, notes, articles and other personal and official documents. Joined in conversation by Sabine Eckmann, William T. Kemper Director and chief curator, the talk will give a glimpse into the vast sociopolitical network of World War II exiled artists in the United States, their process of immigrating into the country, and the way these artists and their work were received. Organized by the Mildred Lane Kemper Art Museum.

    More info

    Public Tour: Portraiture

    An interactive tour highlighting diverse approaches to portraiture

    Student educators lead interactive tours highlighting diverse approaches to portraiture from different historical moments in the permanent collection galleries. Explore portraits by such artists as Jess T. Dugan, Kehinde Wiley, and Max Beckmann in a range of media.

    More info

    Chinese-Language Tour: Portraiture

    An interactive tour highlighting diverse approaches to portraiture in the permanent collection galleries

    Join student educator Weixun Qu, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for an interactive tour highlighting diverse approaches to portraiture in the permanent collection galleries. Explore portraits by such artists as Jess T. Dugan, Kehinde Wiley, and Ai Weiwei in a range of media.

    More info

    Member and WashU Preview: Adam Pendleton: To Divide By

    Kemper Art Museum members and WashU faculty, staff and students are invited to be among the first to view Adam Pendleton: To Divide By, a major exhibition of the artist’s new and recent paintings, drawings and video portraits that together reveal Pendleton’s interest in creating a conversation between mediums, as well as his belief in abstraction’s capacity to destabilize and disrupt.

    More info

    Q&A with Adam Pendleton

    Curator Meredith Malone in conversation with Adam Pendleton (‘Adam Pendleton: To Divide By’). Public opening of the exhibit immediately follows.

    As part of the opening celebrations for Adam Pendleton: To Divide By, the artist Adam Pendleton will be in conversation with Meredith Malone, curator. Pendleton is known for his large-scale paintings, drawings, sculptures and films, many of them informed by Black Dada — his visual inquiry into the relationships between Blackness, abstraction and the avant-garde. This exhibition showcases new paintings, drawings and ceramics, along with two recent film portraits that together reveal Pendleton’s belief in abstraction’s capacity to destabilize and disrupt.

    Free and open to the public.

    Public opening of the exhibit immediately follows at 6:30 pm. 

    More info
    Installation and Celebration of Feng Sheng Hu as the Richard G. Engelsmann Dean of Arts & Sciences

    Installation and Celebration of Feng Sheng Hu as the Richard G. Engelsmann Dean of Arts & Sciences

    On Wednesday, August 30, Dean Feng Sheng Hu will be installed as the Richard G. Engelsmann Dean of Arts & Sciences. Endowed positions like this one celebrate the influence and accomplishments of distinguished individuals in our academic community. They are made possible with the support of alumni and other donors, who leave a lasting legacy at Washington University.

    This endowed deanship position is an exciting investment in the future of Arts & Sciences. Funds generated from this gift from Richard G. Engelsmann will enable the Dean's support of special projects that advance our strategic priorities and bold transformations. 

    We encourage all members of the Arts & Sciences community to join us in marking this special occasion and the future of Arts & Sciences! 

    Please let us know if you will be able to join us for all or some of the celebration events using the links below. 

    Installation Ceremony 

    4:30 p.m. 
    Graham Chapel

    A ceremony livestream is also available on this page (below).

    Immediately following the ceremony (approximately 5:15 - 6:30 p.m.)

    Reception for Faculty, Staff, and Friends of Arts & Sciences

    Rettner Gallery in Wrighton Hall

    FACULTY, STAFF, and Friends RSVP

    Arts & Sciences Festival for Students

    Olin Library Lawn

    Students can enjoy food and drinks and participate in a community art project reflecting on the future of Arts & Sciences.

    STUDENT RSVP 

     

    Inaugural Robert L. Williams Lecture - "The Souls of Black Folk: The Role of Race in the Psychological Lives of African Americans"

    Robert Sellers, Ph.D. Charles D. Moody Collegiate Professor of Psychology and Professor of Education University of Michigan

    **Reception to follow after the lecture in lounge area next to Wilson 214

     

    The present talk honors Robert L. Williams’ many contributions to the field of psychology.  In his seminal work, “Souls of Black Folk”, W. E. B. DuBois (1903) suggested that the only way that African Americans can develop healthy self-concepts within American society is to come to "an understanding" within themselves regarding the duality of their status as African and American.  We argue that the nature of “this understanding” varies across African Americans.  Our research has attempted to explicate and describe the role that race plays in the psychological lives of African Americans. Over the past two decades, my research team has proposed and operationalized a conceptual framework for understanding the complexity and variation by which African Americans define themselves in the context of race (commonly referred to as racial identity attitudes). The present talk presents some of the findings that demonstrates that the variation in African American’s racial identity attitudes is associated with how African American’s experiences the world including experiences with racial discrimination and has consequences for a variety of important life outcomes.  Consistent with the legacy of Robert L. Williams, the presented research has been conceptualized, analyzed, and interpreted in a manner that centers the experiences of African Americans and explicitly foregrounds their humanity as a core assumption of the research program.

    Open Classroom | Navigating the Landscape of Reproductive Health, Rights, and Justice: Abortion Access Post Roe

    Kersha Deibel, MSW, MPH, Senior Advisor to the President, Planned Parenthood Federation of America & Planned Parenthood Action Fund

    Join us to explore the current state of reproductive health, rights, and justice in the United States. We will provide a comprehensive analysis of the existing laws on abortion access and their profound implications for people across the nation. We will explore the historical context that led to the fall of Roe v. Wade, examining the societal and political factors that contributed to this critical moment in the reproductive rights movement. Attendees will gain a understanding of the challenges ahead and the ongoing fight to protect and expand reproductive health care. Organized by the Brown School’s Open Classroom programming.

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    Visiting Hurst Professor: Timothy Donnelly, Craft Talk

    Visiting Hurst Professor: Timothy Donnelly, Craft Talk

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Timothy Donnelly.

    Timothy Donnelly’s most recent book of poetry is Chariot (Wave Books, 2023). His other collections include Twenty-seven Props for a Production of Eine Lebensezeit (Grove, 2003), The Cloud Corporation (Wave, 2010), winner of the 2012 Kingsley Tufts Poetry Prize, and The Problem of the Many (Wave, 2019) winner of the inaugural Big Other Award in Poetry. With John Ashbery and Geoffrey G. O’Brien, he is coauthor of Three Poets (Minus A Press, 2012) and his chapbook Hymn to Life was published in 2014 by Factory Hollow Press. His poems have appeared in American Poetry ReviewThe BelieverThe Bennington ReviewFenceThe Kenyon ReviewThe NationThe New YorkerThe New RepublicThe Paris ReviewPoetry and elsewhere, as well as in The Best American Poetry and Pushcart Prize anthologies. Donnelly is a recipient of a Columbia Distinguished Faculty Award and a Faculty Mentoring Award, as well as of the Poetry Society of America’s Alice Fay di Castagnola Award, The Paris Review’s Bernard F. Connors Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, and New York State’s Writers Institute. He lives in Brooklyn with his family. 

    See more from Timothy Donnelly, here.

    Visiting Hurst Professor: Timothy Donnelly, Reading

    Visiting Hurst Professor: Timothy Donnelly, Reading

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Timothy Donnelly.

    Timothy Donnelly’s most recent book of poetry is Chariot (Wave Books, 2023). His other collections include Twenty-seven Props for a Production of Eine Lebensezeit (Grove, 2003), The Cloud Corporation (Wave, 2010), winner of the 2012 Kingsley Tufts Poetry Prize, and The Problem of the Many (Wave, 2019) winner of the inaugural Big Other Award in Poetry. With John Ashbery and Geoffrey G. O’Brien, he is coauthor of Three Poets (Minus A Press, 2012) and his chapbook Hymn to Life was published in 2014 by Factory Hollow Press. His poems have appeared in American Poetry ReviewThe BelieverThe Bennington ReviewFenceThe Kenyon ReviewThe NationThe New YorkerThe New RepublicThe Paris ReviewPoetry and elsewhere, as well as in The Best American Poetry and Pushcart Prize anthologies. Donnelly is a recipient of a Columbia Distinguished Faculty Award and a Faculty Mentoring Award, as well as of the Poetry Society of America’s Alice Fay di Castagnola Award, The Paris Review’s Bernard F. Connors Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, and New York State’s Writers Institute. He lives in Brooklyn with his family. 

    See more from Timothy Donnelly, here.

    Visiting Hurst Professor: Hernan Diaz, Craft Talk

    Visiting Hurst Professor: Hernan Diaz, Craft Talk

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Hernan Diaz.

    Hernan Diaz is the Pulitzer Prize-winning and New York Times bestselling author of two novels translated into thirty-five languages. He is the recipient of the John Updike award from the American Academy of Arts & Letters, given to “a writer whose contributions to American literature have demonstrated consistent excellence.” 

    His first novel, In the Distance, was a finalist for the Pulitzer Prize and the PEN/Faulkner Award, and it was the winner of the Saroyan International Prize, the Cabell Award, the Prix Page America, and the New American Voices Award, among other distinctions. It was also a Publishers Weekly Top 10 Book of the Year and one of Lit Hub’s 20 Best Novels of the Decade.  

    Trust, his second novel, received the Pulitzer Prize for fiction and was a New York Times Bestseller, the winner of the Kirkus Prize, and longlisted for the Booker Prize, among other nominations. It was listed as a best book of the year by over thirty publications and named one of the 10 Best Books of the Year by The New York TimesThe Washington Post, NPR, and Time magazine, and it was one of The New Yorker’s 12 Essential Reads of the Year. One of Barack Obama’s Favorite Books of 2022, Trust is currently being developed as a limited series for HBO. 

    His stories and essays have appeared in The Paris Review, Harper’sThe AtlanticGrantaThe Yale ReviewPlayboy, McSweeney’s, and elsewhere. 

    He has been awarded a Guggenheim Fellowship, a Whiting Award, and fellowships from the New York Public Library’s Cullman Center for Scholars and Writers, and The Rockefeller Foundation Bellagio Center.  

    He holds a PhD from NYU, edits an academic journal at Columbia University, and is also the author of Borges, between History and Eternity.  

    See more from Hernan Diaz, here.

    Visiting Hurst Professor: Rigoberto González, Reading

    Visiting Hurst Professor: Rigoberto González, Reading

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Rigoberto González.

    Rigoberto González was born in Bakersfield, California and raised in Michoacán, Mexico. He earned a BA from the University of California, Riverside and graduate degrees from University of California, Davis and Arizona State University. He is the author of several poetry books, including The Book of Ruin (2019); Unpeopled Eden (2013), winner of a Lambda Literary Award; Black Blossoms (2011); Other Fugitives and Other Strangers (2006); and So Often the Pitcher Goes to Water until It Breaks (1999), a National Poetry Series selection. He has also written two bilingual children’s books, Antonio’s Card (2005) and Soledad Sigh-Sighs (2003); the novel Crossing Vines (2003), winner of ForeWord Magazine’s Fiction Book of the Year Award; a memoir, Butterfly Boy: Memories of a Chicano Mariposa (2006), which received the American Book Award from the Before Columbus Foundation; and the book of stories Men without Bliss (2008). He edited Alurista’s Xicano Duende: A Select Anthology (2011) and Camino del Sol: Fifteen Years of Latina and Latino Writing (2010). He has also written for The National Book Critics Circle's blog, Critical Mass; and the Poetry Foundation's blog Harriet.

    The recipient of Guggenheim and NEA fellowships, the Lenore Marshall Poetry Prize, The Bill Whitehead Award for Lifetime Achievement from the Publishing Triangle, and the PEN/Voelcker Award, González writes a Latino book column for the El Paso Times of Texas. He is contributing editor for Poets & Writers, on the Board of Directors of the National Book Critics Circle, and on the Advisory Circle of Con Tinta, a collective of Chicano/Latino activist writers. 

    González is a professor of English and director of the MFA Program in creative writing at Rutgers University–Newark. He lives in New York City. 

    See more from Rigoberto González here.

    Visiting Hurst Professor: Rigoberto González, Craft Talk

    Visiting Hurst Professor: Rigoberto González, Craft Talk

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Rigoberto González.

    Rigoberto González was born in Bakersfield, California and raised in Michoacán, Mexico. He earned a BA from the University of California, Riverside and graduate degrees from University of California, Davis and Arizona State University. He is the author of several poetry books, including The Book of Ruin (2019); Unpeopled Eden (2013), winner of a Lambda Literary Award; Black Blossoms (2011); Other Fugitives and Other Strangers (2006); and So Often the Pitcher Goes to Water until It Breaks (1999), a National Poetry Series selection. He has also written two bilingual children’s books, Antonio’s Card (2005) and Soledad Sigh-Sighs (2003); the novel Crossing Vines (2003), winner of ForeWord Magazine’s Fiction Book of the Year Award; a memoir, Butterfly Boy: Memories of a Chicano Mariposa (2006), which received the American Book Award from the Before Columbus Foundation; and the book of stories Men without Bliss (2008). He edited Alurista’s Xicano Duende: A Select Anthology (2011) and Camino del Sol: Fifteen Years of Latina and Latino Writing (2010). He has also written for The National Book Critics Circle's blog, Critical Mass; and the Poetry Foundation's blog Harriet.

    The recipient of Guggenheim and NEA fellowships, the Lenore Marshall Poetry Prize, The Bill Whitehead Award for Lifetime Achievement from the Publishing Triangle, and the PEN/Voelcker Award, González writes a Latino book column for the El Paso Times of Texas. He is contributing editor for Poets & Writers, on the Board of Directors of the National Book Critics Circle, and on the Advisory Circle of Con Tinta, a collective of Chicano/Latino activist writers. 

    González is a professor of English and director of the MFA Program in creative writing at Rutgers University–Newark. He lives in New York City. 

    See more from Rigoberto González here.

    Workshop: Writing for The Conversation

    Please join Christopher Schaberg—Director of Public Scholarship—for a workshop on “Writing for The Conversation.” Lunch will be served.

    The Conversation covers a wide range of academic research across the humanities, arts, and sciences. Because pieces published by The Conversation are widely syndicated, this is an excellent opportunity to practice writing for general audiences, in order to increase the impact of one’s scholarly work.

    This workshop is designed to help faculty with the pitching, drafting, and editing processes involved in writing for The Conversation. By the end of this two-hour workshop, participants will have identified a suitable topic from their research and drafted (possibly even submitted) a pitch. Follow-up support will be available after the workshop, for participants who either have a pitch accepted or want to keep refining their pitch for submission. Participants are strongly encouraged to have a specific project idea in mind, and to be open to writing quickly under tight deadlines.

    Due to the writing-intensive nature of the workshop, it will be capped at 10 participants. Please RSVP by Monday, August 28. Questions? Please contact us at publicscholarship@wustl.edu.

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    Weird Barbie: Feminist, Queer, and Industry Issues in Greta Gerwig's Blockbuster

    Weird Barbie: Feminist, Queer, and Industry Issues in Greta Gerwig's Blockbuster

    Description: Join the Department of Women, Gender, and Sexuality Studies to discuss feminist, queer, and industry issues in Greta Gerwig's Barbie.

    Panelists:

    • Erica Rand, Professor, Art and Visual Culture and Gender and Sexuality Studies, Bates College, author of Barbie's Queer Accessories
    • Aria S. Halliday, Associate Professor, Gender andWomen’s Studies and African American and Africana Studies, University of Kentucky, author of Buy Black: How Black Women Transformed U.S Pop Culture
    • Colin Burnett, Associate Professor, Film and Media Studies, Washington University in St. Louis, author of the forthcoming Serial Bonds: 007 Storytelling Across Media

    Date: Thursday, September 21, 2023

    Time: 4-5:30 pm

    Location: Women's Building Formal Lounge

    Co-sponsors: The American Culture Studies Program, the Program in Film and Media Studies, Center for the Humanities, and The Law, Identity and Culture Initiative in the School of Law

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    Roma, Jews, and the Holocaust

    Ari Joskowicz (Vanderbilt University) is author of “Rain of Ash: Roma, Jews, and the Holocaust,” a major new history of the genocide of Roma and Jews during World War II and their entangled quest for historical justice - Annual Holocaust Memorial Lecture
    Ari Joskowicz

    ANNUAL HOLOCAUST MEMORIAL LECTURE

    From concentration camps to the murder sites of mobile shooting squads, Jews and Roma experienced Nazi persecution in close proximity to each other. Yet, after the war, the world recognized the injustices both groups faced differently. While Jewish persecution histories became memorialized in museums, monuments, and college courses, the international community largely ignored the Roma genocide. How should we tell the story of the Holocaust in light of this unequal treatment? How have relations between Jews and Roma—from the 1930s to the present—influenced the way we think about Nazi racial persecution?

    Tracing the stories of many Romani and Jewish victims, survivors, historians, and activists, Ari Joskowicz vividly describes the experiences of Hitler’s forgotten victims and charts the evolving postwar relationship between Roma and Jews over the course of nearly a century. During the Nazi era, Jews and Roma shared little in common besides their simultaneous persecution. Yet the decades of entwined struggles for recognition have deepened Romani-Jewish relations. They now center not only on commemorations of past genocides or compensation practices but also on contemporary debates about antiracism and the future of democracy.

    About the speaker

    Ari Joskowicz is chair of Jewish Studies, associate professor of Jewish studies and European studies, and associate professor of history at Vanderbilt University. As a historian of modern Jewish and European history, he is especially interested in the interplay between Jewish history and transnational minority politics since the Enlightenment. 

    His new book, Rain of Ash: Roma, Jews, and the Holocaust (Princeton University Press, 2023), traces the unlikely entanglement of the histories of Jews and Romanies throughout the 20th century, focusing on Western and Central Europe as well as the United States and Israel. Jews and Roma died side by side in the Holocaust, yet the world did not recognize their destruction equally. In the years and decades following the war, the Jewish experience of genocide increasingly occupied the attention of legal experts, scholars, educators, curators and politicians, while the genocide of Europe’s Roma went largely ignored. Rain of Ash is the untold story of how Roma turned to Jewish institutions, funding sources, and professional networks as they sought to gain recognition and compensation for their wartime suffering.

    Follow this link for more information on the Holocaust Memorial Lecture.

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    WashU Book Arts Workshop with Work/Play

    Reading & Talk with Simone White

    The Poet with a Briefcase: Literature and Legal Consciousness in Late Imperial Russia

    The Poet with a Briefcase: Literature and Legal Consciousness in Late Imperial Russia

    Global Studies Speaker Series Presents, Anna Schur

    Reverence for literature and disregard for law have been often seen as persistent attributes of Russian cultural identity. In this talk, I will suggest that there is a connection between these attitudes, and that the outsize role of literature and the tremendous authority of the Russian writer in the late imperial period hindered the development of a strong legal consciousness. In the literature-centric courtroom of the day, lawyers sought to project the image of the writer’s surrogate; questions of law were displaced by concerns with psychology, morality, verbal artistry, and civic-mindedness; and a relaxed attitude toward facts found legitimacy behind appeals to “higher reality,” “inner meaning” and other categories imported from literature. While literature no longer enjoys the same prestige and influence, aspects of these attitudes endure to this day, underwriting some of the worst abuses of law committed in and by Russia in recent years.

    Center for the Literary Arts Speaker Series: Mary-Alice Daniel

    Center for the Literary Arts Speaker Series: Mary-Alice Daniel

    Mary-Alice Daniel is the Center for the Literary Arts' inaugural Visiting Writer in Residence. Join us for a reception, followed by readings from her celebrated, genre-spanning works.

    Presented in collaboration with the Washington University Department of English.

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    Reception: 5 – 5:30 p.m.

    Reading: 5:30 p.m.

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    A cross-genre author, Mary-Alice Daniel's work appears in New England Review, American Poetry Review, Prairie Schooner, The Iowa Review, Callaloo, The Yale Review and more.

    Mass for Shut-Ins, her first book of poetry released in March 2023, won the 117th Yale Younger Poets Prize. In November 2022, Ecco/Harper Collins published her trans-continental memoir, A Coastline Is an Immeasurable Thing, which was People's Book of the Week and one of Kirkus Reviews' best nonfiction books of the year.

    An alumna of Yale University and the University of Michigan's Creative Writing MFA, she earned a PhD from the University of Southern California. She holds the 2024 Mary Routt Endowed Chair of Writing at Scripps College.

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    Auerbach in Istanbul: A Reading from ‘Die Sprache der Sonne’

    Matthias Goeritz (Comparative Literature) is a poet, translator, and novelist. He has written four poetry collections, four novels and three novellas.

    Matthias Goeritz, distinguished German author and Professor of Practice of Comparative Literature, will give a German-language reading of his critically acclaimed novel Die Sprache der Sonne (C.H. Beck, 2023). Die Sprache der Sonne (The Sun Language) deftly shifts perspectives between present-day Istanbul, where an American journalist looks for traces of her deceased German-Jewish grandmother, and the 1930s, when Istanbul was a haven for German-Jewish intellectuals, and intellectual theory from the profound to the outlandish abounded. The German-language reading and subsequent discussion will highlight the role Istanbul played in fostering German intellectual thought that was sidelined by the Nazi regime. Goeritz will be joined in conversation by Walter Schlect, Subject Librarian for Germanic Languages and Literatures and Comparative Literature, in University Libraries. 

    This event will kick off the symposium “Theory as Event: Epistemic Cultures and Humanistic Knowledge Production in Germany Since 1968.”

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    Theory as Event: Epistemic Cultures and Humanistic Knowledge Production in Germany since 1968

    26th Biennial St. Louis Symposium on German Literature and Culture

    The twenty-sixth St. Louis Symposium seeks to address recent developments in the humanities in German-speaking landsin their broader social and historical frameworks. Our goal is to bring together a select group of international scholars who are interested in reconsidering the history of contemporary German thought from perspectives inspired by recent work in science studies and the history of knowledge.

    Why We Love Baseball: A History in 50 Moments

    Author Joe Posnanski will be in conversation with Gerald Early, the Merle Kling Professor of Modern Letters, professor of English and of African and African American studies at Washington University

    Willie Mays’ catch. Babe Ruth’s called shot. Kirk Gibson’s limping home run. Moments like these have been described again and again, and in Joe Posnanski’s Why We Love Baseball, they are looked at anew and told from unique perspectives. These are moments from the big and famous to the small and private, experienced by players, teammates and fans. All of them fundamental to the connection fans have with the game they love. $35-$42, includes one book copy. Online viewing, $35, includes one book copy. St. Louis County Library.

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    Flipping Boxcars

    St. Louis’ star and one of the original Kings of Comedy, Cedric the Entertainer, will discuss his first novel, “Flipping Boxcars,” with G’Ra Asim, a writer, musician and assistant professor of English at Washington University in St. Louis

    In Cedric Kyles’ Flipping Boxcars, Babe is a charismatic and widely loved man and a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations, but when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has. Over the course of a career spanning more than 30 years, actor/comedian Cedric Kyles has solidified his status as one of the world’s premier performers on the stage, in film and on television. $40-$45, includes one book copy. Online viewing, $40, includes one book copy. 

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    Raj Haldar, “This Book is Banned”

    Left Bank Books, Schlafly Public Library, and Washington University Center for the Humanities presents Raj Haldar, author of the #1 New York Times best-selling picture book, P is for Pterodactyl: The Worst Alphabet Book Ever.

    Join us for read aloud and discussion of This Book is Banned, a hilarious and thoughtful new picture book that underscores the importance of the fight against censorship in schools and libraries across the country. Discover just what happens when we aren’t allowed to freely share and explore ideas with this funny, self-referential picture book romp that kids (and grown-ups) will want to read over and over again.

    Join in person or watch the livestream on Left Bank Books’ YouTube page.

    Raj Haldar

    About This Book is Banned

    Banning books is downright dangerous — and if you manage to make it to the end of this book, you might just find out why.

    Raj Haldar’s hilarious and thoughtful new picture book underscores the importance of the fight against censorship in schools and libraries across the country.

    This is a book about dinosaurs. No it’s not. Dinosaurs are not allowed.

    Oh. This is now a book about avocados! Sorry. We deleted those too.

    FINE. This book is about — nope! Forbidden! BANNED!

    Maybe you shouldn’t even try reading this book... But what could possibly be inside?

    Discover just what happens when we aren’t allowed to freely share and explore ideas with this funny, self-referential picture book romp that kids (and grown-ups) will want to read over and over again.

    About Raj Haldar

    Raj Haldar is the author of the #1 New York Times best-selling picture book, P is for Pterodactyl: The Worst Alphabet Book Ever. But, for close to a decade, he has been better known as Lushlife, the rapper, producer and multi-instrumentalist. In that time, he’s amassed a fervent global fanbase and released award-winning viral music videos that highlight his erudite lyrics. The Sunday New York Times describes his work as “an intoxicating mix of captivating rhymes with audacious, gorgeous production.” So it should come as no surprise that Haldar has made the leap into the world of children’s literature. His latest book, This Book is Banned, gives young readers a lighthearted entry point to begin understanding the dangers of book banning and censorship. His work has been featured by The Washington Post, Interview Magazine, VICE, Pitchfork, Village Voice, Mental Floss, BBC, SPIN and more.

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    Department of Music Lecture: Fang Liu, Doctoral student in musicology, Washington University in St. Louis and Benjamin Duane, Associate Professor of Music, Washington University in St. Louis

    Department of Music Lecture: Fang Liu, Doctoral student in musicology, Washington University in St. Louis and Benjamin Duane, Associate Professor of Music, Washington University in St. Louis

    Fang Liu, Doctoral student in musicology, Washington University in St. Louis and Benjamin Duane, Associate Professor of Music, Washington University in St. Louis

    Fang Liu, Doctoral student in musicology, Washington University in St. Louis

    Title
    “Negotiating Racial Identity: Racialized Assimilation in the Performances of Lee Tung Foo as the First Chinese American Vaudeville Singer”

    Abstract
    Lee Tung Foo (1875–1966), the pioneering Chinese-American professional vaudeville baritone, emerged as a prominent figure in American popular music during the early 20th century. This paper focuses on Lee’s career as a case study to examine the portrayal of Chinese and Chinese Americans in early American popular songs and the intricate negotiation of racial identity within the context of music and performance. Existing research has illuminated the link between early American popular songs with Chinese themes and racial discourse; however, a gap in scholarship remains regarding the racialization of Chinese-American voices within this cultural spectrum. This paper aims to bridge this gap through the lens of “racialized assimilation,” a theoretical framework that combines concepts of assimilation and racialization, to analyze Lee's performances, audience reactions, correspondence with his vocal coach, and newspaper reviews. By examining these primary sources, the paper sheds light on Lee’s negotiation of racial identity through performance. I argue that while Lee achieved success in vaudeville, breaking barriers for other Chinese and Asian immigrants in American popular culture, his performances unintentionally reinforced negative stereotypes of Chinese immigrants through the process of racialized assimilation. The findings suggest that Lee's assimilation into American culture through his performances, while notable, followed a distinctive trajectory compared to his Irish and Jewish American counterparts, as it was complicated by racialized perceptions. Therefore, the adoption of a racialized assimilation framework may best capture Lee's experience as a Chinese-American singer. 

    Biography
    Fang Liu is pursuing a doctorate degree in musicology at Washington University in St. Louis. Her research interests focus on the intersection of critical racial theory and music. She is particularly interested in how music participates in racial equity and social justice.


    Benjamin Duane, Associate Professor of Music, Washington University in St. Louis

    Title
    “‘So Lonesome I Could Cry’: The Tear-Jerking Refrain in Country Music”

    Abstract
    Few things typify country music better than songs about heartbreak. From Jimmie Rodgers to Patsy Cline, George Jones to Tim McGraw, country singers of all stripes have poured out their lonely broken hearts. But while the ubiquity of country heartbreak songs is well known, their structure and stylistic conventions have gone mostly unexplored. This talk will work to fill this gap by tracing the history of a structural formula common in country heartbreak songs. This formula, called the tear-jerking refrain, had its heyday during the honky-tonk years of the 1940s and 50s, during which most country songs lacked choruses but verses often ended with a one-line refrain. In the heartbreak songs, a formula was common in which the verse’s first lines describe the narrator’s sorrow while the refrain pointedly crystalizes it—in a tear-jerking fashion. Prof. Duane examines instances of this formula from earlier, verse-only songs by Hank Williams, Lefty Frizzell, and others. But he also explores how the formula was adapted for songs in verse-chorus by later artists such as Merle Haggard, George Strait, and Garth Brooks.

    Biography
    Ben Duane serves as Associate Professor of Music at Washington University in St. Louis, where he teaches courses on tonal music theory, analysis, music cognition, and computational modelling. Before coming to Washington University, he earned his doctorate in Music Theory and Cognition from Northwestern University and held a Mellon Post-Doctoral Fellowship in music at Columbia University. As a researcher, he specializes in form, texture, computational modelling, Western art music of the late eighteenth and early nineteenth centuries, and American country music. His work has appeared in Music Theory Spectrum, the Journal of Music Theory, Music Analysis, and Music Perception.

    Department of Music Lecture: “Mrs. Wardwell’s Plan of Study: The Women’s Club Movement and the Historiography of American Music”

    Department of Music Lecture: “Mrs. Wardwell’s Plan of Study: The Women’s Club Movement and the Historiography of American Music”

    Marian Wilson Kimber, Professor of Musicology, University of Iowa

    Abstract
    Between 1898 and 1925, Linda Bell Free Wardwell sold thirty thousand booklets entitled Plan of Study on Musical History. Designed to facilitate programming by members of the National Federation of Music Clubs, Wardwell’s pamphlets were adopted by women’s organizations from Magnolia, Arkansas, to Silver City, New Mexico. Her offerings contributed to the canonization of European composers in the United States, but they also supported the Federation’s advocacy of American music. This talk positions Wardwell’s publications within contemporary American musical historiography. It explores the ways in which women’s historical activities within the club movement influenced—and yet were overshadowed by—more mainstream publications authored by men.
     

    Biography
    Marian Wilson Kimber is Professor of Musicology at the University of Iowa. Her numerous publications have treated Felix Mendelssohn, Fanny Mendelssohn Hensel, women’s musical activities, and the role of poetic recitation in concert life. Wilson Kimber’s book, The Elocutionists: Women, Music, and the Spoken Word, won the H. Earle Johnson Subvention from the Society for American Music. Her most recent publications include an article about women’s peace songs for Eleanor Roosevelt in Music & Politics and a chapter in The Cambridge Companion to Amy Beach. Wilson Kimber is a founding member of the duo, Red Vespa, which performs comic spoken word pieces by women composers. Her current project is a book about the roles of clubwomen activists in shaping American music.

    Department of Music Lecture: “Big Feelings: Feminist Affect and Indie Rock After Riot Grrrl”

    Department of Music Lecture: “Big Feelings: Feminist Affect and Indie Rock After Riot Grrrl”

    Dan DiPiero, Assistant Professor of Music Studies, University of Missouri-Kansas City

    Abstract
    Prof. DiPiero introduces his current book project on the aesthetic and political contributions of contemporary indie bands like Soccer Mommy, Indigo De Souza, and Jay Som, arguing that they represent a novel synthesis of queer-feminist politics and alternative rock music vocabulary. Overwhelmingly performed by women and queer musicians, DiPiero refers to this indie rock orientation with the term “Big Feelings” in order to foreground the centrality of emotion, feeling, and affect in this music, resulting in a social orientation that listeners perceive, even in the absence of overt or literal statements about politics—that is, listeners feel this music’s feminist orientations even in the absence of clear references. Primarily performed by young, Gen-Z musicians, the Big Feelings that these artists articulate must also be read in the context of the successive socio-political crises that are not literally referenced in the music but nevertheless inform it.

    Biography
    Dan DiPiero is a musician and Assistant Professor of Music Studies at the University of Missouri-Kansas City. His first book, Contingent Encounters: Improvisation in Music and Everyday Life (University of Michigan Press 2022), was a finalist for the IASPM book prize in 2023. His second book, tentatively titled, Big Feelings: Feminism and Indie Rock After Riot Grrrl, will appear with the Tracking Pop Series at the University of Michigan Press. Other work has appeared in Jazz and Culture, the Journal of Popular Music Studies, Critical Studies in Improvisation, and more. Prior to UMKC, Dan taught at Ithaca College, Miami University, and Ohio State University, where he earned his Ph.D. from the Department of Comparative Studies in 2019.

    Department of Music Lecture: “Performing Music, Performing Art: Convent Pathways to Social (and Geographical) Mobility in Early Modern Italy”

    Department of Music Lecture: “Performing Music, Performing Art: Convent Pathways to Social (and Geographical) Mobility in Early Modern Italy”

    Craig A. Monson, Paul Tietjens Professor Emeritus of Music, Washington University in St. Louis

    Abstract
    Lucia Bonasoni Garzoni, whose portrait by Lavinia Fontana was recently acquired by the National Gallery of Art in Washington, achieved a certain renown as a musical donna di palazzo (to which the lute and music book in her portrait attest). The rediscovery of the chief events of her life suggests that she may have been too busy having babies to find much time for music-making. And her musical performances were likely more talked about than widely heard. Lucia’s surviving daughters illustrate another life reality: they all became nuns. Like her mother, Suor Giacinta Maria Garzoni also sang and played the lute; she represents the aristocratic gentlewomen for whom the convent offered some chance to realize performative aspirations, unencumbered by the rigors of childbirth, while also retaining her good name. Convent performance freed such women from the social taint associated with “public” music-making and musical professionalism. Such talents enabled poorer, less illustrious women to rise socially and to achieve privileged positions within often jealousy-guarded convent hierarchies.
     
    Music also prompted girls to travel hundreds of miles to distant monastic institutions. Dozens from Rome and Bologna sought musical careers in such cities as Spoleto, Macerata, Assisi, Perugia, Faenza, Genoa, and Pesaro.
     
    While (literally) hundreds of musicians followed this path, a few women visual artists have come to light, who also attained convent places, sometimes quite far from home, because of their artistic talents.
     
    The discussion concludes by briefly considering one Bolognese singer who negotiated both the secular and monastic worlds, traveling from Bologna to Venice and onward to Dresden before returning to Bologna and to a convent, where she refashioned herself to become a leading force for more than four decades.

    Biography
    Craig A. Monson is Paul Tietjens Professor Emeritus of Music at Washington University, where he taught for thirty years. He has worked and published extensively on Elizabethan music, seventeenth-century Italian opera, and music and female monasticism. His more recent books include The Black Widows of the Eternal City:  The True Story of Rome's Most Infamous Poisoners (2020), Habitual Offenders: A True Tale of Nuns, Prostitutes, and Murderers in 17th-century Italy (2016), and Divas in the Convent: Nuns, Music, and Defiance in 17th-century Italy (2012).

    Oppenheimer: A Panel Discussion

    Oppenheimer: A panel discussion sponsored by the Departments of Physics and Environmental Studies

    The recently released, popular Oppenheimer film sheds light on the World War II Manhattan Project, an enormous collaborative effort between the U.S. government and the industrial and scientific sectors, to develop atomic weapons. The film inspires insights, memories, queries and quandaries in all who see it, as we each bring to it different backgrounds; cultural, professional, personal, and family experiences.  

     

    This gathering will offer our students and the extended Washington University community the chance to come together for conversation and reflections about Oppenheimer. Panelists will offer short, 5-minute, critiques of the movie with insight provided by their expertise.  After these presentations, the discussion  will open for what is hoped will be a lively community conversation.

    Panelists:

    • Suzanne Loui, Lecturer, Environmental Studies
    • Philip Skroska, Visual and Graphic Archivist, Washington University Becker Medical Library
    • Lee Sobotka, Professor of Chemistry and Physics
    • Jim Wertsch, Professor of Sociocultural Anthropology and Global Studies
      Director Emeritus of the McDonnell International Scholars Academy

    Moderator:  Michael Ogilvie, Professor of Physics

    Please join us! 

    AFAS Featured Event: Works of Dr. El Hadji Samba Amadou Diallo

    AFAS Featured Event: Works of Dr. El Hadji Samba Amadou Diallo

    El Hadji Samba Amadou Diallo received his doctorate in History and Social Anthropology from the École des Hautes Études en Sciences Sociales (EHESS) in Paris, France and he is currently a Senior Lecturer in the Department of African and African American Studies at Washington University in St. Louis. This talk will highlight his most recent book, Sciences et Confréries Soufies au Sénégal: Approches Nouvelles de la Violence et de la Démocractie (Leiden and Boston: Brill, 2022).

    Anti-French political sentiments and military coups continue to multiply in West Africa, in places such as Mali, Guinea-Conakry, Burkina Faso, and most recently in Niger. There are many reasons for this increase in protests, ranging from security crises triggered by jihadist threats in the Sahel to France’s control of many sectors of the local economy and the influence of France on the African post-independence state. Many young Africans are stuck in the limbo of “waithood,” and the lack of socioeconomic opportunities they face has been exacerbated by the COVID-19 pandemic. This has resulted in a wide range of reactions and responses from youths. In countries such as Senegal, youth’s critique of Françafrique often clashes with a neo-authoritarian regime; however, in Guinea, Burkina Faso, and Niger, many young people have allied themselves with the military. This presentation will examine the exacerbation of violence in West Africa and possible solutions via the involvement of Sufi Muslim leaders in political dialogues.

    RSVP

    Workshop: Publishing Your First Book

    Presented by the Program in Public Scholarship.

    Publishing your first book can be daunting, and feel isolating at times. But a lot of the dilemmas and mysteries around publishing your first book are quite common, and can be worked through with practical steps. This workshop will be a safe space for first-time authors to voice what obstacles they are facing, and to find productive pathways through the book publishing process. (This workshop will be followed by workshops on specific stages of the book-publishing process.)

    Coffee and pastries will be served. 

    Attendance is limited to 10 people, so RSVP today.

    RSVPSuggest a future workshop topic
    WU Cinema Presents: Frances Ha

    WU Cinema Presents: Frances Ha

    A bittersweet comedy about a 27-year-old who drifts between jobs, friends and relationships in New York. Co-written and starring Greta Gerwig!

    Directed by Noah Baumbach.
    With Greta Gerwig, Mickey Sumner, Charlotte D’Ambiose.
    US, 2013, DCP, black & white, 86 min.

    Greta Gerwig is instantly iconic as millennial avatar Frances, a career-less, romance-less, and directionless aspiring dancer who somehow manages to maintain a sunny optimism. Noah Baumbach’s endearingly loose-limbed comedy is a lustrous black-and-white ode to New York, a Georges Delerue-sampling homage to the French New Wave, and, above all, a showcase for what is “unquestionably Gerwig’s defining performance to date”


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    Eliza (film screening)

    Eliza (film screening)

    A free screening of the short film, Eliza, telling the story of Eliza Rone, whose family was enslaved by Robert Campbell, a member of Washington University's Board of Trustees, and whose sons attended WashU.

    Based upon extraordinary true events, this is the story of Eliza Rone, an enslaved woman who, in 1856, worked for the richest family in St. Louis - the Campbells.

    Cinema St. Louis and the Hi-Pointe Theatre are pleased to offer this free screening of the historical short dramatic film “Eliza”, which recently premiered during the 23rd annual St. Louis Filmmakers Showcase in July. The film won awards for Best Makeup and Hairstyling and Best Actress Kazia Steele in the lead role. 

    The event will also feature a post-film discussion and Q&A with co-director Delisa Richardson, Andy Hahn with the Campbell House Museum, and key cast members: Kazia Steele (“Eliza”), Meg Davis (“Virginia Campbell”), Tom Taylor (“Robert Campbell”), Tammy Duensing (“Lucy Kyle”), and AG Shaw (“John Rone”). The discussion and Q&A will be moderated by Kevin Coleman-Cohen, director of the film "Pretty Boy," which was also a winner of two awards at the Showcase, Best Director and Best Drama.

    The event is free and open to the public, but a ticket is required.

    Return to Play: A Workshop in Clown and Improv

    Return to Play: A Workshop in Clown and Improv

    Join PAD Alum Lindsay Brill as she presents an introduction to clowning and its application to improvisation.

    Return to Play: A workshop in Clown and Improv will use the clown method developed by Christopher Bayes, head of physical acting at The Yale School of Drama as well as various improv techniques, to help participants rediscover the joy and freedom of play. This workshop will combine the techniques of clown with the spontaneity of improv to help participants find their inner child and tap into their natural sense of playfulness. Through a series of exercises and games, participants will learn to let go of judgement and unlock a deeper sense of embodiment, vulnerability and connection - both with themselves and with the audience.

    What is Clown? 
    Clown is a journey that embraces your unique sense of play, liberating the person you are without limitations. Through a series of exercises and games, you reclaim your "unsocialized self" and reignite your capacity for wonder and joy. The process reveals the clown within—an embodiment of authentic, uninhibited expression. This exploration invites you to rediscover the vast possibilities of your true self, liberating you from judgment and self-consciousness. At the heart of clowning is staying present, responding to the moment, and forging genuine connections. It's about unleashing your inner "big stupid" self, driven by pure fun and genuine connections. Clowning shatters stifling boundaries, fostering creativity and authentic human interactions.

    From Lindsay Brill, "How I've used clown in my work": 
    As an actor and person who tends to live in her head, residing in the realm of overthinking and analyzing, clown and improv have taken me out of my head (even if for moments at a time) and into my body. This work has taught me that if you're not having fun, neither is the audience and no matter how much research and text work you have done on a play and a role, when all is said and done, a play, whether tragic, comedic, contemporary or classical, should be play. Clown and improv have taught me the profound significance of embracing my unique voice, my joy and wonder, and enhancing the connection between myself, my scene partners and the audience.
     

    Lindsay Brill is an actor and teacher based in New York City. She is a proud alum of the Performing Arts Department at Wash U. She holds an MFA from The Old Globe/USD and an MSED in English and Special Education from Hofstra University. Television credits include Law and Order: SVU, Law and Order: Organized Crime, Happy!, The Marvelous Mrs. Maisel, Ray Donovan, Gotham, The Deuce, Hack My Life and Doin Great. Theatre credits include The Kitchen Theatre, New Light Theatre, Ensemble Studio Theatre, Theatre Row, Prospect Theatre Company, The Old Globe and Upright Citizen’s Brigade Theatre. Her two women sketch show ran for six months at UCB and in various cities on the East Coast and her one woman show, Third Period, has been produced in San Diego and New York. Lindsay has taught acting, clown, improv and audition skills throughout NYC and has also taught Special Education and social and emotional learning in elementary, middle and high schools. Lindsay is a member of The Actor's Center. lindsaybrill.com 

    Hispanic Heritage Month Celebration: Noche de Cultura

    Hispanic Heritage Month Celebration: Noche de Cultura

    Bienvenidos a la celebracion de la Herencia Hispana!

    Come and celebrate with us Hispanic Heritage Month, We’ve partnered with the LGSA, Somos WashU, CDI, WU Fuego, Alpha PSI LAMBDA, and SACNAS to honor Hispanic Heritage Month. HHM is celebrated every year from September 15 to October 15.

    This will be a two-day celebration with activities during both days. Don’t miss this opportunity to immerse yourself in Latin American culture through food, dance, trivia, fashion shows, and much more. All Art/Sci grad students are welcome to attend and bring their significant other/family member.

    If you would like to attend, please RSVP here!

    Sports & Society Reading Group: Big Money in Sports

    Sports & Society Reading Group: Big Money in Sports

    The Sports & Society reading group will meet on Friday, September 8th from 3-4:30pm in McMillan 101 to discuss Big Money in Sports.

    In particular, we’ll be focused on the latest conference realignment drama in Power 5 college football, but we will also consider the Saudis' attempts to buy all of the world’s most elite footballers (of the other type). 

    If you're interested in joining us, e-mail co-organizer Noah Cohan.  

    Photo of orchids on black background

    Humanities Happy Hour

    WashU humanities faculty: Meet and mingle with colleagues old and new.

    4-6 pm | Thursday, September 21
    Orchid Room & Courtyard, Danforth University Center

    Drinks and noshes served.

    Let us know if you are coming — click on the RSVP button below! Replies requested by Friday, September 15.

    RSVP

    Info Session - Mellon New Directions Fellowship

    Join us virtually for an open information session about the Mellon Foundation’s New Directions Fellowship and WashU’s internal competition

    Past New Directions Fellowship winner Nancy Reynolds (History) will respond to questions about the fellowship, preparing an application and the impact of the award on her career. Humanities center director Stephanie Kirk (RLL) will be on hand to answer questions about WashU’s internal competition, designed to facilitate the selection of one application to forward to Mellon.

    Register to attend via the RSVP below, and check your email for the Zoom link.

    RSVP
    Love Dances: A Workshop and Lecture on Intercultural Collaboration

    Love Dances: A Workshop and Lecture on Intercultural Collaboration

    Drawing from SanSan Kwan's book, Love Dances: Loss and Mourning in Intercultural Collaboration, this event will begin with a participatory workshop in embodied collaboration. Following that, SanSan will share excerpts from the book and engage the audience in a discussion about interculturalism and dance. No dance experience necessary, but please come dressed to move.  

    SanSan Kwan is professor and chair in the Department of Theater, Dance, and Performance Studies at UC Berkeley. Her research interests include dance studies, performance studies, and transnational Asian American studies. Her recent book, Love Dances: Loss and Mourning in Intercultural Collaboration (Oxford UP, 2021), is winner of the 2022 de la Torre Bueno© Award. She is also author of Kinesthetic City: Dance and Movement in Chinese Urban Spaces (Oxford UP, 2013) and co-editor, with Kenneth Speirs, of Mixing It Up: Multiracial Subjects (University of Texas Press, 2004). She has published her work in Dance Research JournalTDRTheatre Survey, Choreographic Practices, and Performance Research, among other journals and anthologies. She remains active as a professional dancer and is currently performing with Lenora Lee Dance, Chingchi Moves, and Jen Liu.

     

     

     

     

     

    Moving Stories: Migration, Advocacy, Art, and Scholarship in Conversation

    Moving Stories brings together participants from scholarship, the art field, and advocacy to discuss the challenges of incorporating and honoring the dignity of immigrant narratives in different practices. Following the format of a critical conversation, the discussion will touch on relevant topics such as the presence of surveillance and climate change and its impact on migratory movements, the challenges involved in researching long-term immigrant communities, and the privileged forms of engagement used by migration-inspired art pieces.

    Moving Stories is a transdisciplinary project led by faculty from Visual Arts, Art History, Romance Languages and Literatures, Sociology, and Design that reflects on how narratives work to bridge divides between migrants and the communities in which they settle. It is funded by a programmatic grant from the Incubator for Transdisciplinary Futures.

    Visiting Hurst Professor: Jahan Ramazani, Seminar

    Visiting Hurst Professor: Jahan Ramazani, Seminar

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Jahan Ramazani, who will be presenting a Seminar titled, "A Caribbean Poetics of (Post-)Mourning: Elegizing the Middle Passage."

    Jahan Ramazani, University Professor and Shannon Professor of English Literature as well as Director of Modern and Global Studies at the University of Virginia, will be visiting our department as a Hurst scholar in the third week of September.  Jahan's extraordinary career has formed around the several marks of distinction in those academic titles.  A prominent scholar of poetry and poetics, Jahan ranges across British and American but also global frames of reference, focusing on the modern and contemporary periods with a special emphasis on a new transnational imaginary in contemporary verse.  Critic, editor, translator, his books include Poetry in a Global AgePoetry and Its Others: News, Prayer, Song, and the Dialogue of GenresA Transnational PoeticsThe Hybrid Muse: Postcolonial Poetry in EnglishPoetry of Mourning: The Modern Elegy from Hardy to Heaney.

    Learn More about Jahan Ramazani on his website at: The University of Virginia or The Poetry Foundation

     

    Visiting Hurst Professor: Jahan Ramazani, Lecture

    Visiting Hurst Professor: Jahan Ramazani, Lecture

    Washington University Department of English is proud to welcome Visiting Hurst Professor, Jahan Ramazani, who will be presenting a lecture titled, "Elegy for the Planet: Poetry in the Time of Climate Change."

    Jahan Ramazani, University Professor and Shannon Professor of English Literature as well as Director of Modern and Global Studies at the University of Virginia, will be visiting our department as a Hurst scholar in the third week of September.  Jahan's extraordinary career has formed around the several marks of distinction in those academic titles.  A prominent scholar of poetry and poetics, Jahan ranges across British and American but also global frames of reference, focusing on the modern and contemporary periods with a special emphasis on a new transnational imaginary in contemporary verse.  Critic, editor, translator, his books include Poetry in a Global AgePoetry and Its Others: News, Prayer, Song, and the Dialogue of GenresA Transnational PoeticsThe Hybrid Muse: Postcolonial Poetry in EnglishPoetry of Mourning: The Modern Elegy from Hardy to Heaney.

    Learn More about Jahan Ramazani on his website at: The University of Virginia or The Poetry Foundation

     

    A Reading with Eduardo C. Corral

    A Reading with Eduardo C. Corral

    Eduardo C. Corral is the son of Mexican immigrants. Graywolf Press published his second book, Guillotine, in 2020. His first book, Slow Lightning, won the Yale Series of Younger Poets competition.

