

News & Features
Back Results for: Archived Project Blogs


Ode to the Pied Piper of Motown

Black Music and Soul

Abbey or Diana?

Sampling or Stealing?

Coping With Information Overload

Reverence for the Past, Relevance for Today

The Untold Story of Scott Joplin’s House

Black Men and Black Women

Sister Act

The Third (Postmodern) Accordion

Who Owns Black Music?

The Same Old Song

The (Not So) Sweet Escape

Storytelling Through Soundtracks

The Search for the Truth During Troubled Times

Music Criticism in the Classroom

Diana Ross as Amy Winehouse?

The Many Faces of Marvin, And How We Remember Him

The Other Girls of Motown

The Symbolism of Billie Holiday

Why Don’t People Remember George Washington as Our First White President?

The Difference A Musician Makes

Abbey Lincoln: A Story of Personal Identity

Producing Hate

Nothing But Reflections

What’s Going On… 1964 Style

Fusion

Authenticity and Black Music

Another Layer to the Ongoing Authenticity Conversation

Stevie and Motown's Other Break-Out Stars

The Loss of Religiosity in the West

Majority Rules: Race and the Nation's Capital

The Music of "Nothing But A Man"

The Problem of Authenticity in a You Tube World

Chuck Berry… Black Music?

Central Baptist Church Take Two

Authentic or Non-Authentic?

Struggles, Failure, and Ascension (an attempt to make sense out of nonsense)

Change Your Pajamas (and other words of Sunday wisdom)

Communism and the Movement????

Views on "Nothing But A Man"

A Man Called Adam

In the Ear and the Message

Jazz IS Alive and Well!

Cultural Foundations and African Culture

Nothing But A Man and Black Art

Music is Soul, Soul is Music

Where's Waldo?

I "Thought" I Knew About Jazz

The African Burial Ground: (African) American History and Issues of Identity

Primary Sources and the Search for “Truth” in History

Jazz's Holy Grail

Sell Out?

What is Music?

Jazz at the Bistro and USA vs. Brazil

Connecting With Students

Letters and Numbers: Biographical Poetry?

Creator-Oriented vs. Audience-Oriented Work

The Art or Craft of Motown

The Education of John Coltrane

The Chicken or the Egg: Why did Jazz lose its Popularity?

A Mixed Legacy

Process in Discussions of Race

A Voice in Politics: Did Musicians Have One?

Myth, Reality, or Maybe Both…

Its Own Museum

Racial Music vs. Cultural Music

The Black Arts Movement and Women

What is Black Music?

Social Progress is Slow

Jazz COULD Travel Up The River To Chicago!

White Narration of the African-American Experience

Why is Popular Music Important?

The Sock Hop and the Loft: Blogging the 2011 NEH Summer Institute

Summertime

Final Presentations

Great Men and Final Thoughts

Rethinking Mrs. Turner

America's Favorite Pastime

War and Sports

The Muse Makes News

A Good New-Fashioned Rent Party

Thank You

Jack Johnson and His World

All That Jazz

Slide Correction for Monday 7/26 Morning Session

A Message From Gerald Early

Drop Me Off In Harlem

Villains and Heroes of the Negro Renaissance

No Longer Harlem Bound

Music and Motivation

Defense Factory Blues

Sports, Not Just Art, in the Renaissance

This Little Light of Mine

Divinely Demented

New Respect for Birds and Flowers in New Negro Poetry

Father Divine

18th and Vine

Ellington and Black Beauty

Robeson, Du Bois & Understanding the African Diaspora

Mammies to Divas

Weary Blues

Blues: Redefined for the Studio

Racial Segregation in St. Louis

More Poetry Please!

Children Having Their Say

Rhapsody in Blues

Impressions of Thurman

Can You Please Say What You Really Mean?

Yet Do I Marvel; or, Wallace Thurman and the Day I Ticked Off Edward P. Jones

Lynching Postcards

To Shelter or Expose

Audible Man: Marcus Garvey and Ralph Ellison

Renaissance Envy