    His poems have appeared in Ambit, New England Review, The New Republic, Ploughshares, and Poetry. He's the recipient of residencies from the MacDowell Colony, Yaddo and Civitella Ranieri. He's also the recipient of a Whiting Writers' Award, a National Endowment for the Arts Fellowship, the Hodder Fellowship and the National Holmes Poetry Prize, both from Princeton University. He teaches in the MFA program in Creative Writing at North Carolina State University. He lives in Raleigh.

    Professor Corral will be giving a reading for faculty and students. 

    For more information on Eduardo C. Corral, please visit his webpage at: www.eduardoccorral.com

     

    Moving Bones: The Repatriation of Human Remains in Late Qing as a Historical and Cultural Phenomenon

    Moving Bones: The Repatriation of Human Remains in Late Qing as a Historical and Cultural Phenomenon

    Elizabeth Sinn, Honourary Professor at University of Hong Kong

    To be buried in one’s home village, like fallen leaves returning to their roots, was a long-held ideal in China.  For centuries, returning for burial the remains of deceased sojourners including officials, merchants and candidates of the civil service examination, was an aspiration put in practice whenever possible.  With expanding Chinese migration overseas in the 19th century, tens of thousands of coffins, bone boxes and spirit boxes were returned to China from North and South America, Australia and New Zealand, South East Asia and the Caribbean. The process of returning bones was complex, involving the collaboration of far-flung organizations, administrative mechanisms, knowledge of ritual correctness, long-distance logistics planning, trust, and money.  It was an expression of many things – philanthropic impulse, social leadership, love of the native place, filial piety, belief in fengshui, fear of the hungry ghost among them. We may see this moving of the dead as an extraordinary phenomenon in human history given the geographical reach, the volume and frequency, the long duration, and the deep social and cultural meanings attached to it. This lecture will focus on the repatriation activities from California during and after the gold rush and railroad building days.  Hong Kong, the entrepot for almost all the bone boxes en route to China, will be highlighted as an “in-between place”, a concept which I offer as a new tool in migration studies.

    Elizabeth Sinn is the author of Pacific Crossing: California Gold, Chinese Migration, and the Making of Hong Kong. Before retiring in 2004, she was Deputy Director of the Center of Asian Studies, University of Hong Kong.  She is currently an Honourary Professor at the University.

    Registration is required to attend the lecture. Once registered you will receive the Zoom link.

    Supported by a gift from Leung Tung Peter & Lin Young.

    2023-2024 Annual Weltin Lecture: “Theft, Forgery, and Scholarship: The Trafficking of Ancient Jewish and Christian Manuscripts”

    2023-2024 Annual Weltin Lecture: “Theft, Forgery, and Scholarship: The Trafficking of Ancient Jewish and Christian Manuscripts”

    Brent Nongbri, professor of History of Religions at MF Norwegian School of Theology, Religion, and Society in Oslo

    How did ancient Jewish and Christian manuscripts end up in the libraries and museums where we now see them on display? In many cases, the answer is the antiquities market. Over the last century, there has been a thriving trade in ancient manuscripts. This market has always been shady, but in recent years, high profile scandals involving the trafficking of antiquities have shaken the field of biblical studies. Major collections of manuscripts and antiquities have been robbed by the very curators and scholars who should be safeguarding them. Top scholars have been fooled by forgeries that emerged from the market. This talk dives into some of these recent controversies by unravelling the complicated story of the Museum of the Bible in Washington, DC, which has been at the center of some of these unfortunate events.

    RSVP
    WU Cinema Presents: After Hours

    WU Cinema Presents: After Hours

    After Hours. 1985. Directed by Martin Scorsese!

    1985. USA. Directed by Martin Scorsese. Screenplay by Joseph Minion. With Griffin Dunne, Rosanna Arquette, Teri Garr. 35mm. 97 min.

    In this zany entry in Scorsese’s New York catalog, office drone Paul Hackett is thrust into a “yuppie nightmare cycle” after meeting the electrifying Marcy Franklin (Rosanna Arquette). Plummeting into a humiliating series of mishaps involving artists, punks, and plaster, Paul’s Kafkaesque descent is a surreal journey into the depths of downtown nightlife.


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info

    Creative Practice Workshop Info Session

    Fulbright Creative and Performing Arts Grant Info Session

    Guggenheim Fellowship Information Session

    The Handshake That Shook the World: A 30 Year Reflection on the Oslo Accords

    The Handshake That Shook the World: A 30 Year Reflection on the Oslo Accords

    Daniel Kurtzer is the former US Ambassador to Egypt (1997 - 2001) and Israel (2001 - 2005)

    Join us for an evening of conversation and reflection with Former Ambassador Kurtzer on the September 13, 1993 Oslo Accords - agreements intended to create a working peace treaty between Israel and the PLO.

    We will look back at the road to and the legacy of this historic event.

    Hosted by Barry Rosenberg and presented by the Jewish Community Relations Council of St. Louis.

    Register to attend here: Link

    A Masterclass with Joyce Yang, piano

    A Masterclass with Joyce Yang, piano

    Free and open to the public!

    This masterclass will feature students from the Department of Music and a guest from Kirkwood High School in performance, guided by Grammy-nominated pianist Joyce Yang.

    Program:

    Sonata in C-sharp minor, Op. 27, No. 2 by Ludwig van Beethoven (1770 - 1827)
         Presto Agitato
    Si Tong He

    Nocturne, No. 4 by Lowell Liebermann  (b. 1961)
     Gus Bachner

    Sonata No. 5, Op. 53 by Alexander Scriabin (1872 - 1915)
    James Decker - Kirkwood High School
     

    “extraordinary” and “kaleidoscopic”
    Los Angeles Times

    Biography:

    Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity.

    She first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takàcs Quartet), and Best Performance of a New Work. In 2006 Yang made her celebrated New York Philharmonic debut alongside Lorin Maazel at Avery Fisher Hall along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea. Yang’s subsequent appearances with the New York Philharmonic have included opening night of the 2008 Leonard Bernstein Festival – an appearance made at the request of Maazel in his final season as music director. The New York Times pronounced her performance in Bernstein’s The Age of Anxiety a “knockout.”

    In the last decade, Yang has blossomed into an “astonishing artist” (Neue Zürcher Zeitung), showcasing her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians through more than 1,000 debuts and re-engagements. She received the 2010 Avery Fisher Career Grant and earned her first Grammy nomination (Best Chamber Music/Small Ensemble Performance) for her recording of Franck, Kurtág, Previn & Schumann with violinist Augustin Hadelich (“One can only sit in misty-eyed amazement at their insightful flair and spontaneity.” – The Strad).

    Other notable orchestral engagements have included the Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Deutsches Symphonie-Orchester Berlin, Hong Kong Philharmonic, the BBC Philharmonic, as well as the Toronto, Vancouver, Sydney, Melbourne, and New Zealand symphony orchestras. She was also featured in a five-year Rachmaninoff concerto cycle with Edo de Waart and the Milwaukee Symphony, to which she brought “an enormous palette of colors, and tremendous emotional depth” (Milwaukee Sentinel Journal).

    In solo recitals, Yang’s innovative program has been praised as “extraordinary” and “kaleidoscopic” (Los Angeles Times). She has performed at New York City’s Lincoln Center and Metropolitan Museum, the Kennedy Center in Washington, D.C., Chicago’s Symphony Hall, Zurich’s Tonhalle, and all throughout Australia on a recital tour presented by Musica Viva.

    As an avid chamber musician, Yang has collaborated with the Takács Quartet for Dvořák – part of Lincoln Center’s Great Performers series – and Schubert’s “Trout” Quintet with members of the Emerson String Quartet at the Mostly Mozart Festival at Lincoln Center. Yang has fostered an enduring partnership with the Alexander String Quartet and together released three celebrated recordings under Foghorn Classics.

    In 2020, Yang released her tenth album performing Jonathan Leshnoff’s Piano Concerto with the Kansas City Symphony (Reference Recordings) that was written for her. Textura magazine wrote “Joyce Yang delivers a riveting performance others would be hard pressed to better. … The opening movement dazzles from the start, with Yang expertly voicing chiming figures over insistent strings and the syncopated rhythms restlessly churning”. As a champion of new music, Yang has also premiered and recorded a World Premier discography of Michael Torke’s Piano Concerto with Albany Symphony and David Alan Miller (Albany Records). Yang’s wide-ranging discography also includes two celebrated solo discs (Collage and Wild Dreams, Avie Records), where she “demonstrated impressive gifts” (New York Times). Yang also released a live-performance recording of Tchaikovsky’s Piano Concerto No. 1 with Denmark’s Odense Symphony Orchestra (Bridge Records), which International Record Review called “hugely enjoyable, beautifully shaped … a performance that marks her out as an enormous talent.”

    In recent years, Yang has focused on promoting creative ways to introduce classical music to new audiences. She served as the Guest Artistic Director for the Laguna Beach Music Festival in California, curating concerts that explore the “art-inspires-art” concept – highlighting the relationship between music and dance while simultaneously curating outreach activities to young students. Yang’s collaboration with the Aspen Santa Fe Ballet of Half/Cut/Split – a “witty, brilliant exploration of Robert Schumann’s Carnaval” (The Santa Fe New Mexican) choreographed by Jorma Elo – was a marriage between music and dance to illuminate the ingenuity of Schumann’s musical language. The group toured nationwide, including five performances at the Joyce Theater in New York.

    In the 2021/2022 season, Yang shared her versatile repertoire in over 40 cities in the U.S. and Europe. After returning to the stage in summer performances at Wolf Trap (with the National Symphony Orchestra), Grant Park Music Festival, Aspen Music Festival, Sun Valley Music Festival, Yang appeared with the New World Symphony, Dallas Symphony, Buffalo Philharmonic, Utah Symphony, Colorado Symphony, Nashville Symphony, Pacific Symphony, Phoenix Symphony, Tucson Symphony, and Rhode Island Philharmonic, among many others. Furthermore, Yang gae a World Premier performance of Reinaldo Moya’s Piano Concerto with Bangor Symphony, which drew inspiration from Venezuelen artist Carlos Cruz-Diez. In recital, Yang presented daring programs of Bach, Rachmaninoff, Stravinsky and Kernis as well as collaborate with the Takacs Quartet.

    Born in 1986 in Seoul, South Korea, Yang received her first piano lesson from her aunt at the age of four. She quickly took to the instrument, which she received as a birthday present. Over the next few years won several national piano competitions in her native country. By the age of ten, she had entered the School of Music at the Korea National University of Arts, and went on to make a number of concerto and recital appearances in Seoul and Daejeon. In 1997, Yang moved to the United States to begin studies at the pre- college division of the Juilliard School with Dr. Yoheved Kaplinsky. During her first year at Juilliard, Yang won the pre-college division Concerto Competition, resulting in a performance of Haydn’s Keyboard Concerto in D with the Juilliard Pre-College Chamber Orchestra. After winning the Philadelphia Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra at just twelve years old. She graduated from Juilliard with special honor as the recipient of the school’s 2010 Arthur Rubinstein Prize, and in 2011 she won its 30th Annual William A. Petschek Piano Recital Award.

    Yang appears in the film In the Heart of Music, a documentary about the 2005 Van Cliburn International Piano Competition. She is a Steinway artist.

    Financial assistance for this project has been provided by the Missouri Arts Council, a state agency.  www.missouriartscouncil.org

     

     

    A Masterclass with Christine Goerke, soprano

    A Masterclass with Christine Goerke, soprano

    Free and open to the public!

    This masterclass will feature students from the Department of Music, Webster University, and OTSL's Artists-in-Training program in performance, guided by internationally renowned soprano Christine Goerke.

    Sandra Geary, piano

    “The hours creep on apace” from H.M.S. Pinafore by (Gilbert and Sullivan)
         Ava Hettenhausen, Bayer Fund Artists-in-Training Program

    “The Jewel Song” from Faust by Charles Gounod (1818-1893)
         Neha George, Washington University

    “Lonely House” from Street Scene by Kurt Weill (1900-1950)
         Surav Amin, Washington University

    “Cruda sorte” from L’Italiana in Algeri by Gioachino Rossini (1792–1868)
         Calista Goldwasser, Webster University
     

    “Ms. Goerke displays a big, blazing soprano that not only has the gale-force power and sheen to slice through Strauss’ huge orchestra, but also seamless legato and an entire paintbox of colors.” - The Wall Street Journal

    Biography:

    Soprano Christine Goerke has appeared in many of the most prestigious opera houses of the world including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Royal Opera House, Paris Opera, Teatro alla Scala, Deutsche Oper Berlin, Teatro Real in Madrid, and the Saito Kinen Festival. She has sung much of the great soprano repertoire, beginning with the Mozart and Handel heroines and now moving into dramatic Strauss and Wagner roles. 

    Ms. Goerke has also appeared with a number of leading orchestras including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, Radio Vara, the BBC Symphony Orchestra at the BBC Proms, and both the Hallè Orchestra and the Royal Scottish National Symphony at the Edinburgh International Festival. She has worked with some of the world's foremost conductors including James Conlon, Sir Andrew Davies, Sir Mark Elder, Christoph Eschenbach, Claus Peter Flor, James Levine, Sir Charles Mackerras, Kurt Masur, Zubin Mehta, Andris Nelsons, Seiji Ozawa, David Robertson, Donald Runnicles, Esa-Pekka Salonen, the late Robert Shaw, Patrick Summers, Jeffery Tate, Christian Thielemann, Michael Tilson Thomas, and Edo de Waart.

    Ms. Goerke's recording of Vaughan Williams’ A Sea Symphony with Robert Spano and the Atlanta Symphony Orchestra won the 2003 Grammy Award for Best Classical Recording and Best Choral Performance. Her close association with Robert Shaw yielded several recordings included the Brahms' Liebeslieder Waltzes, Poulenc's Stabat Mater, Szymanowski's Stabat Mater, and the Grammy-nominated recording of Dvorak's Stabat Mater. Other recordings include the title role in Iphigenie en Tauride for Telarc and Britten’s War Requiem, which won the 1999 Grammy Award for Best Choral Performance. 

    Ms. Goerke was the recipient of the 2001 Richard Tucker Award, the 2015 Musical American Vocalist of the Year Award, and the 2017 Opera News Award. She currently serves as the Associate Artistic Director of the Detroit Opera.

    **All programs subject to change

    Financial assistance for this project has been provided by the Missouri Arts Council, a state agency.  www.missouriartscouncil.org

    Sponsored by Mary Pillsbury

     

     

    “Every Good Boy Does Fine,” a conversation with pianist and author Jeremy Denk

    “Every Good Boy Does Fine,” a conversation with pianist and author Jeremy Denk

    Free and open to the public with required RSVP. 


     

    In conversation with Todd Decker, Paul Tietjens Professor of Music. Light lunch will be served.  Free and open to the public with required RSVP.  RSVP

    MacArthur “Genius” Grant–winning pianist Jeremy Denk will discuss his New York Times best-selling book Every Good Boy Does Fine: A Love Story, in Music Lessons, a beautifully written, witty memoir that is also an immersive exploration of classical music—its power, its meanings, and what it can teach us about ourselves.

    Our friends at St. Louis' own Left Bank Books will be selling Mr. Denk's book at both the concert and the book talk.  Purchase your copy there and have Mr. Denk sign it! You may also reserve your copy here in advance and have it delivered to the event.

     Purchase in Advance


    Co-sponsors:
    Center for the Literary Arts
    David and Melanie Alpers
    Financial assistance for this project has been provided by the Missouri Arts Council, a state agency.  www.missouriartscouncil.org

    About Every Good Boy Does Fine:

    In Every Good Boy Does Fine, renowned pianist Jeremy Denk traces an implausible journey. His life is already a little tough as a precocious, temperamental six-year-old piano prodigy in New Jersey, and then a family meltdown forces a move to New Mexico. There, Denk must please a new taskmaster, an embittered but devoted professor, while navigating junior high school. At sixteen he escapes to college in Ohio, only to encounter a bewildering new cast of music teachers, both kind and cruel. After many humiliations and a few triumphs, he ultimately finds his way as a world-touring pianist, a MacArthur “Genius,” and a frequent performer at Carnegie Hall.

    Many classical music memoirs focus on famous musicians and professional accomplishments, but this book focuses on the every day: neighborhood teacher, high school orchestra, and local conductor. There are few writers capable of so deeply illuminating the trials of artistic practice—hours of daily repetition, mystifying advice, and pressure from parents and teachers. But under all this struggle is a love letter to the act of teaching.

    In lively, endlessly imaginative prose, Denk dives deeply into the pieces and composers that have shaped him—Bach, Mozart, and Brahms, among others—and offers lessons on melody, harmony, and rhythm. How do melodies work? Why is harmony such a mystery to most people? Why are teachers so obsessed with the metronome?

    In Every Good Boy Does Fine, Denk shares the most meaningful lessons of his life and tries to repay a debt to his teachers. He also reminds us that we must never stop asking questions about music and its purposes: consolation, an armor against disillusionment, pure pleasure, a diversion, a refuge, and a vehicle for empathy. (source: https://www.jeremydenk.com/book)

     

    LISTEN HERE

     

     

    Biography:

    Jeremy Denk is one of America’s foremost pianists, proclaimed by the New York Times ‘a pianist you want to hear no matter what he performs.’ Denk is also a New York Times bestselling author, winner of both the MacArthur “Genius” Fellowship and the Avery Fisher Prize, and is a member of the American Academy of Arts and Sciences.
     
    In the 2022-23 season, Denk will continue his multi-season exploration of Book 1 of Bach’s Well Tempered Clavier, and will also perform with orchestras and in recitals across U.K., Europe, and the United States, including a return to Carnegie Hall play-directing Bach concerti with Orchestra St. Luke’s, and multi-concert residency at the Lammermuir Festival in Scotland.   An avid chamber musician, Denk will also embark on a U.S. tour with the renowned Takács Quartet. 

    His New York Times Bestselling memoir Every Good Boy Does Fine was published to universal acclaim by Random House in 2022, with features on CBS Sunday Morning, NPR’s Fresh Air, New York Times Review of Books, and more, with The Guardian heralding it as “an elegant, frank and well-structured memoir that entirely resists cliche. A rare feat... it makes the reader care about Denk beyond his talent for playing the piano.”

    Denk’s latest album of Mozart piano concertos was released in 2021 on Nonesuch Records. The album, deemed “urgent and essential” by BBC Radio 3, was featured as ‘Album of the Week’ on Classic FM, and ‘Record of the Week’ on BBC Radio’s Record Review.

    Denk has performed multiple times at Carnegie Hall and in recent years has worked with such orchestras as Chicago Symphony, Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Cleveland Orchestra. Further afield, he has performed multiple times at the BBC Proms and Klavierfestival Ruhr, and appeared in such halls as the Köln Philharmonie, Concertgebouw in Amsterdam, and Boulez Saal in Berlin. He has also performed extensively across the U.K., including recently with the London Philharmonic, Bournemouth Symphony, City of Birmingham Symphony, Royal Liverpool Philharmonic, BBC Symphony, Scottish Chamber Orchestra, and play-directing the Britten Sinfonia. Last season’s highlights include his performance of the Well-Tempered Klavier Book 1 at the Barbican in London, and performances of John Adams’ Must the Devil Have All The Great Tunes? with the Cleveland Orchestra, St. Louis Symphony, and Seattle Symphony, as well as a return to the San Francisco Symphony to perform Messiaen under Esa Pekka Salonen.

    Denk is also known for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” He wrote the libretto for a comic opera presented by Carnegie Hall, Cal Performances, and the Aspen Festival, and his writing has appeared in the New Yorker, the New Republic, The Guardian, and on the front page of the New York Times Book Review. His book Every Good Boy Does Fine was published in 2022 by Random House in the U.S. and Pan Macmillan in the U.K.

    Denk’s recording of the Goldberg Variations for Nonesuch Records reached No. 1 on the Billboard Classical Charts. His recording of Beethoven’s Piano Sonata No. 32 in C minor, Op. 111 paired with Ligeti’s Études was named one of the best discs of the year by the New Yorker, NPR, and the Washington Post, and his account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano. Denk has a long-standing attachment to the music of American visionary Charles Ives, and his recording of Ives’s two piano sonatas also featured in many “best of the year” lists. His recording c.1300-c.2000 was released in 2018 with music ranging from Guillaume de Machaut, Gilles Binchois and Carlo Gesualdo, to Stockhausen, Ligeti and Glass. His latest album of Mozart piano concertos, performed with the Saint Paul Chamber Orchestra, was released in 2021 on Nonesuch Records.

    Jeremy Denk is a graduate of Oberlin College, Indiana University, and the Juilliard School. He lives in New York City.
     

     

     

     

    Eurasianism: From a Bookish Philosophy to the Official Ideology of Putin’s Russia

    Eurasianism: From a Bookish Philosophy to the Official Ideology of Putin’s Russia

    Eurasian Studies Seminar presents, Maria Kurbak

    Eurasianism, Russia’s superiority and exceptionalism are the cornerstones of Putin's official ideology and, more generally, of Russian identity. In this presentation I will show how, starting as the philosophical duel between "Slavophiles" and "Westernisers" in the mid-19th century, the

    ideas of Russian uniqueness, anti-Westernism, and anti-modernity resulted in Eurasianism, the concept that defines Putin’s ideology and ultimately the present Russia’s policy. I will primarily focus not on the Eurasianist doctrines themselves but on the way they have been twisted and manipulated in the works of today’s Russian ideologists. As I will show, Eurasianism is not just a philosophical school of thought anymore - it is the core ideological background that defines Putin's foreign policy and justifies Russian expansionism. I shall also explain why Russia’s war against Ukraine could be just the beginning.

     

    Maria Kurbak is a Fellow with the Institute of International Education Scholar Rescue Fund and Visiting Scholar in the Memory Lab, Department of Psychological & Brain Sciences, Washington University in St. Louis

    Roscoe Mitchell: Sound and Vision

    Roscoe Mitchell: Sound and Vision

    Co-sponsors: Center for the Humanities & Center for the Study of Race, Ethnicity & Equity


    Pioneering composer and multi-instrumentalist Roscoe Mitchell will present recent work that highlights the connections between his music and his decades-long painting practice, including an excerpt of a collaborative audiovisual work with Washington University composer/electronic musician Christopher Douthitt and the Princeton Laptop Orchestra. The performance, presentation, and audience Q&A will be hosted by Washington University's Paul Steinbeck, a leading scholar of Mitchell’s music.

    Biography:

    Roscoe Mitchell is considered one of the key figures in avant-garde jazz, integrating influences from everywhere—world music, funk, rock, classical—to create music that is at once beautiful and complex. He has been involved with the Association for the Advancement of Creative Musicians (AACM), a Chicago-based nonprofit organization founded in the mid-1960s to advance new creative music. Mitchell has performed on more than 85 recordings and written in excess of 250 compositions in the jazz and classical realms. He continues to pass down his musical knowledge of composition and improvisation, both in educational and performance settings.   

    Mitchell first played saxophone and clarinet as a teenager in Chicago, Illinois, and while stationed in Germany with the U.S. Army, he played in a military band. While overseas, he met and played with saxophonists Albert Ayler and Rubin Cooper in military parades and jam sessions. Returning to Chicago in 1961, he performed with a group of Wilson Junior College students who included bassist Malachi Favors and saxophonists Joseph Jarman, Henry Threadgill, and Anthony Braxton. Mitchell also began studying with pianist/composer Muhal Richard Abrams and joined Abrams' new Experimental Band, a group that explored extended forms of composition and improvisation.

    In 1965, Mitchell became an inaugural member of the AACM, and his sextet became the first AACM group to record. This group eventually turned into the Art Ensemble of Chicago, including Favors and Jarman, and Lester Bowie on trumpet. Without a drummer, all the band members would share timekeeping duties, using makeshift percussion instruments ranging from found objects to toys. Even after they recruited percussionist Don Moye, they all continued to contribute to the beat. The Art Ensemble of Chicago took Europe by storm in the late 1960s with its fiery performances, unusual instrumentation, and African-inspired clothing and face-paint.

    After the group’s return to the U.S. in the early 1970s, Mitchell continued working with the Art Ensemble and members of the AACM, but also created other groups for his restless musical output. He established the Creative Arts Collective in 1974, and as an outgrowth of that, the Sound Ensemble. Mitchell also began releasing more albums as a leader and experimenting with finding new ways to make music, such as learning the tradition of circular breathing and working with computers in improvisation. In the 1990s, he began collaborating with such classical composers as Pauline Oliveros and Thomas Buckner.

    In his educational work, he has proposed studying composition and improvisation in tandem, to think like a composer when improvising, what Mitchell has called “composition in real time.” Mitchell has taught at institutions such as the University of Illinois, the University of Wisconsin-Madison, California Institute of the Arts, and for the past decade served as the Darius Milhaud Chair of Composition at Mills College in Oakland, California. 

    The artist received numerous grants from the National Endowment for the Arts (for both performance and composition) and is the recipient of many honors, including a NAACP Image Award and many DownBeat poll awards.

    Co-sponsor:

    This event is supported in part by Washington University in St. Louis Center for the Study of Race, Ethnicity & Equity 

     

    Roundtable discussion of Tabea Alexa Linhard’s

    Roundtable discussion of Tabea Alexa Linhard’s "Unexpected Routes: Refugee Writers in Mexico"

     

    Please join us for a roundtable discussion of Tabea Linhard’s book Unexpected Routes: Refugee Writers in Mexico (2023).

    Panelists:

    Tabea Linhard, Director of Global Studies, Professor of Spanish and Comparative Literature

    Erin McGlothlin, Professor of German and Jewish Studies and Vice Dean of Undergraduate Affairs in the College of Arts and Sciences

    Anca Parvulescu, Professor of English; Liselotte Dieckmann Professor of Comparative Literature

    Timothy Parsons, Professor of History and of African and African-American Studies

    Moderator: Stephanie Kirk, Director of the Center for the Humanities, Professor of Spanish, Comparative Literature, and Women, Gender, and Sexuality Studies

     

    The roundtable discussion will take place on October 20, 3:00, in Hurst Lounge, Duncker Hall. A reception will follow.

     

    Unexpected Routes chronicles the refugee journeys of six writers whose lives were upended by fascism in the aftermath of the Spanish Civil War and during World War II: Cuban-born Spanish writer Silvia Mistral, German-born Spanish writer Max Aub, German writer Anna Seghers, German author Ruth Rewald, Swiss-born political activist, photographer, and ethnographer Gertrude Duby, and Czech writer and journalist Egon Erwin Kisch.

    In a study that bridges history, literary studies, and refugee studies, Tabea Alexa Linhard draws connections between colonialism, the Spanish Civil War, and World War II and the Holocaust to shed light on the histories and literatures of exile and migration, drawing connections to today's refugee crisis and asking larger questions around the notions of belonging, longing, and the lived experience of exile.

    Sebastiaan Faber writes about Unexpected Routes: “Tabea Alexa Linhard movingly tells the stories of six mid-century antifascist writers and artists who were lucky enough to escape death through circuitous routes of exile. Unexpected Routes helps us understand the challenges these exiles faced, and how their views of their new surroundings were often marked by a colonial violence they weren’t always able to acknowledge.”

    For a preview, see On the Refugee Stories That Begin Where Casablanca Ends.

    Writing and Embodied Creativity

    Writing and Embodied Creativity

    A Talk with 2023 Marcus Artist-in-Residence, Choreographer Leslie Cuyjet

    Join us for a conversation with Brooklyn-based choreographer Leslie Cuyjet, this year's Marcus Guest Artist in Residence in the Dance Program of the Performing Arts Department, in which she will discuss the importance of writing to her creative process. Called "a potent choreographic voice" by the New York Times, Ms. Cuyjet is the recipient of a 2019 New York Dance and Performance “Bessie” Award for her sustained achievement as Outstanding Performer and a 2022 award for Outstanding Choreographer/Creator. Her choreography aims to conjure life-long questions of identity, confuse and disrupt traditional narratives, and demonstrate the angsty, explosive, sensitive, pioneering excellence of the Black woman.

     

    The Marcus Residency is made possible by a fund established by the late Dr. Morris D. Marcus in memory of his wife Margaret.

     

    This talk is co-Sponsored by the Marcus Family, the Performing Arts Department, and Center for Literary Arts.

     

    AFAS Featured Event:     The Future of the Black Family Virtual Roundtable

    AFAS Featured Event: The Future of the Black Family Virtual Roundtable

    Join the Department of African & African American Studies as we present the virtual roundtable discussing the past, present, and future of the black family dynamic.

    AFAS is honored to welcome four esteemed scholars to our discussion on the future of the Black family. These distinguished individuals who will be in attendance are:

    1. Anika Simpson, Ph.D. - Anika Simpson is a professor at Morgan State University and serves as the co-founding director of "Black Queer Everything."

    2. Kwame Otu, Ph.D. - Kwame Otu is a professor at Georgetown University and is the author of the book "Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making in Neoliberal Ghana."

    3. Marlo David, Ph.D. - Marlo David is a professor of English and Women’s, Gender, and Sexuality Studies at Purdue University. She is the author of the book "Mama’s Gun: Black Maternal Figures and the Politics of Transgression" and has contributed numerous scholarly articles.

    4. Michele Hall, JD - Michele Hall resides in Prince George's County, Maryland and is an attorney at Brown, Goldstein & Levy. She previously served as a public defender at the Maryland Office of the Public Defender, primarily representing children charged in the criminal legal system. 

    We look forward to the insights and expertise these scholars will bring to our discussion.

    RSVP
    College of Arts & Sciences Major Minor Fair

    College of Arts & Sciences Major Minor Fair

    Each fall, the College holds a Major-Minor Fair, where students can talk to faculty members and get more information on many majors and minors at one time and in one place.

    At the Major-Minor Fair, you can:

    • Gather information about majors and minors in Arts & Sciences
    • Learn about second majors and minors in other divisions
    • Meet important faculty and staff in those fields
    • Get information related to the major from the Career Center, Overseas Programs Office, Library and the Office of Undergraduate Research

    Virtual Book Club: Invisible Man

    Banned Book Week discussion of “Invisible Man” by Ralph Ellison

    Join University Libraries for a special Banned Book Week book club. We will discuss Invisible Man by Ralph Ellison, one of the most challenged classic books. Invisible Man is the story of an unnamed narrator whose bright future is erased by racism, told in confession form, frankly using the language of the period in which it was written.

    Book Club will begin with a short presentation of banned books followed by a discussion of the book.

    Free and open to all, registration required for Zoom link.

    More info

    Rethinking Tenure and Promotion Assessment in the Humanities: A Blueprint for Transformation and Innovation

    This event will be structured around a series of conversations with invited guests, senior faculty and administrators from Washington University, as well as presentations from WashU scholars. The event will create a lively platform for our faculty to discuss their ideas and ambitions for undertaking truly innovative work in the humanities.

    View videos and photos from the event by clicking here.

    Co-organized by the Center for the Humanities and the Program in Public Scholarship, this event is designed to help humanities faculty and administrators think through how to move beyond traditional requirements for tenure dossiers in the humanities (e.g., monograph and articles) to encompass newer ways of doing humanities research — public humanities, digital humanities, creative practice. How do we enact systemic change to open up traditional ways of evaluating humanities research to allow scholars to produce this exciting new work while moving through the tenure and promotion processes?

    This type of systemic change is essential for the health and future of the humanities as we search for new ways to engage with multiple publics and ensure equitable access to the processes of scholarly production to researchers from diverse backgrounds. This one-day event brings together national leaders in humanities organizations, scholars doing innovative work in the humanities, as well as thought leaders at both Washington University and other institutions committed to enacting these transformations. 

    Confirmed guests: 

    • Kal Alston, Professor in Cultural Foundations of Education and Women’s and Gender Studies, Syracuse University; Associate Dean for Academic Programs in the School of Education; Chair, Imagining America National Advisory Board; and President-Elect, Philosophy of Education Society 
    • Ulrich Baer, Director, Center for the Humanities; University Professor, Departments of German and Comparative Literature, NYU 
    • Antoinette Burton, Professor of History and Swanlund Endowed Chair; Director, Humanities Research Institute, University of Illinois Urbana-Champaign 
    • Alenda Y. Chang, Associate Professor in Film and Media Studies, UC Santa Barbara; Co-founder, Wireframe Digital Media Studio 
    • Joy Connolly, President, American Council of Learned Societies (ACLS) 
    • Heather Hewett, Program Officer for Higher Education Initiatives, ACLS
    • Paula Krebs, Executive Director, Modern Language Association 

    Program

    The morning session begins at 9 am at Hurst Lounge in Duncker Hall. The afternoon session begins at 1 pm. A reception will be held for attendees at 4:30 pm in the Goldberg Formal Lounge (DUC). 

    9–9:15 am

    Welcome and Opening Remarks
    Stephanie Kirk, Director, Center for the Humanities
    Mary McKay, Vice Provost for Interdisciplinary Initiatives

    9:15–10:30 am

    Panel 1: Challenges (moderator Christopher Schaberg, Director of Public Scholarship, Arts and Sciences)
    Antoinette Burton, Professor of History and Swanlund Endowed Chair; Director, Humanities Research Institute, University of Illinois Urbana-Champaign
    Alenda Y. Chang, Associate Professor in Film and Media Studies, UC Santa Barbara; Co-founder, Wireframe Digital Media Studio 
    Joy Connolly, President, American Council of Learned Societies
    Responses: Kal Alston, Ulrich Baer, Heather Hewett, Paula Krebs

    10:30–11 am

    Coffee Break

    11 am–12:15 pm

    Panel 2: Opportunities (moderator Stephanie Kirk)
    Kal Alston, Professor in Cultural Foundations of Education and Women’s and Gender Studies, Syracuse University; Associate Dean for Academic Programs in the School of Education; Chair, Imagining America National Advisory Board; and President-Elect, Philosophy of Education Society 
    Ulrich Baer, Director, Center for the Humanities; University Professor, Departments of German and Comparative Literature, NYU 
    Heather Hewett, Program Officer for Higher Education Initiatives, ACLS
    Paula Krebs, Executive Director, Modern Language Association
    Responses: Antoinette Burton, Alenda Y. Chang, Joy Connolly

    12:15–1:15 pm

    Lunch on your own

    1:15–2:30 pm

    Panel 3: Here: Snapshots of Innovation (moderator Christopher Schaberg)
    G’Ra Asim, Assistant Professor of English
    Jianqing Chen, Assistant Professor of East Asian Languages and Cultures and of Film and Media Studies
    Nathan Dize, Assistant Professor of French
    Gabrielle Kirilloff, Assistant Professor of English
    Raven Maragh-Lloyd, Assistant Professor of African and African American Studies and Film and Media Studies
    Sarah Weston, Assistant Professor of English 
    Anya Yermakova, ACLS Emerging Voices Fellow, Center for the Humanities

    2:30–3:30 pm

    Panel 4: Next: A Roundtable on Supporting Transformation (moderator Andrew Brown, Vice Dean of Faculty Affairs, Professor of Spanish, Professor of Comparative Literature [by courtesy], Biodiversity Fellow, Living Earth Collaborative)
    Guided by:
    Kia Caldwell, Vice Provost for Faculty Affairs and Diversity, Professor, Department of African and African-American Studies, Dean’s Distinguished Professorial Scholar in Arts & Science
    Danielle Dutton, Associate Professor of English, Co-Director, Center for the Literary Arts
    Adia Harvey Wingfield, Vice Dean of Faculty Development and Diversity, Professor of Sociology, Mary Tileston Hemenway Professor of Arts & Sciences
    Julia Walker, Chair, Performing Arts Department, Professor of English and Performing Arts

    3:30–4:15 pm

    Panel 5: Reflections and Next Steps
    Joy Connolly, President, ACLS and Paula Krebs, Executive Director, Modern Language Association, in conversation with Stephanie Kirk, Director, Center of the Humanities.

    4:15–4:25 pm

    Closing Remarks 
    Feng Sheng Hu, Richard G. Engelsmann Dean of Arts & Sciences; Professor of Biology and of Earth, Environmental, and Planetary Sciences; and Lucille P. Markey Distinguished Professor in Arts & Sciences
     

    RSVP

    Eugene O’Neill Symposium

    Join us for a one-day symposium to officially open the Harley Hammerman Collection on Eugene O’Neill. This symposium will also constitute the first day of the Conference for Irish Studies Midwest Regional Conference (ACIS).

    All Friday events are free and open to the public; registration is requested. 

    More info

    The Open Collection: Discover Art Special Collections

    There are over 4,200 items in the Kranzberg Art & Architecture Library Special Collections. Come learn about this collection and interact with recent acquisitions and popular selections in the Kranzberg Library Reading Room. Remarks will be at 4:15 pm. Refreshments will be served.

    Free and open to all, registration requested.

    More info

    Graduate student coffee meetup

    Tell us about your work and your experiences in graduate school!

    The Center for the Humanities’ Meredith Kelling, assistant director for student research and engagement, will host a series of meetings this year to connect with graduate students in the humanities and humanistic social sciences. Your ideas are needed as we plan programming such as workshops and opportunities in public humanities.

    Please RSVP by clicking the button below.
     
     

    RSVP
    WU Cinema Presents: Akira Kurosawa’s Ran

    WU Cinema Presents: Akira Kurosawa’s Ran

    Akira Kurosawa’s dazzling epic in stunning 35mm!

    “Spectacular! Among the most thrilling movie experiences a viewer can have!” – Terrance Rafferty, The New York Times

    1985. Japan. Directed by Akira Kurosawa. Written by Kurosawa, Hideo Oguni, Masato Ide. With Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Mieko Harada. In Japanese; English subtitles. 35mm. 162 min.

    28 years after Throne of Blood, Akira Kurosawa again turned to Shakespeare for inspiration, reimagining King Lear as an epic drama of power and betrayal in feudal Japan. The great Tatsuya Nakadai stars as an elderly warlord who attempts to retire by handing his domain over to his three sons, only to find that his moral authority has vanished along with his empire. Ran is one of the last great screen spectacles, with epic battle scenes, including a final confrontation filmed on Mount Fuji, all made without the aid of digital special effects. Named Best Foreign Film of the Year by the New York Film Critics Circle and Best Film of the Year by the National Society of Film Critics, RAN was also Oscar-nominated for Best Director, Cinematography, and Art Direction, with Emi Wada winning for her dazzling, three-years-in-the-making costumes.


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    WU Cinema Presents: Eraserhead + House

    WU Cinema Presents: Eraserhead + House

    This Halloween we transport you to the heart of 1970s horror and surrealism with a double feature showcasing two iconic cult classics: “Eraserhead” and “House.” Grab your popcorn, and let’s embark on a journey into the realm of the supernatural and surreal.

    Halloween: Eraserhead + House Double Feature

    Eraserhead (1977)
    Directed by David Lynch
    1977,1h 40m, DCP

    Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. (NR, 89 min.)

    A dream of dark and troubling things . . .
    David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty. With its mesmerizing black-and-white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other film.

    House (1977)
    Director: Nobuhiko Obayashi
    1977, 1hr 28min, In Japanese with English subtitles. Digital

    “Too absurd to be genuinely terrifying, yet too nightmarish to be merely comic, “House” seems like it was beamed to Earth from another planet.” – Philadelphia Inquirer

    How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet.

     


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    WU Cinema Presents: PETITE MAMAN

    WU Cinema Presents: PETITE MAMAN

    Céline Sciamma’s follow-up to the internationally acclaimed Portrait of a Lady on Fire brings the writer-director’s exquisite craft and acute insights into longing to bear on a tale of childhood grief and wonder.

    Director: Céline Sciamma
    France, 2021, color, 72 min. In French with English subtitles. DCP
    Cast: Joséphine Sanz; Gabrielle Sanz; Stéphane Varupenne; Nina Meurisse; Margo Abascal

    Following the death of her beloved grandmother, 8-year-old Nelly accompanies her parents to her mother’s childhood home to begin the difficult process of cleaning out its contents. As Nelly explores the house and nearby woods, she is immediately drawn to a girl named Marion, a neighbor her own age who happens to be building a treehouse. What follows is a tender tale of childhood grief, memory, and connection.


     

    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

     

    More info
    Papyrus Workshop with Dr. Bagnall

    Papyrus Workshop with Dr. Bagnall

    The American Research Center in Egypt - Missouri Chapter

    Join us on October 23, 2023 for a fascinating in-person workshop at Washington University in St. Louis (WUSTL). Dr. Roger Bagnall will lead small groups in viewings of the papyri in the special collections at WUSTL's Olin Library. Dr. Bagnall is a world-renowned papyrologist, classicist, and historian, whose wide-ranging scholarship has contributed to our understanding of life in Egypt during the Greco-Roman and late antique periods. Dr. Bagnall previously co-organized the 2018 Summer Institute in Papyrology using the Olin Library Special Collections, giving him special insights into what these papyri tell us.

    Additionally, the workshop will include a Kalamoi Reed pens hands-on activity to help participants understand the mechanics of producing manuscripts using papyrus and reed pen. This Kalamoi reed pen activity will be led by graduate students Clara McCafferty Wright (Cornell) and Leah Packard Grams (University of California--Berkeley).  

    This event is free, however, space is limited to only 10 participants per time slot. Please sign-up below to ensure your spot is reserved! Registration must be completed by October 13th. Preference will be given to members of the American Research Center in Egypt in Missouri Chapter and then to sign ups on a first-come, first-serve basis. Submitting this form does not guarantee registration; please look out for a confirmation email prior to joining the event. 

    All registered attendees will receive additional information closer to the event confirming your registration and time slot. 

     

    Schedule of Events

    1:00-2:15pm - Group 1 Visit of the Olin Library Special Collections

    2:15-3:00pm - Kalamoi Reed Pen Workshop (Olin Library 142)

    3:00-4:15pm - Group 2 Visit of the Olin Library Special Collections

    Registration Form

    Public Tour: ‘Adam Pendleton: To Divide By’

    Student educators lead interactive tours of this season’s exhibition Adam Pendleton: To Divide By. Pendleton’s paintings and other works address codes of representation and abstraction, visual and literary uses of language, and the aesthetics of Blackness. The exhibition showcases an assemblage of the American artist’s new and recent paintings, drawings, and video portraits that together reveal his interest in creating a conversation between mediums and his belief in abstraction’s capacity to disrupt.

    Free and open to the public. Please check in at the Welcome Desk when arriving for the tour to secure your place.

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    Tour de Museo: Spanish-Language Tour

    Join José Garza, museum academic programs coordinator, for a Spanish-language tour of select artworks in the special exhibition Adam Pendleton: To Divide By. The interactive tour will encourage visitors to share observations and interpretations.

    Free and open to the public; see website to register.

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    ASL Tour: ‘Adam Pendleton: To Divide By’

    Join Deaf artist and community advocate Devon Whitmore for an American Sign Language (ASL) tour of the special exhibition Adam Pendleton: To Divide By. The interactive tour will focus on select works of art and will encourage a conversation among participants.

    The tour is designed for the Deaf and Hard of Hearing attendees and will be provided in ASL. There will be voice interpreters for those who don’t know sign language.

    The free, hour-long tour is limited to 15 visitors on a first-come, first-served basis. See website to register.

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    Chinese-Language Tour: ‘Adam Pendleton: To Divide By’

    Join student educator Weixun Qu, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for a tour of this season’s exhibition Adam Pendleton: To Divide By. The exhibition showcases an assemblage of the American artist’s new and recent paintings, drawings, and video portraits that together reveal his interest in creating a conversation between mediums and his belief in abstraction’s capacity to disrupt.

    Free and open to the public. Please check in at the Welcome Desk when arriving for the tour to secure your place.

    中文美术展览:Adam Pendleton

    邀请您来和艺术史暨考古学系博士生曲维洵共同欣赏Mildred Lane Kemper Art Museum本期展览《Adam Pendleton:To Divide By》。本次展览将聚焦于美国当代 艺术家Adam Pendleton新近的画作、绘图和肖像影片,这些作品展现出他对于创造 各种材料间对话的兴趣,以及他对于抽象艺术具有破坏性的信念

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    Middle East / North Africa Film Series - Session Two: Zizou and the Arab Spring

    Middle East / North Africa Film Series - Session Two: Zizou and the Arab Spring

    Facilitated by Dr. Younasse Tarbouni

    Join us for the second session of the Fall 2023 Middle East / North Africa (MENA) Film Series.

    Zizou and the Arab Spring (2016 / 110 min.) - Directed by Ferid Boughedir (also translated as Sweet Smell of Spring)

    "Aziz, nicknamed Zizou, young unemployed graduate, leaves his village on the border of Sahara for Tunis, the capital in quest of a job. He becomes installer of satellite dishes on house roofs. Still keeping his honest and candid soul, he frequents all social sets: from the richest to the poorest, trendy modernists to supporters of despotic regime, or underground islamist opponents. One day, while working on the terraces of the beautiful village of Sidi Bou Saïd, he falls madly in love with a girl, who looks locked up by a mafia group close to the regime. Henceforward, his dream is to set her free. This quest for love becomes his reason for living, and he will proceed unconsciously against the tide of the Revolution that is about to burst in Tunisia and so, trigger in the whole region the crazy hopes of a Spring of freed peoples! Through his clumsiness and naivety, he will come across hundreds of adventures and end up an unwilling hero!"

    The viewing will be facilitated by Dr. Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department

    Middle East / North Africa Film Series - Session One: Bittersweet

    Middle East / North Africa Film Series - Session One: Bittersweet

    Facilitated by Drs. Younasse Tarbouni and Ayala Hendin

    Join us for the first session of the Fall 2023 Middle East / North Africa (MENA) Film Series.

    Bittersweet (2010 / 130 min.) - Directed by Khaled Marei (also translated as, Molasses)

    "A 30-year-old Egyptian goes back to Egypt after living in America for 20 years, but he has a hard time coping with the difference, especially after he loses his identity and all his money and becomes stuck in Egypt."

    The viewing will be facilitated by Drs. Younasse Tarbouni and Ayala Hendin of the Jewish, Islamic, and Middle Eastern Studies department.

    Matheson Lecture with Craig Monson

    More information forthcoming!

    Jürgen Kuttner Workshop

    More information is forthcoming!

    Jürgen Kuttner Lecture

    More information is forthcoming!
    Maladies of Empire:      How Colonialism, Slavery & War Transformed Medicine

    Maladies of Empire: How Colonialism, Slavery & War Transformed Medicine

    Jim Downs, Gilder Lehrman NEH Chair of Civil War Era Studies and History Civil War Era Studies - Gettysburg College

    Jim Downs is the Gilder Lehrman-National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College. He is the author of Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine (Harvard UP, 2021), which will be translated into Chinese, French, Japanese, Korean, and Russian. His other books include Sick from Freedom: African American Sickness and Suffering during the Civil War and Reconstruction (Oxford UP, 2012) and Stand By Me: The Forgotten History of Gay Liberation (Basic Books, 2016). He has published essays in The Atlantic, The New Yorker, The Washington Post, The New York Times, Vice, SlateThe Lancet, LA Times, among others. He is also the editor of Civil War History. He is also a partner at History Studio.  In 2023, he was elected to both the Society for American Historians in the US and the Royal Historical Society in the UK.

    Downs' talk rethinks the history of epidemiology by uncovering the untold ways in which slavery, imperialism, and war created built environments—ships, plantations, and battlefields—that enabled physicians to study the spread of infectious disease. Drawing on archival records in England, Malta, Spain, and the United States (as well as in in Czech Republic and Hungary), he has uncovered evidence of how doctors developed epidemiological methods before John Snow’s infamous investigation, which traced the outbreak of cholera to a water pump.  While medical thinkers since Aristotle have studied epidemics, this lecture will show how the confluence of slavery, imperialism, and war gave way to the creation of a massive bureaucracy that enabled doctors to develop a bird’s eye view of an epidemic. These unprecedented networks allowed physicians to share information about infectious disease among subjugated populations, which led to the first ever Epidemiological Society in 1850.

    While Downs' research charts how physicians created new theories, it also highlights the stories of patients and subjugated populations who produced new forms of medical knowledge. He will, for example, explain how the transatlantic slave trade enabled doctors to prove the existence of oxygen. Prof. Downs will also provide disturbing evidence of how Confederate doctors harvested vaccine matter by using the bodies of enslaved infants and children.

    Professor Downs will be delivering this talk as part of the History Department Colloquium Lecture Series.  For information on our upcoming talks, visit https://history.wustl.edu/events.

    A Q&A session will follow.  Light refreshments will be served.

     

     


     

    Jimmy

    Jimmy "Duck" Holmes, the Last of the Bentonia Bluesmen, with William Lee Ellis, guitar

    Join us for an evening with guitarists Jimmy "Duck" Holmes and William Lee Ellis as they trace the deep history of the blues in this interactive concert event. Holmes is known the world over as the most important living practitioner of the country blues tradition and as the proprietor of the Blue Front Café juke joint in Bentonia, Mississippi. At this concert, Holmes will be accompanied by William Lee Ellis, a fellow guitarist with an equally impressive pedigree—his godfather was the pioneering bluegrass musician Bill Monroe. Together, Holmes and Ellis will perform a selection of original songs and Southern standards. The concert will be followed by a Q&A session and a reception with refreshments. Hosted by Washington University voice faculty member Candice Ivory.

    TICKETS 
    General Admission: $15
    WashU faculty/staff: $10
    WashU students with ID: FREE
    (Washington University Box Office - (314) 935-6543)

    Biographies:

    Jimmy “Duck” Holmes is the embodiment of raw country blues as one of the most original and uncompromising acoustic blues musicians playing today.  From his first, Back to Bentonia (2006), to the Grammy Nominated Cypress Grove (2019), Duck’s albums have won numerous blues music awards, reached No. 1 on the Billboard Blues chart, and been hailed as “the most important active performer in the country blues tradition" by critics.  Duck and his rhythmic and haunting minor-tuned blues have been featured in numerous documentaries and programs by the BBC, Netflix, and independents including the acclaimed Canadian documentary I am the Blues, which won Best Feature Length Documentary at the Canadian Screen Awards.  

    Duck’s importance as a blues musician was recognized when the State of Mississippi featured him on the Mississippi Bi-Centennial Forever Stamp issued by the United States Postal Service.  Duck has developed fans across the United States, Canada, Europe, Japan, and South America through appearances at various festivals and by attracting fans to Bentonia for the past 50 years to the Bentonia Blues Festival, held the third Saturday in June each year.  In connection with his Grammy nomination for his album Cypress Grove recorded with Dan Auerbach on Easy Eye Sound, Duck was invited to perform for the Grammy’s and was featured on the CBS Sunday Morning segment, On the Road

    Duck is referred to as the Last of the Bentonia Bluesmen since he is the last direct musical descendent of Henry Stuckey, Skip James, and Jack Owens.  After Henry Stuckey and Skip James passed, Jack Owens continued Jimmy’s instruction while the two would sit and play at the Blue Front Café, the oldest surviving juke joint in Mississippi.  Started in 1948 by Jimmy “Duck” Holmes’ parents, Jimmy took over the old juke in 1970.  The local blues musicians would meet at the Blue Front, shoot pool, have a few drinks, and play for each other.  Today, blues fans from all over the world travel to the Blue Front to soak in its history and hear authentic Blues from Jimmy “Duck” Holmes and others. 
     


    William Lee Ellis is Chair of the Fine Arts Department and Associate Professor of Music at Saint Michael’s College in Vermont, where he teaches courses in American music, music theory, and equity studies. He holds a Ph.D. in Musicology – Southern Regional Studies, a master’s degree in classical guitar, and he has worked much of his life as a professional musician and music journalist, winning, among other accolades, first place for Arts & Entertainment in the esteemed Missouri Lifestyle (formerly Penny-Missouri) Journalism Awards. He has performed internationally, including State Department tours, and his music – under his own name and with his father, banjo composer Tony Ellis – has been licensed for film and television. He has co-authored several instructional books and written liner notes on the music of Reverend Gary Davis, penned the chapter on Delta blues for the multidisciplinary book, Defining the Delta (University of Arkansas Press), and has a chapter in a forthcoming Lexington Press book on theology and the blues. He curated the spring 2023 show at the Art Museum of the University of Memphis, Build a Heaven of My Own: African American Vernacular Art and the Blues, and released his latest album for the Yellow Dog label, Ghost Hymns, this past summer.
     

    Why Poverty and Inequality Undermine Justice in America

    Mark Rank, the Herbert S. Hadley Professor of Social Welfare at the Brown School of Social Work, joint appointment in the Department of Sociology at WashU, and author of The Poverty Paradox: Understanding Economic Hardship Amid American Prosperity; and Steven Fazzari, the Bert A. and Jeanette L. Lynch Distinguished Professor of Economics at WashU, and professor of sociology. Public Interest Law and Policy Speakers Series, WashU Law.

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    ¿Quién soy? Y ¿Quiénes somos? A Panel Discussion with Latine Poets

    In celebration of Latine Heritage month, join the WashU Center for the Study of Race, Ethnicity & Equity for a panel discussion about poetic craft and issues of race and identity. Invited guests are:

    Roy Guzmán is a Honduran poet whose first collection, Catrachos, was published by Graywolf Press in 2020. He has also been the recipient of a Scribe for Human Rights Fellowship, focusing on issues affecting migrant farm workers in Minnesota, and has been chosen as a Letras Latinas Scholar and a Poetry Incubator participant and workshop leader. After the Pulse nightclub massacre in Orlando, their poem “Restored Mural for Orlando” was turned into a chapbook, with the help of poet and visual artist, D. Allen, to raise funds for the victims. With poet Miguel M. Morales, Guzmán edited the anthology Pulse/Pulso: In Remembrance of Orlando, published by Damaged Goods Press.

    Yesenia Montilla received her MFA from Drew University in Poetry & Poetry in translation. She is a CantoMundo graduate fellow and a 2020 NYFA fellow. Her work has been published in Academy of American Poets Poem-a-Day, Prairie Schooner, Gulf Coast and in Best of American Poetry 2021 and 2022. Her first collection The Pink Box, is published by Willow Books and was longlisted for a PEN Open Book award. Her second collection, Muse Found in a Colonized Body, published by Four Way Books in 2022 was nominated for an NAACP Image Award. She lives in Harlem, NY.

    Matt Sedillo has been described as the “best political poet in America” as well as “the poet laureate of the struggle” by academics, poets, and journalists alike. He has appeared on CSPAN and has been featured in the Los Angeles Times, among other publications. The poetry of Matt Sedillo is in turn a shot in the arm of pure revolutionary adrenaline and at others a sobering call for the fundamental restructuring of society in the interest of people not profits. Passionate, analytical, humorous and above all sincere, a revolutionary poet fortunate enough to be living in interesting times, the artistry of Matt Sedillo is a clarion call for all those who know a new world is not only possible but inevitable.​

    Moderated by Tila Neguse, associate director, CRE2; and Gicela Medina, Hispanic studies PhD student.

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    Dream Town Book Talk

    Join us for a discussion of Dream Town, a new book by WashU alum and award-winning Washington Post journalist Laura Meckler. Dream Town chronicles the pursuit of integration in Shaker Heights, Ohio, which became a model for housing integration in the 1950s and later provided a national model for school integration. Nonetheless, a stubborn racial academic gap persists today. Center for the Study of Race, Ethnicity & Equity.

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    The Annual George E. Mylonas Lecture in Classical Art and Archaeology: The Greek Symposium in Context

    Dr. Kathleen Lynch, University of Cincinnati

    The ancient Greek symposium was a small, all-male drinking party held in a private home. Men gathered in a small room, reclined on their left elbows, and participated equally in both the drinking and activities. All men were expected to speak on topics of philosophy and politics in turn or contribute to songs and stories. The wine loosened inhibitions and made it easier for the drinkers to form bonds.

    Kathleen Lynch, Professor of Classics at the University of Cincinnati, will discuss the specialized ceramic equipment designed specifically for these gatherings by examining pottery excavated from an Athenian house.


    This lecture is presented in partnership with the Hellenic Government–Karakas Family Foundation Professorship in Greek Studies at the University of Missouri–St. Louis; the Departments of Classics and Art History & Archaeology, Washington University in St. Louis; and the Classical Club of St. Louis.

    Tickets for the on-site program may be reserved in person at the Museum’s Information Centers or through MetroTix. All tickets reserved through MetroTix incur a service charge; the service charge is waived for tickets reserved at the Museum.

    Saint Louis Art Museum website
    Americanist Dinner Forum: Moving Stories: Migration, Advocacy, Art, and Scholarship in Conversation

    Americanist Dinner Forum: Moving Stories: Migration, Advocacy, Art, and Scholarship in Conversation

    All are invited for dinner and conversation on Wednesday, October 18th at 5:30pm at the Mildred Lane Kemper Art Museum.

    Moving Stories brings together participants from scholarship, the art field, and advocacy to discuss the challenges of incorporating and honoring the dignity of immigrant narratives in different practices.

    Following the format of a critical conversation, the discussion will touch on relevant topics such as the presence of surveillance and climate change and its impact on migratory movements, the challenges involved in researching long-term immigrant communities, and the privileged forms of engagement used by migration-inspired art pieces.

    Moving Stories is a transdisciplinary project led by faculty from Visual Arts, Art History, Romance Languages and Literatures, Sociology, and Design that reflects on how narratives work to bridge divides between migrants and the communities in which they settle.

    This roundtable with migration specialists will be moderated by Dr. Ila Sheren, Associate Professor, Department of Art History & Archaeology, Associate Director, Center for the Study of Race, Ethnicity, and Equity and Director of Graduate Studies, American Culture Studies.

    The roundtable participants include: 

     

    Nicole Cortes
    Pia Singh
    Ria Unson
    Mitra Naseh
    Adriano Udani

    Nicole Cortes-Co-Director and attorney at the Migrant and Immigrant Community Action (MICA) Project.  Her practice includes deportation defense, asylum, and other humanitarian relief.

    Pia Singh- Art writer and independent curator based in Chicago. Born in Mumbai, her proposed research investigates community-engaged arts practices at the intersection of contemporary art and design thinking.

    Ria Unson- Filipino American artist centered in the construction of narratives of a mixed race, post-colonial Filipino American.

    Mitra Naseh- Assistant professor at Brown School, WUSTL
    Research Director of the Initiative on Social Work and Forced Migration (ISWFM)
    Co-chair of the Society for Social Work and Research (SSWR) Immigrants and Refugees (I & R) cluster

    Adriano Udani- Associate Professor, Department of Political Science
    Director, Public Policy Administration Program, UMSL
    Research Advisor, Community Innovation and Action Center, UMSL

     

     

    This event is being supported by the American Culture Studies Program, The Incubator for Transdisciplinary Futures, The Center for the Study of Race, Ethnicity & Equity, the Global Studies Program and the Department of Romance Languages & Literatures.

     

    Divided City Summer Graduate Fellows Presentations

    The Center for the Humanities, in partnership with the College and Graduate School of Architecture and Urban Design, invites you to listen to a series of PechaKucha-style presentations on the research of Divided City Summer Graduate Fellows.

    PechaKucha is a simple presentation format where 20 images are shown each for 20 seconds, keeping presentations concise and fast paced. Graduate students in the humanities, humanistic social sciences, architecture and urban design will present their research on urban segregation broadly conceived. The 2023 Divided City Summer Graduate Fellows are supported by WashU's Office of the Provost. Find details on their projects below. We hope you will join us - all are welcome!  

     

    • ‘Gbenga Adeoba, Comparative Literature, “Poetry for the People”: Taxi Poetry Project, Placemaking, and the Lyric Form
    • Rajnesh Chakrapani, Comparative Literature International Writers Track, Periphery as the New Center: Translation Workshops in Ferentari, Bucharest 
    • Kevin Corrigan, Sam Fox; Landscape Architecture, Shifting Sands: Depositing Possibilities Amidst a Coal Plant Decommissioning  
    • Zihan Feng, East Asian Languages and Cultures, Narrating the Audiophile Soundscape in Post-socialist Beijing: An Acoustic Reinforcement and/or Interrogation of Urban Segregation 
    • Sarah María Medina, Comparative Literature, International Writers track, Feminine Experimental City Networks: Paris, Mexico City, and New York (1910s to the 1940s) 
    • Lee M. Morrison, History, “The Men of Santo Stefano: Witnessing and Local Identity around a Thirteenth-Century Urban Monastery” / “The Women of the Gate: Neighborhood Development in Late Medieval Genoa”  
    • Michael Lamont Scarboro, Sam Fox School of Design & Visual Arts, and The Brown School, “Funeral home, church, church, liquor store”: Supportive Housing as a Reparative Typology for Black St. Louisans  
    • Sylvia Sukop, Germanic Languages and Literatures, Performing Black Memory in St. Louis: An Oral History of Public Historian and Community Elder Angela da Silva  
    • Francisco (Paco) Tijerina, Romance Languages and Literatures, Urban Extractivism: An Ecofeminist Reading of Monterrey (2000-2023) 
    • Karla Aguilar Velásquez, Romance Languages and Literatures, Artistic Landmarks: Remembrance through Interaction in Counterpublic 2023

    Mary Jo Bang and Ariana Benson

    Mary Jo Bang, professor of English at Washington University, reads from her new poetry collection, “A Film in Which I Play Everyone.” Ariana Benson is a second-year student in the Department of English’s MFA program.

    Two WashU award-winning poets, Mary Jo Bang (A Film in Which I Play Everyone) and Ariana Benson (Black Pastoral), present their new books for the St. Louis launch event. Join us for a night to celebrate and hear the authors read selections from their collections. Mary Jo Bang, professor of English at Washington University, has published nine books of poetry, including A Doll for Throwing and Elegy, winner of the National Book Critics Circle Award, and new translations of Dante’s Inferno and Purgatorio. In her latest collection, Bang writes as the first-person speaker — for herself and everyone she’s ever met. She falls in and out of love with men, with women, and struggles to realize her ambitions while suffering crushing losses that give rise to dark thoughts. Ariana Benson’s poems appear or are forthcoming in Poetry, Poem-a-Day, Ploughshares and Copper Nickel. Recipient of the 2022 Furious Flower Poetry Prize, Benson is a second-year student in the Department of English’s MFA program serves as a nonfiction editor of Auburn Avenue Literary Journal. Watch the livestream on Left Bank Books’ YouTube page. Left Bank Books.

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    The Big Time: How the 1970s Transformed Sports in America

    Journalist Michael MacCambridge will be in conversation with Gerald Early, the Merle Kling Professor of Modern Letters at Washington University

    Journalist Michael MacCambridge will be in conversation with Gerald Early, the Merle Kling Professor of Modern Letters at Washington University and an award-winning essayist. Every decade brings change, but as MacCambridge chronicles in The Big Time, no decade in American sports history featured such convulsive cultural shifts as the 1970s. So many things happened during the decade: the move of sports into prime-time television, the beginning of athletes’ gaining a sense of autonomy for their own careers, integration becoming — at least within sports — more of the rule than the exception, and the social revolution that brought women more decisively into sports, as athletes, coaches, executives and spectators. More than politicians, musicians or actors, the decade in America was defined by its most exemplary athletes. The sweeping changes in the decade could be seen in the collective experience of Billie Jean King and Muhammad Ali, Henry Aaron and Julius Erving, Kareem Abdul-Jabbar and Joe Greene, Jack Nicklaus and Chris Evert, among others, who redefined the role of athletes and athletics in American culture. The Seventies witnessed the emergence of spectator sports as an ever-expanding mainstream phenomenon, as well as dramatic changes in the way athletes were paid, portrayed and packaged. In tracing the epic narrative of how American sports was transformed in the Seventies, a larger story emerges: of how America itself changed, and how spectator sports moved decisively on a trajectory toward what it has become today, the last truly “big tent” in American culture. Watch the livestream on Left Bank Books’ YouTube page. Left Bank Books.

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    Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It

    Adia Harvey Wingfield, the Mary Tileston Hemenway Professor, Vice Dean of Faculty Development and Diversity and Professor of Sociology at Washington University, is a leading sociologist and a celebrated author who researches racial and gender inequality in professional occupations.

    Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work — from getting a job to workplace norms to advancement and mobility —ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Adia Harvey Wingfield calls the “gray areas”: the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels and rarely progress to senior leadership positions. Adia Harvey Wingfield, the Mary Tileston Hemenway Professor, Vice Dean of Faculty Development and Diversity and Professor of Sociology at Washington University, is a leading sociologist and a celebrated author who researches racial and gender inequality in professional occupations. Watch the livestream on Left Bank Books’ YouTube page. Left Bank Books.

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    Bitter Fruit: A Roundtable on Drama in Translation

    Bitter Fruit: A Roundtable on Drama in Translation

    A scholarly roundtable featuring playwright Héctor Levy-Daniel (zoomed in from Argentina), translator Philip Boehm (artistic director of Upstream Theatre), Virginia Braxs (faculty, Washington University), and Gad Guterman (faculty, Webster University), with interpretation by Sara Brenes Akerman (graduate student, Washington University in St. Louis)

    This event is supported by a grant from the Center for Literary Arts at Washington University in St. Louis.  A reception immediately following the Q&A is co-sponsored by the Performing Arts Department, the Comparative Literature Program, and the Hispanic Studies Program in the Romance Languages & Literatures Department.

     

     Philip Boehm's career zigzags across languages and borders, artistic disciplines and cultural divides. As a theater director fluent in several languages he has staged dozens of professional productions at theaters in Poland, Slovakia, and the United States. As a dramatist his produced plays include MixtitlanSoul of a CloneAlma en ventaThe Death of Atahualpa, and Return of the Bedbug. For this work he has received awards from the Mexican-American Fund for Culture and the NEA. Locally he has received Kevin Kline Awards both as a director and as a playwright.
    He is also the author of more than thirty translations of novels and plays by German and Polish writers, including Nobel laureate Herta Müller, Franz Kafka, Bertolt Brecht, and Hanna Krall. For his work as a translator he has received prizes from a number of institutions including the American Translators Association, the U.K. Society of Authors, the Polish Cultural Institute, the Goethe Institute, PEN USA, the Austrian Ministry of Culture, and the Texas Institute of Letters, as well as fellowships from the NEA and the John Simon Guggenheim Memorial Foundation.
    Originally from Texas, Mr. Boehm studied at Wesleyan University (CT), Washington University in St. Louis, and the State Academy of Theater in Warsaw, Poland. He is a frequent invited speaker and has worked as a guest artist at several universities, most recently as a playwriting mentor for the Yale Playwrights Festival. He has served on juries for literary prizes both in the US and abroad, and has published reviews and other articles in various journals including American Theatre and The New York Timeshttps://www.upstreamtheater.org/

    Sports & Society Reading Group: A Discussion with Alex Squadron

    Sports & Society Reading Group: A Discussion with Alex Squadron

    Alex Squadron (WashU ’17) will be joining us on Friday, October 13, from 3:00-4:30pm in Seigle 301. 

    Alex will be discussing his new book Life in the G: Minor League Basketball and the Relentless Pursuit of the NBA: "Life in the G is about the arduous quest to achieve an improbable goal: making it to the NBA.

     

    Zeroing in on the Birmingham Squadron and four of its players—Jared Harper, Joe Young, Zylan Cheatham, and Malcolm Hill—Alex Squadron details the pursuit of a dream in what turned out to be the most remarkable season in the history of minor league sports.

    Alex will also be signing copies of his book on Saturday, October 15th at Pi Pizzeria at 400 North Euclid Avenue from 5-7pm. For more details on that event to go Left Bank Books.

     

     

    ‘Morgenthau: Power, Privilege, and the Rise of an American Dynasty’

    With journalist Andrew Meier — A St. Louis Jewish Book Festival event

    After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America’s criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were “the closest we’ve got to royalty in New York City.”

    Please note this event is managed by the Jewish Book Festival and purchased tickets are required: https://jccstl.com/arts-ideas/st-louis-jewish-book-festival/.

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    Democracy Awakening: Notes on the State of America with Heather Cox Richardson

    Professor of history and ‘Letters from an American’ author/podcaster Richardson discusses her new book.

    In the midst of the 2019 impeachment crisis, history professor Heather Cox Richardson began writing a daily Facebook essay, providing historical context for the daily churn of news. It soon became a chart-topping Substack newsletter, Letters from an American, which now has over 2 million subscribers — passionate, dedicated readers who rely on Richardson’s plainspoken, insightful take on America, past and present, as a much-needed dose of sanity in today’s insane world.

    In her compelling new book, Democracy Awakening: Notes on the State of America (Viking), Richardson explains how a small group of wealthy people have made war on American ideals, leading us down a dangerous path to authoritarianism. By weaponizing language and promoting a false history, they have created a disaffected population and then promised to recreate an imagined past where those people could feel important again. Richardson argues that taking our country back starts by remembering the elements of the nation’s true history that marginalized Americans have always upheld — their dedication has sustained our democracy in the past and can be a road map for our future. 

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    Poetry reading from the trans epic

    Poetry reading from the trans epic "Algarabía" (Graywolf Press, 2025) In partnership with Changeling Queer Series

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    Public Lecture

    Public Lecture "Condemned to Contemporaneity: Trans Poetics in Puerto Rico"

    Massie Visiting Professor Dr. Roque Salas Rivera presents their public lecture "Condemned to Contemporaneity: Trans Poetics in Puerto Rico".

    Reception at 5:00 PM, Lecture 5:30-6:30 PM

    Poetry reading from the trans epic

    Poetry reading from the trans epic "Algarabía" (Graywolf Press, 2025)

    The Department of Romance Languages and Literatures present the 2023 Massie Visiting Professor, Dr. Roque Salas Rivera

    Roque Raquel Salas Rivera (he/they) is a Puerto Rican poet and translator of trans experience born in Mayagüez, Puerto Rico. His honors include being named Poet Laureate of Philadelphia, the Premio Nuevas Voces, and the inaugural Ambroggio Prize. Among his six poetry books are lo terciario/ the tertiary (Noemi Press, 2019), longlisted for the National Book Award and winner of the Lambda Literary Award, and while they sleep (under the bed is another country) (Birds LLC, 2019), which inspired the title for no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria at the Whitney Museum of American Art.

    Salas Rivera has edited the anthologies Puerto Rico en mi corazón (Anomalous Press, 2019) and La piel del arrecife: Antología de poesía trans puertorriqueña (La Impresora & Atarraya Cartonera, 2023). From 2016 to 2018, he was a coeditor and translator for the literary journal The Wanderer.

    The Rust of History (Circumference Press, 2022), a selection of the poetry by his grandfather Sotero Rivera Avilés, was longlisted for the Pen Award for Poetry in Translation and ALTA’s National Translation Award. Salas Rivera also translated The Book of Conjurations by Irizelma Robles, winner of the Sundial Literary Translation Award. His translation of Ada Limón’s poem dedicated to NASA’s Europa Clipper mission will be traveling to Jupiter’s moon in 2024.

    Salas Rivera holds a Ph.D. in Comparative Literature and Literary Theory from the University of Pennsylvania and lives, teaches, and writes in Puerto Rico. Accompanied by his cat, Pietri, he is currently working on the trans epic poem Algarabía, which will be published in 2025 by Graywolf Press.

    WU Cinema Presents: Die Hard

    WU Cinema Presents: Die Hard

    Yippie-ki-yay WU-Cinema-lovers!

    “…A villain fresh from the Royal Shakespeare Company, a thug from the Bolshoi Ballet and a hero who carries with him the smirks and wisecracks that helped make Moonlighting a television hit. The strange thing is, it works: DIE HARD is exceedingly stupid, but escapist fun.” —Caryn James, New York Times (1988)

    “Only the hardest of hearts could fail to enjoy the great 80s action classic…with uproarious explosions, deafening shootouts and smart-alec tag lines following the bad guys getting shot.” —Peter Bradshaw, Guardian

    Die Hard
    Dir. John McTiernan USA 1988 132 min. DCP

    Facing Christmas 3,000 miles from his estranged wife and two children, New York policeman John McClane (Bruce Willis) flies to Los Angeles bearing presents and hoping to patch up his marriage. Stylish and cool Hans Gruber (Alan Rickman) is in Los Angeles as well for the holiday season, but he’s not there to give out presents. He’s there to take: more than 600 million in negotiable bearer bonds from the multinational Nakatomi Corporation, where McClane’s wife Holly (Bonnie Bedelia) is an executive. When the takeover becomes hostile, it’s up to John McClane to take on the terrorists with all the grit and determination he can muster-but not without a sense of humor.


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    WU Cinema Presents: All About Eve

    WU Cinema Presents: All About Eve

    “All About Eve” in 35mm on the Big Screen!

    “Fasten your seatbelts, it’s going to be a bumpy night.”

    In Joseph L. Mankiewicz’s devastatingly witty Hollywood classic, backstage is where the real drama plays out.

    All About Eve
    Directed by Joseph L. Mankiewicz
    Featuring Bette Davis, Anne Baxter, George Sanders
    2hrs 18mins, 35mm

    One night, Margo Channing (Bette Davis) entertains a surprise dressing-room visitor: her most adoring fan, the shy, wide-eyed Eve Harrington (Anne Baxter). But as Eve becomes a fixture in Margo’s life, the Broadway legend soon realizes that her supposed admirer intends to use her and everyone in her circle, including George Sanders’s acid-tongued critic, as stepping-stones to stardom. Featuring stiletto-sharp dialogue and direction by Mankiewicz, and an unforgettable Davis in the role that revived her career and came to define it, the multiple-Oscar-winning All About Eve is the most deliciously entertaining film ever made about the ruthlessness of show business. — Criterion Collection


    Tickets

    Doors open at 7:30pm

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    AFAS Featured Event: Works of Dr. John Mundell and Dr. Marlon Bailey

    AFAS Featured Event: Works of Dr. John Mundell and Dr. Marlon Bailey

    AFAS Featured Event: Works of Dr. John Mundell and Dr. Marlon Bailey

    Join professors Dr. John Mundell and Dr. Marlon Bailey from the African and African American Studies department for an enriching conversation. They will be discussing their current works in progress as well as recent publications in their respective research areas.

    S33n & #Cited: Dawn-Elissa Fischer Lecture

    S33n & #Cited: Dawn-Elissa Fischer Lecture

    An associate professor in the Department of Anthropology at San Francisco State University, Dr. Fischer teaches courses about racism, gender, globalization, hiphop, and virtual ethnography.

    Mellon Mays Undergraduate Fellowship and the Department of African and African-American Studies are partnering to bring Dawn-Elissa Fischer to discuss her work on publicly engaging archives and art exhibitions, centering Black women's brilliance and flame-keeping amidst institutional barriers and intellectual battles. 

    Info session - Spring 2024 Artistic Research Opportunity

    The October 23 event has passed. Join us in April 2024!

    The events below explore creative practice and critical inquiry at Tyson Research Center, WashU’s environmental field station in Eureka, Missouri.  

    All are welcome. RSVPs required.


    Please join ACLS Emerging Voices Fellow Anya Yermakova, in residence at the Center for the Humanities, for more information on a spring opportunity for humanities graduate students at WashU’s Tyson Research Center, funded by the Redefining Doctoral Education initiative.  

    In April, Dr. Yermakova will lead a gathering of invited practitioners in artistic research methods, graduate students, and local artists at Tyson, WashU’s environmental field station in Eureka, Missouri. Participants will be invited to explore their own methods while learning about how we do “artistic research” work in the university – how creative practice and critical inquiry interplay with one another. Inspired by the site-specificity of Tyson, the April gathering will work at the cross-section of sound studies, embodied methods of research, environmental studies, and histories of war. 

    If you are interested in any of the following —

    • Public humanities
    • Site-specific research and creative practice
    • Research that challenges the dominance of textual domains for analysis and study
    • Sound as a research tool for investigation and study
    • Ways of documenting artistic research, especially ephemeral and complex work
    • Embodied practice (and the political dimensions of materiality)
    • Methods for durational and body-centered research
    • Imaginative, speculative ways to engage with archival gaps to render significance to unseen, unfamous, (seemingly) unimportant materials
    • Engaging with more-than-human perspectives and scales, in theory and in practice

    — please join us at this informational session! Lunch will be provided; see RSVP below for dietary preferences.

    Participation in the April workshop will include an opportunity for humanities graduate students to receive funding for site-specific, commissioned work. The info session will discuss how to participate in the workshop in April and hear from interested graduate students about the kind of work this event could make possible. There will be a call for proposal funding made available at the meeting, and applications will be due November 20.

    Questions may be directed to Anya Yermakova.  

    RSVP
    Imagined Communities: Myth, Memory, and the Temple of St. Andrew at Old St. Peter’s

    Imagined Communities: Myth, Memory, and the Temple of St. Andrew at Old St. Peter’s

    Dennis Trout, University of Missouri

    About the year 500 the bishop of Rome Symmachus converted an ancient rotunda standing beside the Vatican Basilica of St. Peter into a memorial shrine. He dedicated the building to the apostle Andrew, filled it with the relics of seven different saints, and decorated it with mosaics and Latin poetry. For the next millennium Symmachus’s Temple of St. Andrew was a standard stop on the Vatican pilgrimage route. Simultaneously St. Peter’s emerged as the unrivalled “capitol” of Latin Christendom, attracting visitors and pilgrims in increasing numbers from throughout western Europe and the Mediterranean basin. This talk treats the history of St. Andrew’s as emblematic of that larger story while asking us to consider the ways in which myth and memory conspired with papal and clerical initiatives not only elevate St. Peter’s to international status but also to forge a notion of Christendom capable of transcending the political divisions of the post-Roman medieval world. It exposes its methodological assumptions both by foregrounding the contributions of several influential twentieth-century scholars and by evoking comparison with other imagined communities, ancient and contemporary. Its aim therefore is to underscore the relevance of research in the humanities as well as to illuminate a storied past.

    This event is co-sponsored by the Department of Classics, the Department of History, the Department of Art History & Archaeology and the Program of Religious Studies.

    Dr. Dawn-Elissa Fischer Presents: Seen & #Cited

    Dr. Dawn-Elissa Fischer Presents: Seen & #Cited

    Join WashU's Mellon Mays Undergraduate Fellowship Program and the Department of African and African-American Studies for an upcoming talk by Dr. Dawn-Elissa Fischer about 'seeing and citing black women's unsung brilliance and flame-keeping while doing intellectual battles and breaking institutional barriers to build publicly engaged archives and art exhibitions.'

    An overlying theme in Dr. Dawn-Elissa Fischer’s scholarship is Representing the Unseen. Critically examining 20+ years of ethnographic research on the frontlines of social movements and Black entertainment, her work reveals vicissitudes and victories untold, unseen and unknown. Representing the Unseen illuminates the vibrant artistic and political lives of youth in their digital worlds, weaving a tapestry from the stories of underground emcees, grassroots organizers, cosplay vloggers, gaming gurus and other digital media designers to demonstrate a unified history of sustained online revolution. 

    Dr. Fischer also applies Representing the Unseen as a framework to identify, amplify, recognize and reward the intellectual and social justice contributions of historically excluded public educators to critical pedagogy and public engagement. As an ethnographer, Dr. Fischer has been evaluating racial equity and strategic planning in K-12 as well as postsecondary education since 1999.  

    Learn More

    In Defense of Tackiness: The Queer Environmental Politics of Glitter – 2024 Faculty Book Celebration

    Featuring keynote speaker Nicole Seymour, professor of English, California State University, Fullerton, and author, “Glitter,” an environmental-cultural history of a substance often dismissed as frivolous

    The publication of a monograph or significant creative work is a milestone in the career of an academic. The Center for the Humanities commemorates this achievement annually during the Faculty Book Celebration. The event recognizes Washington University faculty from the humanities and humanistic social sciences by displaying their recently published works and large-scale creative projects and inviting two campus authors and a guest lecturer to speak at a public gathering. 

    FACULTY BOOK CELEBRATION
    There’s so much to celebrate, and so many ways to join in! 
    Anytime
    Virtual Book Display
    How I Made This Book

    Wednesday, February 28

    1 pm  |  Panel discussion, “Culture and Environmental Crisis” | Olin Library, Room 142

    4 pm  |  Keynote lecture and Washington University faculty speakers (right) | Umrath Lounge

    Keynote lecture

    “In Defense of Tackiness: The Queer Environmental Politics of Glitter”

    4 pm | Umrath Lounge

    In this talk, Nicole Seymour will offer an environmental-cultural history of glitter, contextualizing and challenging the recent backlash against this substance, including the sweeping ban implemented by the European Union in 2023. Focusing on the tackiness of glitter — its physical stickiness as well as its metaphorical association with the vulgar — Seymour will chart how glitter has served as a rallying symbol for the marginalized: the working class, people of color and queer communities.

    ABOUT THE KEYNOTE SPEAKER

    Nicole Seymour works at the intersection of environmental issues and queer issues, with a particular focus on the role of aesthetics and affects in related activist movements. She is the author of Strange Natures: Futurity, Empathy, and the Queer Ecological Imagination (University of Illinois Press, 2013), which won the 2015 Book Award for Ecocriticism from the Association for the Study of Literature and Environment, and Bad Environmentalism: Irony and Irreverence in the Ecological Age (University of Minnesota Press, 2018), which was included in the Chicago Review of Books’ list of the “Best Nature Writing of 2018.” Her latest book, Glitter (Bloomsbury’s Object Lessons series, 2022), offers an environmental-cultural history of a substance often dismissed as frivolous. Seymour recently held fellowships at the Rachel Carson Center for Environment and Society in Munich and the Institute for Advanced Studies in the Humanities at the University of Edinburgh. She is currently professor of English and graduate advisor for the Environmental Studies Program at California State University, Fullerton.

    Washington University faculty speakers

    Two members of the Washington University faculty will speak on their own new book releases.

    Ila Sheren

    Associate Professor, Department of Art History and Archaeology

    Border Ecology: Art and Environmental Crisis at the Margins (Springer Link, 2023)

    This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.” Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment. The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism.

    Hayrettin Yücesoy 

    Associate Professor of Arabic and Islamic Studies, Department of Jewish, Islamic, and Middle Eastern Studies

    Disenchanting the Caliphate: The Secular Discipline of Power in Abbasid Political Thought (Columbia University Press, 2023)

    The political thought of Muslim societies is all too often defined in religious terms, in which the writings of clerics are seen as representative and ideas about governance are treated as an extension of commentary on sacred texts. Disenchanting the Caliphate offers a groundbreaking new account of political discourse in Islamic history by examining Abbasid imperial practice, illuminating the emergence and influence of a vibrant secular tradition.

    Closely reading key eighth-century texts, Hayrettin Yücesoy argues that the ulema’s discourse of religious governance and the political thought of lay intellectuals diverged during this foundational period, with enduring consequences. He traces how notions of good governance and reflections on prudent statecraft arose among cosmopolitan literati who envisioned governing as an art. Competent in nonreligious branches of knowledge and trained in administrative professions, these belletrists articulated and defended secular political practices, reimagining the caliphal realm as politically constituted rather than natural. They sought to improve administrative efficiency and bolster state control for an empire made up of diverse cultures. Their ideas about moral cultivation, temporal reasoning, and governmental rationality endured for centuries as a counterpoint to religious rulership. Drawing on this history, Yücesoy critiques the concept of “Islamic political thought,” calling for decolonizing debates about “secular” and “religious” politics.


    Panel discussion

    “Culture and Environmental Crisis”

    1 pm  |  Olin Library, Room 142

    Moderated by Patricia Olynyk, the Florence and Frank Bush Professor in Art, Sam Fox School

    Patricia Olynyk (the Florence and Frank Bush Professor in Art, Sam Fox School) moderates a conversation on environmental humanities today between Faculty Book Celebration keynote speaker Nicole Seymour and Ursula Heise (the Marcia H. Howard Chair in Literary Studies Department of English and Institute of the Environment & Sustainability at the University of California, Los Angeles). All are welcome.

    Please join us online for the panel discussion! In-person registrations are closed due to space constraints.

    RSVP
    Conference and round-table with author Mohamed Mbougar Sarr, Goncourt Prize 2021

    Conference and round-table with author Mohamed Mbougar Sarr, Goncourt Prize 2021

    Open to the public

    In English

    Mohamed Mbougar Sarr was born in Dakar, Senegal, in 1990. He studied literature and philosophy at the School for Advanced Studies in Social Sciences (EHESS) in Paris. In 2021, Sarr became the first writer from sub-Saharan Africa to be awarded France’s oldest and most prestigious literary prize, the Prix Goncourt, for his fourth novel The Most Secret Memory Of Men (trans. by Lara Vergnaud, Other Press). In this gripping literary mystery and coming-of-age novel, Sarr unravels the fascinating life of a maligned Black author, based on Yambo Ouologuem. The text has been widely acclaimed: David Diop called it a “magnificent novel that also offers a profound reflection on the resonance of literature in our lives” and Leïla Slimani commented that: “a love letter to literature, this novel is already a classic and it will haunt you”.

    Presentation by Dr. Lionel Cuillé, director of the French Connexions center of excellence ( Washington University in St. Louis)

    Talk by Mohamed Mbougar Sarr: "(In)visible writer, for whom do you sing?"

    Round-table : "The Most Secret Memory Of Men", conversation with Dr. Ama Bemma Adwetewa-Badu Assistant Professor of English, Washington University in St. Louis.

    Book signing, with the support of Left Bank Books.

    Organized by the French Connexions Center of Excellence with support from the cultural services of the French Embassy in Washington D.C., the Center of Humanities, the Center for the Literary Arts, the Department of African and African-American Studies (AFAS), the Department of Jewish, Islamic, and Middle Eastern Studies (JIMES), the Department of English, and the Department of Romance Languages and Literatures (RLL).

    RSVP

    Adam Pendleton: Here Is Your Language

    Adrienne Edwards, the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art

    Adrienne Edwards, the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art, provides an overview of Adam Pendleton's art, including paintings, performance, installation and video, exploring how his work exemplifies a shift in conceptual art through a choreography of abstraction, engages experimental poetry and uses of language, and constellates and materializes matters of Blackness.

    Adam Pendleton: To Divide By is on exhibit through January 15, 2024.

    More info

    Public Tour: Portraiture

    Student educators lead interactive tours highlighting diverse approaches to portraiture from different historical moments in the permanent collection galleries. Explore portraits by such artists as Jess T. Dugan, Kehinde Wiley and Max Beckmann in a range of media.

    More info

    Techniques and Aims of Isaac Newton’s Alchemy

    While Isaac Newton is considered a hero of the so-called Enlightenment, a period widely regarded as breaking with the “superstitions” of the earlier medieval period, he is also sometimes referred to as the last of the alchemists. What was Isaac Newton trying to accomplish in the nearly forty years that he devoted to alchemy?  Was he engaged in a single-minded quest for the philosophers’ stone, or in an attempt to find mystical enlightenment, or even in a way of expanding his natural philosophy into new areas of research?  

    By examining the records of Newton’s alchemical experimentation and replicating a number of his processes in the laboratory, historian William Newman hopes to arrive at a solution to these and other questions surrounding the famous physicist’s alchemical quest. Co-sponsored by Bernard Becker Medical Library.

    Presentation will be from 4–5 pm in Olin Library, Room 142, followed by a reception in the Ginkgo Room from 5–6 pm. 

    More info

    Kyle Abraham Performance and Q&A with Joshua Chambers-Letson

    Renowned choreographer and MacArthur Fellow Kyle Abraham will perform part of a new solo work in progress. Following the performance he will be joined by performance studies scholar Joshua Chambers-Letson for a conversation exploring Abraham’s relationship to place, process, Black dance, Black music, and his lived Black experience, as well themes of queer love and loss. Abraham is featured in the exhibition Adam Pendleton: To Divide By. He is the subject of Pendleton’s film portrait What Is Your Name? Kyle Abraham, A Portrait (2018–19), one in an ongoing series of portraits that take the form of conversations between Pendleton and prominent cultural figures. Through montage and repetition, Pendleton frames Abraham as a site of plurality.

    More info

    The Poverty Paradox: Understanding Economic Hardship Amid American Prosperity

    Mark R. Rank, the Herbert S. Hadley Professor of Social Welfare, Brown School, Washington University

    The paradox of poverty amid plenty has plagued the United States throughout the 21st century – why should the wealthiest country in the world also have the highest rates of poverty among the industrialized nations?

    Based upon the ideas in his latest book, Mark Rank will explore the answers to this paradox. He will outline a unique explanation that he has developed over the years, along with ideas and strategies for addressing poverty.

    More info

    Online Chinese-Language Tour: ‘Adam Pendleton: To Divide By’

    Join student educator Weixun Qu, PhD student in the Department of Art History & Archaeology in Arts & Sciences, for an online tour of this season’s exhibition Adam Pendleton: To Divide By. The exhibition showcases an assemblage of the American artist’s new and recent paintings, drawings and video portraits that together reveal his interest in creating a conversation between mediums and his belief in abstraction’s capacity to disrupt.

    线上中文美术展览:Adam Pendleton

    邀请您来和艺术史暨考古学系博士生曲维洵共同欣赏Mildred Lane Kemper Art Museum本期展览《Adam Pendleton:To Divide By》。本次展览将聚焦于美国当代 艺术家Adam Pendleton新近的画作、绘图和肖像影片,这些作品展现出他对于创造 各种材料间对话的兴趣,以及他对于抽象艺术具有破坏性的信念。

    More info

    Intimate Distances: Trans-space Communication in Hannah Weiner’s ‘Signal Flag’ Poems

    Kristin Emanuel, PhD student in English & Comparative Literature in Arts & Sciences, discusses a selection of mixed-media poems by Hannah Weiner in the Kemper Art Museum’s collection. Weiner’s Signal Flag Poems blend visual composition with International Code, transcribing semaphore flags and morse signals. In this talk, Emanuel considers what happens when systems like the International Code of Signals are repurposed for intimate human exchanges. She explores Weiner’s aspirational and prescient approach to trans-space communication, one which blurs image with text, paper with performance. Through Hannah Weiner’s work, Emanuel asserts the intrinsically visual nature of poetry, imagining a poetics of translation that reaches across disciplines and distances.

    More info
    Americanist Dinner Forum: What Else Can Borders Do? Architecture, Infrastructure, and Enactment

    Americanist Dinner Forum: What Else Can Borders Do? Architecture, Infrastructure, and Enactment

    All are invited for dinner and conversation on Tuesday, November 14th at 5:30pm at Keuhner Court in Weil Hall.

    International borders affect you every day. They can reveal a nation’s ability or inability to guarantee your quality of life—patterning our access to food, goods, and services.  In the United States and elsewhere, they play a role in determining whether you are a birthright citizen or an unauthorized migrant. Their perceived stability (or lack thereof) often underlines immigration debates and determines the reach and breadth of military interventions.  

    This conversation led by Professor Stephen Leet (Sam Fox—Architecture) and Professor Elaine A. Peña (A&S—Drama, AMCS, and Anthropology) will reflect on those realities but they will also ask: what else can borders do?  Thinking with and beyond securitization narratives, they will emphasize the ways in which walls, fences, bridges, and ports of entry can be reconceptualized to prioritize humane treatment and cross-border cooperation as well as be repurposed to serve the public at large after a crisis event (e.g., natural disaster). They will use the U.S.-Mexico border as their primary reference point, but they will also draw attention to border architecture and enactments across the globe. Audience participation is encouraged. 

    Stephen Leet - Professor, Sam Fox School of Design & Visual Arts, WUSTL. Stephen Leet teaches architectural design studios and history/theory seminars on architecture, film, and photography.

    Elaine Peña - Professor of Performing Arts and American Cultre Studies, WUSTL. Elaine Peña's research centers around the study of borders, the study of religion, and the study of hemispheric Latinx performance. 

    This event currently has a waitlist, please contact Alison Eigel Zade (ealison@wustl.edu) to be added to the list. 

    Book Talk with Elizabeth Bernhardt

    Elizabeth Bernhardt, lecturer in Italian, is author of “Genevra Sforza and the Bentivoglio Family, Politics, Gender and Reputation in (and beyond) Renaissance Bologna”

    University Libraries hosts a book talk with Elizabeth Bernhardt, lecturer in Italian. Bernhardt will discuss her latest book, Genevra Sforza and the Bentivoglio Family, Politics, Gender and Reputation in (and beyond) Renaissance Bologna, in conversation with Michael Sherberg, professor of Italian.

    More info
    Sounding the Unseen: Radio Dramaturgy from Wireless to Podcast

    Sounding the Unseen: Radio Dramaturgy from Wireless to Podcast

    What makes radio storytelling unique? How does the medium’s restriction to the auditory sense offer new opportunities for dramatic representation? In this presentation, Caroline Kita offers new perspectives on radio drama, a genre that emerged with the birth of the radio medium in the early 20th century. Her research focuses on the construction of radio story worlds through the core elements of voice, music, noise, and silence, and highlights how the soundscapes of radio dramas offer critical insights into practices of listening and attitudes toward mediated sound in particular cultural moments. Drawing on work from her book in progress, Border Territories: The Emancipatory Soundscapes of Postwar West German Radio Drama, Prof. Kita’s talk illuminates the significance of radio drama in the German context in the aftermath of World War II, and points to the ways that the dramaturgical language of radio dramas from this era continues to shape radio storytelling today in the form of the audio fiction podcast.

     Caroline Kita is an Associate Profesor of Gernan and Conparative Literature at Washington University in St. Louis, as well as the Director of Graduate Studies in Germanic Languages and Literatures. Her research examines German and Austrian culture in the nineteenth and twentieth centuries, focusing on German-Jewish literature, music, theater, and radio drama.

     

    Kita earned her bachelor’s degree in History from Boston College and her doctorate from Duke University. She has studied at the University of Vienna, the University of Potsdam, and the University of Duisburg-Essen. She received a Fulbright Grant to Austria (2004-05), as well as funding for advanced research from the Austrian Exchange Service (Ernst Mach Grant, 2012; Franz Werfel Fellowship, 2015, 2017), and Washington University’s Center for the Humanities (Faculty Fellowship, 2018). Her current book project is being supported by a fellowship from the National Endowment for the Humanities (2022).

    Kita’s scholarship has examined religious and cultural identity in the works of Jewish writers and composers in fin-de-siècle Vienna, critiques of the total work of art, theories of listening and democracy, and sound, space, and time in German-language audiofiction. She is the author of Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater (2019) and co-editor with Jennifer Kapczynski of The Arts of Democratization: Styling Political Sensibilities in Postwar Germany (2022). Her current book project, Border Territories: The Emancipatory Soundscapes of Postwar German Radio, traces the soundscapes of radio drama as spaces of cultural critique and political commentary in German culture in the aftermath of the Second World War. Her articles have appeared in The German Quarterly, The Journal of Austrian Studies, Monatshefte, and Unterrichtspraxis/Teaching German. In 2018, she co-edited a special issue of The German Quarterly on Music and German Culture.

     

    English Department AI Workshop

    English Department AI Workshop

    The English department invites you to "An AI Workshop: Practices”

    Faculty in English will briefly present their syllabus and classroom practices responding to the AI text-generation revolution.  We share these not in the spirit of outlining “best practices,” but the spirit of sharing practices.  We invite all department instructors (faculty and grad students) to bring their own practices to share (also their questions, experiences, frustrations, revelations).  All in the department are welcome. Presenters: Jennifer Arch J. Dillon Brown David Schuman Victoria Thomas

    Moderated by Matthew Shipe


    Civic Action Week: The Fight for Worker Power

    From the UPS Teamsters labor agreement to the continuing writers and actors strike and the recent United Auto Workers strike, labor rights have been a major topic of 2023.  

    This panel will discuss the importance of labor rights in achieving racial and economic justice, the empowerment of the working class through the strengthening of labor unions, the deeply interconnected relationship between race and labor throughout US labor history, and major wins of labor action of the past. We will dive into specific companies’ working conditions and pay, income and wealth inequality, legislation that directly affect the strength behind labor action, and the demands of our striking and unionized workers of today.

    More info

    Civic Action Week: Affirmative Action Open Forum

    The Supreme Court’s recent SFFA v. Harvard decision prevents higher education institutions like WashU from considering race as a factor in admissions, which may affect diversity in future classes at WashU. There have been several isolated discussions and ideas about what students at WashU can do to respond, and encourage the university to respond, to the decision with alternative diversity-enhancing measures; however, we have yet to solidify a concrete direction after these conversations. The Asian Multicultural Council and Asians Demanding Justice are excited to host an Affirmative Action Discussion Forum this Civic Action Week. Our forum will begin with a brief summary of the decision and its impact, followed by a share-out of student ideas and conversations about the decision and then an open forum. We hope this event will begin building the foundations of a multiracial coalition of students committed to seeing equitable access to education in the years to come.

    More info
    Visiting Hurst Professors: Christian Wiman & Marilyn Nelson

    Visiting Hurst Professors: Christian Wiman & Marilyn Nelson

    Washington University Department of English, in cooperation with The Carver Project, is proud to welcome Visiting Hurst Professors, Christian Wiman and Marilyn Nelson.

    Christian Wiman

    ...is the author of Every Riven Thing, which won the Commonwealth Prize from the English Speaking Union and was a finalist for the Kingsley-Tufts Poetry Award, and Once in the West, which was a finalist for the National Book Critics Circle award. Survival Is a Style is Wiman's most recent collection.


    See more from Christian Wiman, here.

     

    Marilyn Nelson

    ...is a three-time finalist for the National Book Award and one of America's most celebrated poets. Of her many collections, The Homeplace won the 1992 Annisfield-Wolf Award; The Fields Of Praise: New And Selected Poems won the 1998 Poets' Prize; and Carver: A Life In Poems won the 2001 Boston Globe/Hornbook Award and the Flora Stieglitz Straus Award.


    See more from Marilyn Nelson, here.

     

    Book Talk: Phil Maciak's

    Book Talk: Phil Maciak's "Avidly Reads Screen Time"

    Join us for a Book Talk celebrating Phillip Maciak's Avidly Reads Screen Time.

    What happens when screen time is all the time?

    In the early 1990s, the phrase “screen time” emerged to scare parents about the dangers of too much TV for kids. Screen time was something to fret over, police, and judge in a low-grade moral panic. Now, “screen time” has become a metric not only for good parenting, but for our adult lives as well. There’s even an app for it! In the streaming era—and with streaming made nearly ubiquitous during COVID-19—almost every aspect of our day is mediated by these bright surfaces. Whether it was ever the real villain in the first place, or merely a convenient proxy for unaddressed familial, social, and institutional failures, screen time is now all the time.

    Avidly Reads Screen Time is a funny, insightful work of cultural criticism and history about how we define screens, and how they now define us. From Mad Men to iCarly, Vine to FaceTime, binge-watching to doom-scrolling, Phillip Maciak leads us on a sometimes heartwarming, sometimes harrowing tour of the media that brings us together and tears us apart.

     


     

    "Original and thought-provoking. Maciak’s willingness to defend screen time refreshes. Readers will want to tune in to this."  ~ Publishers Weekly


    "A witty, intimate meditation on the way we watch now from Phillip Maciak, an author of the celebrated Dear TV column. Hopscotching elegantly from Twin Peaks to bedtime doomscrolling, Zoom school to Vine, Maciak explores the deep paradoxes of ‘screen time,’ the mirror we all gaze into, at once together and alone."  ~ Emily Nussbaum, Pulitzer Prize winning author of I Like to Watch: Arguing My Way Through the TV Revolution


    "What a timely and important contribution to the study of the present! Maciak beautifully synthesizes scholarship, art, and his personal experiences of the past decades, teasing apart some of the skeins that get knotted together around that ubiquitous modern experience (and source of anxiety), screen time. Maciak puts aside the scolding that haunts today's parents (and scrollers), and instead shows the complex and sometimes even beautiful ways technology has changed the way we learn, play, communicate, fight, create, and connect, reframing our habits and providing some wonderful cultural criticism along the way. An essential text for our streaming, scrolling era."  ~ Lydia Kiesling, author of The Golden State, A Novel


    "Alas, we are creatures made of screens! But beheld in Maciak’s shrewd, tender gaze, our relationship with these pulsing surfaces that situate our lives loses the flavor of a diagnosis—in its place, wit, and curiosity. This book offers a roomy haven for working out what it means to live and grow up in a modern age, honoring the tangle of feelings—bad, euphoric—that accompany our most sacred rituals, from appointment television to all that scrolling. It prompted me to continue wondering about the screens we take for granted, what they offer us and why we return."  ~ Lauren Michele Jackson, contributing writer, The New Yorker


    "Phillip Maciak is one of the best TV critics alive right now, full stop. Whether he’s writing about Girls or Station Eleven or Bluey, his criticism is always characterized by wit, insight, and a remarkable propensity for close-reading. So yes, I was over the moon to learn about his new book of cultural criticism and history, Avidly Reads Screen Time, about how we define screens and how they define us. There are three Mad Men screen caps within the book’s first 30 pages, so, yeah, it’s gonna be ridiculously good." ~The Millions
    "Screen Time is a book about this televisual unconscious, about parenting, about a world that children will consume long before they know what they’re digesting—that formed us when we were still children—and about trying to understand the selves we only belatedly discover ourselves to have already always been."  ~ Jorge Cotte, Aaron Bady, Lili Loofbourow, Jane Hu, LA Review of Books

    Annual meeting of the Archaeological Institute of American and the Society for Classical Studies

    Joint Reception with the University of Missouri and the University of Illinois, annual meeting of the Archaeological Institute of American and the Society for Classical Studies. Meeting room Boulevard C at the Hilton Hotel, Chicago.

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Elizabeth Wrigley-Field

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Elizabeth Wrigley-Field

    On Monday, November 13, 2023, the Sociology Colloquium Series will feature Dr. Elizabeth Wrigley-Field. Dr. Wrigley-Field is an associate professor at the University of Minnesota. A sociologist and demographer, she studies racial inequality in mortality in the historical and contemporary United States, and specializes in finding comparisons and metrics that illuminate the human meaning of mortality disparities. She has extensively researched the Covid-19 pandemic in Minnesota, where she also co-founded an award-winning community vaccination organization (the Seward Vaccine Equity Project). She is also a demographic methodologist, developing models designed to clarify relationships between micro and macro perspectives on population processes.

    Colloquia Title:

    "What do, and don't, we learn from the Black/white mortality disparity?"

    The Department of Sociology Fall 2023 Colloquium Series Presents: Faith Deckard

    The Department of Sociology Fall 2023 Colloquium Series Presents: Faith Deckard

    On Friday, November 3, 2023, the Sociology Colloquium Series will feature Faith Deckard. Faith Deckard is a PhD candidate at the University of Texas at Austin. Her research broadly examines how marginalized groups experience and respond to social control institutions. In her dissertation, she focuses on the pretrial justice phase to illuminate how families are roped into, and sometimes made complicit in, carceral practices and criminal legal functioning. This work has been supported by the Russell Sage Foundation, the American Society of Criminology, and the American Association of University Women. Moreover, Faith is a NSF, MFP, and NICHD fellow.

    Colloquia Title and Topic:

    "Widening the Carceral Net through Financial Risk: The Case of Commercial Bail"

    How are people without direct contact impacted, and in some instances, implicated in the criminal legal system? To answer this question, I examine the underexplored process of bonding a loved one out of jail and focus on the most common mode of doing so: commercial bail. Drawing on data from a multiple-sited ethnography and interviews with 3 population groups, I find that the bail bond system infuses financial risk into the carceral sphere, beyond its traditional concern of legal risk (e.g., risk of recidivism). Bail agents, as the industry’s frontline actors, operate as market lenders and in turn require cosigners. When this standard business model is applied in a criminal legal context, it makes non-charged, cosigning family members legible to the market and carceral system, thus widening the net of those engaged. Because this oppressive financial obligation and risk does not replace but rather merges with carcerality, family members are subjected to dual logics of control that doubly penalize them and coerce them into surveilling and further penalizing defendants. In consequence, defendants and their intimate associations bear the burden of risk management and, ultimately, institutional maintenance. More generally, intermediary organizations are identified as active players in state legibility projects that "read", organize, and entangle families.

     

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Megan Neely

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Megan Neely

    On Monday, October 30, 2023, the Sociology Colloquium Series will feature Dr. Megan Neely. Dr. Neely is an Assistant Professor in the Department of Organization at Copenhagen Business School and a faculty affiliate of Stanford University’s Women’s Leadership Innovation Lab. She studied workplace and economic inequality through the lens of gender, race, and social class. Her current research investigates how gender, race, and social class influence access to earnings and capital in some of the wealthiest industries in the United States. Her recent book, Hedged Out: Inequality and Insecurity on Wall Street (2022, University of California Press), presents an insider’s look at the inner workings of the notoriously rich and secretive U.S. hedge fund industry. Her first book, Divested: Inequality in the Age of Finance (2020, Oxford University Press) with Ken-Hou Lin, demonstrates why widening inequality in the United States cannot be understood without examining the rise of big finance. Previously, she was a postdoctoral fellow at Stanford’s Clayman Institute for Gender Research from 2017-2020. In 2017, she graduated with a Ph.D. in sociology from the University of Texas at Austin.

    Colloquia Title and Topic:

    "The Wager: Gender, Race and Value in High-Wage Service Sector Work"

    Scholars have long established that race, class, and gender, as systems of inequality, influence whose labor is valued and devalued. The focus has largely been on the devaluation of care work gender-typed as women’s work and how this work is racialized. In contrast, I investigate another side of these inequalities often omitted from the analytical focus: How and why is high-wage service sector work, composed of mostly elite white men, so highly valued? I conducted 122 in-depth interviews and field observations of hedge fund, venture capital, and technology startup firms. I identify how organizational, interactional, and cultural processes, specifically those that delineate income and wealth, designate the work of these elites as of high worth. I find that the social interactions that set wages, bonuses, and equity reflect speculative, financial cultural logics that are distinct in each of these three fields, shaping how inequality is embedded within each type of firm. The processes through which earnings and capital are distributed in these fields are based on racialized, gendered, and classed assumptions about risk, value, and worth. I call the process of speculating on earnings and equity the “wager” to capture how elites in finance and tech view their earnings as consistent with the logic of accumulation of financial markets.

     

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Joel Mittleman

    The Department of Sociology Fall 2023 Colloquium Series Presents: Dr. Joel Mittleman

    On Monday, October 23, 2023, the Sociology Colloquium Series will feature Dr. Joel Mittleman. Joel Mittleman is the William P. and Hazel B. White Assistant Professor of Sociology at the University of Notre Dame, where he is affiliated with the Gender Studies Program and the Center for Research on Educational Opportunity. Mittleman’s research analyzes inequality in schools and society with a focus on sexuality and LGBTQ+ populations. His research has been published in the American Sociological Review, Demography, and Gender & Society, among other venues, and has received outstanding article awards from the Inequality, Poverty and Mobility, Sociology of Population and Sociology of Education sections of the ASA. Currently, Mittleman is a National Academy of Education/Spencer Foundation Postdoctoral Fellow, working on a new, nonbinary history of educational stratification in America.

    Colloquia Title and Topic:

    "Gender Inequality Beyond the Gender Binary"

    For the first time ever, LGBTQ+ populations are being invited to “come out” across a wide range of large, population-representative datasets. This new visibility not only provides sociologists with an historic opportunity to study queer people; it also invites us to study all people in more queer ways. In this talk, I present a new method to support this effort: what I call a “gender predictive” approach. Applying the tools of supervised machine learning, a “gender predictive” approach identifies new spectrums of gendered experience using old sources of survey data. To motivate this approach, I examine one pressing site of gender inequality in America today: the rapidly growing gender gap in higher education. Analyzing seven nationally representative high school cohort studies, spanning six decades, I present a new picture of how sex, gender and sexuality intersectionally shape school success.

     

    Roundtable Discussion of Nicole Svobodny's

    Roundtable Discussion of Nicole Svobodny's "Nijinsky’s Feeling Mind: The Dancer Writes, The Writer Dances"

    Panelists:

    Nicole Svobodny, Senior Lecturer in Global Studies and Russian Literature and Culture

    Tili Boon Cuillé, Professor of French and Comparative Literature

    Elinor Harrison, Lecturer in Dance

    Anca Parvulescu, Professor of English; Liselotte Dieckmann Professor of Comparative Literature

    Moderator: Tabea Linhard, Director of Global Studies and Professor of Spanish

     

    Nijinsky’s Feeling Mind: The Dancer Writes, The Writer Dances is the first in-depth literary study of Vaslav Nijinsky’s life-writing. Drawing on extensive archival research, Nicole Svobodny illuminates the modernist contexts from which the dancer-writer emerged at the end of World War I.

     

    Through close textual analysis combined with intellectual biography, Svobodny puts the spotlight on Nijinsky as reader. She elucidates Nijinsky’s riffs on Tolstoy, Dostoevsky, and Nietzsche, equating these intertextual connections to “marking” a dance, whereby the dancer uses a reduction strategy situated between thinking and doing. By exploring the intersections of bodily movement and verbal language, this book addresses broader questions of how we sense and make sense of our worlds.

     

    Kimerer LaMothe writes about Nijinsky’s Feeling Mind: “In Svobodny’s thorough account, Nijinsky’s notebooks appear as one face of a multimodal art project—involving dancing, writing, and drawing—whose interlocking pieces break down easy dichotomies between interiority and exteriority, thought and feeling, writing and dancing, and in so doing, enact (both performing and representing) the creative process as a key to healing a world ravaged by war.” 

    Hebrew Movie Night: Matchmaking

    Hebrew Movie Night: Matchmaking

    Facilitated by Profs. Eyal Tamir and Noa Weinberg

    Join us for a screening of Matchmaking (2022 / 96min.) - Directed by Erez Tadmor

    "Moti Bernstein is the son every mother wants, a student every Rabbi loves to teach, the ideal Yeshiva Bucher, the perfect match for every bride. He has it all: a good family, a brilliant mind, and he is not bad looking either.

    In search of a wife, he will meet the best girls in the Jewish Orthodox world but will fall for the one girl he can never have. The only one he wants is a Sephardic girl. Against everything he knows and every value he holds dear, Moti will be forced to go out on a limb in the most unexpected and unusual of ways."

    "An entertaining and good-hearted romantic comedy that gives a light Orthodox twist to 'Romeo and Juliet.'"

    The viewing will be facilitated by Profs. Eyal Tamir and Noa Weinberg of the Hebrew department and is open to all.

    Play reading: Plautus’ Casina in English Translation.

    Play reading: Plautus’ Casina in English Translation.

    The Washington University in St. Louis Classics Club will sponsor a reading in English translation of Plautus’ lively farce, Casina on Saturday, November 4th at 3:30 PM at the home of Tim Moore, a short walk from the WashU campus. All are welcome.  

    The Club will meet in the DUC courtyard at 3:10 to walk to the event. Email washuclassicsclub@gmail.com with any questions.

    ‘The Apology’ Screening & Discussion

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    Documentary by Mimi Chakarova. The Apology (2023) investigates an incident in the 1960s in which Alameda County and the City of Hayward dismantled the entire community of Russell City, pushing 1,400 residents out of their homes and off their land – all to claim the 200 acres for an industrial park. Screening and discussion with director Chakarova and producer Aisha Knowles.

    More info

    ‘Bike Vessel’ Screening

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    In Bike Vessel (2023), a documentary by Eric D. Seals, an African-American filmmaker, explores health disparities within the Black community through the lens of his father, Donnie Seals Sr., who almost died after three open-heart surgeries. Nearly 20 years later, Seals makes a miraculous health recovery after discovering his love for bicycling.

    More info

    ‘The Body Politic’ Screening

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    Documentary by Gabriel Francis Paz Goodenough. The Body Politic (2023) follows Baltimore’s idealistic young mayor into office where he puts his personal and political future on the line to save his beloved city from chronic violence. 

    More info

    ‘Racist Trees’ Screening & Discussion

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    Was the planting of tamarisk trees along the historically Black Lawrence Crossley neighborhood in Palm Springs a symbol of segregation? The battle to uproot them gained national attention and divided the community until their removal in 2018. Racist Trees (2022), documentary by Sara Newens and Mina T. Son. Screening and discussion with co-director Newens.

    More info

    ‘Sandtown’ Screening

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    In Sandtown (2023), a documentary by Isaiah Smallman, a filmmaker returns to his hometown neighborhood in West Baltimore, where he hopes to rediscover his past, reckon with his white privilege, and reconnect with the community that raised him.

    More info

    ‘We Have Just Begun’ Screening

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    In 1919, Black workers’ decades-long efforts to challenge exploitation in the Arkansas Delta culminated in the nation’s deadliest racial massacre and labor battle. We Have Just Begun (2023) takes its name from the secret passcode used by a Black union of farmers and domestic workers organizing throughout the Arkansas Delta.

    More info

    ‘Master of Light’ Screening

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    In Rosa Ruth Boesten’s 2022 documentary Master of Light, George Anthony Morton is a classical painter who spent 10 years in federal prison for dealing drugs. While incarcerated, he nurtured his craft and unique artistic ability. Since his release, he is doing everything he can to defy society’s unlevel playing field and tackle the white-dominant art world.

    More info

    ‘Birthing Justice’ Screening & Discussion

    Human Ties spotlight, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    Free screening but tickets are required. Follow link to film webpage.

    America’s medical inequities have turned giving birth into a battlefield for too many Black women and their babies. Birthing Justice (2022 documentary by Monique N. Matthews) flips that narrative, centering the expertise and lived experiences of Black women and their advocates as they fix a broken system and transform the future, one birth at a time. Screening and discussion with executive producer and co-writer Denise Pines.

    More info

    SLIFF: Human Ties spotlight

    Free screenings of the Human Ties spotlight films, sponsored by the Center for the Humanities, at the St. Louis Film Festival

    The Center for the Humanities sponsors the Human Ties lineup of films at the Saint Louis Film Festival (festival dates are Nov. 9–19). All center-sponsored screenings are free but tickets are required. Follow the link to each film webpage reserve your spot.

    4 pm, Fri., Nov. 10: The Apology (2023), documentary by Mimi Chakarova. The Apology investigates an incident in the 1960s in which Alameda County and the City of Hayward dismantled the entire community of Russell City, pushing 1,400 residents out of their homes and off their land – all to claim the 200 acres for an industrial park. Screening and discussion with director Chakarova and producer Aisha Knowles. Alamo Drafthouse Cinema, Theater 9, 3700 Forest Park Ave., St. Louis, 63108
    1 pm, Sat., Nov. 11: Bike Vessel (2023), documentary by Eric D. Seals. An African-American filmmaker explores health disparities within the Black community through the lens of his father, Donnie Seals Sr., who almost died after three open-heart surgeries. Nearly 20 years later, Seals makes a miraculous health recovery after discovering his love for bicycling. Washington University, Brown Hall, Room 100
    4 pm, Sat., Nov. 11: The Body Politic (2023), documentary by Gabriel Francis Paz Goodenough. The Body Politic follows Baltimore’s idealistic young mayor into office where he puts his personal and political future on the line to save his beloved city from chronic violence. Washington University, Brown Hall, Room 100
    4 pm, Sun., Nov. 12: Racist Trees (2022), documentary by Sara Newens and Mina T. Son. Was the planting of tamarisk trees along the historically Black Lawrence Crossley neighborhood in Palm Springs a symbol of segregation? The battle to uproot them gained national attention and divided the community until their removal in 2018. Screening and discussion with co-director Newens. Washington University, Brown Hall, Room 100
    1 pm, Tues., Nov. 14: Sandtown (2023), documentary by Isaiah Smallman. A filmmaker returns to his hometown neighborhood in West Baltimore, where he hopes to rediscover his past, reckon with his white privilege, and reconnect with the community that raised him. Alamo Drafthouse Cinema, Theater 9, 3700 Forest Park Ave., St. Louis, 63108
    1 pm, Wed., Nov. 15: We Have Just Begun (2023), documentary by Michael Warren Wilson. In 1919, Black workers’ decades-long efforts to challenge exploitation in the Arkansas Delta culminated in the nation’s deadliest racial massacre and labor battle. We Have Just Begun takes its name from the secret pass-code used by a Black union of farmers and domestic workers organizing throughout the Arkansas Delta. Alamo Drafthouse Cinema, Theater 9, 3700 Forest Park Ave., St. Louis, 63108
    7 pm, Wed., Nov. 15: Master of Light (2022), documentary by Rosa Ruth Boesten. George Anthony Morton is a classical painter who spent 10 years in federal prison for dealing drugs. While incarcerated, he nurtured his craft and unique artistic ability. Since his release, he is doing everything he can to defy society’s unlevel playing field and tackle the white-dominant art world. Contemporary Art Museum, 3750 Washington Blvd., St. Louis, 63108
    1 pm, Sat., Nov. 18: Birthing Justice (2022), documentary by Monique N. Matthews. America’s medical inequities have turned giving birth into a battlefield for too many Black women and their babies. Birthing Justice flips that narrative, centering the expertise and lived experiences of Black women and their advocates as they fix a broken system and transform the future, one birth at a time. Screening and discussion with executive producer and co-writer Denise Pines. Washington University, Brown Hall, Room 100

    More info
    A Talk with Margaret Beale Spencer

    A Talk with Margaret Beale Spencer

    Join Margaret Beale Spencer as she discusses theory based explorations as a part of the course, Construction and Experience of Black Adolescence.

    Margaret Beale Spencer, PhD of University of Chicago will discuss "Theory Based Exploration of Challenges and Opportunities for Resilience and Shared Thriving." A developmental psychologist, her lecture will focus on the theory of universality of human vulnerability which addresses resiliency, identity, and competence formation processes for diverse humans situated both in the United States and abroad.

    Having authored over 140 scholarly publications, edited several volumes, and provided Congressional Testimony in the nation’s Capital, Margaret Beale Spencer was recently elected into the American Academy of Arts and Sciences Pect (2019). She is a recipient of the 2018 LifeTime Achievement Award from the American Psychological Association, the Division 7 (Developmental Science) 2018 Urie Bronfenbrenner Award for Distinguished Contributions to Developmental Science, and the Society for Research in Child Development (SRCD) Award for Distinguished Contributions to Cultural and Ecological Research. Margaret Beale Spencer’s scholarship has been generated from dozens of grants awarded by Foundations and Federal funding submissions as well as featured in ABC and CNN programming broadcasted internationally. 

    Carry Your Weight: Sexual Violence on College Campuses

    Carry Your Weight: Sexual Violence on College Campuses

    "Carry That Weight: Sexual Violence on College Campuses," featuring artist and activist Emma Sulkowicz on November 9 at 6:00pm in Graham Chapel. RSVP for the event here.
     

    Emma Sulkowicz is an activist, artist, and pivotal figure in the movement to end sexual assault on college campuses. A decade ago, Emma was sexually assaulted by a fellow student at Columbia University. After reporting her assault and being met with a lack of institutional support, she created the renowned performance art piece "Mattress Performance (Carry That Weight)," carrying a mattress as a visual representation of her struggle and the burden survivors often carry. This turned her into a symbol of – and an advocate for – addressing sexual assault within academic communities. In recognition of her contributions to the fight against sexual violence, Emma has received prestigious awards such as the Woman of Courage Award, the National Student Movement Builder of the Year Award, the Susan B. Anthony Award, and the Ms. Wonder Award, presented by Gloria Steinem. We are excited to hear from Emma about the role that art and activism can play in leading intersectional sexual violence response & prevention movements.

    RSVP

    Are the US and China Destined for Conflict?

    Ryan Hass, Brookings Institution Director – John L. Thornton China Center Senior Fellow – Foreign Policy, Center for East Asia Policy Studies, John L. Thornton China Center Chen-Fu and Cecilia Yen Koo Chair in Taiwan Studies

    Hass focuses his research and analysis on enhancing policy development on the pressing political, economic, and security challenges facing the UnitedStates in East Asia.

    He is the author of Stronger: Adapting America’s China Strategy in an Age of Competitive Interdependence (Yale University Press, 2021), a co-editor of Global China: Assessing China’s Growing Role in the World (Brookings Press, 2021), of the monograph, The future of US policy toward China:  Recommendations for the Biden administration (Brookings, 2020), and a co-author of U.S.-Taiwan Relations: Will China’s Challenge Lead to a Crisis? (Brookings Press, 2023). He also leads the Democracy in Asia project at the Brookings Institution and is co-chair of the international task force on Taiwanconvened by the Center for Strategic and International Studies.

    Sponsored by the Department of History and the Office of the Dean of Arts & Sciences.

    Free and open to the public.  Light refreshments will be served.

    Crisis and Conflict in Historical Perspective is a co-curricular initiative of the History Department at Washington University in St. Louis serving undergraduates considering careers in policy, as well as the greater WashU and St. Louis communities seeking historically-informed discussions about global events.   

    The Ginger Marcus Foreign Language Learning Speaker Series at WUSTL

    Dr. Claudia R. Fernández, Department of Hispanic and Italian Studies, University of Illinois at Chicago

    Lecture: Monday, November 6, 2023, 4-5pm in Simon 1

    Making it happen: Achieving true communication in the target language through Task-Based Language Teaching

    As one of the most researched pedagogies, Task-Based Language Teaching (TBLT)  has the potential to transform our current understanding of what communication is about in language learning. A student-centered, action-oriented framework, TBLT impacts not only communicative ability but also language acquisition as it engages students in the types of experiences needed to achieve both. This is because tasks are the vehicles par excellence to create truly acquisition-oriented and communicative experiences; they serve to evaluate language proficiency and for learners to show accomplishment of meaningful communicative goals. Based on her own experience implementing a Spanish basic program within a task-based framework, the speaker will present TBLT’s theoretical foundations and guiding principles that helped her design her curriculum in hopes of being an inspiration for other language programs.

    Workshop: Tuesday, November 7, 9 – 10am in Busch 100

    Guided by communicative goals: How to create an engaging task-based sequence module for language learning and communicative development

    In this workshop, participants will first identify a communicative goal that is likely to be desired, interesting, or useful for their students according to their contexts. Then, they will be guided to design a real-world target task that reflects this communicative goal. Participants will also identify the evaluation criteria with which to measure students’ accomplishment of this target task. Finally, participants will have the information to create, select, or adapt a sequence of pedagogic tasks that would serve as stepping stones for the accomplishment of the target task. The goal is for participants to leave the workshop with a solid draft of a task-based module that can be implemented in their own classes.

    *The Ginger Marcus Foreign Language Learning Speaker Series at Washington University in St. Louis is sponsored by the Department of Germanic Languages and Literatures; the Department of East Asian Languages and Cultures; the Department of Jewish, Islamic and Middle Eastern Languages and Cultures; Applied Linguistics Program; the Department of Romance Languages and Literatures, and the Dean of the Faculty of Arts and Sciences.

    Football: Perceptions et pratiques en France et aux Etats-Unis

    Football: Perceptions et pratiques en France et aux Etats-Unis

    Vous êtes invités pour une discussion sur la culture du foot en France et aux Etats-Unis, avec un joueur et un entraîneur professionnel français, qui vit à St. Louis : Wilfried Nyamsi

     

    Notre centre d'excellence à WashU FRENCH CONNEXIONS vous invite /you are invited

     

    Le vendredi 10 novembre, de 15h à 15h50 (Seigle Hall, 103)

    "Football: Perceptions et pratiques en France et aux Etats-Unis"

    Vous êtes invités pour une discussion sur la culture du foot en France et aux Etats-Unis, avec un joueur et un entraîneur professionnel français, qui vit à St. Louis : Wilfried Nyamsi

    EN FRANÇAIS / IN FRENCH

    Discussion modérée par le professeur Vincent Jouane

    Wilfried Nyamsi is a french soccer player that currently plays for St. Louis Ambush (Professional indoor soccer team) and coaches youth teams at Lou Fusz Athletic. He came to the USA in 2017 to pursue a Master in Education at Central Methodist University (Fayette, Mo). With the men's soccer team of this school, he won many trophies in 2 years such as the NAIA national championship and earned many individual awards (1st team All-American, National Championship). 

    He is now organizing indoor/Futsal leagues as well as soccer camps to help young players develop their soccer skills.

    Black Barbie Documentary Showing - St. Louis International Film Festival

    Black Barbie Documentary Showing - St. Louis International Film Festival

    The African & African American Studies Department is proud to sponsor the film "Black Barbie", as part of the St. Louis International Film Festival. Tickets are free but please register using the link attached. 

    Join us and watch the documentary, "Black Barbie", on Saturday November 11th at 7:00 pm. The movie will take place at Washington University in the Brown Hall Auditorium. 

    Registration Link: https://2023sliff.eventive.org/schedule/652c7052feb7000026076d22/tickets

    Love her or hate her, almost everyone has a Barbie story. For filmmaker Lagueria Davis, it all started with her 83-year old Aunt Beulah Mae and a seemingly simple question, “Why not make a Barbie that looks like me?” “Black Barbie” is a personal exploration that tells a richly archival, thought-provoking story that gives voice to the insights and experiences of Beulah Mae Mitchell, who spent 45 years working at Mattel. Upon Mattel’s 1980 release of Black Barbie, the film turns to the intergenerational impact the doll had. Discussing how the absence of black images in the “social mirror” left Black girls with little other than white subjects for self-reflection and self-projection. Beulah Mae Mitchell and other Black women in the film talk about their own, complex, varied experience of not seeing themselves represented, and how Black Barbie’s transformative arrival affected them personally.

    Celebrating 50 Years of Hip-Hop Through Film and Music

    Celebrating 50 Years of Hip-Hop Through Film and Music

    Join the St. Louis International Film Festival as they celebrate their 32nd annual film festival. This will be an unforgettable evening featuring entertainment by DJ Charlie Chan Soprano, the official DJ for Run DMC, complimentary beer and wine for those 21+. Buy tickets using the link provided.

    This immersive showcase provides a profound exploration of hip-hop's global influence on art and culture. It encompasses music, visual arts, fashion, technology, and more, highlighting its immense international significance. After the showcase, a discussion will be moderated by producer Lyah LeFlore-Ituen and will feature a distinguished panel, including AFAS professor Zachary Manditch-Prottas, Ph.D. After the 60-minute conversation, we will screen the classic 1990 movie "House Party," directed by East St. Louis native Reginald Hudlin. Buy tickets using the link provided below. 

     

    Tickets: https://2023sliff.eventive.org/schedule/6541d52bd8ddfe00b0ee4fb0/tickets

    The Pacific Journeys of the South Asian Martyr Saint Gonçalo Garcia:  India, Japan & Brazil

    The Pacific Journeys of the South Asian Martyr Saint Gonçalo Garcia: India, Japan & Brazil

    Erin Kathleen Rowe, Professor of History - Johns Hopkins University

    When Gonçalo Garcia joined the group of Franciscan friars martyred by Japanese rulers at Nagasaki in 1597, little note was made of his ethnic and geographic origins. The Japanese Christians martyred generated much interest by historians and hagiographers, while Garcia’s backstory as a product of a Portuguese father and a South Asian mother were little remarked. Yet his backstory reveals significant Pacific entanglements: He began his adult life as a merchant, leveraging his position as a bridge between two cultural worlds to expand his market throughout the Pacific. His later life as a Franciscan friar brought him again to Japan to meet his death.  As part of the group martyrdom, Garcia’s own cult remained obscure until it surfaced dramatically a century and a half later as patron to a confraternity devoted to mixed-race people in Brazil.

    This talk analyzes Gonçalo Garcia’s life and afterlife as a global microhistory, illuminating the complex movement of global sanctity between Portuguese colonial territories.

    A Q&A session will follow.  Light refreshments will be served.

    Dr. Rowe will be delivering this talk as part of the History Department Colloquium Lecture Series.  For information on our upcoming talks, visit https://history.wustl.edu/events.

     

    Jewish Civilization Film Screening - Footnote

    Jewish Civilization Film Screening - Footnote

    Facilitated by Dr. Ayala Hendin

    Join the Introducation to Jewish Civilization course for a special screening.

    Footnote (2011 / 107 min.) - Directed by Joseph Cedar (Original title: Hearat Shulayim)

    "Talmud scholar Eliezer Shkolnik (Shlomo Bar-Aba) has worked in obscurity at Jerusalem's Hebrew University. In contrast, Eliezer's son, Uriel (Lior Ashkenazi), also an academic, has published many books and received numerous accolades. Eliezer looks down on his son's achievements and pursuit of fame, and so the pair have a rocky relationship. Their rivalry comes to a head when Eliezer receives word that, at long last, he is the recipient of the prestigious Israeli Prize."

    The viewing will be facilitated by Dr. Ayala Hendin of the Jewish, Islamic, and Middle Eastern Studies department

    Intercultural Film Screening, featuring “Frantz”

    Intercultural Film Screening, featuring “Frantz”

    German graduate students, in collaboration with the Francophone network French ConneXions, are pleased to present “Frantz” (2016), in German and French with English subtitles.

    A haunting tale of love and reconciliation begins in a small town in Germany in the immediate aftermath of World War I when a young woman mourning the death of her fiancé encounters a mysterious Frenchman laying flowers on her beloved’s grave. View film trailer here.

    The screening (1hr 53min) takes place in Busch 100 on Thursday, November 30, beginning at 5:30pm and is followed by a conversation with Dr. Lionel Cuillé, Teaching Professor in French and director of the cultural center French ConneXions.

    Enjoy free snacks and beverages! 

    For additional information, please reach out to the Intercultural German Film Series Co-Curators Sylvia Sukop (ssukop@wustl.edu) and Kader Gray (g.kader@wustl.edu), cc’ing german@wustl.edu

    Kling Undergraduate Honors Fellowship information session

    Calling all sophomores interested in pursuing a humanities research project! You might be a great fit for the Kling Undergraduate Research Fellowship. Drop in at this information session and chat with current Kling Fellows and faculty to learn more about this opportunity.

    WashU sophomores in the humanities and humanistic social sciences are invited to apply for the Center for the Humanities’ Merle Kling Undergraduate Honors Fellowship Program. This nearly 20-year-old program selects a cohort of five to seven ArtSci sophomores who want to conduct independent research in the humanities or humanistic social sciences. The humanities center provides a significant stipend each semester as well as a weekly writing-intensive seminar here at the center.  

    This year’s Kling application deadline is March 22, the Friday after Spring Break.

    RSVPMore info
    Kemper Unplugged

    Kemper Unplugged

    Co-sponsor: Mildred Lane Kemper Art Museum

    Take a break in your day to hear Washington University faculty and students from the Department of Music, Arts & Sciences, in intimate chamber music and acoustic solo performances surrounded by art in the permanent collection and special exhibition galleries. These 45-minute concerts are free and open to the public.

    Arrive early or stay after to grab lunch at the Museum’s Coffee Bar. Enjoy ice cream sandwiches from Sugarwitch, savory deli sandwiches from Parker’s Table, and pastries from Colleen’s.

    Members get 10% off their purchase with every visit. Learn more and join here.


    Students Daniel Herrera (piano) and Braxton Hart (trombone) will perform with jazz combo coaches Jeff Anderson (bass guitar) and Steve Davis (drums) a selection of music as recorded by John Coltrane, Miles Davis, Egberto Gismonti, and more.

    Black History Month Celebration

    Black History Month Celebration

    More information forthcoming

    Join the Department of African & African American Studies, the Center for Black Grads, African Student Association, Black Men's Coalition, Association of Black Students, and more for a night filled with fun, food, and history as we joyfully celebrate the commencement of another Black History Month.

    Stay tuned for additional details coming soon!

    Faculty Book Talk: The Social Topography of a Rural Community

    Steve Hindle (History) speaks on his new book “The Social Topography of a Rural Community: Scenes of Labouring Life in Seventeenth Century England”

    Steve Hindle (History) will discuss his latest book, The Social Topography of a Rural Community: Scenes of Labouring Life in Seventeenth Century England (Oxford University Press, 2023). Joining Hindle in conversation will be fellow Washington University in St. Louis professors Christine Johnson (History) and Mark Valeri (Religious Studies). Refreshments will be served.

    More info

    Virtual Book Club: ‘The Department of Rare Books and Special Collections’

    Liesl Weiss long ago learned to be content working behind the scenes in the distinguished rare books department of a large university, managing details to make the head of the department look good. But when her boss has a stroke and she’s left to run things, she discovers that the library’s most prized manuscript is missing. 

    Book club will begin with a short presentation on real life special collections departments, followed by a discussion of the book.

    More info

    Literature in the Making Public Reading

    This reading is held by graduate students in the International Writers PhD track in Comparative Literature

    Please join us for this semester's public reading event for the course Literature in the Making!

     

    Hurst Lounge

    Wednesday, December 6th

    6:00pm to 7:30pm

     

    Featured readers:

    Cristina Correa

    Carla Fischer

    Lara-Mareen Foerster

    Ryan Gomez

    Kader Gray

    Safa Khatib

    Xenia Knoesel

    Natasha Muhametzyanova

    Stephanie Nebenfuehr

    Fernando Sanjenis Gutierrez

    Sylvia Sukop

    Frauke Thielecke

    Lauris Veips

    Rebecca Weingart

    Eliza - Film Screening and Discussion

    Eliza - Film Screening and Discussion

    A free screening of the short film, Eliza, telling the story of Eliza Rone, whose family was enslaved by Robert Campbell, a member of Washington University's Board of Trustees, and whose sons attended WashU. The screening will be followed by a discussion with the film co-director Delisa Richardson, cast members, and Campbell House Museum' director about the role of film in reparative processes.

    Based upon extraordinary true events, this is the story of Eliza Rone, an enslaved woman who, in 1856, worked for the richest family in St. Louis - the Campbells. The WashU & Slavery Project is pleased to offer this free screening of the historical short dramatic film “Eliza”, which recently premiered during the 23rd annual St. Louis Filmmakers Showcase in July. The film won awards for Best Makeup and Hairstyling and Best Actress Kazia Steele in the lead role. The event is free and open to the public.

    The event will also feature a post-film discussion and Q&A with co-writer and co-director Delisa Richardson, Campbell House Museum director Andy Hahn, and key cast members.

    Doors open at 5pm and the screening (28min) will begin at 5:30pm, followed by panel discussion. 

    Sponsored by: WashU & Slavery Project (Center for the Study of Race, Ethnicity, and Equity), Circa 87 Productions (co-writer and co-director Delisa Richardson), Campbell House Museum, Washington University Libraries, and the Departments of African and African American Studies and Film and Media Studies at Washington University in St. Louis.

    2024 STL African Film Festival

    2024 STL African Film Festival

    The Department of African & African American Studies, Film & Media Studies and the African Students Association partner to present the African Film Festival to the Washington University and larger Saint Louis communities.  The festival showcases films, less than two years old, that have fared well at international festivals.

     

     

    Kemper Unplugged

    Kemper Unplugged

    Co-sponsor: Mildred Lane Kemper Art Museum

    Take a break in your day to hear Washington University faculty and students from the Department of Music, Arts & Sciences, in intimate chamber music and acoustic solo performances surrounded by art in the permanent collection and special exhibition galleries. These 45-minute concerts are free and open to the public.

    Arrive early or stay after to grab lunch at the Museum’s Coffee Bar. Enjoy ice cream sandwiches from Sugarwitch, savory deli sandwiches from Parker’s Table, and pastries from Colleen’s.

    Members get 10% off their purchase with every visit. Learn more and join here.


    This performance will feature the Washington University Concert Choir, under the direction of Dr. John McDonald with collaborative pianist Sandra Geary, performing selections from their upcoming spring concert titled Undivided. The music on this program calls for and celebrates peace and unity. This afternoon concert will also feature select student soloists from the Voice Division.


    (Selections from the following)
    Concert Choir
    Hlohonolofatsa (2016) South African Greeting Song, Arranged by Daniel Jackson (b.1957)
         Kathryn Sarullo-Plano, Max Spinner, soloists
         Jake Page, djembe

    Verleih’ uns Frieden (1831) Felix Mendelssohn (1809-1847)
         Sandra Geary, piano

    Sing My Child (2017) Sarah Quartel (b. 1982)
         Neha George, Caleb Rhodes, soloists
         Jake Page, djembe

    Students from the Voice Division
    I Speak Six Languages from The 25th Annual Putnam County Spelling Bee (2005) William Finn (b. 1952)
         Melena Braggs, mezzo-soprano
         Sandra Geary, piano

    Ombra mai fu from Serse (1738) George Frideric Handel (1685-1759)
         Lilliana Rey, mezzo soprano
         Sandra Geary, piano

    Far from the Home I Love from Fiddler on the Roof (1964) Jerry Bock (1928-2010)
         Aubrey Hopper, mezzo soprano
         Sandra Geary, piano

    Loveliest of trees from A Shropshire Lad (1911) George Butterworth (1885-1916)
         Max Silverstein, baritone
         Sandra Geary, piano

    Concert Choir

    Hope, faith, life, love (2003) Eric Whitacre (b. 1970)

    Walk Together, Children (2001) Traditional Spiritual, Arranged by Moses Hogan (1957-2003)

    Kemper Unplugged

    Kemper Unplugged

    Co-sponsor: Mildred Lane Kemper Art Museum

    Take a break in your day to hear Washington University faculty and students from the Department of Music, Arts & Sciences, in intimate chamber music and acoustic solo performances surrounded by art in the permanent collection and special exhibition galleries. These 45-minute concerts are free and open to the public.

    Arrive early or stay after to grab lunch at the Museum’s Coffee Bar. Enjoy ice cream sandwiches from Sugarwitch, savory deli sandwiches from Parker’s Table, and pastries from Colleen’s.

    Members get 10% off their purchase with every visit. Learn more and join here.


    About this program:
    Experience captivating performances from the string and chamber music faculties with a diverse musical program featuring the works of Moritz Moszkowski, Johann Sebastian Bach, and Astor Piazzolla. Q Negrete will open the performance with Weber's romantic Concertino for clarinet. Delight in the vibrant Suite for Two Violins and Piano in G Minor, showcasing Jaden Lu on piano, with Holly Lam and Charles McGrath on violins. Immerse yourself in Noah Kennedy's stirring rendition of the Fuga from Sonata No. 1, Jasmine Yang's enchanting performance of the Loure from Partita in E Major, Junyi Su's masterful interpretation of the Menuetts and Gigue from Suite No. 1, and Holly Lam’s dynamic Largo and Allegro from Sonata No. 3. The concert concludes with the fiery Tango Etude No. 3, featuring violist Junyi Su. Join us for an unforgettable musical journey, where virtuosity and passion intertwine harmoniously.

    Program:

    Carl Maria von Weber (1786-1826)
    Concertino in E-flat (1811) 
    Q Negrete - clarinet
    Sunghee Hinners - piano

    Moritz Moszkowski
    Suite for Two Violins and Piano in G Minor, Op. 71
         I.   Allegro energico
         II. Allegro moderato
    Jaden Lu – piano
    Holly Lam, Charles McGrath – violins

    Johann Sebastian Bach
    Sonata No. 1 in G Major, BWV 1001
         II.  Fuga: Allegro
    Noah Kennedy – violin

    Johann Sebastian Bach
    Partita in E Major, BWV 1006
         II. Loure
    Jasmine Yang – violin

    Johann Sebastian Bach
    Suite No. 1 in G Major, BWV 1007
    V. Menuett I
    VI. Menuett II
    VII. Gigue
    Junyi Su – viola

    Johann Sebastian Bach
    Sonata No. 3 in C Major, BWV 1005
    III. Largo
    IV. Allegro assai
    Holly Lam – violin

    Astor Piazzolla
    Tango Etude No. 3
    Junyi Su – viola

    Dodging the Sisters: Why Queer Nuns Keep Going Viral

    Melissa M. Wilcox (any pronouns) is Professor and Holstein Family and Community Chair of Religious Studies at the University of California, Riverside, where Dr. Wilcox organizes the annual UCR Conference on Queer and Trans Studies in Religion

    In June 2023, the Sisters of Perpetual Indulgence went viral in conservative media for the umpteenth time. This time around, it was because the Los Angeles Dodgers had announced plans to honor the Los Angeles House of the order at the team’s annual Pride Night. A month before that all-California game against the San Francisco Giants, Florida Senator Marco Rubio had instigated the protest with a letter to baseball commissioner Robert Manfred claiming the group was offensive to Catholics. A short time into the swelling protest movement the Dodgers disinvited the Sisters, then re-invited them rather quickly following overwhelming backlash; in the end, the nuns’ presence at the game drew masses of protestors and supporters, and required a heavy security presence. Reporting on the scuffle focused on it largely as a story about sports, politics, and culture wars, not about religion, and it largely misrepresented or even overlooked the international order of queer and trans nuns at the heart of the story. So who are these nuns, and why do they keep winding up the right and delighting the left while most people on both sides miss the point that queer nuns, too, are real nuns? Come join us and find out.

    This talk is the first lecture in the Danforth Center on Religion and Politics’ series Reverent Irreverence: Parody, Religion, and Contemporary Politics.

    In this series:

    Dodging the Sisters: Why Queer Nuns Keep Going Viral 
    Melissa Wilcox, University of California-Riverside
    Thursday, January 18, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    Earthalujah! Reverend Billy & The Church of Stop Shopping:  A Conversation with William Talen and Savitri D
    Tuesday, February 6, 2024, 7:00-8:30 p.m.
    Knight Hall, Emerson Auditorium

    Pranksters, Standups, and Fitness Gurus: New Perspectives on Parody
    Thursday, February 29, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    • Jesus and Jest: Comedy and Christianity in the 1960s
      (Joshua Wright, Hope College)
    • How Standup Made Islam Secular
      (Samah Choudhury, Ithaca College)
    • In on the Joke: Parody and Religion at SoulCycle
      (Cody Musselman, Washington University in St. Louis)

    Playing Sacred: The Camp Aesthetics of Feminist and Queer Art
    Anthony Petro, Boston University
    Tuesday, April 16, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium
     

    More info

    Earthalujah! Reverend Billy & The Church of Stop Shopping: A Conversation with William Talen and Savitri D

    What began as a televangelist parody 25 years ago has grown into a radical performance community of international renown, the Reverend Billy and the Church of Stop Shopping. Whether taking the stage at Burning Man, performing at Zuccotti Park, or opening for Neil Young, Reverend Billy and his choir have become widely recognized prophetic voices questioning the gods of the market. William Talen (aka Reverend Billy) will be joined by his long-time collaborator Savitri D, the artistic director of the Stop Shopping Choir. In recent years they have worked together on building a new community in New York City known as Earth Church.  

    This talk is the second lecture in the Danforth Center on Religion and Politics’ series Reverent Irreverence: Parody, Religion, and Contemporary Politics.

    In this series:

    Dodging the Sisters: Why Queer Nuns Keep Going Viral 
    Melissa Wilcox, University of California-Riverside
    Thursday, January 18, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    Earthalujah! Reverend Billy & The Church of Stop Shopping:  A Conversation with William Talen and Savitri D
    Tuesday, February 6, 2024, 7:00-8:30 p.m.
    Knight Hall, Emerson Auditorium

    Pranksters, Standups, and Fitness Gurus: New Perspectives on Parody
    Thursday, February 29, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    • Jesus and Jest: Comedy and Christianity in the 1960s
      (Joshua Wright, Hope College)
    • How Standup Made Islam Secular
      (Samah Choudhury, Ithaca College)
    • In on the Joke: Parody and Religion at SoulCycle
      (Cody Musselman, Washington University in St. Louis)

    Playing Sacred: The Camp Aesthetics of Feminist and Queer Art
    Anthony Petro, Boston University
    Tuesday, April 16, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    More info

    Pranksters, Standups, and Fitness Gurus: New Perspectives on Parody

    Assistant Professor of Religion and Politics Fannie Bialek will moderate this panel discussion featuring new scholarship in the realm of parody, religion, and politics.

    Panelists and talks include the following:

    Jesus and Jest: Comedy and Christianity in the 1960s
    Joshua Wright, Hope College

    How Standup Made Islam Secular
    Samah Choudhury, Ithaca College

    In on the Joke: Parody and Religion at SoulCycle
    Cody Musselman, Washington University in St. Louis

    This is the third event in the Danforth Center on Religion and Politics’ series Reverent Irreverence: Parody, Religion, and Contemporary Politics.

    In this series:

    Dodging the Sisters: Why Queer Nuns Keep Going Viral 
    Melissa Wilcox, University of California-Riverside
    Thursday, January 18, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    Earthalujah! Reverend Billy & The Church of Stop Shopping:  A Conversation with William Talen and Savitri D
    Tuesday, February 6, 2024, 7:00-8:30 p.m.
    Knight Hall, Emerson Auditorium

    Pranksters, Standups, and Fitness Gurus: New Perspectives on Parody
    Thursday, February 29, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    • Jesus and Jest: Comedy and Christianity in the 1960s
      (Joshua Wright, Hope College)
    • How Standup Made Islam Secular
      (Samah Choudhury, Ithaca College)
    • In on the Joke: Parody and Religion at SoulCycle
      (Cody Musselman, Washington University in St. Louis)

    Playing Sacred: The Camp Aesthetics of Feminist and Queer Art
    Anthony Petro, Boston University
    Tuesday, April 16, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    More info

    Playing Sacred: The Camp Aesthetics of Feminist and Queer Art

    Anthony Petro is an associate professor in the Department of Religion and in the Women’s, Gender, & Sexuality Studies Program at Boston University.

    In the modern culture wars, conservatives often attack feminist and queer art as sacrilegious or obscene. But why does so much religious iconography animate this creative work? And how? This talk looks at the religious and political possibilities of camp as a style of engagement, focusing on the work of artists Ray Navarro and Judy Chicago. It asks: How do the aesthetics of camp challenge dominant ways that we think about religion and religious attachments?

    This talk is the final lecture in the Danforth Center on Religion and Politics’ series Reverent Irreverence: Parody, Religion, and Contemporary Politics.

    In this series:

    Dodging the Sisters: Why Queer Nuns Keep Going Viral 
    Melissa Wilcox, University of California-Riverside
    Thursday, January 18, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    Earthalujah! Reverend Billy & The Church of Stop Shopping:  A Conversation with William Talen and Savitri D
    Tuesday, February 6, 2024, 7:00-8:30 p.m.
    Knight Hall, Emerson Auditorium

    Pranksters, Standups, and Fitness Gurus: New Perspectives on Parody
    Thursday, February 29, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    • Jesus and Jest: Comedy and Christianity in the 1960s
      (Joshua Wright, Hope College)
    • How Standup Made Islam Secular
      (Samah Choudhury, Ithaca College)
    • In on the Joke: Parody and Religion at SoulCycle
      (Cody Musselman, Washington University in St. Louis)

    Playing Sacred: The Camp Aesthetics of Feminist and Queer Art
    Anthony Petro, Boston University
    Tuesday, April 16, 2024, 5:00-6:30 p.m.
    Knight Hall, Emerson Auditorium

    More info

    The Women’s Chapel

    Art exhibit and panel discussion featuring scholars Marie Griffith and Heather Bennett and artist Megan Kenyon

    What power is there in a woman’s voice? Can the testimony of Christian women help to undo patriarchy and stop spiritual abuse? What can art and the history of evangelicalism teach us about our current political moment and how to move forward? The Women’s Chapel is an interdisciplinary art exhibition created by artist Megan Kenyon and a collaborative group of evangelical women whose stories show how the journey of divesting oneself of Christian patriarchy is one full of rage and grief but ultimately laced with hope.

    More info

    "The Sea and the Overseas: Matisse, Africa, Polynesia"

    Dr. Alastair Wright, Associate Professor, Saint John's College, Oxford University

    This lecture will be held in the Farrell Auditorium at the Saint Louis Art Museum. 

    "An Art of Immersion: Matisse’s Oceanic Escapes"

    Dr. John Klein, Professor, Department of Art History and Archaeology, Washington University in Saint Louis

    The lecture will be held in Farrell Auditorium at the Saint Louis Art Museum in conjunction with the exhibition Matisse and the Sea (opening February 16, 2024), to which Dr. Klein also contributed a catalogue essay, "Matisse and Water." 

    The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together - With Heather McGhee

    The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together - With Heather McGhee

    Join the Center for the Study of Race, Ethnicity & Equity and Heather McGhee for an informative conversation surrounding McGhee's book.

    Over her career in public policy, Heather McGhee has crafted legislation, testified before Congress, and helped shape presidential campaign platforms. Her book, The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together, spent 10 weeks on the New York Times bestseller list and was longlisted for the National Book Award and Carnegie Medal for Excellence in Nonfiction. The New York Times called it, “The book that should change how progressives talk about race.” and the Chicago Tribune said, “Required reading to move the country forward...”. It is a Washington Post and TIME Magazine Must-Read Book of 2021. Starting at Fairgrounds Park in North St. Louis City, where a riot was sparked after the first Black St. Louis residents attempted to swim at newly desegregated pool at Fairgrounds Park, McGhee chronicles the sobering history of divide and inequity across the United States. However, she implores the reader to reframe equity, moving away from a “zero sum” mindset to an inclusive perspective in which everyone can thrive.

    International Writers Series: Verónica Gerber Bicecci

    Join us for an evening of prose in translation with genre-defying author Verónica Gerber Bicecci. Bicecci will be joined in conversation by Paco Tijerina, PhD Candidate in Hispanic Studies.

    Following Courage: William Wells Brown

    Following Courage: William Wells Brown

    “People don’t follow titles, they follow courage.” – William Wells Brown

    In celebration of Washington University Libraries’ recent acquisition of a first British edition of Narrative of William W. Brown, an American slave, written by himself, Gregory Carr, Assistant Professor of Theater at Harris-Stowe State University, will lecture on Brown’s literary works. In addition to the lecture, the first edition and related materials from the Julian Edison Department of Special Collections will be on display before and after the lecture. Attendees are also encouraged to visit the Slavery in St. Louis traveling exhibition on view in Olin Library. Refreshments will be served after the lecture. Recommended for ages high school and up. Free and open to all, registration requested.

    Schedule of Events:

    5:00 pm - Exhibition viewing and items on display

    5:30 pm – 6:30 pm: Lecture in Olin Library, Room 142

    6:30 pm – 7:00 pm: Refreshments in the Ginkgo Reading Room and additional viewing time

    Bio for Gregory S. Carr

    Gregory S. Carr, is an Assistant Professor of Theatre in Communication Studies at Harris-Stowe State University. Gregory is an accomplished director, playwright, actor, essayist, and public historian. His work has appeared in Theatre Symposium, Routledge Companion to African American Theatre and Performance, Humanities Magazine for the National Endowment for the Humanities, and Cosmic Underground: A Grimoire of Black Speculative Discontent. He is a 2019 Regional Arts Council Fellow, a Tennessee Williams Scholar with the Tennessee Williams Theater Festival, and serves on the MLK Advisory Board with the Creative Exchange Lab.

    Sponsored by the WashU & Slavery Project, Center for the Study of Race, Ethnicity, and Equity (CRE2), and University Libraries.

    This event is part of a series hosted in conjunction with the Slavery in St. Louis Exhibit on display at Olin Library in February 2024.

    Click here to register
    Douglass Day Transcribe-a-thon

    Douglass Day Transcribe-a-thon

    Drop in for a collaborative digital transcribe-a-thon in celebration of Frederick Douglass’s birthday. We will be transcribing the correspondence of Frederick Douglass, noted abolitionist, orator, and U.S. Ambassador to Haiti. 

    Together with Douglass Day events across the country, we will attempt to transcribe all 8,731 pages in one day! Volunteers will be available to assist you with learning to operate the digital transcription interface.

    What is Douglass Day?

    Every Valentine’s Day, the organizers of Douglass Day hold a transcribe-a-thon to honor Frederick Douglass’s birthday. Although Douglass never knew his birthdate, he chose to celebrate every year on February 14. 

    Since the first transcribe-a-thon in 2017, the Douglass Day organizers have hosted local and national events to transcribe important collections of manuscripts related to the life of African Americans as well as the papers of key figures of Black history. These events represent a moment to participate in and celebrate the preservation of African American intellectual history firsthand.

    Details

    We encourage you to bring a laptop or tablet; some computers will be available. A selection of Haitian dishes will be served for lunch, refreshments, and birthday cake will be provided. Free and open to all; feel free to come and go as you need to during the event's duration. Registration is requested.

    Sponsored by the Department of Romance Languages & Literatures, Washington University Libraries, and the WashU & Slavery Project.

    This event is part of a series hosted in conjunction with the Slavery in St. Louis Exhibit on display at Olin Library in February 2024.

    Click here to register
    Slavery in St. Louis Exhibit

    Slavery in St. Louis Exhibit

    The famous Black abolitionist William Wells Brown once remarked, “No part of our slave-holding country is more noted for the barbarity of its inhabitants than St. Louis.” This exhibition tells the story of slavery in St. Louis through primary source documents, historic images, and individual stories of enslavement across nine banners covering the founding of St. Louis from 1764 to the Reconstruction era.

    The Slavery in St. Louis exhibition also discusses how present-day institutions, including Washington University, are researching and working to address their historical entanglements with slavery.

    This exhibition was organized by the Ulysses S. Grant National Historic Site.

    The exhibition is being hosted in conjunction with a series of related events. Follow the links below to learn more.

    Americanist Dinner Forum with Kathryn Walkiewicz - Reading Territory: On Indigeneity, Blackness, and Land as Theory

    Americanist Dinner Forum with Kathryn Walkiewicz - Reading Territory: On Indigeneity, Blackness, and Land as Theory

    All are invited for dinner and conversation with Kathryn Walkiewicz.

    Kathryn Walkiewicz is an Assistant Professor of Literature at UC San Diego and an enrolled citizen of Cherokee Nation/ᏣᎳᎩᎯ ᎠᏰᎵ.

    Professor Walkiewicz is the author of "Reading Territory: Indigenous and Black Freedom, Removal, and the Nineteenth-Century State" 

    Their research and teaching interests include Native American and Indigenous studies, print culture, early American literature and culture, C19 studies, Southern studies, speculative fiction, and horror. 

     

    Join us for a conversation with Prof. Walkiewicz moderated by American Culture Studies Postdoctoral Fellow Eman Ghanayem

    The rsvp deadline for this event has passed, please contact Alison Eigel Zade (ealison@wustl.edu) with questions.

     

     

    "Untold Stories: LGBTQ+ Composers through Time"

    in partnership with the St. Louis Symphony Community Partnerships Program

    Washington University Department of Music and musicians of the SLSO team up for this unique narrated performance that introduces stories of composers from the LGBTQ+ community over the last 1,000 years. This thought-provoking hour-long concert includes music you know alongside stories you don’t about composer lives hidden by prejudice and legal consequences.  Seating is limited and available on a first-come, first-served basis. 

    Please note: previously advertised pre-concert talk is no longer available

    Janet Carpenter, violin
    Asako Kuboki, violin
    Shannon Williams, viola
    Bjorn Ranheim, cello
    Michael Walk, trumpet
    Paul Cereghino, narrator
    Amy Greenhalgh, creator and arranger

    Faculty Showcase

    Faculty Showcase



    Join us for a complimentary wine happy hour for this one-hour program featuring our talented faculty!

    Program:
    Duo for violin and cello, Op. 7 (1914) by Zoltán Kodály (1882 - 1967)
         I. Allegro serioso, non troppo                                          
    Ken Kulosa, cello
    Jo Nardolillo, violin

    Duet from Act II of Tosca (1900) by Giacomo Puccini (1858 - 1924)

    Sarah Price, soprano
    Ben Worley, bass-baritone
    Sandra Geary, piano


    A Trio of "Man" Songs
    (selections announced from the stage)
    Kelly Daniel-Decker, soprano,
    Todd Decker, piano

    Piano Quartet, Op. 15 in C minor - Gabriel Fauré
         II. scherzo: allegro vivo
         IV. allegro molto
    Hannah Frey, violin
    Amy Greenhalgh, viola
    Stephanie Hunt, cello
    Sunghee Hinners, piano

    Caterpillar Silk
    Tlatilco Texaco


    Chris Douthitt, original compositions for voice, guitar, and electronics
     

    “Meet the Makers, An Insider’s Look at OTSL’s New Works Collective”

    “Meet the Makers, An Insider’s Look at OTSL’s New Works Collective”

    Co-presented by Opera Theatre of St. Louis, Washington University’s CRE2, and Department of Music

    REGISTER NOW

    7:00 p.m. Program; doors open and beverages available at 6:30 p.m.
    Free registration

    Last winter, more than 130 artists applied to create new operas with OTSL. Ultimately, just three multi-genre teams were selected by a panel of St. Louis artists, advocates, and community leaders. Meet the artists who are pushing the boundaries of opera, hear musical excerpts from their works, and learn more from acclaimed scholars at Washington University about the context surrounding each story.

    Moderated by Professor Adrienne Davis, and featuring artists J. Mae Barizo, Jasmine Barnes, J.E. Hernández, Ronald Maurice, Deborah D.E.E.P. Mouton, and Marianna Mott Newirth, joined by Dr. Parkorn Wangpaiboonkit, Assistant Professor of Musicology, Department of Music and Dennis W. Boyd, Jr., MSW, PhD student in Social Work at Brown School, both of Washington University in St. Louis.

    Learn more about the New Works Collective

    Register Now
    St. Louis County Library Black History Month Celebration: Author Nana Kwame Adjei-Brenyah

    St. Louis County Library Black History Month Celebration: Author Nana Kwame Adjei-Brenyah

    "Washington University and the Saint Louis County Library are partnering for a Black History Month event featuring Nana Kwame Adjei-Brenyah, the award-winning author of "Chain Gang All-Stars." Join us for an opportunity to hear about his amazing journey, engage in a discussion about his acclaimed book, and have your copy signed. Don't miss the chance to ask questions and be part of this enriching experience."

    A Best Book of the Year: The New York Times, The Washington Post, NPR, Elle, Esquire, Chicago Tribune, Lit Hub, Kirkus Reviews

    “Like Orwell’s 1984 and Atwood’s The Handmaid’s Tale, Adjei-Brenyah’s book presents a dystopian vision so…illuminating that it should permanently shift our understanding of who we are and what we’re capable of doing.” —The Washington Post

    “This book will change you!…A masterpiece.” —Jenna Bush Hager, The Today Show’s #ReadWithJenna

    She felt their eyes, all those executioners…

    Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America’s increasingly dominant private prison industry. It’s the return of the gladiators, and prisoners are com­peting for the ultimate prize: their freedom.
     
    In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thur­war and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE’s corporate own­ers will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar’s path have devastating consequences.
     
    Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system’s unholy alli­ance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a “new and necessary American voice” (Tommy Orange, The New York Times Book Review).

     

    Black Sex: Past, Present, Future Virtual Roundtable

    Black Sex: Past, Present, Future Virtual Roundtable

    The African & African American Studies Department's Intellectual Life committee is hosting another insightful roundtable with distinguished individuals, discussing the impact of sex on the black family. RSVP to join the discussion!

    RSVP

    Culture and Environmental Crisis

    A panel discussion featuring Faculty Book Celebration keynote lecturer Nicole Seymour and Ursula Heise

    Patricia Olynyk (the Florence and Frank Bush Professor in Art, Sam Fox School) moderates a conversation on environmental humanities today between Faculty Book Celebration keynote speaker Nicole Seymour and Ursula Heise (the Marcia H. Howard Chair in Literary Studies Department of English and Institute of the Environment & Sustainability at the University of California, Los Angeles). All are welcome.

    Please join us online for the panel discussion! New in-person registrations are closed due to space constraints.

    webinar registration

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Roundtable: Writing as Advocacy

    This roundtable gathers a diverse group of humanists who employ writing as a tool for advocacy of various forms. Drawing on their personal experiences, speakers will address questions such as:

    How can creative practices renew us as writers and empower us to ask bolder questions in our scholarship? 
    How can we use research and writing skills to identify and advocate for the university we believe in? 
    How do we connect writing and research with our values? 
    How do we create communities of practice stemming from our scholarship? 
    How might our scholarship translate into meaningful change? 
    How do we write ourselves into thriving as humanities practitioners? 
    How can we develop practices that connect our research with where those topics live in the world today?  

    This roundtable is open to all. 

    The roundtable and a social hour immediately following are in the Women’s Building Formal Lounge.

    Speakers

    Margaret (Maggie) Nettesheim Hoffmann is the associate director of career diversity for the Humanities Without Walls (HWW) consortium, headquartered at the Humanities Research Institute at the University of Illinois, Urbana-Champaign, and she is based at Marquette University. As a part of her work for HWW, Hoffmann is responsible for guiding HWW’s career diversity programming dedicated to transforming graduate education for consortium partner schools and beyond. She is completing a PhD in United States history at Marquette, where she researches the history of American philanthropy, capitalism and Progressive-era political discourses critical of private foundation giving. 

     

    Michelle Daniel Jones is a sixth-year doctoral student in the American studies program at New York University. Her dissertation focuses on creative liberation strategies of incarcerated women and the Alabama Prison Arts and Education Project. She is a founding member and board president of Constructing Our Future, a reentry and housing organization for women created by incarcerated women in Indiana. Daniel Jones is co-editor with Elizabeth Nelson of Who Would Believe a Prisoner? Indiana Women’s Carceral Institutions, 1848–1920 (New Press, 2023), an edited volume of history by incarcerated students in the Indiana Women’s Prison History Project. Daniel Jones is also an artist, and she co-authored an original play with Anastazia Schmid, The Duchess of Stringtown, that was produced in Indianapolis and New York City. Her installation about the weaponization of stigma, “Point of Triangulation: Intersections of Identity,” ran at the New York University, Gallatin Galleries, the Beyond the Bars Conference at Columbia University, the African American Museum in Philadelphia and as a Mural Arts of Philadelphia permanent mural.

    Ashley Cheyemi McNeil, PhD, is a public scholar and humanist with 10+ years experience working with learners, scholars and community partners to share stories and research. She is currently the director of education and research at Full Spectrum Features, an arts/media non-profit that works to uplift stories from marginalized communities, where she supports the team in community collaboration, development strategy and fundraising as it relates to Full Spectrums’s K–12 educational projects and learning initiatives. In all her work, Dr. McNeil leads from an understanding that stories about being and belonging shape individuals, communities and generations. Her academic training is in literary studies and American studies, in which she earned a bi-national dual-PhD from Georgia State University and the Obama Institute for Transnational American Studies at Johannes Gutenberg University in Mainz, Germany. She was a Mellon Foundation Postdoctoral Fellow at the University of Iowa, where she helped build an interdisciplinary humanities graduate program, and she was a Leading Edge Fellow with the American Council of Learned Societies.

    Katja Perat, PhD, is a Slovenian novelist, essayist and poet, and an assistant professor of writing at University of Alaska–Anchorage. Perat’s poetry collections — The Best Have Fallen (Najboljši so padli, 2011) and Value-Added Tax (Davek na dodano vrednost, 2014) — have received numerous literary accolades, including the both the Best Debut Award and the Kritiško sito Award, an award bestowed by the Slovenian Literary Critics’ Association for best book of the year. Her 2018 novel The Masochist (Mazohistka), a story about the Austro-Hungarian Empire at the turn of the century that ponders the limits of women’s desire and freedom against the backdrop of ethnic, class and gender tensions in an empire which hadn’t yet perceived that its decline had already begun, was translated into English in 2020. Perat earned a PhD in comparative literature for international writers at Washington University in 2022. 

    Roopika Risam, PhD, is associate professor of film and media studies and of comparative literature at Dartmouth College. She has published and co-edited four books on postcoloniality, intersectionality, and South Asian and Black digital humanities, and her current book project, “Insurgent Academics: A Radical Account of Public Humanities,” under contract with Johns Hopkins University Press, traces a new history of public humanities through the emergence of ethnic studies. Risam is principal investigator of the Digital Ethnic Futures Consortium (DEFCon), and is currently developing The Global Du Bois, a data visualization project on W.E.B. Du Bois. Risam also received the Massachusetts Library Association’s inaugural Civil Liberties Champion Award for her work promoting equity and justice in the digital cultural record.

    Katina Rogers, PhD, is an independent scholar, editor and educational consultant, working with institutions to design and implement structures that are creative, sustainable and equitable. She has over a decade of experience as an administrator, researcher and faculty member, and is the author of Putting the Humanities PhD to Work: Thriving in and beyond the Classroom (Duke University Press, 2020). Rogers has recently served as co-director of the Futures Initiative at CUNY, as well as co-director of the CUNY Humanities Alliance and director of programs and administration of HASTAC. She has previously worked for the Modern Language Association, the Scholarly Communication Institute and the Alfred P. Sloan Foundation. She earned a PhD in comparative literature from the University of Colorado–Boulder.

     

    RSVP

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10, 17.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10.

     

    Sign up

    Humanities Graduate Student Writing Commons

    All humanities and humanistic social sciences graduate student writers — at any stage — are welcome to join the Humanities Graduate Student Writing Commons. It’s an opportunity for quiet, focused writing alongside peers, providing community and accountability.

    Registration is required. Writers who are available for the entirety of each meeting (9 am–12:30 pm) may sign up by clicking on the button below. Up to six students can be accommodated each meeting date. (Waitlisted students will be contacted if a slot opens up.)

    Coffee and bagels provided.

    This is a repeating event. Meeting dates for the spring 2024 semester are February 2, 9, 16, 23; March 1, 8, 22; April 5, 12, 19, 26; and May 3, 10.

     

    Sign up
    African Student Association Presents: A Featured Talk with Nnedi Okorafor

    African Student Association Presents: A Featured Talk with Nnedi Okorafor

    Join the African Student Association for a special talk featuring the award-winning author, Nnedi Okorafor.

    Nnedi Okorafor is a New York Times Bestselling writer of science fiction and fantasy for both children and adults. The more specific terms for her works are africanfuturism and africanjujuism, both terms she coined and defined. Born in the United States to two Nigerian (Igbo) immigrant parents and visiting family in Nigeria since she was a child, the foundation and inspiration of Nnedi’s work is rooted in this part of Africa. Her many works include Who Fears Death (winner of the World Fantasy Award and in development at HBO as a TV series), the Nebula and Hugo award winning novella trilogy Binti (in development as a TV series), the Lodestar and Locus Award winning Nsibidi Scripts Series, LaGuardia (winner of a Hugo and Eisner awards for Best Graphic Novel) and her most recent novella Remote Control. Her debut novel Zahrah the Windseeker won the prestigious Wole Soyinka Prize for Literature.

    Reimagining the humanities: Immersive 3D environments for teaching, learning, and research

    Reimagining the humanities: Immersive 3D environments for teaching, learning, and research

    The Virtual Viking Longship Project, supported by a Level I Digital Humanities Advancement Grant from the NEH, explores strategies for establishing a digital humanities (DH) community of inquiry and practice at two leading liberal arts institutions, Grinnell College and Carleton College. The creation of an immersive, standalone virtual reality (VR) experience for visualizing the social, linguistic, cultural, political, and economic roles that the longship played in the Viking Age will provide the impetus to this investigation.

    This presentation will detail the development work leading up to the grant award, including the creation and operation of the Grinnell College Immersive Experiences Lab (GCIEL). The presentation will also discuss the affordances of immersive 3D environments for teaching and learning, how GCIEL supports the public good and promotes social responsibility through its activity, and how students on GCIEL development teams learn the technical, social-awareness, and problem-solving skills within a liberal arts context that make them attractive candidates for 21st-century jobs. By the conclusion of the presentation, the audience will be able to see how the Viking longship is created in Blender, a free 3D modeling platform, and experience a prototype of the longship on a Quest mobile VR headset.

    Speaker bio: Dr. David Neville is the founding Director of the Grinnell College Immersive Experiences Lab and a Digital Liberal Arts Specialist at Grinnell College. Originally trained as a medievalist and Germanist, David is the author of over 50 articles, posters, and presentations on topics related to the digital humanities, immersive computing, digital game-based learning, blended learning, business German, and the medieval German mystic Mechthild of Magdeburg. His scholarly work investigates how XR experiences can best be designed, developed, and deployed to support humanistic learning.

     

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    AFAS Speaker Series: Eating Slavery: Queer Consumptions of Blackness in the Telenovela Xica da Silva

    AFAS Speaker Series: Eating Slavery: Queer Consumptions of Blackness in the Telenovela Xica da Silva

    Speaker: Dr. John Mundell

    The Brazilian telenovela, or soap opera, Xica da Silva aired from 1996 to 1997 and was syndicated in over 20 other countries around Latin America and the world. Focusing on Xica da Silva and its cultural afterlives, Dr. Mundell will discuss the everyday consumption of visual culture depicting slavery and its sexual brutalities in Brazil and Latin America.

    Alpha Omega City-Wide Chapter of Delta Sigma Theta Sorority, Incorporated Presents: “This Little Light of Mine”, A Political Art Event

    Alpha Omega City-Wide Chapter of Delta Sigma Theta Sorority, Incorporated Presents: “This Little Light of Mine”, A Political Art Event

    The African & African Studies Department will be joining the Alpha Omega City-Wide Chapter of Delta Sigma Theta Sorority, Incorporated during their "This Little Light of Mine" Political Art Event. During this event the voices of political artists who aim to inspire their communities and create fervent change will be elevated.

    The purpose of this event is to amplify the voices of political artists who inspire their communities and instigate meaningful change. Recognizing that everything is inherently political, we aim to ignite a profound passion for political action in all attendees.

    Science in the Public Square: Conevery Bolton Valencius

    Join us for a talk from Conevery Bolton Valencius, professor of history at Boston College.

    Presented by Science in the Public Square, a programmatic grant of the Incubator for Transdisciplinary Futures

    What do the New Madrid earthquakes have to do with oil and gas? Fracking, earthquakes, and public science

    Will fracking cause a Big One along the New Madrid fault that will break the US in two?

    NO!

    But many scientific studies have shown connections between activities related to fracking and thousands of recent earthquakes in normally quiet parts of the U.S.

    In this talk, historian of science Conevery Bolton Valencius digs into the challenges that surround public discussion of science connecting earthquakes to oil and gas development. Economic and political pressures, scientific ways of talking about uncertainty and probability, and even alarmism related to past earthquakes have made it hard for local communities who have experienced earthquakes during the shale boom to figure out what was happening to them.

    These challenges matter to people far from fracking rigs: knowing what to do about human-caused earthquakes is vital to our continuing energy choices and our efforts to fight the crisis of climate change.

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    *Event Cancelled* Visiting Hurst Professor: Yiyun Li - Craft Talk
    Event Date: TBD

    *Event Cancelled* Visiting Hurst Professor: Yiyun Li - Craft Talk

    Due to unforeseen circumstances, Professor Yiyun Li will be unable to visit during this year's Hurst Reader Series.

    As of now, both the Craft Talk and Reading are Cancelled.

    We apologize for this change of events and will update the schedule soon.

    Visiting Hurst Professor: Lidia Yuknavitch - Reading

    Visiting Hurst Professor: Lidia Yuknavitch - Reading

    Washington University Department of English is proud to welcome Professor Lidia Yuknavitch as part of its Hurst Visiting Professors Series.

    LIDIA YUKNAVITCH

    is the National Bestselling author of the novels The Book of Joan and The Small Backs of Children, winner of the 2016 Oregon Book Award's Ken Kesey Award for Fiction as well as the Reader's Choice Award, the novel Dora: A Headcase, and a critical book on war and narrative, Allegories Of Violence (Routledge). Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader's Choice. The Misfit's Manifesto, a book based on her recent TED Talk, was published by TED Books, and her new collection of fiction, Verge, was released in 2020. Lidia’s newest novel is Thrust.

    She has also had writing appear in publications including Guernica Magazine, Ms., The Iowa Review, Zyzzyva, Another Chicago Magazine, The Sun, Exquisite Corpse, TANK, and in the anthologies Life As We Show It (City Lights), Wreckage of Reason (Spuytin Duyvil), Forms at War (FC2), Feminaissance (Les Figues Press), and Representing Bisexualities (SUNY), as well as online at The Rumpus.

    She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online.  She received her doctorate in Literature from the University of Oregon. She lives in Oregon with her husband Andy Mingo and their renaissance man son, Miles. She is a very good swimmer.

    Learn more about Lidia Yuknavitch on her website, here.

    *Event Cancelled* Visiting Hurst Professor: Kiese Laymon - Craft Talk

    *Event Cancelled* Visiting Hurst Professor: Kiese Laymon - Craft Talk

    Due to unforeseen circumstances, Professor Kiese Laymon will be unable to visit during this year's Hurst Reader Series.

    As of now, both the Craft Talk and Reading are Cancelled.

    We apologize for this change of events and will update the schedule soon.

     

    Visiting Hurst Professor: Camille T. Dungy - Reading

    Visiting Hurst Professor: Camille T. Dungy - Reading

    Washington University Department of English is proud to welcome Professor Camille T. Dungy as part of its Hurst Visiting Professors Series.

    Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade (Wesleyan UP, 2017), winner of the Colorado Book Award. She is also the author of the essay collections, Soil: The Story of a Black Mother’s Garden (Simon & Schuster, 2023) and Guidebook to Relative Strangers: Journeys into Race, Motherhood and History (W.W. Norton, 2017), a finalist for the National Book Critics Circle Award. Dungy has also edited anthologies including Black Nature: Four Centuries of African American Nature Poetry and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great. A 2019 Guggenheim Fellow, her honors include NEA Fellowships in poetry (2003) and prose (2018), an American Book Award, two NAACP Image Award nominations, and two Hurston/Wright Legacy Award nominations. Dungy’s poems have been published in Best American Poetry, The 100 Best African American Poems, the Pushcart Anthology, Best American Travel Writing, and over thirty other anthologies. She is University Distinguished Professor at Colorado State University.

    Learn more about Camille T. Dungy on her website, here.

    Visiting Hurst Professor: Camille T. Dungy - Craft Talk

    Visiting Hurst Professor: Camille T. Dungy - Craft Talk

    Washington University Department of English is proud to welcome Professor Camille T. Dungy as part of its Hurst Visiting Professors Series.

    Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade (Wesleyan UP, 2017), winner of the Colorado Book Award. She is also the author of the essay collections, Soil: The Story of a Black Mother’s Garden (Simon & Schuster, 2023) and Guidebook to Relative Strangers: Journeys into Race, Motherhood and History (W.W. Norton, 2017), a finalist for the National Book Critics Circle Award. Dungy has also edited anthologies including Black Nature: Four Centuries of African American Nature Poetry and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great. A 2019 Guggenheim Fellow, her honors include NEA Fellowships in poetry (2003) and prose (2018), an American Book Award, two NAACP Image Award nominations, and two Hurston/Wright Legacy Award nominations. Dungy’s poems have been published in Best American Poetry, The 100 Best African American Poems, the Pushcart Anthology, Best American Travel Writing, and over thirty other anthologies. She is University Distinguished Professor at Colorado State University.

    Learn more about Camille T. Dungy on her website, here.

    Visiting Writer: Heather Radke

    Visiting Writer: Heather Radke

    The Washington University Writing Program is proud to welcome Visiting Writer, Heather Radke, as a part of its 2024 Spring Reading Series.

    Heather Radke is a writer and a Contributing Editor at WNYC's award-winning podcast Radiolab. Her first book, Butts: A Backstory, was named a Best Book of the Year by Esquire, Time, and Publisher’s Weekly, and was one of Amazon’s Top 20 Books of the Year. Her essays and criticism have appeared in The Paris Review, The Believer, Guernica, Topic, Longreads, The White Review, and others. She teaches writing in the MFA program at Columbia University.

    Learn more about Heather Radke on her website, here.

    Visiting Writer: Giada Scodellaro

    Visiting Writer: Giada Scodellaro

    The Washington University Writing Program is proud to welcome Visiting Writer, Giada Scodellaro, as a part of its 2024 Spring Reading Series.

    Giada Scodellaro was born in Naples, Italy and raised in the Bronx, New York. She is a writer, photographer, and translator who holds an MFA in Fiction from The New School. Giada’s writings have appeared in or are forthcoming from The New Yorker, BOMB, Harper’s, Granta, and The Chicago Review of Books, among other publications. Giada is a recipient of a MacDowell Fellowship, and is the inaugural Tables of Contents Regenerative Residency fellow. Her debut collection, Some of Them Will Carry Me, was named one of the New Yorker’s best books of 2022.

    Learn more about Giada Scodellaro on her website, here.

    Visiting Writer: Paul Tran

    Visiting Writer: Paul Tran

    The Washington University Writing Program is proud to welcome Visiting Writer, Paul Tran, as a part of its 2024 Spring Reading Series.

    Paul Tran is the author of the debut poetry collection, All the Flowers Kneeling, published by Penguin. Their work appears in The New York Times, The New Yorker, Best American Poetry, and elsewhere. They earned their BA in History from Brown University and MFA in Poetry from Washington University in St. Louis. Winner of the Discovery/Boston Review Poetry Prize, as well as fellowships from the Poetry Foundation, Stanford University, and the National Endowment for the Arts, Paul is an Assistant Professor of English and Asian American Studies at the University of Wisconsin-Madison.

    Learn more about Paul Tran on their website, here.

    2024 Rava Memorial Lecture Series

    2024 Rava Memorial Lecture Series

    "Between Venice and the World: Gentile Bellini's Portrait of Sultan Mehmet II and Matters of Italianità"

    Our speaker:

    Dr. Elizabeth Rodini (Ph.D., University of Chicago) most recently served asAndrew Heiskell Arts Director and Interim Director of the AmericanAcademy in Rome. Previously, she was Teaching Professor in History of Artand founding Director of the Program in Museums and Society at JohnsHopkins University, where she taught for 15 years. Dr. Rodini's art historicalwork centers on cross-cultural encounters in the early modern period, with aparticular interest in mobility, recontextualization, and the reuse of objectsbetween Venice and the Islamic world. Her forthcoming book, On the Streetof the Hidden Shops: A Metaphoric Archaeology of Rome, tells the deephistory of a single city block through the stories of those who lived andworked there across 2,000 years.

    Our topic:

    Painted in 1480 at the Ottoman court in Istanbul, Gentile' Bellini's famed portrait of Sultan Mehmed II has had a rich afterlife, stretching across three continents and entangled with issues ranging from authenticity to historical memory to the formulation of national patrimony. Through a close examination of the portrait and its history, including questions of style, provenance, condition, and display, we will consider different perspectives on its italianità and the ways in which that identity shifts while remaining firm.

    Reception will be held at 4:00 pm in Goldberg Formal Lounge.

    Lecture to follow at 5:00 pm in Danforth University Center (DUC) 276. 

    The Rava Memorial Lecture is funded by the family of Paul and Silvia Rava and sponsored by the Department of Romance Languages and Literatures

    MFA Readings

    MFA Readings

    Second-year MFA students read from their fiction, nonfiction, and poetry.
    To Academia or Not to Academia?

    To Academia or Not to Academia?

    Grad school = being a professor, right? Well... (in-person only)

    Dr. Allan Davis, assistant dean in the College Office, will be hosting a workshop called "To Academia or Not to Academia" on Monday, April 22, at 3pm in DUC 233. Students can attend this event to learn about higher education as an industry and other post-graduate school paths. This event is part of a series (see flyer below), which will be geared primarily toward sophomores and juniors, but seniors and first years are invited to attend as well. 

    Registration is requested for planning purposes; event recordings may be available for those unable to attend. Interested students can register with the WUGO group for Arts & Sciences post-graduate and pre-professional advising to get event updates and reminders. For questions, please contact Dr. Davis at dallan@wustl.edu.

    Register to attend
    Moving Stories in the Making: An Exhibition of Migration Narratives

    Moving Stories in the Making: An Exhibition of Migration Narratives

    How can narratives – visual, textual, and oral -- bridge divides between migrants and the communities in which they settle? Moving Stories in the Making: An Exhibition of Migration Narratives brings together the work of local and national artists who craft narratives of migration and holds space for migrants and those affected by migration to tell their stories.

    Featured artists include Janna Añonuevo Langholz, Arleene Correa Valencia, Zlatko Ćosić, Mee Jey, Amanda Phingbodhipakkiya, Kiki Salem, Rafael Soldi, and Laurencia Strauss. An experiment in collaborative curating, the exhibition demonstrates how stories can shift entrenched attitudes toward immigration and how art can foster connections between migrants and the communities in which they become a part.

    Moving Stories invites all to participate in a slate of free programs associated with the exhibition. (Don't worry, there will be more reminders.)

    • Opening reception with a participatory ritual led by Amanda Phingbodhipakkiya and remarks from the organizers – The Luminary, 2:00pm, Sat., Feb. 3 (ritual to commence at 2:30)
    • Mitos y Folclor (Myths and Folklore): Storytelling Workshop facilitated by local arts educators José Garza and Miriam Ruiz - The Luminary, 2:00pm, Sat. Mar. 2
    • Rafael Soldi Artist Talk – Steinberg Auditorium at Washington University, 12:00pm, Fri., Mar. 22, organized in partnership with the Sam Fox School’s MFA program in Visual Art, the Program in Global Studies, and the Department of Women’s, Gender, and Sexuality Studies 

    Moving Stories is also excited to promote upcoming events organized concurrently with the exhibition by partners and friends of the project.

    • Palestine Teach-in facilitated by artist Kiki Salem – The Luminary, 7:00pm, Thu., Jan. 25
    • Sam Fox Public Lecture by artist Amanda Phingbodhipakkiya – Steinberg Auditorium at Washington University, 5:30pm Thu., Feb. 1

    Moving Stories in the Making: An Exhibition of Migration Narratives reflects the work of an organizational partnership between Moving Stories and The Luminary. Moving Stories is a collective of Washington University researchers supported by a programmatic grant from the Incubator for Transdisciplinary Futures. Moving Stories in the Making would not have been possible without the support of the Mark S. Weil and Joan M. Hall Fund for Art History and the Department of Art History and Archaeology at WashU.

    To Academia or Not to Academia?

    To Academia or Not to Academia?

    Grad school = being a professor, right? Well... (in-person or virtual)

    Dr. Allan Davis, assistant dean in the College Office, will be hosting a workshop called "To Academia or Not to Academia" on Tuesday, April 2, at 5pm in DUC 233. Students can attend this event to learn about higher education as an industry and other post-graduate school paths. This event is part of a series (see flyer below), which will be geared primarily toward sophomores and juniors, but seniors and first years are invited to attend as well. 

    Registration is requested for planning purposes; the registration link can also be used to access a Zoom link, if students want to attend the session virtually. Interested students can register with the WUGO group for Arts & Sciences post-graduate and pre-professional advising to get event updates and reminders. For questions, please contact Dr. Davis at dallan@wustl.edu.

    Register to attend
    Global Afterlives of America’s First Red Scare: Political Deportees and Transnational Radicalism between the World Wars

    Global Afterlives of America’s First Red Scare: Political Deportees and Transnational Radicalism between the World Wars

    A Guest Lecture by Professor Kenyon Zimmer, Associate Professor of History at the University of Texas at Arlington

    Between 1917 and 1925, the United States deported more than 1,000 foreign-born leftwing radicals in the largest expulsion of political dissidents in US history. This presentation places this event in global perspective by tracing the transnational experiences, networks, and impacts of these deportees. Like deportees today, many were separated from families and communities, exposed to persecution and violence in their native countries, or transformed into refugees and exiles. But their trajectories reveal other, unanticipated consequences: "repatriated" radicals—most of whom had acquired or evolved their political views in the United States—influenced labor and revolutionary movements abroad, often in ways contrary to American foreign policy objectives. Deportation supplied leaders as well as rank-and-file members to anarchist, syndicalist, socialist, and Communist movements in a long list of countries, including Russia, Italy, Spain, Sweden, Finland, Germany, Canada, Cuba, and Argentina. A handful of deportees even returned clandestinely to the United States under false names and resumed their activities on American soil. The forced migrations of the First Red Scare, in other words, contributed to leftwing radicalism on a global scale by expanding and forging new links in transnational radical networks. 

    The Pangdatsang Trading Firm: Politics, Currency Exchange, and Trans-Tibet Business during WWII

    The Pangdatsang Trading Firm: Politics, Currency Exchange, and Trans-Tibet Business during WWII

    A lecture by Dr. Elizabeth Reynolds

    This talk introduces the Pangdatsangs, one of the wealthiest and most powerful Tibetan families of the mid-20th century. In the decades leading up to WWII, the Pangdatsang family expanded their long-distance transportation firm from India to China through strategic alliances with both the Tibetan Government and the Chinese Nationalists. This talk traces the Pangdatsang firm’s engagement with transnational and state-backed financial infrastructures as they learned to navigate the often opposing forces of an emerging state bureaucracy and unofficial market pressures. Additionally, it argues that managing long-distance trade in a borderland environment required the use of old and new financial networks, from monasteries to modern banks and foreign exchange, and an ability to adapt to rapidly shifting norms.

    What is Grad School? Options, Funding, Big Picture

    What is Grad School? Options, Funding, Big Picture

    Get practical advice to structure your consideration of graduate school (in-person only)

    Dr. Allan Davis, assistant dean in the College Office, will be hosting a workshop called "What is Grad School? Options, Funding, Big Picture" on Monday, February 26, at 3pm in DUC 233. Students can attend this event to learn more about graduate school and explore if it might be right for them.

    This event is part of a series (see flyer below), which will be geared primarily toward sophomores and juniors, but seniors and first years are invited to attend as well. The February workshops will discuss how graduate school can mean a lot of different things, so they will be a chance for students to enjoy a crash course to know the terms, costs, and choices they would have.

    Registration is requested for planning purposes; event recordings may be available for those unable to attend. Interested students can register with the WUGO group for Arts & Sciences post-graduate and pre-professional advising to get event updates and reminders. For questions, please contact Dr. Davis at dallan@wustl.edu.

    Register to attend
    Visiting Hurst Professor: Amitava Kumar - Talk

    Visiting Hurst Professor: Amitava Kumar - Talk

    Washington University Department of English is proud to welcome Professor Amitava Kumar as part of its Hurst Visiting Professors Series.

    A Talk: In Search of the Universal

    How is the postcolonial novel different from the immigrant novel? And the immigrant novel from the global novel? Finally, is the global the same as the universal? As a novelist and a teacher of contemporary fiction, Amitava Kumar struggles with these questions. If he puts foreign graduate students in his story, has he written a global novel? If an immigrant tale about Indians in America makes no mention of caste is it really a postcolonial novel? Also, if an immigrant story is full of nostalgia and heartbreak but doesn't mention anything about class or caste or issues of gender or sexual differences, does it at least get to be a cosmopolitan text? This talk will take up briefly the examples of Jamaica Kincaid, J.M. Coetzee, Perumal Murugan, Arundhati Roy, Mohsin Hamid, Zadie Smith, Jhumpa Lahiri, and Vivek Shanbhag.


     

    About Amitava Kumar:

    Amitava Kumar is a writer and journalist. He was born in Ara, and grew up in the nearby town of Patna, famous for its corruption, crushing poverty and delicious mangoes. Kumar is the author of several books of non-fiction and four novels. For 2023-24, he is a Cullman Center Fellow at the New York Public Library. In 2016, Kumar was awarded a Guggenheim Fellowship (General Nonfiction) as well as a Ford Fellowship in Literature from United States Artists. He has also been awarded writing residences by Yaddo, MacDowell Colony, the Rockefeller Foundation at Bellagio, the Norman Mailer Writing Center, Writers Omi at Ledig House, and the Lannan Foundation.

    Kumar lives in Poughkeepsie, in upstate New York, where he is the Helen D. Lockwood Professor of English at Vassar College. He serves on the board of the Corporation of Yaddo.

    Kumar’s new novel, My Beloved Life, will be published in February, 2024 by Knopf. His last novel, A Time Outside This Time, was published in October, 2021 by Knopf. It was published by Hamish Hamilton in Canada, Aleph in India, and  by Picador in the UK. The New Yorker described it as “a shimmering assault on the Zeitgeist.” His earlier novel Immigrant, Montana: A Novel, published by Faber in the UK, Knopf in the US, and in translation by other publishers worldwide, was named a notable book of the year by The New York Times, a book of the year by The New Yorker, and listed by President Barack Obama as one of his favorite books of 2018. The book came out in India under the title The Lovers: A Novel.

    For more information, as well as a full bio, visit his website, here.

    Lecture--What Monuments for a Modern Century? Italian Colonial Arches in Africa

    Lecture--What Monuments for a Modern Century? Italian Colonial Arches in Africa

    Francesco de Angelis, Professor of Art History and Archaeology, Columbia University

    Monumental arches erected in Somalia and Libya in the 1920s and ‘30s conspicuously embodied Italy’s claims to a special relationship with the glories of the Roman empire. Yet, along with examples that more closely conformed to classical or neoclassical paradigms, there were others whose design bore little resemblance to conventional models. Instead, their architectural language, which often incorporated local vernacular features, testified to the intensive engagement of the arches’ designers with the challenges of modernity and modernism. The talk will present these arches and discuss Italy’s complex—and fraught—relationship to both its classical past and its short-lived colonial present in the twentieth century.

    Inaugural Dean’s Distinguished Lecture with Carl Phillips, “Pressure Against Emptiness: Some Thoughts on Making”

    Inaugural Dean’s Distinguished Lecture with Carl Phillips, “Pressure Against Emptiness: Some Thoughts on Making”

    Carl Phillips is a celebrated poet, essayist, and professor whose work has garnered critical acclaim and captivated readers around the world. With numerous accolades to his name, including the 2023 Pulitzer Prize in Poetry, Phillips is recognized as one of the most influential voices in contemporary literature.

    Arts & Sciences presents the inaugural Dean's Distinguished Lecture featuring the renowned poet and Washington University Professor of English, Carl Phillips.

    The author of 16 books of poetry and a four-time finalist for the National Book Award, Phillips received the Pulitzer for his latest collection, "Then The War: And Selected Poems, 2007-2020." The book has been described as "a masterful collection that chronicles American culture as the country struggles to make sense of its politics, of life in the wake of a pandemic, and of our place in a changing society."

    Please join us for this event on Monday, April 1, at 4:00 p.m. in Hillman Hall's Clark-Fox Forum.

    4:00 - 5:00 p.m.: Lecture and Q&A
    5:00 - 6:00 p.m.: Post-event reception

    Introduction by Feng Sheng Hu, the Richard G. Engelsmann Dean of Arts & Sciences and Lucille P. Markey Distinguished Professor

    This event will be held in person and livestreamed at the link provided in the registration confirmation email.

    RSVP
    What is Grad School? Options, Funding, Big Picture

    What is Grad School? Options, Funding, Big Picture

    Get practical advice to structure your consideration of graduate school (in-person or virtual)

    Dr. Allan Davis, assistant dean in the College Office, will be hosting a workshop called "What is Grad School? Options, Funding, Big Picture" on Tuesday, February 6, at 5pm in DUC 233. Students can attend this event to learn more about graduate school and explore if it might be right for them.

    This event is part of a series (see flyer below), which will be geared primarily toward sophomores and juniors, but seniors and first years are invited to attend as well. The February workshops will discuss how graduate school can mean a lot of different things, so they will be a chance for students to enjoy a crash course to know the terms, costs, and choices they would have.

    Registration is requested for planning purposes; the registration link can also be used to access a Zoom link, if students want to attend the session virtually. Interested students can register with the WUGO group for Arts & Sciences post-graduate and pre-professional advising to get event updates and reminders. For questions, please contact Dr. Davis at dallan@wustl.edu.

    Register to attend

    Moving Stories in the Making: An Exhibition of Migration Narratives

    How can narratives – visual, textual, and oral -- bridge divides between migrants and the communities in which they settle? Moving Stories in the Making: An Exhibition of Migration Narratives brings together the work of local and national artists who craft narratives of migration, and holds space for migrants and those affected by migration to tell their stories.
    Science in the Public Square: Ursula Heise

    Science in the Public Square: Ursula Heise

    Join us for a talk from Ursula Heise, director of the Laboratory for Environmental Narrative Strategies, Institute of the Environment & Sustainability at the University of California, Los Angeles.

    Presented by Science in the Public Square, a programmatic grant of the Incubator for Transdisciplinary Futures

    Multispecies Justice and Narrative

    The connection between struggles for social justice and environmental conservation has transformed North American environmentalism over the last two decades under the labels of environmental justice, political ecology, and the environmentalism of the poor. Multispecies justice, a new paradigm that has emerged over the last decade, has sought to expand environmental justice thinking beyond the boundaries of the human species by reconceptualizing who or what is considered a subject of justice, who is included in communities of justice, and how concepts of justice differ across cultural communities. This lecture will explore what role different forms of narrative, from documentary films and popular scientific reporting to science fiction, play in defining and imagining multispecies communities of justice. It will focus on the strategies such narratives deploy to engage with more-than-human characters, plots, and policy decisions, in what ways they help concretize theories of multispecies justice, and the challenges they encounter in opening up a human – and typically anthropocentric – medium to more-than-human forms of experience.

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    AFAS Speaker Series:

    AFAS Speaker Series: "Black Networked Resistance", A Book Talk

    Come support AFAS professor, Dr. Raven Lloyd, as she introduces her first published book, "Black Networked Resistance".

    Black Networked Resistance​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.

    AFAS Featured Event: Jazz and Journaling

    AFAS Featured Event: Jazz and Journaling

    Take a moment to unwind while learning about the history of Black people and jazz music. Journals will be passed out during the event! Please RSVP so we can provide enough supplies!

    More information forthcoming!

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    New Perspectives Talk: Hung Liu's Re-presentations of Historical Photographs

    In “Toward a ‘Bent Ornamentalitism’: Hung Liu's Re-presentations of Historical Photographs,” Zihan Feng, PhD student in the Department of East Asian Languages and Cultures, discusses the Chinese-born American contemporary artist Hung Liu’s reuse of historical portrait photographs of Chinese women in her prints and assemblages. This talk explores how Liu strategically juxtaposes historical portraits with varied imagery to reconceive distortions of female bodies — in particular, bound feet — as not merely historical evidence of gender-based violence but a “bent and ornamental” form of being against the patriarchal norm and Western ethnographic gazes. In resonance with scholar Anne Anlin Cheng’s rumination that the “flesh” of racialized and gendered Asian women often survives through “synthetic, ornamental personhood,” Feng discusses how re-presentations of historical images of racialized and gendered subjects negotiate the realms of violence and aesthetics and interrogate the intricate association between natural bodies and the modern notion of subjectivity and autonomy.  

    Free and open to the public. Registration is requested.

    More info

    Chinese-language Tour of ‘The Body in Pieces’

    中文美术导览:The Body in Pieces 

    邀请您来和艺术史暨考古学系博士生曲维洵共同欣赏Mildred Lane Kemper Art Museum本期展览《The Body in Pieces》。本展览聚焦于Kemper Art Museum现代艺术馆藏中几位重要的欧美艺术家,像是让·杜布菲、费尔南·莱热、胡安·米罗等。来一起探索二十世纪初的艺术家如何籍由零散不全的身体画作来反映现代性。 

    Student educator Weixun Qu, PhD student in the Department of Art History & Archaeology, leads an interactive tour of The Body in Pieces. This exhibition draws on the Kemper Art Museum’s significant European and American modern art collection to explore how the fragmented body acted as a metaphor for modernity in early 20th-century art. Featured artists include Jean Dubuffet, Fernand Léger and Joan Miró, among many others. 

    Free and open to the public. 

    More info

    Q&A with Kahlil Robert Irving

    Artist Kahlil Robert Irving and arts administrator Hamza Walker

    As part of the opening celebrations for Kahlil Robert Irving: Archaeology of the Present, artist Kahlil Robert Irving will be in conversation with Hamza Walker, director of LAXART, an independent, nonprofit art space in Los Angeles. Irving is known for his ceramic assemblages made of layered images and replicas of everyday objects often considered detritus but that are representative of a historical moment, a way of life or even specific individuals. Irving and Walker will discuss topics ranging from Black life and collective memory to urban landscapes, as well as how the mining of contemporary artifacts begins to tell a fragmented story of American history.

    Free and open to the public. Registration is requested.

    More info

    Curatorial Tour: ‘The Body in Pieces’

    Assistant Curator Dana Ostrander leads an interactive tour of The Body in Pieces. This exhibition draws on the Kemper Art Museum’s significant modern art collection to explore how the fragmented body acted as a metaphor for modernity in early 20th-century art. Many European and American artists experienced the mechanization of newly industrialized cities and consequently sought to incorporate these mechanical movements into their creative processes, portraying human bodies that are segmented into geometric shapes, cropped into fragments or melted into gestural brushstrokes. Featured artists include Jean Dubuffet, Fernand Léger and Joan Miró, among many others.

    Free and open to the public. 

    More info

    The Right to Read: A Panel Discussion - A Lowenthal Symposium Event

    The Lowenthal Symposium Series is dedicated to understanding and improving the lives and educational experiences of urban youth. The right to read means giving each student the capability to access information that can allow them to reach their fullest potential.

    The Department of Education is pleased to invite you to our Lowenthal Symposium, The Right to Read: A Panel Discussion.  This hybrid event, scheduled for Friday January 26th, will include the opportunity to view a powerful documentary, The Right to Read by Executive Producer Levar Burton and Director Jenny Mackenzie, and to discuss right to read issues with our moderator, Dr. Kerri Fair, and stakeholders in the St. Louis community.

    The Lowenthal Symposium Series is dedicated to understanding and improving the lives and educational experiences of urban youth.  The right to read means giving each student the capability to access information that can allow them to reach their fullest potential.  According to the International Literacy Association (ILA), reading is an issue of social justice that tops the list of 10 fundamental human rights,  About one in three children in the United States cannot read at a basic level of comprehension with outcomes particularly problematic for Black and indigenous American children, nearly half of whom score ‘below basic’ by eighth grade.  The film “shares the stories of an NAACP activist, a teacher, and two American families who fight to provide our youngest generation with the most foundational indicator of life-long success: the ability to read.”

    Please join us for our panel discussion of this important topic on January 26th!  In-person seating will be available for the first 25 participants with an option for virtual participation for those who prefer to join us remotely.  The Right to Read documentary will be available for online viewing prior to the event or in person on the afternoon of the panel discussion. 

    RSVP

    Amanda Phingbodhipakkiya Lecture

    Multidisciplinary artist, educator and activist Amanda Phingbodhipakkiya

    Born in Atlanta to Thai and Indonesian immigrants, Amanda Phingbodhipakkiya is a multidisciplinary artist, educator and activist. Her work in sculpture, textile, public art and ritual has reclaimed space in museums and galleries, at protests and rallies, on buildings, in classrooms and on the cover of Time. Her work examines the unseen labor of women, amplifies AAPI narratives and affirms the depth, resilience and beauty of communities of color. Phingbodhipakkiya has been artist-in-residence with the NYC Commission on Human Rights and sits on the President’s Committee on the Arts and the Humanities, where she advises the president on how art can foster community well-being.

    More info

    Black Anthology: ‘Pressed’

    Join Black Anthology for its 2024 show: Pressed. The play is in two acts and is student written, choregraphed and produced. $14–$16.

    Showtime is 7 pm with a preshow discussion at 6:15 pm nightly.

    More info

    Open Classroom | Art Is My Voice

    cbabi bayoc is an internationally renowned St. Louis based visual artist, muralist and New York Times best-selling illustrator for “Good Night Racism,” authored by Dr. Ibram X. Kendi.

    cbabi bayoc is an internationally renowned St. Louis based visual artist, muralist and New York Times best-selling illustrator for Good Night Racism, authored by Dr. Ibram X. Kendi. Acrylic paint, a flat brush and an iPad have become not only his voice but his weapons of choice in battling the ignorance of prejudice and racism by showing the dopeness of Black people. This presentation will explore how cbabi uses art as his voice to relay the humanity, beauty and resilience of Black people in their everyday walks in America. His work with Dr. Nikole Hannah-Jones, Ibram X. Kendi, Foot Soldiers Park and selective work in the St. Louis Metropolitan area will be highlighted.

    More info

    Open Classroom | Creative Energy: A Tool for Change?

    DeBorah D. Ahmed, Executive Director, Better Family Life Cultural, Educational and Business Center

    DeBorah Ahmed will discuss how creative principles and practices have and continue to be used in Afrikan Diaspora culture. She, along with the guests, will discuss personal journeys, short and long-term implications, setting and raising the bar for creative expression and the responsibilities that accompany all this. Her panelists will include spoken word, movement, theatrical and music artists.

    DeBorah D. Ahmed is executive director of the Better Family Life Cultural, Educational and Business Center and a PhD candidate in social work at Saint Louis University.

    More info

    Josh Kline - Bunny and Charles Burson Visiting Lecture

    The Whitney Museum of American Art in New York recently presented the first U.S. museum survey of Josh Kline’s work. His film Adaptation (2019–22) recently screened at LAXART on the occasion of his first solo exhibition in Los Angeles. Kline’s work has been exhibited internationally at Astrup Fearnley Museet, Oslo (2020); Fondazione Sandretto Re Rebaudengo, Turin, Italy (2016); Portland Art Museum, Oregon (2016); and Modern Art Oxford, UK (2015), among others. He has participated in group exhibitions including the Whitney Biennial, New York (2019); “New Order: Art and Technology in the Twenty- First Century,” Museum of Modern Art, New York (2019); MoMA PS1, New York (2013, 2012); and “2015 Triennial: Surround Audience,” New Museum, New York, among others. His work has also been exhibited at Walker Art Center, Minneapolis (2019); Yerba Buena Center for the Arts, San Francisco (2019, 2015); ICA Boston (2018); MOCA Cleveland (2018); The Hirshhorn Museum, Washington DC (2016); Moderna Museet, Stockholm (2016); Albright-Knox Art Gallery, Buffalo (2015); KW Institute for Contemporary Art, Berlin (2016); ICA Philadelphia (2014); and the Fridericianum, Kassel (2013). His work is included in the collections of numerous institutions including Whitney Museum of American Art, New York; Aïshti Foundation, Beirut, Lebanon; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; and the Rubell Family Collection, Miami.

    In summer 2024, Kline will have a solo exhibition at the Museum of Contemporary Art in Los Angeles.

    More info

    Chancellor's Lecture with John McWhorter

    John McWhorter is an associate professor in the Slavic department at Columbia University specializing in language change and language contact. He is a highly regarded scholar and the author of more than 20 books. He also writes a popular weekly column for The New York Times and hosts the language podcast Lexicon Valley. 

    More info
    Assembly Series presents 'The Fate of the Earth': A talk by Elizabeth Kolbert

    Assembly Series presents 'The Fate of the Earth': A talk by Elizabeth Kolbert

    A talk by Elizabeth Kolbert, winner of the Pulitzer Prize for "The Sixth Extinction: An Unnatural History"

    The history of life on Earth has been described as long periods of boredom interrupted occasionally by panic. In her talk, "The Fate of the Earth," Elizabeth Kolbert will discuss the current biodiversity crisis in the context of the great mass extinctions of the past. Why do humans pose such a threat to the other species on the planet and what can be done to contain this threat? 

    Assembly Series programming is supported WashU’s ten-year strategic vision, Here and Next, designed to mobilize research, education, and patient care to establish WashU and St. Louis as a global hub for transformative solutions to the deepest societal challenges. When we bring our community together around topics that expand our knowledge and our perspectives, we stimulate the open, vibrant environment that will make our strategic vision possible. 

    This event is made possible by the Office of the Provost in partnership with the Center for the Environment and the Woman's Club of Washington University.

    Register to Attend

    Mary Mattingly Lecture: Proposals

    Artist Mary Mattingly makes sculptures and photographs about imagined futures. Her sculptural ecosystems prioritize access to food, shelter and clean water, resulting in large-scale participatory projects around the world. In 2016, she led “Swale,” a floating sculpture and edible landscape on a barge in New York that depended upon water common law and inspired New York City Parks to establish their first public “Foodway.” Her artwork has been exhibited at institutions such as Storm King Art Center, International Center of Photography, Seoul Art Center, Brooklyn Museum, Palais de Tokyo, Barbican Art Gallery and Museo Nacional de Bellas Artes in Havana. Notable grants include the Guggenheim Foundation Grant, James L. Knight Foundation, Harpo Foundation, New York Foundation for the Arts and the Jerome Foundation. Her work has been featured in various documentaries and publications, including Art21 and The New York Times.

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    Open Classroom | The Last Word: Exploring Identity, Resistance, and Narrative Power in Art

    KVtheWriter – rapper, poet, educator, activist

    In an exploration led by KVtheWriter, discover how artists can harness their personal identity and experiences to spark both interpersonal and systemic change within themselves and their communities. Through an examination of the risks and challenges inherent in artistic activism, KVtheWriter, along with the audience, will unveil the narrative potency of art—illuminating stories often overlooked and undertold in St. Louis and beyond.

    More info

    Open Classroom | Black & Blue: Double Consciousness and the Black Artist

    MK Stallings, Research and Evaluation Manager, Regional Arts Commission

    There is a tension for the artist where success is sometimes complicated by the distance between excellence in the fine arts and commercial viability. If the artist is Black, the question is not just about art or money but the values that influence art production. Should their art challenge oppressive systems or should they seek inclusion among the most notable of the art world? This talk will apply W.E.B. Du Bois’ double consciousness as a framework for examining this historical tension for the Black Artist while highlighting contemporary data.

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    Ethical Research Data: The Feminist Principle of Examining Power in the Context of Big Data and AI

    Lauren F. Klein, the Winship Distinguished Research Professor and Associate Professor of Quantitative Theory & Methods and English, Emory University

    In Data Feminism (MIT Press, 2020), Lauren F. Klein and her coauthor, Catherine D’Ignazio, established a set of principles for doing more just and equitable data science. Informed by the past several decades of intersectional feminist activism and critical thought, the principles of data feminism modeled how to examine and challenge power, rethink binaries and hierarchies, elevate emotion and embodiment, consider context, embrace pluralism and make labor visible. How can these principles be applied to the current conversation about AI, its present harms and its future possibilities? This talk will briefly summarize the principles of data feminism before moving to a set of examples that show how these principles can be applied — and extended — to our current technological landscape.

     

     

    More info

    International Writers Series: Mona Kareem

    Poet and translator Mona Kareem

    Join the International Writers Series for an evening of poetry in translation with esteemed poet and translator Mona Kareem. She will be joined in conversation by Safa Khatib, Ph.D. candidate in the Program in Comparative Literature.

    In the words of her translator Sara Elkamel, Mona Kareem is “the author of an impossibly fluid cartography.” This event will focus on the trajectory of Kareem’s poetics across her three internationally acclaimed books: Mornings Washed by Thirst’s Water, Absence with Amputated Fingers and What I Sleep for Today. Moving between her poems in both their Arabic original and Elkamel’s English translations, the conversation will approach larger questions about the relationship between poetry, perception, imagination and geopolitics.   

    Free and open to all, registration requested.

    More info

    Faculty Book Talk: Ignacio Infante

    Ignacio Infante, Associate Professor of Comparative Literature and Spanish

    In this book presentation, Ignacio Infante, associate professor of comparative literature and Spanish, will discuss his latest scholarly monograph, A Planetary Avant-Garde. This book explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world, with a focus on avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa and Southeast Asia between 1909 and 1929. Infante will be joined in conversation by Sarah María Medina, Ph.D. candidate in the Program in Comparative Literature. 

    Free and open to all, registration requested.

    More info
    Curtis Chin: Everything I Learned, I Learned in a Chinese Restaurant

    Curtis Chin: Everything I Learned, I Learned in a Chinese Restaurant

    Washington University is proud to welcome Curtis Chin to the Hurst Lounge.

    Please join us for a reading and reception with filmmaker and co-founder of the Asian American Writers' Workshop, Curtis Chin. His memoir, Everything I Learned, I Learned in a Chinese Restaurant (Little, Brown 2023), about coming of age and coming out traces the author's journey through 1980's Detroit as he navigated rising xenophobia, the AIDS epidemic, and the Reagan Revolution to find his voice as a writer and activist — all set against the backdrop of his family's popular Chinese restaurant.

    This event is brought to you thanks to generous sponsors at Washington University the American Culture Studies program, the Center for Diversity and Inclusion, Center for the Humanities, Center for the Literary Arts, & the Department of Women, Gender, and Sexuality Studies.

     


     

    About the Speaker:

    Curtis Chin is co-founder of the Asian American Writers’ Workshop in New York City. Curtis served as the non-profit’s first Executive Director. He went on to write for network and cable television before transitioning to social justice documentaries. Chin has screened his films at over 600 venues in sixteen countries. He has written for CNN, Bon Appetit, the Detroit Free Press, and the Emancipator/Boston Globe. His memoir, Everything I Learned, I Learned in a Chinese Restaurant was published by Little, Brown in Fall 2023. 

    William H. Matheson Reception and Lecture Featuring Craig Monson

    William H. Matheson Reception and Lecture Featuring Craig Monson

    The Lord, The Slave, & The Tailor’s Son: A Case of Identity Theft in Renaissance Italy

    This year's Matheson lecture will be held in celebration of Dr. Gerhild Scholz Williams

     

    Featured Speaker

    Craig A. Monson

    Paul Tietjens Professor Emeritus Of Music

    Washington University

     

    Description

    Andrea Casali, "the handsomest cavalier there was in Bologna," pampered endling of a preeminent noble family, heir to fabulous wealth and works by Michelangelo and Raphael, a skilled athlete and man-at-arms, but also a poet and pupil of Guido Reni, was elevated to the Bolognese senate before he turned sixteen. Implicated in a fatal quarrel, the 19-year-old secretly left town in 1603 to fight at the Siege of Ostend. The following year, reports reached Bologna that a sniper's bullet had struck him down.

     

    Thirty years later, a grizzled, ransomed galley slave of the “Infidel Turk” turned up in Rome, claiming to be Casali. His attempt to reclaim his inheritance provoked an uproar that resonated throughout Italy. ["It is true that many believe it is not he," a contemporary remarked, "but of a hundred, ninety-nine say that it is."] One eminent jurist, keen to get the self-styled Casali hanged, described the case as "the most serious, the most notorious, and the greatest deception that Christendom has ever known."

     

    Even without such hyperbole, it is a tale worth reexamining, in which the promotion of “fake news,” the presentation of rumor as fact, the distortion of evidence to manipulate public opinion, but also witness intimidation and insurrection by thousands of true believers sound as familiar as the practice of identity theft.

     

     

    Reception

    Goldberg Formal Lounge

    5:30pm to 6:30pm

    Beverages and light snacks will be provided

     

    Lecture

    DUC 276

    6:30pm to 7:30pm

     

    RSVP below!

    RSVP
    Washington University Black History Celebration

    Washington University Black History Celebration

    The Washington University community is warmly invited to join us for the Black History Month kick-off event on February 1st, 2024. This gathering offers students a unique opportunity to celebrate the rich history, vibrant culture, and enduring heritage of black Americans. This event is open to everyone!

    Date: February 1, 2024
    Venue: DUC Tisch Commons
    Time: 7:00 - 9:00 PM

    HOMAGE: Traveling Black Hisory Exhibit: The Heart and Soul of the Movement - The Influence of the

    HOMAGE: Traveling Black Hisory Exhibit: The Heart and Soul of the Movement - The Influence of the "Divine 9"

    This exhibit focuses on members of the "Divine 9" who helped create a culture of change and resistance that impacted the Civil Rights Movement in America. Through original artifact, participants discover how the involvement of these students led to tangible social change.

    You can stop by anytime between 12:00pm - 6:00pm to view the exhibit at your own pace. 

    This event is in collaboration with the department of African & African American Studies, Center for Diversity and Inclusion, Office of Institutional Equity, and Supplier Diversity. 

    Friday, February 23rd, 2024

    12:00 - 6:00 PM 

    Umrath Lounge 

    HOMAGE: Traveling Black History Exhibit

    HOMAGE: Traveling Black History Exhibit

    Join us on a remarkable journey through Black history and culture with the Homage Exhibit. Each original artifact represents an icon, cultural phenomenon, or pivotal historical moment and accompanies works created by artists and creatives. Stop in to Holmes Lounge at anytime between 12:00pm - 6:00pm and view the exhibit at your own pace.

    This event is in collaboration with the department of African & African American Studies, Center for Diversity and Inclusion, Office of Institutional Equity, and Supplier Diversity. 

     

    Wednesday, February 21st, 2024

    12:00 - 6:00 PM 

    Holmes Lounge 

    African Film: A Conversation with the STL Art Museum

    African Film: A Conversation with the STL Art Museum

    Join Dr. Wilmetta Toliver-Diallo, Founder and Coordinator of the Washington University African Film Festival, for an engaging conversation about the significance of African films. The event will be followed by a Q&A session. This event is free and open to the public. We look forward to seeing you there!

    Date: February 2nd, 2024
    Time: 1:00 - 2:00 pm
    Venue: Saint Louis Art Museum, Education Center

    Feathers and Facepaint: The Making of Redface in American Theatre

    Feathers and Facepaint: The Making of Redface in American Theatre

    Bethany Hughes, Assistant Professor of American Culture, Native American Studies Program, University of Michigan

    Across the 19th century, American theatre artists and audiences turned to the “Indian” to tell stories of drama, tragedy, comedy, and history. From these diverse but popular plays a recognizable and racialized figure developed, the Stage Indian. This talk tracks the material elements used to create “Indian” characters to explore how theatrical techniques and dramatic repertoires worked with and through settler colonial logics resulting in a recognizable and racialized figure. The Stage Indian is more than feathers and face paint, however. It is an embodied figure whose legibility as an “Indian” is co-constructed with its audience. Tracing instantiations of the "Stage Indian" across the 19th century reveals the saturation, flexibility, and persistence of redface as a tool of U.S. control over Indigenous nations and peoples.

     

    About the Speaker: Bethany Hughes is the Assistant Professor of American Culture, Native American Studies Program at the University of Michigan

    All colloquia events are free and open to the public

    An Evening with Gerald Early,

    An Evening with Gerald Early, "Reconceiving the National Baseball Hall of Fame's Black Baseball Exhibit"

    An award-winning essayist, author, and American culture critic, Gerald Early is the Merle Kling Professor of Modern Letters in the African and African American Studies Department and executive editor of WashU's interdisciplinary journal The Common Reader.

    Join us for this event co-hosted by the WashU Alumni Association and Arts & Sciences.

    Professor Early will discuss his work as a consultant to the National Baseball Hall of Fame and Museum's newly renovated and reconceived exhibit on Black Baseball—which will officially open on Memorial Day weekend 2024—and the book he's writing to accompany the exhibit.

    His forthcoming book, "Play Harder: The Triumph of Black Baseball in America" (Ten Speed Press, November 2024) will cover Black players' involvement with professional baseball in the United States from the end of the Civil War to the present with accounts of the Negro Leagues, the integration of Major League Baseball, the Black press' promotion of the game, and why Black American participation in baseball today is less robust than in the past.

    All are welcome at this free lecture and post-event reception celebrating the Power of Arts & Sciences.

    Introduction by Feng Sheng Hu, the Richard G. Engelsmann Dean of Arts & Sciences and Lucille P. Markey Distinguished Professor

    Presentation by Gerald Early, followed by Q&A and post-event reception

    This event will be held in person and livestreamed.

    Learn more about previous and upcoming Power of Arts & Sciences events.

    REGISTER FOR THIS EVENT

    Fulbright Creative and Performing Arts Grant April Info Session

    The Center for the Literary Arts will host two workshops for students interested in applying for a Fulbright Creative and Performing Arts Grant during the 2024-2025 application cycle. These workshops will assist students in writing and honing their statement of grant purpose.

    The first will take place at noon on Friday, March 1, and focus on generating the statement of purpose. The second will take place at noon on Friday, April 5, and give students the opportunity to receive feedback on first drafts of their statements.

    Questions? Reach out to Ashley Colley (acolley@wustl.edu).

    RSVP

    Fulbright Creative and Performing Arts Grant March Info Session

    The Center for the Literary Arts will host two workshops for students interested in applying for a Fulbright Creative and Performing Arts Grant during the 2024-2025 application cycle. These workshops will assist students in writing and honing their statement of grant purpose.

    The first will take place at noon on Friday, March 1, and focus on generating the statement of purpose. The second will take place at noon on Friday, April 5, and give students the opportunity to receive feedback on first drafts of their statements.

    Questions? Reach out to Ashley Colley (acolley@wustl.edu).

    RSVP

    Meet-and-Greet with Nana Kwame Adjei-Brenyah

    WashU students are invited to an exclusive meet-and-greet with celebrated author Nana Kwame Adjei-Brenyah, whose bestselling Chain Gang All-Stars was a 2023 National Book Award finalist.

    WashU Arts & Sciences and the St. Louis County Library will host Adjei-Brenyah on campus at 7 p.m. on Wednesday, January 31 for a reading at the Emerson Auditorium in Knight Hall.

    Earlier that afternoon, the Center for the Literary Arts will host an intimate gathering for students who would like to meet with and be in conversation with Adjei-Brenyah. Refreshments will be served.

    RSVP
    Dimensions of Emotion: Voice and Animation in 1990s Japanese Adventure Games

    Dimensions of Emotion: Voice and Animation in 1990s Japanese Adventure Games

    The introduction of CD-ROM media allowed for an extensive use of recorded voice and dialogue in video games, which in turn led to an explosion of voice-driven games in Japan in the early and mid 1990s. The talk will discuss how the intense interest in voice-work in Japanese games was accompanied by a refocusing of design and reception around (virtual) emotion in the adventure game, with games such as Sakura Wars (1996), Tokimeki Memorial (1993), and Policenauts (1994) providing cases to consider.

    Daniel Johnson is Assistant Professor of Japanese Studies at the College of William & Mary. His book Textual Cacophony: Online Video and Anonymity in Japan (Cornell University Press, 2023) examines how the online cultures of Niconico, 2channel, and other sites provide alternative ways of expressing social identity and belonging, and a counter-form to the dissolving institutions and relationships of neoliberal Japan. He is working on a book about Japanese video games that centers on the relationship between animation and technology.
    Sponsored by the Program in Film and Media Studies
     
    Department of Music Lecture:

    Department of Music Lecture: "Instrument of the State: A Century of Music in Louisiana's Angola Prison"

    Ben Harbert, Ph.D., Professor, Department of Performing Arts, Georgetown University

    Ben Harbert, Ph.D., Professor, Department of Performing Arts, Georgetown University

     Title
    "Instrument of the State: A Century of Music in Louisiana's Angola Prison"

    Abstract
    Angola Prison is the largest and one of the most notorious prisons in the United States, built into a slave plantation that Louisiana bought in 1901. It has also been the most musically significant. Harbert’s wor chronicles dozens of musicians and bands over 120 years, showing how music is a vital resource for prisoners. That resource, however, is conditional, as the administration uses music in many ways. The history of this musical dialogue offers a unique perspective on incarceration, politics, and the development of music in the twentieth-century American South. The lecture will highlight the musical, political, and intellectual role of jazz in the prison, from the 1950s through the 1960s. 

    Biography
    Benjamin J. Harbert is a Professor of Music and Chair of the Performing Arts Department at Georgetown University. He is also the author of American Music Documentary: Five Case Studies of Ciné-Ethnomusicology (Wesleyan University Press, 2018) and director of Follow Me Down: Portraits of Louisiana Prison Musicians (Films for the Humanities & Sciences, 2013). He is the Co-Founder and Co-Editor-in-Chief of the Journal of Audiovisual Ethnomusicology.


     

    Stop! Shakespeare, Boal, and the Italian Spect-actor

    Stop! Shakespeare, Boal, and the Italian Spect-actor

    Robert Henke, Professor of Drama and Comparative Literature and Director of Graduate Studies, M.A. in Performance Studies, Washington University in St. Louis

    During a time when many “England First” nationalists thought a “pure” national identity could be created by purging the nation of Italian influence, Shakespeare embraced Italian stories, plays, and theatrical ideas and, along with that, a humanistic spirit of curiosity, mobility, and open-mindedness. This talk considers the Italian “sources” of his plays, especially when Shakespeare departs from them, as resonant and playable alternatives, not unlike the interventions of the spect-actor in Augusto Boal’s Forum theater.   
     

    About the Speaker:

    Robert Henke is the author of four books on early modern theater and performance, most recently Shakespeare and Early Modern Italian Theatre: Scripts, Scenarios, and Stories, which will be published by Bloomsbury in 2024.  He has edited four volumes, most recently A Cultural History of Theatre in the Early Modern Age (Bloomsbury, 2017).  He is currently working on a translation and critical edition of the French scenarios of the Domenico Biancolelli: a renowned seventeenth-century Harlequin who was a contemporary of Molière. 

    Graduate workshop: From Climate Anxiety to Climate Action

    A writing workshop led by Nicole Seymour, Professor of English and Graduate Advisor for Environmental Studies, Cal State Fullerton

    Join Faculty Books Celebration keynote speaker Nicole Seymour in a two-hour writing workshop on writing in an age of major climate upheaval. Seymour will guide participants in considering how and where they can take action, identify local resources and opportunities for meaningful impact and use writing to build collectives around the issue of climate change. Echoing Seymour’s own eclectic approach to environmental humanities, the workshop will also include time for slowness, reflection, deliberation and fun. 

    This workshop is designed for graduate students; postdocs and advanced undergraduates are also welcome to register. The first ten registrants will receive a copy of Seymour’s latest book, Glitter, at the event. Register by following the link below by Thursday, February 15. Space is limited to 20 participants.

    Details & Registration
    A Conversation with Salwa Abu Ghali in Jenin

    A Conversation with Salwa Abu Ghali in Jenin

    Salwa Abu Ghali is a Palestinian resident of Jenin refugee camp who works with the refugee organization NaTakallam.

    On Wednesday, March 6th from 12:00-1:00pm, Dr. David Warren will be hosting NaTakallam and Salwa Abu Ghali.

    Salwa considers herself a cultural ambassador for Palestine to the world, and loves passing on Palestinian recipes and other tangible aspects of her hertiage. Since the conflict broke out in Gaza, where much of her mother's family live, the West Bank has become a militarized zone, with incursions every couple of days.

    An opportunity to hear Palestinian views on the conflict. Join us for a conversation with Salwa Abu Ghali from Jenin refugee camp, the West Bank.

    The meeting will be conducted over Zoom, register in advance at this Link

    For more information about the event, contact Dr. David Warren (david.warren@wustl.edu); to learn more about NaTakallam, please visit https://natakallam.com/

    NaTakallam ("We Speak" in Arabic) is an award-winning social enterprise that delivers quality language-learning, translation, and cultural exchange services, by vetted and highly skilled refugees, displaced persons, and their host communities worldwide. NaTakallam’s Academic Programs leverage technology to deliver high-quality, curated language learning and cultural exchange services delivered by refugees and displaced persons. To date, NaTakallam Language Partners have worked with over 300 educational institutions across the globe.

    Middle East / North Africa Film Series - Session Two: Mandoob

    Middle East / North Africa Film Series - Session Two: Mandoob

    Facilitated by Dr. Younasse Tarbouni

    Join us for the second session of the Spring 2024 Middle East / North Africa (MENA) Film Series.

    Mandoob (2023 / 110 min.) - Directed by Ali Kalthami (translated as, Night Courier)

    "In the heart of Riyadh, where desperation and opportunity collide, MANDOOB brings forth the gripping tale of Fahad Algadaani, a mentally fragile man racing against time to save his ailing father. "

    The viewing will be facilitated by Dr. Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department.

    Middle East / North Africa Film Series - Session One: Wadjda

    Middle East / North Africa Film Series - Session One: Wadjda

    Facilitated by Dr. Younasse Tarbouni

    Join us for the first session of the Spring 2024 Middle East / North Africa (MENA) Film Series.

    Wadjda (2012 / 98 min.) - Directed by Haifaa Al-Mansour

    "An enterprising Saudi girl signs on for her school's Koran recitation competition as a way to raise the remaining funds she needs in order to buy the green bicycle that has captured her interest."

    The viewing will be facilitated by Dr. Younasse Tarbouni of the Jewish, Islamic, and Middle Eastern Studies department.

    EALC Lecture Series: Territorial Sovereignty and Socialist Landscape Paintings

    EALC Lecture Series: Territorial Sovereignty and Socialist Landscape Paintings

    Laikwan Pang, Choh-Ming Li Professor of Cultural and Religious Studies, The Chinese University of Hong Kong

    This presentation is a chapter of Pang’s forthcoming book One and All: The Logic of Chinese Sovereignty (Stanford University Press, April 2024). In this chapter, Pang discusses how the national landscape was presented in a new state-sponsored genre of modern ink brush paintings in Socialist China. These works were invested with heavy political, aesthetic, and economic values, and they reveal the mutual appropriation between the socialist nation-building and traditional Confucian and Daoist aesthetics. Artists were subjected to intense political scrutiny, although some also gained political capital by producing works to support the state ideology.

    Department Research Roundtable

    Department Research Roundtable

    The Washington University Department of English welcomes you to the Hurst Lounge for a series of brief research presentations, conducted by English Dept. faculty & graduate students.

    Presenting this year are:

    • Professor Chris Eng
    • Professor Sarah Weston
    • Kristin Emanuel
    • Sara Flores
    • Stephen Reaugh
    • Tuma Ussiri
    Wu Cinema Presents: BEFORE SUNRISE

    Wu Cinema Presents: BEFORE SUNRISE

    An exquisitely understated ode to the thrill of romantic possibility, the inaugural installment of The Before Trilogy opens with a chance encounter between two solitary young strangers. After they hit it off on a train bound for Vienna, the Paris university student Celine and the scrappy American tourist Jesse impulsively decide to spend a day together before he returns to the U.S. the next morning. As the pair roam the streets of the stately city, Richard Linklater’s tenderly observant gaze captures the uncertainty and intoxication of young love, from the first awkward stirrings of attraction to the hopeful promise that Celine and Jesse make upon their inevitable parting. [Criterion]


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    Workshop on Politics, Ethics and Society: Heather Berg

    Workshop on Politics, Ethics and Society: Heather Berg

    On February 9th, our Workshop on Politics, Ethics, and Society will be hearing from Professor Heather Berg of the Women, Gender and Sexuality Studies Department on the topic of "‘Feel for the Gun at His Back’: A Sex Worker Theory of the State." She will be in conversation with Molly Pearson of Social Work.

    Papers will be distributed one week prior to each session. To receive workshop invitations, please contact wupoliticaltheory@gmail.com.

    WPES is supported by generous contributions from: Washington University’s School of Arts & Sciences; the Weidenbaum Center; the programs in American Culture Studies and Legal Studies; and the Departments of Political Science, Philosophy, and Women, Gender, and Sexuality Studies.

    Update on 2/8/24: This workshop has been moved to Seigle 248 due to demand.

    Fifth Biennial Graduate Student Art History Symposium: Making Contact: Haptic, Temporal, Spatial, and Conceptual Connections

    Fifth Biennial Graduate Student Art History Symposium: Making Contact: Haptic, Temporal, Spatial, and Conceptual Connections

    The Washington University in St. Louis Department of Art History and Archaeology will host its fifth biennial Graduate Student Art History Symposium (GSAHS) titled Making Contact: Haptic, Temporal, Spatial, and Conceptual Connections on February 23rd and 24th. The event will be held entirely in person on the Danforth Campus of Washington University and includes a keynote by Dr. Elena FitzPatrick Sifford, panels of graduate student speakers, an accompanying art project, and museum and exhibition visits.

    The Washington University in St. Louis Department of Art History and Archaeology will host its fifth biennial Graduate Student Art History Symposium (GSAHS) titled Making Contact: Haptic, Temporal, Spatial, and Conceptual Connections on February 23rd and 24th. The event will be held entirely in person on the Danforth Campus of Washington University and includes a keynote by Dr. Elena FitzPatrick Sifford, panels of graduate student speakers, an accompanying art project, and museum and exhibition visits.

    This year’s symposium considers the role of contact in its many forms as a constitutive component of art, culture, art history, archaeology, and museum studies. Much of the work of artists, art historians, and archaeologists, rely on the ability to make contact with museums and exhibitions, architectural and archaeological sites, archives and libraries, fellow artists and scholars, and objects of inquiry. As we emerge from a period of reduced and restricted engagement with the methods and objects of research, the impact of contact on the production, circulation, and reception of art and artifacts is perhaps more present than ever. This symposium examines the implications of contact, broadly conceived, allowing for the exploration of haptic, temporal, spatial, and conceptual forms of connection and exchange.

     More information is available on the symposium website.

    Politics and Secularity in the Early Islamic World - A Lecture Series

    Politics and Secularity in the Early Islamic World - A Lecture Series

    Part of the Global Perspectives on Good Governance and Secularity lecture series covering discursive practices in early Islam. Series facilitator Professor Hayrettin Yücesoy is an Associate Professor in the Department of Jewish, Islamic, and Middle Eastern Studies.

    Join us for the second of two sessions discussing secular and political thought in the early Islamic world.

    Session two will feature Professor Louise Marlow and her talk, "Counsel for Kings: Secular Bases for Legitimate Rule in Medieval Western Asia"

    Opening reflection, "Reason and Religion in Abbasid Political Discourse" to be provided by Prof. Hayrettin Yücesoy.

     

    Dr. Louise Marlow is a Professor of Religion at Wellesley College and author of Counsel for Kings: Wisdom and Politics in Tenth Century Iran and Hierarchy in Egalitarianism in Islamic Thought.

    This event is co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies and The Center for the Humanities.

    Politics and Secularity in the Early Islamic World - A Lecture Series

    Politics and Secularity in the Early Islamic World - A Lecture Series

    Part of the Global Perspectives on Good Governance and Secularity lecture series covering discursive practices in early Islam. Series facilitator Professor Hayrettin Yücesoy is an Associate Professor in the Department of Jewish, Islamic, and Middle Eastern Studies.

    Join us for the first of two sessions discussing secular and political thought in the early Islamic world.

    Session one will feature Professor Ahmed El Shamsy and his talk, "A New Perspective on Constitutional Theory in Early Islam"

    Opening reflection, "Two Middle Eastern Discourses of Politics before European Hegemony," to be provided by Prof. Hayrettin Yücesoy.

     

    Dr. Ahmed El Shamsy is a Professor of Islamic Thought at the University of Chicago and author of Rediscovering the Islamic Classics: How Editors and Print Culture Transformed and Intellecutal Tradition and The Canonization of Islamic Law: A Social and Intellectual History.

    This event is co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies and The Center for the Humanities.

    Stepping through the Mirror: Identity, Choice, and Dismantling Preconceptions, Seen through the Prism of an Expat American Living in Ukraine during the 1990s

    Stepping through the Mirror: Identity, Choice, and Dismantling Preconceptions, Seen through the Prism of an Expat American Living in Ukraine during the 1990s

    A Eurasian Studies Seminar and Global Studies Speaker Series event

    KS (Kara) Lack moved to Kyiv in 1994 to help launch one of Ukraine’s first independent newspapers—Dzerkalo Nedeli (ZN,UA)—when she was 22. Now a writer and letterpress artist, she is interested in the interplay between presswork and poetry and in transcending constraints by working with them. KS is a founding member of the Introspective Collective consortium of artists. A native New Yorker, she received degrees in Post-Soviet Studies from Columbia University (B.A.) and the London School of Economics (M.Sc.). KS has been living with chronic pain and disability since childhood.

    Her talk will draw from two projects she is currently spearheading to raise awareness and funding for Ukrainian humanitarian aid: her hybrid chapbook, Kyivsky Waltz—a love story | Київський Валь—любовна історія, published in February 2024 by Finishing Line Press, and its companion piece Sunflower Variations—this is Ukraine | Соняшникові Варіації – це Україна, a multimedia exhibition scheduled for public viewing this Fall. While Kyivsky Waltz is a memoir, Sunflower Variations addresses the current invasion and ongoing humanitarian crisis.

    The Eurasian Studies Seminar presents "Exiles, Zeks, and Theologians Evaluating Dostoevsky's House of the Dead"

    Elizabeth Blake, Ph.D., is Associate Professor at Saint Louis University in the Department of Languages, Literatures, and Cultures.

    Dr. Elizabeth Blake will present on research for her book project, Dostoevsky, the Siberian, by focusing on the reception history of his autobiographical novel, Notes from the House of the Dead, based on his confinement in the Omsk Stockade (1850-54) for his participation in the Petrashevsky Circle.  The presentation will examine observations by former political prisoners Dietrich Bonhoeffer, Nicholas Berdyaev, Aleksandr Solzhenitsyn, and Varlaam Shalamov in an attempt to assess the significance of the literary work for the twentieth century and beyond.

     

    The Eurasian Studies Seminar presents….

    The Eurasian Studies Seminar presents…. "Mnemonic Hybrids in a Hybrid Regime: Remembering the Soviet Past in Putin's Russia"

    Sergey Toymentsev, Ph.D., Assistant Professor at Saint Louis University in the Department of Languages, Literatures, and Cultures.

    Many scholars argue that a key feature of Putin's Russia is the re-legitimization of the Soviet past, especially the glorification of successes including the victory in the Second World War. One consequence of this, they contend, is the prevention of full democratization. Dr. Toymentsev, on the contrary, argues that the memorialization of the Soviet past is much more complex, with traumatic facts such as the gulag not being suppressed, with the result that the past is both condemned and glorified at the same time. In his talk Dr. Toymentsev examines the ambivalent nature of the memorialization of the Soviet past in a range of media, including history textbooks, films, television programs and novels, and concludes that the contradictory attitude to the Soviet past is entirely in step with the hybrid nature of the current regime.

    "Matisse and the Sea": An Overview

    Professor John Klein’s research is on European art of the first half of the twentieth century. He is an internationally known specialist in the art of Henri Matisse. In addition to his first book, Matisse Portraits (Yale 2001), he has published many articles and book chapters on the artist. His recent book, Matisse and Decoration, published by Yale in 2018, is a comprehensive analysis of the concept of decoration in Matisse’s art, with a particular focus on his commissions for ceramic tile, stained glass, tapestry and other fabrics, and decorative objects and paintings during the last twenty years of his career.

    Professor John Klein will introduce the main themes of the new Matisse exhibition in a visually stimulating lecture that will highlight some of the most important artworks currently on view at the Museum.

    "Matisse and the Sea", the special Spring exhibition at the Saint Louis Art Museum, is the first show to examine the significance of the sea across Modernist artist Henri Matisse’s career, which included artwork made in coastal locations on the Mediterranean, the Atlantic, and the Pacific.

    Marine imagery was an important catalyst for Matisse’s artistic experimentation—most notably in the Saint Louis Art Museum’s own iconic painting "Bathers with a Turtle".

    This event is sponsored by the French Connexions Center of Excellence at WashU, sponsored by the cultural services of the French Embassy.

    Moderated by Lionel Cuillé.

     

    RSVP

    St. Louis Philosophy of Science Association

    Climate Change and the Philosophy of Science & The Physical Signature of Computation: Authors Meet Critics

    Below is the zoom link for the presenters:

    Join Zoom Meeting

    https://wustl.zoom.us/j/99005201857

    Meeting ID: 990 0520 1857

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    Parking Information: East End Garage off Wrighton Way

    Also see here for more parking information

     

     

    Below is the zoom link for the presenters:

     

    Join Zoom Meeting

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    Meeting ID: 990 0520 1857

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    ---

    EALC Lecture Series: Beyond Borders: Navigating the Fluidity of K in K-Pop

    Wonseok Lee, lecturer in Korean studies, Washington University in St. Louis

    This talk explores transnational aspects of K-pop, Korean popular music, and the complicated meaning of K. In the conventional sense of the term, K-pop refers to an ethno-national musical genre: dance-pop songs with Korean lyrics performed by predominantly ethnic Korean musicians. However, as the genre has absorbed diverse ethnicities and languages, it is hard to say contemporary K-pop is a fixed concept tied to national identity. It gives rise to questions about what the K in K-pop means and how to define K-pop. In this talk, Lee discusses why K in K-pop does not exist as a fixed concept but exists as a floating signifier and how K-pop, as imagined Kommunity pop, makes global fans connected beyond borders.

    A Conversation with Noa Yedlin

    A Conversation with Noa Yedlin

    Noa Yedlin is a best­selling and award-win­ning Israeli writer.

    Noa Yedlin, a best­selling and award-win­ning Israeli writer,  is the recip­i­ent of both the Sapir Prize (the Israeli Book­er) and the Prime Min­is­ter’s Lit­er­a­ture Award. Author of The House Arrest, Peo­ple Like Us, and The Wrong Book, she will speak about her popular novel and tele­vision series Stock­holm, and the differences in writing for the page and for the screen.

    Facilitated by Dr. Nancy Berg, Professor of Hebrew Language and Literature

    Hosted by the Department of Jewish, Islamic, and Middle Eastern Studies

    For more information, contact: jimes@wustl.edu

    Workshop on Politics, Ethics and Society: René Esparza

    Workshop on Politics, Ethics and Society: René Esparza

    On April 19th, our Workshop on Politics, Ethics, and Society will be hearing from Professor René Esparza of Women, Gender and Sexuality Studies on the topic of "Up North and Out of Mariel: Broken Sponsorships and Queer Cuban Exile in the Upper Midwest." He will be in conversation with Ariela Schachter of Sociology.

    Papers will be distributed one week prior to each session. To receive workshop invitations, please contact wupoliticaltheory@gmail.com.

    WPES is supported by generous contributions from: Washington University’s School of Arts & Sciences; the Weidenbaum Center; the programs in American Culture Studies and Legal Studies; and the Departments of Political Science, Philosophy, and Women, Gender, and Sexuality Studies.

    Workshop on Politics, Ethics and Society: Fannie Bialek

    Workshop on Politics, Ethics and Society: Fannie Bialek

    On March 22nd, our Workshop on Politics, Ethics, and Society will be hearing from Professor Fannie Bialek of the John C. Danforth Center on Religion and Politics on the topic of "Sabbath as Critique: Heschel’s Radical Politics of Time." She will be in conversation with Johnathan Judaken of History. Papers will be distributed one week prior to each session.

    To receive workshop invitations, please contact wupoliticaltheory@gmail.com.

    WPES is supported by generous contributions from: Washington University’s School of Arts & Sciences; the Weidenbaum Center; the programs in American Culture Studies and Legal Studies; and the Departments of Political Science, Philosophy, and Women, Gender, and Sexuality Studies.

    Capitalist Humanitarianism: A Dialogue on Labor, Loss, and Religion

    A book talk and discussion with religious studies scholar Lucia Hulsether

    In her recent book Capitalist Humanitarianism (Duke University Press, 2023), religious studies scholar Lucia Hulsether combines historical accounts, ethnographic research, and personal narrative to critically interrogate how global economic systems have absorbed critiques of capitalism in recent decades. Refuting the claim that movements such as “fair trade” or “ethical investing” exemplify a progressive approach to corporate humanitarianism, her work traverses the Americas to identify and explore how economic elites have repackaged criticisms of neoliberalism from the Left in the service of capitalist expansion and the ways in which these projects compromise, rather than further, efforts at indigenous self-determination, feminist solidarity, and racial justice. At Washington University in St. Louis, Hulsether will discuss her book, the ethical commitments that inform her research, and the possibilities of what it means to “write a history of the impossible.”

    Hulsether, assistant professor of religious studies at Skidmore College, will offer a talk on her book, which will be followed by a discussion with Cody Musselman and Eric Stephen, both postdoctoral fellows with the John C. Danforth Center on Religion and Politics.

    More info

    Panel on the Vital Role of the Arts and Sciences in Public Health: Reconceiving the Sexual and Reproductive Body

    In light of Washington University's momentous decision to establish a new School of Public Health (the first new school in 100 years),  panelists will discuss the critical role of the arts and humanities in public health,  with emphasis on the sexual and reproductive body.

    The panel will take place from 4:30-6:15, followed by a reception, 6:15-7:15, and showing at 6:30 of the 13-minute film by Mary and Patrick Kelley, “This is Offal.”

    REGISTER HERE

    SPEAKERS

    • Internationally noted collaborators, painter Mary Reid Kelley and videographer Patrick Kelley, create ambitious videos informed by history, language and literature that give life to critical observations on gender, class, and the condition of women throughout history. 
    • Mary Fissell, Professor of the History of Medicine at Johns Hopkins University,  focuses in her esteemed scholarship on Early-Modern Medicine; Patients' Perspective in The History Of Medicine; Gender, Sexuality, and The History Of The Body. 
    • Marlon Bailey is Professor of African and African American Studies, and Women, Gender and Sexuality Studies, and Affiliate Professor in Performing Arts at Washington University, who studies Black LGBTQ cultural formations, sexual health, and HIV/AIDS prevention.  
    • Dr. Juliet Iwelunmor is a Professor of Medicine and an Associate Director for Global Health and Dissemination at Washington University School of Medicine. A passionate advocate for health equity and sustainability, Dr. Iwelunmor is widely regarded for understanding how to make evidence-based interventions last, reshaping the focus on community engagement using participatory research, improving the dissemination of health information, while amplifying the voices of young people in health interventions through music and storytelling. 
    • Dr. Hilary Reno is the Medical Director of the St. Louis County Sexual Health clinic, Medical Director of the St. Louis STI/ HIV Prevention Training Center, and a medical consultant with the CDC, Division of STD Prevention.Dr. Reno specializes in sexual health care, with a special focus on the clinical care of sexually transmitted infections (STI) and the intersection with HIV prevention. 
    More info

    The Humanities in the AI Future

    Symposium

    PLEASE NOTE: The location for the Friday symposium has been changed to Busch Hall, Room 18 (basement level).

    This symposium will convene four diverse talks on the affordances of humanistic scholarship with and about artificial intelligence and machine learning. Drawing on work ranging from literature and women’s and gender studies to history of science and science and technology studies, our speakers will model a series of humanistic approaches to understanding and using these culturally seismic technologies.

    Programming will kick off on Thursday afternoon, April 4 with an informal session on teaching with and on AI in humanities courses, to which all members of the campus community are welcome, and flow into a single stream of talks on Friday, April 5. We will also host a lunch session on Friday for graduate students and postdocs (separate registration) to be able to confer directly with invited scholars on developing humanistic projects and methods with artificial intelligence.

    More details on the events (including presentation abstracts) can be found on the main page: The Humanities in the AI Future.

    Symposium speakers (from left): Ranjodh Singh Dhaliwal, Melissa Villa-Nicholas, Rita Raley and Mitali Thakor

    4 pm, Thursday, April 4: Pedagogy Lightning Round

    Duncker Hall, Hurst Lounge (Room 201)

    This session will convene humanities instructors — both visiting and from WashU — on teaching with and about artificial intelligence tools and methods in the humanities. Those participating in the conversation will give informal, five-minute lightning talks intended to share ideas and resources with other instructors on the exciting possibilities of AI in humanities syllabi, beyond the policies prohibiting its use in writing assignments. 

    9 am–5 pm, Friday, April 5: Symposium

    LOCATION CHANGE: Busch Hall, Room 18

    9:45 am: Ranjodh Singh Dhaliwal
    Ruth and Paul Idzik Collegiate Assistant Professor of Digital Scholarship and English, University of Notre Dame
    “Transformations and Textual Imag-inations”

    11 am: Rita Raley
    Professor, Department of English
    University of California, Santa Barbara
    “New from Template: ‘Creativity in the Age of AI’”

    1:30 pm: Mitali Thakor
    Assistant Professor of Science in Society
    Wesleyan University
    “Machine Desires: Generative AI, Digital Extractivism, and Feminist Politics of Care”

    2:45 pm: Melissa Villa-Nicholas
    Associate Professor, Graduate School of Library and Information Studies
    University of Rhode Island
    “Silicon Valley and Storytelling in Building AI for Citizenship Surveillance”

    RSVPMORE INFO
    WU Cinema Presents: OPPENHEIMER

    WU Cinema Presents: OPPENHEIMER

    “Now I am become death, the destroyer of worlds.”

    Directed by: Christopher Nolan

    Stars: Matt Damon, Emily Blunt, Robert Downey Jr., Cillian Murphy

    Rated R • Length 180 min • Year 2023

    Written and directed by Christopher Nolan, Oppenheimer is an epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

    Oppenheimer is filmed in a combination of IMAX® 65mm and 65mm large-format film photography including, for the first time ever, sections in IMAX® black and white analogue photography.

    Don’t miss your chance to see this epic film on the big screen!

    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    Visiting Hurst Professor: Tracy Fessenden - Talk

    Visiting Hurst Professor: Tracy Fessenden - Talk

    Washington University Department of English is proud to welcome Professor Tracy Fessenden as part of its Hurst Visiting Professors Series.

    LECTURE: "The Queerness of Religion"

    Responding in part to recent polling that shows evangelical Christian intolerance of LGBTQ lives to be rising as rates of religious literacy decline, Tracy Fessenden considers why not only sexuality and gender expression but reading have become primary fronts in America’s Christian-inflected culture wars.  Engaging with literary examples across the centuries, Fessenden explores the paths by which the very category of religion in America has been shaped by the pathologizing of non-normative sexualities, as well as the ways a more generative religious imagination of queerness came nevertheless to imbue American literature.

     


     

    Tracy Fessenden is the Steve and Margaret Forster Professor in the School of Historical, Philosophical, and Religious Studies and Director of Strategic Initiatives in the Center for the Study of Religion and Conflict.  She holds degrees in religious studies from the University of Virginia and in English from Yale. Her work focuses on religion and American literature and the arts; gender, race, and sexuality in American religious history; and the relationship between religion and the secular in American law, culture, and public life. She is the author of  Religion Around Billie Holiday (Penn State UP, 2018) and Culture and Redemption: Religion, the Secular, and American Literature (Princeton UP, 2007; 2013); co-editor of Religion, the Secular, and the Politics of Sexual Difference (Columbia UP, 2013) and The Puritan Origins of American Sex: Religion, Sexuality, and National Identity in American Literature (Routledge, 2001); co-editor of the North American Religions series at New York University Press, the Religion Around series at Penn State University Press, and the journal Religion and American Culture for Cambridge University Press. Her articles and essays have appeared in journals including American Literary History, the Journal of the American Academy of ReligionReligion & PoliticsEarly American LiteratureNew Literary History, the Journal of Feminist Studies in ReligionChurch HistoryReligion and Literature, the Journal of Women's HistoryReligionU.S. Catholic HistorianSigns, and in many edited collections and anthologies. Professor Fessenden has been a principal or co-principal investigator on numerous research projects, including Recovering Truth: Religion, Journalism, and Democracy in a Post-Truth Era and Religion and International Affairs: Through the Prism of Rights and Gender, both supported by the Luce Foundation; Apocalyptic Narratives and Climate Change: Religion, Journalism, and the Challenge of Public Engagement, supported by Luce and the American Council of Learned Societies; and Public Religion, the Secular, and Democracy and Difficult Dialogues: Teaching and Talking about Religion in Public, both supported by the Ford Foundation. 

    French Historian Pierre Savy - Seminar Discussion of Jewish History in the Italian Renaissance

    French Historian Pierre Savy - Seminar Discussion of Jewish History in the Italian Renaissance

    Pierre Savy is a Lecturer in Medieval History at the University of Paris-Est Marne-la-Vallée.

    Join Pierre Savy (University of Paris) for a seminar discussion of his essay, “Making Jews Useful in the Italian Renaissance: an Alternative Path to Integration?”

    Co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies, the EMRG, and French Connexions.

    Please RSVP at jimes@wustl.edu to be provided with a copy of the essay a week before the event.

    Pierre Savy is a Lecturer in Medieval History at the University of Paris-Est Marne-la-Vallée. A graduate from the Ecole normale supérieure and a former member of the Ecole française de Rome, his research focuses on the social and political history of Northern Italy in the late Middle Ages, and on Jewish and Christian identities in the medieval and modern Western world.

    WU Cinema Presents: PSYCHO

    WU Cinema Presents: PSYCHO

    Projected in 35mm film | An iconic Alfred Hitchcock film, a legendary plot twist, an unforgettable slasher, and the reason a generation feared taking a shower. 

    Director: Alfred Hitchcock Run Time: 109 min. Rating: R Release Year: 1960

    Starring: Anthony Perkins, Janet Leigh, John Gavin, Martin Balsam, Vera Miles

    Alfred Hitchcock’s masterpiece, starring Anthony Perkins and Janet Leigh.

    Marion Crane is a thief on the run, and stops at Bates Motel for a shower and a night’s sleep. It did not go well. As Norman Bates said, “we all go a little mad sometimes.”

    Psycho was nominated for four Academy Awards, including Best Director and Best Supporting Actress. Janet Leigh won the Golden Globe for Best Supporting Actress. In 1992, Psycho was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and was selected for preservation in the National Film Registry.


    Tickets

    Unless otherwise noted, admission is:

    Free for Washington University students with proper ID.

    $7 for the general public
    $5 for seniors, Washington University alumni and students from other schools
    $4 for Washington University staff and faculty

    We offer general admission seating with payment of cash or credit.

    Note: Last-minute changes may occur.

    More info
    Jason Finch - Urban Comparison & the Myth of the Slum: From St. Louis to London

    Jason Finch - Urban Comparison & the Myth of the Slum: From St. Louis to London

    Washington University Department of English is proud to welcome visiting professor, Jason Finch, for a talk and conversation in the Coffee Room.

    Dr. Finch, a native of London, has lived and worked in Finland since 2005; in 2022 he was an Honorary Visiting Fellow at the Center for the Humanities. The recipient of a European Research Council award for his work on urban public space and transport, he will be discussing his transnational, cross-temporal work on urban spaces in London and St. Louis, Missouri.


    Please join us for his presentation, with conversation to follow.

    Thinking with Infrastructure about Global Development

    A talk by Dr. José María Muñoz, a Senior Lecturer in African Studies and International Development at the University of Edinburgh’s School of Social and Political Science

    Unlock the Potential of AI in Higher Education Workshop Series: Build Your Own AI Tutor with GPTs

    Are you fascinated by the power of AI in education? Join us for an exclusive workshop, where you’ll learn to harness the capabilities of customized ChatGPT and its vector database to create a personal AI tutor. This workshop is perfect for undergraduate and graduate students eager to explore the forefront of educational technology.

    Why Attend?

    • Personalized Learning 24/7: Discover how to program an AI tutor that offers round-the-clock assistance, adapting to your unique learning need and style.
    • Interactive Tools: Learn to integrate quizzes, exercises, and conceptual summaries, enhancing the learning experience.
    • Expert Insights: Gain insights from Professor An, a pioneer in utilizing ChatGPT for research productivity. You can use his expertise and learn from his latest book.
    • Hands-On Experience: Engage in practical sessions where you’ll apply your knowledge to build an AI tutor tailored to facilitate your learning.
    • Future of Education: Be at the forefront of educational innovation, understanding the role of AI in shaping future learning environments.

    This workshop is the inaugural event in the Unlock the Potential of AI in Higher Education” AIcademe Workshop Series.

    Register for the Webinar
    Insurgent Literacy on the Aymara Altiplano: Following the Paper Trails

    Insurgent Literacy on the Aymara Altiplano: Following the Paper Trails

    Talk by Prof. Brooke Larson (Stony Brook University), a leading history scholar focusing on racial formations in postcolonial Latin American history, particularly in Bolivia.

    Prof. Larson has just published the book The Lettered Indian: Race, Nation, and Indigenous Education in Bolivia by Duke University Press. Read the Introduction of her book here

    This visit is co-sponsored by the History Department, the Anthropology Department, the Romance Languages and Literatures Department, the Center for the Humanities, the Center for the Study of Race, Ethnicity & Equity, and the Revista de Estudios Hispánicos.

     

    [Photo credit: Peasants vote to organize a local school, 1934. Courtesy of Carlos Salazar Mostajo, Gesta y fotografía: Historia de Warisata en imágenes, photo no. 96]

    Department of Music Lecture:

    Department of Music Lecture: "Interpreting Chromaticism in Post-Millennial Pop/Rock"

    Brad Osborn, Professor of Music Theory, University of Kansas

    Brad Osborn, Professor of Music Theory, University of Kansas

     Title
    "Interpreting Chromaticism in Post-Millennial Pop/Rock"

    Abstract
    Scholars of popular music have written extensively about the chromaticism germane to classic rock of the 1970s–1990s. Far less attention has been paid to the nuanced ways that post-millennial pop/rock songwriters and performers incorporate chromaticism into their compositions. Post-millennial pop/rock music is, on the whole, less chromatic than its classic rock counterpart, and tends to organize its harmonic content into repeating loops. 

    In this talk I introduce a few of the most common chromatic techniques in post-millennial pop/rock—including “dual leading tone loops” and “triple tonic loops”—and discuss some strategies for interpreting these chromatic loops in concert with a song’s lyrics, timbres, or form. 

     

    Biography
    Brad Osborn is a scholar whose work lies at the intersection of music theory and popular music studies. He is the author of the monograph Everything in its Right Place: Analyzing Radiohead (Oxford, 2017). Osborn’s other research on post-millennial popular music is published in Music Theory Spectrum, Perspectives of New Music, Music Analysis, Music Theory Online, Current Musicology, and Intégral. Brad is the author of three textbooks: Interpreting Music Video: Popular Music in the Post-MTV Era (Routledge, 2021); Music Theory Matters, forthcoming from Oxford University Press, which is co-authored with Christine Boone; and American Popular Music (6th ed.; Oxford, 2021), which he wrote alongside Larry Starr and Christopher Waterman. Brad writes and records shoegazey music as the artist D’Archipelago.  


     

    Center for the Literary Arts Breakfast Meet-and-Greet: Author Megan Kamalei Kakimoto and Editor Callie Garnett

    The Center for the Literary Arts will host author Megan Kamalei Kakimoto and editorial director at Bloomsbury Publishing, Callie Garnett, as part of its Speaker Series.

    The pair will talk about writing, publishing, and editing at a meet-and-greet breakfast with graduate students. 

    Bios:

    Megan Kamalei Kakimoto is a Japanese and Kanaka Maoli (native Hawaiian) writer from Honolulu, Hawaiʻi. She is the author of the story collection Every Drop Is a Man’s Nightmare (Bloomsbury 2023), a USA Today national bestseller that was named an Indies Introduce title and a September Indie Next pick by the American Booksellers Association. Her fiction has been featured in Granta, Conjunctions, Joyland, Electric Literature, and elsewhere. She has been a finalist for the Keene Prize for Literature and has received support from the Rona Jaffe Foundation and the Bread Loaf Writers’ Conference. She received her MFA from the Michener Center for Writers, where she was a Fiction Fellow. Currently a Fiction Editor for No Tokens journal, she lives in Honolulu.

    Callie Garnett is the author of the chapbooks Hallelujah, I'm a Bum (Ugly Duckling Presse, 2015), and On Knowingness (The Song Cave, 2017). Her poems have appeared in PreludeCompanyjubilatThe Recluse, and elsewhere. She works as an editorial director at Bloomsbury Publishing and lives in Brooklyn.

    RSVP

    Center for the Literary Arts Speaker Series: Author Megan Kamalei Kakimoto and Editor Callie Garnett

    The Center for the Literary Arts will host author Megan Kamalei Kakimoto and editorial director at Bloomsbury Publishing, Callie Garnett, as part of its Speaker Series.

    Kakimoto will give a reading followed by a conversation with Garnett about the process of editing and publishing her debut short story collection, Every Drop is a Man's Nightmare (Bloomsbury 2023).

    Bios:

    Megan Kamalei Kakimoto is a Japanese and Kanaka Maoli (native Hawaiian) writer from Honolulu, Hawaiʻi. She is the author of the story collection Every Drop Is a Man’s Nightmare (Bloomsbury 2023), a USA Today national bestseller that was named an Indies Introduce title and a September Indie Next pick by the American Booksellers Association. Her fiction has been featured in Granta, Conjunctions, Joyland, Electric Literature, and elsewhere. She has been a finalist for the Keene Prize for Literature and has received support from the Rona Jaffe Foundation and the Bread Loaf Writers’ Conference. She received her MFA from the Michener Center for Writers, where she was a Fiction Fellow. Currently a Fiction Editor for No Tokens journal, she lives in Honolulu.

    Callie Garnett is the author of the chapbooks Hallelujah, I'm a Bum (Ugly Duckling Presse, 2015), and On Knowingness (The Song Cave, 2017). Her poems have appeared in PreludeCompanyjubilatThe Recluse, and elsewhere. She works as an editorial director at Bloomsbury Publishing and lives in Brooklyn.

    RSVP
    Congress and Justice: A Conversation from the Front Lines with Carlos Uriarte

    Congress and Justice: A Conversation from the Front Lines with Carlos Uriarte

    Carlos Felipe Uriarte, AB ’02, returns to his alma mater to share his experiences working at the center of American law and politics.

    Uriarte is Assistant Attorney General for the Office of Legislative Affairs at the U.S. Department of Justice (DOJ). In this role, he serves as the principal point of contact between Congress and the DOJ. This work comes as DOJ has found itself at the center of some of the most intense debates about both the current and former President, about the rule of law, and about safeguarding democracy.

    His work in DOJ builds on a career in public service. In addition to appointments in both the DOJ and the Department of the Interior, Uriarte served as an attorney on various Congressional committees, including work as Chief Counsel for Investigations on the House Select Subcommittee on the Coronavirus.

    Our conversation with Uriarte — moderated by Professor Peter Kastor — will draw on all these experiences, as well as his extensive work to develop career pathways for attorneys working in government and networks for first-generation students. We look forward to an engaged discussion about some of the most important questions in American law and government, with plenty of time for questions from the audience.

    Uriarte assumed his current post after unanimous confirmation by the Senate on August 9, 2022, almost exactly twenty years after he graduated from Washington University with a double major in Economics and American Culture Studies. Originally from the Bay Area of California, he received his J.D. from the University of Pennsylvania Law School and served as a Law Clerk to the Honorable Juan R. Sánchez of the U.S. District Court for the Eastern District of Pennsylvania.

    Sponsored by: The Weidenbaum Center on the Economy, Government, and Public Policy in Arts & Sciences; The Department of Political Science Department in Arts & Sciences; WashULaw; The Gephardt Institute for Civic and Community Engagement; Office of Scholar Programs; Division of Student Affairs.

    Parking

    Event parking is free and available after 5:00 pm. View map of Danforth Campus visitor garage parking.

    Humanitarian Danger and Palestinian Life in Gaza

    Humanitarian Danger and Palestinian Life in Gaza

    Ilana Feldman, Professor of Anthropology, History, and International Affairs, George Washington University

    The Anthropology Department; Jewish, Islamic, and Middle Eastern Studies Department; and Center for the Humanities invite you to join us for a talk presented by anthropologist and historian Ilana Feldman.

    Ilana Feldman is Professor of Anthropology, History, and International Affairs at George Washington University. Her research has focused on the Palestinian experience, both inside and outside of historic Palestine, examining practices of government, humanitarianism, policing, displacement, and citizenship. She is the author of Governing Gaza: Bureaucracy, Authority, and the Work of Rule, 1917-67 (2008), Police Encounters: Security and Surveillance in Gaza under Egyptian Rule (2015), Life Lived in Relief: Humanitarian Predicaments and Palestinian Refugee Politics (2018) and numerous related articles, for which she has conducted ethnographic and archival research in Gaza, the West Bank, Jordan, Lebanon, and Egypt.

    This talk will explore the multiple forms of humanitarian danger that are confronting Palestinians in the Gaza Strip. The massive humanitarian crisis caused by Israeli bombardment and siege of Gaza is a clear danger. The healthcare system has been decimated by attack, starvation is looming as a product of the restriction on entry of food and fuel, the vast majority of the population has been displaced, and a significant portion of its buildings (both public buildings and homes) are destroyed or damaged. It is only possible to understand, and respond to, this overwhelming threat by also understanding how “humanitarianization” is repeatedly used as a weapon against Palestinians. The talk will situate today’s humanitarian dangers within a longer historical context in which Gazans have repeatedly confronted such dynamics.  This talk will be co-hosted with the Center for the Humanities and the Department of Jewish, Islamic, and Middle Eastern Studies.

    Civil Society Brunch:

    Civil Society Brunch: "Making Rulers Our Equals"

    Claudio López-Guerra (University of Richmond)

    Claudio López-Guerra (University of Richmond) will present a talk entitled "Making Rulers Our Equals" at 10am, with brunch served from 9:30am.  This public event that is part of the Civil Society Initiative.  RSVP below if you are planning to attend.   All are welcome!

     

    Abstract: Politicians like to repeat that “we are all in this together,” that “we are all in the same boat.” Yet they wage wars that they do not fight; they neglect schools that their kids do not attend; they marginalize neighborhoods where they do not live; they allow exploitative workplaces where they do not work; they underfund healthcare systems that they do not use; they ruin economies that they can easily escape. In a nutshell, they lack enough skin in the game. This is a type of political inequality that has not been sufficiently discussed by political philosophers and the public at large. There is a case to be made for requiring high public officials to cast their lot with the governed and internalize the costs of their decisions on a footing of equality.

     

    RSVP

    Experimental Cinema of Germaine Dulac and Maya Deren

    Learn about avant-garde films by women in this screening of Germaine Dulac’s The Seashell and the Clergyman (1928, 40 min.), considered one of the first Surrealist films, and Maya Deren’s A Study in Choreography for Camera (1945, 3 min.), which features the dancer Talley Beatty in a magisterial cinematic interpretation of dance. Presented in conjunction with the exhibition The Body in Pieces, these silent films feature innovative special effects that present the human form as physically fractured and fragmented across time.

    A discussion following the screening with Dana Ostrander, assistant curator of modern art, Mildred Lane Kemper Art Museum; Lionel Cuillé, teaching professor in French in the Department of Romance Languages and Literatures, Washington University, and director of French Connexions; and Victor Putinier, PhD student in Romance Languages and Literatures, Washington University, will explore these two key figures in the development of experimental cinema and proto-feminist practice. 

    Free and open to the public with complimentary popcorn. Registration is requested.

    More info

    Losing HER Voice: Mental Health Implications of Abortion Restrictions

    Megan D. Keyes, PhD, Adjunct Faculty, Brown School, Washington University and Founder, Trauma Empowered Consulting, LLC

    The Supreme Court’s decision to overturn Roe v. Wade in June 2022 adversely impacts women on multiple levels. Research indicates loss of personal autonomy regarding reproductive choice can result in mental health problems and reduced well-being. However, these negative repercussions may be more detrimental for specific cohorts of women including members of marginalized communities as well as survivors of intimate partner violence and sexual assault. Please join Dr. Keyes to learn more about the various life circumstances, potential stressors and trauma exposure, and mental health issues these women often experience and how abortion denial may further complicate their health and welfare. Brown School Open Classroom.

    More info

    Healthmaking in Ancient Egypt

    Anne Austin, PhD, Assistant Professor of Anthropology & Archaeology, University of Missouri-St. Louis

    Anne Austin, assistant professor of anthropology and archaeology at the University of Missouri–St. Louis, explores how ancient Egyptians used their social networks to improve their health through the ancient Egyptian village of Deir el-Medina. Historia Medica Lecture, Center for the History of Medicine, Bernard Becker Medical Library.

    This event is open to the public. Refreshments will be served. Registration is encouraged but not required.

    More info
    Seminar--Paying Attention: Images of Arches on Ancient Roman Coins.

    Seminar--Paying Attention: Images of Arches on Ancient Roman Coins.

    Francesco de Angelis, Professor of Art History and Archaeology, Columbia University

    Architectural representations on Roman coins were not “objective” renderings of the appearance of buildings. Instead, they should be understood as a significant witness of the reception of monuments in antiquity. In particular, they give us an idea of how a building was viewed, or was supposed to be viewed, beyond the boundaries of its specific topographical location. The talk will address the methodological implications of this approach by focusing on images of arches. In particular, it will argue that we need to achieve an adequate understanding of the workings of attention in order properly to appreciate the way in which architectural representations on coins functioned in antiquity. At the same time, it will discuss how knowledge about arches traveled throughout the empire, and will show how the numismatic medium affected this knowledge.

    Colloquium--The Making of Victory: Triumphal Arches and Their Representation in Roman Art.

    Colloquium--The Making of Victory: Triumphal Arches and Their Representation in Roman Art.

    Francesco de Angelis, Professor of Art History and Archaeology, Columbia University

    Arches are among the most widespread monuments of the Roman empire. This talk will present and discuss their main features: their links to accomplishments—military and otherwise—honors, and power. It will especially focus on their dynamic nature, which is most apparent in the arches’ relationship with the triumphal procession. By examining literary and visual depictions of triumphs, the talk will argue that Roman arches are best understood as part of a broader network of monuments, images, and practices, which aimed to capture and eternalize the successful impetus that led to victory. Rather than a simple celebration of past deeds, arches thus emerge as key components of a project that was perpetually in the making.

    Toxic Sublime: Art and the Climate Crisis

    Proximate and distant, micro and macro — climate change troubles human perception and defies conception. The Madrid-based artist Santiago Sierra’s 52 Canvases Exposed to Mexico City’s Air — on view in the Saligman Family Atrium at the Kemper Art Museum — presents a visualization of the toxicity of contemporary urban life, employing art as direct evidence of airborne contaminants. Projects such as Sierra’s invite us to think about the impact of climate change in its tactile dimensions as well as in its more abstract effects. Essential to Sierra’s artwork is an understanding of climate degradation as intersectional — material and sociopolitical — recognizing the systems of power responsible for the environmental crisis and making us see anew not just the air but also the policies that contaminate our bodies.  

    Panel participants come from a range of fields, including art history, environmental studies, engineering, and public health to discuss how visual representations of environmental contamination function to encourage contemplation of the viewers’ position within a polluted world as well as the tensions that arise from such representations. Speakers include Ila Sheren, associate professor of Art History & Archaeology in Arts & Sciences and associate director for the Center for the Study of Race, Ethnicity & Equity; Suzanne Loui, lecturer in Environmntal Studies in Arts & Sciences; and Jay Turner, head of the Division of Engineering Education, Vice Dean for Education, and James McKelvey Professor of Engineering Education.  

    Free and open to the public. Registration is requested. 

    More info

    Online Chinese-language Tour of Special Exhibitions

    线上中文美术导览: 春季特展 

    邀请您来和艺术史暨考古学系博士生戴悦于线上共同欣赏Mildred Lane Kemper Art Museum本期展览《Kahlil Robert Irving: Archaeology of the Present》和《Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air》。来一起探索这两位当代艺术家对现今生活物质维度的诠释,例如空气污染残留的粒子和都市废弃物的景观。 

    欲参加者,请提前预约报名。

    Student educator Yue Dai, PhD student in the Department of Art History & Archaeology, Washington University, leads an online tour of this season’s exhibitions Kahlil Robert Irving: Archaeology of the Present and Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air. Participants will explore how both artists engage with the materiality of contemporary life, from the physical residue of air pollution to the sculptural topography of urban refuse. 

    Free and open to the public. Click here for Zoom registration.

    More info

    Public Tour of Special Exhibitions

    Student educators lead interactive tours of this season’s exhibitions Kahlil Robert Irving: Archaeology of the Present and Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air. Through guided discussion, participants will explore how both artists engage with the materiality of contemporary life, from the physical residue of air pollution to the sculptural topography of urban refuse.  

    Free and open to the public. Please check in at the Welcome Desk when arriving for the tour. 

    More info

    Curator Chat on ‘Gateway to the East’ Exhibition

    Stop by for a casual tour of the exhibition Gateway to the East: China at the 1904 St. Louis World’s Fair. Chat with WashU student researchers who contributed to the project and hear from exhibit curators on how items from three different continents on display were brought together.  

    Speakers

    • Miranda Rectenwald, curator of local history, Julian Edison Department of Special Collections
    • Jenny Rong, current WashU student

    Free and open to the public, feel free to drop by anytime between 2:15–3:15 pm. Registration is requested, but not required. No charge for parking on Saturdays in campus yellow zoned lots and garages.  

    More info

    Virtual Book Club: ‘Margaret the First’

    Join us for the March book club to discuss Margaret the First by Danielle Dutton.

    Written by Washington University professor Danielle Dutton, this novel explores the life of Margaret the First, an unconventional seventeenth-century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy and feminist plays at a time when being a writer was not an option open to women. After the English Civil War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London. 

    Book club will begin with a showcase of seventeenth-century books, followed by a discussion of the novel.

    Free and open to all, registration required for Zoom link.

    More info

    Tour de Museo en Español

    José Garza, coordinador de programas académicos del museo, los invitan a un tour en español de las exhibiciónes Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air,  Kahlil Robert Irving: Archaeology of the Present y obras de arte seleccionadas en la colección permanente. Durante el tour, sentirse libre a compartir sus observaciones e interpretaciones. 

    Este programa se ofrece en colaboración con Latinx Arts Network STL. Obtenga más información sobre esta organización aquí. 

    Gratis y abierto al público; se recomiende registro.

    Join José Garza, museum academic programs coordinator, for a Spanish-language tour of the special exhibition Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air,  Kahlil Robert Irving: Archaeology of the Present and selected artworks in the permanent collection. The interactive tour will encourage visitors to share observations and interpretations. 

    This program is offered in partnership with the Latinx Arts Network STL.

    Free and open to the public; please register at the Kemper website.

    More info

    Book Making Workshop: Abstract Comics

    Is it possible to tell stories with figures and abstract forms? Can diagrams relate conflicts, meetings of minds or disagreements? In this workshop, join distinguished artist and author Verónica Gerber Bicecci to consider the proposals of a number of artists who have worked on these questions in order to appropriate the comic.

    Attendees will be able to take home the original comic piece they produce after a record is produced of each piece. Materials will be provided. No experience is required.

    Please arrive early so that we can start on time and ensure everyone has time to finish their work. Doors will open 15 minutes before the workshop begins.

    Spots are limited and registration is required; see University Libraries’ website. 

    More info

    Artistic Research at Tyson

    Registration is required. RSVPs by April 24 appreciated; click on the button below. Registrants will receive an email before the event with specific instructions on how to access the site, which is not generally open to the public.

    UPDATE, 4/10/24: Additional attendance options! See schedule below.

    The Artistic Research at Tyson cohort of 13 Washington University humanities graduate students will present their works in progress following a semester of site-specific exploration of creative practice and critical inquiry at the Tyson Research Station. They will share the evolution of their ideas in a variety of formats, including but not limited to performance, documentation of their process and display of creative work within a bunker on site.

    Participating WashU graduate students are:

    • Cristina Correa, Program in Comparative Literature, International Writers Track
    • Lourdes del Mar Santiago Lebron, Performing Arts Department
    • Kristin Emanuel, Department of English and Program in Comparative Literature
    • Zihan Feng, Department of East Asian Languages and Cultures
    • Asha Marie Larson-Baldwin, Department of Sociology
    • Tess Losada-Tindall, Performing Arts Department
    • Jillian Lepek, Department of Art History and Archaeology
    • Yining Pan, Department of Anthropology and Department of Women, Gender and Sexuality Studies
    • Alexis Rose, Department of Music
    • Khashayar Shahriyari, Department of Music
    • Sylvia Sukop, Department of Germanic Languages and Literatures
    • Tola Sylvan, Department of English
    • Tsering Wangmo, Department of Anthropology and Program in Film and Media Studies

    Via examples of their own work, invited guests Lawrence Abu Hamdan and Salomé Voegelin will guide the collective discussion about working at the cross-section of sound studies, performance and other artistic research methods, environmental studies, and histories of war. Via discussions, presentations and guided explorations, this gathering will be about the exchange of methods for including (and exposing) creative practice as complementary and fruitful to the critical and intellectual work within the university.

    SEE ALSO
    Listening Into: Bunkers, Bodies, In-betweens
    1 pm, Sunday, April 14
    Tyson Research Center

    ACLS Emerging Voices Postdoctoral Fellow Anya Yermakova brings together Rajna Swaminathan on mrudangam and kanjira, Marina Kifferstein on violin, and Florent Ghys on acoustic bass and electronics, to join her on piano and foot percussion. Following the performance, the artists will discuss the interplay of creative practice and critical inquiry in the their own work and as witnessed in the performance. 
    RSVP required.

    Full attendance

    10 am–7 pm, Friday, April 26 and 10 am–5 pm, Saturday, April 27 

    Other attendance options

    Friday
    9:30 am–12 pm, Friday, April 26: Introductions to Tyson, Salomé Voegelin performance-talk
    1–3 pm, Friday, April 26: Graduate student works-in-progress viewing
    Saturday
    1–2 pm, Saturday, April 27: Drop-in hour
    3-5 pm, Saturday, April 27: Graduate students lead guests through their works in progress

    While this gathering is focused on durational engagement over two days around the ongoing projects of the graduate students and the invited guests, anyone is welcome to attend if they can commit to full attendance. The invitation to witness and to engage is open to anyone interested in a rigorous exploration of how creative practice and critical inquiry interact, and does not necessitate any specific background. For those who cannot make it for the durational engagement but are interested in seeing humanities at work at Tyson, please join us during the other attendance options. 

    RSVP

    Humanities Happy Hour

    WashU humanities faculty: Meet and mingle with colleagues old and new.

    4-6 pm | Thursday, April 11
    Rettner Gallery, Wrighton Hall

    Drinks and noshes served.

    Let us know if you are coming — click on the RSVP button below! Replies requested by Friday, April 5.

    RSVP

    Listening Into: Bunkers, Bodies, In-betweens

    Attendees must register by Friday, April 12. As of 4/10/24, registration is full. If you would like to join the waitlist, click on the Waitlist button below.

    Please note: Due to larger-than-anticipated demand, a second performance has been added to the schedule. Based on the order of RSVPs received, those who have already registered will receive a confirmation email with a 1 pm or 4:30 pm start time. Audiences for both the first and second performances will participate in the discussion with the artists together. The confirmation email will include specific instructions on how to access the site, which is not generally open to the public. If spots become available, those on the waitlist will be contacted in order of registrations received.

    NEW SCHEDULE

    1 pm | Performance 1 (waitlist)
    3 pm | Discussion with artists (both audiences will attend)
    4:30 pm | Performance 2 (waitlist)


    In a site-specific performance spanning the insides and the outsides of a WWII-era bunker, Anya Yermakova brings together Rajna Swaminathan on mrudangam and kanjira, Marina Kifferstein on violin, and Florent Ghys on acoustic bass and electronics, to join her on piano and foot percussion. Yermakova is an ACLS Emerging Voices Postdoctoral Fellow based in the Center for the Humanities. The immense resonance of the bunker invites the audience to immerse into an “amphibian” state - displacing their acoustic expectations in and out of a concrete half-pipe resonant chamber. Guided by improvised scores, the performers discover music anew, blending their embodied understandings of pitch, rhythm, and intonation with the body of the bunker. In between sonic beauty and the grotesque reminder of war, the bunker offers a space for listening into the gaps in between known and unknown, musical and noisy, human and more-than-human presence.

    Following the performance, we will host a discussion at Tyson’s Living Learning Center about the interplay of creative practice and critical inquiry in the performers’ own work and as witnessed in the performance. We will also discuss the role of artistic research with/in the university and how scholars and practitioners can advocate for the value of their work.

    The artist-scholars will expose and explain the value of their respective hybrid methodological kernels: of proto-rhythms and non-binary logic (Yermakova), of apertures for improvisation (Swaminathan), of sensation of just intonation technique (Kifferstein), and of playfulness as a critical tool in music composition (Ghys). 

    This is event is co-sponsored by the Washington University Department of Music and New Music Circle.

    All are welcome! 


    Please note: Due to illness, Rajna Swaminathan is unable to perform.

    Rajna Swaminathan, PhD 

    https://www.rajnaswaminathan.com/about.html
    https://music.arts.uci.edu/faculty/rajna-swaminathan

    Rajna Swaminathan is an acclaimed mrudangam artist, composer, and scholar. In her music and research, she explores the undercurrents of rhythmic experience and emergent textures in collective improvisation. Rajna’s creative orientation blossomed through a search for resonance and fluidity among musical forms and aesthetic worlds. She leads the ensemble RAJAS, which has been described as “unlike any other on the scene” (New York Times). As a composer, she has been commissioned by the LA Phil, Chamber Music America, and Bang On A Can Marathon. Rajna holds a PhD in music (Creative Practice and Critical Inquiry) from Harvard University, and is currently an assistant professor of music in UC Irvine's Integrated Composition, Improvisation, and Technology program. 

     

    Marina Kifferstein, DMA in progress 

    http://www.marinakifferstein.com/
    http://www.takensemble.com/

    Marina Kifferstein (she/they) is a violinist and generative artist based in New York City. Equally comfortable in major international venues and DIY spaces, they enjoy a diverse career that encompasses contemporary chamber music, improvisation, composition, classical performance, and experimental practices. She is a founding member of TAK ensemble and The Rhythm Method string quartet, a member of the Lucerne Festival Contemporary Orchestra, and a regular guest with the International Contemporary Ensemble, Wet Ink, and the Talea Ensemble. As an active touring artist, recent performances have taken them to Asia, Europe, South America, Canada, and across the continental US. In addition to regularly conducting residencies at universities including Harvard, Stanford, the University of Pennsylvania, the University of Huddersfield, and Zürcher Hochschule der Künste, they are on the faculty of the United Nations International School, Point Counterpoint, The Composer's Institute at Lake George Music Festival, the Composers Conference, and the Lucerne Festival Academy. Marina is currently a doctoral candidate at the CUNY Graduate Center, with a focus on just intonation in 20th century chamber music for strings. 

     

    Florent Ghys, PhD

    https://www.florentghys.com/
    https://music.wustl.edu/people/florent-ghys

    French double bassist and composer Florent Ghys’ music has been described as “highly contrapuntal, intelligent and inventive...” (WQXR-FM), and a “thrilling breed of post-minimal chamber music” (Time Out NY). His pieces “blend elements of minimalism, pop music, and a dose of extravagant wit” (John Schaefer, WNYC) while his cat videos “have attained viral fame” (Alex Ross, The New Yorker). 

    SEE ALSO
    Artistic Research at Tyson
    April 27–28
    Tyson Research Center

    Several attendance options available. The Artistic Research at Tyson cohort of 13 Washington University humanities graduate students will present their works in progress following a semester of site-specific exploration of creative practice and critical inquiry at the Tyson Research Station. They will share the evolution of their ideas in a variety of formats, including but not limited to performance, documentation of their process and display of creative work within a bunker on site.
    RSVP required; see website.

    Ghys has written music for some of today’s most influential ensembles and soloists, including the Bang on a Can All-Stars, New Jersey Symphony Orchestra, So Percussion, Nick Photinos, and Jack Quartet. His music has been performed at the Lincoln Center, BAM, the Barbican Center, MIT, Sydney Opera House, and the Muziekgebouw.

    Ghys holds a Maîtrise in ethnomusicology, a Diplôme d'Études Musicales in double bass performance, a M.M. in music theory and composition, a masters of fine arts, and a PhD in music composition and technology from Princeton University. 
     

     

     

    WAITLIST
    SIR Cultural Expo

    SIR Cultural Expo

    Cultural expo is a yearly event hosted by Sigma Iota Rho, Washu’s global studies honorary meant to celebrate and showcase the diverse range of cultures present within the WashU community. The event will feature booths hosted by WashU students sharing everything from their culture and heritage to their experiences abroad in other cultures. In addition performances by student groups will be held and food will be provided."

    Education Speaker Series:The Importance of Schools as Protective Factors for LGBTQ Youth Mental Health - Visiting Speaker Myeshia Price, Ph.D.

    Education Speaker Series:The Importance of Schools as Protective Factors for LGBTQ Youth Mental Health - Visiting Speaker Myeshia Price, Ph.D.

    Friday, March 8 11:30am - 12:30pm Seigle Hall 148 Lunch to Follow

    Dr. Price (she/they) is an Associate Professor in the Human Development program within the Department of Counseling & Educational Psychology at Indiana University Bloomington and an Associate Research Scientist with the Kinsey Institute. Their primary research interest areas include gender and sexual development. Her current area of research focuses on the rich experiences of LGBTQ youth in the U.S., including risk and protective factors for suicidality. Dr. Price’s research further explores experiences at the intersection of multiple marginalized identities, such as LGBTQ youth of color and the specific experiences of transgender and nonbinary young people. Their work and op-eds have been featured in popular press including Time magazine, Scientific American, The Grio, CNN, NBC, PopSugar, Forbes, Out, and Axios among others. She is currently an Associate Editor of the Journal of Sex Research and served as Treasurer for the Society for the Scientific Study of Sexuality from 2019-2022.

    RSVP
    Matt Jockers Lecture:

    Matt Jockers Lecture: "Linguistic Entailments, Bestselling DNA, and other Absurd Ideas”

    In this talk, Jockers describes how algorithms reveal the unique patterns of individual linguistic style and allow us to predict which authors and which books are mostly likely to hit the New York Times Bestseller list. He discusses foundational work in authorship attribution, stylometry—and even some neuroscience and behavioral genetics—in a talk that ultimately leads us to question the entire notion of creativity and authorial agency.

    Matthew Jockers is a distinguished research scientist and senior engineering manager at Apple where he leads the research teams that help customers discover great books, movies, and podcasts.

    Prior to joining Apple, Jockers served as Dean of the College of Arts and Sciences and Professor of Literature and Data Analytics at Washington State University. As an academic administrator, Jockers was viewed as a bridge builder committed to a highly interdisciplinarity vision of higher education. He believes that to advance knowledge universities must aggressively pursue the truth and deliver a diverse range of coursework that encourages students to cross boundaries and span divides. In industry and in academia, Jockers has been committed to the idea that excellence and innovation are dependent upon three core pillars: strong culture, shared mission, and diversity of ideas.

    Jockers was born in suburban New York but celebrated his first birthday on a ranch in Livingston, Montana where his grandfather raised cattle. Throughout his youth he moved back and forth between Montana and New York eventually settling in Montana at age 17. He spent his teenage years wrangling horses and guiding wilderness pack trips in Wyoming and Montana. As an undergraduate at Montana State University, he studied Literature and history while working a range of jobs that included washing dishes, tending bar, logging firewood, pounding nails, and selling fly-fishing gear in sporting goods shop. After college he worked as a dry-wall contractor before earning an assistantship to pursue a PhD.

    As a professor and scholar, Jockers was a key contributor to a second wave of computationally driven literary criticism that his colleague Franco Moretti termed “distant reading.” Together they founded and built the Stanford Literary Lab, and in 2010, the Chronicle of Higher Education wrote that Jockers and Moretti were the “Lewis and Clark of the literary frontier.” Jockers’s research draws from expertise in the humanities and the social and data sciences. As an academic, he deployed natural language processing and machine learning to extract and understand cultural trends and linguistic patterns in large collections of literature. He authored numerous research articles in stylometry and authorship attribution as well as a handful of books that include Macroanalysis: Digital Methods and Literary History (2013), Text Analysis with R for Students of Literature (two editions 2014, 2020), and The Bestseller Code: Anatomy of the Block Buster Novel (2016). The algorithms at the heart of his research on The Bestseller Code won the University of Nebraska’s Breakthrough Innovation of the Year award in 2018 (https://youtu.be/dWbVsWnQz1g)

    Alongside his academic career, Jockers has worked in industry and in a non-profit. He was founding Director of the digital 501(c)(3) Western Institute of Irish Studies and Director of Research at Novel Projects (a data-driven book recommendations startup that was acquired in 2014). In 2017 he co-founded Archer Jockers, LLC, a book industry consulting company that he ran for two years with his Bestseller Code co-author, and former Stanford student, Jodie Archer. In 2019 he cofounded Authors A.I. with JD Lasica and Alessandra Torre. Authors A.I. is a text mining company that leverages artificial intelligence and data analytics to help writers develop and market successful novels.

    Jockers has been married for 30 years. He has two children and two dogs. Outside of work, Jockers is most often found waist deep in a river casting after steelhead and trout with a twohanded fly rod.

    More info:

    Matt's LinkedIn Page

    ORCiD

    Matt's Personal Website

    Visiting Hurst Professor: Laird Hunt - Reading

    Visiting Hurst Professor: Laird Hunt - Reading

    Washington University Department of English is proud to welcome Professor Laird Hunt as part of its Hurst Visiting Professors Series.

    Laird Hunt is the author of eight novels, including the 2021 National Book Award finalist ZORRIE, and, most recently, a collection of linked stories, FLOAT UP, SING DOWN. He is the winner of the Anisfield-Wolf Book Award for Fiction, the Grand Prix de Littérature Américaine, the Bridge Prize and a finalist for both the Pen/Faulkner and the Prix Femina Étranger.


    Hunt’s reviews and essays have been published in the New York Times, the Washington Post, the Daily Beast, the Guardian, the Irish Times and the Los Angeles Times, and his fiction and translations have appeared in many literary journals in the United States and abroad. A former United Nations press officer who was raised in Europe, Asia and rural Indiana, he now lives in Providence where he teaches in Brown University’s Literary Arts Program.

    Visiting Hurst Professor: Laird Hunt - Craft Talk

    Visiting Hurst Professor: Laird Hunt - Craft Talk

    Washington University Department of English is proud to welcome Professor Laird Hunt as part of its Hurst Visiting Professors Series.

    Laird Hunt is the author of eight novels, including the 2021 National Book Award finalist ZORRIE, and, most recently, a collection of linked stories, FLOAT UP, SING DOWN. He is the winner of the Anisfield-Wolf Book Award for Fiction, the Grand Prix de Littérature Américaine, the Bridge Prize and a finalist for both the Pen/Faulkner and the Prix Femina Étranger.


    Hunt’s reviews and essays have been published in the New York Times, the Washington Post, the Daily Beast, the Guardian, the Irish Times and the Los Angeles Times, and his fiction and translations have appeared in many literary journals in the United States and abroad. A former United Nations press officer who was raised in Europe, Asia and rural Indiana, he now lives in Providence where he teaches in Brown University’s Literary Arts Program.

    Intercultural German Film Series, featuring “Cherry Blossoms” (Kirschblüten—Hanami), preceded by the short film “Dark Red” (Dunkelrot)

    Intercultural German Film Series, featuring “Cherry Blossoms” (Kirschblüten—Hanami), preceded by the short film “Dark Red” (Dunkelrot)

    German graduate students, in collaboration with the Japanese section of the Department of East Asian Languages and Cultures, are pleased to present two films in German, Japanese, and English, with English subtitles.

    The screening takes place in Busch 100 on Thursday, March 21, beginning at 6pm and is followed by a conversation with Dr. Rebecca Copeland, Professor of Japanese Language and Literature and Head of the Japanese Section; and Dr. Lynne Tatlock, Chair of Germanic Languages and Literatures, and Director of Comparative Literature. Frauke Thielecke will briefly introduce her short film before the main feature.

    Enjoy free snacks and beverages!

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    “Cherry Blossoms” (2008, 122 min)

    Award-winning German filmmaker Doris Dörrie directs this tender, emotionally intense story of marital love, loss and mourning, contrasting social dynamics and cultural traditions in Germany and Japan. Unexpected plot turns take us from Bavaria to settings in Berlin and the Baltic Sea, then to Tokyo and Mount Fuji. New relationships are formed despite characters’ language differences, and creativity becomes a means of transforming difficult family dynamics and individual grief. Dörrie cites Yasujirō Ozu’s 1953 film “Tōkyō Monogatari” as inspiration. Learn more about “Chery Blossoms” here. View film trailer here.

     

    “Dark Red” (2008, 12 min)

    Directed by Frauke Thielecke, a current student in the Comparative Literature PhD program and the International Writers Track, this story, too, explores new challenges facing a long-married couple. Hannah and Erich, in their sixties, could live a happy and comfortable life, had Hannah not been diagnosed with Alzheimer’s disease. Erich, however, has come to terms with this situation—until one day an unexpected revelation puts his love to the test.

    __

    For additional information, please reach out to Intercultural German Film Series Co-Curators Sylvia Sukop (ssukop@wustl.edu) and Kader Gray (g.kader@wustl.edu), cc’ing german@wustl.edu.

    Leading the Van Gogh Museum: 50 Years and Counting

    Leading the Van Gogh Museum: 50 Years and Counting

    The Department of Art History & Archaeology welcomes Dr. Emilie Gordenker, Director, Van Gogh Museum, Amsterdam.

    Join us for an enriching evening as the Department of Art History & Archaeology proudly welcomes Dr. Emilie Gordenker, director of the Van Gogh Museum in Amsterdam. Dr. Gordenker will present her lecture, "Leading the Van Gogh Museum: 50 Years and Counting," offering unique insights into the museum's rich history and its enduring legacy in the art world.

    Following the lecture, we invite you to join us for a reception starting at 6:30 p.m. at the Kemper Art Museum.

    This reception will be graciously hosted by:

    • Dean Carmon Colangelo, Sam Fox School of Design & Visual Arts

    • Sabine Eckmann, William T. Kemper Director and Chief Curator, Kemper Art Museum

    • Tom Hillman, AB '78, Trustee

    • Jennifer Hillman, BFA '79

    Kindly note: RSVPs are appreciated for catering purposes.

    RSVP
    Americanist Dinner Forum - What is Digital Humanities?

    Americanist Dinner Forum - What is Digital Humanities?

    All are invited for dinner and conversation with WashU faculty on April 2nd.

    How can Americanists use databases, mapping technology, text analysis, and other digital methods to create publicly engaged research projects?

    Join AMCS for a conversation about digital humanities methodologies across a number of fields, including History, English, Sociology, and Media Studies. This roundtable features Wash U faculty leading collaborative, interdisciplinary projects that have implications for the future of American Studies.

    Featured panelists:

    Ama Bemma Adwetewa-Badu received her Bachelor's degree in English from the Massachusetts College of Liberal Arts in 2015, an MA from Clark University in 2017, and a PhD in English from Cornell University in 2022. She joins the Washington University in St. Louis English Department as an Assistant Professor of Black Diasporic Literature and African Literatures in English. Her research and teaching focus on topics including contemporary poetry, comparative approaches to Afro-diasporic culture and literature, cultural studies, digital literary cultures, and the digital humanities. 

     

    Raven Maragh-Lloyd is Assistant Professor of African and African American Studies and Film and Media Studies at Washington University in St. Louis. Maragh-Lloyd's research examines the ways that Black communities create, resist, and uniquely deploy digital media culture. She explores how racialized and gendered identities and their related discourses influence digital structures as well as how these identities are imagined online through algorithmic functions. Her first book is titled Black Networked Resistance: Strategic Rearticulations in the Digital Age (University of California Press, 2024). Her work has appeared in Communication, Culture & CritiqueTelevision & New Media; and Journal of Communication Inquiry; and in edited collections such as Studying Race and Media and The Handbook of DiasporasMedia, and Culture.

     

    Geoff Ward is Professor of African and African-American Studies and faculty affiliate in the Department of Sociology and American Culture Studies Program at Washington University in St. Louis. He is director of the WashU & Slavery Project, a university initiative based in the Center for the Study of Race, Ethnicity & Equity (CRE2), in partnership with the consortium of Universities Studying Slavery. His scholarship examines histories and legacies of racialized violence and their reparative implications. This work has been generously supported by institutions including the National Science Foundation, the National Institute of Justice, the Ford Foundation, and the Mellon Foundation. In addition to numerous research articles and essays, he is the author of The Black Child-Savers: Racial Democracy and Juvenile Justice (University of Chicago Press, 2012), an award-winning book on the contested history and haunting remnants of Jim Crow juvenile justice. 

     

    David Cunningham is Professor and Chair of Sociology at Washington University in St. Louis. His research, focused on the causes and consequences of racialized conflict and control, is currently supported by the Mellon Foundation and the National Institutes of Health.

    He has published books on FBI counterintelligence as well as the rise and fall of the civil rights-era Ku Klux Klan, and most recently has co-edited a special journal issue focused on legacies of racial violence in the U.S.  Building on past work with the Greensboro Truth and Reconciliation Commission and the Mississippi Truth Project, he currently serves on the City of St. Louis Reparations Commission and co-directs (with Geoff Ward) a student-centered Action Research Lab that works with research and community partners to examine the continuing impacts of historical racialized violence. 

     

    Peter Kastor the inaugural Samuel K. Eddy Professor and Associate Vice Dean of Research in Arts & Sciences. He is a professor of history and American culture studies. He recently began work as chair of the Naming Review Board, which oversees the review of requests to reconsider named features on the WashU campus. He studies the politics of the early American republic and the long history of the American Presidency. He is the author or editor of eight books, along with numerous articles and essays. Professor Kastor was worked in humanities computing for over thirty years, and he came to Washington University in 1998 to join the team in AmCS with a particular focus on developing the use of computing technology in the classroom.

    A former digital innovation fellow at the American Council of Learned Societies, he was among the inaugural seed grant recipients at the Taylor Geospatial Institute, where he serves as co-chair of the Spatial Humanities Working Group. He is currently completing a major digital project that that reconstructs the early federal workforce, and is developing technologies to visualize border ambiguity. A regular guest on St. Louis Public Radio, Professor Kastor has written for outlets including The Washington Post, The Huffington Post, The Conversation, and Fortune. Two of his courses have been featured on C-SPAN’s Lectures in History. In addition to participating in Washington University’s Brookings Executive Education, which provides ongoing career development for emerging leaders in the federal government, he has contributed to professional development programming for groups including the St. Louis Public Schools, the National Geospatial Intelligence Agency, and the Air War College. An active contributor to numerous local organizations, he is currently vice chair of the board of trustees at the Missouri Historical Society.

    Registration for this event has closed.

    Please contact Alison Eigel Zade (ealison@wustl.edu) to be placed on the waitlist.

     

     

    ‘Learning to Disagree’ Book Event

    Panel discussion features WashU scholars John Inazu, John Hendrix, Peter Boumgarden, Jennifer Duncan, Penina Acayo Laker and Frank Lovett

    The John C. Danforth Center on Religion and Politics and the Washington University Law School are pleased to announce an event in celebration of John Inazu’s latest book, Learning to Disagree: The Surprising Path to Navigating Differences with Empathy and Respect, to be published by Zondervan in April 2024. Inazu is the Sally D. Danforth Distinguished Professor of Law and Religion at Washington University in St. Louis.

    In a tense cultural climate, is it possible to disagree productively and respectfully without compromising our convictions? Spanning a range of challenging issues — including critical race theory, sexual assault, campus protests, and clashes over religious freedom — highly regarded thought leader and law professor John Inazu helps us engage honestly and empathetically with people whose viewpoints we find strange, wrong, or even dangerous.

    As a constitutional scholar, legal expert, and former litigator, Inazu has spent his career learning how to disagree well with other people. In Learning to Disagree, he shares memorable stories and draws on the practices that legal training imparts — seeing the complexity in every issue and inhabiting the mindset of an opposing point of view — to help us handle daily encounters and lifelong relationships with those who see life very differently than we do.

    More info

    Elliot H. Stein Lecture in Ethics with Richard Haass

    Join the Gephardt Institute for Civic and Community Engagement in welcoming Richard Haass, veteran diplomat and author of The Bill of Obligations: The Ten Habits of Good Citizens for a fireside chat on the state of global democracy. 

    Haass is president emeritus of the Council on Foreign Relations after having served as CFR’s president for 20 years. He is also senior counselor with Centerview Partners, an international investment banking advisory firm.

    More info

    J.S.G. Boggs: Money as Performance Art

    J.S.G. Boggs (1955–2017) was an American performance artist who created hand-drawn replicas of U.S. currency in exchange for goods and services. In doing so, Boggs captured the attention of the American public, collectors and law enforcement. In this presentation, numismatic author Wayne Homren, who was personally acquainted with Boggs, discusses the legacy of this enigmatic character.

    Free and open to all, registration requested via website.

    More info

    Kahlil Robert Irving and Andrea Achi: Archaeology and Contemporary Art

    The artist Kahlil Robert Irving will be in conversation with Andrea Achi, the Mary and Michael Jaharis Associate Curator of Byzantine Art at the Metropolitan Museum of Art, to discuss Irving’s exhibition that includes a range of ceramic sculptures inspired, in part, by the mosaic floors of Hellenistic Antioch. Topics will also include how contemporary artists engage the history and methodologies of archaeology, uncovering layer upon layer of evidence and artifacts that begin to tell a fragmented story. 

    Free and open to the public. Registration is requested via website. 

    This event is supported in part by the Department of Art History & Archaeology in Arts & Sciences. Part of the Sam Fox School Public Lecture Series.  

    More info

    Special Collections Open House

    Join us to see some of the University’s special collections up close, including exhibitions on the topics of China and the 1904 World’s Fair, numismatics, punk, and more; along with the Declaration of Independence ‘Southwick Broadside.’ University memorabilia from the 1970s to the present will also be on display.

    Free and open to all.

    More info

    Virtual Book Club: ‘Endpapers’

    Join University Libraries for a special Preservation Week book club with guest host Danielle Creech, head of preservation, processing, and exhibitions. We will discuss Endpapers by Jennifer Savran Kelly.

    One day at work, conservation technician Dawn discovers something hidden under the endpapers of an old book: the torn-off cover of a lesbian pulp novel from the 1950s, with an illustration of a woman looking into a mirror and seeing a man’s face. Even more intriguing is the queer love letter written on the back. Dawn becomes obsessed with tracking down the author of the letter, convinced the mysterious writer can help her find her place in the world. 

    Book club will begin with a presentation on the day in the life of a conservator, followed by a discussion of the book.

    Free and open to all, registration required for Zoom link. See website.

    More info

    Special Exhibitions

    Student educators lead interactive tours of this season’s exhibitions Kahlil Robert Irving: Archaeology of the Present and Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air. Through guided discussion, participants will explore how both artists engage with the materiality of contemporary life, from the physical residue of air pollution to the sculptural topography of urban refuse.  

    Free and open to the public. Please check in at the Welcome Desk when arriving for the tour. 

    More info

    Chinese-language Tour of Special Exhibitions

    中文美术导览: 春季特展 

    邀请您来和艺术史暨考古学系博士生戴悦共同欣赏Mildred Lane Kemper Art Museum本期展览《Kahlil Robert Irving: Archaeology of the Present》和《Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air》。来一起探索这两位当代艺术家对现今生活物质维度的诠释,例如空气污染残留的粒子和都市废弃物的景观。 

    Student educator Yue Dai, PhD student in the Department of Art History & Archaeology, leads a tour of this season’s exhibitions Kahlil Robert Irving: Archaeology of the Present and Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air. Participants will explore how both artists engage with the materiality of contemporary life, from the physical residue of air pollution to the sculptural topography of urban refuse. 

    Free and open to the public. Please check in at the Welcome Desk when arriving for the tour. 

    More info
    The War on Black Birthing Bodies: A conversation about historical and present harm of Black women in the field of obstetrics and gynecology

    The War on Black Birthing Bodies: A conversation about historical and present harm of Black women in the field of obstetrics and gynecology

    The Department of African & African American Studies is honored to present AFAS alumna Dr. Heather Skanes. Dr. Skanes will be delivering a talk entitled "The War on Black Birthing Bodies: A Conversation About the Historical and Present Harms of Black Women in the Field of Obstetrics and Gynecology." 4.18.24 4:30 - 6:30 pm Hillman 60

    Dr. Skanes attended Washington University in St. Louis, Missouri, where she received her bachelor’s degree in African and African American Studies. She then earned her medical degree at Wright State Boonshoft School of Medicine in Dayton, Ohio, and completed her residency in obstetrics and gynecology at Morehouse School of Medicine in Atlanta, Georgia. Born and raised in Birmingham, Dr. Skanes is dedicated to uplifting her community and is a supporter of Black Lives, birth rights, and a believer of womxn everywhere.

    And you are…?  Measuring Blackness and Black Identity in Federal Statistical Research

    And you are…? Measuring Blackness and Black Identity in Federal Statistical Research

    Join Bronwyn Nichols Lodato, assistant professor in the African and African American Studies department, for a talk entitled "And You Are...? Measuring Blackness and Black Identity in Federal Statistical Research". 3.21.24 4:30 PM - 6:00 PM Hillman 60

    Nichols Lodato’s current mixed methods research examines adolescent development, the transition to adulthood and postsecondary experiences of diverse youth. Her research agenda is enhanced by her deep experience leading and coordinating interdisciplinary research on diverse populations for governmental and non-governmental agencies.

    Department of Music Lecture: Alexis Rose & Chinenye Okoro (Graduate student conference practice session)

    Department of Music Lecture: Alexis Rose & Chinenye Okoro (Graduate student conference practice session)

    "Naturlaut in the Anthropocene: The artistic landscapes of nineteenth-century environmentalism”

    Alexis Rose, MA student in Musicology

     

    In 1896, Gustav Mahler described his music as “always and everywhere...the very sound of Nature!” thereby invoking an idea deeply embedded within the Austro-German musical tradition: namely, the use of nature as a source of artistic inspiration. However, Mahler’s attention to modernization and industrialization in fin-de-siècle Vienna distinguishes his nature-inspired work from that of his predecessors. This paper will explore the overlapping motivations of proto-environmentalists with artists in late-nineteenth-century Germany and Austria, specifically considering conservationism, vegetarianism, and opposition to vivisection as it was influenced by the philosophies of Wagner, Nietzsche, and Schopenhauer. 

     

    Against this backdrop, I will analyze sections of Mahler’s Seventh Symphony (1904–5), arguing that it reflects a growing awareness of industrial antagonisms toward the natural world, as well as a dialectical entanglement of intensified belief in and disillusionment from nature as a refuge from the urban. While Mahler’s music has often been perceived as depicting and deeply connected to nature, the strong resemblances between the gestural language of the Seventh Symphony and the rhetoric of early environmentalists have gone largely unexamined. What is more, Mahler’s evocations of place (echoes and spatial-temporal manipulation) and his use of Naturlaut (birdsong and cowbells) have thus far not been considered in terms of the material conditions of ecological agitation in the second half of the nineteenth century.

     

    Bio: 

    Alexis is pursuing a master’s degree in musicology at Washington University in St. Louis. She received a Bachelor of Music in vocal performance from the University of Mississippi. Alexis is interested in artistic responses to the Anthropocene, late- and post-Romanticism, particularly the music of Gustav Mahler, musical representations of nature and death as metaphysical ideas, and critical-theoretical writings of the Frankfurt School.

     

    Colonialism and Festival Music: A Case Study of Women’s Participation in Eastern Nigerian Festivals

    Chinenye Okoro, PhD student in Musicology/Ethnomusicology


    This paper explores the impact of colonialism on festival music in Eastern Nigeria, with a special focus on women's participation. Colonialism reshaped indigenous African societies, including their cultural traditions. Eastern Nigerian festivals are crucial for preserving and expressing the region's cultural heritage, offering platforms for social, religious, and political communication, with festival music serving as a critical element reflecting cultural identity and values. However, this study contends that colonialism exerted a disruptive and diminishing influence on numerous festivals, yet the impact on the mmanwu festival manifest a more intricate and varied dynamic. Colonialism aimed to exert control and influence over African societies, leading to significant shifts in gender roles and societal expectations. It Introduced new social norms that included women in contrast to their prior cultural marginalization due to the patriarchal system of the Igbo society. This paper investigates the changes and limits in the mmanwu festival’s inclusivity.

    Bio:

    Chinenye Okoro is currently a doctoral candidate in musicology at Washington University in St. Louis, specializing in Ethnomusicology. Her research involves exploring themes such as African Women in Music, Traditional Music Festivals in African society, and the dynamics of music festivals in traditional contexts. Today’s paper delves into the intersection of Colonialism and Festival music in Southeastern Nigeria.

    The End of Çatalhöyük and Archaeology in the Time of Climate Change

    The End of Çatalhöyük and Archaeology in the Time of Climate Change

    Presented by Dr. Peter Biehl, Vice Provost & Professor of Archaeology University of California Santa Cruz

    This talk summarizes 20 years of excavation and research at the UNESCO World Heritage site of Çatalhöyük, Turkey, featuring rapid environmental events and long-term social changes in the Near East, 9000-7500 years ago.

    Reception to Follow

    EVENT CO-SPONSORED BY ANTHROPOLOGY AND THE CENTER FOR THE ENVIRONMENT

    The Right to Read

    High school reporters, librarians, educators and booksellers — Banned Books Fellows report on how various communities have responded to book bans across the U.S., as well as the frequent targets of bans.

    The Center for the Humanities’ first cohort of Banned Books Fellows has spent the semester researching book bans in K–12 education, the motivations and political influence behind educational censorship, and the ways students, librarians and educators are fighting back on this mounting issue in American education. Join us for a discussion of their findings and for resources for advocating for academic freedom in your community. Dinner will be served; please RSVP by clicking the button below.

    Speakers

    Wyatt Byers

    Wyatt Byers is a first-year student planning to major in English and the pre-law track. He is following up with high-school newspaper reporters in public districts in St. Louis County to see how they have covered these issues in their own schools.

    Delaney Dardet

    Delaney Dardet is a fourth-year major in communication design, with minors in psychology and educational studies. For her project, she is returning to her home county in Florida to interview booksellers and librarians about how they’ve adapted during this surge of book bans and found ways to advocate for educational freedom.

    Ava Giere

    Ava Giere is a first-year student planning to major in political science and English. She is looking into the money flowing into school board elections via various advocacy groups and the ensuing impacts on book ban policies.

    Raelani Hartnett

    Raelani Hartnett is a fourth-year psychology major, with minors in American culture studies and film and media studies). She is analyzing the impacts of limiting books on topics of queer sexuality and assessing how students in districts with limited sex education might use literature to learn about essential health topics. 

    Betty Lee

    Betty Lee a first-year undeclared major. She is interested in the racial politics of book banning and is investigating the landscape of book bans in prisons.

    David Win

    David Win is a second-year student majoring in sociology and English. He is conducting mapping analysis to compare districts in Missouri with known book bans against some socioeconomic/identity factors. 

     

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    Visiting Hurst Professor: Lidia Yuknavitch - Craft Talk

    Visiting Hurst Professor: Lidia Yuknavitch - Craft Talk

    Washington University Department of English is proud to welcome Professor Lidia Yuknavitch as part of its Hurst Visiting Professors Series.

    LIDIA YUKNAVITCH

    is the National Bestselling author of the novels The Book of Joan and The Small Backs of Children, winner of the 2016 Oregon Book Award's Ken Kesey Award for Fiction as well as the Reader's Choice Award, the novel Dora: A Headcase, and a critical book on war and narrative, Allegories Of Violence (Routledge). Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader's Choice. The Misfit's Manifesto, a book based on her recent TED Talk, was published by TED Books, and her new collection of fiction, Verge, was released in 2020. Lidia’s newest novel is Thrust.

    She has also had writing appear in publications including Guernica Magazine, Ms., The Iowa Review, Zyzzyva, Another Chicago Magazine, The Sun, Exquisite Corpse, TANK, and in the anthologies Life As We Show It (City Lights), Wreckage of Reason (Spuytin Duyvil), Forms at War (FC2), Feminaissance (Les Figues Press), and Representing Bisexualities (SUNY), as well as online at The Rumpus.

    She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online.  She received her doctorate in Literature from the University of Oregon. She lives in Oregon with her husband Andy Mingo and their renaissance man son, Miles. She is a very good swimmer.

    Learn more about Lidia Yuknavitch on her website, here.

     

    The strategic reader: capturing voices, revealing perspectives

    The strategic reader: capturing voices, revealing perspectives

    Lecture by Joe MacDonald, Senior Associate Dean for Strategy and Innovation at the Olin Business School

    What does Achilles Tatius’ Leucippe want? What does a university want?

     

    The above may seem like an odd juxtaposition, but, for a few years, I spent every day trying to answer one (or sometimes both) of these questions. I found that, as my work progressed, my scholarship on the ancient novel informed my work as the executive director of a university strategic plan and vice versa.

     

    In this talk, I develop a few threads from my dissertation to show how the structure of Achilles Tatius’ novel Leucippe and Clitophon—an ego-narrative of the hero Clitophon—calls into question the most fundamental component of its genre, the shared love between hero and heroine. I present an innovative approach to unearthing Leucippe’s perspectives and argue that the heroine hints at attitudes and experiences that run counter to the expectations of the genre. This presentation ultimately contributes to our understanding of Achilles Tatius’ dynamic engagement with novelistic predecessors, Leucippe and Clitophon as a whole, and the genre of the Greek novel. I also explore the interrelation between this scholarly project and my professional roles and suggest that classicists might reframe our approach to careers outside of teaching and scholarship.

     

    My talk will therefore be of interest to those curious about classics, ancient novels, narratology, strategy, and careers for humanists.

    Asia in St. Louis: Stories of Community Building and Resilience

    A forum on the contributions of the Asian American community to St. Louis

    What was the experience of Asian American migrants to the Midwest in the late 19th century? What did Chinatown in St. Louis look like before its demolition in the 1960s? What happened to Japanese Americans who escaped interment camps and settled in St. Louis during World War II? How did the Asian American immigrants establish successful businesses with the support of the local community? How did national developments in race relations and social activism in the 20th century influence Asian Americans in St. Louis?  

    In anticipation of Asian Pacific American Heritage Month, and in recognition of the historical and cultural contributions of individuals within the AAPI community in St. Louis, Washington University Libraries and the Center for Diversity and Inclusion of Washington University invite you to join us for a forum on the history of Asian Americans in St. Louis. With the support of the Missouri Humanities Council, Washington University students and staff have created a series of webpages using GIS (Geographic Information System) technology to showcase the contributions of the Asian American community on St. Louis, called the “Asia in St. Louis” project. 

    Guest speaker Anna Crosslin will reflect on the evolution of St. Louis’ Asian American community, sharing stories from her private and professional experience in helping bring greater visibility to the Asian American community. The Asia in St. Louis project members will present their StoryMaps, which focus on the arrival of early Chinese immigrants, urban life in St. Louis’ first Chinatown (Hop Alley), the relocation of Japanese American students to WashU during World War II, and how national developments in social justice influenced Asian Americans in St. Louis. 

    More info

    The Buder Center Powwow

    The 33rd Annual Buder Center Powwow will take place at the Washington University Field House (330 N. Big Bend Blvd.). The doors open at 10 a.m., with grand entries at 12 p.m. and 6 p.m. For more information, visit https://www.facebook.com/wustlpowwow/. The event is co-sponsored by the Department of Art History and Archaeology. 

    Indigenous Perspectives: Interpretation and Stewardship of Cultural Heritage in Museums

    Please join us a series of three lectures on Tuesday, April 9th from 5:00-6:45pm at the Mildred Lane Kemper Art Museum.

    A selection of relevant works from the Kemper’s collection will be on view from 4:00-5:00pm, and light refreshments will be served. A series of three lectures will follow from 5-6:45 p.m. Presentations will address the creation and use of cultural objects as integral parts of cultural lifeways within Native communities, the impact of NAGPRA rulings on Tribal repatriation efforts, and the role of encyclopedic museums in collecting, presenting, and interpreting art and cultural objects. For more information about the event, visit https://amcs.wustl.edu/events/indigenous-perspectives-interpretation-and-stewardship-cultural-heritage-museums?d=2024-04-09 (Note:Registration for this event has closed. Please contact Alison Eigel Zade (ealison@wustl.edu) to be placed on the waitlist.)

    This program is supported through funding from the Department of Art History & Archaeology and the Program in American Culture Studies, and is co-sponsored by the Mildred Lane Kemper Art Museum.

    The Power of Buttons

    A pop-up workshop engaging the St. Louis community with a small but powerful public text: the pin-back button. 

    RSVPs appreciated; click on the button below. We’ll send you an event reminder!

    “The Power of Buttons” is a pop-up workshop engaging the St. Louis community with a small but powerful public text: the pin-back button.

    These wearable, shareable public texts are crucial to social movements and organizations but easily overlooked because of their small size and seemingly fun and frivolous nature. Personal stylistic flair as well as visual messages of political or social affiliation, buttons are at once texts and objects; they both document and disseminate personal beliefs and preferences. 

    Developed by the Center for the Humanities at Washington University in St. Louis in partnership with local arts educator CJ Mitchell, the “Power of Buttons” pop-up workshop will help participants consider the significance of buttons as a public text and persuasive tool throughout histories, social movements, civic engagement, humanistic inquiries and community building. Participants will also design, create and take home their own buttons!

    All ages and generations are welcome — snacks and supplies provided. 

    This event is one of nine sites throughout the U.S. part of the National Humanities Center’s first-annual “Being Human” festival. The new community-focused lineup of events, taking place April 15–26, 2024, is aimed at highlighting the ways that the humanities add depth and meaning to our lives, help us understand ourselves and one another, and provide context for the complex world around us.

    RSVP

    On Palestinian Literature: past, present, and future

    A talk on art, scholarship, and community

    As Palestinians continue to contend with the Israeli military’s destruction of hospitals, libraries, universities, and archives, writers around the world are noting the global implications of their struggle.

    Poet Fady Joudah writes, “When will you begin to truly listen to what Palestinians have been saying for decades?”

    In these circumstances, the long and complex tradition of Palestinian literature reminds us that acts of literary imagination are inseparable from the politics of land. 

    In the first event of Beyond Discipline, scholars Eman Ghanayem and Layla Azmi Goushey will discuss the richness of the Palestinian literary tradition. They will be joined in conversation by Safa Khatib, doctoral candidate in the Comparative Literature Track for International Writers. 

     


     

    Dr. Eman Ghanayem is a postdoctoral fellow of Indigenous studies at Washington University in St. Louis. Her work examines questions of displacement, settlement, and belonging in Palestine and Indigenous North America through a framework of interconnected settler colonialisms and comparative Indigeneities. Outside her academic work, she is a member of the Palestinian Feminist Collective and is active in community work that services social justice and decolonization as a global movement.

    Dr. Layla Azmi Goushey serves as a Professor of English at St. Louis Community College, where she specializes in World Literature and History, with a focus on Arab-American culture. Her research examines the teaching perspectives of faculty members at Arab universities. Her heritage is Palestinian-American. She holds the position of Secretary at the Arab American Studies Association and serves as the Editor of Baladi Magazine. Her non-fiction and creative works have been featured in several journals.

    Conversation moderated by Safa Khatib.

     


     

    Tuesday, April 9th, 2024

    6 :00– 7:30 pm

    Kuehner Court, Weil Hall, Washington University

    Dinner / Iftar and non-alcoholic beverages will be served

     

    Parking: Attendees may park in the East End Garage (parking is free after 5pm)

    Please RSVP by email (safa@wustl.edu)

     


     

    Beyond Discipline is a talk series in which scholars, artists, and writers convene to discuss the relationships between their work and urgent public issues.

    This event is sponsored by the Center for the Humanities, the Mildred Lane Kemper Art Museum, and the Department of Comparative Literature

    Movement Workshop with Sathya Sridharan and Paton Ashbrook

    Movement Workshop with Sathya Sridharan and Paton Ashbrook

    Join PAD alum and Broadway actor, Sathya Sridharan ('09), and Juilliard alumni, actor, and teacher Paton Ashbrook for a movement workshop.

    PAD alum and Broadway actor, Sathya Sridharan ('09), and Juilliard alumni, actor, and teacher Paton Ashbrook will lead a movement workshop that will encourage actors to step out onto the skinny branches to make bold and brave acting choices. Using somatic exercises and techniques, we'll explore how to get out of our actor's heads into our bodies. Participants are encouraged to wear movement clothing and bring something to write with. Followed by a short Q&A. 

    Click Here to RSVP for this event.

     

    SATHYA SRIDHARAN

    Sathya is an actor, writer, and teacher known for his lead role in Shaun Seneviratne's feature premiere, BEN AND SUZANNE: A REUNION IN FOUR PARTS, which premiered in competition at this year’s SXSW Film Festival, Eric Schultz’s sci-fi thriller MINOR PREMISE, and co-lead role in Academy Award Nominee Milcho Manchevski's BIKINI MOON (with Condola Rashad, Sarah Goldberg). He was also featured opposite Academy Award winner Brenden Fraser in Darren Aronofsky’s film, THE WHALE, produced by A24. He is the lead of the upcoming feature, SMOKE AND STEEL, from filmmaker Javian Ashton Le. His television credits include KALEIDOSCOPE (Netflix), LITTLE AMERICA (AppleTV), BLINDSPOT (NBC), BLACKLIST (NBC), TWO SENTENCE HORROR STORIES (CW), and SUCCESSION (HBO). He appeared on Broadway in the American premiere of the Tony Award-winning production of LIFE OF PI, directed by Max Webster. He has also appeared in numerous Off-Broadway productions including New York Theatre Workshop's world premiere of Hammaad Chaudry's AN ORDINARY MUSLIM, directed by Obie Award Winner Jo Bonney, The Manhattan Theatre Club’s world premiere of Jaclyn Backhaus’ INDIA PALE ALE, and the Playwright’s Horizons premiere of Backhaus’ WIVES. Most recently, he premiered Naren Weiss’ TWO BROWN PORTERS at 59E59 in New York. He has taught at NYU’s Playwright’s Horizons studio, A Class Act NYC, and has coached prospective students on their graduate school auditions. He is a graduate of NYU’s MFA Acting Program, a proud WUSTL Alum, and the recipient of the 2013 Princess Grace Award for Theater.

    PATON ASHBROOK

    Actor, yoga instructor, and trauma-informed teaching artist Paton Ashbrook has spent a lifetime in the arts. Her Los Angelino roots lead back to generations of actors and musicians on both sides of her family, where for decades she witnessed the inevitable highs and lows of having a career in the arts. After 10+ years of intense conservatory training culminated in her graduation from the Juilliard School's Drama Division, she became certified to teach yoga (500+ hours) while working professionally and successfully as an actor and voice-over artist. While deepening her yoga practice alongside her film/TV career, Paton began developing workshops to help artists feel freer in their artistic expression and embody supportive practices that make a career in the arts sustainable. Today, Paton has completed world-renowned trauma expert Dr. Gabor Maté's psychotherapeutic and somatic-based training program, Compassionate Inquiry, which has greatly informed her trauma-informed healing workshops. Healing the Artist Body has so far been taught at Juilliard, LACSHA, and AMDA, and she looks forward to launching her workshops as a series more publicly in the coming year.

    As an actor, Paton has worked all over the stage and screen, most notably playing ADA Jenny Sullivan for three seasons on the STARZ NAACP Image award-winning show, POWER BOOK 2: GHOST, alongside Mary J. Blige and Method Man. Other credits include HOUSE OF CARDS (Netflix), SHAMELESS (Showtime), THE GOOD FIGHT (CBS/Paramount+), the co-lead of the sci-fi thriller, MINOR PREMISE (Hulu), and COME HOME (Audience Award, Best Feature Film at the Ravenna Nightmare Film Fest). Paton also hosts THE FREEBODY PODCAST, a trauma-informed platform where folks tell their unique life stories through the lens of their body. 

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    Retina Burn 2024

    Retina Burn 2024

    The students of the Lighting Technology class will put on a full concert in the Edison Theatre.

    The Performing Arts Department invites you to join the students of the Lighting Technology class as they put on a full concert in the Edison Theatre.  The concert, which we lovingly call RETINA BURN, is the culmination of a semester-long process in learning the craft of designing a concert lighting and projection rig. Students have spent the better part of the semester programming this concert in computer visualization in preparation for the live show.

    7:00 p.m. in Edison Theatre. This concert is FREE and open to the public!

    Performance by UNCLE ALBERT with Tim Albert and Lisa Campbell.  This popular Illinois-based band maintains their roots as well as they “Boogie da’ Blues.”

    Department of Music Lecture:

    Department of Music Lecture: "The Rise and Fall of the Azmaribet: Traditional Music and Urban Imaginaries in Addis Ababa, Ethiopia"

    John Walsh, Assistant Professor of Ethnomusicology, University of California, Berkeley

    John Walsh, Assistant Professor of Ethnomusicology, University of California, Berkeley

     Title
    The Rise and Fall of the Azmaribet: Traditional Music and Urban Imaginaries in Addis Ababa, Ethiopia

    Abstract

    In 1992 Ethiopia’s transitional government dissolved a curfew that prevented gathering at night for nearly 17 years. In Addis Ababa, Ethiopia’s capital city, new forms of nightlife blossomed. The most prominent of these was the rise in venues for the performance of music by a caste of hereditary musicians known as azmaris. These new venues, called azmaribets, represented not only an expansion of social freedom, but also an innovation in the use of urban space itself, as these musicians secured land rights for the first time in the city’s history. However, a generation later the azmaribet has nearly evaporated, with all but a single venue closing after neoliberal forms of urban governance were enacted in service of Prime Minister Meles Zenawi’s vision of the “developmental state.” 

    Following the rise and decline of the azmaribet, this paper explores the conditions of possibility for traditional music within the shifting composition of Addis Ababa’s urban everyday between 1992-2020. With an understanding of the “everyday” as the “condition(s) stipulated for the legibility of forms, obtained by means of functions [and] inscribed within structures” (Lefebvre 1987: 9) what does the “azmaribet,” as an urban form, make legible in the context of an everyday in flux? This paper explores how the azmaribet mediates urban histories, political trajectories, and aesthetic orders in Addis Ababa. Through ethnographic inquiry with owners of these venues, I follow how azmaris reconfigured the conditions of their musical labor during this period. With particular attention to the last remaining venue, a small club named Fendika, I demonstrate how the azmaribet continues to territorialize notions of tradition amidst shifting cultural and material terrain. 


    Biography

    As an ethnomusicologist, John Walsh is broadly interested in the relationships between music and cities. Specifically, his work explores the music scene as a flexible form of collective expressive culture that articulates relations between sociality, materiality, and aesthetics. His current research focuses on contemporary music scenes in Addis Ababa, Ethiopia under conditions of political transformation. Walsh received his B.M. in Percussion Performance from Centenary College of Louisiana, his M.A. in the Humanities from the University of Chicago, and his PhD in Ethnomusicology from the University of California, Berkeley before joining the Mead Witter School of Music in 2023. His research has been supported through two Foreign Language and Area Studies Fellowships, the Cota Robles Fellowship, The John L. Simpson Memorial Research Fellowship, the Rocca Pre-Dissertation Research Grant, and UC Berkeley’s Institute of International Studies and Center for African Studies. His talk today is a chapter in progress for his current book project, titled “Revolutionary Nightlife: Music Scenes, Infrastructures, and Urban Transformation in Addis Ababa, Ethiopia.”

    Panel Discussion: Storytelling from an Invisible World

    The Storytelling Lab and the Prison Education Project are excited to present a panel discussion, “Storytelling from an Invisible World.” The panelists are:

    • Delia Cohen, Founder and Director of Proximity for Justice. Proximity for Justice brings CEOs, community leaders, victims of crime, philanthropists, law enforcement, public policymakers, academics, and formerly incarcerated people together inside prisons with those who live and work there in events designed to encourage dialogue, forge connections, and inspire change.
       
    • Jasmine Ford is a Washington University Prison Education Project (PEP) alumna. While incarcerated, she published a piece on redlining in St. Louis in Missouri Humanities Magazine. In the time since, Jasmine has come home, received a Balsa small business grant, started her own business as a hair stylist, and testified before the Missouri legislature. 

    Ethics of Belonging of Indigenous Contemplative Tradition

    Dr. Yuria Celidwen – Mindfulness and Anti-Racism Lecture Series 7th Speaker

    Presented by Mindfulness Science & Practice, a multiyear cluster of the Incubator for Transdisciplinary Futures, and the Kathryn M. Buder Center for American Indian Studies.

    How do we create a world where everyone belongs? What happens if we don’t? 

    In The Ethics of Belonging, Dr. Yuria Celidwen synthesizes her research on the deep contemplative wisdom embedded in Indigenous traditions to help solve our most urgent and overwhelming problems – environmental destruction, breakdown of communities, systems of oppression and the mental health pandemic. 

    She shows us a way forward with practices grounded in Indigenous principles of embodiment and action toward equity, community and ecological awareness, all with proven physical, psychological and environmental benefits. 

    Dr. Celidwen, a senior fellow at UC Berkeley’s Othering and Belonging Institute, works to reclaim, revitalize and transmit Indigenous wisdom for social and environmental justice. She is the author of the forthcoming book Flourishing Kin: Indigenous Foundations for Collective Well-Being published by Sounds True. 

    Free, open to all 

    RSVP

    Student Q&A with Lawrence Abu Hamdan

    Undergrad and grad students are welcome to join us for breakfast and Q&A with Turner Prize–winning artist and “private ear” Lawrence Abu Hamdan, whose innovative approaches to the study of sound bridge between artistry and human rights investigation and advocacy.

    Please RSVP to attend! In lieu of a pre-circulated reading, please review Lawrence’s more recent projects on his website, particularly:

    • Walled, Unwalled (2018, 20 minutes): “Walled Unwalled shows Abu Hamdan behind the windows of an infamous Cold War–era recording studio in former East Berlin. He speaks about the permeability of walls, citing in the process the U.S. Supreme Court thermal-imaging case Kyllo v. United States (2001), the murder trial of Oscar Pistorius, and the survivors of Saydnaya prison. The accumulation of walls, holes, and speech in the video is polyphonic, even if Abu Hamdan’s voice, set to increasingly ominous percussion, is the main one we hear.” Complete video available on YouTube: https://www.youtube.com/watch?v=RY4jU85o8pE
    • Air Pressure: “Constantly hearing hostile jets and drones overhead, residents of Lebanon live in a state of precarity; the potential of full scale aerial bombardment is a daily possibility. The disturbing roar of Fighter jets tearing up the coastline and the persistent buzz of Unmanned Aerial Vehicles circling the southern regions have become a familiar part of the Lebanese soundscape. Yet till now there has been no easy way of accessing information about what or just how many of these aircraft are in the sky. AirPressure.info has recorded that 8,231 fighter jets and 13,102 Unmanned Aerial Vehicles have violated the Lebanese skies since 2007. These invasive acts are not short flyovers but rather last an average of 4 hours and 35 minutes. The combined duration of these flights amounts to 3,098 days. That is 8.5 years of jets and drones continually occupying the sky.” Project available for review at https://www.airpressure.info/

    Co-sponsored by CRE2, Program in Global Studies and the Mildred Lane Kemper Art Museum

    RELATED EVENT

    Artistic Research at Tyson

    Friday, April 26–Saturday, April 27
    Tyson Research Center
    Full weekend and drop-in hour options available
    Separate RSVP required; see website

    Invited guests Lawrence Abu Hamdan and Salomé Voegelin will guide a collective discussion about working at the cross-section of sound studies, performance and other artistic research methods, environmental studies, and histories of war. Via discussions, presentations and guided explorations, this gathering will be about the exchange of methods for including (and exposing) creative practice as complementary and fruitful to the critical and intellectual work within the university.

    A cohort of 13 Washington University humanities graduate students will present their works in progress following a semester of site-specific exploration of creative practice and critical inquiry at the Tyson Research Station. They will share the evolution of their ideas in a variety of formats, including but not limited to performance, documentation of their process and display of creative work within a bunker on site.

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    International Writers Series: Esther Kinsky

    Join the International Writers Series for an evening of fiction in translation with the 2024 Max Kade Visiting Writer Esther Kinsky
    AFAS Featured Event: Works of Dr. Samuel Shearer and Dr. Thembelani Mbatha

    AFAS Featured Event: Works of Dr. Samuel Shearer and Dr. Thembelani Mbatha

    Samuel Shearer is assistant professor in the Department of African and African American Studies. Shearer's work focuses on the design, production, and destruction of urban space in African cities and how these processes inform popular politics and cultures across the continent. His current book project, tentatively titled The Kigali After: A New City for the End of the World is about the politics of urban design, displacement, and the dual crises of capitalism and ecology in one of the fastest urbanizing cities the world: Kigali, Rwanda. Dr. Thembelani (Themba) Mbatha is an interdisciplinary scholar of global black thought and the literary and cultural histories of Africa and the African diaspora. His work focuses on the intersections between the histories of blackness and the politics of memory in the postcolonial and black Atlantic worlds. His current book project, titled Registers of Black Witnessing: Archives of Testimony in Africa and the African Diaspora, sets to offer a decolonized framework of testimony and witnessing while investigating the implications of this on contemporary and future discourses of blackness.

    Join professors Dr. Samuel Shearer and Dr. Thembelani Mbatha from the African and African American Studies department for an enriching conversation. They will be discussing their current works in progress as well as recent publications in their respective research areas.

     

    April 11th, 2024

    4:30 pm 

    Seigle Hall Room L006

     

    Student Dance Showcase: A Picnic in the Park

    Student Dance Showcase: A Picnic in the Park

    Student Run, Student Choreographed, Student Danced!

    Student Dance Showcase presents "A Picnic in the Park", a performance consisting of nine different works in nine different styles.

    April 12th and 13th at 7:00 p.m.
    Annelise Mertz Dance Studio in Mallinckrodt

    Please join us for a performance that is choreographed, performed, lit, and directed by WashU students! Featured choreography by Alexandra Acevedo, Natalie Green, Jill Mark, Caroline McNinch, Eric Montufar-Morales, Erin Prein, Lily Rich, Rei Romero, Olivia Wilton, & Izzy Yanover.

    Please reserve your seat for the performance at this link here: SDS 2024 Tickets. You can either reserve floor seating ($3) or chair seating ($5). You will pay for your ticket(s) at the door to the performance using either cash or Venmo. Doors open at 6:30.

    Proceeds will be donated to the Amarnath Ghosh Memorial Fund.

    Get your tickets here!
    Roundtable Discussion - Performance and Modernity: Enacting Change on the Globalizing Stage

    Roundtable Discussion - Performance and Modernity: Enacting Change on the Globalizing Stage

    Join us on April 3rd in Hurst Lounge, Duncker Hall for this roundtable discussion of Julia Walker's book: Performance and Modernity: Enacting Change on the Globalizing Stage

    Panelists: 

    Julia Walker, Chair of the Performing Arts Department, Professor of English and Performing Arts

    Robert Henke, Professor of Drama and Comparative Literature

    Pat Burke, Professor of Music

    J. Dillon Brown, Associate Professor of English

    Paige McGinley, Associate Professor of Performing Arts

    With Heart and Humor: A Screening with Julia Lindon

    With Heart and Humor: A Screening with Julia Lindon

    Julia Lindon (WashU class of 2013) has worked on Saturday Night Live (NBC), Ted Lasso (Apple), Survival of the Thickest (Netflix), and In the Know (Peacock).

    Julia Lindon is a PAD alum and an LA-based comedy writer who recently wrote on In the Know, Mike Judge and Zach Woods' new animated Peacock show. She co-wrote an episode of Netflix/A24’s Survival of the Thickest, and served as writer’s assistant on Apple TV+’s Ted Lasso. Julia is the writer and star of Lady Liberty, a TV pilot that premiered at Tribeca Film Festival and was a finalist for the Sundance Episodic Lab. Back in NY, Julia worked at NBC’s Saturday Night Live and Comedy Central’s The Daily Show. In addition to her recurring role on Comedy Central's Detroiters, Julia co-hosted the long-running podcast Happy Campers, and was profiled by the New York Times' Sunday Routine column. In addition to her television credits, Julia has also written for Spotify, iHeart, WarnerMedia, Cosmopolitan, and Headgum. www.julialindon.com

    Friday, April 19th, 2024
    4:00 p.m.- 5:00 p.m.
    Umrath 140

    This event is co-sponsored by the Performing Arts Department, American Culture StudiesDepartment of English, and Sam Fox School of Design & Visual Arts.

    Human Revelations Art Exhibit

    Human Revelations Art Exhibit

    Bei Qi

    Join us for the opening of Human Revelations, a solo art exhibition by BFA junior, Bei Qi, on April 12th from 5 to 7 PM in Wilson Hall 1 & 2 floor. The evening kicks off with an introduction presentation by Qi to give more context to the work, followed by a keynote speech by Matthew McGrath, WashU Professor of Philosophy in Wilson 214. The exhibition will be on view from April 12-26th. Food and refreshments will be provided, and don't forget to check out the amazing tote bag merch available for purchase. This is a celebration you won't want to miss. We look forward to seeing you there!

     

    Human Revelations is a body of work that Washington University BFA junior Bei Qi,  has been working on in the past year of her art practice. In the series, Qi created ten wearable garments that investigates her desire to make connections with others and understand herself through the lens of modern Epistemology, a branch of philosophy concerned with knowledge. The wearable pieces feature colorful imagery of abstract painted forms that come to life on the body, creating a mesmerizing display of multiple faces, which intertwine to convey the complexities of how knowledge and perception can influence the human understanding of oneself and others. Qi's creations extend off the body in firm and prominent ways, transforming the wearer into a new creature. 

     

    In her art practice, Qi operates on her desire to make connections with others. She is fascinated by the versions of ourselves that we showcase to others, specifically the gradual shedding of social facades overtime, and she explores both how learning about oneself and our unique nuances and how coexisting in a world of distinct individuals can lead one in their search for meaning and attempt to realize self-fulfillment. These captivations prompt Qi to explore existing systems, both psychological and philosophical, that attempt to answer and discuss these inquiries. 

     

    The works in the show reveal Qi’s own revelations about what it means to be human. In reading various philosophical essays by Bonnie. M. Talbert, Matthew McGrath, and Jeremy Fantl that cover topics of knowledge: interpersonal understanding, memory preservation, and the influence of personal stakes, Qi investigates the ways that knowledge and perception can influence the human understanding of oneself and others through a variety of mediums that merge visual art, fashion, and performance. 

     

    Since creating the collection of wearables, Qi has worked with 20 models and herself in interaction with the garments to create photographs, video pieces, sound work, and large-scale paintings to contextualize the garments in an imagined world. These pieces create non-verbal abstract manners of communication, a fantastical world that Qi urges everyone to join: one with new rules, a performative spectacle in which aspects of the human soul are evoked. 

    Attendee panel closed

    Conversation flagged for follow up

     

    Italian Film Festival

    Italian Film Festival

    Walter Johnson: On Racial Capitalism (Redux)

    Join the Center for the Study of Race, Ethnicity & Equity (CRE2) for a lecture and discussion with Walter Johnson, author of The Broken Heart of America: St. Louis and the Violent History of the United States (2020) which was a finalist for both the Los Angeles Times prize for History and the National Circle Book Critics award for Nonfiction. Johnson is a founding member of the Commonwealth Project, which brings together academics, artists, and activists in an effort to imagine, foster, and support revolutionary social change, beginning in St. Louis. Reception to follow.
    Unveiling of Archer Alexander Memorial

    Unveiling of Archer Alexander Memorial

    All are invited to an unveiling of a memorial being planned for Archer Alexander, who was formerly enslaved in St. Charles and escaped via the Underground Railroad to St. Louis, in part through the assistance of WashU co-founder William Greenleaf Eliot and his wife Abigail Adams Cranch. On Sunday, April 14, 2024, at 3:30 pm at the U.S. Grant National Historic Site (7400 Grant Road) the St. Louis Arts Chamber of Commerce will share the proposed sculpture by renowned artist Abraham Mohler that will be placed at the St. Peters UCC Cemetery, where Alexander is buried in an unmarked grave, to preserve and honor his remarkable story. 

    The Barbara & Michael Newmark Endowed Sociology Lecture: Dr. Marshall Ganz

    You are cordially invited to join the Department of Sociology at Washington University in St. Louis for the third presentation of this recently established lecture series. This lectureship honors Barbara and Michael Newmark, alumni and longtime community leaders in St. Louis. The series supports visits to Washington University in St. Louis by scholars whose work engages with the concept of a pluralistic society where diverse religious, racial, and ethnic groups live and work together, and their differences enhance the community.

    This year's speaker, Dr. Marshall Ganz, will present a talk titled "People, Power, Change: Organizing for Democratic Renewal."

    As Rita E. Hauser Senior Lecturer in Leadership, Organizing and Civil Society at the Kennedy School of Government, Marshall Ganz teaches, researches, and writes on leadership, narrative, strategy and organization in social movements, civic associations, and politics. He grew up in Bakersfield, California where his father was a Rabbi and his mother, a teacher. He entered Harvard College in the fall of 1960. He left a year before graduating to volunteer with the 1964 Mississippi Summer Project. He found a “calling” as an organizer for the Student Nonviolent Coordinating Committee, and, in the fall of 1965 joined Cesar Chavez in his effort to unionize California farm workers. During 16 years with the United Farm Workers he gained experience in union, political, and community organizing; became Director of Organizing; and was elected to the national executive board on which he served for 8 years. During the 1980s he worked with grassroots groups to develop new organizing programs and designed innovative voter mobilization strategies for local, state, and national electoral campaigns.

    In 1991, in order to deepen his intellectual understanding of his work, he returned to Harvard College and after a 28-year "leave of absence" completed his undergraduate degree in history and government. He was awarded an MPA by the Kennedy School in 1993 and completed his PhD in sociology in 2000. He has published in the American Journal of SociologyAmerican Political Science ReviewAmerican ProspectWashington Post, Los Angeles TimesStanford Social Innovation Review and elsewhere. His newest book, Why David Sometimes Wins: Leadership, Organization and Strategy in the California Farm Worker Movement was published in 2009, earning the Michael J. Harrington Book Award of the American Political Science Association. In 2007-8 he was instrumental in design of the grassroots organization for the 2008 Obama for President campaign. In 2010 he was awarded an honorary doctorate in divinity by the Episcopal Divinity School. In association with the global Leading Change Network of organizers, researchers and educators he coaches, trains, and advises social, civic, educational, health care, and political groups on organizing, training, and leadership development around the world.

    This lecture will be held on Monday, April 15th at 12:00 p.m., in Washington University's McMillan Cafe (McMillan Hall). The event is open to the public. ​Please feel free to share with those who may be of interest, both on-campus and in the local community.

    More information about our esteemed speaker can be found at: https://scholar.harvard.edu/marshallganz and at https://www.hks.harvard.edu/faculty/marshall-ganz .

    Scholarly Writing Retreat 2024

    WashU scholars in the humanities and humanistic social sciences are invited to jump-start their summer writing.

    The Scholarly Writing Retreat offers WashU humanities and humanistic social sciences faculty, postdocs and graduate students the opportunity to jump-start their summer writing in a motivated, supportive and collaborative atmosphere. Participants will bring their laptops and research materials to the Center for the Humanities and work intensively (but quietly!) on their individual projects in communal spaces, following a schedule of focused writing periods, lunch breaks (participants will bring their own lunch or eat at the DUC) and coffee breaks. 

    Registration is limited to 30, first come, first served. RSVP by clicking the button below.

    Check out the retreat main page for more details.

    RSVPMore info
    Slow Violence: French Nuclear Imperialism in Film and Literature

    Slow Violence: French Nuclear Imperialism in Film and Literature

    Please join us for a lecture by Professor Jill Jarvis, Associate Professor of French at Yale University, and a screening of Amira Khalfallah’s award-winning short film, Esseghayra (Miss) (2020), followed by an artist-scholar discussion and Q&A.

    "Slow Violence: French Nuclear Imperialism in Film and Literature" examines the power of artists and authors to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for both the immediate and slow violence that the French inflicted upon Algerians through nuclear experimentation in the Sahara Desert during the 1960s. 

     

    Between 1960 and 1966, the French conducted seventeen nuclear tests, in turn exposing thousands of soldiers, nuclear program workers, and the local population to radioactivity that blanketed vast swaths of the Sahara Desert. Due to the classification of the locations of these test sites and the level of radiation emitted, inhabitants of the Sahara continue to endure the health and environmental legacy of nuclear imperialism. As scholar Jill Jarvis notes, “Radioactive dust still emanates from the Sahara, from those nuclear bombs, whose effects are absolutely indelible. In this sense, even the sand itself has been occupied by colonial occupation.”

     

    This event places the recent scholarship of Jill Jarvis, Associate Professor of French at Yale, whose work draws together readings of multilingual texts by Algerian authors, in conversation with the recent creative work of Algerian filmmaker Amira Khalfallah. Examining these events through the nuanced lenses of film and literature provides the opportunity to scrutinize the prominent issues of nuclear war and experimentation within a colonial and post-colonial context.

    2024 Humanist Games

    Join us for this year's Humanist Games to celebrate the end of the spring semester!

    Enjoy an afternoon of Humanist Games with fellow students and faculty! We'll be offering a delicious spread of food, ice cold beverages, and good times for all. Please RSVP using the button at the bottom of the page by Monday, April 29th!

    If you have any questions, please email Ben Locke (blocke@wustl.edu)

     

    Hosted by IPH with the support of Comparative Literature and the department of Germanic Languages & Literatures

     

    RSVP below!

    RSVP
    Visiting Hurst Professor: Santanu Das - Seminar

    Visiting Hurst Professor: Santanu Das - Seminar

    "The Colour of Memory: India, Empire, and a War Hospital"

    Santanu Das is Professor of Modern Literature and Culture and Senior Research Fellow at All Souls College, University of Oxford. He is the author of two award-winning monographs, Touch and Intimacy in First World War Literature (2006) and India, Empire and First World War Culture: Writings, Images, and Songs (2018), and the editor of several critical volumes, including Race, Empire and First World War Writing and Cambridge Companion to the Poetry of the First World War, all published by Cambridge University Press. He is currently editing the Oxford Book of First World War Empire Writing and completing a volume of essays provisionally titled Forms of Experience: Archive, Body and the Literary. He is also working on a monograph on the experience and aesthetics of sea-voyages, from Victorian times to now.

     

    Please reach out to Susan Engstrom (esusan@wustl.edu) for seminar readings.

    Visiting Hurst Professor: Santanu Das - Lecture

    Visiting Hurst Professor: Santanu Das - Lecture

    "The Sepoy Body in the First World War: The Archive, the Empire, and the Library"

    Santanu Das is Professor of Modern Literature and Culture and Senior Research Fellow at All Souls College, University of Oxford. He is the author of two award-winning monographs, Touch and Intimacy in First World War Literature (2006) and India, Empire and First World War Culture: Writings, Images, and Songs (2018), and the editor of several critical volumes, including Race, Empire and First World War Writing and Cambridge Companion to the Poetry of the First World War, all published by Cambridge University Press. He is currently editing the Oxford Book of First World War Empire Writing and completing a volume of essays provisionally titled Forms of Experience: Archive, Body and the Literary. He is also working on a monograph on the experience and aesthetics of sea-voyages, from Victorian times to now.

    "The International War on Drugs" Sigma Iota Rho Town Hall

    Join us on Thursday, April 18th in Seigle 301 for our Spring 2024 Town Hall! Be there at 6:40 pm for food from Garbanzo! The topic is the global impact of the war on drugs. We'll be hosting special guests Dr. Petter Grahl Johnstad, Dr. Corina Giacomello, and Dr. Guillermo Jose Garcia Sanchez.

    Spring Arabic Calligraphy Workshop

    Spring Arabic Calligraphy Workshop

    Dr. Younasse Tarbouni is a Teaching Professor of Arabic for the Department of Jewish, Islamic, and Middle Eastern Studies. A.J. Robinson is the reference/subject librarian for Islamic Studies and South Asian Studies in Olin Library.

    Join Dr. Tarbouni and subject librarian A.J. Robinson in Olin Library for an opportunity to learn about and create unique calligraphy based on Arabic script and other writings in an all-proficiency levels workshop.

    This event, running from 9:00am to 11:00am on Friday, April 12th, will feature an exhibition of manuscripts and rare books from Olin's collections to showcase calligraphy and its influences.

    Paper and sample calligraphy will be provdied, participants are encouraged to bring their favorite pen for practice. Special pens will be provided to participants for final contributions. Light snacks and coffee provided.

    This event is open to all.

    Co-sponsored by the Department of Jewish, Islamic, and Middle Eastern Studies and Olin Library

    "Becoming" Tea

    Thinking of applying to graduate school or pursuing a career in academia?

    We’ve invited one of our Postdoctoral Fellows, Shirl Yang, who will talk about the trajectory of her academic career. Join us for a conversation over tea and snacks!